I
FROM THE ITALIAN OF GIOVANNI STROZZI
Night, whom in shape so sweet thou here may'st see
Sleeping, was by an Angel sculptured thus
In marble, and since she sleeps hath life like us:
Thou doubt'st? Awake her: she will speak to thee.
II
FROM THE ITALIAN OF MICHELANGELO BUONARROTI
Sleep likes me well, and better yet to know
I am but stone. While shame and grief must be,
Good hap is mine, to feel not, nor to see:
Take heed, then, lest thou wake me: ah, speak low.

IN TIME OF MOURNING

"Return," we dare not as we fain
Would cry from hearts that yearn:
Love dares not bid our dead again
Return.
O hearts that strain and burn
As fires fast fettered burn and strain!
Bow down, lie still, and learn.
The heart that healed all hearts of pain
No funeral rites inurn:
Its echoes, while the stars remain,
Return.
May 1885.

THE INTERPRETERS

I
Days dawn on us that make amends for many
Sometimes,
When heaven and earth seem sweeter even than any
Man's rhymes.
Light had not all been quenched in France, or quelled
In Greece,
Had Homer sung not, or had Hugo held
His peace.
Had Sappho's self not left her word thus long
For token,
The sea round Lesbos yet in waves of song
Had spoken.
II
And yet these days of subtler air and finer
Delight,
When lovelier looks the darkness, and diviner
The light—
The gift they give of all these golden hours,
Whose urn
Pours forth reverberate rays or shadowing showers
In turn—
Clouds, beams, and winds that make the live day's track
Seem living—
What were they did no spirit give them back
Thanksgiving?
III
Dead air, dead fire, dead shapes and shadows, telling
Time nought;
Man gives them sense and soul by song, and dwelling
In thought.
In human thought their being endures, their power
Abides:
Else were their life a thing that each light hour
Derides.
The years live, work, sigh, smile, and die, with all
They cherish;
The soul endures, though dreams that fed it fall
And perish.
IV
In human thought have all things habitation;
Our days
Laugh, lower, and lighten past, and find no station
That stays.
But thought and faith are mightier things than time
Can wrong,
Made splendid once with speech, or made sublime
By song.
Remembrance, though the tide of change that rolls
Wax hoary,
Gives earth and heaven, for song's sake and the soul's,
Their glory.
July 16, 1885.

THE RECALL

Return, they cry, ere yet your day
Set, and the sky grow stern:
Return, strayed souls, while yet ye may
Return.
But heavens beyond us yearn;
Yea, heights of heaven above the sway
Of stars that eyes discern.
The soul whose wings from shoreward stray
Makes toward her viewless bourne
Though trustless faith and unfaith say,
Return.

BY TWILIGHT

If we dream that desire of the distance above us
Should be fettered by fear of the shadows that seem,
If we wake, to be nought, but to hate or to love us
If we dream,
Night sinks on the soul, and the stars as they gleam
Speak menace or mourning, with tongues to reprove us
That we deemed of them better than terror may deem.
But if hope may not lure us, if fear may not move us,
Thought lightens the darkness wherein the supreme
Pure presence of death shall assure us, and prove us
If we dream.

A BABY'S EPITAPH

April made me: winter laid me here away asleep.
Bright as Maytime was my daytime; night is soft and deep:
Though the morrow bring forth sorrow, well are ye that weep.
Ye that held me dear beheld me not a twelvemonth long:
All the while ye saw me smile, ye knew not whence the song
Came that made me smile, and laid me here, and wrought you wrong.
Angels, calling from your brawling world one undefiled,
Homeward bade me, and forbade me here to rest beguiled:
Here I sleep not: pass, and weep not here upon your child.

ON THE DEATH OF SIR HENRY TAYLOR

Fourscore and five times has the gradual year
Risen and fulfilled its days of youth and eld
Since first the child's eyes opening first beheld
Light, who now leaves behind to help us here
Light shed from song as starlight from a sphere
Serene as summer; song whose charm compelled
The sovereign soul made flesh in Artevelde
To stand august before us and austere,
Half sad with mortal knowledge, all sublime
With trust that takes no taint from change or time,
Trust in man's might of manhood. Strong and sage,
Clothed round with reverence of remembering hearts,
He, twin-born with our nigh departing age,
Into the light of peace and fame departs.

