St. Just would have given much to be back in his lonely squalid lodgings now. Too late did he realise how wise had been the dictum which had warned him against making or renewing friendships in France.
Men had changed with the times. How terribly they had changed! Personal safety had become a fetish with most—a goal so difficult to attain that it had to be fought for and striven for, even at the expense of humanity and of self-respect.
Selfishness—the mere, cold-blooded insistence for self-advancement—ruled supreme. De Batz, surfeited with foreign money, used it firstly to ensure his own immunity, scattering it to right and left to still the ambition of the Public Prosecutor or to satisfy the greed of innumerable spies.
What was left over he used for the purpose of pitting the bloodthirsty demagogues one against the other, making of the National Assembly a gigantic bear-den, wherein wild beasts could rend one another limb from limb.
In the meanwhile, what cared he—he said it himself—whether hundreds of innocent martyrs perished miserably and uselessly? They were the necessary food whereby the Revolution was to be satiated and de Batz’ schemes enabled to mature. The most precious life in Europe even was only to be saved if its price went to swell the pockets of de Batz, or to further his future ambitions.
Times had indeed changed an entire nation. St. Just felt as sickened with this self-seeking Royalist as he did with the savage brutes who struck to right or left for their own delectation. He was meditating immediate flight back to his lodgings, with a hope of finding there a word for him from the chief—a word to remind him that men did live nowadays who had other aims besides their own advancement—other ideals besides the deification of self.
The curtain had descended on the first act, and traditionally, as the works of M. de Moliere demanded it, the three knocks were heard again without any interval. St. Just rose ready with a pretext for parting with his friend. The curtain was being slowly drawn up on the second act, and disclosed Alceste in wrathful conversation with Celimene.
Alceste’s opening speech is short. Whilst the actor spoke it Armand had his back to the stage; with hand outstretched, he was murmuring what he hoped would prove a polite excuse for thus leaving his amiable host while the entertainment had only just begun.
De Batz—vexed and impatient—had not by any means finished with his friend yet. He thought that his specious arguments—delivered with boundless conviction—had made some impression on the mind of the young man. That impression, however, he desired to deepen, and whilst Armand was worrying his brain to find a plausible excuse for going away, de Batz was racking his to find one for keeping him here.
Then it was that the wayward demon Chance intervened. Had St. Just risen but two minutes earlier, had his active mind suggested the desired excuse more readily, who knows what unspeakable sorrow, what heartrending misery, what terrible shame might have been spared both him and those for whom he cared? Those two minutes—did he but know it—decided the whole course of his future life. The excuse hovered on his lips, de Batz reluctantly was preparing to bid him good-bye, when Celimene, speaking common-place words enough in answer to her quarrelsome lover, caused him to drop the hand which he was holding out to his friend and to turn back towards the stage.
It was an exquisite voice that had spoken—a voice mellow and tender, with deep tones in it that betrayed latent power. The voice had caused Armand to look, the lips that spoke forged the first tiny link of that chain which riveted him forever after to the speaker.
It is difficult to say if such a thing really exists as love at first sight. Poets and romancists will have us believe that it does; idealists swear by it as being the only true love worthy of the name.
I do not know if I am prepared to admit their theory with regard to Armand St. Just. Mlle. Lange’s exquisite voice certainly had charmed him to the extent of making him forget his mistrust of de Batz and his desire to get away. Mechanically almost he sat down again, and leaning both elbows on the edge of the box, he rested his chin in his hand, and listened. The words which the late M. de Moliere puts into the mouth of Celimene are trite and flippant enough, yet every time that Mlle. Lange’s lips moved Armand watched her, entranced.
There, no doubt, the matter would have ended: a young man fascinated by a pretty woman on the stage—‘tis a small matter, and one from which there doth not often spring a weary trail of tragic circumstances. Armand, who had a passion for music, would have worshipped at the shrine of Mlle. Lange’s perfect voice until the curtain came down on the last act, had not his friend de Batz seen the keen enchantment which the actress had produced on the young enthusiast.
Now de Batz was a man who never allowed an opportunity to slip by, if that opportunity led towards the furtherance of his own desires. He did not want to lose sight of Armand just yet, and here the good demon Chance had given him an opportunity for obtaining what he wanted.
He waited quietly until the fall of the curtain at the end of Act II.; then, as Armand, with a sigh of delight, leaned back in his chair, and closing his eyes appeared to be living the last half-hour all over again, de Batz remarked with well-assumed indifference:
“Mlle. Lange is a promising young actress. Do you not think so, my friend?”
