In Clym Yeobright's face could be dimly seen the typical countenance of the future. Should there be a classic period to art hereafter, its Pheidias may produce such faces. The view of life as a thing to be put up with, replacing that zest for existence which was so intense in early civilizations, must ultimately enter so thoroughly into the constitution of the advanced races that its facial expression will become accepted as a new artistic departure. People already feel that a man who lives without disturbing a curve of feature, or setting a mark of mental concern anywhere upon himself, is too far removed from modern perceptiveness to be a modern type. Physically beautiful men—the glory of the race when it was young—are almost an anachronism now; and we may wonder whether, at some time or other, physically beautiful women may not be an anachronism likewise.
The truth seems to be that a long line of disillusive centuries has permanently displaced the Hellenic idea of life, or whatever it may be called. What the Greeks only suspected we know well; what their Aeschylus imagined our nursery children feel. That old-fashioned revelling in the general situation grows less and less possible as we uncover the defects of natural laws, and see the quandary that man is in by their operation.
The lineaments which will get embodied in ideals based upon this new recognition will probably be akin to those of Yeobright. The observer's eye was arrested, not by his face as a picture, but by his face as a page; not by what it was, but by what it recorded. His features were attractive in the light of symbols, as sounds intrinsically common become attractive in language, and as shapes intrinsically simple become interesting in writing.
He had been a lad of whom something was expected. Beyond this all had been chaos. That he would be successful in an original way, or that he would go to the dogs in an original way, seemed equally probable. The only absolute certainty about him was that he would not stand still in the circumstances amid which he was born.
Hence, when his name was casually mentioned by neighbouring yeomen, the listener said, "Ah, Clym Yeobright: what is he doing now?" When the instinctive question about a person is, What is he doing? it is felt that he will be found to be, like most of us, doing nothing in particular. There is an indefinite sense that he must be invading some region of singularity, good or bad. The devout hope is that he is doing well. The secret faith is that he is making a mess of it. Half a dozen comfortable marketmen, who were habitual callers at the Quiet Woman as they passed by in their carts, were partial to the topic. In fact, though they were not Egdon men, they could hardly avoid it while they sucked their long clay tubes and regarded the heath through the window. Clym had been so inwoven with the heath in his boyhood that hardly anybody could look upon it without thinking of him. So the subject recurred: if he were making a fortune and a name, so much the better for him; if he were making a tragical figure in the world, so much the better for a narrative.
The fact was that Yeobright's fame had spread to an awkward extent before he left home. "It is bad when your fame outruns your means," said the Spanish Jesuit Gracian. At the age of six he had asked a Scripture riddle: "Who was the first man known to wear breeches?" and applause had resounded from the very verge of the heath. At seven he painted the Battle of Waterloo with tiger-lily pollen and black-currant juice, in the absence of water-colours. By the time he reached twelve he had in this manner been heard of as artist and scholar for at least two miles round. An individual whose fame spreads three or four thousand yards in the time taken by the fame of others similarly situated to travel six or eight hundred, must of necessity have something in him. Possibly Clym's fame, like Homer's, owed something to the accidents of his situation; nevertheless famous he was.
He grew up and was helped out in life. That waggery of fate which started Clive as a writing clerk, Gay as a linen-draper, Keats as a surgeon, and a thousand others in a thousand other odd ways, banished the wild and ascetic heath lad to a trade whose sole concern was with the especial symbols of self-indulgence and vainglory.
The details of this choice of a business for him it is not necessary to give. At the death of his father a neighbouring gentleman had kindly undertaken to give the boy a start, and this assumed the form of sending him to Budmouth. Yeobright did not wish to go there, but it was the only feasible opening. Thence he went to London; and thence, shortly after, to Paris, where he had remained till now.
Something being expected of him, he had not been at home many days before a great curiosity as to why he stayed on so long began to arise in the heath. The natural term of a holiday had passed, yet he still remained. On the Sunday morning following the week of Thomasin's marriage a discussion on this subject was in progress at a hair-cutting before Fairway's house. Here the local barbering was always done at this hour on this day, to be followed by the great Sunday wash of the inhabitants at noon, which in its turn was followed by the great Sunday dressing an hour later. On Egdon Heath Sunday proper did not begin till dinner-time, and even then it was a somewhat battered specimen of the day.
These Sunday-morning hair-cuttings were performed by Fairway; the victim sitting on a chopping-block in front of the house, without a coat, and the neighbours gossiping around, idly observing the locks of hair as they rose upon the wind after the snip, and flew away out of sight to the four quarters of the heavens. Summer and winter the scene was the same, unless the wind were more than usually blusterous, when the stool was shifted a few feet round the corner. To complain of cold in sitting out of doors, hatless and coatless, while Fairway told true stories between the cuts of the scissors, would have been to pronounce yourself no man at once. To flinch, exclaim, or move a muscle of the face at the small stabs under the ear received from those instruments, or at scarifications of the neck by the comb, would have been thought a gross breach of good manners, considering that Fairway did it all for nothing. A bleeding about the poll on Sunday afternoons was amply accounted for by the explanation. "I have had my hair cut, you know."
The conversation on Yeobright had been started by a distant view of the young man rambling leisurely across the heath before them.
"A man who is doing well elsewhere wouldn't bide here two or three weeks for nothing," said Fairway. "He's got some project in's head—depend upon that."
"Well, 'a can't keep a diment shop here," said Sam.
"I don't see why he should have had them two heavy boxes home if he had not been going to bide; and what there is for him to do here the Lord in heaven knows."
Before many more surmises could be indulged in Yeobright had come near; and seeing the hair-cutting group he turned aside to join them. Marching up, and looking critically at their faces for a moment, he said, without introduction, "Now, folks, let me guess what you have been talking about."
"Ay, sure, if you will," said Sam.
"About me."
"Now, it is a thing I shouldn't have dreamed of doing, otherwise," said Fairway in a tone of integrity; "but since you have named it, Master Yeobright, I'll own that we was talking about 'ee. We were wondering what could keep you home here mollyhorning about when you have made such a world-wide name for yourself in the nick-nack trade—now, that's the truth o't."
"I'll tell you," said Yeobright, with unexpected earnestness. "I am not sorry to have the opportunity. I've come home because, all things considered, I can be a trifle less useless here than anywhere else. But I have only lately found this out. When I first got away from home I thought this place was not worth troubling about. I thought our life here was contemptible. To oil your boots instead of blacking them, to dust your coat with a switch instead of a brush: was there ever anything more ridiculous? I said."
"So 'tis; so 'tis!"
"No, no—you are wrong; it isn't."
"Beg your pardon, we thought that was your maning?"
"Well, as my views changed my course became very depressing. I found that I was trying to be like people who had hardly anything in common with myself. I was endeavouring to put off one sort of life for another sort of life, which was not better than the life I had known before. It was simply different."
