Le Brun, the great French artist, painted himself holding in his hand the portrait of his earliest patron. In this accompaniment the Artist may be said to have portrayed the features of his soul. If genius has too often complained of its patrons, has it not also often over-valued their protection?

POETS, PHILOSOPHERS, AND ARTISTS, MADE BY ACCIDENT.

Accident determined the taste of Molière for the stage. His grandfather loved the theatre, and frequently carried him there. The young man lived in dissipation; the father observing it asked in anger, if his son was to be made an actor. "Would to God," replied the grandfather, "he were as good an actor as Monrose." The words struck young Molière, he took a disgust to his tapestry trade, and it is to this circumstance France owes her greatest comic writer.

Corneille loved; he made verses for his mistress, became a poet, composed Mélite and afterwards his other celebrated works. The discreet Corneille had else remained a lawyer.

We owe the great discovery of Newton to a very trivial accident. When a student at Cambridge, he had retired during the time of the plague into the country. As he was reading under an apple-tree, one of the fruit fell, and struck him a smart blow on the head. When he observed the smallness of the apple, he was surprised at the force of the stroke. This led him to consider the accelerating motion of falling bodies; from whence he deduced the principle of gravity, and laid the foundation of his philosophy.

Ignatius Loyola was a Spanish gentleman, who was dangerously wounded at the siege of Pampeluna. Having heated his imagination by reading the Lives of the Saints during his illness, instead of a romance, he conceived a strong ambition to be the founder of a religious order; whence originated the celebrated society of the Jesuits.

Rousseau found his eccentric powers first awakened by the advertisement of the singular annual subject which the Academy of Dijon proposed for that year, in which he wrote his celebrated declamation against the arts and sciences. A circumstance which decided his future literary efforts.

La Fontaine, at the age of twenty-two, had not taken any profession, or devoted himself to any pursuit. Having accidentally heard some verses of Malherbe, he felt a sudden impulse, which directed his future life. He immediately bought a Malherbe, and was so exquisitely delighted with this poet that, after passing the nights in treasuring his verses in his memory, he would run in the day-time to the woods, where, concealing himself, he would recite his verses to the surrounding dryads.

Flamsteed was an astronomer by accident. He was taken from school on account of his illness, when Sacrobosco's book De Sphæra having been lent to him, he was so pleased with it that he immediately began a course of astronomic studies. Pennant's first propensity to natural history was the pleasure he received from an accidental perusal of Willoughby's work on birds. The same accident of finding, on the table of his professor, Reaumur's History of Insects, which he read more than he attended to the lecture, and, having been refused the loan, gave such an instant turn to the mind of Bonnet, that he hastened to obtain a copy; after many difficulties in procuring this costly work, its possession gave an unalterable direction to his future life. This naturalist indeed lost the use of his sight by his devotion to the microscope.

Dr. Franklin attributes the cast of his genius to a similar accident. "I found a work of De Foe's, entitled an 'Essay on Projects,' from which perhaps I derived impressions that have since influenced some of the principal events of my life."

I shall add the incident which occasioned Roger Ascham to write his Schoolmaster, one of the few works among our elder writers, which we still read with pleasure.

At a dinner given by Sir William Cecil, at his apartments at Windsor, a number of ingenious men were invited. Secretary Cecil communicated the news of the morning, that several scholars at Eton had run away on account of their master's severity, which he condemned as a great error in the education of youth. Sir William Petre maintained the contrary; severe in his own temper, he pleaded warmly in defence of hard flogging. Dr. Wootton, in softer tones, sided with the secretary. Sir John Mason, adopting no side, bantered both. Mr. Haddon seconded the hard-hearted Sir William Petre, and adduced, as an evidence, that the best schoolmaster then in England was the hardest flogger. Then was it that Roger Ascham indignantly exclaimed, that if such a master had an able scholar it was owing to the boy's genius, and not the preceptor's rod. Secretary Cecil and others were pleased with Ascham's notions. Sir Richard Sackville was silent, but when Ascham after dinner went to the queen to read one of the orations of Demosthenes, he took him aside, and frankly told him that, though he had taken no part in the debate, he would not have been absent from that conversation for a great deal; that he knew to his cost the truth that Ascham had supported; for it was the perpetual flogging of such a schoolmaster that had given him an unconquerable aversion to study. And as he wished to remedy this defect in his own children, he earnestly exhorted Ascham to write his observations on so interesting a topic. Such was the circumstance which produced the admirable treatise of Roger Ascham.

