Preparatory.—For dramatic
rendering see notes on Highland Hospitality pp. 153 and 154.
The long speeches of Brutus and Antony may be practised by
themselves as exercises in Emphasis and Inflection.
88-89. How is the parenthetical clause subordinated? Give other
examples from the extracts.
153-154. Select the emphatic words.
160. What Stress is placed on TRAITORS and HONOURABLE
respectively? Account for the difference.
210. About, ... slay! What is the
Stress? Compare ll. 236-237, and ll. 259-265.
THE REVENGE
A Ballad of the Fleet, 1591
At Flores in the Azores Sir
Richard Grenville lay, And a pinnace, like
a flutter'd bird, came flying from far away: "Spanish ships of war at sea! we have sighted
fifty-three!" Then sware Lord Thomas
Howard: "'Fore God I am no coward; But I
cannot meet them here, for my ships are out of gear,5 And the half my men are
sick. I must fly, but follow quick. We are
six ships of the line; can we fight with fifty-three?"
Then spake Sir Richard Grenville: "I know you are
no coward; You fly them for a moment to
fight with them again. But I've ninety men
and more that are lying sick ashore.10 I should count myself the
coward if I left them, my Lord Howard, To
these Inquisition dogs and the devildoms of Spain."
So Lord Howard past away with five ships of war
that day, Till he melted like a cloud in
the silent summer heaven; But Sir Richard
bore in hand all his sick men from the land15 Very carefully and
slow, Men of Bideford in Devon,
And we laid them on the ballast down below;
For we brought them all aboard, And they blest him in their pain, that they were not
left to Spain,20 To the thumbscrew and the stake, for the glory of the
Lord.
He had only a hundred seamen to work the ship and
to fight, And he sailed away from Flores
till the Spaniard came in sight, With his
huge sea-castles heaving upon the weather bow. "Shall we fight or shall we fly?25 Good Sir Richard, tell
us now, For to fight is but to die!
There'll be little of us left by the time this sun
be set." And Sir Richard said again: "We be
all good English men. Let us bang these
dogs of Seville, the children of the devil,30 For I never turn'd my
back upon Don or devil yet." Sir Richard spoke and he
laugh'd, and we roar'd a hurrah, and so The
little Revenge ran on sheer into the heart of the foe, With her hundred fighters on deck, and her ninety sick
below; For half of their fleet to the right
and half to the left were seen,35 And the little Revenge
ran on thro' the long sea-lane between.
Thousands of their soldiers look'd down from their
decks and laugh'd, Thousands of their
seamen made mock at the mad little craft Running on and on, till delay'd By
their mountain-like San Philip that, of fifteen hundred tons,40 And up-shadowing
high above us with her yawning tiers of guns, Took the breath from our sails, and we stay'd.
And while now the great San Philip hung above us
like a cloud Whence the thunderbolt will
fall Long and loud,45 Four galleons drew
away From the Spanish fleet that
day, And two upon the larboard and two upon
the starboard lay, And the battle-thunder
broke from them all. But anon the great San
Philip she bethought herself and went50 Having that within her
womb that had left her ill-content; And the
rest they came aboard us, and they fought us hand to hand,
For a dozen times they came with their pikes and
musqueteers, And a dozen times we shook 'em
off as a dog that shakes his ears When he
leaps from the water to the land.55
And the sun went down, and the stars came out far
over the summer sea, But never a moment
ceased the fight of the one and the fifty-three. Ship after ship, the whole night long, their high-built
galleons came, Ship after ship, the whole
night long, with their battle-thunder and flame; Ship after ship, the whole night long, drew back with
her dead and her shame:60
For some were sunk and many were shatter'd, and so
could fight us no more— God of
battles, was ever a battle like this in the world
before?
For he said "Fight on! fight on!" Tho' his vessel was all but a wreck; And it chanced that, when half of the short summer night was
gone,65 With
a grisly wound to be drest he had left the deck, But a bullet
struck him that was dressing it suddenly dead, And himself he was wounded again in the side and the
head, And he said, "Fight on! fight
on!"
And the night went down, and the sun smiled out
far over the summer sea,70
And the Spanish fleet with broken sides lay round
us all in a ring; But they dar'd not touch
us again, for they fear'd that we still could sting, So they watch'd what the end would be. And we had not fought them in vain, But in perilous plight were we,75 Seeing forty of our
poor hundred were slain, And half of the
rest of us maim'd for life In the crash of
the cannonades and the desperate strife; And the sick men down in the hold were most of them stark and
cold, And the pikes were all broken or
bent, and the powder was all of it spent;80 And the masts and the
rigging were lying over the side; But Sir
Richard cried in his English pride, "We
have fought such a fight for a day and a night As may never be fought again! We have
won great glory, my men!85
And a day less or more At
sea or ashore, We die—does it matter
when? Sink me the ship, Master
Gunner—sink her, split her in twain!
Fall into the hands of God, not into the hands of
Spain!"90
And the gunner said "Ay, ay," but the seamen made
reply: "We have children, we have
wives, And the Lord hath spared our
lives. We will make the Spaniard promise,
if we yield, to let us go; We shall live to
fight again and to strike another blow."90 And the lion there lay
dying, and they yielded to the foe.
And the stately Spanish men to their flagship bore
him then Where they laid him by the mast,
old Sir Richard caught at last, And they
praised him to his face with their courtly foreign grace;
But he rose upon their decks, and he cried:100 "I have fought
for Queen and Faith like a valiant man and true; I have only done my duty as a man is bound to do:
With a joyful spirit I Sir Richard Grenville
die!" And he fell upon their decks, and he
died.
And they stared at the dead that had been so
valiant and true,105 And had holden the power and glory of Spain so
cheap That he dared her with one little
ship and his English few; Was he devil or
man? He was devil for aught they knew, But
they sank his body with honour down into the deep, And they
mann'd the Revenge with a swarthier alien crew,110 And away she sail'd
with her loss and long'd for her own; When
a wind from the lands they had ruin'd awoke from sleep,
And the water began to heave and the weather to
moan, And or ever that evening ended a
great gale blew, And a wave like the wave
that is raised by an earthquake grew,115 Till it smote on
their hulls and their sails and their masts and their flags,
And the whole sea plunged and fell on the
shot-shatter'd navy of Spain, And the
little Revenge herself went down by the island crags To be lost evermore in the main.
—Alfred Tennyson
Preparatory.—Give a series of
titles suggestive of the events narrated in this ballad; describe
the picture that each title calls up, and tell on what part of the
poem it is based.
What different ideals of bravery are brought out in this ballad,
and by whom is each presented? Compare them with those set forth in
The Private of the Buffs (Fourth Reader), and
Horatius.
1, 3, and 13. (Appendix A, 1 and 6.)
'Fore God ... sick. What Inflection
prevails? (Introduction, pp. 17 and 18.)
What Inflection is placed on the questions in ll. 7, 25, 62, 88,
and 108? (Introduction, pp. 18 and 19.)
For the glory of the Lord. How is the
irony brought out by the voice? (Introduction, pp. 21, 22, and 30.)
25-28. (Introduction, p. 18.)
Compare the speech of the men (ll. 25-28) with that of Sir
Richard (ll. 29-31) from the standpoint of mental attitude. How is
this difference indicated by Stress?
32. Which are the emphatic words? Give your
reasons. Select words that are emphatic because of contrast from
ll. 34, 35, and 91. What Inflection is placed on the emphatic words
in each case?
How does repetition affect the Emphasis in ll. 37-38, 53-54,
58-60, 63, and 89? (Introduction, pp. 31-33.)
40. With what word is THAT connected
in sense? How does the voice make the connection? (Introduction, p.
33.)
43-47. Analyse these lines from the standpoint of
Perspective.
66-67. Where do the Pauses occur? How does the Grouping affect
them?
68. Why is HIMSELF emphatic?
75-81. Give examples of "momentary completeness".
93. Which is the most emphatic word in this line? Give your
reason.
101-103. To what extent should Imitation enter into the reading
of this speech? (Introduction, pp. 4 and 5.)
112-117. How can the effect of this Climax be brought out by the
voice? (Introduction, p. 31.)
118. Note the transition in thought and feeling. By what change
in Time, Pitch, and Force is it accompanied?
HERVÉ RIEL
On the sea and at the Hogue,
sixteen hundred ninety-two, Did the English
fight the French,—woe to France! And
the thirty-first of May, helter-skelter through the blue,
Like a crowd of frightened porpoises a shoal of
sharks pursue, Came crowding ship on ship
to St. Malo on the Rance,5
With the English fleet in view.
'Twas the squadron that escaped, with the victor
in full chase; First and foremost of the
drove, in his great ship, Damfreville: Close on him fled, great
and small, Twenty-two good ships in
all;10 And
they signalled to the place, "Help the
winners of a race! Get us guidance, give us
harbour, take us quick—or, quicker still, Here's the English can and will!"
Then the pilots of the place put out brisk and
leapt on board;15 "Why, what hope or chance have ships like these to pass?"
laughed they: "Rocks to starboard, rocks to
port, all the passage scarred and scored, Shall the Formidable here, with her twelve and eighty
guns, Think to make the river-mouth by the
single narrow way, Trust to enter where
'tis ticklish for a craft of twenty tons,20 And with flow at full
beside? Now 'tis slackest ebb of
tide. Reach the mooring? Rather say,
While rock stands or water runs, Not a ship will leave the bay!"25
Then was called a council straight. Brief and bitter the debate: "Here's the English at our heels; would you have them take in
tow All that's left us of the fleet, linked
together stern and bow, For a prize to
Plymouth Sound?30 Better run the ships
aground!" (Ended Damfreville his
speech.) Not a minute more to wait!
"Let the captains all and each Shove ashore, then blow up, burn the vessels on the
beach!35
Give the word!" But no such word Was ever spoke or heard; For up
stood, for out stepped, for in struck amid all these,—
A Captain? a Lieutenant? a Mate—first,
second, third?40 No such man of mark, and meet With his
betters to compete! But a simple Breton
sailor pressed by Tourville for the fleet, A poor coasting-pilot he, Hervé Riel the
Croisickese.
And, "What mockery or malice have we here?" cries
Hervé Riel:45 "Are you mad, you Malouins? Are you cowards,
fools, or rogues? Talk to me of rocks and
shoals, me who took the soundings, tell On
my fingers every bank, every shallow, every swell 'Twist the offing here and Grève, where the river
disembogues? Are you bought by English
gold? Is it love the lying's for?50 Morn and eve, night
and day, Have I piloted your bay,
Entered free and anchored fast, at the foot of
Solidor. Burn the fleet and ruin France? That were worse than fifty
Hogues! Sirs, they know I speak the truth!
Sirs, believe me there's a way!55 Only let me lead the
line, Have the biggest ship to
steer, Get this Formidable
clear, Make the others follow mine,
And I lead them, most and least, by a passage I
know well,60 Right to Solidor past Grève, And there lay them safe and sound; And
if one ship misbehave— Keel so much
as grate the ground— Why, I've
nothing but my life,—here's my head!" cries Hervé
Riel.65
Not a minute more to wait. "Steer us in, then, small and great! Take the helm, lead the line, save the squadron!" cried its
chief. Captains, give the sailor
place! He is Admiral, in brief.70 Still the north wind,
by God's grace! See the noble fellow's
face As the big ship, with a bound,
Clears the entry like a hound. Keeps the passage, as its inch of way were the wide sea's
profound!75 See, safe through shoal and rock, How
they follow in a flock, Not a ship that
misbehaves, not a keel that grates the ground, Not a spar that comes to
grief! The peril, see, is past,80 All are harboured to
the last, And just as Hervé Riel
hollas "Anchor!"—sure as fate, Up the
English come—too late.
So, the storm subsides to calm: They see the green trees wave85 On the heights
o'erlooking Grève. Hearts that bled
are stanched with balm. "Just our rapture
to enhance, Let the English rake the
bay, Gnash their teeth and glare
askance90 As
they cannonade away! 'Neath rampired
Solidor pleasant riding on the Rance!" How
hope succeeds despair on each captain's countenance! Out burst all with one accord, "This is Paradise for Hell!95 Let France, let
France's King, Thank the man that did the
thing!" What a shout, and all one
word, "Hervé Riel!" As he stepped in front once more,100 Not a symptom of
surprise In the frank, blue Breton
eyes, Just the same man as
before.
Then said Damfreville, "My friend, I must speak out at the end,105 Though I find the
speaking hard. Praise is deeper than the
lips: You have saved the King his
ships, You must name your own reward. 'Faith,
our sun was near eclipse!110
Demand whate'er you will, France remains your debtor still. Ask
to heart's content and have! or my name's not
Damfreville."
Then a beam of fun outbroke On the bearded mouth that spoke,115 As the honest heart
laughed through Those frank eyes of Breton
blue: "Since I needs must say my
say, Since on board the duty's done,
And from Malo Roads to Croisic Point, what is it
but a run?—120 Since 'tis ask and have, I may— Since the others go ashore— Come! A good whole holiday! Leave to
go and see my wife, whom I call the Belle Aurore!" That he asked and that he got,—nothing more.125
Name and deed alike are lost: Not a pillar nor a post In his Croisic
keeps alive the feat as it befell; Not a
head in white and black On a single
fishing-smack,130 In memory of the man but for whom had gone to wrack
All that France saved from the fight whence
England bore the bell. Go to Paris: rank on
rank Search the heroes flung
pell-mell On the Louvre, face and
flank!135 You shall look long enough
ere you come to Hervé Riel. So, for
better and for worse, Hervé Riel,
accept my verse! In my verse, Hervé
Riel, do thou once more Save the squadron,
honour France, love thy wife the Belle Aurore!140
—Robert Browning
(By permission of the owner of the copyright
and Smith, Elder & Co.)
Preparatory.—Narrate briefly
the events of the poem and describe (a) the council,
(b) the scene after the ships are safely anchored.
How does this poem illustrate the truth that the highest motive
in life is duty? From this standpoint compare Hervé Riel
with Sir Richard Grenville in Tennyson's The Revenge.
Give other examples to show that true nobility does not depend
on such externals as rank and position.
2. woe to France. How does the voice
indicate that this phrase is parenthetical?
4. What is the subject of PURSUE? Its
object? How does the reader make the meaning clear?
3-5. What is the Shading?
8 and 14. Supply the ellipsis in each case. How is the reading
affected by an ellipsis? (Introduction, p. 10.)
12-14. What is the Stress? (Introduction, pp. 27 and 28.)
16-25. What energy characterizes these lines? With what Stress
should they be read?
TWELVE AND EIGHTY GUNS, TWENTY TONS.
What is the difference in the Quality of voice? Compare man of mark, simple Breton sailor, ll. 40 and
42.
26. Where is the Pause? Why?
Note the transitions in ll. 27, 31, 32, and 33. How is each one
indicated?
38. STOOD, STEPPED, STRUCK. Observe
the increased Emphasis. Compare ll. 46 and 69.
41-43. Note the contrast. What is the Inflection on each part?
(Introduction, p. 20.)
45-66. What state of mind does Hervé Riel's speech
indicate throughout? What feelings predominate when he addresses
(a) the Malouins, (b) the officers? What Time, Pitch,
Force, and Stress are the natural expression?
46. COWARDS, FOOLS, ROGUES. What is
the Inflection on each word? (Introduction, p. 20.)
65. Keel so much, etc. Note the Pause
and Grouping.
72, 73-76, 77-84. What is the predominant feeling in each
passage?
104-113. Compare the self-control of Damfreville's speech with
the impulsive shout of the preceding stanza. What is the resulting
difference in vocal expression?
114-116. Note the Pause and Grouping.
118-122. What is the Inflection? (Introduction, p. 17.)
129-132. Observe the Grouping.
THE HANDWRITING ON THE
WALL
Daniel V
Belshazzar the king made a great feast to a thousand of his
lords, and drank wine before the thousand. Belshazzar, whiles he
tasted the wine, commanded to bring the golden and silver vessels
which his father Nebuchadnezzar had taken out of the temple which
was in Jerusalem; that the king, and his princes, his wives, and
his concubines, might drink therein. Then they brought the golden
vessels that were taken out of the temple of the house of God which
was in Jerusalem; and the king, and his princes, his wives, and his
concubines, drank in them. They drank wine, and praised the gods of
gold, and of silver, of brass, of iron, of wood, and of stone.
In the same hour came forth fingers of a man's hand, and wrote
over against the candlestick upon the plaister of the wall of the
king's palace: and the king saw the part of the hand that wrote.
Then the king's countenance was changed, and his thoughts troubled
him, so that the joints of his loins were loosed, and his knees
smote one against another. The king cried aloud to bring
in the astrologers, the Chaldeans, and the soothsayers. And the
king spake, and said to the wise men of Babylon, Whosoever shall
read this writing, and shew me the interpretation thereof, shall be
clothed with scarlet, and have a chain of gold about his neck, and
shall be the third ruler in the kingdom. Then came in all the
king's wise men: but they could not read the writing, nor make
known to the king the interpretation thereof. Then was the king
Belshazzar greatly troubled, and his countenance was changed in
him, and his lords were astonied.
Now the queen by reason of the words of the king and his lords
came into the banquet house: and the queen spake and said, O king,
live for ever: let not thy thoughts trouble thee, nor let thy
countenance be changed: There is a man in thy kingdom, in whom is
the spirit of the holy gods; and in the days of thy father light
and understanding and wisdom, like the wisdom of the gods, was
found in him; whom the king Nebuchadnezzar thy father, the king, I
say, thy father, made master of the magicians, astrologers,
Chaldeans, and soothsayers; Forasmuch as an excellent spirit and
knowledge and understanding, interpreting of dreams, and shewing of
hard sentences, and dissolving of doubts, were found in the same
Daniel, whom the king named Belteshazzar: now let Daniel be called,
and he will shew the interpretation.
Then was Daniel brought in before the king. And the king spake
and said unto Daniel, Art thou that Daniel, which art of the
children of the captivity of Judah, whom the king my father brought
out of Jewry? I have even heard of thee, that the spirit of the
gods is in thee, and that light and understanding and excellent
wisdom is found in thee. And now the wise men, the
astrologers, have been brought in before me, that they should read
this writing, and make known unto me the interpretation thereof:
but they could not shew the interpretation of the thing: And I have
heard of thee, that thou canst make interpretations, and dissolve
doubts: now if thou canst read the writing, and make known to me
the interpretation thereof, thou shalt be clothed with scarlet, and
have a chain of gold about thy neck, and shalt be the third ruler
in the kingdom.
Then Daniel answered and said before the king, Let thy gifts be
to thyself, and give thy reward to another; yet I will read the
writing unto the king, and make known to him the interpretation. O
thou king, the most high God gave Nebuchadnezzar thy father a
kingdom, and majesty, and glory, and honour: And for the majesty
that he gave him, all people, nations, and languages, trembled and
feared before him: whom he would he slew; and whom he would he kept
alive; and whom he would he set up; and whom he would he put down.
But when his heart was lifted up, and his mind hardened in pride,
he was deposed from his kingly throne, and they took his glory from
him: And he was driven from the sons of men; and his heart was made
like the beasts, and his dwelling was with the wild asses: they fed
him with grass like oxen, and his body was wet with the dew of
heaven; till he knew that the most high God ruled in the kingdom of
men, and that he appointeth over it whomsoever he will. And thou,
his son, O Belshazzar, hast not humbled thine heart, though thou
knewest all this; But has lifted up thyself against the Lord of
heaven; and they have brought the vessels of his house before thee,
and thou, and thy lords, thy wives, and thy
concubines, have drunk wine in them; and thou hast praised the gods
of silver, of gold, of brass, iron, wood, and stone, which see not,
nor hear, nor know: and the God in whose hand thy breath is, and
whose are all thy ways, hast thou not glorified: Then was the part
of the hand sent from him; and this writing was written.
And this is the writing that was written, MENE, MENE, TEKEL,
UPHARSIN. This is the interpretation of the thing: MENE; God hath
numbered thy kingdom, and finished it. TEKEL; Thou art weighed in
the balances, and art found wanting. PERES; Thy kingdom is divided,
and given to the Medes and Persians. Then commanded Belshazzar, and
they clothed Daniel with scarlet, and put a chain of gold about his
neck, and made a proclamation concerning him, that he should be the
third ruler in the kingdom.
In that night was Belshazzar the king of the Chaldeans slain.
And Darius the Median took the kingdom, being about threescore and
two years old.
Give a dramatic form to this extract, indicating by suitable
titles the various scenes suggested and the parts that would
properly belong to the scenery, the action, and the dialogue
respectively. The different parts may be read by different readers
before one reader attempts all the parts.
PAUL'S DEFENCE BEFORE
KING AGRIPPA
Acts xxvi
1. Then Agrippa said unto Paul, Thou art permitted to speak for
thyself. Then Paul stretched forth the hand, and answered for
himself: I think myself happy, King Agrippa, because I shall answer
for myself this day before thee touching all the
things whereof I am accused of the Jews: especially because I know
thee to be expert in all customs and questions which are among the
Jews: wherefore I beseech thee to hear me patiently.
2. My manner of life from my youth, which was at the first among
mine own nation at Jerusalem, know all the Jews; which knew me from
the beginning, if they would testify, that after the most straitest
sect of our religion I lived a Pharisee. And now I stand and am
judged for the hope of the promise made of God unto our fathers:
unto which promise our twelve tribes, instantly serving God day and
night, hope to come. For which hope's sake, King Agrippa, I am
accused of the Jews.
3. Why should it be thought a thing incredible with you, that
God should raise the dead? I verily thought with myself, that I
ought to do many things contrary to the name of Jesus of Nazareth.
Which thing I also did in Jerusalem: and many of the saints did I
shut up in prison, having received authority from the chief
priests; and when they were put to death, I gave my voice against
them. And I punished them oft in every synagogue, and compelled
them to blaspheme; and being exceedingly mad against them, I
persecuted them even unto strange cities.
4. Whereupon as I went to Damascus with authority and commission
from the chief priests, at midday, O king, I saw in the way a light
from heaven, above the brightness of the sun, shining round about
me and them which journeyed with me. And when we were all fallen to
the earth, I heard a voice speaking unto me, and saying in the
Hebrew tongue, Saul, Saul, why persecutest thou me? It is hard for
thee to kick against the pricks. And I said, Who art thou,
Lord? And he said, I am Jesus whom thou persecutest. But rise, and
stand upon thy feet: for I have appeared unto thee for this
purpose, to make thee a minister and a witness both of these things
which thou hast seen, and of those things in the which I will
appear unto thee; delivering thee from the people, and from the
Gentiles, unto whom now I send thee, to open their eyes, and to
turn them from darkness to light, and from the power of Satan unto
God, that they may receive forgiveness of sins, and inheritance
among them which are sanctified by faith that is in me.
5. Whereupon, O King Agrippa, I was not disobedient unto the
heavenly vision: but shewed first unto them of Damascus, and at
Jerusalem, and throughout all the coasts of Judæa, and then
to the Gentiles, that they should repent and turn to God, and do
works meet for repentance. For these causes the Jews caught me in
the temple, and went about to kill me. Having therefore obtained
help of God, I continue unto this day, witnessing both to small and
great, saying none other things than those which the prophets and
Moses did say should come: that Christ should suffer, and that he
should be the first that should rise from the dead, and should shew
light unto the people, and to the Gentiles.
6. And as he thus spake for himself, Festus said with a loud
voice, Paul, thou art beside thyself; much learning doth make thee
mad. But he said, I am not mad, most noble Festus; but speak forth
the words of truth and soberness. For the king knoweth of these
things, before whom also I speak freely: for I am persuaded that
none of these things are hidden from him; for this thing was not
done in a corner. King Agrippa, believest thou the
prophets? I know that thou believest. Then Agrippa said unto Paul,
Almost thou persuadest me to be a Christian. And Paul said, I would
to God, that not only thou, but also all that hear me this day,
were both almost, and altogether such as I am, except these
bonds.
7. And when he had thus spoken, the king rose up, and the
governor, and Bernice, and they that sat with them: And when they
were gone aside, they talked between themselves, saying, This man
doeth nothing worthy of death or of bonds. Then said Agrippa unto
Festus, This man might have been set at liberty, if he had not
appealed unto Cæsar.
Preparatory.—Under what
circumstances did Paul deliver this defence? Picture the scene.
What attitude of mind characterizes the chief speaker? How does
this affect the reading?
How are the direct speeches in Pars. 1, 4, 6, and 7 made to
stand out from the narrative? (Introduction, p. 24.)
How do the mental and emotional states of the various speakers
differ? Indicate this difference by the Quality of the voice.
(Introduction, p. 34.)
Point out the Climax in Par. 3. How does the voice express
it?
IF THEY WOULD TESTIFY. What change in
the voice subordinates this clause? (Introduction, p. 33.) Give another example from Par. 2.
THE STRANDED SHIP
Far up the lonely strand the
storm had lifted her. And now along her
keel the merry tides make stir No more. The
running waves that sparkled at her prow Seethe to the chains and sing no more with laughter
now. No more the clean
sea-furrow follows her. No more To the hum
of her gallant tackle the hale Nor'-westers roar. No more her bulwarks journey. For the only boon they
crave Is the guerdon of all good ships and
true, the boon of a deep-sea grave.
Take me out, sink me deep in the green
profound, To sway with the long
weed, swing with the drowned, Where
the change of the soft tide makes no sound, Far below the keels of the outward bound.
No more she mounts the circles from Fundy to the
Horn, From Cuba to the Cape runs down the
tropic morn, Explores the Vast Uncharted
where great bergs ride in ranks, Nor shouts
a broad "Ahoy" to the dories on the Banks. No more she races freights to Zanzibar and back, Nor creeps where the fog lies blind along the liner's
track, No more she dares the cyclone's
disastrous core of calm To greet across the
dropping wave the amber isles of palm.
Take me out, sink me deep in the green
profound, To sway with the long
weed, swing with the drowned, Where
the change of the soft tide makes no sound, Far below the keels of the outward bound.
Amid her trafficking peers, the wind-wise,
journeyed ships, At the black wharves no
more, nor at the weedy slips, She
comes to port with cargo from many a storied clime. No more to the rough-throat chantey her windlass creaks
in time. No more she loads for London with
spices from Ceylon,— With white
spruce deals and wheat and apples from St. John. No more from Pernambuco with cotton-bales,—no
more With hides from Buenos Ayres she
clears for Baltimore.
Take me out, sink me deep in the green
profound, To sway with the long
weed, swing with the drowned, Where
the change of the soft tide makes no sound, Far below the keels of the outward bound.
Wan with the slow vicissitudes of wind and rain
and sun How grieves her deck for the
sailors whose hearty brawls are done! Only
the wandering gull brings word of the open wave, With shrill scream at her taffrail deriding her alien
grave. Around the keel that raced the
dolphin and the shark Only the sand-wren
twitters from barren dawn till dark; And
all the long blank noon the blank sand chafes and mars The prow once swift to follow the lure of the dancing
stars.
Take me out, sink me deep in the green
profound, To sway with the long
weed, swing with the drowned, Where
the change of the soft tide makes no sound, Far below the keels of the outward bound. And when the
winds are low, and when the tides are still, And the round moon rises inland over the naked hill,
And o'er her parching seams the dry cloud-shadows
pass, And dry along the land-rim lie the
shadows of thin grass, Then aches her soul
with longing to launch and sink away Where
the fine silts lift and settle, and sea-things drift and
stray, To make the port of Last Desire, and
slumber with her peers In the tide-wash
rocking softly through the unnumbered years.
Take me out, sink me deep in the green
profound, To sway with the long
weed, swing with the drowned, Where
the change of the soft tide makes no sound, Far below the keels of the outward bound.
—Charles G. D. Roberts (By
arrangement)
Preparatory.—What is the
fundamental idea of the first three stanzas? Of the fourth stanza?
Of the last stanza? Of the refrain? Apply these ideas to human
life? What feelings do they arouse? Show that these feelings grow
stronger as the poem advances.
What Time, Pitch, and Stress are the natural expression of the
atmosphere pervading the poem? Where are they most marked?
What effect has the atmosphere of the last stanza on the Quality
of the voice?
HER, STIR. (Appendix A, 1.)
STRAND, FAR, CALM, BRAWLS.
Distinguish the sound of a in these words, and select other
words from the poem with the same sound. (Appendix A, 1.)
What is the Inflection on the negative statements in the first
three stanzas? On the entreaty in the refrain? (Introduction, p. 18.)
What effect do the falling Inflection, and the marked Pause
after MORE, l. 3, stanza 1 produce?
And when the winds ... grass. What is
the Inflection? What is the Shading when compared with the next
line?
SIR PATRICK SPENS
The king sits, in Dunfermline
toun, Drinking the blude-red wine;
"O whare will I get a skeely skipper, To sail this new ship o' mine?"
O up and spake an eldern knight, Sat at the king's right knee,— "Sir Patrick Spens is the best sailor, That ever sailed the sea."
The king has written a braid letter, And sealed it wi' his hand, And
sent it to Sir Patrick Spens, Was walking
on the strand.
"To Noroway, to Noroway, To Noroway o'er the faem; The king's
daughter of Noroway, 'Tis thou maun bring
her hame."
The first word that Sir Patrick read, Sae loud, loud laughèd he; The neist word that Sir Patrick read, The tear blindit his e'e.
"O wha is this has done this deed, And tauld the king o'me, To send us out, this time o' the year, To sail upon the sea?
Be't wind, be't weet, be't hail, be't
sleet, Our ship must sail the faem;
The king's daughter of Noroway, 'Tis we must fetch her hame."
They hoysed their sails on Monenday morn,
Wi' a' the speed they may; They hae landed in Noroway, Upon a
Wodensday.
They hadna been a week, a week, In Noroway, but twae, When that
the lords o' Noroway Began aloud to
say,—
"Ye Scottishmen spend a' our king's goud,
And a' our queenis fee." "Ye lee, ye lee, ye lears loud! Fu'
loud I hear ye lee!
For I brought as mickle white monie, As gane my men and me, And I
brought a half-fou o' gude red goud, Out
o'er the sea wi' me.
Mak' ready, mak' ready, my merry men a'!
Our gude ship sails the morn." "Now, ever alake, my master dear, I
fear a deadly storm! I saw the new moon, late
yestreen, Wi' the auld moon in her
arm! And, if we gang to sea, master,
I fear we'll come to harm."
They hadna sailed a league, a league, A league, but barely three, When
the lift grew dark, and the wind blew loud, And gurly grew the sea.
The ankers brak, and the topmasts lap,
It was sic a deadly storm; And the waves cam' o'er the broken ship, Till a' her sides were torn.
"O whare will I get a gude sailor, To tak' my helm in hand, Till I
gae up to the tall topmast, To see if I spy
land?"
"O here am I, a sailor gude, To tak' the helm in hand, Till you gae
up to the tall topmast; But I fear ye'll
ne'er spy land."
He hadna gane a step, a step, A step, but barely ane, When a bolt
flew out o' our goodly ship, And the salt
sea it cam' in.
"Gae fetch a web o' the silken claith,
Anither o' the twine, And wap them into our ship's side, And letna the sea come in."
They fetched a web o' the silken claith,
Anither o' the twine, And
they wapped them roun' that gude ship's side, But still the sea cam' in.
O laith, laith were our gude Scots lords,
To weet their cork-heeled shoon! But lang or a' the play was played, They wat their hats aboon.
And mony was the feather-bed, That floated o'er the faem; And mony
was the gude lord's son, That never mair
cam' hame.
The ladyes wrang their fingers white, The maidens tore their hair, A'
for the sake of their true loves; For them
they'll see na mair.
O lang, lang may the ladyes sit, Wi' their fans into their hand, Before they see Sir Patrick Spens Come
sailing to the strand!
And lang, lang may the maidens sit, Wi' their goud kaims in their hair, A' waiting for their ain dear loves! For them they'll see na mair. Half ower,
half ower to Aberdour, 'Tis fifty fathoms
deep, And there lies gude Sir Patrick
Spens, Wi' the Scots lords at his
feet.
—Old Ballad