"True; a sight different," said Fairway.
"Yes, Paris must be a taking place," said Humphrey. "Grand shop-winders, trumpets, and drums; and here be we out of doors in all winds and weathers—"
"But you mistake me," pleaded Clym. "All this was very depressing. But not so depressing as something I next perceived—that my business was the idlest, vainest, most effeminate business that ever a man could be put to. That decided me: I would give it up and try to follow some rational occupation among the people I knew best, and to whom I could be of most use. I have come home; and this is how I mean to carry out my plan. I shall keep a school as near to Egdon as possible, so as to be able to walk over here and have a night-school in my mother's house. But I must study a little at first, to get properly qualified. Now, neighbours, I must go."
And Clym resumed his walk across the heath.
"He'll never carry it out in the world," said Fairway. "In a few weeks he'll learn to see things otherwise."
"'Tis good-hearted of the young man," said another. "But, for my part, I think he had better mind his business."
Yeobright loved his kind. He had a conviction that the want of most men was knowledge of a sort which brings wisdom rather than affluence. He wished to raise the class at the expense of individuals rather than individuals at the expense of the class. What was more, he was ready at once to be the first unit sacrificed.
In passing from the bucolic to the intellectual life the intermediate stages are usually two at least, frequently many more; and one of those stages is almost sure to be worldly advance. We can hardly imagine bucolic placidity quickening to intellectual aims without imagining social aims as the transitional phase. Yeobright's local peculiarity was that in striving at high thinking he still cleaved to plain living—nay, wild and meagre living in many respects, and brotherliness with clowns.
He was a John the Baptist who took ennoblement rather than repentance for his text. Mentally he was in a provincial future, that is, he was in many points abreast with the central town thinkers of his date. Much of this development he may have owed to his studious life in Paris, where he had become acquainted with ethical systems popular at the time.
In consequence of this relatively advanced position, Yeobright might have been called unfortunate. The rural world was not ripe for him. A man should be only partially before his time: to be completely to the vanward in aspirations is fatal to fame. Had Philip's warlike son been intellectually so far ahead as to have attempted civilization without bloodshed, he would have been twice the godlike hero that he seemed, but nobody would have heard of an Alexander.
In the interests of renown the forwardness should lie chiefly in the capacity to handle things. Successful propagandists have succeeded because the doctrine they bring into form is that which their listeners have for some time felt without being able to shape. A man who advocates aesthetic effort and deprecates social effort is only likely to be understood by a class to which social effort has become a stale matter. To argue upon the possibility of culture before luxury to the bucolic world may be to argue truly, but it is an attempt to disturb a sequence to which humanity has been long accustomed. Yeobright preaching to the Egdon eremites that they might rise to a serene comprehensiveness without going through the process of enriching themselves, was not unlike arguing to ancient Chaldeans that in ascending from earth to the pure empyrean it was not necessary to pass first into the intervening heaven of ether.
Was Yeobright's mind well-proportioned? No. A well-proportioned mind is one which shows no particular bias; one of which we may safely say that it will never cause its owner to be confined as a madman, tortured as a heretic, or crucified as a blasphemer. Also, on the other hand, that it will never cause him to be applauded as a prophet, revered as a priest, or exalted as a king. Its usual blessings are happiness and mediocrity. It produces the poetry of Rogers, the paintings of West, the statecraft of North, the spiritual guidance of Tomline; enabling its possessors to find their way to wealth, to wind up well, to step with dignity off the stage, to die comfortably in their beds, and to get the decent monument which, in many cases, they deserve. It never would have allowed Yeobright to do such a ridiculous thing as throw up his business to benefit his fellow-creatures.
He walked along towards home without attending to paths. If anyone knew the heath well it was Clym. He was permeated with its scenes, with its substance, and with its odours. He might be said to be its product. His eyes had first opened thereon; with its appearance all the first images of his memory were mingled; his estimate of life had been coloured by it: his toys had been the flint knives and arrow-heads which he found there, wondering why stones should "grow" to such odd shapes; his flowers, the purple bells and yellow furze; his animal kingdom, the snakes and croppers; his society, its human haunters. Take all the varying hates felt by Eustacia Vye towards the heath, and translate them into loves, and you have the heart of Clym. He gazed upon the wide prospect as he walked, and was glad.
To many persons this Egdon was a place which had slipped out of its century generations ago, to intrude as an uncouth object into this. It was an obsolete thing, and few cared to study it. How could this be otherwise in the days of square fields, plashed hedges, and meadows watered on a plan so rectangular that on a fine day they looked like silver gridirons? The farmer, in his ride, who could smile at artificial grasses, look with solicitude at the coming corn, and sigh with sadness at the fly-eaten turnips, bestowed upon the distant upland of heath nothing better than a frown. But as for Yeobright, when he looked from the heights on his way he could not help indulging in a barbarous satisfaction at observing that, in some of the attempts at reclamation from the waste, tillage, after holding on for a year or two, had receded again in despair, the ferns and furze-tufts stubbornly reasserting themselves.
He descended into the valley, and soon reached his home at Blooms-End. His mother was snipping dead leaves from the window-plants. She looked up at him as if she did not understand the meaning of his long stay with her; her face had worn that look for several days. He could perceive that the curiosity which had been shown by the hair-cutting group amounted in his mother to concern. But she had asked no question with her lips, even when the arrival of his trunk suggested that he was not going to leave her soon. Her silence besought an explanation of him more loudly than words.
"I am not going back to Paris again, mother," he said. "At least, in my old capacity. I have given up the business."
Mrs. Yeobright turned in pained surprise. "I thought something was amiss, because of the boxes. I wonder you did not tell me sooner."
"I ought to have done it. But I have been in doubt whether you would be pleased with my plan. I was not quite clear on a few points myself. I am going to take an entirely new course."
"I am astonished, Clym. How can you want to do better than you've been doing?"
"Very easily. But I shall not do better in the way you mean; I suppose it will be called doing worse. But I hate that business of mine, and I want to do some worthy thing before I die. As a schoolmaster I think to do it—a school-master to the poor and ignorant, to teach them what nobody else will."
"After all the trouble that has been taken to give you a start, and when there is nothing to do but to keep straight on towards affluence, you say you will be a poor man's schoolmaster. Your fancies will be your ruin, Clym."
Mrs. Yeobright spoke calmly, but the force of feeling behind the words was but too apparent to one who knew her as well as her son did. He did not answer. There was in his face that hopelessness of being understood which comes when the objector is constitutionally beyond the reach of a logic that, even under favouring conditions, is almost too coarse a vehicle for the subtlety of the argument.
No more was said on the subject till the end of dinner. His mother then began, as if there had been no interval since the morning. "It disturbs me, Clym, to find that you have come home with such thoughts as those. I hadn't the least idea that you meant to go backward in the world by your own free choice. Of course, I have always supposed you were going to push straight on, as other men do—all who deserve the name—when they have been put in a good way of doing well."
