The month of March comes to an end; and the departure of the youngsters begins, in glorious weather, during the hottest hours of the morning. Laden with her swarming burden, the mother Lycosa is outside her burrow, squatting on the parapet at the entrance. She lets them do as they please; as though indifferent to what is happening, she exhibits neither encouragement nor regret. Whoso will goes; whoso will remains behind.
First these, then those, according as they feel themselves duly soaked with sunshine, the little ones leave the mother in batches, run about for a moment on the ground and then quickly reach the trellis-work of the cage, which they climb with surprising alacrity. They pass through the meshes, they clamber right to the top of the citadel. All, with not one exception, make for the heights, instead of roaming on the ground, as might reasonably be expected from the eminently earthly habits of the Lycosae; all ascend the dome, a strange procedure whereof I do not yet guess the object.
I receive a hint from the upright ring that finishes the top of the cage. The youngsters hurry to it. It represents the porch of their gymnasium. They hang out threads across the opening; they stretch others from the ring to the nearest points of the trellis-work. On these foot-bridges, they perform slack-rope exercises amid endless comings and goings. The tiny legs open out from time to time and straddle as though to reach the most distant points. I begin to realize that they are acrobats aiming at loftier heights than those of the dome.
I top the trellis with a branch that doubles the attainable height. The bustling crowd hastily scrambles up it, reaches the tip of the topmost twigs and thence sends out threads that attach themselves to every surrounding object. These form so many suspension-bridges; and my beasties nimbly run along them, incessantly passing to and fro. One would say that they wished to climb higher still. I will endeavour to satisfy their desires.
I take a nine-foot reed, with tiny branches spreading right up to the top, and place it above the cage. The little Lycosae clamber to the very summit. Here, longer threads are produced from the rope-yard and are now left to float, anon converted into bridges by the mere contact of the free end with the neighbouring supports. The rope-dancers embark upon them and form garlands which the least breath of air swings daintily. The thread is invisible when it does not come between the eyes and the sun; and the whole suggests rows of Gnats dancing an aerial ballet.
Then, suddenly, teased by the air-currents, the delicate mooring breaks and flies through space. Behold the emigrants off and away, clinging to their thread. If the wind be favourable, they can land at great distances. Their departure is thus continued for a week or two, in bands more or less numerous, according to the temperature and the brightness of the day. If the sky be overcast, none dreams of leaving. The travellers need the kisses of the sun, which give energy and vigour.
At last, the whole family has disappeared, carried afar by its flying-ropes. The mother remains alone. The loss of her offspring hardly seems to distress her. She retains her usual colour and plumpness, which is a sign that the maternal exertions have not been too much for her.
I also notice an increased fervour in the chase. While burdened with her family, she was remarkably abstemious, accepting only with great reserve the game placed at her disposal. The coldness of the season may have militated against copious refections; perhaps also the weight of the little ones hampered her movements and made her more discreet in attacking the prey.
To-day, cheered by the fine weather and able to move freely, she hurries up from her lair each time I set a tit-bit to her liking buzzing at the entrance to her burrow; she comes and takes from my fingers the savoury Locust, the portly Anoxia; {26} and this performance is repeated daily, whenever I have the leisure to devote to it. After a frugal winter, the time has come for plentiful repasts.
This appetite tells us that the animal is not at the point of death; one does not feast in this way with a played-out stomach. My boarders are entering in full vigour upon their fourth year. In the winter, in the fields, I used to find large mothers, carting their young, and others not much more than half their size. The whole series, therefore, represented three generations. And now, in my earthenware pans, after the departure of the family, the old matrons still carry on and continue as strong as ever. Every outward appearance tells us that, after becoming great-grandmothers, they still keep themselves fit for propagating their species.
The facts correspond with these anticipations. When September returns, my captives are dragging a bag as bulky as that of last year. For a long time, even when the eggs of the others have been hatched for some weeks past, the mothers come daily to the threshold of the burrow and hold out their wallets for incubation by the sun. Their perseverance is not rewarded: nothing issues from the satin purse; nothing stirs within. Why? Because, in the prison of my cages, the eggs have had no father. Tired of waiting and at last recognizing the barrenness of their produce, they push the bag of eggs outside the burrow and trouble about it no more. At the return of spring, by which time the family, if developed according to rule, would have been emancipated, they die. The mighty Spider of the waste-lands, therefore, attains to an even more patriarchal age than her neighbour the Sacred Beetle: {27} she lives for five years at the very least.
Let us leave the mothers to their business and return to the youngsters. It is not without a certain surprise that we see the little Lycosae, at the first moment of their emancipation, hasten to ascend the heights. Destined to live on the ground, amidst the short grass, and afterwards to settle in the permanent abode, a pit, they start by being enthusiastic acrobats. Before descending to the low levels, their normal dwelling-place, they affect lofty altitudes.
To rise higher and ever higher is their first need. I have not, it seems, exhausted the limit of their climbing-instinct even with a nine-foot pole, suitably furnished with branches to facilitate the escalade. Those who have eagerly reached the very top wave their legs, fumble in space as though for yet higher stalks. It behoves us to begin again and under better conditions.
Although the Narbonne Lycosa, with her temporary yearning for the heights, is more interesting than other Spiders, by reason of the fact that her usual habitation is underground, she is not so striking at swarming-time, because the youngsters, instead of all migrating at once, leave the mother at different periods and in small batches. The sight will be a finer one with the common Garden or Cross Spider, the Diadem Epeira (Epeira diadema, LIN.), decorated with three white crosses on her back.
She lays her eggs in November and dies with the first cold snap. She is denied the Lycosa’s longevity. She leaves the natal wallet early one spring and never sees the following spring. This wallet, which contains the eggs, has none of the ingenious structure which we admired in the Banded and in the Silky Epeira. No longer do we see a graceful balloon-shape nor yet a paraboloid with a starry base; no longer a tough, waterproof satin stuff; no longer a swan’s-down resembling a fleecy, russet cloud; no longer an inner keg in which the eggs are packed. The art of stout fabrics and of walls within walls is unknown here.
The work of the Cross Spider is a pill of white silk, wrought into a yielding felt, through which the new-born Spiders will easily work their way, without the aid of the mother, long since dead, and without having to rely upon its bursting at the given hour. It is about the size of a damson.
We can judge the method of manufacture from the structure. Like the Lycosa, whom we saw, in Chapter III., at work in one of my earthenware pans, the Cross Spider, on the support supplied by a few threads stretched between the nearest objects, begins by making a shallow saucer of sufficient thickness to dispense with subsequent corrections. The process is easily guessed. The tip of the abdomen goes up and down, down and up with an even beat, while the worker shifts her place a little. Each time, the spinnerets add a bit of thread to the carpet already made.
When the requisite thickness is obtained, the mother empties her ovaries, in one continuous flow, into the centre of the bowl. Glued together by their inherent moisture, the eggs, of a handsome orange-yellow, form a ball-shaped heap. The work of the spinnerets is resumed. The ball of germs is covered with a silk cap, fashioned in the same way as the saucer. The two halves of the work are so well joined that the whole constitutes an unbroken sphere.
The Banded Epeira and the Silky Epeira, those experts in the manufacture of rainproof textures, lay their eggs high up, on brushwood and bramble, without shelter of any kind. The thick material of the wallets is enough to protect the eggs from the inclemencies of the winter, especially from damp. The Diadem Epeira, or Cross Spider, needs a cranny for hers, which is contained in a non-waterproof felt. In a heap of stones, well exposed to the sun, she will choose a large slab to serve as a roof. She lodges her pill underneath it, in the company of the hibernating Snail.