“She has a perfect voice—it was exquisite melody to the ear,” replied Armand. “I was conscious of little else.”
“She is a beautiful woman, nevertheless,” continued de Batz with a smile. “During the next act, my good St. Just, I would suggest that you open your eyes as well as your ears.”
Armand did as he was bidden. The whole appearance of Mlle. Lange seemed in harmony with her voice. She was not very tall, but eminently graceful, with a small, oval face and slender, almost childlike figure, which appeared still more so above the wide hoops and draped panniers of the fashions of Moliere’s time.
Whether she was beautiful or not the young man hardly knew. Measured by certain standards, she certainly was not so, for her mouth was not small, and her nose anything but classical in outline. But the eyes were brown, and they had that half-veiled look in them—shaded with long lashes that seemed to make a perpetual tender appeal to the masculine heart: the lips, too, were full and moist, and the teeth dazzling white. Yes!—on the whole we might easily say that she was exquisite, even though we did not admit that she was beautiful.
Painter David has made a sketch of her; we have all seen it at the Musee Carnavalet, and all wondered why that charming, if irregular, little face made such an impression of sadness.
There are five acts in “Le Misanthrope,” during which Celimene is almost constantly on the stage. At the end of the fourth act de Batz said casually to his friend:
“I have the honour of personal acquaintanceship with Mlle. Lange. An you care for an introduction to her, we can go round to the green-room after the play.”
Did prudence then whisper, “Desist”? Did loyalty to the leader murmur, “Obey”? It were indeed difficult to say. Armand St. Just was not five-and-twenty, and Mlle. Lange’s melodious voice spoke louder than the whisperings of prudence or even than the call of duty.
He thanked de Batz warmly, and during the last half-hour, while the misanthropical lover spurned repentant Celimene, he was conscious of a curious sensation of impatience, a tingling of his nerves, a wild, mad longing to hear those full moist lips pronounce his name, and have those large brown eyes throw their half-veiled look into his own.
The green-room was crowded when de Batz and St. Just arrived there after the performance. The older man cast a hasty glance through the open door. The crowd did not suit his purpose, and he dragged his companion hurriedly away from the contemplation of Mlle. Lange, sitting in a far corner of the room, surrounded by an admiring throng, and by innumerable floral tributes offered to her beauty and to her success.
De Batz without a word led the way back towards the stage. Here, by the dim light of tallow candles fixed in sconces against the surrounding walls, the scene-shifters were busy moving drop-scenes, back cloths and wings, and paid no heed to the two men who strolled slowly up and down silently, each wrapped in his own thoughts.
Armand walked with his hands buried in his breeches pockets, his head bent forward on his chest; but every now and again he threw quick, apprehensive glances round him whenever a firm step echoed along the empty stage or a voice rang clearly through the now deserted theatre.
“Are we wise to wait here?” he asked, speaking to himself rather than to his companion.
He was not anxious about his own safety; but the words of de Batz had impressed themselves upon his mind: “Heron and his spies we have always with us.”
From the green-room a separate foyer and exit led directly out into the street. Gradually the sound of many voices, the loud laughter and occasional snatches of song which for the past half-hour had proceeded from that part of the house, became more subdued and more rare. One by one the friends of the artists were leaving the theatre, after having paid the usual banal compliments to those whom they favoured, or presented the accustomed offering of flowers to the brightest star of the night.
The actors were the first to retire, then the older actresses, the ones who could no longer command a court of admirers round them. They all filed out of the green-room and crossed the stage to where, at the back, a narrow, rickety wooden stairs led to their so-called dressing-rooms—tiny, dark cubicles, ill-lighted, unventilated, where some half-dozen of the lesser stars tumbled over one another while removing wigs and grease-paint.
Armand and de Batz watched this exodus, both with equal impatience. Mlle. Lange was the last to leave the green-room. For some time, since the crowd had become thinner round her, Armand had contrived to catch glimpses of her slight, elegant figure. A short passage led from the stage to the green-room door, which was wide open, and at the corner of this passage the young man had paused from time to time in his walk, gazing with earnest admiration at the dainty outline of the young girl’s head, with its wig of powdered curls that seemed scarcely whiter than the creamy brilliance of her skin.