"I cannot help it," said Clym, in a troubled tone. "Mother, I hate the flashy business. Talk about men who deserve the name, can any man deserving the name waste his time in that effeminate way, when he sees half the world going to ruin for want of somebody to buckle to and teach them how to breast the misery they are born to? I get up every morning and see the whole creation groaning and travailing in pain, as St. Paul says, and yet there am I, trafficking in glittering splendours with wealthy women and titled libertines, and pandering to the meanest vanities—I, who have health and strength enough for anything. I have been troubled in my mind about it all the year, and the end is that I cannot do it any more."
"Why can't you do it as well as others?"
"I don't know, except that there are many things other people care for which I don't; and that's partly why I think I ought to do this. For one thing, my body does not require much of me. I cannot enjoy delicacies; good things are wasted upon me. Well, I ought to turn that defect to advantage, and by being able to do without what other people require I can spend what such things cost upon anybody else."
Now, Yeobright, having inherited some of these very instincts from the woman before him, could not fail to awaken a reciprocity in her through her feelings, if not by arguments, disguise it as she might for his good. She spoke with less assurance. "And yet you might have been a wealthy man if you had only persevered. Manager to that large diamond establishment—what better can a man wish for? What a post of trust and respect! I suppose you will be like your father; like him, you are getting weary of doing well."
"No," said her son, "I am not weary of that, though I am weary of what you mean by it. Mother, what is doing well?"
Mrs. Yeobright was far too thoughtful a woman to be content with ready definitions, and, like the "What is wisdom?" of Plato's Socrates, and the "What is truth?" of Pontius Pilate, Yeobright's burning question received no answer.
The silence was broken by the clash of the garden gate, a tap at the door, and its opening. Christian Cantle appeared in the room in his Sunday clothes.
It was the custom on Egdon to begin the preface to a story before absolutely entering the house, so as to be well in for the body of the narrative by the time visitor and visited stood face to face. Christian had been saying to them while the door was leaving its latch, "To think that I, who go from home but once in a while, and hardly then, should have been there this morning!"
"'Tis news you have brought us, then, Christian?" said Mrs. Yeobright.
"Ay, sure, about a witch, and ye must overlook my time o' day; for, says I, 'I must go and tell 'em, though they won't have half done dinner.' I assure ye it made me shake like a driven leaf. Do ye think any harm will come o't?"
"Well—what?"
"This morning at church we was all standing up, and the pa'son said, 'Let us pray.' 'Well,' thinks I, 'one may as well kneel as stand'; so down I went; and, more than that, all the rest were as willing to oblige the man as I. We hadn't been hard at it for more than a minute when a most terrible screech sounded through church, as if somebody had just gied up their heart's blood. All the folk jumped up and then we found that Susan Nunsuch had pricked Miss Vye with a long stocking-needle, as she had threatened to do as soon as ever she could get the young lady to church, where she don't come very often. She've waited for this chance for weeks, so as to draw her blood and put an end to the bewitching of Susan's children that has been carried on so long. Sue followed her into church, sat next to her, and as soon as she could find a chance in went the stocking-needle into my lady's arm."
"Good heaven, how horrid!" said Mrs. Yeobright.
"Sue pricked her that deep that the maid fainted away; and as I was afeard there might be some tumult among us, I got behind the bass-viol and didn't see no more. But they carried her out into the air, 'tis said; but when they looked round for Sue she was gone. What a scream that girl gied, poor thing! There were the pa'son in his surplice holding up his hand and saying, 'Sit down, my good people, sit down!' But the deuce a bit would they sit down. O, and what d'ye think I found out, Mrs. Yeobright? The pa'son wears a suit of clothes under his surplice!—I could see his black sleeves when he held up his arm."
"'Tis a cruel thing," said Yeobright.
"Yes," said his mother.
"The nation ought to look into it," said Christian. "Here's Humphrey coming, I think."
In came Humphrey. "Well, have ye heard the news? But I see you have. 'Tis a very strange thing that whenever one of Egdon folk goes to church some rum job or other is sure to be doing. The last time one of us was there was when neighbour Fairway went in the fall; and that was the day you forbad the banns, Mrs. Yeobright."
"Has this cruelly treated girl been able to walk home?" said Clym.
"They say she got better, and went home very well. And now I've told it I must be moving homeward myself."
"And I," said Humphrey. "Truly now we shall see if there's anything in what folks say about her."
When they were gone into the heath again Yeobright said quietly to his mother, "Do you think I have turned teacher too soon?"
"It is right that there should be schoolmasters, and missionaries, and all such men," she replied. "But it is right, too, that I should try to lift you out of this life into something richer, and that you should not come back again, and be as if I had not tried at all."
Later in the day Sam, the turf-cutter, entered. "I've come a-borrowing, Mrs. Yeobright. I suppose you have heard what's been happening to the beauty on the hill?"
"Yes, Sam: half a dozen have been telling us."
"Beauty?" said Clym.
"Yes, tolerably well-favoured," Sam replied. "Lord! all the country owns that 'tis one of the strangest things in the world that such a woman should have come to live up there."
"Dark or fair?"
"Now, though I've seen her twenty times, that's a thing I cannot call to mind."
"Darker than Tamsin," murmured Mrs. Yeobright.
"A woman who seems to care for nothing at all, as you may say."
"She is melancholy, then?" inquired Clym.
"She mopes about by herself, and don't mix in with the people."
"Is she a young lady inclined for adventures?"
"Not to my knowledge."
"Doesn't join in with the lads in their games, to get some sort of excitement in this lonely place?"
"No."
"Mumming, for instance?"
"No. Her notions be different. I should rather say her thoughts were far away from here, with lords and ladies she'll never know, and mansions she'll never see again."
Observing that Clym appeared singularly interested Mrs. Yeobright said rather uneasily to Sam, "You see more in her than most of us do. Miss Vye is to my mind too idle to be charming. I have never heard that she is of any use to herself or to other people. Good girls don't get treated as witches even on Egdon."
"Nonsense—that proves nothing either way," said Yeobright.
"Well, of course I don't understand such niceties," said Sam, withdrawing from a possibly unpleasant argument; "and what she is we must wait for time to tell us. The business that I have really called about is this, to borrow the longest and strongest rope you have. The captain's bucket has dropped into the well, and they are in want of water; and as all the chaps are at home today we think we can get it out for him. We have three cart-ropes already, but they won't reach to the bottom."
Mrs. Yeobright told him that he might have whatever ropes he could find in the outhouse, and Sam went out to search. When he passed by the door Clym joined him, and accompanied him to the gate.
"Is this young witch-lady going to stay long at Mistover?" he asked.
"I should say so."