More often still, she prefers the thick tangle of some dwarf shrub, standing eight or nine inches high and retaining its leaves in winter. In the absence of anything better, a tuft of grass answers the purpose. Whatever the hiding-place, the bag of eggs is always near the ground, tucked away as well as may be, amid the surrounding twigs.
Save in the case of the roof supplied by a large stone, we see that the site selected hardly satisfies proper hygienic needs. The Epeira seems to realize this fact. By way of an additional protection, even under a stone, she never fails to make a thatched roof for her eggs. She builds them a covering with bits of fine, dry grass, joined together with a little silk. The abode of the eggs becomes a straw wigwam.
Good luck procures me two Cross Spiders’ nests, on the edge of one of the paths in the enclosure, among some tufts of ground-cypress, or lavender-cotton. This is just what I wanted for my plans. The find is all the more valuable as the period of the exodus is near at hand.
I prepare two lengths of bamboo, standing about fifteen feet high and clustered with little twigs from top to bottom. I plant one of them straight up in the tuft, beside the first nest. I clear the surrounding ground, because the bushy vegetation might easily, thanks to threads carried by the wind, divert the emigrants from the road which I have laid out for them. The other bamboo I set up in the middle of the yard, all by itself, some few steps from any outstanding object. The second nest is removed as it is, shrub and all, and placed at the bottom of the tall, ragged distaff.
The events expected are not long in coming. In the first fortnight in May, a little earlier in one case, a little later in the other, the two families, each presented with a bamboo climbing-pole, leave their respective wallets. There is nothing remarkable about the mode of egress. The precincts to be crossed consist of a very slack net-work, through which the outcomers wriggle: weak little orange-yellow beasties, with a triangular black patch upon their sterns. One morning is long enough for the whole family to make its appearance.
By degrees, the emancipated youngsters climb the nearest twigs, clamber to the top, and spread a few threads. Soon, they gather in a compact, ball-shaped cluster, the size of a walnut. They remain motionless. With their heads plunged into the heap and their sterns projecting, they doze gently, mellowing under the kisses of the sun. Rich in the possession of a thread in their belly as their sole inheritance, they prepare to disperse over the wide world.
Let us create a disturbance among the globular group by stirring it with a straw. All wake up at once. The cluster softly dilates and spreads, as though set in motion by some centrifugal force; it becomes a transparent orb wherein thousands and thousands of tiny legs quiver and shake, while threads are extended along the way to be followed. The whole work resolves itself into a delicate veil which swallows up the scattered family. We then see an exquisite nebula against whose opalescent tapestry the tiny animals gleam like twinkling orange stars.
This straggling state, though it last for hours, is but temporary. If the air grow cooler, if rain threaten, the spherical group reforms at once. This is a protective measure. On the morning after a shower, I find the families on either bamboo in as good condition as on the day before. The silk veil and the pill formation have sheltered them well enough from the downpour. Even so do Sheep, when caught in a storm in the pastures, gather close, huddle together and make a common rampart of their backs.
The assembly into a ball-shaped mass is also the rule in calm, bright weather, after the morning’s exertions. In the afternoon, the climbers collect at a higher point, where they weave a wide, conical tent, with the end of a shoot for its top, and, gathered into a compact group, spend the night there. Next day, when the heat returns, the ascent is resumed in long files, following the shrouds which a few pioneers have rigged and which those who come after elaborate with their own work.
Collected nightly into a globular troop and sheltered under a fresh tent, for three or four days, each morning, before the sun grows too hot, my little emigrants thus raise themselves, stage by stage, on both bamboos, until they reach the sun-unit, at fifteen feet above the ground. The climb comes to an end for lack of foothold.
Under normal conditions, the ascent would be shorter. The young Spiders have at their disposal the bushes, the brushwood, providing supports on every side for the threads wafted hither and thither by the eddying air-currents. With these rope-bridges flung across space, the dispersal presents no difficulties. Each emigrant leaves at his own good time and travels as suits him best.
My devices have changed these conditions somewhat. My two bristling poles stand at a distance from the surrounding shrubs, especially the one which I planted in the middle of the yard. Bridges are out of the question, for the threads flung into the air are not long enough. And so the acrobats, eager to get away, keep on climbing, never come down again, are impelled to seek in a higher position what they have failed to find in a lower. The top of my two bamboos probably fails to represent the limit of what my keen climbers are capable of achieving.
We shall see, in a moment, the object of this climbing-propensity, which is a sufficiently remarkable instinct in the Garden Spiders, who have as their domain the low-growing brushwood wherein their nets are spread; it becomes a still more remarkable instinct in the Lycosa, who, except at the moment when she leaves her mother’s back, never quits the ground and yet, in the early hours of her life, shows herself as ardent a wooer of high places as the young Garden Spiders.
Let us consider the Lycosa in particular. In her, at the moment of the exodus, a sudden instinct arises, to disappear, as promptly and for ever, a few hours later. This is the climbing-instinct, which is unknown to the adult and soon forgotten by the emancipated youngling, doomed to wander homeless, for many a long day, upon the ground. Neither of them dreams of climbing to the top of a grass-stalk. The full-grown Spider hunts trapper-fashion, ambushed in her tower; the young one hunts afoot through the scrubby grass. In both cases there is no web and therefore no need for lofty contact-points. They are not allowed to quit the ground and climb the heights.
Yet here we have the young Lycosa, wishing to leave the maternal abode and to travel far afield by the easiest and swiftest methods, suddenly becoming an enthusiastic climber. Impetuously she scales the wire trellis of the cage where she was born; hurriedly she clambers to the top of the tall mast which I have prepared for her. In the same way, she would make for the summit of the bushes in her waste-land.
We catch a glimpse of her object. From on high, finding a wide space beneath her, she sends a thread floating. It is caught by the wind and carries her hanging to it. We have our aeroplanes; she too possesses her flying-machine. Once the journey is accomplished, naught remains of this ingenious business. The climbing-instinct conies suddenly, at the hour of need, and no less suddenly vanishes.
Seeds, when ripened in the fruit, are disseminated, that is to say, scattered on the surface of the ground, to sprout in spots as yet unoccupied and fill the expanses that realize favourable conditions.
Amid the wayside rubbish grows one of the gourd family, Ecbalium elaterium, commonly called the squirting cucumber, whose fruit—a rough and extremely bitter little cucumber—is the size of a date. When ripe, the fleshy core resolves into a liquid in which float the seeds. Compressed by the elastic rind of the fruit, this liquid bears upon the base of the footstalk, which is gradually forced out, yields like a stopper, breaks off and leaves an orifice through which a stream of seeds and fluid pulp is suddenly ejected. If, with a novice hand, under a scorching sun, you shake the plant laden with yellow fruit, you are bound to be somewhat startled when you hear a noise among the leaves and receive the cucumber’s grapeshot in your face.
The fruit of the garden balsam, when ripe, splits, at the least touch, into five fleshy valves, which curl up and shoot their seeds to a distance. The botanical name of Impatiens given to the balsam alludes to this sudden dehiscence of the capsules, which cannot endure contact without bursting.
In the damp and shady places of the woods there exists a plant of the same family which, for similar reasons, bears the even more expressive name of Impatiens noli-me-tangere, or touch-me-not.
The capsule of the pansy expands into three valves, each scooped out like a boat and laden in the middle with two rows of seeds. When these valves dry, the edges shrivel, press upon the grains and eject them.
Light seeds, especially those of the order of Compositae, have aeronautic apparatus—tufts, plumes, fly-wheels—which keep them up in the air and enable them to take distant voyages. In this way, at the least breath, the seeds of the dandelion, surmounted by a tuft of feathers, fly from their dry receptacle and waft gently in the air.
Next to the tuft, the wing is the most satisfactory contrivance for dissemination by wind. Thanks to their membranous edge, which gives them the appearance of thin scales, the seeds of the yellow wall-flower reach high cornices of buildings, clefts of inaccessible rocks, crannies in old walls, and sprout in the remnant of mould bequeathed by the mosses that were there before them.
The samaras, or keys, of the elm, formed of a broad, light fan with the seed cased in its centre; those of the maple, joined in pairs and resembling the unfurled wings of a bird; those of the ash, carved like the blade of an oar, perform the most distant journeys when driven before the storm.
Like the plant, the insect also sometimes possesses travelling-apparatus, means of dissemination that allow large families to disperse quickly over the country, so that each member may have his place in the sun without injuring his neighbour; and these apparatus, these methods vie in ingenuity with the elm’s samara, the dandelion-plume and the catapult of the squirting cucumber.
Let us consider, in particular, the Epeirae, those magnificent Spiders who, to catch their prey, stretch, between one bush and the next, great vertical sheets of meshes, resembling those of the fowler. The most remarkable in my district is the Banded Epeira (Epeira fasciata, WALCK.), so prettily belted with yellow, black and silvery white. Her nest, a marvel of gracefulness, is a satin bag, shaped like a tiny pear. Its neck ends in a concave mouthpiece closed with a lid, also of satin. Brown ribbons, in fanciful meridian waves, adorn the object from pole to pole.
Open the nest. We have seen, in an earlier chapter, {28} what we find there; let us retell the story. Under the outer wrapper, which is as stout as our woven stuffs and, moreover, perfectly waterproof, is a russet eiderdown of exquisite delicacy, a silky fluff resembling driven smoke. Nowhere does mother-love prepare a softer bed.
In the middle of this downy mass hangs a fine, silk, thimble-shaped purse, closed with a movable lid. This contains the eggs, of a pretty orange-yellow and about five hundred in number.
All things considered, is not this charming edifice an animal fruit, a germ-casket, a capsule to be compared with that of the plants? Only, the Epeira’s wallet, instead of seeds, holds eggs. The difference is more apparent than real, for egg and grain are one.
How will this living fruit, ripening in the heat beloved of the Cicadae, manage to burst? How, above all, will dissemination take place? They are there in their hundreds. They must separate, go far away, isolate themselves in a spot where there is not too much fear of competition among neighbours. How will they set to work to achieve this distant exodus, weaklings that they are, taking such very tiny steps?
I receive the first answer from another and much earlier Epeira, whose family I find, at the beginning of May, on a yucca in the enclosure. The plant blossomed last year. The branching flower-stem, some three feet high, still stands erect, though withered. On the green leaves, shaped like a sword-blade, swarm two newly-hatched families. The wee beasties are a dull yellow, with a triangular black patch upon their stern. Later on, three white crosses, ornamenting the back, will tell me that my find corresponds with the Cross or Diadem Spider (Epeira diadema, WALCK.).
When the sun reaches this part of the enclosure, one of the two groups falls into a great state of flutter. Nimble acrobats that they are, the little Spiders scramble up, one after the other, and reach the top of the stem. Here, marches and countermarches, tumult and confusion reign, for there is a slight breeze which throws the troop into disorder. I see no connected manoeuvres. From the top of the stalk they set out at every moment, one by one; they dart off suddenly; they fly away, so to speak. It is as though they had the wings of a Gnat.
Forthwith they disappear from view. Nothing that my eyes can see explains this strange flight; for precise observation is impossible amid the disturbing influences out of doors. What is wanted is a peaceful atmosphere and the quiet of my study.
I gather the family in a large box, which I close at once, and instal it in the animals’ laboratory, on a small table, two steps from the open window. Apprised by what I have just seen of their propensity to resort to the heights, I give my subjects a bundle of twigs, eighteen inches tall, as a climbing-pole. The whole band hurriedly clambers up and reaches the top. In a few moments there is not one lacking in the group on high. The future will tell us the reason of this assemblage on the projecting tips of the twigs.
The little Spiders are now spinning here and there at random: they go up, go down, come up again. Thus is woven a light veil of divergent threads, a many-cornered web with the end of the branch for its summit and the edge of the table for its base, some eighteen inches wide. This veil is the drill-ground, the work-yard where the preparations for departure are made.
Here hasten the humble little creatures, running indefatigably to and fro. When the sun shines upon them, they become gleaming specks and form upon the milky background of the veil a sort of constellation, a reflex of those remote points in the sky where the telescope shows us endless galaxies of stars. The immeasurably small and the immeasurably large are alike in appearance. It is all a matter of distance.
But the living nebula is not composed of fixed stars; on the contrary, its specks are in continual movement. The young Spiders never cease shifting their position on the web. Many let themselves drop, hanging by a length of thread, which the faller’s weight draws from the spinnerets. Then quickly they climb up again by the same thread, which they wind gradually into a skein and lengthen by successive falls. Others confine themselves to running about the web and also give me the impression of working at a bundle of ropes.
The thread, as a matter of fact, does not flow from the spinneret; it is drawn thence with a certain effort. It is a case of extraction, not emission. To obtain her slender cord, the Spider has to move about and haul, either by falling or by walking, even as the rope-maker steps backwards when working his hemp. The activity now displayed on the drill-ground is a preparation for the approaching dispersal. The travellers are packing up.
Soon we see a few Spiders trotting briskly between the table and the open window. They are running in mid-air. But on what? If the light fall favourably, I manage to see, at moments, behind the tiny animal, a thread resembling a ray of light, which appears for an instant, gleams and disappears. Behind, therefore, there is a mooring, only just perceptible, if you look very carefully; but, in front, towards the window, there is nothing to be seen at all.
In vain I examine above, below, at the side; in vain I vary the direction of the eye: I can distinguish no support for the little creature to walk upon. One would think that the beastie were paddling in space. It suggests the idea of a small bird, tied by the leg with a thread and making a flying rush forwards.
But, in this case, appearances are deceptive: flight is impossible; the Spider must necessarily have a bridge whereby to cross the intervening space. This bridge, which I cannot see, I can at least destroy. I cleave the air with a ruler in front of the Spider making for the window. That is quite enough: the tiny animal at once ceases to go forward and falls. The invisible foot-plank is broken. My son, young Paul, who is helping me, is astounded at this wave of the magic wand, for not even he, with his fresh, young eyes, is able to see a support ahead for the Spiderling to move along.
In the rear, on the other hand, a thread is visible. The difference is easily explained. Every Spider, as she goes, at the same time spins a safety-cord which will guard the rope-walker against the risk of an always possible fall. In the rear, therefore, the thread is of double thickness and can be seen, whereas, in front, it is still single and hardly perceptible to the eye.
Obviously, this invisible foot-bridge is not flung out by the animal: it is carried and unrolled by a gust of air. The Epeira, supplied with this line, lets it float freely; and the wind, however softly blowing, bears it along and unwinds it. Even so is the smoke from the bowl of a pipe whirled up in the air.
This floating thread has but to touch any object in the neighbourhood and it will remain fixed to it. The suspension-bridge is thrown; and the Spider can set out. The South-American Indians are said to cross the abysses of the Cordilleras in travelling-cradles made of twisted creepers; the little Spider passes through space on the invisible and the imponderable.