INEQUALITIES OF GENIUS.

GEOGRAPHICAL STYLE.

There are many sciences, says Menage, on which we cannot indeed compose in a florid or elegant diction, such as geography, music, algebra, geometry, &c. When Atticus requested Cicero to write on geography, the latter excused himself, observing that its scenes were more adapted to please the eye, than susceptible of the embellishments of style. However, in these kind of sciences, we may lend an ornament to their dryness by introducing occasionally some elegant allusion, or noticing some incident suggested by the object.

Thus when we notice some inconsiderable place, for instance Woodstock, we may recall attention to the residence of Chaucer, the parent of our poetry, or the romantic labyrinth of Rosamond; or as in "an Autumn on the Rhine," at Ingelheim, at the view of an old palace built by Charlemagne, the traveller adds, with "a hundred columns brought from Rome," and further it was "the scene of the romantic amours of that monarch's fair daughter, Ibertha, with Eginhard, his secretary:" and viewing the Gothic ruins on the banks of the Rhine, he noticed them as having been the haunts of those illustrious chevaliers voleurs whose chivalry consisted in pillaging the merchants and towns, till, in the thirteenth century, a citizen of Mayence persuaded the merchants of more than a hundred towns to form a league against these little princes and counts; the origin of the famous Rhenish league, which contributed so much to the commerce of Europe. This kind of erudition gives an interest to topography, by associating in our memory great events and personages with the localities.

The same principle of composition may be carried with the happiest effect into some dry investigations, though the profound antiquary may not approve of these sports of wit or fancy. Dr. Arbuthnot, in his Tables of Ancient Coins, Weights, and Measures, a topic extremely barren of amusement, takes every opportunity of enlivening the dulness of his task; even in these mathematical calculations he betrays his wit; and observes that "the polite Augustus, the emperor of the world, had neither any glass in his windows, nor a shirt to his back!" Those uses of glass and linen indeed were not known in his time. Our physician is not less curious and facetious in the account of the fees which the Roman physicians received.

LEGENDS.

Before colleges were established in the monasteries where the schools were held, the professors in rhetoric frequently gave their pupils the life of some saint for a trial of their talent at amplification. The students, at a loss to furnish out their pages, invented most of these wonderful adventures. Jortin observes, that the Christians used to collect out of Ovid, Livy, and other pagan poets and historians, the miracles and portents to be found there, and accommodated them to their own monks and saints. The good fathers of that age, whose simplicity was not inferior to their devotion, were so delighted with these flowers of rhetoric, that they were induced to make a collection of these miraculous compositions; not imagining that, at some distant period, they would become matters of faith. Yet, when James de Voragine, Peter Nadal, and Peter Ribadeneira, wrote the Lives of the Saints, they sought for their materials in the libraries of the monasteries; and, awakening from the dust these manuscripts of amplification, imagined they made an invaluable present to the world, by laying before them these voluminous absurdities. The people received these pious fictions with all imaginable simplicity, and as these are adorned by a number of cuts, the miracles were perfectly intelligible to their eyes. Tillemont, Fleury, Baillet, Launoi, and Bollandus, cleared away much of the rubbish; the enviable title of Golden Legend, by which James de Voragine called his work, has been disputed; iron or lead might more aptly describe its character.

When the world began to be more critical in their reading, the monks gave a graver turn to their narratives; and became penurious of their absurdities. The faithful Catholic contends, that the line of tradition has been preserved unbroken; notwithstanding that the originals were lost in the general wreck of literature from the barbarians, or came down in a most imperfect state.