"What a cruel shame to ill-use her, She must have suffered greatly—more in mind than in body."
"'Twas a graceless trick—such a handsome girl, too. You ought to see her, Mr. Yeobright, being a young man come from far, and with a little more to show for your years than most of us."
"Do you think she would like to teach children?" said Clym.
Sam shook his head. "Quite a different sort of body from that, I reckon."
"O, it was merely something which occurred to me. It would of course be necessary to see her and talk it over—not an easy thing, by the way, for my family and hers are not very friendly."
"I'll tell you how you mid see her, Mr. Yeobright," said Sam. "We are going to grapple for the bucket at six o'clock tonight at her house, and you could lend a hand. There's five or six coming, but the well is deep, and another might be useful, if you don't mind appearing in that shape. She's sure to be walking round."
"I'll think of it," said Yeobright; and they parted.
He thought of it a good deal; but nothing more was said about Eustacia inside the house at that time. Whether this romantic martyr to superstition and the melancholy mummer he had conversed with under the full moon were one and the same person remained as yet a problem.
The afternoon was fine, and Yeobright walked on the heath for an hour with his mother. When they reached the lofty ridge which divided the valley of Blooms-End from the adjoining valley they stood still and looked round. The Quiet Woman Inn was visible on the low margin of the heath in one direction, and afar on the other hand rose Mistover Knap.
"You mean to call on Thomasin?" he inquired.
"Yes. But you need not come this time," said his mother.
"In that case I'll branch off here, mother. I am going to Mistover."
Mrs. Yeobright turned to him inquiringly.
"I am going to help them get the bucket out of the captain's well," he continued. "As it is so very deep I may be useful. And I should like to see this Miss Vye—not so much for her good looks as for another reason."
"Must you go?" his mother asked.
"I thought to."
And they parted. "There is no help for it," murmured Clym's mother gloomily as he withdrew. "They are sure to see each other. I wish Sam would carry his news to other houses than mine."
Clym's retreating figure got smaller and smaller as it rose and fell over the hillocks on his way. "He is tender-hearted," said Mrs. Yeobright to herself while she watched him; "otherwise it would matter little. How he's going on!"
He was, indeed, walking with a will over the furze, as straight as a line, as if his life depended upon it. His mother drew a long breath, and, abandoning the visit to Thomasin, turned back. The evening films began to make nebulous pictures of the valleys, but the high lands still were raked by the declining rays of the winter sun, which glanced on Clym as he walked forward, eyed by every rabbit and fieldfare around, a long shadow advancing in front of him.
On drawing near to the furze-covered bank and ditch which fortified the captain's dwelling he could hear voices within, signifying that operations had been already begun. At the side-entrance gate he stopped and looked over.
Half a dozen able-bodied men were standing in a line from the well-mouth, holding a rope which passed over the well-roller into the depths below. Fairway, with a piece of smaller rope round his body, made fast to one of the standards, to guard against accidents, was leaning over the opening, his right hand clasping the vertical rope that descended into the well.
"Now, silence, folks," said Fairway.
The talking ceased, and Fairway gave a circular motion to the rope, as if he were stirring batter. At the end of a minute a dull splashing reverberated from the bottom of the well; the helical twist he had imparted to the rope had reached the grapnel below.
"Haul!" said Fairway; and the men who held the rope began to gather it over the wheel.
"I think we've got sommat," said one of the haulers-in.
"Then pull steady," said Fairway.
They gathered up more and more, till a regular dripping into the well could be heard below. It grew smarter with the increasing height of the bucket, and presently a hundred and fifty feet of rope had been pulled in.
Fairway then lit a lantern, tied it to another cord, and began lowering it into the well beside the first. Clym came forward and looked down. Strange humid leaves, which knew nothing of the seasons of the year, and quaint-natured mosses were revealed on the wellside as the lantern descended; till its rays fell upon a confused mass of rope and bucket dangling in the dank, dark air.
"We've only got en by the edge of the hoop—steady, for God's sake!" said Fairway.
They pulled with the greatest gentleness, till the wet bucket appeared about two yards below them, like a dead friend come to earth again. Three or four hands were stretched out, then jerk went the rope, whizz went the wheel, the two foremost haulers fell backward, the beating of a falling body was heard, receding down the sides of the well, and a thunderous uproar arose at the bottom. The bucket was gone again.
"Damn the bucket!" said Fairway.
"Lower again," said Sam.
"I'm as stiff as a ram's horn stooping so long," said Fairway, standing up and stretching himself till his joints creaked.
"Rest a few minutes, Timothy," said Yeobright. "I'll take your place."
The grapnel was again lowered. Its smart impact upon the distant water reached their ears like a kiss, whereupon Yeobright knelt down, and leaning over the well began dragging the grapnel round and round as Fairway had done.
"Tie a rope round him—it is dangerous!" cried a soft and anxious voice somewhere above them.
Everybody turned. The speaker was a woman, gazing down upon the group from an upper window, whose panes blazed in the ruddy glare from the west. Her lips were parted and she appeared for the moment to forget where she was.
The rope was accordingly tied round his waist, and the work proceeded. At the next haul the weight was not heavy, and it was discovered that they had only secured a coil of the rope detached from the bucket. The tangled mass was thrown into the background. Humphrey took Yeobright's place, and the grapnel was lowered again.
Yeobright retired to the heap of recovered rope in a meditative mood. Of the identity between the lady's voice and that of the melancholy mummer he had not a moment's doubt. "How thoughtful of her!" he said to himself.
Eustacia, who had reddened when she perceived the effect of her exclamation upon the group below, was no longer to be seen at the window, though Yeobright scanned it wistfully. While he stood there the men at the well succeeded in getting up the bucket without a mishap. One of them went to inquire for the captain, to learn what orders he wished to give for mending the well-tackle. The captain proved to be away from home, and Eustacia appeared at the door and came out. She had lapsed into an easy and dignified calm, far removed from the intensity of life in her words of solicitude for Clym's safety.
"Will it be possible to draw water here tonight?" she inquired.
"No, miss; the bottom of the bucket is clean knocked out. And as we can do no more now we'll leave off, and come again tomorrow morning."
"No water," she murmured, turning away.
"I can send you up some from Blooms-End," said Clym, coming forward and raising his hat as the men retired.
Yeobright and Eustacia looked at each other for one instant, as if each had in mind those few moments during which a certain moonlight scene was common to both. With the glance the calm fixity of her features sublimed itself to an expression of refinement and warmth: it was like garish noon rising to the dignity of sunset in a couple of seconds.
"Thank you; it will hardly be necessary," she replied.
"But if you have no water?"
"Well, it is what I call no water," she said, blushing, and lifting her long-lashed eyelids as if to lift them were a work requiring consideration. "But my grandfather calls it water enough. I'll show you what I mean."