But to carry the end of the floating thread elsewhither a draught is needed. At this moment, the draught exists between the door of my study and the window, both of which are open. It is so slight that I do not feel its; I only know of it by the smoke from my pipe, curling softly in that direction. Cold air enters from without through the door; warm air escapes from the room through the window. This is the drought that carries the threads with it and enables the Spiders to embark upon their journey.
I get rid of it by closing both apertures and I break off any communication by passing my ruler between the window and the table. Henceforth, in the motionless atmosphere, there are no departures. The current of air is missing, the skeins are not unwound and migration becomes impossible.
It is soon resumed, but in a direction whereof I never dreamt. The hot sun is beating on a certain part of the floor. At this spot, which is warmer than the rest, a column of lighter, ascending air is generated. If this column catch the threads, my Spiders ought to rise to the ceiling of the room.
The curious ascent does, in fact, take place. Unfortunately, my troop, which has been greatly reduced by the number of departures through the window, does not lend itself to prolonged experiment. We must begin again.
The next morning, on the same yucca, I gather the second family, as numerous as the first. Yesterday’s preparations are repeated. My legion of Spiders first weaves a divergent framework between the top of the brushwood placed at the emigrants’ disposal and the edge of the table. Five or six hundred wee beasties swarm all over this work-yard.
While this little world is busily fussing, making its arrangements for departure, I make my own. Every aperture in the room is closed, so as to obtain as calm an atmosphere as possible. A small chafing-dish is lit at the foot of the table. My hands cannot feel the heat of it at the level of the web whereon my Spiders are weaving. This is the very modest fire which, with its column of rising air, shall unwind the threads and carry them on high.
Let us first enquire the direction and strength of the current. Dandelion-plumes, made lighter by the removal of their seeds, serve as my guides. Released above the chafing-dish, on the level of the table, they float slowly upwards and, for the most part, reach the ceiling. The emigrants’ lines should rise in the same way and even better.
The thing is done: with the aid of nothing that is visible to the three of us looking on, a Spider makes her ascent. She ambles with her eight legs through the air; she mounts, gently swaying. The others, in ever-increasing numbers, follow, sometimes by different roads, sometimes by the same road. Any one who did not possess the secret would stand amazed at this magic ascent without a ladder. In a few minutes, most of them are up, clinging to the ceiling.
Not all of them reach it. I see some who, on attaining a certain height, cease to go up and even lose ground, although moving their legs forward with all the nimbleness of which they are capable. The more they struggle upwards, the faster they come down. This drifting, which neutralizes the distance covered and even converts it into a retrogression, is easily explained.
The thread has not reached the platform; it floats, it is fixed only at the lower end. As long as it is of a fair length, it is able, although moving, to bear the minute animal’s weight. But, as the Spider climbs, the float becomes shorter in proportion; and the time comes when a balance is struck between the ascensional force of the thread and the weight carried. Then the beastie remains stationary, although continuing to climb.
Presently, the weight becomes too much for the shorter and shorter float; and the Spider slips down, in spite of her persistent, forward striving. She is at last brought back to the branch by the falling threads. Here, the ascent is soon renewed, either on a fresh thread, if the supply of silk be not yet exhausted, or on a strange thread, the work, of those who have gone before.
As a rule, the ceiling is reached. It is twelve feet high. The little Spider is able, therefore, as the first product of her spinning-mill, before taking any refreshment, to obtain a line fully twelve feet in length. And all this, the rope-maker and her rope, was contained in the egg, a particle of no size at all. To what a degree of fineness can the silky matter be wrought wherewith the young Spider is provided! Our manufacturers are able to turn out platinum-wire that can only be seen when it is made red-hot. With much simpler means, the Spiderling draws from her wire-mill threads so delicate that, even the brilliant light of the sun does not always enable us to discern them.
We must not let all the climbers be stranded on the ceiling, an inhospitable region where most of them will doubtless perish, being unable to produce a second thread before they have had a meal. I open the window. A current of lukewarm air, coming from the chafing-dish, escapes through the top. Dandelion-plumes, taking that direction, tell me so. The wafting threads cannot fail to be carried by this flow of air and to lengthen out in the open, where a light breeze is blowing.
I take a pair of sharp scissors and, without shaking the threads, cut a few that are just visible at the base, where they are thickened with an added strand. The result of this operation is marvellous. Hanging to the flying-rope, which is borne on the wind outside, the Spider passes through the window, suddenly flies off and disappears. An easy way of travelling, if the conveyance possessed a rudder that allowed the passenger to land where he pleases! But the little things are at the mercy of the winds: where will they alight? Hundreds, thousands of yards away, perhaps. Let us wish them a prosperous journey.
The problem of dissemination is now solved. What would happen if matters, instead of being brought about by my wiles, took place in the open fields? The answer is obvious. The young Spiders, born acrobats and rope-walkers, climb to the top of a branch so as to find sufficient space below them to unfurl their apparatus. Here, each draws from her rope-factory a thread which she abandons to the eddies of the air. Gently raised by the currents that ascend from the ground warmed by the sun, this thread wafts upwards, floats, undulates, makes for its point of contact. At last, it breaks and vanishes in the distance, carrying the spinstress hanging to it.
The Epeira with the three white crosses, the Spider who has supplied us with these first data concerning the process of dissemination, is endowed with a moderate maternal industry. As a receptacle for the eggs, she weaves a mere pill of silk. Her work is modest indeed beside the Banded Epeira’s balloons. I looked to these to supply me with fuller documents. I had laid up a store by rearing some mothers during the autumn. So that nothing of importance might escape me, I divided my stock of balloons, most of which were woven before my eyes, into two sections. One half remained in my study, under a wire-gauze cover, with, small bunches of brushwood as supports; the other half were experiencing the vicissitudes of open-air life on the rosemaries in the enclosure.
These preparations, which promised so well, did not provide me with the sight which I expected, namely, a magnificent exodus, worthy of the tabernacle occupied. However, a few results, not devoid of interest, are to be noted. Let us state them briefly.
The hatching takes place as March approaches. When this time comes, let us open the Banded Epeira’s nest with the scissors. We shall find that some of the youngsters have already left the central chamber and scattered over the surrounding eiderdown, while the rest of the laying still consists of a compact mass of orange eggs. The appearance of the younglings is not simultaneous; it takes place with intermissions and may last a couple of weeks.
Nothing as yet suggests the future, richly-striped livery. The abdomen is white and, as it were, floury in the front half; in the other half it is a blackish-brown. The rest of the body is pale-yellow, except in front, where the eyes form a black edging. When left alone, the little ones remain motionless in the soft, russet swan’s-down; if disturbed, they shuffle lazily where they are, or even walk about in a hesitating and unsteady fashion. One can see that they have to ripen before venturing outside.
Maturity is achieved in the exquisite floss that surrounds the natal chamber and fills out the balloon. This is the waiting-room in which the body hardens. All dive into it as and when they emerge from the central keg. They will not leave it until four months later, when the midsummer heats have come.
Their number is considerable. A patient and careful census gives me nearly six hundred. And all this comes out of a purse no larger than a pea. By what miracle is there room for such a family? How do those thousands of legs manage to grow without straining themselves?
The egg-bag, as we learnt in Chapter II., is a short cylinder rounded at the bottom. It is formed of compact white satin, an insuperable barrier. It opens into a round orifice wherein is bedded a lid of the same material, through which the feeble beasties would be incapable of passing. It is not a porous felt, but a fabric as tough as that of the sack. Then by what mechanism is the delivery effected?
