Designed & Etched by W. M. Brookefield R. H. A.
Then mounting the noble Horse they bade farewell.
When the feast was concluded, the songs and dances, and sacrifices, finished, the Wahconda's son prepared to take his departure to the mountains where his father dwelt. The tribe attended him to the edge of the forest, which had been the hunting-grounds of the Ottoes ever since the rivers ran, and there they left him to pursue his journey with his beautiful and happy wife to the abodes of spirits, and great warriors, and just men. But before the chief parted from his daughter, he made her husband a long speech, and prayed that peace might ever be between them and their people. He told him he had given him his all—his dearly beloved daughter, to whom he must be kind and affectionate. He must not put heavy burdens upon her; he must not send her to cut wood, nor bring home the bison's flesh, nor pound the corn, for her hands had never been hardened in tasks like these, nor her shoulders bowed in her father's house to the labours of the field, or forest, or cabin. "She had been," he said, "the darling of her father's household, and knew not labour but by name."
The Wahconda's son smiled at the words of the old chief, and told him "that services, like those he had mentioned, were never required of women in the Wahconda's dwelling. The people of the happy vales and the spirits of the mountains fed not," he said, "upon bison's meat, nor pounded corn; and the sun, which was the same at all seasons, beamed so warm, that they kept no fires. It was a lovely land, far pleasanter than that which the Ottoes abode in, nor was it subject to those dreadful storms and tempests which terrified and annoyed those who dwelt upon the banks of the Great River." And then, mounting his noble horse, and taking his little wife behind him, he again bade them farewell and rode away.
He had been gone two moons—the third was in its wane, and the parents had become consoled for the loss of their daughter. It was upon a clear and beautiful evening in the Moon of Harvest, when the forest was losing its robe of green, and putting on its garment of brown and scarlet, and cool and steady winds were succeeding to the hot and parching breezes of summer, that the Ottoes assembled to dance and feast in the cabin of their chief. It was one of the most beautiful nights ever beheld. Nothing was heard to break the stillness of the hour, save the rustling of the branches of the cedar and pine, the slight music of a little rivulet, and the mournful singing of the wekolis,[34] perched in the low branches of the willow. The feast was prepared, the Master was propitiated, and they were sitting down to partake of the good things of the land and water, when suddenly the earth began to move like the waters of lake Huron, when agitated by winds from the regions of the frozen star. Upon every side of them, above them, and beneath them, the earth thundered, with a rattling sound. In vain did the Ottoes attempt to leave the cabin; they rolled about like a canoe launched upon a stormy river, or a ball tossed upon frozen water. The rocking of the earth continued throughout the hours of darkness. When light came, it was frightful to behold the disfigured face of the earth. In some places lakes were scooped out, and mountains piled up on their brink. Trees were rooted up and broken; little streams had disappeared, even large rivers had ceased to be. The tall magnolia lay broken in many pieces, the larch tree had been snapped like a rotten reed. The flowers of the meadows were scorched and seared, the deer in the thicket lay mangled and bruised, the birds sat timid and shy on the broken bough. The people called their priests together, and demanded why these things were. The priests answered, "Because the Master of Life was angry, but with whom they knew not. Yet soon should they learn, for there was one coming hither who would be able to tell them."
Three suns had passed, and the knowledge of the cause still remained hidden from them. On the morning of the fourth day, when the chief went out of his lodge, he found his beloved daughter weeping by the door of the cabin. Oh! how changed was the beautiful Mekaia—she was no longer a Star-flower. The brightness of her eye had departed, as the beauty of the green fields and leafy forests is driven hence by the chills of winter, her cheek was sunken and hollow, her long black locks lay uncombed upon her shoulders, and the joy and cheerfulness which once warmed her heart, and made her foot lighter than the antelope's, were no more. She, whose feet were fleeter than the deer's, now walked feebly, and rested oft; she, whose tongue outchirped the merriest birds of the grove, and warbled sweeter music than the song-sparrow, now spoke in strains as gloomy and sad as the bittern that cries in the swamps when night is coming on, or the solitary bird of wisdom perched among the leaves of the oak. The father sat down by her, and asked her whence she came.
"From the valley upon this side of the mountains," she answered.
"Where is thy husband?" demanded Wasabajinga.
"Dead," answered the Starflower, and wept afresh.