She moved away a few yards, and Clym followed. When she reached the corner of the enclosure, where the steps were formed for mounting the boundary bank, she sprang up with a lightness which seemed strange after her listless movement towards the well. It incidentally showed that her apparent languor did not arise from lack of force.
Clym ascended behind her, and noticed a circular burnt patch at the top of the bank. "Ashes?" he said.
"Yes," said Eustacia. "We had a little bonfire here last Fifth of November, and those are the marks of it."
On that spot had stood the fire she had kindled to attract Wildeve.
"That's the only kind of water we have," she continued, tossing a stone into the pool, which lay on the outside of the bank like the white of an eye without its pupil. The stone fell with a flounce, but no Wildeve appeared on the other side, as on a previous occasion there. "My grandfather says he lived for more than twenty years at sea on water twice as bad as that," she went on, "and considers it quite good enough for us here on an emergency."
"Well, as a matter of fact there are no impurities in the water of these pools at this time of the year. It has only just rained into them."
She shook her head. "I am managing to exist in a wilderness, but I cannot drink from a pond," she said.
Clym looked towards the well, which was now deserted, the men having gone home. "It is a long way to send for spring-water," he said, after a silence. "But since you don't like this in the pond, I'll try to get you some myself." He went back to the well. "Yes, I think I could do it by tying on this pail."
"But, since I would not trouble the men to get it, I cannot in conscience let you."
"I don't mind the trouble at all."
He made fast the pail to the long coil of rope, put it over the wheel, and allowed it to descend by letting the rope slip through his hands. Before it had gone far, however, he checked it.
"I must make fast the end first, or we may lose the whole," he said to Eustacia, who had drawn near. "Could you hold this a moment, while I do it—or shall I call your servant?"
"I can hold it," said Eustacia; and he placed the rope in her hands, going then to search for the end.
"I suppose I may let it slip down?" she inquired.
"I would advise you not to let it go far," said Clym. "It will get much heavier, you will find."
However, Eustacia had begun to pay out. While he was tying she cried, "I cannot stop it!"
Clym ran to her side, and found he could only check the rope by twisting the loose part round the upright post, when it stopped with a jerk. "Has it hurt you?"
"Yes," she replied.
"Very much?"
"No; I think not." She opened her hands. One of them was bleeding; the rope had dragged off the skin. Eustacia wrapped it in her handkerchief.
"You should have let go," said Yeobright. "Why didn't you?"
"You said I was to hold on… This is the second time I have been wounded today."
"Ah, yes; I have heard of it. I blush for my native Egdon. Was it a serious injury you received in church, Miss Vye?"
There was such an abundance of sympathy in Clym's tone that Eustacia slowly drew up her sleeve and disclosed her round white arm. A bright red spot appeared on its smooth surface, like a ruby on Parian marble.
"There it is," she said, putting her finger against the spot.
"It was dastardly of the woman," said Clym. "Will not Captain Vye get her punished?"
"He is gone from home on that very business. I did not know that I had such a magic reputation."
"And you fainted?" said Clym, looking at the scarlet little puncture as if he would like to kiss it and make it well.
"Yes, it frightened me. I had not been to church for a long time. And now I shall not go again for ever so long—perhaps never. I cannot face their eyes after this. Don't you think it dreadfully humiliating? I wished I was dead for hours after, but I don't mind now."
"I have come to clean away these cobwebs," said Yeobright. "Would you like to help me—by high-class teaching? We might benefit them much."
"I don't quite feel anxious to. I have not much love for my fellow-creatures. Sometimes I quite hate them."
"Still I think that if you were to hear my scheme you might take an interest in it. There is no use in hating people—if you hate anything, you should hate what produced them."
"Do you mean Nature? I hate her already. But I shall be glad to hear your scheme at any time."
The situation had now worked itself out, and the next natural thing was for them to part. Clym knew this well enough, and Eustacia made a move of conclusion; yet he looked at her as if he had one word more to say. Perhaps if he had not lived in Paris it would never have been uttered.
"We have met before," he said, regarding her with rather more interest than was necessary.
"I do not own it," said Eustacia, with a repressed, still look.
"But I may think what I like."
"Yes."
"You are lonely here."
"I cannot endure the heath, except in its purple season. The heath is a cruel taskmaster to me."
"Can you say so?" he asked. "To my mind it is most exhilarating, and strengthening, and soothing. I would rather live on these hills than anywhere else in the world."
"It is well enough for artists; but I never would learn to draw."
"And there is a very curious Druidical stone just out there." He threw a pebble in the direction signified. "Do you often go to see it?"
"I was not even aware there existed any such curious Druidical stone. I am aware that there are boulevards in Paris."
Yeobright looked thoughtfully on the ground. "That means much," he said.
"It does indeed," said Eustacia.
"I remember when I had the same longing for town bustle. Five years of a great city would be a perfect cure for that."
"Heaven send me such a cure! Now, Mr. Yeobright, I will go indoors and plaster my wounded hand."
They separated, and Eustacia vanished in the increasing shade. She seemed full of many things. Her past was a blank, her life had begun. The effect upon Clym of this meeting he did not fully discover till some time after. During his walk home his most intelligible sensation was that his scheme had somehow become glorified. A beautiful woman had been intertwined with it.
On reaching the house he went up to the room which was to be made his study, and occupied himself during the evening in unpacking his books from the boxes and arranging them on shelves. From another box he drew a lamp and a can of oil. He trimmed the lamp, arranged his table, and said, "Now, I am ready to begin."
He rose early the next morning, read two hours before breakfast by the light of his lamp—read all the morning, all the afternoon. Just when the sun was going down his eyes felt weary, and he leant back in his chair.
His room overlooked the front of the premises and the valley of the heath beyond. The lowest beams of the winter sun threw the shadow of the house over the palings, across the grass margin of the heath, and far up the vale, where the chimney outlines and those of the surrounding treetops stretched forth in long dark prongs. Having been seated at work all day, he decided to take a turn upon the hills before it got dark; and, going out forthwith, he struck across the heath towards Mistover.
It was an hour and a half later when he again appeared at the garden gate. The shutters of the house were closed, and Christian Cantle, who had been wheeling manure about the garden all day, had gone home. On entering he found that his mother, after waiting a long time for him, had finished her meal.
"Where have you been, Clym?" she immediately said. "Why didn't you tell me that you were going away at this time?"
"I have been on the heath."
"You'll meet Eustacia Vye if you go up there."
Clym paused a minute. "Yes, I met her this evening," he said, as though it were spoken under the sheer necessity of preserving honesty.
"I wondered if you had."
"It was no appointment."
"No; such meetings never are."
"But you are not angry, mother?"
"I can hardly say that I am not. Angry? No. But when I consider the usual nature of the drag which causes men of promise to disappoint the world I feel uneasy."
"You deserve credit for the feeling, mother. But I can assure you that you need not be disturbed by it on my account."