Observe that the disk of the lid doubles back into a short fold, which edges into the orifice of the bag. In the same way, the lid of a saucepan fits the mouth by means of a projecting rim, with this difference, that the rim is not attached to the saucepan, whereas, in the Epeira’s work, it is soldered to the bag or nest. Well, at the time of the hatching, this disk becomes unstuck, lifts and allows the new-born Spiders to pass through.
If the rim were movable and simply inserted, if, moreover, the birth of all the family took place at the same time, we might think that the door is forced open by the living wave of inmates, who would set their backs to it with a common effort. We should find an approximate image in the case of the saucepan, whose lid is raised by the boiling of its contents. But the fabric of the cover is one with the fabric of the bag, the two are closely welded; besides, the hatching is effected in small batches, incapable of the least exertion. There must, therefore, be a spontaneous bursting, or dehiscence, independent of the assistance of the youngsters and similar to that of the seed-pods of plants.
When fully ripened, the dry fruit of the snap-dragon opens three windows; that of the pimpernel splits into two rounded halves, something like those of the outer case of a fob-watch; the fruit of the carnation partly unseals its valves and opens at the top into a star-shaped hatch. Each seed-casket has its own system of locks, which are made to work smoothly by the mere kiss of the sun.
Well, that other dry fruit, the Banded Epeira’s germ-box, likewise possesses its bursting-gear. As long as the eggs remain unhatched, the door, solidly fixed in its frame, holds good; as soon as the little ones swarm and want to get out, it opens of itself.
Come June and July, beloved of the Cicadae, no less beloved of the young Spiders who are anxious to be off. It were difficult indeed for them to work their way through the thick shell of the balloon. For the second time, a spontaneous dehiscence seems called for. Where will it be effected?
The idea occurs off-hand that it will take place along the edges of the top cover. Remember the details given in an earlier chapter. The neck of the balloon ends in a wide crater, which is closed by a ceiling dug out cup-wise. The material is as stout in this part as in any other; but, as the lid was the finishing touch to the work, we expect to find an incomplete soldering, which would allow it to be unfastened.
The method of construction deceives us: the ceiling is immovable; at no season can my forceps manage to extract it, without destroying the building from top to bottom. The dehiscence takes place elsewhere, at some point on the sides. Nothing informs us, nothing suggests to us that it will occur at one place rather than another.
Moreover, to tell the truth, it is not a dehiscence prepared by means of some dainty piece of mechanism; it is a very irregular tear. Somewhat sharply, under the fierce heat of the sun, the satin bursts like the rind of an over-ripe pomegranate. Judging by the result, we think of the expansion of the air inside, which, heated by the sun, causes this rupture. The signs of pressure from within are manifest: the tatters of the torn fabric are turned outwards; also, a wisp of the russet eiderdown that fills the wallet invariably straggles through the breach. In the midst of the protruding floss, the Spiderlings, expelled from their home by the explosion, are in frantic commotion.
The balloons of the Banded Epeira are bombs which, to free their contents, burst under the rays of a torrid sun. To break they need the fiery heat-waves of the dog-days. When kept in the moderate atmosphere of my study, most of them do not open and the emergence of the young does not take place, unless I myself I have a hand in the business; a few others open with a round hole, a hole so neat that it might have been made with a punch. This aperture is the work of the prisoners, who, relieving one another in turns, have, with a patient tooth, bitten through the stuff of the jar at some point or other.
When exposed to the full force of the sun, however, on the rosemaries in the enclosure, the balloons burst and shoot forth a ruddy flood of floss and tiny animals. That is how things occur in the free sun-bath of the fields. Unsheltered, among the bushes, the wallet of the Banded Epeira, when the July heat arrives, splits under the effort of the inner air. The delivery is effected by an explosion of the dwelling.
A very small part of the family are expelled with the flow of tawny floss; the vast majority remain in the bag, which is ripped open, but still bulges with eiderdown. Now that the breach is made, any one can go out who pleases, in his own good time, without hurrying. Besides, a solemn action has to be performed before the emigration. The animal must cast its skin; and the moult is an event that does not fall on the same date for all. The evacuation of the place, therefore, lasts several days. It is effected in small squads, as the slough is flung aside.
Those who sally forth climb up the neighbouring twigs and there, in the full heat of the sun, proceed with the work of dissemination. The method is the same as that which we saw in the case of the Cross Spider. The spinnerets abandon to the breeze a thread that floats, breaks and flies away, carrying the rope-maker with it. The number of starters on any one morning is so small as to rob the spectacle of the greater part of its interest. The scene lacks animation because of the absence of a crowd.
To my intense disappointment, the Silky Epeira does not either indulge in a tumultuous and dashing exodus. Let me remind you of her handiwork, the handsomest of the maternal wallets, next to the Banded Epeira’s. It is an obtuse conoid, closed with a star-shaped disk. It is made of a stouter and especially a thicker material than the Banded Epeira’s balloon, for which reason a spontaneous rupture becomes more necessary than ever.
This rupture is effected at the sides of the bag, not far from the edge of the lid. Like the ripping of the balloon, it requires the rough aid of the heat of July. Its mechanism also seems to work by the expansion of the heated air, for we again see a partial emission of the silky floss that fills the pouch.
The exit of the family is performed in a single group and, this time, before the moult, perhaps for lack of the space necessary for the delicate casting of the skin. The conical bag falls far short of the balloon in size; those packed within would sprain their legs in extracting them from their sheaths. The family, therefore, emerges in a body and settles on a sprig hard by.
This is a temporary camping-ground, where, spinning in unison, the youngsters soon weave an open-work tent, the abode of a week, or thereabouts. The moult is effected in this lounge of intersecting threads. The sloughed skins form a heap at the bottom of the dwelling; on the trapezes above, the flaylings take exercise and gain strength and vigour. Finally, when maturity is attained, they set out, now these, now those, little by little and always cautiously. There are no audacious flights on the thready airship; the journey is accomplished by modest stages.
Hanging to her thread, the Spider lets herself drop straight down, to a depth of nine or ten inches. A breath of air sets her swinging like a pendulum, sometimes drives her against a neighbouring branch. This is a step towards the dispersal. At the point reached, there is a fresh fall, followed by a fresh pendulous swing that lands her a little farther afield. Thus, in short tacks, for the thread is never very long, does the Spiderling go about, seeing the country, until she comes to a place that suits her. Should the wind blow at all hard, the voyage is cut short: the cable of the pendulum breaks and the beastie is carried for some distance on its cord.
To sum up, although, on the whole, the tactics of the exodus remain much the same, the two spinstresses of my region best-versed in the art of weaving mothers’ wallets failed to come up to my expectations. I went to the trouble of rearing them, with disappointing results. Where shall I find again the wonderful spectacle which the Cross Spider offered me by chance? I shall find it—in an even more striking fashion—among humbler Spiders, whom I had neglected to observe.
The Spider that showed me the exodus in all its magnificence is known officially as Thomisus onustus, WALCK. Though the name suggest nothing to the reader’s mind, it has the advantage, at any rate, of hurting neither the throat nor the ear, as is too often the case with scientific nomenclature, which sounds more like sneezing than articulate speech. Since it is the rule to dignify plants and animals with a Latin label, let us at least respect the euphony of the classics and refrain from harsh splutters which spit out a name instead of pronouncing it.