"Wah!" exclaimed the warrior, and hid his face with his hands. When he had sat thus awhile, he inquired the manner of his death. She told him, that, before they reached the mountains of the Wahconda, they saw a pale man coming towards them, mounted on a low, black horse. When he came up them, he asked her husband if he would buy blankets, and beads, and the fire-eater. That the Wahconda's son answered, "No;" and told him it was very—very bad in him to carry the fire-eater, to destroy the poor misguided Indians. The man upon the black horse answered, "That he was a better man than the Wahconda's son, for he was no heathen, but lived where men worshipped a greater Wahconda than his father in a beautiful house built with hands, and not beneath the shade of the cypress and the oak." Upon this, her husband did but smile, when the pale man elevated the spear he carried in his hand, and, with the bolts which issued from it, struck him to the earth, from which he never rose again. Then there came a cry of mourning from the cabin of the Little Black Bear. The women rushed out, and tore their hair, and cut their flesh with sharp stones, through grief for the death of the husband of their beloved Starflower. And they sung a melancholy lament, for the youth who had perished in the morning of life, while the down was yet upon his cheek, and his heart had never felt the shaft of sorrow. They sung how happy the lovers were, ere the malice and cruelty of white men destroyed their joys; ere their sacrilegious hands had laid one low in the dust, and left the other to pine under the bereavement, till death would be a blessing. They painted the anger and grief of the great Wahconda when he found the darling of his house numbered with the slain. They sung that, exasperated with the children of earth for the murder of his beloved son, he called upon his earthquakes to deface and lay waste their country. They bade the eye note how well these ministers of his wrath had performed his dread commands. So they sung—"For many a weary day's journey upon the banks of the Mighty River, for many a long encamping in the direction of the setting sun, the land lies in ruins. The bough is broken, and the solid trunk is rent. The flower lies bleeding, and the voice of the dove is hushed. But see, he has bidden the marks of havoc be effaced from the country of the Ottoes, because it is the native land of the beautiful woman who had become the wife of his son."
Long was the mourning continued, and deep the grief, which for many a moon pervaded the cabins and camp of the Ottoes. The Great Wahconda did not permit the Starflower to remain long upon the earth, but soon called her away to be re-united to his beloved son in the land of spirits. Yet she often returns to look upon the place of her birth, to breathe on the things she loved, and to sit beneath the shade of the trees she planted. In the season of flowers, she is often seen by moonlight, binding together the choicest which grow on the prairie, and her voice is often heard in the sighs of the breeze in spring. The Wahconda's son never comes with her, for he fears the treachery and violence of the pale faces.
(1) Stealing horses—p. 148.
Stealing horses is one of the most meritorious acts an Indian can perform, and is boasted of at his feasts among his other praiseworthy deeds. Next to scalping, it is the greatest feat of the Indian warrior. Before going out to war they pray to the Great Spirit to favour them, among other things, with the ability to steal horses.
(2) Struck dead bodies.—p. 148.
Striking the dead, or the disabled body of a living person, is considered the third in the scale of honours. These things are regulated, among the Indians, with the nicety which attends the distribution of academical prizes at the Universities.
(3) Lived in the same cabin, &c.—p. 149.
All the wives of an Indian reside under the same roof. As an Indian is despotic in his family, there is seldom any domestic disagreement in his cabin; if there be, the whip is called in to arbitrate the difference, and the dispute is soon adjusted. I shall notice this subject in a note in another part of the work.
(4) Lodge of his father.—p. 152.
The dwelling-place of the Supreme Being is variously located by the Indians. I shall not notice their reported belief, which places the Good Spirit "above the blue sky," and gives the Evil Spirit the Antipodes. Such, as it is mentioned by Loskiel and by Purchas, are the opinions of the Eastern Indians. These are obviously derived from the white people. The following may be pronounced the unsophisticated traditions of the different tribes on this point, and they are very curious.
"About thirty miles below the falls of St. Anthony, at which I arrived the tenth day after I left Lape Pepin, is a remarkable cave of an amazing depth. The Indians term it Wakon-teebe, that is, the Dwelling of the Great Spirit. The entrance into it is about four feet wide; the height of it fire feet. The arch within it is near fifteen feet high, and about thirty feet broad. The bottom of it consists of fine, clear sand. About twenty feet from the entrance begins a lake, the water of which is transparent, and extends to an unsearchable distance; for the darkness of the cave prevents all possibility of acquiring a knowledge of it. I threw a small pebble towards the interior parts of it with my utmost strength: I could hear that it fell into the water, and, notwithstanding that it was of so small a size, it caused an astonishing and horrible noise, that reverberated through all those gloomy regions. I found in this cave many Indian hieroglyphics, which appeared very ancient, for time had nearly covered them with moss, so that it was with difficulty I could trace them. They were cut in a rude manner upon the inside of the walls, which were composed of a stone so extremely soft, that it might easily be penetrated with a knife; a stone every where to be found near the Mississippi." Carver's Travels, p. 39, 40.
