There is some variance, in different parts of the Bagobo area, in the beliefs concerning the spirits or souls of a man. In Cibolan each man and woman is supposed to have eight spirits or gimokod, which dwell in the head, the right and left hands and feet, and other parts not specified. At death these gimokod part, four from the right side of the body, going up to a place called palakalángit, and four descending to a region known as karonaronawan.These places differ in no respects from the present home of the Bagobo, except that in the region above it is always day, and all useful plants grow in abundance. In these places the gimokod are met by the spirits, Toglái and Tigyama, and by them are assigned to their future homes. If a man has been a datu on earth, his spirits have like rank in the other life, but go to the same place as those of common people. The gimokod of evil men are punished by being crowded into poor houses. These spirits may return to their old home for short periods, and talk with the gimokod of the living through dreams, but they never return to dwell again on earth.
In the districts to the west of Cibolan the general belief is that there are but two gimokod, one inhabiting the right side of the body, the other the left. That of the right side is good, while all evil deeds and inclinations come from the one dwelling on the left. It is a common thing when a child is ill to attach a chain bracelet to its right arm and to bid the good spirit not to depart, but to remain and restore the child to health. In Malilla it is believed that after death the spirit of the right side goes to a good place, while the one on the left remains to wander about on earth as a buso,[42] but this latter belief does not seem to be shared by the people of other districts.
[42] See p. 107.
Aside from the gimokod the Bagobo believe that there exists a great company of powerful spirits who make their homes in the sky above, in the space beneath the world, or in the sea, in streams, cliffs, mountains, or trees. The following is the list related by Datu Tongkaling, a number of mabalian, and others supposed to have special knowledge concerning these superior beings.
I. Eugpamolak Manobo, also called Manama and Kalayágan. The first and greatest of the spirits, and the creator of all that is. His home is in the sky from whence he can observe the doings of men. Gifts for him should be white, and should be placed above and in the center of offerings intended for other spirits. He may be addressed by the mabalian, the datu, and wise old men.
II. Tolus ka balakat, "dweller in the balakat[43]." A male spirit who loves the blood, but not the flesh of human beings, and one of the three for whom the yearly sacrifice is made. Only the magani may offer petitions to him. He is not recognized by the people of Digos and vicinity.
[43] A hanger in which offerings are placed.
III and IV. Mandarangan and his wife Darago. This couple look after the fortunes of the warriors, and in return demand the yearly sacrifice of a slave. They are supposed to dwell in the great fissure of Mt. Apo, from which clouds of sulphur fumes are constantly rising. The intentions of this pair are evil, and only the utmost care on the part of the magani can prevent them from causing quarrels and dissentions[sic] among the people, or even actually devouring some of them.
V. Taragómi/Taragomi. A male spirit who owns all food. He is the guardian of the crops and it is for him that the shrine known as parobanian is erected in the center of the rice field.
VI. Tolus ka towangan. The patron of the workers in brass and copper.
VII. Tolus ka gomanan. Patron of the smiths.
VIII. Baitpandi. A female spirit who taught the women to weave, and who now presides over the looms and the weavers.
IX. and X. Toglái, also called Si Niladan and Maniládan, and his wife Toglibon. The first man and woman to live on the earth. They gave to the people their language and customs. After their death they became spirits, and are now responsible for all marriages and births. By some people Toglái is believed to be one of the judges over the shades of the dead, while in Bansalan he is identified with Eugpamolak Manobo.
XI. Tigyama. A class of spirits, one of whom looks after each family. When children marry, the tigyama of the two families unite to form one who thereafter guards the couple. While usually well disposed they are capable of killing those who fail to show them respect, or who violate the rules governing family life.
XII. Diwata. A class of numerous spirits who serve Eugpamolak Manobo.
XIII. Anito. A name applied to a great body of spirits, some of whom are said formerly to have been people. They know all medicines and cures for illness, and it is from them that the mabalian secures her knowledge and her power. They also assist the tigyama in caring for the families.
XIV. Buso. Mean, evil spirits who eat dead people and have some power to injure the living. A young Bagobo described his idea of a buso as follows: "He has a long body, long feet and neck, curly hair, and black face, flat nose, and one big red or yellow eye. He has big feet and fingers, but small arms, and his two big teeth are long and pointed. Like a dog he goes about eating anything, even dead persons." As already noted, the people of Malilla are inclined to identify the gimokod of the left side with this evil class.
XV. Tagamaling. Evil spirits who dwell in big trees.
XVI. Tigbanua. Ill disposed beings inhabiting rocks and cliffs in the mountains. These last two classes are frequently confused with the buso.
In addition to these, the old men of Malilla gave the following:
1. Tagareso. Low spirits who cause people to become angry and to do little evil deeds. In some cases they cause insanity.
