036.jpg Entrance of the MudÎriyeh Of AsyÛt.

The sycamore and the date-palm, both importations from Central Africa, have better adapted themselves to their exile, and are now fully naturalized on Egyptian soil.

037.jpg Forest of Date Palms

The sycamore grows in sand on the edge of the desert as vigorously as in the midst of a well-watered country. Its roots go deep in search of water, which infiltrates as far as the gorges of the hills, and they absorb it freely, even where drought seems to reign supreme. The heavy, squat, gnarled trunk occasionally attains to colossal dimensions, without ever growing very high. Its rounded masses of compact foliage are so wide-spreading that a single tree in the distance may give the impression of several grouped together; and its shade is dense, and impenetrable to the sun. A striking contrast to the sycamore is presented by the date-palm. Its round and slender stem rises uninterruptedly to a height of thirteen to sixteen yards; its head is crowned with a cluster of flexible leaves arranged in two or three tiers, but so scanty, so pitilessly slit, that they fail to keep off the light, and cast but a slight and unrefreshing shadow. Few trees have so elegant an appearance, yet few are so monotonously elegant. There are palm trees to be seen on every hand; isolated, clustered by twos and threes at the mouths of ravines and about the villages, planted in regular file along the banks of the river like rows of columns, symmetrically arranged in plantations,—these are the invariable background against which other trees are grouped, diversifying the landscape. The feathery tamarisk[*] and the nabk, the moringa, the carob, or locust tree several varieties of acacia and mimosa-the sont, the mimosa habbas, the white acacia, the Acacia Parnesxana—and the pomegranate tree, increase in number with the distance from the Mediterranean.

     * The Egyptian name for the tamarisk, asari, asri, is
     identical with that given to it in Semitic languages, both
     ancient and modern.    This would suggest the question
     whether the tamarisk did not originally come from Asia. In
     that case it must have been brought to Egypt from remote
     antiquity, for it figures in the  Pyramid texts.   Bricks of
     Nile mud, and Memphite and Theban tombs have yielded us
     leaves, twigs, and even whole branches of the tamarisk.

40.jpg Acacias at the Entrance to a Garden Outside EkhmÎm. 1
     1 From a drawing by Boudier, from a photograph by Insinger,
     taken in 1884.

The dry air of the valley is marvellously suited to them, but makes the tissue of their foliage hard and fibrous, imparting an aerial aspect, and such faded tints as are unknown to their growth in other climates. The greater number of these trees do not reproduce themselves spontaneously, and tend to disappear when neglected. The Acacia Seyal, formerly abundant by the banks of the river, is now almost entirely confined to certain valleys of the Theban desert, along with a variety of the kernelled dôm-palm, of which a poetical description has come down to us from the Ancient Egyptians. The common dôm-palm bifurcates at eight or ten yards from the ground; these branches are subdivided, and terminate in bunches of twenty to thirty palmate and fibrous leaves, six to eight feet long. At the beginning of this century the tree was common in Upper Egypt, but it is now becoming scarce, and we are within measurable distance of the time when its presence will be an exception north of the first cataract. Willows are decreasing in number, and the persea, one of the sacred trees of Ancient Egypt, is now only to be found in gardens. None of the remaining tree species are common enough to grow in large clusters; and Egypt, reduced to her lofty groves of date-palms, presents the singular spectacle of a country where there is no lack of trees, but an almost entire absence of shade.

41.jpg She-ass and Her Foal.

If Egypt is a land of imported flora, it is also a land of imported fauna, and all its animal species have been brought from neighbouring countries. Some of these—as, for example, the horse and the camel—were only introduced at a comparatively recent period, two thousand to eighteen hundred years before our era; the camel still later. The animals—such as the long and short-horned oxen, together with varieties of goats and dogs—are, like the plants, generally of African origin, and the ass of Egypt preserves an original purity of form and a vigour to which the European donkey has long been a stranger. The pig and the wild boar, the long-eared hare, the hedgehog, the ichneumon, the moufflon, or maned sheep, innumerable gazelles, including the Egyptian gazelles, and antelopes with lyre-shaped horns, are as much West Asian as African, like the carnivors of all sizes, whose prey they are—the wild cat, the wolf, the jackal, the striped and spotted hyenas, the leopard, the panther, the hunting leopard, and the lion.

042.jpg the UrÆus of Egypt. 1
     1 Drawn by Faucher-Gudin from pl. iii. of the Reptiles-
     Supplement to the Description de Ægypte.