De Batz did not watch Mlle. Lange beyond casting impatient looks in the direction of the crowd that prevented her leaving the green-room. He did watch Armand, however—noted his eager look, his brisk and alert movements, the obvious glances of admiration which he cast in the direction of the young actress, and this seemed to afford him a considerable amount of contentment.
The best part of an hour had gone by since the fall of the curtain before Mlle. Lange finally dismissed her many admirers, and de Batz had the satisfaction of seeing her running down the passage, turning back occasionally in order to bid gay “good-nights” to the loiterers who were loath to part from her. She was a child in all her movements, quite unconscious of self or of her own charms, but frankly delighted with her success. She was still dressed in the ridiculous hoops and panniers pertaining to her part, and the powdered peruke hid the charm of her own hair; the costume gave a certain stilted air to her unaffected personality, which, by this very sense of contrast, was essentially fascinating.
In her arms she held a huge sheaf of sweet-scented narcissi, the spoils of some favoured spot far away in the South. Armand thought that never in his life had he seen anything so winsome or so charming.
Having at last said the positively final adieu, Mlle. Lange with a happy little sigh turned to run down the passage.
She came face to face with Armand, and gave a sudden little gasp of terror. It was not good these days to come on any loiterer unawares.
But already de Batz had quickly joined his friend, and his smooth, pleasant voice, and podgy, beringed hand extended towards Mlle. Lange, were sufficient to reassure her.
“You were so surrounded in the green-room, mademoiselle,” he said courteously, “I did not venture to press in among the crowd of your admirers. Yet I had the great wish to present my respectful congratulations in person.”
“Ah! c’est ce cher de Batz!” exclaimed mademoiselle gaily, in that exquisitely rippling voice of hers. “And where in the world do you spring from, my friend?
“Hush-sh-sh!” he whispered, holding her small bemittened hand in his, and putting one finger to his lips with an urgent entreaty for discretion; “not my name, I beg of you, fair one.”
“Bah!” she retorted lightly, even though her full lips trembled now as she spoke and belied her very words. “You need have no fear whilst you are in this part of the house. It is an understood thing that the Committee of General Security does not send its spies behind the curtain of a theatre. Why, if all of us actors and actresses were sent to the guillotine there would be no play on the morrow. Artistes are not replaceable in a few hours; those that are in existence must perforce be spared, or the citizens who govern us now would not know where to spend their evenings.”
But though she spoke so airily and with her accustomed gaiety, it was easily perceived that even on this childish mind the dangers which beset every one these days had already imprinted their mark of suspicion and of caution.
“Come into my dressing-room,” she said. “I must not tarry here any longer, for they will be putting out the lights. But I have a room to myself, and we can talk there quite agreeably.”
She led the way across the stage towards the wooden stairs. Armand, who during this brief colloquy between his friend and the young girl had kept discreetly in the background, felt undecided what to do. But at a peremptory sign from de Batz he, too, turned in the wake of the gay little lady, who ran swiftly up the rickety steps, humming snatches of popular songs the while, and not turning to see if indeed the two men were following her.
She had the sheaf of narcissi still in her arms, and the door of her tiny dressing-room being open, she ran straight in and threw the flowers down in a confused, sweet-scented mass upon the small table that stood at one end of the room, littered with pots and bottles, letters, mirrors, powder-puffs, silk stockings, and cambric handkerchiefs.
Then she turned and faced the two men, a merry look of unalterable gaiety dancing in her eyes.
“Shut the door, mon ami,” she said to de Batz, “and after that sit down where you can, so long as it is not on my most precious pot of unguent or a box of costliest powder.”
While de Batz did as he was told, she turned to Armand and said with a pretty tone of interrogation in her melodious voice:
“Monsieur?”
“St. Just, at your service, mademoiselle,” said Armand, bowing very low in the most approved style obtaining at the English Court.
“St. Just?” she repeated, a look of puzzlement in her brown eyes. “Surely—”
“A kinsman of citizen St. Just, whom no doubt you know, mademoiselle,” he exclaimed.
“My friend Armand St. Just,” interposed de Batz, “is practically a new-comer in Paris. He lives in England habitually.”
“In England?” she exclaimed. “Oh! do tell me all about England. I would love to go there. Perhaps I may have to go some day. Oh! do sit down, de Batz,” she continued, talking rather volubly, even as a delicate blush heightened the colour in her cheeks under the look of obvious admiration from Armand St. Just’s expressive eyes.