IN MEMORY OF JOHN WILLIAM INCHBOLD

Farewell: how should not such as thou fare well,
Though we fare ill that love thee, and that live,
And know, whate'er the days wherein we dwell
May give us, thee again they will not give?
Peace, rest, and sleep are all we know of death,
And all we dream of comfort: yet for thee,
Whose breath of life was bright and strenuous breath,
We think the change is other than we see.
The seal of sleep set on thine eyes to-day
Surely can seal not up the keen swift light
That lit them once for ever. Night can slay
None save the children of the womb of night.
The fire that burns up dawn to bring forth noon
Was father of thy spirit: how shouldst thou
Die as they die for whom the sun and moon
Are silent? Thee the darkness holds not now:
Them, while they looked upon the light, and deemed
That life was theirs for living in the sun,
The darkness held in bondage: and they dreamed,
Who knew not that such life as theirs was none.
To thee the sun spake, and the morning sang
Notes deep and clear as life or heaven: the sea
That sounds for them but wild waste music rang
Notes that were lost not when they rang for thee.
The mountains clothed with light and night and change,
The lakes alive with wind and cloud and sun,
Made answer, by constraint sublime and strange,
To the ardent hand that bade thy will be done.
We may not bid the mountains mourn, the sea
That lived and lightened from thine hand again
Moan, as of old would men that mourned as we
A man beloved, a man elect of men,
A man that loved them. Vain, divine and vain,
The dream that touched with thoughts or tears of ours
The spirit of sense that lives in sun and rain,
Sings out in birds, and breathes and fades in flowers.
Not for our joy they live, and for our grief
They die not. Though thine eye be closed, thine hand
Powerless as mine to paint them, not a leaf
In English woods or glades of Switzerland
Falls earlier now, fades faster. All our love
Moves not our mother's changeless heart, who gives
A little light to eyes and stars above,
A little life to each man's heart that lives.
A little life to heaven and earth and sea,
To stars and souls revealed of night and day,
And change, the one thing changeless: yet shall she
Cease too, perchance, and perish. Who shall say?
Our mother Nature, dark and sweet as sleep,
And strange as life and strong as death, holds fast,
Even as she holds our hearts alive, the deep
Dumb secret of her first-born births and last.
But this, we know, shall cease not till the strife
Of nights and days and fears and hopes find end;
This, through the brief eternities of life,
Endures, and calls from death a living friend;
The love made strong with knowledge, whence confirmed
The whole soul takes assurance, and the past
(So by time's measure, not by memory's, termed)
Lives present life, and mingles first with last.
I, now long since thy guest of many days,
Who found thy hearth a brother's, and with thee
Tracked in and out the lines of rolling bays
And banks and gulfs and reaches of the sea—
Deep dens wherein the wrestling water sobs
And pants with restless pain of refluent breath
Till all the sunless hollow sounds and throbs
With ebb and flow of eddies dark as death—
I know not what more glorious world, what waves
More bright with life,—if brighter aught may live
Than those that filled and fled their tidal caves—
May now give back the love thou hast to give.
Tintagel, and the long Trebarwith sand,
Lone Camelford, and Boscastle divine
With dower of southern blossom, bright and bland
Above the roar of granite-baffled brine,
Shall hear no more by joyous night or day
From downs or causeways good to rove and ride
Or feet of ours or horse-hoofs urge their way
That sped us here and there by tower and tide.
The headlands and the hollows and the waves,
For all our love, forget us: where I am
Thou art not: deeper sleeps the shadow on graves
Than in the sunless gulf that once we swam.
Thou hast swum too soon the sea of death: for us
Too soon, but if truth bless love's blind belief
Faith, born of hope and memory, says not thus:
And joy for thee for me should mean not grief.
And joy for thee, if ever soul of man
Found joy in change and life of ampler birth
Than here pens in the spirit for a span,
Must be the life that doubt calls death on earth.
For if, beyond the shadow and the sleep,
A place there be for souls without a stain,
Where peace is perfect, and delight more deep
Than seas or skies that change and shine again,
There none of all unsullied souls that live
May hold a surer station: none may lend
More light to hope's or memory's lamp, nor give
More joy than thine to those that called thee friend.
Yea, joy from sorrow's barren womb is born
When faith begets on grief the godlike child:
As midnight yearns with starry sense of morn
In Arctic summers, though the sea wax wild,
So love, whose name is memory, thrills at heart,
Remembering and rejoicing in thee, now
Alive where love may dream not what thou art
But knows that higher than hope or love art thou.
"Whatever heaven, if heaven at all may be,
Await the sacred souls of good men dead,
There, now we mourn who loved him here, is he,"
So, sweet and stern of speech, the Roman said,
Erect in grief, in trust erect, and gave
His deathless dead a deathless life even here
Where day bears down on day as wave on wave
And not man's smile fades faster than his tear.
Albeit this gift be given not me to give,
Nor power be mine to break time's silent spell,
Not less shall love that dies not while I live
Bid thee, beloved in life and death, farewell.