2. Sarinago. Spirits who steal rice. It is best to appease them, otherwise the supply of rice will vanish rapidly.
3. Tagasoro. Beings who cause sudden anger which results in quarrels and death. They are the ones who furnish other spirits with human flesh.
4 and 5. Balinonok and his wife Balinsogo. This couple love blood and for this reason cause men and women to fight or to run amuck.
6. Siring. Mischievous spirits who inhabit caves, cliffs, and dangerous places. They have long nails and can be distinguished by that characteristic. They sometimes impersonate members of the family and thus succeed in stealing women and children, whom they carry to their mountain homes. The captives are not eaten but are fed on snakes and worms, and should they try to escape the siring will scratch them with their long nails.
Other spirits were named and described by individuals, but as they are not generally accepted by the people of the tribe they are not mentioned here.
The stars, thunder and lightning, and similar phenomena are generally considered as "lights or signs" belonging to the spirits, yet one frequently hears hazy tales such as that "the constellation Marara is a one-legged and one-armed man who sometimes causes cloudy weather at planting time so that people may not see his deformities," or we are told that "the sun was placed in the sky by the creator, and on it lives an evil spirit who sometimes kills people. The sun is moved about by the wind;" again, "the sun and moon were once married and all the stars are their children."
Despite repeated assertions by previous writers that the Bagobo are fire-worshippers no evidence was obtained during our visit to support the statement. The older people insisted that it was not a spirit and that no offerings were ever made to it. One mabalian stated that fire was injurious to a woman in her periods and hence it was best for her not to cook at such times; she was also of the opinion that fire was of two kinds, good and bad, and hence might belong to both good and bad spirits.
A common method used by the spirits to communicate with mortals is through the call of the limokon[44] All the people know the meaning of its calls and all respect its warnings. If a man is starting to buy or trade for an article and this bird gives its warning the sale is stopped. Should the limokon call when a person is on the trail he at ones doubles his fist and thrusts it in the direction from which the warning comes. If it becomes necessary to point backwards, it is a signal to return, or should the arm point directly in front it is certain that danger is there, and it is best to turn back and avoid it. When it is not clear from whence the note came, the traveler looks toward the right side. If he sees there strong, sturdy trees, he knows that all is well, but if they are cut or weaklings, he should use great care to avoid impending danger. When questioned as to why one should look only to the right, an old man quickly replied: "The right side belongs to you; the left side is bad and belongs to someone else."
[44] See p. 63, note. [Transcriber's note: footnote above beginning, "A dove."]
Sneezing is a bad omen, and should a person sneeze when about to undertake a journey, he knows that it is a warning of danger, and will delay until another time.
Certain charms, or actions, are of value either in warding off evil spirits, in causing trouble or death to an enemy, or in gaining an advantage over another in trading and in games. One type of charm is a narrow cloth belt in which "medicines" are tied. These medicines may be peculiarly shaped stones, bits of fungus growth, a tooth, shell, or similar object. Such belts are known as pamadan, or lambos, and are worn soldier-fashion over one shoulder. They are supposed to protect their owners in battle or to make it easy for them to get the best of other parties in a trade, A little dust gathered from the footprint of an enemy and placed in one of these belts will immediately cause the foe to become ill.
It is a simple matter to cause a person to become insane. All that is needed is to secure a piece of his hair, or clothing, place it in a dish of water and stir in one direction for several hours.
Father GISBERT relates the following method of detecting theft:
"There are not, as a rule, many thefts among the Bagobo, for they believe that a thief can be discovered easily by means of their famous bongat. That consists of two small joints of bamboo, which contain certain mysterious powders. He who has been robbed and wishes to determine the robber takes a hen's egg, makes a hole in it, puts a pinch of the above said powder in it, and leaves it in the fire. If he wishes the robber to die he has nothing else to do than to break the egg; but since the thief may sometimes be a relative or a beloved person, the egg is not usually broken, so that there may be or may be able to be a remedy. For under all circumstances, when this operation is performed, if the robber lives, wherever he may be, he himself must inform on himself by crying out, 'I am the thief; I am the thief,' as he is compelled to do (they say) by the sharp pain which he feels all through his body. When he is discovered, he may be cured by putting powder from the other joint into the water and bathing his body with it. This practice is very common here among the heathens and Moros. A Bagobo, named Anas, who was converted, gave me the bongat with which he had frightened many people when a heathen."
In Bansalan crab shells are hung over the doors of houses, for these shells are distasteful to the buso who will thus be kept at a distance.
I was frequently told of persons who could foretell the future by means of palmistry, but was never able to see a palmist at work, or to verify the information.