Very many of the Western Indians believe that the Supreme Being has his residence in the Rocky Mountains; and some of them make him the Sun.—Charlevoix, ii, 180, 117.
The Chippeways suppose the islands in Lake Superior to have been, from their first formation, the residence of the Great Spirit, and relate many stories of enchantment and magical tricks that had been experienced by such as were obliged, through stress of weather, to take shelter there.—See one of them further on.
The Hurons believe that Michabou, the God of the Waters, and sometimes their Great Spirit, formerly dwelt at Michillimackinac where he was born.
(5) The thunder.—p. 153.
The Indians have but one way to account for atmospherical phenomena; it is always by the intervention of a Supreme or Spiritual Being of the earth, the air, or the waters. Thus they ascribe earthquakes to the moving of the Great Tortoise which bears the Island (continent) on its back. They say he shakes himself or changes his position. The Missouri Indians believe earthquakes to be the effect of supernatural agency, connected like the thunder with the immediate operations of the Master of Life. Thunder and lightning impress them with inconceivable terror. Their opinions of the cause are various. Some take it for a voice of a particular species of men who fly in the air. Others say the noise comes from certain birds that are unknown to them. The Montagnais say it is the effort of a genius to bring up a snake which he hath swallowed; and they found this notion on observing that when the thunder falls upon a tree, it leaves something like, the shape of a snake.
The Konzas believe that, when a man is killed in battle, the thunder takes him up, they do not know whither. In going to battle each man traces an imaginary figure of the thunder on the soil, and he who represents it incorrectly is killed by the thunder.
The Delawares, who knew nothing of the cause of natural phenomena, nor do they desire to be informed of them, conceived thunder to be a spirit dwelling in the mountains, and now and then sallying forth to make himself heard. Some of them imagined it to proceed from the crowing of a monstrous turkey-cock in the heavens; others from enraged evil spirits.
Carver says in his Travels: "We had just landed, and were preparing to set up our tents for the night, when a heavy cloud overspread the heavens, and the most dreadful thunder, lightning, and rain, issued from it that ever I beheld. The Indians were greatly terrified, and ran to seek such shelter as they could. The Indian chiefs themselves, though their courage in war is usually invincible, could not help trembling at the horrid combustion."—Carver, 56. The southern Indians believe thunder to be the voice of the Almighty.—Adair, 86. They believe that Minggo Ishto Eloa, "the great chieftain of thunder" sometimes binds up the clouds and withholds rain.—Ibid., 89.
Eclipses they attribute to the attempts of the Evil Spirits to embarrass the labours of the luminary which is eclipsed. "The first lunar eclipse," says Adair, "I saw, after I lived with the Indians, was among the Cherokees in 1736; and, during the continuance of it, their conduct appeared surprising to one who had not seen the like before; they all ran wild, this way and that way, like lunatics, firing their guns, whooping and hallooing, beating of kettles, ringing horse-bells, and making the most horrid noises that human beings possibly could. This was done to assist the suffering moon."—Adair, 65.
(6) The chief gives her to him.—p. 156.
Marriages among the Indians are proposed and concluded in different ways. Thus, among the Delawares, the parents on both sides, having observed an attachment growing up between two young persons, negotiate for them. This generally commences from the house where the bridegroom lives, whose mother is the negotiatrix for him, and begins her duties by taking a good leg of venison or bear's meat, or something else of the same kind, to the house where the bride dwells, not forgetting to mention that her son has killed it. In return for this, the mother of the bride, if she otherwise approves the match, which she well understands by the presents to be intended, will prepare a good dish of victuals, the produce of the labour of women—such as beans, Indian corn, or the like—and then, taking it to the house where the bridegroom lives, will say, "This is the produce of my daughter's field, and she also prepared it." From this time (if the presents be accepted) not only presents of this kind are continued on both sides, but articles of clothing are presented to the parents of each party by way of return for what they have received, and of these the young people always have a share. The friendship between the two families daily increasing, they do their domestic and field-work jointly, and when the young people have agreed to live together, the parents supply them with necessaries, such as a kettle, dishes, bowls, &c. &c.