Baronius has given the lives of many apocryphal saints; for instance, of a Saint Xinoris, whom he calls a martyr of Antioch; but it appears that Baronius having read in Chrysostom this word, which signifies a couple or pair, he mistook it for the name of a saint, and contrived to give the most authentic biography of a saint who never existed![39] The Catholics confess this sort of blunder is not uncommon, but then it is only fools who laugh! As a specimen of the happier inventions, one is given, embellished by the diction of Gibbon—

"Among the insipid legends of ecclesiastical history, I am tempted to distinguish the memorable fable of the Seven Sleepers; whose imaginary date corresponds with the reign of the younger Theodosius, and the conquest of Africa by the Vandals. When the Emperor Decius persecuted the Christians, seven noble youths of Ephesus concealed themselves in a spacious cavern on the side of an adjacent mountain; where they were doomed to perish by the tyrant, who gave orders that the entrance should be firmly secured with a pile of stones. They immediately fell into a deep slumber, which was miraculously prolonged, without injuring the powers of life, during a period of one hundred and eighty-seven years. At the end of that time the slaves of Adolius, to whom the inheritance of the mountain had descended, removed the stones to supply materials for some rustic edifice. The light of the sun darted into the cavern, and the Seven Sleepers were permitted to awake. After a slumber as they thought of a few hours, they were pressed by the calls of hunger; and resolved that Jamblichus, one of their number, should secretly return to the city to purchase bread for the use of his companions. The youth, if we may still employ that appellation, could no longer recognise the once familiar aspect of his native country; and his surprise was increased by the appearance of a large cross, triumphantly erected over the principal gate of Ephesus. His singular dress and obsolete language confounded the baker, to whom he offered an ancient medal of Decius as the current coin of the empire; and Jamblichus, on the suspicion of a secret treasure, was dragged before the judge. Their mutual inquiries produced the amazing discovery, that two centuries were almost elapsed since Jamblichus and his friends had escaped from the rage of a Pagan tyrant. The Bishop of Ephesus, the clergy, the magistrates, the people, and, it is said, the Emperor Theodosius himself, hastened to visit the cavern of the Seven Sleepers; who bestowed their benediction, related their story, and at the same instant peaceably expired.

"This popular tale Mahomet learned when he drove his camels to the fairs of Syria; and he has introduced it, as a divine revelation, into the Koran."—The same story has been adopted and adorned by the nations, from Bengal to Africa, who profess the Mahometan religion.

The too curious reader may perhaps require other specimens of the more unlucky inventions of this "Golden Legend;" as characteristic of a certain class of minds, the philosopher will contemn these grotesque fictions.

These monks imagined that holiness was often proportioned to a saint's filthiness. St. Ignatius, say they, delighted to appear abroad with old dirty shoes; he never used a comb, but let his hair clot; and religiously abstained from paring his nails. One saint attained to such piety as to have near three hundred patches on his breeches; which, after his death, were hung up in public as an incentive to imitation. St. Francis discovered, by certain experience, that the devils were frightened away by such kinds of breeches, but were animated by clean clothing to tempt and seduce the wearers; and one of their heroes declares that the purest souls are in the dirtiest bodies. On this they tell a story which may not be very agreeable to fastidious delicacy. Brother Juniper was a gentleman perfectly pious, on this principle; indeed so great was his merit in this species of mortification, that a brother declared he could always nose Brother Juniper when within a mile of the monastery, provided the wind was at the due point. Once, when the blessed Juniper, for he was no saint, was a guest, his host, proud of the honour of entertaining so pious a personage, the intimate friend of St. Francis, provided an excellent bed, and the finest sheets. Brother Juniper abhorred such luxury. And this too evidently appeared after his sudden departure in the morning, unknown to his kind host. The great Juniper did this, says his biographer, having told us what he did, not so much from his habitual inclinations, for which he was so justly celebrated, as from his excessive piety, and as much as he could to mortify worldly pride, and to show how a true saint despised clean sheets.

In the life of St. Francis we find, among other grotesque miracles, that he preached a sermon in a desert, but he soon collected an immense audience. The birds shrilly warbled to every sentence, and stretched out their necks, opened their beaks, and when he finished, dispersed with a holy rapture into four companies, to report his sermon to all the birds in the universe. A grasshopper remained a week with St. Francis during the absence of the Virgin Mary, and pittered on his head. He grew so companionable with a nightingale, that when a nest of swallows began to babble, he hushed them by desiring them not to tittle-tattle of their sister, the nightingale. Attacked by a wolf, with only the sign-manual of the cross, he held a long dialogue with his rabid assailant, till the wolf, meek as a lap-dog, stretched his paws in the hands of the saint, followed him through towns, and became half a Christian.

This same St. Francis had such a detestation of the good things of this world, that he would never suffer his followers to touch money. A friar having placed in a window some money collected at the altar, he desired him to take it in his mouth, and throw it on the dung of an ass! St. Philip Nerius was such a lover of poverty, that he frequently prayed that God would bring him to that state as to stand in need of a penny, and find nobody that would give him one!