She swept a handful of delicate cambric and silk from off a chair, making room for de Batz’ portly figure. Then she sat upon the sofa, and with an inviting gesture and a call from the eyes she bade Armand sit down next to her. She leaned back against the cushions, and the table being close by, she stretched out a hand and once more took up the bunch of narcissi, and while she talked to Armand she held the snow-white blooms quite close to her face—so close, in fact, that he could not see her mouth and chin, only her dark eyes shone across at him over the heads of the blossoms.
“Tell me all about England,” she reiterated, settling herself down among the cushions like a spoilt child who is about to listen to an oft-told favourite story.
Armand was vexed that de Batz was sitting there. He felt he could have told this dainty little lady quite a good deal about England if only his pompous, fat friend would have had the good sense to go away.
As it was, he felt unusually timid and gauche, not quite knowing what to say, a fact which seemed to amuse Mlle. Lange not a little.
“I am very fond of England,” he said lamely; “my sister is married to an Englishman, and I myself have taken up my permanent residence there.”
“Among the society of emigres?” she queried.
Then, as Armand made no reply, de Batz interposed quickly:
“Oh! you need not fear to admit it, my good Armand; Mademoiselle Lange, has many friends among the emigres—have you not, mademoiselle?”
“Yes, of course,” she replied lightly; “I have friends everywhere. Their political views have nothing to do with me. Artistes, I think, should have naught to do with politics. You see, citizen St. Just, I never inquired of you what were your views. Your name and kinship would proclaim you a partisan of citizen Robespierre, yet I find you in the company of M. de Batz; and you tell me that you live in England.”
“He is no partisan of citizen Robespierre,” again interposed de Batz; “in fact, mademoiselle, I may safely tell you, I think, that my friend has but one ideal on this earth, whom he has set up in a shrine, and whom he worships with all the ardour of a Christian for his God.”
“How romantic!” she said, and she looked straight at Armand. “Tell me, monsieur, is your ideal a woman or a man?”
His look answered her, even before he boldly spoke the two words:
“A woman.”
She took a deep draught of sweet, intoxicating scent from the narcissi, and his gaze once more brought blushes to her cheeks. De Batz’ good-humoured laugh helped her to hide this unwonted access of confusion.
“That was well turned, friend Armand,” he said lightly; “but I assure you, mademoiselle, that before I brought him here to-night his ideal was a man.”
“A man!” she exclaimed, with a contemptuous little pout. “Who was it?”
“I know no other name for him but that of a small, insignificant flower—the Scarlet Pimpernel,” replied de Batz.
“The Scarlet Pimpernel!” she ejaculated, dropping the flowers suddenly, and gazing on Armand with wide, wondering eyes. “And do you know him, monsieur?”
He was frowning despite himself, despite the delight which he felt at sitting so close to this charming little lady, and feeling that in a measure his presence and his personality interested her. But he felt irritated with de Batz, and angered at what he considered the latter’s indiscretion. To him the very name of his leader was almost a sacred one; he was one of those enthusiastic devotees who only care to name the idol of their dreams with bated breath, and only in the ears of those who would understand and sympathise.
Again he felt that if only he could have been alone with mademoiselle he could have told her all about the Scarlet Pimpernel, knowing that in her he would find a ready listener, a helping and a loving heart; but as it was he merely replied tamely enough:
“Yes, mademoiselle, I do know him.”
“You have seen him?” she queried eagerly; “spoken to him?”
“Yes.”
“Oh! do tell me all about him. You know quite a number of us in France have the greatest possible admiration for your national hero. We know, of course, that he is an enemy of our Government—but, oh! we feel that he is not an enemy of France because of that. We are a nation of heroes, too, monsieur,” she added with a pretty, proud toss of the head; “we can appreciate bravery and resource, and we love the mystery that surrounds the personality of your Scarlet Pimpernel. But since you know him, monsieur, tell me what is he like?”
Armand was smiling again. He was yielding himself up wholly to the charm which emanated from this young girl’s entire being, from her gaiety and her unaffectedness, her enthusiasm, and that obvious artistic temperament which caused her to feel every sensation with superlative keenness and thoroughness.
“What is he like?” she insisted.
“That, mademoiselle,” he replied, “I am not at liberty to tell you.”
“Not at liberty to tell me!” she exclaimed; “but monsieur, if I command you—”
“At risk of falling forever under the ban of your displeasure, mademoiselle, I would still remain silent on that subject.”
She gazed on him with obvious astonishment. It was quite an unusual thing for this spoilt darling of an admiring public to be thus openly thwarted in her whims.