The men who have no parents to negotiate for them, or who otherwise choose to manage the matter for themselves, have two simple ways of attaining their object. The first is by stepping up to the woman whom they wish to marry, saying, "If you are willing, I will take you as wife;" when, if she answers in the affirmative, she either goes with him immediately, or meets him at an appointed time or place. The other method is—(I give it in their bad English)—"Indian, when he see industrious squaw, which he like, he go to him, place his two fore-fingers close aside each other, make two look like one—look squaw in the face—see him smile, which is all one he say yes! So he take him home."
Among the Iroquois, Miamis, &c. treaties of marriage are entirely carried on by the parents; the parties interested do not appear at all, but give themselves up entirely to the will of those on whom they depend. The parents, however, do not conclude any thing without their consent, but this is only a formality. The first advances must be made by the matrons. Not but that, if any girl were to continue too long without being sued for, her family would act underhand to procure her a suitor.
In some places the young man is contented to go and sit by the side of the young woman in her cabin; and, if she suffers it and continues in her place, it is taken for her consent, and the marriage is concluded. The customs of the different tribes do not essentially vary. What should you say, my fair readers, at being "wooed and won" in this way?
(7) Indian farm of marriage.—p. 156.
The Indian nations differ but little from each other in their marriage ceremonies. The tribes that inhabit the borders of Canada have the following custom:—When every preliminary is agreed on, and the day appointed, the friends and acquaintance of both parties assemble at the house or tent of the oldest relation of the bridegroom, where a feast is prepared on the occasion. The company who meet to assist at the festival are sometimes very numerous; they dance, they sing, and enter into every other diversion usual at any of their public rejoicings. When these are finished, all those who attended merely out of ceremony depart, and the bridegroom and the bride are left alone with three or four of the nearest and oldest relations on either side; those of the bridegroom being men, and those of the bride women.
Presently the bride, attended by these few friends, having withdrawn herself for the purpose, appears at one of the doors of the house, and is led to the bridegroom, who stands ready to receive her. Having now taken their station on a mat, placed in the centre of the room, they lay hold of the extremities of a wand about four feet long, by which they continue separated, whilst the old men pronounce some short harangues suitable to the occasion. The married couple after this make a public declaration of the love and regard they entertain for each other, and still holding the rod between them they dance and sing. When they have finished this part of the ceremony, they break the rod into as many pieces as there are witnesses present, who each take a piece, and preserve it with great care. The bride is then re-conducted out of the door as she entered, where her young companions wait to attend her to her father's house; there the bridegroom is obliged to seek her.
Another manner of performing the ceremony is said to be peculiar to the Naudowessies. When one of their young men has fixed on a young woman he approves of, he discovers his passion to her parents, who give him an invitation to come and live with them in their tents. He accordingly accepts their offer, and by so doing engages to reside in it for a whole year in the character of a menial servant. During this time he hunts, and brings all the game he kills to the family; by which means the father has an opportunity of seeing whether he can provide for the support of his daughter and the children that might be the consequence of their union. When this period is expired, the marriage is solemnized after the custom of the country, in the following manner:—Three or four of the oldest male relations of the bridegroom, and as many of the bride's, accompany the young couple from their respective tents to an open part in the centre of the camp. The chiefs and warriors being here assembled to receive them, a party of the latter are drawn up into two ranks on each side of the bride and bridegroom, immediately on their arrival. The principal chief then acquaints the whole assembly with the design of their meeting, and tells them that the couple before them, mentioning at the same time their names, are come to avow publicly their intention of living together as man and wife. He then asks the young people alternately whether they desire that the union may take place. Having declared, with an audible voice, that they do so, the warriors fix their arrows, and discharge them over the needs of the married pair; this done, the chief pronounces them man and wife. The bridegroom then turns around, and, bending his body, takes his wife upon his back, in which manner he carries her, amidst the acclamations of the spectators, to his tent. The ceremony is concluded by the most plentiful feast the new-married man can afford, and songs and dances, according to the usual custom, conclude the festival.
Among the Quapaws, as I have been informed, the husband, on the consummation of his marriage, presents his wife with a leg of deer, and she in return offers him an ear of maize.
