had long since refused the brewer’s patronage and pompous proposal that she should [p52] make a home in his house, and in return act as governess to his children. She had thrown in her lot with Hugh, and was soon making, as a typewriter who could be relied upon for faithful work, a very comfortable income. The brother and sister boarded generally at the same house, and, absorbed in their work, drifted over the borderland of middle age together, and together lost their respective waist lines. They were the best of chums and respected each other’s weaknesses. It was rather a trial to Hugh, perhaps, that Kate, being fat, had taken ardently to the bicycle and was therefore a joke among onlookers. But seeing the extreme enjoyment she got from her machine, and recognizing that a healthy, hardworking woman, without home or children, must break out somewhere, he had never tried to make her desist from her pleasure.
And Kate had to bear with Hugh.
He had a maddening habit of casting forth the match with which he lighted his pipe.
He would sit at a table surrounded with match-holders of every variety—one Christmas Kate had put six of the latest novelties in this line in his sock—and he would strike a light, and then thoughtlessly throw the dead match either towards the window or the fireplace.
[p53] As he pointed out to Kate, the wish to do well was plainly imbedded in his breast, or he would simply fling the useless thing down at his feet. Conscience was not deadened in him; he was quite aware that matches should not be casually strewn upon a carpet, and in his most absent-minded moods he sent them in the direction of those approved receptacles—the window or fireplace. Let her blame others if the window was closed—the sole use of a window, as far as he could see, was to throw matches through,—or if the fireplace was ridiculously decorated with plants and such foolishness, instead of holding its rightful consuming element for used vestas.
When Fortune smiled so marvellously on Hugh, one of the first things he did was to go down to the city, and with his own hands take down the strip of painted tin that, in a building of offices, announced “Miss Kinross, Typist.”
He was on the verge of following this act by dropping the typewriter out of the window, when Kate came in just in time to point out to him that some one might be passing beneath, and so receive a worse headache from the thing than it had ever given her. She accepted, as wholeheartedly as he gave it, an income of two hundred a year from him. But she clung to her old typewriter, and copied lovingly all his stories for him.
[p54] A deprecatory little cough just below him took Hugh’s attention from himself, and the place he had come so unexpectedly to occupy in the economic scheme of Nature.
[Back to Contents]
[p55]
CHAPTER V
ANTE-PRANDIAL VISITORS
He looked and beheld a small maiden clad in a holland frock, with a white linen hat on the back of her gold-brown curls, instead of being set in orthodox fashion upon her head. Her white shoes and socks, fresh with the morning, were a little reddened with walking through the “Tenby” garden, which, as Pauline had borne witness, contained no grass whatever.
Just behind her was a small boy, sitting very firmly on a little red tricycle.
“Hello!” said Hugh; “very glad to see you, I’m sure. Friends who look you up in the low ebb of the hours before breakfast are friends indeed. Come along up, both of you, and tell me your names.”
But Lynn stood loyal and steadfast at the foot of the steps, while she put the first necessary and searching question that was his due.
“Have you had whooping cough?” she said.
Hugh clutched his hair. He told her he [p56] was searching himself through all the crannies of his boyhood years. Yes, he remembered. He had undergone the affliction. There was a birthday party away back twenty, thirty, forty years through the mists, and she would have been at it, with her hair done in two little plaits and tied with blue ribbon. And he had to stay away because he had whooping cough.
Lynn looked very much relieved.
“What a good thing!” she said. “It is very seldom you get it twice, so we shan’t hurt you.”
“No,” he said gravely, looking down on them, “you really don’t look as if you would hurt me—much. But won’t you come on the verandah? And can the gentleman alight by himself?”
Lynn came up the steps a little shyly.
But Max, though he got off his tricycle, looked a bit worried.
“He won’t stand,” he said. “Will you lend me your hank’fust to tie him to the post? he’s a lood horse.”
“He means a blood horse,” explained Lynn in a low tone; “he always pretends his tricycle is a race-horse.”
Hugh lent the handkerchief—even offered to assist in the tying.
“I’d like to have given him a feed, poor old Trike,” said Max, “only—” and he looked [p57] regretfully around the garden—“you’ve no grass, have you?”
“I’ve no grass,” said Hugh; “but did you never try him on white daisies? It wouldn’t do, of course, to feed common horses on them, but a blood steed like yours, why, it would make his coat shine like varnish.”
Max’s eyes grew brilliant at the notion, and he rattled his charger up to a bank near, that was white with the flowers, and stuck the thing’s head into it and fed him with handfuls of petals.
“Why, why,” he shouted, “he’s getting shinier every minute—and his mane’s growing longer and longer.”
From that moment he regarded Hugh as a man and a brother.
But Lynn had got to business.
“No,” she said when offered a chair—“oh, no, thank you, we can’t stay—Miss Bibby doesn’t know we’ve come. But will you please deal with Larkin?”