“How tiresome and pedantic!” she said, with a shrug of her pretty shoulders and a moue of discontent. “And, oh! how ungallant! You have learnt ugly, English ways, monsieur; for there, I am told, men hold their womenkind in very scant esteem. There!” she added, turning with a mock air of hopelessness towards de Batz, “am I not a most unlucky woman? For the past two years I have used my best endeavours to catch sight of that interesting Scarlet Pimpernel; here do I meet monsieur, who actually knows him (so he says), and he is so ungallant that he even refuses to satisfy the first cravings of my just curiosity.”
“Citizen St. Just will tell you nothing now, mademoiselle,” rejoined de Batz with his good-humoured laugh; “it is my presence, I assure you, which is setting a seal upon his lips. He is, believe me, aching to confide in you, to share in your enthusiasm, and to see your beautiful eyes glowing in response to his ardour when he describes to you the exploits of that prince of heroes. En tete-a-tete one day, you will, I know, worm every secret out of my discreet friend Armand.”
Mademoiselle made no comment on this—that is to say, no audible comment—but she buried the whole of her face for a few seconds among the flowers, and Armand from amongst those flowers caught sight of a pair of very bright brown eyes which shone on him with a puzzled look.
She said nothing more about the Scarlet Pimpernel or about England just then, but after awhile she began talking of more indifferent subjects: the state of the weather, the price of food, the discomforts of her own house, now that the servants had been put on perfect equality with their masters.
Armand soon gathered that the burning questions of the day, the horrors of massacres, the raging turmoil of politics, had not affected her very deeply as yet. She had not troubled her pretty head very much about the social and humanitarian aspect of the present seething revolution. She did not really wish to think about it at all. An artiste to her finger-tips, she was spending her young life in earnest work, striving to attain perfection in her art, absorbed in study during the day, and in the expression of what she had learnt in the evenings.
The terrors of the guillotine affected her a little, but somewhat vaguely still. She had not realised that any dangers could assail her whilst she worked for the artistic delectation of the public.
It was not that she did not understand what went on around her, but that her artistic temperament and her environment had kept her aloof from it all. The horrors of the Place de la Revolution made her shudder, but only in the same way as the tragedies of M. Racine or of Sophocles which she had studied caused her to shudder, and she had exactly the same sympathy for poor Queen Marie Antoinette as she had for Mary Stuart, and shed as many tears for King Louis as she did for Polyeucte.
Once de Batz mentioned the Dauphin, but mademoiselle put up her hand quickly and said in a trembling voice, whilst the tears gathered in her eyes:
“Do not speak of the child to me, de Batz. What can I, a lonely, hard-working woman, do to help him? I try not to think of him, for if I did, knowing my own helplessness, I feel that I could hate my countrymen, and speak my bitter hatred of them across the footlights; which would be more than foolish,” she added naively, “for it would not help the child, and I should be sent to the guillotine. But oh sometimes I feel that I would gladly die if only that poor little child-martyr were restored to those who love him and given back once more to joy and happiness. But they would not take my life for his, I am afraid,” she concluded, smiling through her tears. “My life is of no value in comparison with his.”
Soon after this she dismissed her two visitors. De Batz, well content with the result of this evening’s entertainment, wore an urbane, bland smile on his rubicund face. Armand, somewhat serious and not a little in love, made the hand-kiss with which he took his leave last as long as he could.
“You will come and see me again, citizen St. Just?” she asked after that preliminary leave-taking.
“At your service, mademoiselle,” he replied with alacrity.
“How long do you stay in Paris?”
“I may be called away at any time.”
“Well, then, come to-morrow. I shall be free towards four o’clock. Square du Roule. You cannot miss the house. Any one there will tell you where lives citizeness Lange.”
“At your service, mademoiselle,” he replied.
The words sounded empty and meaningless, but his eyes, as they took final leave of her, spoke the gratitude and the joy which he felt.
It was close on midnight when the two friends finally parted company outside the doors of the theatre. The night air struck with biting keenness against them when they emerged from the stuffy, overheated building, and both wrapped their caped cloaks tightly round their shoulders. Armand—more than ever now—was anxious to rid himself of de Batz. The Gascon’s platitudes irritated him beyond the bounds of forbearance, and he wanted to be alone, so that he might think over the events of this night, the chief event being a little lady with an enchanting voice and the most fascinating brown eyes he had ever seen.