The music for the dances is generally furnished by one or more persons beating on several agongs of different sizes and notes, which are suspended in regular order from the house rafters (Plate XXXa). The player stands in front of the line and begins to beat the instruments with a padded stick. Oftentimes he is accompanied by a man who strikes a wooden drum with the palm of one hand and a stick held in the other. The music grows faster, emphasizing certain beats, until it becomes a compelling rhythm that starts the feet of the onlookers, and suddenly a man or woman begins to dance. At first she keeps time to the music by raising on her toes and heels, bending the knees and twisting the body from side to side, but soon she becomes more animated, the feet are raised high above the floor and brought down with a sort of shuffle which reminds one of the sound made by the feet of a clog dancer. Still swaying her body, she begins to circle, contra-clockwise, around the gongs, and soon she is joined by others until all the dancing space is filled. The scene is most picturesque, for these dances usually occur at night, in rooms illuminated only by the flickering light of torches. The rich clothing of the participants loses nothing of its beauty in this dim light, while the bells and rattles with which each dancer surrounds arms, legs and ankles, add to the din and weirdness of the occasion. Before the dance has progressed far the musicians begin to keep time with their feet and frequently dance away from their instruments, circle, and then return to continue the music.
With slight variation, this is the dance used on all occasions. At certain ceremonies small gongs, or the bolang bolang,[45] replace the agongs, and at times also a single dancer will accompany himself on the kodloñ—a long wooden guitar with rattan strings (Plate XXXb).
[45] An instrument made by placing a small board on a rice mortar. This is pounded or beaten with short sticks, or with the wooden pestles.
In this description we have named a large share of the musical instruments used by the Bagobo. The women frequently play on a sort of guitar made of a section of bamboo from the outside of which narrow strings are cut. These are raised and made taut with small wooden bridges and are then picked with a stick or the fingers (Fig. 33). Bamboo Jew's-harps and mouth flutes are played by the men, but the nose flute, so common in most parts of the Philippines, was not seen in use here.
The ceremonies and dances are so closely associated with every day affairs that in the description of the life of the people up to this point we have left only a few still to be discussed. These are, in the main, very similar throughout the Bagobo belt, but to avoid confusion the description here given of the two greatest events of the year—the GinEm ceremony and the human sacrifice—deals with Cibolan, unless expressly stated to the contrary.
The greatest of all Bagobo ceremonies—the GinEm—may be given by the datu within three or four months after the appearance of the constellation Balatik, when the moon is new or full. Its object is to thank the spirits for success in war or domestic affairs, to ward off sickness and other dangers, to drive away the buso, and finally to so gratify the spirits that they will be pleased to increase the wealth of all the people. Datu Tongkaling expressed a belief that this ceremony is in a way related to the rice harvest, "for it is always made when there is plenty of rice in the granaries." It appears to the writer, however, that this ceremony probably originated in connection with warfare.
According to the tales of the old men, it was formerly the custom to go on a raid before this ceremony was to take place, and successful warriors would bring home with them the skulls of their victims which they tied to the patan'nan.[46] It seems also to have been closely associated with the yearly sacrifice, for it was never made until after the appearance of the constellation Balatik, and without doubt a sacrifice frequently did take place during the first day of the ceremony, at the time the decorated poles were raised. However, such an offering at this time did not relieve the datu from the obligation of making the regular sacrifice.
[46] Ceremonial poles dedicated to Mandarangan and Darago. In Digos and Bansalan the skulls were not taken but hair cut from the heads of enemies was placed in the swinging altar balakat, and were left there until the conclusion of the ceremony.
Datu Ansig of Talun informed me that, unless the death of some great person made a special sacrifice necessary, there was only one such offering made during the year, and that at the time the decorated poles were placed in the dwelling.
The time for the festival having been agreed upon, messengers are sent to other datu and head-men, inviting them and their people to attend. Sufficient food is prepared for the guests and when all is ready the mabalian takes one chicken from among those to be used for food and frees it as an offering to the gimokod. It is bidden to wander about in the forest, and no one will molest the fowl, for should he do so he is certain to become ill.[47] The mabalian has previously placed festoons of leaves and vines at various points in the house and now she spreads a mat on the floor. A jar of balaba, wine, stands at each corner, while at one end is an agong, and a plate containing betel nut, leaf, and two varieties of rattan; at the other end are several tambara. When all is thus prepared the people place offerings of beautiful clothing, knives, and other costly gifts on the mat. Two mabalian, a man and a woman call upon the spirits,[48] urging them to look with favor on the offering made by the people, to grant them a good year with health and plentiful harvests, to let their journeys be without mishap, and to keep them all under their constant care. The tambara are fastened in various parts of the house, and the gifts are hung on or laid beside them. Later these offerings may be removed by their former owners who now regard them as being loaned to them by the spirits.