On the other hand, most of the serpents, large and small, are indigenous. Some are harmless, like the colubers; others are venomous, such as the soy tale, the cerastes, the haje viper, and the asp. The asp was worshipped by the Egyptians under the name of uræus. It occasionally attains to a length of six and a half feet, and when approached will erect its head and inflate its throat in readiness for darting forward. The bite is fatal, like that of the cerastes; birds are literally struck down by the strength of the poison, while the great mammals, and man himself, almost invariably succumb to it after a longer or shorter death-struggle. The uræus is rarely found except in the desert or in the fields; the scorpion crawls everywhere, in desert and city alike, and if its sting is not always followed by death, it invariably causes terrible pain. Probably there were once several kinds of gigantic serpent in Egypt, analogous to the pythons of equatorial Africa. They are still to be seen in representations of funerary scenes, but not elsewhere; for, like the elephant, the giraffe, and other animals which now only thrive far south, they had disappeared at the beginning of historic times. The hippopotamus long maintained its ground before returning to those equatorial regions whence it had been brought by the Nile. Common under the first dynasties, but afterwards withdrawing to the marshes of the Delta, it there continued to flourish up to the thirteenth century of our era. The crocodile, which came with it, has, like it also, been compelled to beat a retreat. Lord of the river throughout all ancient times, worshipped and protected in some provinces, execrated and proscribed in others, it might still be seen in the neighbourhood of Cairo towards the beginning of our century. In 1840, it no longer passed beyond the neighbourhood of Gebel et-Têr, nor beyond that of Manfalût in Thirty years later, Mariette asserted that it was steadily retreating before the guns of tourists, and the disturbance which the regular passing of steamboats produced in the deep waters. To-day, no one knows of a single crocodile existing below Aswan, but it continues to infest Nubia, and the rocks of the first cataract: one of them is occasionally carried down by the current into Egypt where it is speedily despatched by the fellâhin, or by some traveller in quest of adventure. The fertility of the soil, and the vastness of the lakes and marshes, attract many migratory birds; passerinæ and palmipedes flock thither from all parts of the Mediterranean. Our European swallows, our quails, our geese and wild ducks, our herons—to mention only the most familiar—come here to winter, sheltered from cold and inclement weather.

044.jpg the Ibis of Egypt.

Even the non-migratory birds are really, for the most part, strangers acclimatized by long sojourn. Some of them—the turtledove, the magpie, the kingfisher, the partridge, and the sparrow-may be classed with our European species, while others betray their equatorial origin in the brightness of their colours. White and black ibises, red flamingoes, pelicans, and cormorants enliven the waters of the river, and animate the reedy swamps of the Delta in infinite variety. They are to be seen ranged in long files upon the sand-banks, fishing and basking in the sun; suddenly the flock is seized with panic, rises heavily, and settles away further off. In hollows of the hills, eagle and falcon, the merlin, the bald-headed vulture, the kestrel, the golden sparrow-hawk, find inaccessible retreats, whence they descend upon the plains like so many pillaging and well-armed barons. A thousand little chattering birds come at eventide to perch in flocks upon the frail boughs of tamarisk and acacia.

045.jpg the Mormyrus Oxyrhynchus.

Many sea-fish make their way upstream to swim in fresh waters-shad, mullet, perch, and labrus—and carry their excursions far into the Saïd. Those species which are not Mediterranean came originally, still come annually, from the heart of Ethiopia with the of the Nile, including two kinds of Alestes, the elled turtle, the Bagrus docmac, and the mormyrus. Some attain to a gigantic size, the Bagrus bayad and the turtle to about one yard, the latus to three and a half yards in length, while others, such as the sihlrus (catfish), are noted for their electric properties. Nature seems to have made the fahâka (the globe-fish) in a fit of playfulness. It is a long fish from beyond the cataracts, and it is carried by the Nile the more easily on account of the faculty it has of filling itself with air, and inflating its body at will.

046.jpg Ahaka

When swelled out immoderately, the fahâka overbalances, and drifts along upside down, its belly to the wind, covered with spikes so that it looks like a hedgehog. During the inundation, it floats with the current from one canal to another, and is cast by the retreating waters upon the muddy fields, where it becomes the prey of birds or of jackals, or serves as a plaything for children.

47.jpg Two Fishermen Carrying a Latus. 1
     1 Drawn by Faucher-Gudin, from a Medûm painting.    Pétrie,
     Medûm, pl. xii.