NEW YEAR'S DAY

New Year, be good to England. Bid her name
Shine sunlike as of old on all the sea:
Make strong her soul: set all her spirit free:
Bind fast her homeborn foes with links of shame
More strong than iron and more keen than flame:
Seal up their lips for shame's sake: so shall she
Who was the light that lightened freedom be,
For all false tongues, in all men's eyes the same.
O last-born child of Time, earth's eldest lord,
God undiscrowned of godhead, who for man
Begets all good and evil things that live,
Do thou, his new-begotten son, implored
Of hearts that hope and fear not, make thy span
Bright with such light as history bids thee give.
Jan. 1, 1889.

TO SIR RICHARD F. BURTON

(ON HIS TRANSLATION OF "THE ARABIAN NIGHTS")

Westward the sun sinks, grave and glad; but far
Eastward, with laughter and tempestuous tears,
Cloud, rain, and splendour as of orient spears,
Keen as the sea's thrill toward a kindling star,
The sundawn breaks the barren twilight's bar
And fires the mist and slays it. Years on years
Vanish, but he that hearkens eastward hears
Bright music from the world where shadows are.
Where shadows are not shadows. Hand in hand
A man's word bids them rise and smile and stand
And triumph. All that glorious orient glows
Defiant of the dusk. Our twilight land
Trembles; but all the heaven is all one rose,
Whence laughing love dissolves her frosts and snows.

NELL GWYN

Sweet heart, that no taint of the throne or the stage
Could touch with unclean transformation, or alter
To the likeness of courtiers whose consciences falter
At the smile or the frown, at the mirth or the rage,
Of a master whom chance could inflame or assuage,
Our Lady of Laughter, invoked in no psalter,
Adored of no faithful that cringe and that palter,
Praise be with thee yet from a hag-ridden age.
Our Lady of Pity thou wast: and to thee
All England, whose sons are the sons of the sea,
Gives thanks, and will hear not if history snarls
When the name of the friend of her sailors is spoken;
And thy lover she cannot but love—by the token
That thy name was the last on the lips of King Charles.

CALIBAN ON ARIEL

"His backward voice is to utter foul speeches and to detract"

The tongue is loosed of that most lying slave,
Whom stripes may move, not kindness. Listen: "Lo,
The real god of song, Lord Stephano,
That's a brave god, if ever god were brave,
And bears celestial liquor: but," the knave
(A most ridiculous monster) howls, "we know
From Ariel's lips what springs of poison flow,
The chicken-heart blasphemer! Hear him rave!"
Thou poisonous slave, got by the devil himself
Upon thy wicked dam, the witch whose name
Is darkness, and the sun her eyes' offence,
Though hell's hot sewerage breed no loathlier elf,
Men cry not shame upon thee, seeing thy shame
So perfect: they but bid thee—"Hag-seed, hence!"