[47] This offering is not made at Bansalan, neither has the mabalian any part in the ceremonies of the first day.
[48] Those called at this time are Toglái, Toglibon, tigyma, and Kalayágan—Eugpamolak Manobo.
[Transcriber's note: The word tigyma in the above footnote should be spelled tigyama.]
Following the offering the magani go to a bamboo thicket and cut two large poles, one nine sections long, the other eight. With each stroke of the knife the men give their battle cry, then when the poles are felled, all seize hold and carry them to the house of the datu. Here they are decorated, first by being cut down for short distances, thus leaving the lower part attached so that the shavings make a sort of fringe, and then by attaching strips of palm or bamboo leaves and cloth or palm leaf streamers. When complete these poles are known as patan'nan and are then the property of the spirits Mandanagan and Darago. The longer one is for the male spirit, while the one of eight sections is for his wife. Under no circumstances may anyone not a magani touch these poles. They are carried into the house and are fastened near to the elevated platform at the end of the room where the datu or leading magani stands ready to sacrifice a chicken. He allows some of the blood from the offering to drip onto the poles, at the same time begging the spirits not to let the people fight or quarrel during the GinEm, "for blood is now being offered." In at least two recent offerings the datu urged the spirits to be content with this offering of a fowl, since it was impossible for them to kill a man. At this time, it is said, the skulls of enemies should be attached to the patan'nan. As the leader finishes his offering, the men and boys gather about the poles and yell lustily, then sit quietly down and amuse themselves by chewing betel nut until the chicken, just killed, and the other food has been prepared for eating. Old dishes are placed in the center of the floor and in them food is offered for all the spirits, but in the exact center of all is a large plate of white food for the supreme being. A second large dish of food is placed in a tambara at the corner of the room as an offering to the warrior deities "so that they will not eat anyone during the fiesta." Again the spirits are besought to give them a good year, with abundant crops, health, and success in war. Going to the patan'nan each magani, beginning with the datu or his son, takes hold of the poles, and in a loud voice, begins to confess all his warlike deeds. He relates how and when he killed his victims, the number of sacrifices he has participated in, the towns he has sacked and the slaves he has captured. In short, he tells of all the manly deeds he has performed in order to gain the right to wear his red suit and be known as magani. When all have confessed, the men and boys eat the chicken which was sacrificed before the poles, and from then until near midnight, all the people may dance to the music of the agongs or may indulge in feasting and drinking. From the middle of the night until daybreak they chant songs or poems, many words of which are now obsolete so that they are not fully understood.[49]
[49] Mr. Gohn informs me that at midnight during the last GinEm made by Datu Ali in Santa Cruz, a gun was fired, and the datu said that a sacrifice should have taken place at that time.
The festival may last one or more days. The last held in Cibolan (1909) extended through two days and nights. At that time no offerings were made to the spirits on the second day, but the people feasted and drank while the datu gathered a little apart and held a council.
In Malilla the second day of this ceremony is called EgbikbEgáybe and is given over almost entirely to the women. Two tambara are erected in the house, and young betel nut buds and women's skirts are hung on them. The women and some men form a line and dance in a circle around the offerings, keeping time to music furnished by beating small gongs, or by pounding on a board resting on a rice mortar.[50] Before each dance the mabalian informs a spirit that this dance is for him and it is customary to add a gift of some kind to those already on the tambara. Sixteen spirits are thus honored. Throughout the day there is much feasting and drinking, and at some time before sunset the women are baptized. Having filled an old agong with water, the mabalian dips certain leaves into it and sprinkles the heads of the women present eight times, meanwhile bidding the spirits to grant to them a good mind and habit.
[50] See p. 110, note. [Transcriber's note: back 3 pages, the footnote beginning, "An instrument made by placing...."]
Mr. Gohn, a planter of Santa Cruz who has witnessed a number of these ceremonies, says that with the Bagobo of that place it was customary for the datu to baptize the women prior to the day of GinEm. On the second day, a mabalian provided a long palm leaf, and a number of betel nut buds which, she said, represented streams, rivers, tribes, and individuals. Taking up a bud she swung the palm leaf above it, chanting meanwhile, and, as she finished, handed it to the datu who opened it and read the signs sent by the spirits. At the conclusion of this act, all the women went to the river to bathe.
In the writings of the early missionary fathers stationed among the Bagobo are found many references to human sacrifices. Since American occupation several articles have appeared describing this custom, and following the sacrifice held in Talun in 1907, this practice became the subject of official communication between the Governor of the District and his superiors. While these descriptions agree, in the main, there are so many minor variations that it seems best to first relate the account given to the writer by Datu Tongkaling and ten of his magani, after which we shall take up some of the earlier accounts, and the official correspondence of 1907.