With the above characteristic and wild song, chanted with the action and in the tones peculiar to the Indian story-teller, and which, in truth, is always the manner in which their traditions are related, the Little Snake, the principal chief of the Ricaras, and who was as celebrated throughout the wilds of the west for his skill in song as Carolan in the palace of his mountain lord, or Blondel at the court of Coeur de Lion, commenced his tale. As far as the visual organ was concerned, Mr. Verdier was before acquainted with the curious images to which it referred. He had seen, a few miles back, from the Mississippi, a small "willow-bank," rising in the words of the song above a "shallow and turbid stream," upon which were two stones bearing a great resemblance to the human form, and a third having a still greater resemblance to a dog. He knew that they were objects of exceeding veneration with all the tribes of the west, especially with the Ricaras, and that whenever they passed them, and they often deviated many miles from their path for that purpose, they never failed to make an offering, generally of some ornament, or valued part of their dress, or martial equipment, to propitiate the intelligences supposed to inhabit the statues, and render them favourable to their wants and wishes, and to their success in war, or the chace He saw that the continued observance of this rite for a long period, probably for ages, had collected around the "Idols" a large heap of stones, sticks, blankets, deer-skins, eagle's' feathers, &c., but he had remained till now in ignorance of the tradition, which assigned to them a past existence as human beings. He knew that every thing which is not in the common order of things, even a tree singularly shaped, or presenting an unusual excrescence, a blade of grass twisted into an uncommon form, a berry or a stalk of maize growing to an unusual size, become, in the eyes of these wild and superstitious children of the forest, invested with supernatural interest; but he had supposed that it was the mere resemblance which these statues bore to human beings that had caused the Indians to regard them as objects worthy of the most hallowed form of their rude worship.
It may be as well to say in this place, what I had contemplated making the subject of a note. It is this—that Indian poetry always wants the correspondence of the last sound of one verse with the last sound or syllable of another. There cannot, I imagine, be found a single instance of their having attempted to produce the "harmonical succession of sounds," which has imparted so much richness and beauty to the cultivated languages. It is necessary to state this, that my readers may not suppose that the omission to make the lines rhyme grew out of an attempt to give to the poetry an appearance of greater originality, and of greater singularity and wildness, the supposed first step to success. I could not, consistently with my determination to represent truly the manners and customs of that interesting and hard-used race in their own style and method, attempt to introduce rhyme into their rude lyrics. The poetry I have given, though it may want the inspiration of Indian poetry, will be found to possess its method. Another trait of Indian poetry to be noticed is the frequent repetition of favourite passages and incidents.
The Indian story-teller, having paused a moment to recruit his strength and voice, which had suffered by his energy, and to gather the opinion of the audience, which, for the first time in the present assembly, was expressed by audible signs of satisfaction, an unusual occurrence in an Indian audience, resumed his tale as follows:—
(1) Okkis.—p. 175.
The particular object of the devotion of an Indian is termed his "Okkis," or "Medicine," or "Manitou," all meaning the same thing, which is neither more nor less than a "household God." The latter, however, may mean a spirit of the air; the former is tied to one predicament. It is selected by himself, sometimes at a very early age, but generally at the period when he enters the duties of life, and is some invisible being, or, more commonly, some animal, which thenceforward becomes his protector or intercessor with the Great Spirit. The Indians place unbounded confidence in these Okkis, and always carry them wherever they go, being persuaded that they take upon them the office of sentinels. Hence, they sleep in perfect security, convinced of the entire good faith of the guardian. There is no possible form which they have not permitted these "medicines" to take. Birds, beasts, and especially of the carnivorous species, are most frequently the adopted sentinels; but sticks, trees, stones, &c., have been known to be selected for that responsible office. If they prove treacherous, and permit any disaster to happen to their charge, they are frequently soundly whipped, and sometimes committed to the flames.
Not only are inanimate objects elected to take the guardianship of individuals—they sometimes become protectors of the national interests. There is a large, fiat rock, about ten miles from Plymouth, Massachusetts, which continues to receive tribute from the Indians, probably from having, at a former period, been their tutelary genius. It is called, if I mistake not, by the white people resident in the neighbourhood, "The Sacrifice Rock," and is still deeply venerated by the few Indians spared by the cupidity of the Pilgrims and their descendants.