Everything is dependent upon the river:—the soil, the produce of the soil, the species of animals it bears, the birds which it feeds: and hence it was the Egyptians placed the river among their gods. They personified it as a man with regular features, and a vigorous and portly body, such as befits the rich of high lineage. His breasts, fully developed like those of a woman, though less firm, hang heavily upon a wide bosom where the fat lies in folds. A narrow girdle, whose ends fall free about the thighs, supports his spacious abdomen, and his attire is completed by sandals, and a close-fitting head-dress, generally surmounted with a crown of water-plants. Sometimes water springs from his breast; sometimes he presents a frog, or libation vases; or holds a bundle of the cruces ansato, as symbols of life; or bears a flat tray, full of offerings—bunches of flowers, ears of corn, heaps of fish, and geese tied together by the feet. The inscriptions call him, "Hâpi, father of the gods, lord of sustenance, who maketh food to be, and covereth the two lands of Egypt with his products; who giveth life, banisheth want, and filleth the granaries to overflowing." He is evolved into two personages, one being sometimes coloured red, and the other blue. The former, who wears a cluster of lotus-flowers upon his head, presides over the Egypt of the south; the latter has a bunch of papyrus for his head-dress, and watches over the Delta.[**]

     [**]  Wilkinson was the first who suggested that this god,
     when painted red was the Red (that is High) Nile and when
     painted blue, was to be identified with the Low Nile.
     This opinion has since been generally adopted; but to me it
     does not appear so incontrovertible as it has been
     considered. Here, as in other cases, the difference in
     colour is only a means of making the distinction between two
     personages obvious to sight.

Two goddesses, corresponding to the two Hâpis—Mirit Qimâit for Upper, and Mirit Mîhit for Lower Egypt—personified the banks of the river. They are often represented as standing with outstretched arms, as though begging for the water which should make them fertile. The Nile-god had his chapel in every province, and priests whose right it was to bury all bodies of men or beasts cast up by the river; for the god had claimed them, and to his servants they belonged.

048.jpg the Nile God. 1
     1 THE NILE GOD: Drawn by Faucher-Gudin, after a statue in
     the British Museum. The dedication of this statue took place
     about 880 B.c. The giver was Sheshonqu, high-priest of Amon
     in Thebes, afterwards King of Egypt under the name of
     Sheshhonqû II., and he is represented as standing behind the
     leg of the god.

049.jpg the Shrine of The Nile at Biggeh.1
     1 Reproduced from a bas-relief in the small temple of
     Philae, built by Rajan and his successors.    The window or
     door of this temple opened upon gen, and by comparing the
     drawing of the Egyptian artist with the view i the end of
     the chamber, it is easy to recognize the original of this
     cliff bouette in the piled-up rocks of the island.    By a
     mistake of the modern copyist's, his drawing faces the wrong
     way.

Several towns were dedicated to him: Hâthâpi, Nûit-Hâpi, Nilo-polis. It was told in the Thebaïd how the god dwelt within a grotto, or shrine (tophit), in the island of Biggeh, whence he issued at the inundation. This tradition dates from a time when the cataract was believed to be at the end of the world, and to bring down the heavenly river upon earth. Two yawning gulfs (qorîti), at the foot of the two granite cliffs (monîti) between which it ran, gave access to this mysterious retreat. A bas-relief from Philae represents blocks of stone piled one above another, the vulture of the south and the hawk of the north, each perched on a summit, wearing a panther skin, with both arms upheld in adoration. The statue is mutilated: the end of the nose, the beard, and part of the tray have disappeared, but are restored in the illustration. The two little birds hanging alongside the geese, together with a bunch of ears of corn, are fat quails, and the circular chamber wherein Hâpi crouches concealed, clasping a libation vase in either hand. A single coil of a serpent outlines the contour of this chamber, and leaves a narrow passage between its overlapping head and tail through which the rising waters may overflow at the time appointed, bringing to Egypt "all things good, and sweet, and pure," whereby gods and men are fed. Towards the summer solstice, at the very moment when the sacred water from the gulfs of Syene reached Silsileh, the priests of the place, sometimes the reigning sovereign, or one of his sons, sacrificed a bull and geese, and then cast into the waters a sealed roll of papyrus. This was a written order to do all that might insure to Egypt the benefits of a normal inundation. When Pharaoh himself deigned to officiate, the memory of the event was preserved by a stela engraved upon the rocks. Even in his absence, the festivals of the Nile were among the most solemn and joyous of the land. According to a tradition transmitted from age to age, the prosperity or adversity of the year was dependent upon the splendour and fervour with which they were celebrated. Had the faithful shown the slightest lukewarmness, the Nile might have refused to obey the command and failed to spread freely over the surface of the country. Peasants from a distance, each bringing his own provisions, ate their meals together for days, and lived in a state of brutal intoxication as long as this kind of fair lasted. On the great day itself, the priests came forth in procession from the sanctuary, bearing the statue of the god along the banks, to the sound of instruments and the chanting of hymns.