Datu Tongkaling is a magani. He claims to have killed more than thirty of his enemies in fair fight and to have assisted in, or to have witnessed, an even greater number of sacrifices. Prior to his elevation to the office of datu he had aided in several of the yearly offerings. At the time he became datu he entertained all his people for seven days and on the morning of the last day, in the presence of his subjects, he alone sacrificed a decrepit Bila-an slave for whom he had paid three agongs. Hence, probably, no man in the tribe is better fitted to describe this event than he.
According to him, a sacrifice should be held each year following the appearance in the sky of a constellation of seven stars known as Balatik ("pig trap").[51] The stars are placed there by the spirits for two purposes:—first, to inform the people that it is time to prepare for the clearing of new fields; second, to remind them that they should offer a slave to Mandarangan, Darago, and Balakat as payment for the good year they have enjoyed, and to secure their good will for the coming season. A great epidemic or continued calamaties[sic] might also be signs that the spirits were in need of another offering, and this could take place at any time. Upon the death of an adult it becomes the duty of the family to make a sacrifice, but, unless the deceased is of very great importance, they may wait until the yearly sacrifice[52] when they can purchase a share in it. The one other occasion for which this offering is obligatory is the installation of a new datu in office. For the yearly event the ruler should provide a decrepit slave, and then invite all those who have had death or trouble in the family and who wish a part in the sacrifice to help bear the expense of the ceremony. Guests gather from near and far and for two or three days, feast, dance, and make merry in the house of the datu. On the morning of the last day they accompany their leader to a great tree in the forest and there witness or take part in the sacrifice. The victim is tied with his back to the tree, his arms stretched high above his head. Meanwhile a little table or altar is constructed near by, and on it the principals place their offerings of betel nut, clothes, or weapons, and on top of all is a dish of white food for Eugpamolak Manobo. When all is ready one of the magani begins a prayer, begging the spirits to look and see that the people are following the old custom, to give them success in battle, and to protect their homes from sickness and enemies. The prayer being completed, the datu places his spear below and just in front of the right armpit; then all those who have purchased a share in the victim take hold of the weapon, and at a signal given by the datu, thrust it through the body. As soon as it is withdrawn, the magani who has offered the greatest price for the privilege attempts to cut the body in two with one blow of his fighting knife. If he fails in the attempt, another tries, and so on until someone succeeds. The two portions are then released from the tree and cast into a shallow grave near by. Before the body is covered with earth any person who wishes may cut off a portion of the flesh or hair and carry it to the grave of some relative whom he may have reason to believe is being troubled by evil spirits. In such a case the evil spirit will be content to eat of the slave, and cease disturbing the other body. Returning to the house of the datu, the people continue the dancing and merry-making throughout another night.
[51] This is the constellation Orion which appears early in December.
[52] We have already seen that this offering sometimes occurs during the GinEm ceremony.
The following accounts are extracts from the official correspondence forwarded by the Governor of Davao to the Governor of the Moro Province:
"I have the honor to submit herewith a full report of an investigation made by myself and the Senior Inspector of Constabulary of Davao, regarding a human sacrifice made by the Bagobos at Talun near Digos on Dec. 9th, 1907.
"We left Davao on the morning of the 27th of December and arrived at Digos in the afternoon of the same day. An order was immediately sent out to the Bagobos of Talun to come down to Digos to meet us.
"On the morning of the 30th, the entire population of Talun—men, women and children, to the number of almost one hundred and fifty—arrived at Digos. They were informed that it was reported that a human sacrifice had been made at their town and that the authorities desired to know if this was so.
"Datto[sic] Ansig replied that it was true that a sacrifice had been held as stated and that both he and his people were ready to tell all about it as to the best of their belief they had committed no crime, but only followed out a religious custom practiced by themselves and their ancestors from time immemorial.
"From the statements made by Ansig and his followers, it appears as follows:
"That the Bagobos have several gods, 'Bacalad,' God of the spirits, Agpanmole[sic] Monobo[sic], God of good and his wife the goddess Dewata; Mandarangan, the God of evil (corresponding perhaps to our devil) and to whom sacrifice is made to appease his wrath which is shown by misfortune, years of drought, or evil befalling the tribe or its members, also it is at times necessary to offer him human sacrifice so that he will allow the spirits of the deceased to rest, etc. They say that in case a Bagobo of rank or influence dies, and his widow be unable to secure another husband, it is necessary for her to offer sacrifice to appease the spirit of her departed husband in order that she may secure another. In order that these sacrifices be not made too often, it is customary for the old men of the town to gather together once each year during a time when a collection of seven stars, three at right angle to the other four, are seen in the heavens at seven o'clock in the evening, which is said to occur once each year during the first part of the month of December.