THE WEARY WEDDING

O daughter, why do ye laugh and weep,
One with another?
For woe to wake and for will to sleep,
Mother, my mother.
But weep ye winna the day ye wed,
One with another.
For tears are dry when the springs are dead,
Mother, my mother.
Too long have your tears run down like rain,
One with another.
For a long love lost and a sweet love slain,
Mother, my mother.
Too long have your tears dripped down like dew,
One with another.
For a knight that my sire and my brethren slew,
Mother, my mother.
Let past things perish and dead griefs lie,
One with another.
O fain would I weep not, and fain would I die,
Mother, my mother.
Fair gifts we give ye, to laugh and live,
One with another.
But sair and strange are the gifts I give,
Mother, my mother.
And what will ye give for your father's love?
One with another.
Fruits full few and thorns enough,
Mother, my mother.
And what will ye give for your mother's sake?
One with another.
Tears to brew and tares to bake,
Mother, my mother.
And what will ye give your sister Jean?
One with another.
A bier to build and a babe to wean,
Mother, my mother.
And what will ye give your sister Nell?
One with another.
The end of life and beginning of hell,
Mother, my mother.
And what will ye give your sister Kate?
One with another.
Earth's door and hell's gate,
Mother, my mother.
And what will ye give your brother Will?
One with another.
Life's grief and world's ill,
Mother, my mother.
And what will ye give your brother Hugh?
One with another.
A bed of turf to turn into,
Mother, my mother.
And what will ye give your brother John?
One with another.
The dust of death to feed upon,
Mother, my mother.
And what will ye give your bauld bridegroom?
One with another.
A barren bed and an empty room,
Mother, my mother.
And what will ye give your bridegroom's friend?
One with another.
A weary foot to the weary end,
Mother, my mother.
And what will ye give your blithe bridesmaid?
One with another.
Grief to sew and sorrow to braid,
Mother, my mother.
And what will ye drink the day ye're wed?
One with another.
But ae drink of the wan well-head,
Mother, my mother.
And whatten a water is that to draw?
One with another.
We maun draw thereof a', we maun drink thereof a',
Mother, my mother.
And what shall ye pu' where the well rins deep?
One with another.
Green herb of death, fine flower of sleep,
Mother, my mother.
Are there ony fishes that swim therein?
One with another.
The white fish grace, and the red fish sin,
Mother, my mother.
Are there ony birds that sing thereby?
One with another.
O when they come thither they sing till they die,
Mother, my mother.
Is there ony draw-bucket to that well-head?
One with another.
There's a wee well-bucket hangs low by a thread,
Mother, my mother.
And whatten a thread is that to spin?
One with another.
It's green for grace, and it's black for sin,
Mother, my mother.
And what will ye strew on your bride-chamber floor?
One with another.
But one strewing and no more,
Mother, my mother.
And whatten a strewing shall that one be?
One with another.
The dust of earth and sand of the sea,
Mother, my mother.
And what will ye take to build your bed?
One with another.
Sighing and shame and the bones of the dead,
Mother, my mother.
And what will ye wear for your wedding gown?
One with another.
Grass for the green and dust for the brown,
Mother, my mother.
And what will ye wear for your wedding lace?
One with another.
A heavy heart and a hidden face,
Mother, my mother.
And what will ye wear for a wreath to your head?
One with another.
Ash for the white and blood for the red,
Mother, my mother.
And what will ye wear for your wedding ring?
One with another.
A weary thought for a weary thing,
Mother, my mother.
And what shall the chimes and the bell-ropes play?
One with another.
A weary tune on a weary day,
Mother, my mother.
And what shall be sung for your wedding song?
One with another.
A weary word of a weary wrong,
Mother, my mother.
The world's way with me runs back,
One with another,
Wedded in white and buried in black,
Mother, my mother.
The world's day and the world's night,
One with another,
Wedded in black and buried in white,
Mother, my mother.
The world's bliss and the world's teen,
One with another,
It's red for white and it's black for green,
Mother, my mother.
The world's will and the world's way,
One with another,
It's sighing for night and crying for day,
Mother, my mother.
The world's good and the world's worth,
One with another,
It's earth to flesh and it's flesh to earth,
Mother, my mother.
       *       *       *       *       *
When she came out at the kirkyard gate,
(One with another)
The bridegroom's mother was there in wait.
(Mother, my mother.)
O mother, where is my great green bed,
(One with another)
Silk at the foot and gold at the head,
Mother, my mother?
Yea, it is ready, the silk and the gold,
One with another.
But line it well that I lie not cold,
Mother, my mother.
She laid her cheek to the velvet and vair,
One with another;
She laid her arms up under her hair.
(Mother, my mother.)
Her gold hair fell through her arms fu' low,
One with another:
Lord God, bring me out of woe!
(Mother, my mother.)
Her gold hair fell in the gay reeds green,
One with another:
Lord God, bring me out of teen!
(Mother, my mother.)
       *       *       *       *       *
O mother, where is my lady gone?
(One with another.)
In the bride-chamber she makes sore moan:
(Mother, my mother.)
Her hair falls over the velvet and vair,
(One with another)
Her great soft tears fall over her hair.
(Mother, my mother.)
When he came into the bride's chamber,
(One with another)
Her hands were like pale yellow amber.
(Mother, my mother.)
Her tears made specks in the velvet and vair,
(One with another)
The seeds of the reeds made specks in her hair.
(Mother, my mother.)
He kissed her under the gold on her head;
(One with another)
The lids of her eyes were like cold lead.
(Mother, my mother.)
He kissed her under the fall of her chin;
(One with another)
There was right little blood therein.
(Mother, my mother.)
He kissed her under her shoulder sweet;
(One with another)
Her throat was weak, with little heat.
(Mother, my mother.)
He kissed her down by her breast-flowers red,
One with another;
They were like river-flowers dead.
(Mother, my mother.)
What ails you now o' your weeping, wife?
(One with another.)
It ails me sair o' my very life.
(Mother, my mother.)
What ails you now o' your weary ways?
(One with another.)
It ails me sair o' my long life-days.
(Mother, my mother.)
Nay, ye are young, ye are over fair.
(One with another.)
Though I be young, what needs ye care?
(Mother, my mother.)
Nay, ye are fair, ye are over sweet.
(One with another.)
Though I be fair, what needs ye greet?
(Mother, my mother.)
Nay, ye are mine while I hold my life.
(One with another.)
O fool, will ye marry the worm for a wife?
(Mother, my mother.)
Nay, ye are mine while I have my breath.
(One with another.)
O fool, will ye marry the dust of death?
(Mother, my mother.)
Yea, ye are mine, we are handfast wed,
One with another.
Nay, I am no man's; nay, I am dead,
Mother, my mother.