“Deal with Larkin?” Hugh repeated.
“Yes, he’s Octavius Smith, not Septimus, and much better. Mamma deals with him, and his bacon is only elevenpence, and he’ll always bring your letters, too.”
“Bacon!” said Hugh, hungrily. “I’d deal with any one who has bacon if it is fried and eggs are thrown in with it.”
“Oh,” said Lynn, “he never throws them; [p58] they’re always packed very carefully in sawdust. And he doesn’t mind how often he comes with the things you’ve forgotten, and he gives you rides on his horse, and everything. He’s really much better than that horrid Howie, and he does so want to get a piano for Blanch and Emma, and buy out Octavius and Septimus, and put his mother in, because she works too hard on the farm. You will deal with him, won’t you?”
By dint of a few questions Hugh put himself in possession of the facts, and found out that his visitors were also his nearest neighbours. He discovered, too, that he would have been called upon by the whole quartet, but that it had been considered, in family conclave, that four was perhaps too great a number for a morning call. And further, it was necessary for Miss Bibby to see some figures about the garden. So the question was solved by drawing lots, which fell, greatly to the disgust of Pauline and Muffie, to Lynn and Max.
“I know you’ll go and spoil it all,” said Pauline. “I could do it so much better.”
So Lynn was on her mettle and fought hard in Larkin’s cause.
“I tell you what we’ll do,” said Hugh, struck with a brilliant idea, “you shall come with me, and we’ll go straight up to this Larkin’s. You have made me feel that I can exist no longer without some of the prime, [p59] middle cuts of his bacon at elevenpence.”
“Oh,” said Lynn, “Miss Bibby!” She was torn between Larkin and duty.
“Oh, of course, we’ll go and ask permission first,” said Hugh; “and we might leave Trike behind, eh, Max? After a feed like that he’ll want a rest.”
Away they went out of the gate and across the road.
Miss Bibby was down at the gate, fluttering with vexation. She had just found out that two of her naughty charges had actually dared to go and trouble the sacred peace of the famous novelist, and before he could have breakfasted!
She positively could hardly keep the tears back.
[Back to Contents]
[p60]
CHAPTER VI
A GROCERY ORDER
Miss Bibby had been awake nearly all the night, her blood at fever heat.
Hugh Kinross a stone’s-throw away! Hugh Kinross, the author of Liars All, and In the Teeth of the World, and other books, that had thrilled her and set her nerves tingling as if a whip had been applied to her back!
No book had ever so agitated her as Liars All. And she had paid it the highest compliment in her power—she had flung aside her political novel, and the historical one that she had been touching up, and the detective tale that she had been copying afresh, and she had started feverishly upon a short story that she had entitled Hypocrites. And she had tried desperately to “lay about her with a bludgeon,” and say biting, savage things of hypocritical human nature, and hold a relentless mirror up to its little faults. Kinross would have been convulsed could he have seen it.
[p61]
Miss Bibby lay in her quiet bed and illustrated
Kinross for herself, since she had never
been able to find a portrait of him in any
magazine. He was very tall, austere-looking,
very thin; the only smile that ever
crossed his face was a cynical, a sardonic one.
His hair and his eyes were black. He was
clean-shaven and his lip and chin were blue.
And she would meet him—she could hardly help meeting him. Possibly she would never get so far as knowing him to speak to, but she would see his tall, spare figure moving slowly about the verandah as he wove his plots, and perhaps the shadow of his head on the blind of a lighted window far into the night.
The fever in her blood drove her from bed. She got up and bathed, and dressed herself with the punctilious care she always bestowed upon her toilet.
Over the choice of her morning dress she hesitated a moment. She wore dainty washing blouses, and neatly-cut serge skirts as a rule; but this morning something induced her to don a limp lavender muslin that took all the freshness from her cheeks.
Then she went out to the faithful performance of her duties, which no amount of fever in her blood could make her neglect. The hot-water ordeal was gone through, the children were turned out speckless from their [p62] bedrooms, the bedclothes were put to air, and not even her own “deep-breathing exercises” were omitted.
But then she missed Max and Lynn. And after a world of trouble dragged it from Pauline that they had actually gone across to “Tenby” to try to induce Hugh Kinross to give his orders for bacon and such things to Larkin.
Hugh Kinross and bacon! Miss Bibby ran down to the gate almost choking with agitation and distress.
There was a figure crossing the road, with Lynn held by the hand, and the red tricycle, and Max flanking it on the other side. It was a figure of merely medium height, more than a trifle inclined to stoutness, with an ordinary kindly face and shrewd eyes. He wore a white linen suit, creased all over with bad packing, and a soft shirt with a low collar. When he took off his old Panama hat, Miss Bibby saw, quite with a shock, the bald patch at the back of his head.