Lewis and Clarke, in the account of their Travels across the Rocky Mountains, (vol. i. p. 163) speaking of the national great Memahopa, or "Medicine Stone," of the Mandans, remarks: "This Medicine Stone is the great oracle of the Mandans, and, whatever it announces, is received with the most implicit confidence. Every spring, and on some occasions during the summer, a deputation visits the sacred spot, where there is a thick porous stone, twenty feet in circumference, with a smooth surface. Having reached the place, the ceremony of smoking to it is performed by the deputies, who alternately take a, whiff themselves, and then present the pipe to the stone; after this, they retire to the adjoining wood for the night, during which it may be safely presumed, that all the embassy do not sleep. In the morning, they read the destinies of the nation in the white marks on the stone."
(2) The mulberry bark.—p. 187.
The Dress of the Indian women.—The dress of the Indian females is regulated, of course, by the nature of the climate. The Southern Indians, by which I mean those occupying the tract of country which is now parcelled out into the States of Louisiana, Florida, Missouri, Mississippi, Alabama, and Georgia, at the period of its first settlement by the whites, wore cloaks of the bark of the mulberry tree, or of the feathers of swans, turkeys, &c. The bark they procured from the young mulberry shoots that came up from the roots of the trees which had been cut down. After it was dried in the sun, they beat it to make all the woody part fall off; and then gave the threads that remained a handsome beating; after which, they bleached them by exposing them to the dew. When they were well whitened, they spun them about the coarseness of pack-thread, and wove them in the following manner: two stakes were set in the ground about a yard and a half asunder; having stretched a cord from one to the other, they fastened their threads of bark, double, to this cord, and then interlaced them in a curious manner into a cloak of about a yard square, with a wrought border round the edges. Such is nearly the description given by Du Pratz in his history of Louisiana.
(3) Willow cage.—p. 189.
Indian children, instead of being placed in cradles, are suspended from the boughs of trees beyond the reach of wild animals, in baskets woven of twigs of the willow, when they can be easily procured: the motion, which is a kind of circular swing, is far more pleasant than that of the cradle in use among civilized nations.
(4) Moon alive.—p. 189.
The astronomical knowledge of the Indians is very small, and they entertain singular ideas respecting the heavenly, bodies. When the sun sets they imagine it goes under water. When the moon does not shine, they suppose she it dead; and some call the three last days before the new moon, the naked days. Her first appearance after her last quarter is hailed with great joy. If either sun or moon is eclipsed, they say the sun or moon is in a swoon. I have mentioned before their opinion of the cause of shooting-stars. Adair, who was acquainted only with the Florida Indians, says that when it thundered and blew sharp for a considerable time, they believed that the beloved or holy people were at war above the clouds; and they believed that the war was hot or moderate, in proportion to the noise or violence of the storm. Of all the writers who have ever written on the Indians, Adair, with the usual exception of La Hontan, is the worst. He wrote with a preconceived determination to make them a portion, or "the remnant," of the ten tribes of Israel, to whom they bear about the same resemblance that an Englishman bears to an Otaheitean.
(5) Mortals go in clay.—p. 192.
The Indian mode of worship is wild and singular in the extreme. Nutall, a judicious and scientific traveller, thus describes the solemnity:
"This morning, about day-break, the Indians, who had encamped around us, broke out into their usual lamentations and complaints to the Great Spirit. Their mourning was truly pathetic, and uttered in a peculiar tone. The commencing tone was exceeding loud, and gradually fell off into a low, long continued, and almost monotonous bass; to this tone of lamentation was modulated the subject of their distress or petition. Those who had experienced any recent distress, or misfortune previously blackened their faces with coal, or besmeared them with ashes."—Nutall, p. 190.
I will quote one more extract from a favourite author for the benefit of those who may wish to view the Indian as a worshipper of the Eternal Being whom they are early taught to worship. "From the age of about five years," says Long, "to that of ten or twelve, custom obliges the boy to ascend to a hill-top, or other elevated position, fasting, that he may cry aloud to the Wahconda. At the proper season his mother reminds him that 'the ice is breaking up in the river, the ducks and geese are migrating, and it is time for you to prepare to go in clay.' He then rubs his person over with a whitish clay, and is sent off to the hill-top at sunrise, previously instructed by a warrior what to say, and how to demean himself in the presence of the Master of Life. From this elevation he cries out to the great Wahconda, humming a melancholy tune, and calling on him to have pity on him, and make him a great hunter, horse-stealer, and warrior. This is repeated once or twice a week, during the months of March and April."—Long's First Expedition, vol.. i. p. 240.