"When I think of you and your new crotchets," said Mrs. Yeobright, with some emphasis, "I naturally don't feel so comfortable as I did a twelvemonth ago. It is incredible to me that a man accustomed to the attractive women of Paris and elsewhere should be so easily worked upon by a girl in a heath. You could just as well have walked another way."
"I had been studying all day."
"Well, yes," she added more hopefully, "I have been thinking that you might get on as a schoolmaster, and rise that way, since you really are determined to hate the course you were pursuing."
Yeobright was unwilling to disturb this idea, though his scheme was far enough removed from one wherein the education of youth should be made a mere channel of social ascent. He had no desires of that sort. He had reached the stage in a young man's life when the grimness of the general human situation first becomes clear; and the realization of this causes ambition to halt awhile. In France it is not uncustomary to commit suicide at this stage; in England we do much better, or much worse, as the case may be.
The love between the young man and his mother was strangely invisible now. Of love it may be said, the less earthly the less demonstrative. In its absolutely indestructible form it reaches a profundity in which all exhibition of itself is painful. It was so with these. Had conversations between them been overheard, people would have said, "How cold they are to each other!"
His theory and his wishes about devoting his future to teaching had made an impression on Mrs. Yeobright. Indeed, how could it be otherwise when he was a part of her—when their discourses were as if carried on between the right and the left hands of the same body? He had despaired of reaching her by argument; and it was almost as a discovery to him that he could reach her by a magnetism which was as superior to words as words are to yells.
Strangely enough he began to feel now that it would not be so hard to persuade her who was his best friend that comparative poverty was essentially the higher course for him, as to reconcile to his feelings the act of persuading her. From every provident point of view his mother was so undoubtedly right, that he was not without a sickness of heart in finding he could shake her.
She had a singular insight into life, considering that she had never mixed with it. There are instances of persons who, without clear ideas of the things they criticize, have yet had clear ideas of the relations of those things. Blacklock, a poet blind from his birth, could describe visual objects with accuracy; Professor Sanderson, who was also blind, gave excellent lectures on colour, and taught others the theory of ideas which they had and he had not. In the social sphere these gifted ones are mostly women; they can watch a world which they never saw, and estimate forces of which they have only heard. We call it intuition.
What was the great world to Mrs. Yeobright? A multitude whose tendencies could be perceived, though not its essences. Communities were seen by her as from a distance; she saw them as we see the throngs which cover the canvases of Sallaert, Van Alsloot, and others of that school—vast masses of beings, jostling, zigzagging, and processioning in definite directions, but whose features are indistinguishable by the very comprehensiveness of the view.
One could see that, as far as it had gone, her life was very complete on its reflective side. The philosophy of her nature, and its limitation by circumstances, was almost written in her movements. They had a majestic foundation, though they were far from being majestic; and they had a groundwork of assurance, but they were not assured. As her once elastic walk had become deadened by time, so had her natural pride of life been hindered in its blooming by her necessities.
The next slight touch in the shaping of Clym's destiny occurred a few days after. A barrow was opened on the heath, and Yeobright attended the operation, remaining away from his study during several hours. In the afternoon Christian returned from a journey in the same direction, and Mrs. Yeobright questioned him.
"They have dug a hole, and they have found things like flowerpots upside down, Mis'ess Yeobright; and inside these be real charnel bones. They have carried 'em off to men's houses; but I shouldn't like to sleep where they will bide. Dead folks have been known to come and claim their own. Mr. Yeobright had got one pot of the bones, and was going to bring 'em home—real skellington bones—but 'twas ordered otherwise. You'll be relieved to hear that he gave away his pot and all, on second thoughts; and a blessed thing for ye, Mis'ess Yeobright, considering the wind o' nights."
"Gave it away?"
"Yes. To Miss Vye. She has a cannibal taste for such churchyard furniture seemingly."
"Miss Vye was there too?"
"Ay, 'a b'lieve she was."
When Clym came home, which was shortly after, his mother said, in a curious tone, "The urn you had meant for me you gave away."
Yeobright made no reply; the current of her feeling was too pronounced to admit it.
The early weeks of the year passed on. Yeobright certainly studied at home, but he also walked much abroad, and the direction of his walk was always towards some point of a line between Mistover and Rainbarrow.
The month of March arrived, and the heath showed its first signs of awakening from winter trance. The awakening was almost feline in its stealthiness. The pool outside the bank by Eustacia's dwelling, which seemed as dead and desolate as ever to an observer who moved and made noises in his observation, would gradually disclose a state of great animation when silently watched awhile. A timid animal world had come to life for the season. Little tadpoles and efts began to bubble up through the water, and to race along beneath it; toads made noises like very young ducks, and advanced to the margin in twos and threes; overhead, bumble-bees flew hither and thither in the thickening light, their drone coming and going like the sound of a gong.
On an evening such as this Yeobright descended into the Blooms-End valley from beside that very pool, where he had been standing with another person quite silently and quite long enough to hear all this puny stir of resurrection in nature; yet he had not heard it. His walk was rapid as he came down, and he went with a springy tread. Before entering upon his mother's premises he stopped and breathed. The light which shone forth on him from the window revealed that his face was flushed and his eye bright. What it did not show was something which lingered upon his lips like a seal set there. The abiding presence of this impress was so real that he hardly dared to enter the house, for it seemed as if his mother might say, "What red spot is that glowing upon your mouth so vividly?"
But he entered soon after. The tea was ready, and he sat down opposite his mother. She did not speak many words; and as for him, something had been just done and some words had been just said on the hill which prevented him from beginning a desultory chat. His mother's taciturnity was not without ominousness, but he appeared not to care. He knew why she said so little, but he could not remove the cause of her bearing towards him. These half-silent sittings were far from uncommon with them now. At last Yeobright made a beginning of what was intended to strike at the whole root of the matter.
"Five days have we sat like this at meals with scarcely a word. What's the use of it, mother?"
"None," said she, in a heart-swollen tone. "But there is only too good a reason."
"Not when you know all. I have been wanting to speak about this, and I am glad the subject is begun. The reason, of course, is Eustacia Vye. Well, I confess I have seen her lately, and have seen her a good many times."
"Yes, yes; and I know what that amounts to. It troubles me, Clym. You are wasting your life here; and it is solely on account of her. If it had not been for that woman you would never have entertained this teaching scheme at all."
Clym looked hard at his mother. "You know that is not it," he said.
"Well, I know you had decided to attempt it before you saw her; but that would have ended in intentions. It was very well to talk of, but ridiculous to put in practice. I fully expected that in the course of a month or two you would have seen the folly of such self-sacrifice, and would have been by this time back again to Paris in some business or other. I can understand objections to the diamond trade—I really was thinking that it might be inadequate to the life of a man like you even though it might have made you a millionaire. But now I see how mistaken you are about this girl I doubt if you could be correct about other things."