“Good-morning,” he said pleasantly; “my little friend here tells me you are Miss Bibby. May I introduce myself? My name is Kinross. I have met the Judge on several occasions and I think he will vouch for my respectability. May I take these small ones up the road with me? We are going in hot pursuit of two of the world’s best things—eggs [p63] and bacon. I will return them safely—thank you very much. Good-bye.”
That was all. Not another word, though Miss Bibby, going over and over again in her mind the great meeting, tried hard to imagine that she had forgotten some notable thing he had said. Then she began to torture herself with fears that she had behaved stupidly. The suddenness had been too much for her; she could not recollect one solitary thing that she had said except a fluttering “Certainly,” when he asked permission to take the children with him. What must he have thought of her?
Ah, if it could only happen over again when she should have had time to collect her faculties and make some brilliant and scathing repartee as the women in his books so frequently did. But then again, what chance had his speech offered for repartee? What kindling of conversation could there be when the only tinder provided was—eggs and bacon?
She worried herself to such a degree that when breakfast-time came, her appetite, usually small, had almost reached vanishing-point.
The cause of her flutterings was striding along the red dusty road, Lynn and Max having all they could do to keep up with him.
He, too, had had his moment of disappointment. [p64] Lynn had told him there was no other lady in their house but Miss Bibby; and then the figure that had given him some pleasurable emotions an hour ago—the slender white figure that had walked on the path between the flowers—turned out on close view to be merely a thin woman of almost forty, in a floppy puce-coloured muslin gown.
And Lynn was unwittingly merciless to the temporary occupant of her mother’s place. When Kinross had asked her if it was Miss Bibby who was up so early and walking among the trees, she volunteered, in addition to the affirmative—which would have been quite enough—that she walked about like that when she was doing some of her deep-breathing exercises. And that after her deep-breathing exercises she always skipped backwards for five minutes, and after the skipping she lay down flat on the floor and kept lifting up her head in such a funny way.
And of course this led to an account of Miss Bibby’s eccentricities of diet, of which Kinross soon knew all that seemed worth knowing. At first he had hardly listened as the irrepressibles chattered away, or he might have bidden them respect the lady’s idiosyncrasies. But a sudden image confronted him of the figure in limp muslin, solemnly skipping for the good of her health, and he gave a great roar of laughter and [p65] vowed to himself he would use her for “copy” some day.
But now they were at the shops and Lynn and Max were greatly excited.
They pointed out the different places to him.
This was Benson’s, and he made the most delicious drop cakes that ever were; they always bought some when they were going for picnics, and gen’ally on a Saturday, when Anna had no time to make cakes, they had them again. Hugh was solemnly warned not to be beguiled into dealing with Dunks. Dunks did give, it was true, nine for sixpence; but then Pauline had measured them once with Miss Bibby’s tape measure—measured them “longways, and broadways, and fatways,” and Benson’s had been fully half an inch superior.
These were the two photographers. It was advisable to deal with this one, for he always gave you the whole tray down to choose from when you went to buy picture post-cards, and the other man didn’t, ’cause he was afraid your hands were dirty. But they never were when you went for a walk, only Max’s sometimes, because he still fell down a lot (this point Max contested hotly).
These were the two shoe-makers: if you broke the strap of your sandals this one could fix it best; but if you wore out your climbing [p66] shoes, and wanted a new pair made, it was advisable to patronize this one.
And these were the grocers. Poor old Septimus Smith would have stirred uncomfortably in the dreams that still held him, could he have heard Lynn and Max vigorously advising Burunda’s latest stranger never on any pretence whatever to buy as much as half a pound of butter at his establishment.
And Octavius, sleepily sweeping his shop and doing the manifold duties of little Larkin, who was fast nearing the poor selection for his dearly-earned holiday,—Octavius would himself have been amazed at the number of good points his business had. His currants—how much cleaner than the currants of Septimus,—his bacon—words seemed inadequate to describe his bacon. He gave you a whole penny box of chocolates each when you went with Anna to pay his bill. He saved you the tinfoil from his tea-boxes and the lovely paper ribbon off the boxes of raisins.
Hugh heard again about Blanche and Emma and the piano, and the rapt vision of the buying up of both the Smiths, and the future conduct of one grocery business only by a person of the name of Larkin.
“Not another word,” he said; “you have more than convinced me that no one who has any regard for his immortal soul would deal anywhere but at Octavius Smith’s. Let [p67] us go on and swell Larkin’s commission at once. You are probably better up in housekeeping than I am, Lynn,—if I forget any item you must jog my memory. My sister will be quite delighted that we have saved her all this trouble.”
Octavius was speedily wide-awake.
He had always liked the Judge’s children, and took a special interest in Lynn, who had composed the following song for him:—
But this was beyond everything good and thoughtful of the child. And as to Larkin, who had obtained her interest so well—well, the lad should have a “thumping” commission on the order.
The old man’s hand began positively to shake as he wrote and wrote at the order.
It was Lynn who suggested everything, with Max occasionally coming in with a brilliant thought like “hundreds and lousands of laspberry jam.”