"This collection of stars is called by the Bagobos 'Balatic,' and is the sign of the sacrifice, that is, if a sacrifice is to occur, it must take place during the time that the stars are in this position.
"The old men meet and decide if enough misfortune has overtaken the tribe or village during the period since the last sacrifice to render necessary another tribute to the god of evil. It is not necessary to offer a sacrifice for each evil, but when the misfortunes amount to a considerable, a sacrifice is held to cover the entire lot.
"In this case it appears that two widows, Addy and Obby, went to Datto[sic] Ansig and requested that he arrange a sacrifice to appease the spirits of their departed husbands which were bothering them. Ansig called a meeting of the old men at which were present besides himself Bagobos Oling, Pandaya, and Ansig, and these four decided that as they had not had a sacrifice since the great drought (about three years ago) and that since that time many evils had befallen them, it would be well to offer a sacrifice. These four men sent out to find a slave for sacrifice, the finder becoming the chief of the sacrifice.
"Ongon, a henchman of Datto Ansig, purchased from Bagobo Ido, a Bilan slave boy named Sacum about eight years old and who was deaf and cross-eyed, and had other defects of vision, making him of little or no value as a laborer. Ido originally received this slave from Duon, a Bilan, as a wedding present when he married Duon's daughter about a year ago.
"Ongon agreed to pay Ido five agongs for the boy and took him to the house of Ansig where arrangements were made for the sacrifice by calling on all who for any reason had need to appease the evil spirits to come and take part. Three days after the slave was brought to the house of Ansig, the people met at Talun near the river Inolia, a short distance from Ansig's house, this being the regular place of sacrifice.
"Leaving the house of Ansig the boy Sacum was seated upon the ground near the place of sacrifice. He was naked but no other preparation was made with regard to the person. Upon a platform or bench of bamboo about two feet high and a foot or two square was placed a small basket or receptacle made of the bark of the bunga tree; in this each person present and taking part in the sacrifice placed a piece of betel-nut, over this the men placed their head handkerchiefs and the women strips of the bark of the palma tree. Upon this the men laid their bolos, and spears were then stuck in the ground in a circle around the platform. Next Datto Ansig as chief of the sacrifice made an oration which was about as follows: 'Oh, Mandarangan, chief of evil spirits and all the other spirits, come to our feast and accept our sacrifice. Let this sacrifice appease your wrath and take from us our misfortunes, granting us better times.'
"After this, the boy Sacum was brought forward by Ongon, placed against a small tree about six feet high, his hands tied above his head, and his body tied to the tree with bejuco strips at the waist and knees. Ansig then placed a spear at the child's right side at a point below the right arm and above the margin of the ribs. This lance was grasped by the widows Addy and Obby, who at a signal from Ansig forced it through the child's body, it coming out at the other side. It was immediately withdrawn and the body cut in two at the waist by bolos in the hands of Moesta Barraro and Ola, after which the body was cut down and chopped into bits by the people present, each of whom was allowed to take a small portion as a momento[sic] of the occasion, the remainder of the body being buried in a hole prepared for it.
"It is said the child was deaf and almost blind and that it did not realize what was to happen to it until the moment it was tied up when it began to cry; further, that death was almost instantaneous, the only cry being one uttered when the spear first entered the child's body.
"Datto Ansig, a man about sixty years of age, says that in his life he has attended or officiated at fifty human sacrifices, more or less, both among the Bagobos and the Bilanes, and that human sacrifice is also practiced among the Tagacolos, although he has never been present at one held by that tribe.
"The Bagobos do not sacrifice any but old and decrepit or useless slaves captured from other tribes, but the Bilanes sacrifice even their own people.
"Being asked if it was customary to eat any portion of the body sacrificed, Ansig replied that it was not customary nor did he know of any case where such had occurred.
"The last sacrifice before this was held at Talun during the year of the drought (about 1905) when a Bilan slave, an old man who was paralyzed in one arm, was sacrificed by Datto Oling, his master.
"Asked if the sacrifice of an animal would not do as well as that of a human being, they said, 'No, better to have no sacrifice at all.'
"They appeared utterly unconscious of having committed any crime, told their story with frankness, said it was a matter not talked about among their own people but that if we wanted to know the facts they would give them to the authorities. They claimed the offering of human sacrifices by their tribe to be an old custom and, as far as they knew the only way to appease the wrath of the evil spirits, but said if they were ordered to give the custom up they would do so even if the devil got them all."