"How am I mistaken in her?"
"She is lazy and dissatisfied. But that is not all of it. Supposing her to be as good a woman as any you can find, which she certainly is not, why do you wish to connect yourself with anybody at present?"
"Well, there are practical reasons," Clym began, and then almost broke off under an overpowering sense of the weight of argument which could be brought against his statement. "If I take a school an educated woman would be invaluable as a help to me."
"What! you really mean to marry her?"
"It would be premature to state that plainly. But consider what obvious advantages there would be in doing it. She—"
"Don't suppose she has any money. She hasn't a farthing."
"She is excellently educated, and would make a good matron in a boarding-school. I candidly own that I have modified my views a little, in deference to you; and it should satisfy you. I no longer adhere to my intention of giving with my own mouth rudimentary education to the lowest class. I can do better. I can establish a good private school for farmers' sons, and without stopping the school I can manage to pass examinations. By this means, and by the assistance of a wife like her—"
"Oh, Clym!"
"I shall ultimately, I hope, be at the head of one of the best schools in the county."
Yeobright had enunciated the word "her" with a fervour which, in conversation with a mother, was absurdly indiscreet. Hardly a maternal heart within the four seas could, in such circumstances, have helped being irritated at that ill-timed betrayal of feeling for a new woman.
"You are blinded, Clym," she said warmly. "It was a bad day for you when you first set eyes on her. And your scheme is merely a castle in the air built on purpose to justify this folly which has seized you, and to salve your conscience on the irrational situation you are in."
"Mother, that's not true," he firmly answered.
"Can you maintain that I sit and tell untruths, when all I wish to do is to save you from sorrow? For shame, Clym! But it is all through that woman—a hussy!"
Clym reddened like fire and rose. He placed his hand upon his mother's shoulder and said, in a tone which hung strangely between entreaty and command, "I won't hear it. I may be led to answer you in a way which we shall both regret."
His mother parted her lips to begin some other vehement truth, but on looking at him she saw that in his face which led her to leave the words unsaid. Yeobright walked once or twice across the room, and then suddenly went out of the house. It was eleven o'clock when he came in, though he had not been further than the precincts of the garden. His mother was gone to bed. A light was left burning on the table, and supper was spread. Without stopping for any food he secured the doors and went upstairs.
The next day was gloomy enough at Blooms-End. Yeobright remained in his study, sitting over the open books; but the work of those hours was miserably scant. Determined that there should be nothing in his conduct towards his mother resembling sullenness, he had occasionally spoken to her on passing matters, and would take no notice of the brevity of her replies. With the same resolve to keep up a show of conversation he said, about seven o'clock in the evening, "There's an eclipse of the moon tonight. I am going out to see it." And, putting on his overcoat, he left her.
The low moon was not as yet visible from the front of the house, and Yeobright climbed out of the valley until he stood in the full flood of her light. But even now he walked on, and his steps were in the direction of Rainbarrow.
In half an hour he stood at the top. The sky was clear from verge to verge, and the moon flung her rays over the whole heath, but without sensibly lighting it, except where paths and water-courses had laid bare the white flints and glistening quartz sand, which made streaks upon the general shade. After standing awhile he stooped and felt the heather. It was dry, and he flung himself down upon the barrow, his face towards the moon, which depicted a small image of herself in each of his eyes.
He had often come up here without stating his purpose to his mother; but this was the first time that he had been ostensibly frank as to his purpose while really concealing it. It was a moral situation which, three months earlier, he could hardly have credited of himself. In returning to labour in this sequestered spot he had anticipated an escape from the chafing of social necessities; yet behold they were here also. More than ever he longed to be in some world where personal ambition was not the only recognized form of progress—such, perhaps, as might have been the case at some time or other in the silvery globe then shining upon him. His eye travelled over the length and breadth of that distant country—over the Bay of Rainbows, the sombre Sea of Crises, the Ocean of Storms, the Lake of Dreams, the vast Walled Plains, and the wondrous Ring Mountains—till he almost felt himself to be voyaging bodily through its wild scenes, standing on its hollow hills, traversing its deserts, descending its vales and old sea bottoms, or mounting to the edges of its craters.
While he watched the far-removed landscape a tawny stain grew into being on the lower verge: the eclipse had begun. This marked a preconcerted moment: for the remote celestial phenomenon had been pressed into sublunary service as a lover's signal. Yeobright's mind flew back to earth at the sight; he arose, shook himself and listened. Minute after minute passed by, perhaps ten minutes passed, and the shadow on the moon perceptibly widened. He heard a rustling on his left hand, a cloaked figure with an upturned face appeared at the base of the Barrow, and Clym descended. In a moment the figure was in his arms, and his lips upon hers.
"My Eustacia!"
"Clym, dearest!"
Such a situation had less than three months brought forth.
They remained long without a single utterance, for no language could reach the level of their condition: words were as the rusty implements of a by-gone barbarous epoch, and only to be occasionally tolerated.
"I began to wonder why you did not come," said Yeobright, when she had withdrawn a little from his embrace.
"You said ten minutes after the first mark of shade on the edge of the moon, and that's what it is now."
"Well, let us only think that here we are."
Then, holding each other's hand, they were again silent, and the shadow on the moon's disc grew a little larger.
"Has it seemed long since you last saw me?" she asked.
"It has seemed sad."
"And not long? That's because you occupy yourself, and so blind yourself to my absence. To me, who can do nothing, it has been like living under stagnant water."
"I would rather bear tediousness, dear, than have time made short by such means as have shortened mine."
"In what way is that? You have been thinking you wished you did not love me."
"How can a man wish that, and yet love on? No, Eustacia."
"Men can, women cannot."
"Well, whatever I may have thought, one thing is certain—I do love you—past all compass and description. I love you to oppressiveness—I, who have never before felt more than a pleasant passing fancy for any woman I have ever seen. Let me look right into your moonlit face and dwell on every line and curve in it! Only a few hair-breadths make the difference between this face and faces I have seen many times before I knew you; yet what a difference—the difference between everything and nothing at all. One touch on that mouth again! there, and there, and there. Your eyes seem heavy, Eustacia."
"No, it is my general way of looking. I think it arises from my feeling sometimes an agonizing pity for myself that I ever was born."
"You don't feel it now?"
"No. Yet I know that we shall not love like this always. Nothing can ensure the continuance of love. It will evaporate like a spirit, and so I feel full of fears."
"You need not."
"Ah, you don't know. You have seen more than I, and have been into cities and among people that I have only heard of, and have lived more years than I; but yet I am older at this than you. I loved another man once, and now I love you."
"In God's mercy don't talk so, Eustacia!"
"But I do not think I shall be the one who wearies first. It will, I fear, end in this way: your mother will find out that you meet me, and she will influence you against me!"