As for instance—soap. “Yes, you will need soap,” Lynn said; “how much? Oh, I think you always order grocery things in half-dozens.”
“Half-dozens be it,” said Hugh.
[p68] “Six bars of soap,” wrote Octavius, who was a little deaf, and had not heard the quantity difficulty. “Six pounds of sago, six tins of curry-powder, y-y-yes, six jars of honey, certainly, six tins of tongue, six tins of asparagus, six pounds of pepper, six clothes pegs. Bacon? Any favourite brand?”
“Well, all I’m particular about,” said Hugh, with a twinkle in his eye, “is that it shall be prime middle cut and elevenpence a pound.”
“Just the very thing I make a speciality of!” cried the old man marvelling.
Finally the order was complete; it took two pages of the order book. Octavius would have to borrow Burunda’s one cart to deliver so tremendous an order; the usual thing was for Larkin to carry goods in a basket on horseback.
He would have to go over to his brother Septimus and borrow some things,—asparagus, for instance; he never kept more than two tins at a time of so expensive an article. And pepper—his whole stock of pepper at present was but three pounds!
He bowed his customers out, rubbing his hands together, praising the day, the view—everything. Some enormously wealthy friend of the Judge, without a doubt. Possibly the Premier from some other State—yes, most likely a Premier—who else could want six tins of tongue? Doubtless he was going to [p69] entertain the Ministers at a picnic at the waterfall.
“The Premier” came back after he had gone a step or two.
“Look here,” he said, “just wrap me up some of that bacon and a few eggs, and I’ll take them with me now. We’ve nothing for breakfast at our house.”
Half-way down the hill again, Lynn, speechless with the thought of telling Pauline and Muffie about her brilliant success, Max, a little depressed—he could never walk before breakfast without feeling very large and hollow inside—Hugh, blandly holding to him the parcel of eggs and bacon, met an unexpected sight—Kate toiling along up the steep grade on her bicycle.
“He-he-he!” giggled Lynn; “look at that funny fat woman on a bicycle.”
“It’s only a lack bicycle,” said Max critically, “mine’s led.”
The funny fat woman got off in a most agile fashion when they came alongside.
“My dear Hugh!” she said, “and I imagined you still sound asleep. What on earth are you after now?”
“Eggs and bacon,” said Hugh promptly, “and you can just come home and fry them for me. Exercise must wait for a more suitable time.”
“Exercise!” panted the lady indignantly, [p70] “why, I was just killing myself to get up to a store, and buy some butter for your breakfast, I had quite forgotten to bring any.”
“We have ordered it,” said Hugh—“six pounds of it. My little lady friend here informs me that it is the correct thing to order groceries in half-dozens. I like doing the correct thing, though a doubt did cross my mind as to the advisability of laying in six pounds of pepper.”
“Six pounds of pepper! Oh, Hugh, you are joking.”
She looked helplessly at Lynn.
But Lynn’s sensitive little face was scarlet; she had called this bicycle lady “a funny fat woman,” and here she was a friend of this very nice man’s.
She did not know whether to gasp out an apology or remain silent. The latter course commended itself, however, to her, as it ever does to children.
“You don’t mean to say you have given a grocery order without consulting me, Hugh?” insisted the lady.
“Just a little one to see us over to-day,” said Hugh. “Half a dozen ox-tongues, half a dozen bars of soap—I forget the rest. I thought they would come in useful.”
“Why, man,” cried Kate, “the kitchen is full of packing-cases of groceries that I brought from town. You don’t imagine I [p71] was going to let you run the risk of inferior things from a country store!”
“It is prime middle cut, I assure you,” said Hugh seriously.
“I am going up to cancel your ridiculous order,” said Kate determinedly, preparing to mount. “I shall explain to the storekeeper that you are not responsible for your actions.”
“You are going home to fry my bacon,” said Hugh, as he whirled her bicycle round; “if you don’t I swear I’ll sit down here and eat it raw.”
[Back to Contents]
[p72]
CHAPTER VII
LETTERS TO A MOTHER
One morning, not long after this, there came to Miss Bibby at “Greenways” a letter from Thomas Bibby in the city.
Thomas was the sole male member of the family of Bibby, and was a hard-headed young clerk in the commercial department of a big evening newspaper. He had been brought up by his sisters;—there were three more Misses Bibby scattered about the State, teaching, or in similar positions of trust to the “Greenways” Miss Bibby. And they were all inclined to be literary. Clara Bibby wrote verse; if you happened to be a reader of obscure country newspapers you would frequently come across a poem entitled Australia—my Country, or Wattle Blossom, with the signature “Clara L. C. Bibby” beneath it. Alice, the quietest, gentlest little person in the world, wrote vehement articles in the suburban Woman’s Political Organ. And Grace had actually brought out a book. A [p73] publisher had been touched at her despair when he handed her back her useless MS., and suggested she should compile a cookery book for him, which after a little time of dignified sulking she did; and the book came out and, there being room for it, had a most successful sale. And Grace, quite pleased and surprised, positively taught herself to cook from it, and found the subject so full of interest that she abandoned her heroines and started a second volume of Cookery Hints for Busy Housewives. But it galled the pride of Agnes, the “Greenways” Miss Bibby, and Clara, the poetess, and Alice, the Woman’s Voice, that she signed it with her own name. They were confronted everywhere with Bibby’s Cookery Book.