Self-reproach, too, was fighting a fairly even fight with the excitement that had been called up by that same pair of brown eyes. Armand for the past four or five hours had acted in direct opposition to the earnest advice given to him by his chief; he had renewed one friendship which had been far better left in oblivion, and he had made an acquaintance which already was leading him along a path that he felt sure his comrade would disapprove. But the path was so profusely strewn with scented narcissi that Armand’s sensitive conscience was quickly lulled to rest by the intoxicating fragrance.
Looking neither to right nor left, he made his way very quickly up the Rue Richelieu towards the Montmartre quarter, where he lodged.
De Batz stood and watched him for as long as the dim lights of the street lamps illumined his slim, soberly-clad figure; then he turned on his heel and walked off in the opposite direction.
His florid, pock-marked face wore an air of contentment not altogether unmixed with a kind of spiteful triumph.
“So, my pretty Scarlet Pimpernel,” he muttered between his closed lips, “you wish to meddle in my affairs, to have for yourself and your friends the credit and glory of snatching the golden prize from the clutches of these murderous brutes. Well, we shall see! We shall see which is the wiliest—the French ferret or the English fox.”
He walked deliberately away from the busy part of the town, turning his back on the river, stepping out briskly straight before him, and swinging his gold-beaded cane as he walked.
The streets which he had to traverse were silent and deserted, save occasionally where a drinking or an eating house had its swing-doors still invitingly open. From these places, as de Batz strode rapidly by, came sounds of loud voices, rendered raucous by outdoor oratory; volleys of oaths hurled irreverently in the midst of impassioned speeches; interruptions from rowdy audiences that vied with the speaker in invectives and blasphemies; wordy war-fares that ended in noisy vituperations; accusations hurled through the air heavy with tobacco smoke and the fumes of cheap wines and of raw spirits.
De Batz took no heed of these as he passed, anxious only that the crowd of eating-house politicians did not, as often was its wont, turn out pele-mele into the street, and settle its quarrel by the weight of fists. He did not wish to be embroiled in a street fight, which invariably ended in denunciations and arrests, and was glad when presently he had left the purlieus of the Palais Royal behind him, and could strike on his left toward the lonely Faubourg du Temple.
From the dim distance far away came at intervals the mournful sound of a roll of muffled drums, half veiled by the intervening hubbub of the busy night life of the great city. It proceeded from the Place de la Revolution, where a company of the National Guard were on night watch round the guillotine. The dull, intermittent notes of the drum came as a reminder to the free people of France that the watchdog of a vengeful revolution was alert night and day, never sleeping, ever wakeful, “beating up game for the guillotine,” as the new decree framed to-day by the Government of the people had ordered that it should do.
From time to time now the silence of this lonely street was broken by a sudden cry of terror, followed by the clash of arms, the inevitable volley of oaths, the call for help, the final moan of anguish. They were the ever-recurring brief tragedies which told of denunciations, of domiciliary search, of sudden arrests, of an agonising desire for life and for freedom—for life under these same horrible conditions of brutality and of servitude, for freedom to breathe, if only a day or two longer, this air, polluted by filth and by blood.
De Batz, hardened to these scenes, paid no heed to them. He had heard it so often, that cry in the night, followed by death-like silence; it came from comfortable bourgeois houses, from squalid lodgings, or lonely cul-de-sac, wherever some hunted quarry was run to earth by the newly-organised spies of the Committee of General Security.
Five and thirty livres for every head that falls trunkless into the basket at the foot of the guillotine! Five and thirty pieces of silver, now as then, the price of innocent blood. Every cry in the night, every call for help, meant game for the guillotine, and five and thirty livres in the hands of a Judas.
And de Batz walked on unmoved by what he saw and heard, swinging his cane and looking satisfied. Now he struck into the Place de la Victoire, and looked on one of the open-air camps that had recently been established where men, women, and children were working to provide arms and accoutrements for the Republican army that was fighting the whole of Europe.
The people of France were up in arms against tyranny; and on the open places of their mighty city they were encamped day and night forging those arms which were destined to make them free, and in the meantime were bending under a yoke of tyranny more complete, more grinding and absolute than any that the most despotic kings had ever dared to inflict.