"That can never be. She knows of these meetings already."
"And she speaks against me?"
"I will not say."
"There, go away! Obey her. I shall ruin you. It is foolish of you to meet me like this. Kiss me, and go away for ever. For ever—do you hear?—for ever!"
"Not I."
"It is your only chance. Many a man's love has been a curse to him."
"You are desperate, full of fancies, and wilful; and you misunderstand. I have an additional reason for seeing you tonight besides love of you. For though, unlike you, I feel our affection may be eternal, I feel with you in this, that our present mode of existence cannot last."
"Oh! 'tis your mother. Yes, that's it! I knew it."
"Never mind what it is. Believe this, I cannot let myself lose you. I must have you always with me. This very evening I do not like to let you go. There is only one cure for this anxiety, dearest—you must be my wife."
She started: then endeavoured to say calmly, "Cynics say that cures the anxiety by curing the love."
"But you must answer me. Shall I claim you some day—I don't mean at once?"
"I must think," Eustacia murmured. "At present speak of Paris to me. Is there any place like it on earth?"
"It is very beautiful. But will you be mine?"
"I will be nobody else's in the world—does that satisfy you?"
"Yes, for the present."
"Now tell me of the Tuileries, and the Louvre," she continued evasively.
"I hate talking of Paris! Well, I remember one sunny room in the Louvre which would make a fitting place for you to live in—the Galerie d'Apollon. Its windows are mainly east; and in the early morning, when the sun is bright, the whole apartment is in a perfect blaze of splendour. The rays bristle and dart from the encrustations of gilding to the magnificent inlaid coffers, from the coffers to the gold and silver plate, from the plate to the jewels and precious stones, from these to the enamels, till there is a perfect network of light which quite dazzles the eye. But now, about our marriage—"
"And Versailles—the King's Gallery is some such gorgeous room, is it not?"
"Yes. But what's the use of talking of gorgeous rooms? By the way, the Little Trianon would suit us beautifully to live in, and you might walk in the gardens in the moonlight and think you were in some English shrubbery; it is laid out in English fashion."
"I should hate to think that!"
"Then you could keep to the lawn in front of the Grand Palace. All about there you would doubtless feel in a world of historical romance."
He went on, since it was all new to her, and described Fontainebleau, St. Cloud, the Bois, and many other familiar haunts of the Parisians; till she said—
"When used you to go to these places?"
"On Sundays."
"Ah, yes. I dislike English Sundays. How I should chime in with their manners over there! Dear Clym, you'll go back again?"
Clym shook his head, and looked at the eclipse.
"If you'll go back again I'll—be something," she said tenderly, putting her head near his breast. "If you'll agree I'll give my promise, without making you wait a minute longer."
"How extraordinary that you and my mother should be of one mind about this!" said Yeobright. "I have vowed not to go back, Eustacia. It is not the place I dislike; it is the occupation."
"But you can go in some other capacity."
"No. Besides, it would interfere with my scheme. Don't press that, Eustacia. Will you marry me?"
"I cannot tell."
"Now—never mind Paris; it is no better than other spots. Promise, sweet!"
"You will never adhere to your education plan, I am quite sure; and then it will be all right for me; and so I promise to be yours for ever and ever."
Clym brought her face towards his by a gentle pressure of the hand, and kissed her.
"Ah! but you don't know what you have got in me," she said. "Sometimes I think there is not that in Eustacia Vye which will make a good homespun wife. Well, let it go—see how our time is slipping, slipping, slipping!" She pointed towards the half eclipsed moon.
"You are too mournful."
"No. Only I dread to think of anything beyond the present. What is, we know. We are together now, and it is unknown how long we shall be so; the unknown always fills my mind with terrible possibilities, even when I may reasonably expect it to be cheerful… Clym, the eclipsed moonlight shines upon your face with a strange foreign colour, and shows its shape as if it were cut out in gold. That means that you should be doing better things than this."
"You are ambitious, Eustacia—no, not exactly ambitious, luxurious. I ought to be of the same vein, to make you happy, I suppose. And yet, far from that, I could live and die in a hermitage here, with proper work to do."
There was that in his tone which implied distrust of his position as a solicitous lover, a doubt if he were acting fairly towards one whose tastes touched his own only at rare and infrequent points. She saw his meaning, and whispered, in a low, full accent of eager assurance "Don't mistake me, Clym: though I should like Paris, I love you for yourself alone. To be your wife and live in Paris would be heaven to me; but I would rather live with you in a hermitage here than not be yours at all. It is gain to me either way, and very great gain. There's my too candid confession."
"Spoken like a woman. And now I must soon leave you. I'll walk with you towards your house."
"But must you go home yet?" she asked. "Yes, the sand has nearly slipped away, I see, and the eclipse is creeping on more and more. Don't go yet! Stop till the hour has run itself out; then I will not press you any more. You will go home and sleep well; I keep sighing in my sleep! Do you ever dream of me?"
"I cannot recollect a clear dream of you."
"I see your face in every scene of my dreams, and hear your voice in every sound. I wish I did not. It is too much what I feel. They say such love never lasts. But it must! And yet once, I remember, I saw an officer of the Hussars ride down the street at Budmouth, and though he was a total stranger and never spoke to me, I loved him till I thought I should really die of love—but I didn't die, and at last I left off caring for him. How terrible it would be if a time should come when I could not love you, my Clym!"
"Please don't say such reckless things. When we see such a time at hand we will say, 'I have outlived my faith and purpose,' and die. There, the hour has expired: now let us walk on."
Hand in hand they went along the path towards Mistover. When they were near the house he said, "It is too late for me to see your grandfather tonight. Do you think he will object to it?"
"I will speak to him. I am so accustomed to be my own mistress that it did not occur to me that we should have to ask him."
Then they lingeringly separated, and Clym descended towards Blooms-End.
And as he walked further and further from the charmed atmosphere of his Olympian girl his face grew sad with a new sort of sadness. A perception of the dilemma in which his love had placed him came back in full force. In spite of Eustacia's apparent willingness to wait through the period of an unpromising engagement, till he should be established in his new pursuit, he could not but perceive at moments that she loved him rather as a visitant from a gay world to which she rightly belonged than as a man with a purpose opposed to that recent past of his which so interested her. Often at their meetings a word or a sigh escaped her. It meant that, though she made no conditions as to his return to the French capital, this was what she secretly longed for in the event of marriage; and it robbed him of many an otherwise pleasant hour. Along with that came the widening breach between himself and his mother. Whenever any little occurrence had brought into more prominence than usual the disappointment that he was causing her it had sent him on lone and moody walks; or he was kept awake a great part of the night by the turmoil of spirit which such a recognition created. If Mrs. Yeobright could only have been led to see what a sound and worthy purpose this purpose of his was and how little it was being affected by his devotions to Eustacia, how differently would she regard him!