But St. Macaire was so shocked at having killed a louse, that he endured seven years of penitence among the thorns and briars of a forest. A circumstance which seems to have reached Molière, who gives this stroke to the character of his Tartuffe:—

I give a miraculous incident respecting two pious maidens. The night of the Nativity of Christ, after the first mass, they both retired into a solitary spot of their nunnery till the second mass was rung. One asked the other, "Why do you want two cushions, when I have only one?" The other replied, "I would place it between us, for the child Jesus; as the Evangelist says, where there are two or three persons assembled I am in the midst of them."—This being done, they sat down, feeling a most lively pleasure at their fancy; and there they remained, from the Nativity of Christ to that of John the Baptist; but this great interval of time passed with these saintly maidens as two hours would appear to others. The abbess and nuns were alarmed at their absence, for no one could give any account of them. In the eve of St. John, a cowherd, passing by them, beheld a beautiful child seated on a cushion between this pair of runaway nuns. He hastened to the abbess with news of these stray sheep; she came and beheld this lovely child playfully seated between these nymphs; they, with blushing countenances, inquired if the second bell had already rung? Both parties were equally astonished to find our young devotees had been there from the Nativity of Jesus to that of St. John. The abbess inquired about the child who sat between them; they solemnly declared they saw no child between them! and persisted in their story!

Such is one of these miracles of "the Golden Legend," which a wicked wit might comment on, and see nothing extraordinary in the whole story. The two nuns might be missing between the Nativities, and be found at last with a child seated between them.—They might not choose to account either for their absence or their child—the only touch of miracle is that, they asseverated, they saw no child—that I confess is a little (child) too much.

The lives of the saints by Alban Butler is the most sensible history of these legends; Ribadeneira's lives of the saints exhibit more of the legendary spirit, for wanting judgment and not faith, he is more voluminous in his details. The antiquary may collect much curious philosophical information, concerning the manners of the times, from these singular narratives.

THE PORT-ROYAL SOCIETY.

In the year 1637, Le Maitre, a celebrated advocate, resigned the bar, and the honour of being Conseiller d'Etat, which his uncommon merit had obtained him, though then only twenty-eight years of age. His brother, De Sericourt, who had followed the military profession, quitted it at the same time. Consecrating themselves to the service of religion, they retired into a small house near the Port-Royal of Paris, where they were joined by their brothers De Sacy, De St. Elme, and De Valmont. Arnauld, one of their most illustrious associates, was induced to enter into the Jansenist controversy, and then it was that they encountered the powerful persecution of the Jesuits. Constrained to remove from that spot, they fixed their residence at a few leagues from Paris, and called it Port-Royal des Champs.[40]

These illustrious recluses were joined by many distinguished persons who gave up their parks and houses to be appropriated to their schools; and this community was called the Society of Port-Royal.

Here were no rules, no vows, no constitution, and no cells formed. Prayer and study, and manual labour, were their only occupations. They applied themselves to the education of youth, and raised up little academies in the neighbourhood, where the members of Port-Royal, the most illustrious names of literary France, presided. None considered his birth entitled him to any exemption from their public offices, relieving the poor and attending on the sick, and employing themselves in their farms and gardens; they were carpenters, ploughmen, gardeners, and vine-dressers, as if they had practised nothing else; they studied physic, and surgery, and law; in truth, it seems that, from religious motives, these learned men attempted to form a community of primitive Christianity.

The Duchess of Longueville, once a political chief, sacrificed her ambition on the altar of Port-Royal, enlarged the monastic inclosure with spacious gardens and orchards, built a noble house, and often retreated to its seclusion. The learned D'Andilly, the translator of Josephus, after his studious hours, resorted to the cultivation of fruit-trees; and the fruit of Port-Royal became celebrated for its size and flavour. Presents were sent to the Queen-Mother of France, Anne of Austria, and Cardinal Mazarin, who used to call it "fruit béni." It appears that "families of rank, affluence, and piety, who did not wish entirely to give up their avocations in the world, built themselves country-houses in the valley of Port-Royal, in order to enjoy the society of its religious and literary inhabitants."