051.jpg Nile Gods from the Temple of Seti I. At Abydos Bringing Food to Every Nome of Egypt. 1
     1 From a drawing by Faucher-Gudin, after a photograph by
     Béato.

"I.—Hail to thee, Hâpi!—who appearest in the land and comest—to give life to Egypt;—thou who dost hide thy coming in darkness—in this very day whereon thy coming is sung,—wave, which spreadest over the orchards created by Ra—to give life to all them that are athirst—who refusest to give drink unto the desert—of the overflow of the waters of heaven; as soon as thou descendest,—Sibû, the earth-god, is enamoured of bread,—Napri, the god of grain, presents his offering,—Phtah maketh every workshop to prosper.

"II.—Lord of the fish! as soon as he passeth the cataract—the birds no longer descend upon the fields;—creator of corn, maker of barley,—he prolongeth the existence of temples.—Do his fingers cease from their labours, or doth he suffer?—then are all the millions of beings in misery;—doth he wane in heaven? then the gods—themselves, and all men perish.

"III.—The cattle are driven mad, and all the world—both great and small, are in torment!—But if, on the contrary, the prayers of men are heard at his rising—and (for them) he maketh himself Khnûmû,—when he ariseth, then the earth shouts for joy,—then are all bellies joyful,—each back is shaken with laughter,—and every tooth grindeth.

"IV.—Bringing food, rich in sustenance,—creator of all good things,—lord of all seeds of life, pleasant unto his elect,—if his friendship is secured—he produceth fodder for the cattle,—and he provideth for the sacrifices of all the gods,—finer than any other is the incense which cometh from him;—he taketh possession of the two lands—and the granaries are filled, the storehouses are prosperous,—and the goods of the poor are multiplied.

"V.—He is at the service of all prayers to answer them,—withholding nothing. To make boats to be that is his strength.—Stones are not sculptured for him—nor statues whereon the double crown is placed;—he is unseen;—no tribute is paid unto him and no offerings are brought unto him,—he is not charmed by words of mystery;—the place of his dwelling is unknown, nor can his shrine be found by virtue of magic writings.

"VI.—There is no house large enough for thee,—nor any who may penetrate within thy heart!—Nevertheless, the generations of thy children rejoice in thee—for thou dost rule as a king—whose decrees are established for the whole earth,—who is manifest in presence of the people of the South and of the North,—by whom the tears are washed from every eye,—and who is lavish of his bounties.

"VII.—Where sorrow was, there doth break forth joy—and every heart rejoiceth. Sovkû, the crocodile, the child of Nit, leaps for gladness;[*]—for the Nine gods who accompany thee have ordered all things,—the overflow giveth drink unto the fields—and maketh all men valiant; one man taketh to drink of the labour of another,—without charge being brought against him.[**]

     * The goddess Nît, the heifer born from the midst of the
     primordial waters, had two crocodiles as her children, which
     are sometimes represented on the monuments as hanging from
     her bosom. Both the part played by these animals, and the
     reason for connecting them with the goddess, are still
     imperfectly understood.

     ** This is an allusion to the quarrels and lawsuits
     resulting from the distribution of the water in years when
     the Nile was poor or bad.    If the inundation is abundant,
     disputes are at an end.

"IX.—If thou dost enter in the midst of songs to go forth in the midst of gladness,—if they dance with joy when thou comest forth out of the unknown,—it is that thy heaviness is death and corruption.—And when thou art implored to give the water of the year,—the people of the Thebai'd and of the North are seen side by side,—each man with the tools of his trade,—none tarrieth behind his neighbour;—of all those who clothed themselves, no man clotheth himself (with festive garments)—the children of Thot, the god of riches, no longer adorn themselves with jewels,—nor the Nine gods, but they are in the night!—As soon as thou hast answered by the rising,—each one anointeth himself with perfumes.

"X.—Establisher of true riches, desire of men,—here are seductive words in order that thou mayest reply;—if thou dost answer mankind by waves of the heavenly Ocean,—Napri, the grain-god, presents his offering,—all the gods adore (thee),—the birds no longer descend upon the hills;—though that which thy hand formeth were of gold—or in the shape of a brick of silver,—it is not lapis-lazuli that we eat,—but wheat is of more worth than precious stones.