Here by the light of resin torches, at this late hour of the night, raw lads were being drilled into soldiers, half-naked under the cutting blast of the north wind, their knees shaking under them, their arms and legs blue with cold, their stomachs empty, and their teeth chattering with fear; women were sewing shirts for the great improvised army, with eyes straining to see the stitches by the flickering light of the torches, their throats parched with the continual inhaling of smoke-laden air; even children, with weak, clumsy little fingers, were picking rags to be woven into cloth again—all, all these slaves were working far into the night, tired, hungry, and cold, but working unceasingly, as the country had demanded it: “the people of France in arms against tyranny!” The people of France had to set to work to make arms, to clothe the soldiers, the defenders of the people’s liberty.
And from this crowd of people—men, women, and children—there came scarcely a sound, save raucous whispers, a moan or a sigh quickly suppressed. A grim silence reigned in this thickly-peopled camp; only the crackling of the torches broke that silence now and then, or the flapping of canvas in the wintry gale. They worked on sullen, desperate, and starving, with no hope of payment save the miserable rations wrung from poor tradespeople or miserable farmers, as wretched, as oppressed as themselves; no hope of payment, only fear of punishment, for that was ever present.
The people of France in arms against tyranny were not allowed to forget that grim taskmaster with the two great hands stretched upwards, holding the knife which descended mercilessly, indiscriminately on necks that did not bend willingly to the task.
A grim look of gratified desire had spread over de Batz’ face as he skirted the open-air camp. Let them toil, let them groan, let them starve! The more these clouts suffer, the more brutal the heel that grinds them down, the sooner will the Emperor’s money accomplish its work, the sooner will these wretches be clamoring for the monarchy, which would mean a rich reward in de Batz’ pockets.
To him everything now was for the best: the tyranny, the brutality, the massacres. He gloated in the holocausts with as much satisfaction as did the most bloodthirsty Jacobin in the Convention. He would with his own hands have wielded the guillotine that worked too slowly for his ends. Let that end justify the means, was his motto. What matter if the future King of France walked up to his throne over steps made of headless corpses and rendered slippery with the blood of martyrs?
The ground beneath de Batz’ feet was hard and white with the frost. Overhead the pale, wintry moon looked down serene and placid on this giant city wallowing in an ocean of misery.
There, had been but little snow as yet this year, and the cold was intense. On his right now the Cimetiere des SS. Innocents lay peaceful and still beneath the wan light of the moon. A thin covering of snow lay evenly alike on grass mounds and smooth stones. Here and there a broken cross with chipped arms still held pathetically outstretched, as if in a final appeal for human love, bore mute testimony to senseless excesses and spiteful desire for destruction.
But here within the precincts of the dwelling of the eternal Master a solemn silence reigned; only the cold north wind shook the branches of the yew, causing them to send forth a melancholy sigh into the night, and to shed a shower of tiny crystals of snow like the frozen tears of the dead.
And round the precincts of the lonely graveyard, and down narrow streets or open places, the night watchmen went their rounds, lanthorn in hand, and every five minutes their monotonous call rang clearly out in the night:
“Sleep, citizens! everything is quiet and at peace!”
We may take it that de Batz did not philosophise over-much on what went on around him. He had walked swiftly up the Rue St. Martin, then turning sharply to his right he found himself beneath the tall, frowning walls of the Temple prison, the grim guardian of so many secrets, such terrible despair, such unspeakable tragedies.
Here, too, as in the Place de la Revolution, an intermittent roll of muffled drums proclaimed the ever-watchful presence of the National Guard. But with that exception not a sound stirred round the grim and stately edifice; there were no cries, no calls, no appeals around its walls. All the crying and wailing was shut in by the massive stone that told no tales.
Dim and flickering lights shone behind several of the small windows in the facade of the huge labyrinthine building. Without any hesitation de Batz turned down the Rue du Temple, and soon found himself in front of the main gates which gave on the courtyard beyond. The sentinel challenged him, but he had the pass-word, and explained that he desired to have speech with citizen Heron.
With a surly gesture the guard pointed to the heavy bell-pull up against the gate, and de Batz pulled it with all his might. The long clang of the brazen bell echoed and re-echoed round the solid stone walls. Anon a tiny judas in the gate was cautiously pushed open, and a peremptory voice once again challenged the midnight intruder.
De Batz, more peremptorily this time, asked for citizen Heron, with whom he had immediate and important business, and a glimmer of a piece of silver which he held up close to the judas secured him the necessary admittance.
The massive gates slowly swung open on their creaking hinges, and as de Batz passed beneath the archway they closed again behind him.
The concierge’s lodge was immediately on his left. Again he was challenged, and again gave the pass-word. But his face was apparently known here, for no serious hindrance to proceed was put in his way.