Then follows the statement of an eye-witness to the ceremony:
"My name is Modesta Barrera; I live in the town of Santa Cruz, my father being a Visayan, my mother a Bagobo. I cannot read or write, and I think that I am about twenty-three years old, although I am not certain on that point.
"On the 8th instant myself, Baon, Otoy, and Oton left Santa Cruz early in the morning to go to Talun, a day's march from Santa Cruz, for the purpose of trading with the natives of Talun, and also to collect some debts which they owed Baon. We remained that night at Saculampula, near Talun, where Ungon and Ido, two Bagobos, live with their families. There we found two children the only persons at the house who informed us that we should go to the house of Ambing, at Talun, where we could sell our merchandise. On the morning of the 9th we got up about 7 or 8 o'clock and started for Ambing's house. When within about an hour's walk of the house, we found a great many people congregated together. We were told that a human sacrifice had just taken place and on approaching to discover what had happened, we saw a little boy about eight or nine years old, the upper half of whose body was suspended by the wrists to a tree, the lower half lying on the ground. The child had been thus tied up while alive and had been cut into two parts at the waist; this was about the position of the body when we saw it.
"Immediately about twenty persons began to chop the body into small pieces; and Ansig, the datto of Talun, came over to us and gave Baon two pieces of the victim's hair attached to the scalp, which is a sign of the sacrifice. The victim was a slave owned and sacrificed by Datto Ansig. The first bolo cut which severs the body at the waist and which in this case we were told was done by Ansig is always performed by the person making the sacrifice. The people present were guests of Ansig and were not responsible for the killing, though it is the custom for the more favored ones to assist in chopping the victim into small pieces after death."
In the letters written by Father GISBERT in 1886, are many references to the religious practices of the Bagobo, from which the following are extracts:
"The feast which they hold before the sowing is a criminal and repugnant trago-comedy. The tragical part is the first thing that is done. When they have assembled in the middle of the woods * * * they tightly bind the slave whom they are going to sacrifice. All armed with sharp knives, leap and jump about their victim striking him, one after the other, or several at one time, amid infernal cries and shouts, until the body of the victim sacrificed has been cut to bits. From the place of the sacrifice they then go to the house of their chief or the master of the feast, holding branches in their hands which they place in a large bamboo, which is not only the chief adornment but the altar of the house in which they meet * * * The principal part is reserved for the old man or master of the feast, he standing near the bamboo which I have mentioned above, holding the vessel of wine in his hand, and, talking with his comrades, addresses the great demon called Darago, whose feast they are celebrating, in the following words: 'Darago, we are making you this feast, with great good will and gladness, offering you the blood of the sacrifice which we have made and this wine which we drink so that you may be our friend, accompany us, and be propitious in our wars.' * * * * * * * * * * *
"When they marry, if the lovers think that it will be of any use they make a human sacrifice so that they may have a good marriage, so that the weather may be good, so that they may have no storm, sickness, etc., all things which they attribute to the devil. In the same way also when they learn that there is any contagious disease, or fear death, several of them assemble and make a human sacrifice, asking the devil to let them live, since they generously offer him that victim. They also believe that the disease can be conjured. But the time that it is necessary to make a sacrifice, according to the law of the Bagobos, is at the death of anyone of the family, before they can remove the laláoan or mourning * * * At the point and on the day assigned, all the sacrificers assemble, or possibly one member of each of the families who are in mourning, at times fifty or more. The value of the slave sacrificed is paid among them all, and he who pays most has the right to sacrifice first."**
**In BLAIR and ROBERTSON, Vol. XLIII. pp. 244-51, will be found a very interesting letter from FATHER GISBERT, in which he describes the sacrifice of a Bagabo[sic] half-blood who had fallen in debt.
The official files in the Governor's office at Davao contain an account, written by Gov. Bolton, of the sacrifice at Cataloonan, July 1, 1904. This was held to secure the return to health of Chief Obo, who later died.
[Transcriber's note: The two paragraphs immediately above both comprise a single footnote.]
By the side of the trail, or in the forests, little shrines or platforms about 3 ft. high and a foot square at the top, are frequently seen. These are known as buis and are erected for the buso, in order to avert their displeasure and to keep them at a distance from the dwellings. When the family has been subjected to petty annoyances, or when for any other reason, the mabalian thinks an offering should be made, she orders the family to provide her with betel nut, a piece of iron, and bits of broken dishes, or castoff clothing. These are placed on the platform and the buso are exhorted to come and accept them. Good offerings are never made to this class of spirits, for "they do not expect to be treated like the more powerful." A shrub known as dalingding is planted by the side of the shrine so that its location may be known even after the platform has fallen, and all passersby will make some small offering, hoping thus to keep these evil beings in good humor.
Rain can be stopped by placing an offering of a leg ring, or prepared betel nut beside the trail and presenting them to the Gimokod, at the same time asking them to stop the downpour.