What will posterity do in face of the rising tide of a barbarous vocabulary which, under the pretence of progress, stifles real knowledge? It will relegate the whole business to the quagmire of oblivion. But what will never disappear is the popular name, which sounds well, is picturesque and conveys some sort of information. Such is the term Crab Spider, applied by the ancients to the group to which the Thomisus belongs, a pretty accurate term, for, in this case, there is an evident analogy between the Spider and the Crustacean.
Like the Crab, the Thomisus walks sideways; she also has forelegs stronger than her hind-legs. The only thing wanting to complete the resemblance is the front pair of stone gauntlets, raised in the attitude of self-defence.
The Spider with the Crab-like figure does not know how to manufacture nets for catching game. Without springs or snares, she lies in ambush, among the flowers, and awaits the arrival of the quarry, which she kills by administering a scientific stab in the neck. The Thomisus, in particular, the subject of this chapter, is passionately addicted to the pursuit of the Domestic Bee. I have described the contests between the victim and her executioner, at greater length, elsewhere.
The Bee appears, seeking no quarrel, intent upon plunder. She tests the flowers with her tongue; she selects a spot that will yield a good return. Soon she is wrapped up in her harvesting. While she is filling her baskets and distending her crop, the Thomisus, that bandit lurking under cover of the flowers, issues from her hiding-place, creeps round behind the bustling insect, steals up close and, with a sudden rush, nabs her in the nape of the neck. In vain, the Bee protests and darts her sting at random; the assailant does not let go.
Besides, the bite in the neck is paralysing, because the cervical nerve-centres are affected. The poor thing’s legs stiffen; and all is over in a second. The murderess now sucks the victim’s blood at her ease and, when she has done, scornfully flings the drained corpse aside. She hides herself once more, ready to bleed a second gleaner should the occasion offer.
This slaughter of the Bee engaged in the hallowed delights of labour has always revolted me. Why should there be workers to feed idlers, why sweated to keep sweaters in luxury? Why should so many admirable lives be sacrificed to the greater prosperity of brigandage? These hateful discords amid the general harmony perplex the thinker, all the more as we shall see the cruel vampire become a model of devotion where her family is concerned.
The ogre loved his children; he ate the children of others. Under the tyranny of the stomach, we are all of us, beasts and men alike, ogres. The dignity of labour, the joy of life, maternal affection, the terrors of death: all these do not count, in others; the main point is that morsel the be tender and savoury.
According to the etymology of her name—θωμιγξ, a cord—the Thomisus should be like the ancient lictor, who bound the sufferer to the stake. The comparison is not inappropriate as regards many Spiders who tie their prey with a thread to subdue it and consume it at their ease; but it just happens that the Thomisus is at variance with her label. She does not fasten her Bee, who, dying suddenly of a bite in the neck, offers no resistance to her consumer. Carried away by his recollection of the regular tactics, our Spider’s godfather overlooked the exception; he did not know of the perfidious mode of attack which renders the use of a bow-string superfluous.
Nor is the second name of onustus—loaded, burdened, freighted—any too happily chosen. The fact that the Bee-huntress carries a heavy paunch is no reason to refer to this as a distinctive characteristic. Nearly all Spiders have a voluminous belly, a silk-warehouse where, in some cases, the rigging of the net, in others, the swan’s-down of the nest is manufactured. The Thomisus, a first-class nest-builder, does like the rest: she hoards in her abdomen, but without undue display of obesity, the wherewithal to house her family snugly.
Can the expression onustus refer simply to her slow and sidelong walk? The explanation appeals to me, without satisfying me fully. Except in the case of a sudden alarm, every Spider maintains a sober gait and a wary pace. When all is said, the scientific term is composed of a misconception and a worthless epithet. How difficult it is to name animals rationally! Let us be indulgent to the nomenclator: the dictionary is becoming exhausted and the constant flood that requires cataloguing mounts incessantly, wearing out our combinations of syllables.
As the technical name tells the reader nothing, how shall he be informed? I see but one means, which is to invite him to the May festivals, in the waste-lands of the South. The murderess of the Bees is of a chilly constitution; in our parts, she hardly ever moves away from the olive-districts. Her favourite shrub is the white-leaved rock-rose (Cistus albidus), with the large, pink, crumpled, ephemeral blooms that last but a morning and are replaced, next day, by fresh flowers, which have blossomed in the cool dawn. This glorious efflorescence goes on for five or six weeks.
Here, the Bees plunder enthusiastically, fussing and bustling in the spacious whorl of the stamens, which beflour them with yellow. Their persecutrix knows of this affluence. She posts herself in her watch-house, under the rosy screen of a petal. Cast your eyes over the flower, more or less everywhere. If you see a Bee lying lifeless, with legs and tongue out-stretched, draw nearer: the Thomisus will be there, nine times out of ten. The thug has struck her blow; she is draining the blood of the departed.
After all, this cutter of Bees’ throats is a pretty, a very pretty creature, despite her unwieldy paunch fashioned like a squat pyramid and embossed on the base, on either side, with a pimple shaped like a camel’s hump. The skin, more pleasing to the eye than any satin, is milk-white in some, in others lemon-yellow. There are fine ladies among them who adorn their legs with a number of pink bracelets and their back with carmine arabesques. A narrow pale-green ribbon sometimes edges the right and left of the breast. It is not so rich as the costume of the Banded Epeira, but much more elegant because of its soberness, its daintiness and the artful blending of its hues. Novice fingers, which shrink from touching any other Spider, allow themselves to be enticed by these attractions; they do not fear to handle the beauteous Thomisus, so gentle in appearance.
Well, what can this gem among Spiders do? In the first place, she makes a nest worthy of its architect. With twigs and horse-hair and bits of wool, the Goldfinch, the Chaffinch and other masters of the builder’s art construct an aerial bower in the fork of the branches. Herself a lover of high places, the Thomisus selects as the site of her nest one of the upper twigs of the rock-rose, her regular hunting-ground, a twig withered by the heat and possessing a few dead leaves, which curl into a little cottage. This is where she settles with a view to her eggs.
Ascending and descending with a gentle swing in more or less every direction, the living shuttle, swollen with silk, weaves a bag whose outer casing becomes one with the dry leaves around. The work, which is partly visible and partly hidden by its supports, is a pure dead-white. Its shape, moulded in the angular interval between the bent leaves, is that of a cone and reminds us, on a smaller scale, of the nest of the Silky Epeira.
When the eggs are laid, the mouth of the receptacle is hermetically closed with a lid of the same white silk. Lastly, a few threads, stretched like a thin curtain, form a canopy above the nest and, with the curved tips of the leaves, frame a sort of alcove wherein the mother takes up her abode.
It is more than a place of rest after the fatigues of her confinement: it is a guard-room, an inspection-post where the mother remains sprawling until the youngsters’ exodus. Greatly emaciated by the laying of her eggs and by her expenditure of silk, she lives only for the protection of her nest.
Should some vagrant pass near by, she hurries from her watch-tower, lifts a limb and puts the intruder to flight. If I tease her with a straw, she parries with big gestures, like those of a prize-fighter. She uses her fists against my weapon. When I propose to dislodge her in view of certain experiments, I find some difficulty in doing so. She clings to the silken floor, she frustrates my attacks, which I am bound to moderate lest I should injure her. She is no sooner attracted outside than she stubbornly returns to her post. She declines to leave her treasure.