A man, whose wide, lean frame was but ill-covered by a threadbare coat and ragged breeches, and with soleless shoes on his feet, was told off to direct the citoyen to citizen Heron’s rooms. The man walked slowly along with bent knees and arched spine, and shuffled his feet as he walked; the bunch of keys which he carried rattled ominously in his long, grimy hands; the passages were badly lighted, and he also carried a lanthorn to guide himself on the way.
Closely followed by de Batz, he soon turned into the central corridor, which is open to the sky above, and was spectrally alight now with flag-stones and walls gleaming beneath the silvery sheen of the moon, and throwing back the fantastic elongated shadows of the two men as they walked.
On the left, heavily barred windows gave on the corridor, as did here and there the massive oaken doors, with their gigantic hinges and bolts, on the steps of which squatted groups of soldiers wrapped in their cloaks, with wild, suspicious eyes beneath their capotes, peering at the midnight visitor as he passed.
There was no thought of silence here. The very walls seemed alive with sounds, groans and tears, loud wails and murmured prayers; they exuded from the stones and trembled on the frost-laden air.
Occasionally at one of the windows a pair of white hands would appear, grasping the heavy iron bar, trying to shake it in its socket, and mayhap, above the hands, the dim vision of a haggard face, a man’s or a woman’s, trying to get a glimpse of the outside world, a final look at the sky, before the last journey to the place of death to-morrow. Then one of the soldiers, with a loud, angry oath, would struggle to his feet, and with the butt-end of his gun strike at the thin, wan fingers till their hold on the iron bar relaxed, and the pallid face beyond would sink back into the darkness with a desperate cry of pain.
A quick, impatient sigh escaped de Batz’ lips. He had skirted the wide courtyard in the wake of his guide, and from where he was he could see the great central tower, with its tiny windows lighted from within, the grim walls behind which the descendant of the world’s conquerors, the bearer of the proudest name in Europe, and wearer of its most ancient crown, had spent the last days of his brilliant life in abject shame, sorrow, and degradation. The memory had swiftly surged up before him of that night when he all but rescued King Louis and his family from this same miserable prison: the guard had been bribed, the keeper corrupted, everything had been prepared, save the reckoning with the one irresponsible factor—chance!
He had failed then and had tried again, and again had failed; a fortune had been his reward if he had succeeded. He had failed, but even now, when his footsteps echoed along the flagged courtyard, over which an unfortunate King and Queen had walked on their way to their last ignominious Calvary, he hugged himself with the satisfying thought that where he had failed at least no one else had succeeded.
Whether that meddlesome English adventurer, who called himself the Scarlet Pimpernel, had planned the rescue of King Louis or of Queen Marie Antoinette at any time or not—that he did not know; but on one point at least he was more than ever determined, and that was that no power on earth should snatch from him the golden prize offered by Austria for the rescue of the little Dauphin.
“I would sooner see the child perish, if I cannot save him myself,” was the burning thought in this man’s tortuous brain. “And let that accursed Englishman look to himself and to his d——d confederates,” he added, muttering a fierce oath beneath his breath.
A winding, narrow stone stair, another length or two of corridor, and his guide’s shuffling footsteps paused beside a low iron-studded door let into the solid stone. De Batz dismissed his ill-clothed guide and pulled the iron bell-handle which hung beside the door.
The bell gave forth a dull and broken clang, which seemed like an echo of the wails of sorrow that peopled the huge building with their weird and monotonous sounds.
De Batz—a thoroughly unimaginative person—waited patiently beside the door until it was opened from within, and he was confronted by a tall stooping figure, wearing a greasy coat of snuff-brown cloth, and holding high above his head a lanthorn that threw its feeble light on de Batz’ jovial face and form.
“It is even I, citizen Heron,” he said, breaking in swiftly on the other’s ejaculation of astonishment, which threatened to send his name echoing the whole length of corridors and passages, until round every corner of the labyrinthine house of sorrow the murmur would be borne on the wings of the cold night breeze: “Citizen Heron is in parley with ci-devant Baron de Batz!”
A fact which would have been equally unpleasant for both these worthies.
“Enter!” said Heron curtly.
He banged the heavy door to behind his visitor; and de Batz, who seemed to know his way about the place, walked straight across the narrow landing to where a smaller door stood invitingly open.
He stepped boldly in, the while citizen Heron put the lanthorn down on the floor of the couloir, and then followed his nocturnal visitor into the room.