In the solitudes of Port-Royal Racine received his education; and, on his death-bed, desired to be buried in its cemetery, at the feet of his master Hamon. Arnauld, persecuted, and dying in a foreign country, still cast his lingering looks on this beloved retreat, and left the society his heart, which was there inurned.

The Duchess of Longueville, a princess of the blood-royal, was, during her life, the powerful patroness of these solitary and religious men: but her death, in 1679, was the fatal stroke which dispersed them for ever.

The envy and the fears of the Jesuits, and their rancour against Arnauld, who with such ability had exposed their designs, occasioned the destruction of the Port-Royal Society. Exinanite, exinanite usque ad fundamentum in ea!—"Annihilate it, annihilate it, to its very foundations!" Such are the terms of the Jesuitic decree. The Jesuits had long called the little schools of Port-Royal the hot-beds of heresy. The Jesuits obtained by their intrigues an order from government to dissolve that virtuous society. They razed the buildings, and ploughed up the very foundation; they exhausted their hatred even on the stones, and profaned even the sanctuary of the dead; the corpses were torn out of their graves, and dogs were suffered to contend for the rags of their shrouds. The memory of that asylum of innocence and learning was still kept alive by those who collected the engravings representing the place by Mademoiselle Hortemels. The police, under Jesuitic influence, at length seized on the plates in the cabinet of the fair artist.—Caustic was the retort courteous which Arnauld gave the Jesuits—"I do not fear your pen, but its knife."

These were men whom the love of retirement had united to cultivate literature, in the midst of solitude, of peace, and of piety. Alike occupied on sacred, as on profane writers, their writings fixed the French language. The example of these solitaries shows how retirement is favourable to penetrate into the sanctuary of the Muses.

An interesting anecdote is related of Arnauld on the occasion of the dissolution of this society. The dispersion of these great men, and their young scholars, was lamented by every one but their enemies. Many persons of the highest rank participated in their sorrows. The excellent Arnauld, in that moment, was as closely pursued as if he had been a felon.

It was then the Duchess of Longueville concealed Arnauld in an obscure lodging, who assumed the dress of a layman, wearing a sword and full-bottomed wig. Arnauld was attacked by a fever, and in the course of conversation with his physician, he inquired after news. "They talk of a new book of the Port-Royal," replied the doctor, "ascribed to Arnauld or to Sacy; but I do not believe it comes from Sacy; he does not write so well."—"How, sir!" exclaimed the philosopher, forgetting his sword and wig; "believe me, my nephew writes better than I do."—The physician eyed his patient with amazement—he hastened to the duchess, and told her, "The malady of the gentleman you sent me to is not very serious, provided you do not suffer him to see any one, and insist on his holding his tongue." The duchess, alarmed, immediately had Arnauld conveyed to her palace. She concealed him in an apartment, and persisted to attend him herself.—"Ask," she said, "what you want of the servant, but it shall be myself who shall bring it to you."

How honourable is it to the female character, that, in many similar occurrences, their fortitude has proved to be equal to their sensibility! But the Duchess of Longueville contemplated in Arnauld a model of human fortitude which martyrs never excelled. His remarkable reply to Nicolle, when they were hunted from place to place, should never be forgotten: Arnauld wished Nicolle to assist him in a new work, when the latter observed, "We are now old, is it not time to rest?" "Rest!" returned Arnauld, "have we not all Eternity to rest in?" The whole of the Arnauld family were the most extraordinary instance of that hereditary character, which is continued through certain families: here it was a sublime, and, perhaps, singular union of learning with religion. The Arnaulds, Sacy, Pascal, Tillemont, with other illustrious names, to whom literary Europe will owe perpetual obligations, combined the life of the monastery with that of the library.

THE PROGRESS OF OLD AGE IN NEW STUDIES.

Sir Henry Spelman neglected the sciences in his youth, but cultivated them at fifty years of age. His early years were chiefly passed in farming, which greatly diverted him from his studies; but a remarkable disappointment respecting a contested estate disgusted him with these rustic occupations: resolved to attach himself to regular studies, and literary society, he sold his farms, and became the most learned antiquary and lawyer.

Colbert, the famous French minister, almost at sixty, returned to his Latin and law studies.

Dr. Johnson applied himself to the Dutch language but a few years before his death. The Marquis de Saint Aulaire, at the age of seventy, began to court the Muses, and they crowned him with their freshest flowers. The verses of this French Anacreon are full of fire, delicacy, and sweetness.