Thomas, after he had finished being brought up by these ladies, surprised every one by his faculty for business. They took him in his eighteenth year to the editor of an evening paper who was known to them, and begged that he should be received into the office to gain an insight into literary life, as they hoped in a few more years he would become a novelist.
“Suppose I’ll have to give you a trial,” growled the editor to the sulky-looking novelist-to-be, when the ladies had fluttered away. “Here you are, here’s a bank manager made a mess of his accounts—no roguery [p74] about it, simple confusion, and he goes and shoots himself and his wife—can you turn that into a novel of two hundred words?”
“No, I can’t,” said Thomas, who hated all things literary. Then his sulky look vanished and his eyes brightened. “But I tell you what I could do—go and straighten out the poor chap’s accounts.”
“Here,” said the editor, “you’d better go downstairs, my fine fellow, and ask Mr. Gates to give you a stool in the office.”
So Thomas became a valued clerk in the counting-house. And presently when a foolish, feminine speculation swept away the income of the sisters, Thomas established himself as guardian of their bank-books, and general business man of the family.
The sisters, though a little money was still left, decided to take situations as governesses and companions, telling each other it would widen their outlook on life, and give them experiences that might prove invaluable in their literary work. Judge and Mrs. Lomax felt themselves fortunate when Miss Agnes Bibby, with such unquestionable credentials, appeared in answer to their advertisement for some one to take charge of their family during their absence.
And now came a letter from Thomas in the city to Agnes at “Greenways”:—
“Here’s a chance for you if you can only take it. We’ve just heard that writing chap, Hugh Kinross, has gone to Burunda for a holiday. The beggar has dodged every attempt at an interview, though we and every other paper, for the matter of that, have lain for him in every possible place. Well, I was talking to the editor the other day—he’s no end affable to me, and often has a chat—and I happened to say you were at Burunda. And he said, ‘Burunda! why that’s where Kinross is taking a holiday. Tell her to get any interesting information she can about him, and I’ll pay her well for it. If she can manage an interview—a woman can rush in sometimes where a man fears to tread—I’ll give her six guineas. Yes, and take one of the stories with which she is always bombarding me, hanged if I won’t!’
“You can see it’s worth trying for, old girl. Six guineas down for the interview, and say another four for a short story, not counting getting into print at last. Go in and win, say I. I’m sending with this an English mag. or two, with interviews in to show you the style of thing they need.
“You can easily find him out; he’s sure to be at one of the hotels. Dog him on a walk some day, and then when you’ve got him cornered somewhere where he can’t escape, [p76] whip out your note-book and make him hold up his arms. Butter him up a bit, and he’ll give in; he’s not been famous long enough not to feel inclined to purr if you rub him the right way.
“He’s written two or three books; Liars All is one of them. They’re not in your line, of course, but I must say they’re not at all bad. Well, go in and win.
“Yours,
“Tom.
“PS.—I banked thirteen pounds six to-day
for Grace—more royalties from the Cookery
Book. Why don’t you try something in the
same line? Poultry Keeping for Retrenched
Incomes, for instance; it would sell like penny
ice creams on a heat-wave day.”
Miss Bibby, after reading this letter for the third time that day, hastened into the dining-room where the children were awaiting her, a red spot on her cheek, and a hole burning inside her sleeve near her elbow, where, being pocketless as any modern woman, she had tucked the letter.
[p76a]
“She exacted half-an-hour a day at the piano, from each
of the little girls.”
She kept her thoughts away from it only by desperate expedients, such as sternly reminding herself that her time at present was paid for by Judge Lomax, and therefore belonged absolutely to him. Later in the [p77] day it would be a different matter, but now to her duties,—
“Pauline, Lynn, get out your pens this moment;—no, Muffie, you must write in pencil, you have spoiled the cloth with the ink you have spilled;—yes, yes, in a minute; Max, you sit here, dear, on the nice high chair, and then you can reach beautifully.”
Max firmly refused the nice high chair, which he long had considered beneath the dignity of a man with a pocket, and had to be established as usual on two or three fat music books placed on a “grown-up” chair.
There were no regular lessons during the holidays, but Mrs. Lomax having said vaguely, at leaving, that she hoped the little girls would not have quite forgotten their scales, and how to write and read, before the governess returned, Miss Bibby had considered it her duty to see to these things.