"XI.—They have begun to sing unto thee upon the harp,—they sing unto thee keeping time with their hands,—and the generations of thy children rejoice in thee, and they have filled thee with salutations of praise;—for it is the god of Riches who adorneth the earth,—who maketh barks to prosper in the sight of man—who rejoiceth the heart of women with child—who loveth the increase of the flocks.

"XII.—When thou art risen in the city of the Prince,—then is the rich man filled—the small man (the poor) disdaineth the lotus,—all is solid and of good quality,—all herbage is for his children.—Doth he forget to give food?—prosperity forsaketh the dwellings,—and earth falleth into a wasting sickness."

055.jpg Libyan Mountains

The word Nile is of uncertain origin. We have it from the Greeks, and they took it from a people foreign to Egypt, either from the Phoenicians, the Khîti, the Libyans, or from people of Asia Minor. When the Egyptians themselves did not care to treat their river as the god Hâpi, they called it the sea, or the great river. They had twenty terms or more by which to designate the different phases which it assumed according to the seasons, but they would not have understood what was meant had one spoken to them of the Nile. The name Egypt also is part of the Hellenic tradition; perhaps it was taken from the temple-name of Memphis, Hâikûphtah, which barbarian coast tribes of the Mediterranean must long have had ringing in their ears as that of the most important and wealthiest town to be found upon the shores of their sea. The Egyptians called themselves Bomitû, Botû, and their country Qîmit, the black land. Whence came they? How far off in time are we to carry back the date of their arrival? The oldest monuments hitherto known scarcely transport us further than six thousand years, yet they are of an art so fine, so well determined in its main outlines, and reveal so ingeniously combined a system of administration, government, and religion, that we infer a long past of accumulated centuries behind them. It must always be difficult to estimate exactly the length of time needful for a race as gifted as were the Ancient Egyptians to rise from barbarism into a high degree of culture. Nevertheless, I do not think that we shall be misled in granting them forty or fifty centuries wherein to bring so complicated an achievement to a successful issue, and in placing their first appearance at eight or ten thousand years before our era. Their earliest horizon was a very limited one. Their gaze might wander westward over the ravine-furrowed plains of the Libyan desert without reaching that fabled land of Manu where the sun set every evening; but looking eastward from the valley, they could see the peak of Bâkhû, which marked the limit of regions accessible to man.

Beyond these regions lay the beginnings of To-nûtri, the land of the gods, and the breezes passing over it were laden with its perfumes, and sometimes wafted them to mortals lost in the desert.[*]

     * The  perfumes  and the  odoriferous woods of the Divine
     Land were celebrated in Egypt. A traveller or hunter,
     crossing the desert, "could not but be vividly impressed by
     suddenly becoming aware, in the very midst of the desert, of
     the penetrating scent of the robul (Puliciaria undulata,
     Schwbine.), which once followed us throughout a day and two
     nights, in some places without our being able to distinguish
     whence it came; as, for instance, when we were crossing
     tracts of country without any traces of vegetation whatever."
     (Golenischeff).

Northward, the world came to an end towards the lagoons of the Delta, whose inaccessible islands were believed to be the sojourning-place of souls after death. As regards the south, precise knowledge of it scarcely went beyond the defiles of Gebel Sil-sileh, where the last remains of the granite threshold had perhaps not altogether disappeared. The district beyond Gebel Silsileh, the province of Konûsit, was still a foreign and almost mythic country, directly connected with heaven by means of the cataract. Long after the Egyptians had broken through this restricted circle, the names of those places which had as it were marked out their frontiers, continued to be associated in their minds with the idea of the four cardinal points. Bâkhû and Manu were still the most frequent expressions for the extreme East and West. Nekhabit and Bûto, the most populous towns in the neighbourhoods of Gebel Silsileh and the ponds of the Delta, were set over against each other to designate South and North. It was within these narrow limits that Egyptian civilization struck root and ripened, as in a closed vessel. What were the people by whom it was developed, the country whence they came, the races to which they belonged, is to-day unknown. The majority would place their cradle-land in Asia,[*] but cannot agree in determining the route which was followed in the emigration to Africa.