Chaucer's Canterbury Tales were the composition of his latest years: they were begun in his fifty-fourth year, and finished in his sixty-first.

Ludovico Monaldesco, at the extraordinary age of 115, wrote the memoirs of his times. A singular exertion, noticed by Voltaire; who himself is one of the most remarkable instances of the progress of age in new studies.

The most delightful of autobiographies for artists is that of Benvenuto Cellini; a work of great originality, which was not begun till "the clock of his age had struck fifty-eight."

Koornhert began at forty to learn the Latin and Greek languages, of which he became a master; several students, who afterwards distinguished themselves, have commenced as late in life their literary pursuits. Ogilby, the translator of Homer and Virgil, knew little of Latin or Greek till he was past fifty; and Franklin's philosophical pursuits began when he had nearly reached his fiftieth year.

Accorso, a great lawyer, being asked why he began the study of the law so late, answered, beginning it late, he should master it the sooner.

Dryden's complete works form the largest body of poetry from the pen of a single writer in the English language; yet he gave no public testimony of poetic abilities till his twenty-seventh year. In his sixty-eighth year he proposed to translate the whole Iliad: and his most pleasing productions were written in his old age.

Michael Angelo preserved his creative genius even in extreme old age: there is a device said to be invented by him, of an old man represented in a go-cart, with an hour-glass upon it; the inscription Ancora imparo!—Yet I am Learning!

We have a literary curiosity in a favourite treatise with Erasmus and men of letters of that period, De Ratione Studii, by Joachim Sterck, otherwise Fortius de Ringelberg. The enthusiasm of the writer often carries him to the verge of ridicule; but something must be conceded to his peculiar situation and feelings; for Baillet tells us that this method of studying had been formed entirely from his own practical knowledge and hard experience: at a late period of life he had commenced his studies, and at length he imagined that he had discovered a more perpendicular mode of ascending the hill of science than by its usual circuitous windings. His work has been compared to the sounding of a trumpet.

Menage, in his Anti-Baillet, has a very curious apology for writing verses in his old age, by showing how many poets amused themselves notwithstanding their grey hairs, and wrote sonnets or epigrams at ninety.

La Casa, in one of his letters, humorously said, Io credo ch'io farò Sonnetti venti cinque anni, o trenta, pio che io sarò morto.—"I think I may make sonnets twenty-five, or perhaps thirty years, after I shall be dead!" Petau tells us that he wrote verses to solace the evils of old age—

Malherbe declares the honours of genius were his, yet young—

SPANISH POETRY.

Lopez de Vega, in describing an afflicted shepherdess, in one of his pastorals, who is represented weeping near the sea-side, says, "That the sea joyfully advances to gather her tears; and that, having enclosed them in shells, it converts them into pearls."

Villegas addresses a stream—"Thou who runnest over sands of gold, with feet of silver," more elegant than our Shakspeare's—"Thy silver skin laced with thy golden blood," which possibly he may not have written. Villegas monstrously exclaims, "Touch my breast, if you doubt the power of Lydia's eyes—you will find it turned to ashes." Again—"Thou art so great that thou canst only imitate thyself with thy own greatness;" much like our "None but himself can be his parallel."

Gongora, whom the Spaniards once greatly admired, and distinguished by the epithet of The Wonderful, abounds with these conceits.

He imagines that a nightingale, who enchantingly varied her notes, and sang in different manners, had a hundred thousand other nightingales in her breast, which alternately sang through her throat—

Of a young and beautiful lady he says, that she has but a few years of life, but many ages of beauty.

Many ages of beauty is a false thought, for beauty becomes not more beautiful from its age; it would be only a superannuated beauty. A face of two or three ages old could have but few charms.

In one of his odes he addresses the River of Madrid by the title of the Duke of Streams, and the Viscount of Rivers—

He did not venture to call it a Spanish Grandee, for, in fact, it is but a shallow and dirty stream; and as Quevedo wittily informs us, "Mançanares is reduced, during the summer season, to the melancholy condition of the wicked rich man, who asks for water in the depths of hell." Though so small, this stream in the time of a flood spreads itself over the neighbouring fields; for this reason Philip the Second built a bridge eleven hundred feet long!—A Spaniard passing it one day, when it was perfectly dry, observing this superb bridge, archly remarked, "That it would be proper that the bridge should be sold to purchase water."—Es menester, vender la puente, par comprar agua.