Even so does the Narbonne Lycosa struggle when we try to take away her pill. Each displays the same pluck and the same devotion; and also the same denseness in distinguishing her property from that of others. The Lycosa accepts without hesitation any strange pill which she is, given in exchange for her own; she confuses alien produce with the produce of her ovaries and her silk-factory. Those hallowed words, maternal love, were out of place here: it is an impetuous, an almost mechanical impulse, wherein real affection plays no part whatever. The beautiful Spider of the rock-roses is no more generously endowed. When moved from her nest to another of the same kind, she settles upon it and never stirs from it, even though the different arrangement of the leafy fence be such as to warn her that she is not really at home. Provided that she have satin under her feet, she does not notice her mistake; she watches over another’s nest with the same vigilance which she might show in watching over her own.
The Lycosa surpasses her in maternal blindness. She fastens to her spinnerets and dangles, by way of a bag of eggs, a ball of cork polished with my file, a paper pellet, a little ball of thread. In order to discover if the Thomisus is capable of a similar error, I gathered some broken pieces of silk-worm’s cocoon into a closed cone, turning the fragments so as to bring the smoother and more delicate inner surface outside. My attempt was unsuccessful. When removed from her home and placed on the artificial wallet, the mother Thomisus obstinately refused to settle there. Can she be more clear-sighted than the Lycosa? Perhaps so. Let us not be too extravagant with our praise, however; the imitation of the bag was a very clumsy one.
The work of laying is finished by the end of May, after which, lying flat on the ceiling of her nest, the mother never leaves her guard-room, either by night or day. Seeing her look so thin and wrinkled, I imagine that I can please her by bringing her a provision of Bees, as I was wont to do. I have misjudged her needs. The Bee, hitherto her favourite dish, tempts her no longer. In vain does the prey buzz close by, an easy capture within the cage: the watcher does not shift from her post, takes no notice of the windfall. She lives exclusively upon maternal devotion, a commendable but unsubstantial fare. And so I see her pining away from day to day, becoming more and more wrinkled. What is the withered thing waiting for, before expiring? She is waiting for her children to emerge; the dying creature is still of use to them.
When the Banded Epeira’s little ones issue from their balloon, they have long been orphans. There is none to come to their assistance; and they have not the strength to free themselves unaided. The balloon has to split automatically and to scatter the youngsters and their flossy mattress all mixed up together. The Thomisus’ wallet, sheathed in leaves over the greater part of its surface, never bursts; nor does the lid rise, so carefully is it sealed down. Nevertheless, after the delivery of the brood, we see, at the edge of the lid, a small, gaping hole, an exit-window. Who contrived this window, which was not there at first?
The fabric is too thick and tough to have yielded to the twitches of the feeble little prisoners. It was the mother, therefore, who, feeling her offspring shuffle impatiently under the silken ceiling, herself made a hole in the bag. She persists in living for five or six weeks, despite her shattered health, so as to give a last helping hand and open the door for her family. After performing this duty, she gently lets herself die, hugging her nest and turning into a shrivelled relic.
When July comes, the little ones emerge. In view of their acrobatic habits, I have placed a bundle of slender twigs at the top of the cage in which they were born. All of them pass through the wire gauze and form a group on the summit of the brushwood, where they swiftly weave a spacious lounge of criss-cross threads. Here they remain, pretty quietly, for a day or two; then foot-bridges begin to be flung from one object to the next. This is the opportune moment.
I put the bunch laden with beasties on a small table, in the shade, before the open window. Soon, the exodus commences, but slowly and unsteadily. There are hesitations, retrogressions, perpendicular falls at the end of a thread, ascents that bring the hanging Spider up again. In short much ado for a poor result.
As matters continue to drag, it occurs to me, at eleven o’clock, to take the bundle of brushwood swarming with the little Spiders, all eager to be off, and place it on the window-sill, in the glare of the sun. After a few minutes of heat and light, the scene assumes a very different aspect. The emigrants run to the top of the twigs, bustle about actively. It becomes a bewildering rope-yard, where thousands of legs are drawing the hemp from the spinnerets. I do not see the ropes manufactured and sent floating at the mercy of the air; but I guess their presence.
Three or four Spiders start at a time, each going her own way in directions independent of her neighbours’. All are moving upwards, all are climbing some support, as can be perceived by the nimble motion of their legs. Moreover, the road is visible behind the climber, it is of double thickness, thanks to an added thread. Then, at a certain height, individual movement ceases. The tiny animal soars in space and shines, lit up by the sun. Softly it sways, then suddenly takes flight.
What has happened? There is a slight breeze outside. The floating cable has snapped and the creature has gone off, borne on its parachute. I see it drifting away, showing, like a spot of light, against the dark foliage of the near cypresses, some forty feet distant. It rises higher, it crosses over the cypress-screen, it disappears. Others follow, some higher, some lower, hither and thither.
But the throng has finished its preparations; the hour has come to disperse in swarms. We now see, from the crest of the brushwood, a continuous spray of starters, who shoot up like microscopic projectiles and mount in a spreading cluster. In the end, it is like the bouquet at the finish of a pyrotechnic display, the sheaf of rockets fired simultaneously. The comparison is correct down to the dazzling light itself. Flaming in the sun like so many gleaming points, the little Spiders are the sparks of that living firework. What a glorious send-off! What an entrance into the world! Clutching its aeronautic thread, the minute creature mounts in an apotheosis.
Sooner or later, nearer or farther, the fall comes. To live, we have to descend, often very low, alas! The Crested Lark crumbles the mule-droppings in the road and thus picks up his food, the oaten grain which he would never find by soaring in the sky, his throat swollen with song. We have to descend; the stomach’s inexorable claims demand it. The Spiderling, therefore, touches land. Gravity, tempered by the parachute, is kind to her.
The rest of her story escapes me. What infinitely tiny Midges does she capture before possessing the strength to stab her Bee? What are the methods, what the wiles of atom contending with atom? I know not. We shall find her again in spring, grown quite large and crouching among the flowers whence the Bee takes toll.
The fowling-snare is one of man’s ingenious villainies. With lines, pegs and poles, two large, earth-coloured nets are stretched upon the ground, one to the right, the other to the left of a bare surface. A long cord, pulled, at the right moment, by the fowler, who hides in a brushwood hut, works them and brings them together suddenly, like a pair of shutters.
Divided between the two nets are the cages of the decoy-birds—Linnets and Chaffinches, Greenfinches and Yellowhammers, Buntings and Ortolans—sharp-eared creatures which, on perceiving the distant passage of a flock of their own kind, forthwith utter a short calling note. One of them, the Sambé, an irresistible tempter, hops about and flaps his wings in apparent freedom. A bit of twine fastens him to his convict’s stake. When, worn with fatigue and driven desperate by his vain attempts to get away, the sufferer lies down flat and refuses to do his duty, the fowler is able to stimulate him without stirring from his hut. A long string sets in motion a little lever working on a pivot. Raised from the ground by this diabolical contrivance, the bird flies, falls down and flies up again at each jerk of the cord.
The fowler waits, in the mild sunlight of the autumn morning. Suddenly, great excitement in the cages. The Chaffinches chirp their rallying-cry:
‘Pinck! Pinck!’
There is something happening in the sky. The Sambé, quick! They are coming, the simpletons; they swoop down upon the treacherous floor. With a rapid movement, the man in ambush pulls his string. The nets close and the whole flock is caught.
Man has wild beast’s blood in his veins. The fowler hastens to the slaughter. With his thumb, he stifles the beating of the captives’ hearts, staves in their skulls. The little birds, so many piteous heads of game, will go to market, strung in dozens on a wire passed through their nostrils.