     * The greater number of contemporary Egyptologists, Brugsch,
     Ebers,—Lauth, Lieblein, have rallied to this opinion, in
     the train of E. de Rougé; but the most extreme position has
     been taken up by Hommel, the Assyriologist, who is inclined
     to derive Egyptian civilization entirely from the
     Babylonian. After having summarily announced this thesis in
     his Geschichte Babyloniens und Assyriens, p. 12, et seq.,
     he has set it forth at length in a special treatise, Der
     Babylonische Ursprung der àgyptischen Kultur
, 1892, wherein
     he endeavours to prove that the Heliopolitan myths, and
     hence the whole Egyptian religion, are derived from the
     cults of Eridû, and would make the name of the Egyptian city
     Onû, or Anû, identical with that of Nûn-H, Nûn, which is
     borne by the Chaldean.

Some think that the people took the shortest road across the Isthmus of Suez, others give them longer peregrinations and a more complicated itinerary. They would have them cross the Straits of Bab el-Mandeb, and then the Abyssinian mountains, and, spreading northward and keeping along the Nile, finally settle in the Egypt of to-day. A more minute examination compels us to recognize that the hypothesis of an Asiatic origin, however attractive it may seem, is somewhat difficult to maintain. The bulk of the Egyptian population presents the characteristics of those white races which have been found established from all antiquity on the Mediterranean slope of the Libyan continent; this population is of African origin, and came to Egypt from the West or South-West. In the valley, perhaps, it may have met with a black race which it drove back or destroyed; and there, perhaps, too, it afterwards received an accretion of Asiatic elements, introduced by way of the isthmus and the marshes of the Delta. But whatever may be the origin of the ancestors of the Egyptians, they were scarcely settled upon the banks of the Nile before the country conquered, and assimilated them to itself, as it has never ceased to do in the case of strangers who have occupied it. At the time when their history begins for us, all the inhabitants had long formed but one people, with but one language.

This language seems to be connected with the Semitic tongues by many of its roots. It forms its personal pronouns, whether isolated or suffixed, in a similar way. One of the tenses of the conjugation, and that the simplest and most archaic, is formed with identical affixes. Without insisting upon resemblances which are open to doubt, it may be almost affirmed that most of the grammatical processes used in Semitic languages are to be found in a rudimentary condition in Egyptian. One would say that the language of the people of Egypt and the languages of the Semitic races, having once belonged to the same group, had separated very early, at a time when the vocabulary and the grammatical system of the group had not as yet taken definite shape. Subject to different influences, the two families would treat in diverse fashion the elements common to both. The Semitic dialects continued to develop for centuries, while the Egyptian language, although earlier cultivated, stopped short in its growth. "If it is obvious that there was an original connexion between the language of Egypt and that of Asia, this connexion is nevertheless sufficiently remote to leave to the Egyptian race a distinct physiognomy." We recognize it in sculptured and painted portraits, as well as in thousands of mummied bodies out of subterranean tombs. The highest type of Egyptian was tall and slender, with a proud and imperious air in the carriage of his head and in his whole bearing. He had wide and full shoulders, well-marked and vigorous pectoral muscles, muscular arms, a long, fine hand, slightly developed hips, and sinewy legs. The detail of the knee-joint and the muscles of the calf are strongly marked beneath the skin; the long, thin, and low-arched feet are flattened out at the extremities owing to the custom of going barefoot. The head is rather short, the face oval, the forehead somewhat retreating. The eyes are wide and fully opened, the cheekbones not too marked, the nose fairly prominent, and either straight or aquiline. The mouth is long, the lips full, and lightly ridged along their outline; the teeth small, even, well-set, and remarkably sound; the ears are set high on the head. At birth the skin is white, but darkens in proportion to its exposure to the sun. Men are generally painted red in the pictures, though, as a matter of fact, there must already have been all the shades which we see among the present population^ from a most delicate, rose-tinted complexion to that of a smoke-coloured bronze. Women, who were less exposed to the sun, are generally painted yellow, the tint paler in proportion as they rise in the social scale. The hair was inclined to be wavy, and even to curl into little ringlets, but without ever turning into the wool of the negro.

059.jpg the Noble Type of Egyptian. 1
     1 Statue of Rânofir in the Gîzeh Museum (Vth dynasty), after
     a photograph by Émil Brugsch-Bey.

060.jpg Head of a Tileban Mummy.