So she exacted half an hour a day at the piano from each of the little girls, and faithfully sat beside them saying: “One, two, three, four, don’t droop your wrists, Lynn; one, two, three, four, count, Pauline; one, two, three, four, thumb under, Muffie.”
And she established two letter hours a week, and saw to it that the children wrote to their parents in their best hand for one page, though she allowed a “go-as-you-please” for the other pages, judging that that would give [p78] most pleasure across the wash of the Pacific seas.
“My dearest Mummie and Dad,” wrote Pauline this afternoon, “I played my Serenade through yesterday without one single solitary mistake.”
Then she looked up with trouble in her eyes.
“Miss Bibby,” she said, “you know just where you turn over and the chords begin, are you sure I didn’t play D flat there, instead of D natural?”
Miss Bibby started guiltily; as silence had settled slowly down over the room her thoughts began to drop nearer and nearer to her elbow.
“I don’t remember, dear,” she said; “didn’t I praise you—didn’t we say you could tell mother that you had it quite correct at last? Yes, I remember quite well.”
Pauline sighed. There was no help for her spiritual difficulty here. That doubtful D flat had made her toss restlessly for half an hour before she slept last night. She was consumed by the desire to write the glorious news to her mother, and even Miss Bibby, exigent Miss Bibby, had said the piece was perfect. But Pauline herself had a lurking, miserable doubt in her mind; she seemed to recollect just one mistake, just one tiresome finger jumping up to a black note, when it should have played a white one with a slur. She stared wretchedly at the written statement [p79] before her. Suppose it were not true—think of writing a lie, an actual lie to mother! But, indeed, if she really knew for certain that she had played D flat she would not dream of writing so. It was the doubt that tormented. She had better not write so certainly—yes, she would add something that would leave the question more open. “Perhaps” was the word, of course,—“perhaps” excused many, many things. She read over the beginning once more, imagining it to be her mother’s eye perusing.
“‘My dearest Mummie and Dad,—I played my Serenade through this morning without one single solitary mistake perhaps.’” Oh, how the wretched word pulled one up, tarnished the brilliant achievement!
“Pauline, you cannot have finished; sit down,” said Miss Bibby.
Pauline shook her head gloomily. “I can’t write yet,” she said; “I think I’ll just go and play it over once more to be certain. That might have been D flat.”
“Oh,” said Miss Bibby excusingly, for the Serenade was long, like the lay of the Last Minstrel. “Mother won’t mind, dear—just say you played it very well, and I was much pleased.”
But Pauline shook her head wretchedly.
“I think I’ll play it again,” she said, and [p80] crossed over to the piano with melancholy eyes.
Lynn was wrestling with her first page.
“‘Dearie mother, we don’t cough so mush’ (how do you spell cough, Miss Bibby? There’s a horrid g or q in it somewhere, I know)—‘I don’t smudg so mush.’ I wish (Oh, dear, you said we oughtn’t to say we wished she’d come back, didn’t you, Miss Bibby, cause she might stop enjoying herself? What else could I put after ‘I wish’? I’ve got that written).”
“Suppose you say you wish you could write better,” suggested Miss Bibby.
“I suppose that will have to do,” said the little girl sadly. “No, I’ll tell you, ’cause I don’t much want to write better, I’ll say I wish words would ryum better. Look at beauty, nothing will go with it but duty, and duty is such a ugly word in a song, isn’t it?”
“No, I think it is a beautiful word,” said Miss Bibby; she expected herself to say this, and was not disappointed.
“Well, I don’t,” sighed Lynn. “I could have made a lovely song this morning. It began—
but I couldn’t go any farther, ’cause there was nothing to ryum but that horrid duty.”
[p81]
“I think you could have made it very
pretty, dear, with that word,” said Miss Bibby.
“And say rhyme, Lynn, not ryum. You
could have said,—
—something like that, you know, dear.”
finished Lynn discontentedly. “No, I didn’t want it to go like that; it was just going to be a springy sort of a song, with wild birds in it, not a lessony sort.”
“Well, get on with your letter, my dear,” said Miss Bibby, who was often helpless before the fine instinct for the value of words with which Lynn had been gifted.
So Lynn continued in a cramped hand, “I wish there were more nice words—duty won’t do.”
This was a sentence calculated to puzzle even parents intelligent as Judge and Mrs. Lomax imagined themselves.
Then the child turned over to her “free” sheet, on which she might write and spell as she pleased, and gazed at it wistfully.
Oh, to purr out her little heart upon it [p82] so that the mother so far away might hear her speaking, whispering, just as if she were cuddled up in the dear arms!
What a tragic thing this was in her hand, this red pen with the end sucked nearly white, so powerful, so powerless!
“I love you,” she wrote, and then covered a line or two with black crosses, that meant a passion of kisses. Oh, to catch at all the words that were surging in her heaving little breast, and to force them down on the white sheet, and to send them away red-hot across the sea!
