Balruddery mansion, the rural residence of Mr. J. Martin White, stands in a fair country seven miles to the west of Dundee. The grounds of the mansion are a dream of sylvan beauty, with the broad bosom of the River Tay within the vision and beyond that the blue line of the Fife shore.

The organ is the work of three hands. It was originally built by Casson; the most notable characters in the voicing are due to Thynne; and it remained for Mr. Hope-Jones to entirely reconstruct it with his electric action, stop-keys, double touch, pizzicato touch and some of his new stops. The console is movable, connected with the organ by a cable about one inch thick, containing about 1,000 wires, enabling the player to hear the organ as the audience hears it.

Referring to the view of the hall on page 167, the Great organ is in the chamber behind the pipes seen in the upper gallery. The Swell and Solo organs are in the attic above, and the sound of these can be made distant by shutting the Swell shutters, or brought near by opening them. The pedal pipes are put upside down so that their open ends may be toward the music room.

ORGAN IN WORCESTER CATHEDRAL, ENGLAND.

Next in chronological order comes the epoch-making organ in Worcester Cathedral, England, built by Hope-Jones in 1896. Here he gave to the world the result of his researches into the production of organ tone, and we make bold to say that no other instrument has so revolutionized and exerted such an influence on the art of organ-building both in England and the United States. Here for the first time we find that wonderful invention, the Diaphone, and even the nomenclature of the various stops is new, however familiar they may be now, seventeen years later. Hope-Jones is reported to have spent several days in the Cathedral studying its acoustic properties before planning this organ, and the result was a marvelous ensemble of tone. The fame thereof spread abroad and eminent musicians made pilgrimages from all parts of the earth to see and hear it, as mentioned in our account of Yale University Organ later.

Charles Heinroth, Organist and Director of Music, Carnegie Institute, Pittsburgh, Pa., says:

"I don't believe I could forget my first impression on hearing the Worcester Cathedral organ, to me a perfect masterpiece. At once a sense of something out of the ordinary took hold of me at hearing the tone quality of the various stops and combinations--it seemed altogether uncommon."

Similar opinions were expressed by many others.

There were two organs in Worcester Cathedral. The older of the two, standing on the north side of the choir, though it had been rebuilt by Hill & Son, contained pipes over 200 years old from the original instrument by Renatus Harris. The second organ, built by Hill & Son in 1875, stood in the south transept. It was a gift to the Cathedral from the late Earl of Dudley.

In 1895-1896 Hope-Jones constructed a new organ retaining the Renatus Harris and some of the Hill pipes. It stands in three portions, part against the south wall of the transept and part on either side of the choir, all controlled from the console originally placed inside the screen just west of the choir stalls, but since moved into the north choir aisle. It was planned to have the Solo Tuba on a wind pressure of 100 inches, but we regret to say the funds for this have not been forthcoming. The specification follows; the compass of the manuals is from CC to c⁴, 61 notes; of the pedals, CCC to F, 30 notes.

ORGAN IN WOOLSEY HALL, YALE UNIVERSITY,
NEW HAVEN, CONN.

This magnificent instrument, built by the Hutchings-Votey Organ Company in 1902, possesses increased foundation tone and higher wind pressures. The late Professor Samuel S. Sanford, devoted much time and interest in its design. He visited Worcester Cathedral, England, and was profoundly impressed with the new epoch in tone production heralded by that organ. He made an effort to have Mr. Hope-Jones voice one of his Tibias and Smooth Tubas for the Yale organ; and though his effort was not successful, leading features of the Worcester instrument were frankly imitated and generously acknowledged. It was largely due to the liberality of Mr. George S. Hutchings in interpreting the terms of the contract that such a complete instrument was secured for the University. In recognition of this and in view of Mr. Hutchings' artistic contributions to the art of organ-building, the University conferred upon him the honorary degree of Master of Arts. The Diapasons are voiced on pressures ranging from 3 1/2 to 22 inches; the reeds in the Great and Swell on 10 inches, and the Tuba on 22 inches. The builders state that the mixtures have been inserted at the request of many noted organists. There are now 78 sounding stops.