The beard was scanty, thick only upon the chin. Such was the highest type; the commoner was squat, dumpy, and heavy. Chest and shoulders seem to be enlarged at the expense of the pelvis and the hips, to such an extent as to make the want of proportion between the upper and lower parts of the body startling and ungraceful. The skull is long, somewhat retreating, and slightly flattened on the top; the features are coarse, and as though carved in flesh by great strokes of the blocking-out chisel. Small frseuated eyes, a short nose, flanked by widely distended nostrils, round cheeks, a square chin, thick, but not curling lips—this unattractive and ludicrous physiognomy, sometimes animated by an expression of cunning which recalls the shrewd face of an old French peasant, is often lighted up by gleams of gentleness and of melancholy good-nature. The external characteristics of these two principal types in the ancient monuments, in all varieties of modifications, may still be seen among the living. The profile copied from a Theban mummy taken at hazard from a necropolis of the XVIIIth dynasty, and compared with the likeness of a modern Luxor peasant, would almost pass for a family portrait. Wandering Bisharîn have inherited the type of face of a great noble, the contemporary of Kheops; and any peasant woman of the Delta may bear upon her shoulders che head of a twelfth-dynasty king. A citizen of Cairo, gazing with wonder at the statues of Khafra or of Seti I. in the Gîzeh Museum, is himself, feature for feature, the very image of those ancient Pharaohs, though removed from them by fifty centuries.



060b (172K)



062.jpg a Fellah Woman With the Features of an Ancient King. 1
     1  The face of the woman here given was taken separately,
     and was subsequently attached to the figure of an Egyptian
     woman whom Naville had photographed sitting beside a
     colossal head. The nose of the statue has been restored.

Until quite recently nothing, or all but nothing, had been discovered which could be attributed to the primitive races of Egypt: even the flint weapons and implements which had been found in various places could not be ascribed to them with any degree of certainty, for the Egyptians continued to use stone long after metal was known to them. They made stone arrowheads, hammers, and knives, not only in the time of the Pharaohs, but under the Romans, and during the whole period of the Middle Ages, and the manufacture of them has not yet entirely died out.[**]

     **  An entire collection of flint tools—axes, adzes,
     knives, and sickles—mostly with wooden handles, were found
     by Prof. Pétrie in the ruins of Kahun, at the entrance to
     the Fayûm: these go back to the time of the twelfth dynasty,
     more than three thousand years before our era. Mariette had
     previously pointed out to the learned world the fact that a
     Coptic Reis, Salîb of Abydos, in charge of the
     excavations, shaved his head with a flint knife, according
     to the custom of his youth (1820-35). I knew the man, who
     died at over eighty years of age in 1887; he was still
     faithful to his flint implement, while his sons and the
     whole population of El Kharbeh were using nothing but steel
     razors. As his scalp was scraped nearly raw by the
     operation, he used to cover his head with fresh leaves to
     cool the inflamed skin.

These objects, and the workshops where they were made, might therefore be less ancient than the greater part of the inscribed monuments. But if so far we had found no examples of any work belonging to the first ages, we met in historic times with certain customs which were out of harmony with the general civilization of the period. A comparison of these customs with analogous practices of barbarous nations threw light upon the former, completed their meaning, and showed us at the same time the successive stages through which the Egyptian people had to pass before reaching their highest civilization. We knew, for example, that even as late as the Cæsars, girls belonging to noble families at Thebes were consecrated to the service of Amon, and were thus licensed to a life of immorality, which, however, did not prevent them from making rich marriages when age obliged them to retire from office. Theban women were not the only people in the world to whom such licence was granted or imposed upon them by law; wherever in a civilized country we see a similar practice, we may recognize in it an ancient custom which in the course of centuries has degenerated into a religious observance. The institution of the women of Amon is a legacy from a time when the practice of polyandry obtained, and marriage did not yet exist. Age and maternity relieved them from this obligation, and preserved them from those incestuous connections of which we find examples in other races. A union of father and daughter, however, was perhaps not wholly forbidden,[*] and that of brother and sister seems to have been regarded as perfectly right and natural; the words brother and sister possessing in Egyptian love-songs the same significance as lover and mistress with us.

     * E. de Rouge held that Rameses II. married at least two of
     his daughters, Bint Anati and Honittui; Wiedemann admits
     that Psammetichus I. had in the same way taken to wife
     Nitocris, who had been born to him by the Theban princess
     Shapenuapit. The Achæmenidan kings did the same: Artaxerxes
     married two of his own daughters.

Paternity was necessarily doubtful in a community of this kind, and hence the tie between fathers and children was slight; there being no family, in the sense in which we understand the word, except as it centred around the mother.