She dipped wildly in the ink, she breathed hard and held the pen in almost a convulsive way. But the pitiful steel thing only spluttered, and left a few lines of black scribble. Could the mother understand that? Ah, perhaps, perhaps.
“I hop you are well, from Lynn.”
And so concluded the bi-weekly letter, with a big tear as usual, for Lynn simply could not write to mother without crying a little, though for the rest of the time she was a merry little grig.
Muffie was still blissfully untroubled by the need of orthography, and scribbled steadily over four pages, her lips moving all the time to such tune as “‘so we went down the gully and ferns, such a lot. And I got the best of all, and it’s under the house for you in a tin from [p83] Anna, and all of it’s for you in the bushhouse at our proper house and daddie.’”
After a time the Serenade began to get upon the nerves of all the room.
Eleven times did poor Pauline attack it and eleven times did she have a breakdown. It was not always the D flat that caused the downfall, though Miss Bibby found herself listening with nerves a-stretch every time the difficult bar approached. And she felt inclined to cry with thankfulness everytime the child went smoothly past. But then just as surely as her nervous tension released itself, and she began to comfort herself that the concluding page could not fail to go well, a stumble, a slip, a despairing cry from the piano stool, and the whole performance began again.
“Oh, make her stop, Miss Bibby,” implored Muffie; “she intrupts me dreadf’lly, and I’m in the middle of telling about the fat lady that rides on a bicycle.”
“Make her stop,” said Max, she “intlups me worse. I’ll never get my letter done.” Max, except for a wavy line or two in red chalk generally confined his correspondence to enclosing tangible sections of things in which he was interested at the time. To-day he had stuffed into his envelope a clipping from the tail of Larkin’s horse, one of the white daisies Trike was being nourished upon, some shavings of coloured chalks from a box [p84] on which he had just expended his final penny, and a few currants from his last drop cake.
“I’m getting all my chalks mixed up with her intlupting me,” he complained, looking angrily towards the piano where the devoted Pauline still battled madly with the Serenade.
“Pauline, my dear child, I shall go out of my senses if you play the thing again,” Miss Bibby said desperately, as Pauline for the twelfth time began the clashing chords that opened the piece, and served as contrast for the gentler music of the Serenade itself.
“I’ve—I’ve sworn to myself to get it right,” said Pauline wildly. Her lips were quivering, her eyes were full of tears, her very hands were shaking with weariness.
“You shouldn’t swear,” began Miss Bibby.
“The butcher does,” volunteered Max.
“I—I mean it is wrong to bind oneself by a promise one may not be able to keep,” Miss Bibby added hastily. “And you are not to talk to the butcher, Max. Shut the piano now, Pauline, and another time when you are quite calm——”
“I’ve got it w-w-written,” sobbed Pauline, fighting with the keys through a mist of tears.
“You can easily start another letter,” said Miss Bibby distractedly; “don’t mention your music this time—your mother won’t mind.”
[p85]
“No, I can’t stop; I can’t stop,” wailed
Pauline, playing on as if under a spell.
At this point Anna stalked into the room.
“Which I’m quite aware it isn’t my place, Miss Bibby; but I’m here to look after the children as well as you,” she said, “and them down with whooping cough that dreadful they can’t eat potatoes, and getting punished like this till the very kettle in the kitchen is ready to scream, and the Missus don’t believe in punishing, no, she don’t, and it’s a good deal longer I’ve lived in the fambly than some people, and knows the ways better, and the tears streaming down the poor child’s face like you never saw.”
Pauline had quivered once or twice during this heated speech, but as it finished she crashed on to D flat yet again, fell off her stool on to the floor, and rolled about screaming with laughter.
Even Miss Bibby was forced to smile a little, for Anna was plainly suffering keenly, and had bottled it up for some time.
“You mean well, Anna,” she said quietly, “even if you don’t express yourself well. You can put on your hat and take the children to the waterfall; it will do you all good, for it will be cool down there. I will go to the post, lock the side door, and put the key under the mat.”
In ten minutes “Greenways” lay still and [p86] peaceful once more among its trees, as if no Serenade had ever troubled its repose. The children were scampering down the gully with Anna following warily, certain she heard a snake at every step.
And Miss Bibby, the letters under her arm, was buttoning her gloves inside the gate, and settling her veil for the walk up to the township.
[Back to Contents]
[p87]
CHAPTER VIII
ACROSS THE RUBICON
But Larkin came along, Larkin, his auriferous hair glinting in the sun, Larkin, with his empty grocery basket swung on his rein arm, and a sheaf of papers under the other.
Larkin came along. And the whole course of Miss Bibby’s life was thereby changed.
“Good-morning, ma’am,” said the boy; “anything I can fetch yer down fer tea?”
“No, thank you,” said Miss Bibby.
“I’ll post yer letters for you,” continued the youth; “I’m going straight back.”
Miss Bibby reflected a moment.