THE WINDS

O weary fa' the east wind,
And weary fa' the west:
And gin I were under the wan waves wide
I wot weel wad I rest.
O weary fa' the north wind,
And weary fa' the south:
The sea went ower my good lord's head
Or ever he kissed my mouth.
Weary fa' the windward rocks,
And weary fa' the lee:
They might hae sunken sevenscore ships,
And let my love's gang free.
And weary fa' ye, mariners a',
And weary fa' the sea:
It might hae taken an hundred men,
And let my ae love be.

A LYKE-WAKE SONG

Fair of face, full of pride,
Sit ye down by a dead man's side.
Ye sang songs a' the day:
Sit down at night in the red worm's way.
Proud ye were a' day long:
Ye'll be but lean at evensong.
Ye had gowd kells on your hair:
Nae man kens what ye were.
Ye set scorn by the silken stuff:
Now the grave is clean enough.
Ye set scorn by the rubis ring:
Now the worm is a saft sweet thing.
Fine gold and blithe fair face,
Ye are come to a grimly place.
Gold hair and glad grey een,
Nae man kens if ye have been.

A REIVER'S NECK-VERSE

Some die singing, and some die swinging,
And weel mot a' they be:
Some die playing, and some die praying,
And I wot sae winna we, my dear,
And I wot sae winna we.
Some die sailing, and some die wailing,
And some die fair and free:
Some die flyting, and some die fighting,
But I for a fause love's fee, my dear,
But I for a fause love's fee.
Some die laughing, and some die quaffing,
And some die high on tree:
Some die spinning, and some die sinning,
But faggot and fire for ye, my dear,
Faggot and fire for ye.
Some die weeping, and some die sleeping,
And some die under sea:
Some die ganging, and some die hanging,
And a twine of a tow for me, my dear,
A twine of a tow for me.

THE WITCH-MOTHER

"O where will ye gang to and where will ye sleep,
Against the night begins?"
"My bed is made wi' cauld sorrows,
My sheets are lined wi' sins.
"And a sair grief sitting at my foot,
And a sair grief at my head;
And dule to lay me my laigh pillows,
And teen till I be dead.
"And the rain is sair upon my face,
And sair upon my hair;
And the wind upon my weary mouth,
That never may man kiss mair.
"And the snow upon my heavy lips,
That never shall drink nor eat;
And shame to cledding, and woe to wedding,
And pain to drink and meat.
"But woe be to my bairns' father,
And ever ill fare he:
He has tane a braw bride hame to him,
Cast out my bairns and me."
"And what shall they have to their marriage meat
This day they twain are wed?"
"Meat of strong crying, salt of sad sighing,
And God restore the dead."
"And what shall they have to their wedding wine
This day they twain are wed?"
"Wine of weeping, and draughts of sleeping,
And God raise up the dead."
She's tane her to the wild woodside,
Between the flood and fell:
She's sought a rede against her need
Of the fiend that bides in hell.
She's tane her to the wan burnside,
She's wrought wi' sang and spell:
She's plighted her soul for doom and dole
To the fiend that bides in hell.
She's set her young son to her breast,
Her auld son to her knee:
Says, "Weel for you the night, bairnies,
And weel the morn for me."
She looked fu' lang in their een, sighing,
And sair and sair grat she:
She has slain her young son at her breast,
Her auld son at her knee.
She's sodden their flesh wi' saft water,
She's mixed their blood with wine:
She's tane her to the braw bride-house,
Where a' were boun' to dine.
She poured the red wine in his cup,
And his een grew fain to greet:
She set the baked meats at his hand,
And bade him drink and eat.
Says, "Eat your fill of your flesh, my lord,
And drink your fill of your wine;
For a' thing's yours and only yours
That has been yours and mine."
Says, "Drink your fill of your wine, my lord,
And eat your fill of your bread:
I would they were quick in my body again,
Or I that bare them dead."
He struck her head frae her fair body,
And dead for grief he fell:
And there were twae mair sangs in heaven,
And twae mair sauls in hell.

THE BRIDE'S TRAGEDY