Maternal descent was, therefore, the only one openly acknowledged, and the affiliation of the child was indicated by the name of the mother alone. When the woman ceased to belong to all, and confined herself to one husband, the man reserved to himself the privilege of taking as many wives as he wished, or as he was able to keep, beginning with his own sisters. All wives did not enjoy identical rights: those born of the same parents as the man, or those of equal rank with himself, preserved their independence. If the law pronounced him the master, nibû, to whom they owed obedience and fidelity, they were mistresses of the house, nîbît pirû, as well as wives, himitû, and the two words of the title express their condition. Each of them occupied, in fact, her own house, pirû, which she had from her parents or her husband, and of which she was absolute mistress, nîbît. She lived in it and performed in it without constraint all a woman's duties; feeding the fire, grinding the corn, occupying herself in cooking and weaving, making clothing and perfumes, nursing and teaching her children. When her husband visited her, he was a guest whom she received on an equal footing. It appears that at the outset these various wives were placed under the authority of an older woman, whom they looked on as their mother, and who defended their rights and interests against the master; but this custom gradually disappeared, and in historic times we read of it as existing only in the families of the gods. The female singers consecrated to Amon and other deities, owed obedience to several superiors, of whom the principal (generally the widow of a king or high priest) was called chief-superior of the ladies of the harem of Amon. Besides these wives, there were concubines, slaves purchased or born in the house, prisoners of war, Egyptians of inferior class, who were the chattels of the man and of whom he could dispose as he wished. All the children of one father were legitimate, whether their mother were a wife or merely a concubine, but they did not all enjoy the same advantages; those among them who were born of a brother or sister united in legitimate marriage, took precedence of those whose mother was a wife of inferior rank or a slave. In the family thus constituted, the woman, to all appearances, played the principal part. Children recognized the parental relationship in the mother alone. The husband appears to have entered the house of his wives, rather than the wives to have entered his, and this appearance of inferiority was so marked that the Greeks were deceived by it. They affirmed that the woman was supreme in Egypt; the man at the time of marriage promised obedience to her and entered into a contract not to raise any objection to her commands.

We had, therefore, good grounds for supposing that the first Egyptians were semi-savages, like those still living in Africa and America, having an analogous organization, and similar weapons and tools. A few lived in the desert, in the oasis of Libya, or in the deep valleys of the Red Land—Doshirit, To Doshiru—between the Nile and the sea; the poverty of the country fostering their native savagery. Others, settled on the Black Land, gradually became civilized, and we have found of late considerable remains of those of their generations who, if not anterior to the times of written records, were at least contemporary with the earliest kings of the first historical dynasty.

066.jpg Negro Prisoners Wearing the Panther's Skist As A Loin-cloth.

Their houses were like those of the fellahs of to-day, low huts of wattle daubed with puddled clay, or of bricks dried in the sun. They contained one room, either oblong or square, the door being the only aperture. Those of the richer class only were large enough to make it needful to support the roof by means of one or more trunks of trees, which did duty for columns. Earthen pots, turned by hand, flint knives and other implements, mats of reeds or plaited straw, two flat stones for grinding corn, a few pieces of wooden furniture, stools, and head-rests for use at night, comprised all the contents. Their ordinary pottery is heavy and almost devoid of ornament, but some of the finer kinds have been moulded and baked in wickerwork baskets, which have left a quaint trellis-like impression on the surface of the clay. In many cases the vases are bicolour, the body being of a fine smooth red, polished with a stone, while the neck and base are of an intense black, the surface of which is even more shining than that of the red part. Sometimes they are ornamented with patterns in white of flowers, palms, ostriches, gazelles, boats with undulated or broken lines, or geometrical figures of a very simple nature. More often the ground is coloured a fine yellow, and the decoration has been traced in red lines. Jars, saucers, double vases, flat plates, large cups, supports for amphorae, trays raised on a foot—in short, every kind of form is found in use at that remote period. The men went about nearly naked, except the nobles, who wore a panther's skin, sometimes thrown over the shoulders, sometimes drawn round the waist, and covering the lower part of the body, the animal's tail touching the heels behind, as we see later in several representations of the negroes of the Upper Nile. They smeared their limbs with grease or oil, and they tattooed their faces and bodies, at least in part; but in later times this practice was retained by the lower classes only. On the other hand, the custom of painting the face was never given up. To complete their toilet, it was necessary to accentuate the arch of the eyebrow with a line of kohl (antimony powder). A similar black line surrounded and prolonged the oval of the eye to the middle of the temple, a layer of green coloured the under lid, and ochre and carmine enlivened the tints of the cheeks and lips. The hair, plaited, curled, oiled, and plastered with grease, formed an erection which was as complicated in the case of the man as in that of the woman.