The Rape of Deianira, or the Battle of the Centaurs, a bas-relief, 1490.
Casa Buonarroti, Florence.
The Angel of the Shrine of Saint Dominic, a marble statuette, 1494.
San Domenico, Bologna.
The Bacchus, a marble statue, 1497.
National Museum, Florence.
The Madonna della Pietà, a marble group, 1499.
St. Peter's, Rome.
The David, a colossal marble statue, 1504.
Accademia della Belle Arti, Florence.
St. Matthew, an unfinished heroic marble statue.
The Court of the Accademia delle Belle Arti, Florence.
The Madonna and Child, marble statue, 1506.
St. Bavon, Bruges.
The Madonna and Child, a tondo, marble bas-relief, unfinished.
National Museum, Florence.
[pg 330]The Madonna and Child, a tondo, marble bas-relief, unfinished.
The Diploma Gallery of the Royal Academy, London.
The Holy Family, a tondo, painted on wood.
No. 1139, The Uffizi, Florence.
The Moses, a heroic marble statue.
San Pietro in Vincoli, Rome.
The Vault of the Sistine Chapel, ceiling frescoes, 1512.
Vatican, Rome.
The Madonna and Infant Christ, St. John the Baptist and Angels, an unfinished painting on wood by Bugiardini, the Cartoon alone by Michael Angelo.
No. 809, The National Gallery, London.
The Risen Christ, a marble statue, 1521.
Santa Maria Sopra Minerva, Rome.
The Tombs of Lorenzo dei Medici, Duke of Urbino and Giuliano, Duc de Nemours, heroic marble statues, the figures of Day and Evening and the architecture left unfinished by the master in 1534.
New Sacristy, San Lorenzo, Florence.
The Madonna and Child, heroic marble statue.
New Sacristy, San Lorenzo, Florence.
Four Slaves, unfinished heroic marble statues.
The Grotto of the Boboli Gardens, Florence.
The Apollo, an unfinished marble statue.
The National Museum, Florence.
The Leda, a painting, damaged and restored as to the head, arms, and shoulder, 1529.
Offices of the National Gallery, London.
[pg 331]The Slaves, two heroic marble statues.
Room of Renaissance Sculpture, the Louvre, Paris.
The Brutus, an unfinished marble bust.
The National Museum, Florence.
The Day of Judgment, fresco, 1541.
The Sistine Chapel, Vatican, Rome.
The Entombment of our Lord, an unfinished painting on wood, the figures of our Lord and the men very much repainted, the three women and the background by the master.
No. 790, the National Gallery, London.
The Martyrdom of St. Peter, a fresco, 1549.
Cappella Paolina, Vatican, Rome.
The Conversion of St. Paul, a fresco, 1549.
Cappella Paolina, Vatican, Rome.
The Pietà of Santa Maria del Fiore, a marble group.
The Duomo, Florence.
Berenson, Bernhard.
The Florentine Painters of the Renaissance. London and New York, 1896.
Black, Charles Christopher.
Michael Angelo Buonarroti, Sculptor, Painter and Architect. London, 1875.
Cellini, Benvenuto.
Vita di, Scritta da lui Medesimo. Firenze, 1885.
Clément, Charles.
Michelangelo. London, 1880.
Condivi, Ascanio.
Vita di Michelangelo Buonarroti, Scritta da A.C. suo discepolo. Pisa, 1746. First edition Roma, 1553.
Gotti, Aurelio.
Vita di Michelangelo Buonarroti. Firenze, 1875.
Hasenclever, Sophie.
Saumtliche Gedichte Michelangelo's. Leipzic, 1875.
Hollanda, Francesco de.
Quatro Diologos da Pintura Antigua, La Renascença Portugueza. Porto, 1896.
[pg 333]Milanesi, Gaetano; and le Docteur A Le Pileur.
Les Correspondants de Michel-Ange, i Sebastiano del Piombo. Librairie de l'Art. Paris, 1890.
Milanesi, Gaetano.
Le Lettre di Michelangelo Buonarroti, publicate coi Ricordi ed i Contratti Artistici. Firenze, 1875.
Symonds, John Addington.
The Life of Michelangelo Buonarroti. London, 1893.
The Sonnets of Michael Angelo Buonarroti and Tomaso Campanella. London, 1878.
Vasari, Giorgio.
Le Vite de' pin eccellenti Pittori, Scultori et Architetti. Bologna, 1647. And first edition, Firenze, 1550. Second edition, Firenze, 1558.
Wilson, Charles Heath.
Life and Works of Michelangelo Buonarroti. London, 1881.