The following elegant translation of a Spanish madrigal of the kind here criticised I found in a newspaper, but it is evidently by a master-hand.

SAINT EVREMOND.

"I am a philosopher, as far removed from superstition as from impiety; a voluptuary, who has not less abhorrence of debauchery than inclination for pleasure; a man who has never known want nor abundance. I occupy that station of life which is contemned by those who possess everything; envied by those who have nothing; and only relished by those who make their felicity consist in the exercise of their reason. Young, I hated dissipation; convinced that man must possess wealth to provide for the comforts of a long life. Old, I disliked economy; as I believe that we need not greatly dread want, when we have but a short time to be miserable. I am satisfied with what nature has done for me, nor do I repine at fortune. I do not seek in men what they have of evil, that I may censure; I only discover what they have ridiculous, that I may be amused. I feel a pleasure in detecting their follies; I should feel a greater in communicating my discoveries, did not my prudence restrain me. Life is too short, according to my ideas, to read all kinds of books, and to load our memories with an endless number of things at the cost of our judgment. I do not attach myself to the observations of scientific men to acquire science; but to the most rational, that I may strengthen my reason. Sometimes I seek for more delicate minds, that my taste may imbibe their delicacy; sometimes for the gayer, that I may enrich my genius with their gaiety; and, although I constantly read, I make it less my occupation than my pleasure. In religion, and in friendship, I have only to paint myself such as I am—in friendship more tender than a philosopher; and in religion, as constant and as sincere as a youth who has more simplicity than experience. My piety is composed more of justice and charity than of penitence. I rest my confidence on God, and hope everything from His benevolence. In the bosom of Providence I find my repose, and my felicity."

MEN OF GENIUS DEFICIENT IN CONVERSATION.

The great Peter Corneille, whose genius resembled that of our Shakspeare, and who has so forcibly expressed the sublime sentiments of the hero, had nothing in his exterior that indicated his genius; his conversation was so insipid that it never failed of wearying. Nature, who had lavished on him the gifts of genius, had forgotten to blend with them her more ordinary ones. He did not even speak correctly that language of which he was such a master. When his friends represented to him how much more he might please by not disdaining to correct these trivial errors, he would smile, and say—"I am not the less Peter Corneille!"

Descartes, whose habits were formed in solitude and meditation, was silent in mixed company; it was said that he had received his intellectual wealth from nature in solid bars, but not in current coin; or as Addison expressed the same idea, by comparing himself to a banker who possessed the wealth of his friends at home, though he carried none of it in his pocket; or as that judicious moralist Nicolle, of the Port-Royal Society, said of a scintillant wit—"He conquers me in the drawing-room, but he surrenders to me at discretion on the staircase." Such may say with Themistocles, when asked to play on a lute—"I cannot fiddle, but I can make a little village a great city."

The deficiencies of Addison in conversation are well known. He preserved a rigid silence amongst strangers; but if he was silent, it was the silence of meditation. How often, at that moment, he laboured at some future Spectator!

Mediocrity can talk; but it is for genius to observe.

The cynical Mandeville compared Addison, after having passed an evening in his company, to "a silent parson in a tie-wig."

Virgil was heavy in conversation, and resembled more an ordinary man than an enchanting poet.

La Fontaine, says La Bruyère, appeared coarse, heavy, and stupid; he could not speak or describe what he had just seen; but when he wrote he was a model of poetry.

It is very easy, said a humorous observer on La Fontaine, to be a man of wit, or a fool; but to be both, and that too in the extreme degree, is indeed admirable, and only to be found in him. This observation applies to that fine natural genius Goldsmith. Chaucer was more facetious in his tales than in his conversation, and the Countess of Pembroke used to rally him by saying, that his silence was more agreeable to her than his conversation.

Isocrates, celebrated for his beautiful oratorical compositions, was of so timid a disposition, that he never ventured to speak in public. He compared himself to the whetstone which will not cut, but enables other things to do so; for his productions served as models to other orators. Vaucanson was said to be as much a machine as any he had made.

Dryden says of himself—"My conversation is slow and dull, my humour saturnine and reserved. In short, I am none of those who endeavour to break jests in company, or make repartees."[41]

VIDA.

THE SCUDERIES.