For scoundrelly ingenuity the Epeira’s net can bear comparison with the fowler’s; it even surpasses it when, on patient study, the main features of its supreme perfection stand revealed. What refinement of art for a mess of Flies! Nowhere, in the whole animal kingdom, has the need to eat inspired a more cunning industry. If the reader will meditate upon the description that follows, he will certainly share my admiration.
First of all, we must witness the making of the net; we must see it constructed and see it again and again, for the plan of such a complex work can only be grasped in fragments. To-day, observation will give us one detail; to-morrow, it will give us a second, suggesting fresh points of view; as our visits multiply, a new fact is each time added to the sum total of the acquired data, confirming those which come before or directing our thoughts along unsuspected paths.
The snow-ball rolling over the carpet of white grows enormous, however scanty each fresh layer be. Even so with truth in observational science: it is built up of trifles patiently gathered together. And, while the collecting of these trifles means that the student of Spider industry must not be chary of his time, at least it involves no distant and speculative research. The smallest garden contains Epeirae, all accomplished weavers.
In my enclosure, which I have stocked carefully with the most famous breeds, I have six different species under observation, all of a useful size, all first-class spinners. Their names are the Banded Epeira (Epeira fasciata, WALCK.), the Silky Epeira (E. sericea, WALCK.), the Angular Epeira (E. angulata, WALCK.), the Pale-tinted Epeira (E. pallida, OLIV.), the Diadem Epeira, or Cross Spider (E. diadema, CLERK.), and the Crater Epeira (E. cratera, WALCK.).
I am able, at the proper hours, all through the fine season, to question them, to watch them at work, now this one, anon that, according to the chances of the day. What I did not see very plainly yesterday I can see the next day, under better conditions, and on any of the following days, until the phenomenon under observation is revealed in all clearness.
Let us go every evening, step by step, from one border of tall rosemaries to the next. Should things move too slowly, we will sit down at the foot of the shrubs, opposite the rope-yard, where the light falls favourably, and watch with unwearying attention. Each trip will be good for a fact that fills some gap in the ideas already gathered. To appoint one’s self, in this way, an inspector of Spiders’ webs, for many years in succession and for long seasons, means joining a not overcrowded profession, I admit. Heaven knows, it does not enable one to put money by! No matter: the meditative mind returns from that school fully satisfied.
To describe the separate progress of the work in the case of each of the six Epeirae mentioned would be a useless repetition: all six employ the same methods and weave similar webs, save for certain details that shall be set forth later. I will, therefore, sum up in the aggregate the particulars supplied by one or other of them.
My subjects, in the first instance, are young and boast but a slight corporation, very far removed from what it will be in the late autumn. The belly, the wallet containing the rope-works, hardly exceeds a peppercorn in bulk. This slenderness on the part of the spinstresses must not prejudice us against their work: there is no parity between their skill and their years. The adult Spiders, with their disgraceful paunches, can do no better.
Moreover, the beginners have one very precious advantage for the observer: they work by day, work even in the sun, whereas the old ones weave only at night, at unseasonable hours. The first show us the secrets of their looms without much difficulty; the others conceal them from us. Work starts in July, a couple of hours before sunset.
The spinstresses of my enclosure then leave their daytime hiding-places, select their posts and begin to spin, one here, another there. There are many of them; we can choose where we please. Let us stop in front of this one, whom we surprise in the act of laying the foundations of the structure. Without any appreciable order, she runs about the rosemary-hedge, from the tip of one branch to another within the limits of some eighteen inches. Gradually, she puts a thread in position, drawing it from her wire-mill with the combs attached to her hind-legs. This preparatory work presents no appearance of a concerted plan. The Spider comes and goes impetuously, as though at random; she goes up, comes down, goes up again, dives down again and each time strengthens the points of contact with intricate moorings distributed here and there. The result is a scanty and disordered scaffolding.
Is disordered the word? Perhaps not. The Epeira’s eye, more experienced in matters of this sort than mine, has recognized the general lie of the land; and the rope-fabric has been erected accordingly: it is very inaccurate in my opinion, but very suitable for the Spider’s designs. What is it that she really wants? A solid frame to contain the network of the web. The shapeless structure which she has just built fulfils the desired conditions: it marks out a flat, free and perpendicular area. This is all that is necessary.
The whole work, for that matter, is now soon completed; it is done all over again, each evening, from top to bottom, for the incidents of the chase destroy it in a night. The net is as yet too delicate to resist the desperate struggles of the captured prey. On the other hand, the adults’ net, which is formed of stouter threads, is adapted to last some time; and the Epeira gives it a more carefully-constructed framework, as we shall see elsewhere.
A special thread, the foundation of the real net, is stretched across the area so capriciously circumscribed. It is distinguished from the others by its isolation, its position at a distance from any twig that might interfere with its swaying length. It never fails to have, in the middle, a thick white point, formed of a little silk cushion. This is the beacon that marks the centre of the future edifice, the post that will guide the Epeira and bring order into the wilderness of twists and turns.
The time has come to weave the hunting-snare. The Spider starts from the centre, which bears the white signpost, and, running along the transversal thread, hurriedly reaches the circumference, that is to say, the irregular frame enclosing the free space. Still with the same sudden movement, she rushes from the circumference to the centre; she starts again backwards and forwards, makes for the right, the left, the top, the bottom; she hoists herself up, dives down, climbs up again, runs down and always returns to the central landmark by roads that slant in the most unexpected manner. Each time, a radius or spoke is laid, here, there, or elsewhere, in what looks like mad disorder.
The operation is so erratically conducted that it takes the most unremitting attention to follow it at all. The Spider reaches the margin of the area by one of the spokes already placed. She goes along this margin for some distance from the point at which she landed, fixes her thread to the frame and returns to the centre by the same road which she has just taken.
The thread obtained on the way in a broken line, partly on the radius and partly on the frame, is too long for the exact distance between the circumference and the central point. On returning to this point, the Spider adjusts her thread, stretches it to the correct length, fixes it and collects what remains on the central signpost. In the case of each radius laid, the surplus is treated in the same fashion, so that the signpost continues to increase in size. It was first a speck; it is now a little pellet, or even a small cushion of a certain breadth.
We shall see presently what becomes of this cushion whereon the Spider, that niggardly housewife, lays her saved-up bits of thread; for the moment, we will note that the Epeira works it up with her legs after placing each spoke, teazles it with her claws, mats it into felt with noteworthy diligence. In so doing, she gives the spokes a solid common support, something like the hub of our carriage-wheels.
The eventual regularity of the work suggests that the radii are spun in the same order in which they figure in the web, each following immediately upon its next neighbour. Matters pass in another manner, which at first looks like disorder, but which is really a judicious contrivance. After setting a few spokes in one direction, the Epeira runs across to the other side to draw some in the opposite direction. These sudden changes of course are highly logical; they show us how proficient the Spider is in the mechanics of rope-construction. Were they to succeed one another regularly, the spokes of one group, having nothing as yet to counteract them, would distort the work by their straining, would even destroy it for lack of a stabler support. Before continuing, it is necessary to lay a converse group which will maintain the whole by its resistance. Any combination of forces acting in one direction must be forthwith neutralized by another in the opposite direction. This is what our statics teach us and what the Spider puts into practice; she is a past mistress of the secrets of rope-building, without serving an apprenticeship.
One would think that this interrupted and apparently disordered labour must result in a confused piece of work. Wrong: the rays are equidistant and form a beautifully-regular orb. Their number is a characteristic mark of the different species. The Angular Epeira places 21 in her web, the Banded Epeira 32, the Silky Epeira 42. These numbers are not absolutely fixed; but the variation is very slight.