To a stranger entering a Bagobo house, in the absence of its owners, it appears that the people have little artistic development. He sees no paintings, no drawings, and few, if any, attempts to beautify the house with carvings. The pots sitting by the fire, show no decoration nor do the other household utensils exhibit embellishment of any kind. A closer study of the field baskets, however, shows a slight attempt to produce ornamentation by changing the weave of the central band from that at the top and bottom, or by adding a few rude lines in pitch. The moment the people enter, however, all is changed. The clothing they wear is covered with intricate patterns, some realistic, others highly conventionalized (Plate XXXI). Wonderful designs in beads or shell disks appear on coats, jackets, and carrying bags, while at neck, waist, shoulder, and at the bottom of sleeves and trousers are other figures in fine embroidery or applique. Strands of beads and seeds exhibiting a great variety of designs surround the necks of both men and women, while rings, armlets, leglets, and anklets of beads, plaited material or metal, are common. Combs are covered with pitch and inlaid with beads, or patterns are incised in the wood and filled with lime. Ear plugs exhibit beautiful delicate patterns inlaid with brass or silver.
A glance at the weapons carried by the man shows that his knife has been ornamented with caps of brass (Plate XXXII), the metal guard has cut or cast patterns in its surface, while sheath and carrying belt are covered with thin brass plates, painted lines, or a beaded cloth (Plate XXXIII) with bells attached. Fronts and backs of shields are covered with incised designs, while the metal ferrule next to the spear head seldom lacks in conventionalized figures. So the list might be extended to cover the women's knives and their pocket and carrying baskets, as well as the betel boxes and lime holders used by both sexes. In short, there seems to be no end to the list of personal ornaments and equipment which may be improved by carvings, arrangements of beads or metal castings and inlays. Even the horses are decorated with artificial forelocks of hair and beads. Strings of bells surround their necks, while saddles and whips display the aesthetic taste of their owners.
A part of this decoration is apparently realistic and will readily be identified by any member of the tribe; another part is suggestive and with a widely known meaning, but by far the greater number of designs have no generally accepted signification. The writer spent many hours securing the names of the designs on textiles, ornaments, or on lime boxes, only to receive the reply "done to make pretty," or to find that no two of five or a dozen informants could agree on many patterns, while frequently it was found that some obliging individual had volunteered names at one time which he could not remember on the day following. It is possible that a long residence with the people and diligent inquiry along this line might yield more definite results, but for the present the writer must content himself by showing some typical examples of the decorative art, and adding a few notes to the same.
The great majority of baskets lack in decoration, other than that which can be obtained by a slight change in the weave. In these a central band can be distinguished from those at top and bottom, although the same material is used and there is only a minor variation in the technique.
Small carrying receptacles, or trinket baskets, frequently have designs produced by plaiting the rattan or bamboo of natural color with that which has been blackened (Plate XXXIVa). No uniform meaning or pattern name seems to be attached to the designs shown in this specimen, but an incised design on the wooden rim was readily identified as a crocodile.
The small baskets in the coiled weave sometimes have the fronts entirely covered with beads which are woven into the basket in parallel lines. The tobacco box shown in Plate XXXV has been covered with cloth and pitch, in which an artistic design made from the yellow cuticle of an orchid has been inlaid. Plate XXXVb shows the wooden tops of three tobacco boxes. Nos. 1 and 2 are carved and inlaid with beads and buttons in designs which "look pretty," but number 3 depicts a hunting scene in which two men and a dog are hunting the alligator. Several beads are missing so that it requires quite a stretch of the imagination to secure the impression the native artist meant to impart.
The prized trinket baskets of the women generally have the fronts covered with cloth, to which hundreds of colored beads are sewed, in elaborate designs (Plate XXXVI).
The patterns brought out in the weaving are as beautiful and intricate as they are confusing. Five typical specimens of cloth used in women's skirts are shown in Plate XXXVII. In them can be found several apparently different designs to some of which names were assigned, but as there was no agreement among my informers I refrain from giving them here. The pattern marked X in (c) was generally identified as "alligator," yet the weavers were by no means agreed.
The strip of cloth (Plate XXXVIII) was intended for the center breadth in a woman's skirt and shows the typical designs employed in the best garments.
The extensive use of beads is shown in Plates XXXIX-XL. Carrying bags, clothing, combs, necklaces, armlets, belts and sheath covers are partially covered with or made up of colored beads, always in designs, yet very few of these patterns have generally accepted meanings or names. The same holds true of the designs in shell disks, which, on the finer garments, take the place of beads. A few exceptions to this are found in which realistic patterns appear in (Plate XXXIb and Fig. 34).