ORGAN IN ST. PAUL'S CATHEDRAL, BUFFALO, N. Y.

This instrument, built by the Hope-Jones Organ Company and opened Christmas, 1908, in one of the finest churches in America, takes position among the great and important organs of the New World. It is built on the "Unit" principle, and is divided between the extreme ends of the lofty structure.

The chancel organ, consisting of four extended stops, occupies the old organ chamber, which opens into the chancel and the transept of the church. This portion of the instrument stands in a cement swell box, its tone being thrown through the arch and into the chancel by means of reflectors. It contains a Diaphone, the full organ being very powerful, although its various tones can be reduced to whispers by closing the laminated lead shutters, which are electrically controlled through the general swell pedal at the console.

The other division of the instrument, the organ proper, is located in the gallery at the distant end of the nave of the church, and in an adjacent room. This gallery division, complete in itself, represents the latest type of Unit organ. Speaking generally, all the stops are common to all four manuals, and to the pedals, and can be drawn at various pitches. Following more or less the analogy of the orchestra, the organ is divided into four distinct portions, each enclosed in its own cement swell box with its laminated lead shutters, controlled electrically from the console swell pedals. These divisions represent, respectively: "Foundation," "wood wind," "string" and "brass."

The entire instrument is played from one console, located in the nave, connected with the chancel organ by an electric cable sixty feet in length, and with the gallery organ by one of one hundred and sixty feet. This key desk is of the well-known Hope-Jones type, which appeals so strongly to most organists. It contains all the latest conveniences: Stop-keys, in semi-circular position above the manuals; combination keys, which move the stop-keys (with switch-board within easy reach for changing the selection of stops); suitable bass tablets, saving time and worry to the player; double touch, offering its wealth of tonal effects, etc. Through the operation of a small tablet the organs can be played separately or together.

ORGAN KNOWN AS THE HOPE-JONES UNIT ORCHESTRA,
IN THE PARIS THEATRE, DENVER, COLORADO.

This fine instrument was installed in May, 1913, and hailed by the people of Denver with great enthusiasm. The president of the Paris Theatre Company, writing under date of June 9, says:

"The wonderful instrument * * * is proving a source of interest to the whole city and has materially added to the fame of 'The Paris' as the leading picture theatre of Denver. No thirty-piece orchestra could accompany the pictures so well as the Hope-Jones Unit Orchestra does. Neither would it so completely carry away with enthusiasm the crowd that flock to hear it."

Only the keyboards are visible from the auditorium; the instrument is placed on each side of the proscenium, occupying the place of the usual stage boxes, the tone being reflected into the theatre through ornamental case work. The 32-foot open diaphone is located behind the picture screen. The specification:

CATHEDRAL OF ST. JOHN THE DIVINE, NEW YORK CITY.

This organ was built by the Ernest M. Skinner Company, Boston, Mass., in 1911. It is the gift of Mr. and Mrs. Levi P. Morton, and is said to have cost $50,000. It is contained in two cases on each side of the triforium of the chancel and blown by an electric installation of 85 h.p.

ORGAN IN UNIVERSITY OF TORONTO, CANADA.

Many fine organs have been erected in Canada and the northern part of the United States by Casavant Frères, of St. Hyacinthe, Province of Quebec, among which we may mention the Church of Notre-Dame in Montreal, the Cathedrals of Montreal and Ottawa, the Northwestern University, Chicago, and the Grand Opera House, Boston. The organ in the Convocation Hall of the University of Toronto has 4 manuals of 61 notes, CC to c⁴; pedals of 32 notes, CCC to g; electro-pneumatic action; 76 speaking stops; 32 couplers, and 4,800 pipes.

The organ was inaugurated June 6, 1912.

The specification follows: