5154 (return)
[ Plin. H. N.
xix. 4.]
5155 (return)
[ Gesenius, Mon.
Phoen. pp. 309, 310.]
5156 (return)
[ Géograph. Univ.
xi. 710-713.]
5157 (return)
[ Strab. ii. 3, § 4;
Hanno, Peripl. § 6; Scylax, Peripl. § 112.]
5158 (return)
[ See Géograph.
Univer. xi. 714.]
5159 (return)
[ Perrot et Chipiez, Histoire
de l’Art, iii. 337.]
5160 (return)
[ Ibid. p. 339.]
5161 (return)
[ Ibid. p. 341.]
5162 (return)
[ See Kenrick, Phoenicia,
p. 118; Dyer, in Smith’s Dict. of Greek and Roman Geography, ii.
1106.]
5163 (return)
[ Scymn. Ch. ll.
100-106; Strabo, iii. 2, § 11; Mela, De Situ Orbis, ii. 6; Plin. H.
N. iv. 21; Fest. Avien. Descriptio Orbis, l. 610; Pausan. vi.
19.]
5164 (return)
[ Stesichorus, Fragmenta
(ed. Bergk), p. 636; Strab. l.s.c.]
5165 (return)
[ Scymn. Ch. l.s.c.]
5166 (return)
[ See Herod. i. 163.]
5167 (return)
[ 1 Kings x. 22.]
5168 (return)
[ Strab. iii. 2, § 8;
Géograph. Univ. i. 741-745.]
5169 (return)
[ Strab. iii. 2, § 11.]
5170 (return)
[ Kenrick, Phoenicia,
p. 119.]
5171 (return)
[ Strab. iii. 2, § 7.]
5172 (return)
[ Aristoph. Ran.
l. 476; Jul. Pollux, vi. 63.]
5173 (return)
[ Vell. Paterc. i. 2.]
5174 (return)
[ Géograph. Univ.
i. 756-758.]
5175 (return)
[ Ibid. p. 758.]
5176 (return)
[ Strab. iii. 5, § 5;
Diod. Sic. v. 20; Scymn. Ch. 160; Mela, iii. 6, § 1; Plin. H. N. v.
19; &c.]
5177 (return)
[ Gesen. Mon. Phoen.
pp. 304, 370.]
5178 (return)
[ Strabo, iii. 5, § 3.]
5179 (return)
[ See the Géographie
Universelle, i. 759.]
5180 (return)
[ The name is to be
connected with the words Baal, Belus, Baalath, &c. There was a river
“Belus,” in Phoenicia Proper.]
5181 (return)
[ Gesenius, Monumenta
Phoenicia, pp. 311, 312.]
5182 (return)
[ Ibid. p. 311.]
5183 (return)
[ I.e. towards the
north-east, in the Propontis and the Euxine.]
61 (return)
[ Perrot et Chipiez, Histoire
de l’Art dans l’Antiquité, iii. 101.]
62 (return)
[ See Renan, Mission de
Phoenicie, p. 92, and Planches, pl. 12.]
63 (return)
[ Ibid.]
64 (return)
[ Renan, Mission de
Phénicie, pp. 62-68.]
65 (return)
[ Ibid. Planches, pl. 10.]
66 (return)
[ 1 Kings v. 17, 18.]
67 (return)
[ Our Work in Palestine,
p. 115. Warren, Recovery of Jerusalem, i. 121.]
68 (return)
[ See the Corpus. Inscr.
Semit. Pars I. Planches, pl. 29, No. 136.]
69 (return)
[ As at Sidon in the pier
wall, and at Aradus in the remains of the great wall of the town.]
610 (return)
[ M. Renan has found
reason to question the truth of this view. Bevelling, he thinks, may have
begun with the Phoenicians; but it became a general feature of Palestinian
and Syrian architecture, being employed in Syria as late as the middle
ages. The enclosure of the mosque at Hebron and the great wall of Baalbek
are bevelled, but are scarcely Phoenician.]
611 (return)
[ See Renan, Mission
de Phénicie, Planches, pl. vi.]
612 (return)
[ Compare the enclosure
of the Haram at Jerusalem, the mosque at Hebron, and the temples at
Baalbek (Perrot et Chipiez, Histoire de l’Art, iii. 105, No. 42;
iv. 274, No. 139, and p. 186, No. 116).]
613 (return)
[ See Perrot et Chipiez,
iii. 108, 299, &c.]
614 (return)
[ Renan, Mission,
p. 822.]
615 (return)
[ See Renan, Mission,
pp. 62-68; and compare Perrot et Chipiez, Histoire de l’Art, iii.
242, 243.]
616 (return)
[ See Renan, Mission
de Phénicie, p. 64.]
617 (return)
[ See Renan, Mission
de Phénicie, pp. 63, 64.]
618 (return)
[ Ibid. p. 65.]
619 (return)
[ See the volume of
Plates published with the Mission, pl. ix. fig 1.]
620 (return)
[ Di Cesnola, Cyprus,
p. 110; pl. xxxv. fig. 20; xxxvi. fig. 7; xxxvii. figs. 10, 11; Perrot et
Chipiez, Histoire de l’Art, iii. pp. 124, 428, 533, &c.]
621 (return)
[ Renan, Mission,
Planches, pl. ix. fig. 3.]
622 (return)
[ See Perrot et Chipie,
Histoire de l’Art, iii. 253, No. 193; p. 310, No. 233.]
623 (return)
[ See the author’s History
of Ancient Egypt, i. 237.]
624 (return)
[ Mission de Phénicie,
pp. 64, 65.]
625 (return)
[ See Di Cesnola’s Cyprus,
pp. 210-212.]
626 (return)
[ The temple of Solomon
was mainly of wood; that of Golgi (Athiénau) was, it is thought, of crude
brick (Di Cesnola, Cyprus, p. 139).]
627 (return)
[ See the plan in Perrot
et Chipiez, Histoire de l’Art, iii. 267, No. 200. Explorations are
now in progress, which, it is hoped, may reveal more completely the plan
of the building.]
628 (return)
[ As being the most
important temple in the island.]
629 (return)
[ Di Cesnola, Cyprus,
p. 211.]
630 (return)
[ Ibid. p. 210.]
631 (return)
[ Ibid.]
632 (return)
[ Perrot et Chipiez, iii.
269.]
633 (return)
[ In M. Gerhard’s plan
two circular ponds or reservoirs are marked, of which General Di Cesnola
found no trace.]
634 (return)
[ Di Cesnola, Cyprus,
p. 211.]
635 (return)
[ Perrot et Chipiez, iii.
322.]
636 (return)
[ As Di Cesnola, and
Ceccaldi.]
637 (return)
[ Ceccaldi, as quoted by
Perrot et Chipiez, iii. 275.]
638 (return)
[ Ceccaldi, Monuments
Antiques de Cypre, pp. 47, 48.]
639 (return)
[ Di Cesnola, Cyprus,
p. 139.]
640 (return)
[ Di Cesnola, Cyprus,
p. 149; Perrot et Chipiez, Histoire de l’Art, iii. 274; Ceccaldi,
l.s.c.]
641 (return)
[ Di Cesnola, p. 139.]
642 (return)
[ Ibid. p. 140.]
643 (return)
[ Ibid. Compare Perrot et
Chipiez, l.s.c.]
644 (return)
[ The only original
account of this crypt is that of General Di Cesnola, Cyprus, pp.
303-305.]
645 (return)
[ Mephitic vapours
prevented the workmen from continuing their excavations.]
646 (return)
[ The length of this room
was twenty feet, the breadth nineteen feet, and the height fourteen feet
(Di Cesnola, Cyprus, p. 304).]
647 (return)
[ Perrot et Chipiez, Histoire
de l’Art, iii. 285.]
648 (return)
[ See the woodcut
representing a portion of the old wall of Aradus, which is taken from M.
Renan’s Mission, Planches, pl. 2.]
649 (return)
[ In some of the ruder
walls, as in those of Banias and Eryx, even this precaution is not
observed. See Perrot et Chipiez, Histoire de l’Art, iii. 328, 334.]
650 (return)
[ Diod. Sic. xxxii. 14.]
651 (return)
[ Arrian, Exp. Alex.
ii. 21, § 3.]
652 (return)
[ Perrot et Chipiez, Hist.
de l’Art, iii. 331, 332, 339.]
653 (return)
[ Perrot et Chipiez, Hist.
de l’Art, iii. pp. 333, 334.]
654 (return)
[ See his Recherches
sur l’origine et l’emplacement des Emporia Phéniciens, pl. 8.]
655 (return)
[ Compare Renan, Mission
de Phénicie, pls. 7, 16, 18, &c.; and Di Cesnola, Cyprus,
p. 224.]
656 (return)
[ Di Cesnola, Cyprus,
p. 256, 260; Perrot et Chipiez, Hist. de l’Art, iii. 219-221.]
657 (return)
[ Di Cesnola, Cyprus,
p. 255.]
658 (return)
[ Di Cesnola, Cyprus,
pp. 255, 256.]
659 (return)
[ See Di Cesnola, Cyprus,
p. 260; and compare Perrot et Chipiez, Hist. de l’Art, iii. 219,
No. 155.]
660 (return)
[ Di Cesnola, p. 259.]
661 (return)
[ Perrot et Chipiez, iii.
224.]
662 (return)
[ See Ross, Reisen
nach Cypern, pp. 187-189; and Archäologische Zeitung for 1851,
pl. xxviii. figs. 3 and 4.]
663 (return)
[ They are not shown in
Ross’s representation, but appear in Di Cesnola’s.]
664 (return)
[ See Sir C. Newton’s Halicarnassus,
pls. xviii. xix.]
665 (return)
[ 1 Macc. xiii. 27-29.]
666 (return)
[ Renan, Mission de
Phénicie, p. 80.]
667 (return)
[ Renan, Mission de
Phénicie, p. 81.]
668 (return)
[ Ibid. pp. 82, 85.]
669 (return)
[ See Robinson, Researches
in Palestine, iii. 385.]
670 (return)
[ Renan, Mission de
Phénicie, p. 599.]
671 (return)
[ Perrot and Chipiez
remark that “the general aspect of the edifice recalls that of the great
tombs at Amrith;” and conclude that, “if the tomb does not actually belong
to the time of Solomon’s contemporary and ally, at any rate it is anterior
to the Greco-Roman period” (Hist. de l’Art, iii. 167).]
672 (return)
[ See the section of the
building in Renan’s Mission, Planches, pl. xlviii.]
673 (return)
[ Renan, Mission de
Phénicie, p. 71.]
674 (return)
[ Ibid. Planches, pl.
13.]
675 (return)
[ Ibid. p. 72.]
676 (return)
[ Perrot et Chipiez, Histoire
de l’Art, iii. 153.]
677 (return)
[ Renan, Mission de
Phénicie, pp. 71-73.]
678 (return)
[ “Ce que ce tombeau
offre de tout à fait particulier c’est que l’entrée du caveau, ou, pour
mieux dire, l’escalier qui y conduit, est couvert, dans sa partie
antérieure, par un énorme bloc régulièrement taillé en dos d’âne et
supporté par une assise de grosses pierres” (Perrot et Chipiez, Hist.
de l’Art, iii. 154).]
679 (return)
[ Mark xvi. 3, 4.]
680 (return)
[ Perrot et Chipiez, Hist.
de l’Art, iii. 334.]
681 (return)
[ Perrot et Chipiez, Hist.
de l’Art, iii. 126, No. 68.]
682 (return)
[ Di Cesnola, Cyprus,
pp. 211, 301.]
683 (return)
[ See Perrot et Chipiez,
Histoire de l’Art, iii. 129-134.]
684 (return)
[ Mission de Phénicie,
p. 822.]
685 (return)
[ Renan, Mission de
Phénicie, p. 822.]
686 (return)
[ Renan, Mission de
Phénicie, p. 829.]
71 (return)
[ See Perrot et Chipiez, Hist.
de l’Art, iii. 404, and compare pp. 428 and 437.]
72 (return)
[ Di Cesnola, Cyprus,
pp. 129-157, &c.]
73 (return)
[ Perrot et Chipiez, iii.
510.]
74 (return)
[ Ibid. p. 513: “Les
figures semblent avoir été taillées non dans des blocs prismatiques, mais
dans de la pierre débitée en carrière, sous forme de dalles épaisses.”]
75 (return)
[ Di Cesnola, p. 150.]
76 (return)
[ Ibid. pp. 149, 150.]
77 (return)
[ Di Cesnola, p. 157.]
78 (return)
[ So both Di Cesnola
(l.s.c) and Perrot et Chipiez, iii. 565.]
79 (return)
[ Perrot et Chipiez, Hist.
de l’Art, iii. Nos. 349, 385, 405, &c.; Di Cesnola, Cyprus,
pp. 133, 149, 157.]
710 (return)
[ Perrot et Chipiez, iii.
519, No. 353.]
711 (return)
[ Ibid. Nos. 323, 342,
368. Occasionally an arm is placed across the breast without anything
being clasped (Di Cesnola, Cyprus, pp. 131, 240).]
712 (return)
[ Perrot et Chipiez, Nos.
299, 322, 373.]
713 (return)
[ Ibid. Nos. 291, 321,
379, 380.]
714 (return)
[ Ibid. Nos. 381, 382.]
715 (return)
[ Perrot et Chipiez, Nos.
306, 345, 349, &c.]
716 (return)
[ See Di Cesnola, Cyprus,
pp. 141, 230, 243, &c.]
717 (return)
[ Compare Perrot et
Chipiez, iii. 530, No. 358; p. 533, No. 359; and Di Cesnola, pp. 131, 154,
&c.]
718 (return)
[ Di Cesnola, pp. 129,
145; Perrot et Chipiez, pp. 527, 545.]
719 (return)
[ Di Cesnola, pp. 149,
151, 161, &c.]
720 (return)
[ Perrot et Chipiez, Hist.
de l’Art, iii. 201, No. 142; p. 451, No. 323; p. 598, No. 409. The
best dove is that in the hand of a priest represented by Di Cesnola (Cyprus,
p. 132).]
721 (return)
[ Di Cesnola, Cyprus,
p. 114.]
722 (return)
[ Ibid. p. 331; Perrot et
Chipiez, iii. 203, and Pl. ii. opp. p. 582.]
723 (return)
[ Di Cesnola, Cyprus,
p. 136; Ceccaldi, Rev. Arch. vol. xxiv. pl. 21.]
724 (return)
[ Di Cesnola, p. 137.]
725 (return)
[ Ibid. p. 133.]
726 (return)
[ Ibid. pp. 110-114.]
727 (return)
[ See the Story of
Assyria, p. 403; and compare Ancient Monarchies, i. 395, 493.]
728 (return)
[ See Story of Assyria,
l.s.c.; and for the classical practice, which was identical, compare
Lipsius, Antiq. Lect. iii.]
729 (return)
[ So it is in a garden
that Asshurbani-pal and his queen regale themselves (Ancient Monarchies,
i. 493). Compare Esther i. 7.]
730 (return)
[ Perrot et Chipiez, Hist.
de l’Art, iii. 620.]
731 (return)
[ Di Cesnola, Cyprus,
pp. 259-267.]
732 (return)
[ Di Cesnola is in favour
of Melkarth (p. 264); MM. Perrot and Chipiez of Bes (Hist. de l’Art,
iii. 610). Individually, I incline to Esmun.]
733 (return)
[ See Di Cesnola, Pl.
vi.; Perrot et Chipiez, iii. 450, 555, 557; Nos. 321, 379, 380, 381, and
382.]
734 (return)
[ Herod. iii. 37.]
735 (return)
[ Perrot et Chipiez see
in it the travels of the deceased in another world (Hist. de l’Art,
iii. 612); but they admit that at first sight one would be tempted to
regard it as the representation of an historical event, as the setting
forth of a prince for war, or his triumphant return.]
736 (return)
[ A similar crest was
used by the Persians (Ancient Monarchies, iii. 180, 234), and the
Lycians (Fellows’s Lycia, pl. xxi. oop. p. 173).]
737 (return)
[ Perrot et Chipiez, Histoire
de l’Art, iii. 609-611.]
738 (return)
[ See the Journal le
Bachir for June 8, 1887, published at Beyrout.]
739 (return)
[ 1 Kings vii. 14; 2
Chron. ii. 14.]
740 (return)
[ 1 Kings vii. 21.]
741 (return)
[ “In the porch”
(1 Kings vii. 21); “before the house,” “before the temple” (2
Chron. iii. 15, 17).]
742 (return)
[ 1 Kings vii. 15, 16.]
743 (return)
[ Jer. lii. 21.]
744 (return)
[ 1 Kings vii. 17, 20.]
745 (return)
[ Ibid. verse 20; 2
Chron. iv. 13; Jer. lii. 23.]
746 (return)
[ 1 Kings vii. 22.]
747 (return)
[ See Perrot et Chipiez,
Hist. de l’Art, vol. iv. Pls. vi. and vii. opp. pp. 318 and 320.]
748 (return)
[ 1 Kings vii. 23.]
749 (return)
[ Ibid. vv. 23-25.]
750 (return)
[ See the representation
in Perrot et Chipiez, iv. 327, No. 172.]
751 (return)
[ Perrot et Chipiez, iv.
328.]
752 (return)
[ 1 Kings vii. 27-39.]
753 (return)
[ Ibid. verse 38.]
754 (return)
[ Ibid. verse 29.]
755 (return)
[ See the woodcut in
Perrot et Chipiez, iv. 331, No. 173; and compare 1 Kings vii. 31.]
756 (return)
[ 1 Kings vii. 36.]
757 (return)
[ 1 Kings vii. 33.]
758 (return)
[ Ibid. v. 40. Compare 2
Chron. iv. 16.]
759 (return)
[ See Di Cesnola’s Cyprus,
Pls. xxi. and xxx.]
760 (return)
[ A single statue in
bronze, of full size, or larger than life, is said to have been exhumed in
Cyprus in 1836 (Perrot et Chipiez, iii. 514); but it has not reached our
day.]
761 (return)
[ See the works of La
Marmora (Voyage en Sardaigne), Cara (Relazione sugli idoli
sardo-fenici), and Perrot et Chipiez (Hist. de l’Art, iv.
65-89).]
762 (return)
[ Perrot et Chipiez, iv.
65, 66.]
763 (return)
[ Ibid. pp. 67, 69, 88.]
764 (return)
[ Ibid. pp. 67, 70, 89.]
765 (return)
[ Ibid. 52, 74, 75, 87,
&c.]
766 (return)
[ See Di Cesnola, Cyprus,
Pl. iv. opp. p. 84.]
767 (return)
[ Ibid. opp. p. 345.]
768 (return)
[ Ibid. p. 337.]
769 (return)
[ Monumenti di cere
antica, Pl. x. fig. 1.]
770 (return)
[ Di Cesnola, Cyprus,
p. 77.]
771 (return)
[ Di Cesnola, Cyprus,
Pl. xi. opp. p. 114.]
772 (return)
[ In the museum of the
Varvakeion. (See Perrot et Chipiez, Hist. de l’Art, iii. 782-785.)]
773 (return)
[ Ibid. p. 783, No. 550.]
774 (return)
[ Compare the author’s History
of Ancient Egypt, i. 362.]
775 (return)
[ Perrot et Chipiez, iii.
779, No. 548.]
776 (return)
[ See Ancient
Monarchies, i. 392.]
777 (return)
[ See Clermont-Ganneau,
Imagerie Phénicienne, p. xiii.]
778 (return)
[ See Clermont-Ganneau,
Ima. Phénicienne, Pls. ii. iv. and vi. Compare Longpérier, Musée
Napoléon III., Pl. x.; Di Cesnola, Cyprus, p. 329; Pl. xix.
opp. p. 276; Perrot et Chipiez, Hist. de l’Art, iii. 777, 789; Nos.
547 and 552.]
779 (return)
[ Clermont-Ganneau, Pl.
i. at end of volume; Perrot et Chipiez, iii. 759, No. 543.]
780 (return)
[ L’Imagerie
Phénicienne, p. 8.]
781 (return)
[ Helbig, Bullettino
dell’ Instituto di Corrispondenza archeologica, 1876, p. 127.]
782 (return)
[ L’Imagerie
Phénicienne, p. 8.]
783 (return)
[ L’Imagerie
Phénicienne, pp. xi, xiii, and 18-39.]
784 (return)
[ Ibid. p. 151.]
785 (return)
[ L’Imagerie
Phénicienne, pp. 150-156. It is fatal to M. Clermont-Ganneau’s idea—1.
That the hunter in the outer scene has no dog; 2. That the dress of the
charioteer is wholly unlike that of the fugitive attacked by the dog; and
3. That M. Clermont-Ganneau’s explanation accounts in no way for the
medallion’s central and main figure.]
786 (return)
[ “Les formes et les
mouvements des chevaux sont indiqués avec beaucoup du sûreté et de
justesse” (ibid. p. 6).]
787 (return)
[ So Mr. C. W. King in
his appendix to Di Cesnola’s Cyprus, p. 387. He supports his view
by Herod. vii. 69.]
788 (return)
[ Perrot et Chipiez, iii.
632.]
789 (return)
[ Compare the cylinder of
Darius Hystaspis (Ancient Monarchies, iii. 227) and another
engraved on the same page.]
790 (return)
[ Perrot et Chipiez, iii.
635, note.]
791 (return)
[ Proceedings of the
Society of Bibl. Archæology for 1883—4, p. 16.]
792 (return)
[ See M. A. Di Cesnola’s
Salaminia, Pls. xii. and xiii.]
793 (return)
[ See Perrot et Chipiez,
iii. 639, No. 431.]
794 (return)
[ These fluttering ends
of ribbon are very common in the Persian representations. See Ancient
Monarchies, iii. 351.]
795 (return)
[ Ancient Monarchies,
iii. pp. 203, 204, 208.]
796 (return)
[ Perrot et Chipiez, Hist.
de l’Art, iii. 630.]
797 (return)
[ Ibid. pp. 635-639.
Green serpentine is the most usual material (C. W. King, in Di Cesnola’s
Cyprus, p. 387).]
798 (return)
[ King, in Di Cesnola’s
Cyprus, p. 388.]
799 (return)
[ Pl. xxxvi. a.]
7100 (return)
[ Di Cesnola, Cyprus,
p. 277.]
7101 (return)
[ See De Vogüé’s Mélanges
d’Archéologie Orientale, pl. v.]
7102 (return)
[ Perrot et Chipiez,
iii. 631.]
7103 (return)
[ See Di Cesnola’s Cyprus,
pl. xxvi. (top line).]
7104 (return)
[ See Perrot et
Chipiez, iii. 645.]
7105 (return)
[ Ibid. p. 646.]
7106 (return)
[ De Vogüé, Mélanges,
p. 111.]
7107 (return)
[ Perrot et Chipiez, Hist.
de l’Art, iii. 651.]
7108 (return)
[ Ibid. p. 652.]
7109 (return)
[ See Di Cesnola, Cyprus,
pl. xxxvi. fig. 8.]
7110 (return)
[ Perrot et Chipiez,
iii. 646.]