It would certainly save her some time if he did so, and she had nothing now to do until tea—yes, it would give her a chance to read Thomas’s letter once more, and consider things quietly.
“It’s a bit ’ot, walking,” Larkin said encouragingly. She handed him the letters.
“Put them in your pocket,” she said, “and be sure to post them very carefully.”
[p88]
“I posts a good few ’ereabouts, and no
complaints,” smiled Larkin. “So nothing’s
wanted?” There was a note of sadness in
the last question.
“Well, perhaps I could do with a tin of sponge fingers,” said Miss Bibby softening.
“Thank you, Miss Bibby, ma—am, twopence,” said Larkin, digging his heel into his horse and flying off. Twopence represented his commission; of course, without knowing it, he was falling into the habit of calculating it aloud.
Miss Bibby walked slowly back along the path, and with one slender white hand drew out again from her sleeve the agitating letter from Thomas. Again she read it steadily. Again she walked back to the gate, thinking deeply.
Actually at the gate she lifted her eyes and looked, with a quivering sigh at “Tenby,” blinking shadeless in the afternoon sun.
The thing was impossible, of course. Not for anything in the world could she march up to that dread door and calmly propose to interview its almost sacred tenant.
Yet what a chance it was—in very truth the chance of all her lifetime! To have a story in print and paid for, she had craved this during all the long years that separate fourteen from thirty-six.
Again she walked towards the house, again [p89] back, this time along a higher path, to look yet again across the front hedge to the fateful cottage opposite.
And this time the higher position disclosed a view of the cottage not obtainable from the big gate. And this view included a little side verandah. And the little side verandah included Miss Kinross, her ample proportions disposed upon a small rocking-chair,—Miss Kinross amiably engaged in eating bananas, and reading a penny woman’s paper in the hope of finding therein some new dish with which to tempt Hugh’s appetite.
How very ordinary she looked, how very good-natured and stout!
Sudden and brilliant ideas came more seldom to Miss Bibby than to the children she was “care-taking.” But undoubtedly one seized her now. The author himself was plainly either out, pacing a mountain top as he worked out his ideas, or else shut up securely in his study.
What if one threw oneself on the mercy of the stout, kindly-faced lady over there and implored her aid in the delicate task!
Miss Bibby did what she had probably never done since she was twenty—acted upon a sudden impulse instead of weighing and considering her action for days and weeks. She found herself moving across the road, lifting the latch of “Tenby’s” gate, walking, [p90] not to the front door and ringing the bell in a respectable fashion, but forcing her trembling knees to carry her directly round to the side verandah.
Miss Kinross looked annoyed; few of us like to be caught by a stranger when we are tilted well back in a rocking-chair eating bananas in our fingers instead of upon a fruit plate and with orthodox knife and fork.
“Oh,” said Miss Bibby, “pray don’t be vexed; pray forgive me, it must seem unpardonably rude, but I—I——” She put her hand to her throat a moment, too agitated to continue.
Miss Kinross laid down her banana skin and rose to her feet, rapidly disarmed.
“It is Miss Bibby, is it not?” she said, holding her hand out with her most pleasant smile. “My brother told me your name; now where will you sit, do you like a low chair? try this one. It is kind of you to look us up so early.”
Miss Bibby sat down still struggling with her agitation.
“I,” she said—“I—not a visit—should not presume—an author’s time—I came simply to ask a favour of you—so great a favour I—simply feel now I am actually here that it is impossible to ask it.”
“Well, you must think better of that feeling, for I really love any one to ask me a favour. [p91] I believe all stout people are the same, a little weakness of the flesh, you know”; and Miss Kinross gave her visitor a smile so winning, so encouraging, that Miss Bibby’s heart began to beat in its normal fashion again.
“But first,” continued Miss Kinross, “we will have some tea. Now don’t say you have had yours, if there is one thing I dislike it is drinking my afternoon tea in solitary state.”
No, Miss Bibby had not had tea; Thomas’s letter and the Serenade together had put even her severe afternoon drink of plain cold water out of her head.
But when Miss Kinross made a favour of it like that, how could she refuse to receive a cup when the maid carried out the tray?
“Yes,” she said to the query about sugar, and “Yes” to milk. And “Yes, fairly strong,” when asked how she liked it. No one would have dreamed it was more than six years since her last cup.
Possibly it was the unaccustomed stimulant that loosened her tongue; possibly it was the warm womanly sympathy that shone in her hostess’s brown eyes—eyes that had made more than one person declare that Kate Kinross was absolutely beautiful, despite her avoirdupois. At any rate, Miss Bibby found herself pouring out all the story of her thwarted life, all the long tragedy of the [p92] seven declined novels in the trunk across the road.
Miss Kinross gave eager sympathy. That was nothing, nothing; many authors now famous had been declined again and again.
“Seven times?” asked Miss Bibby, with gentle mournfulness.
“Certainly,” said Miss Kinross stoutly. “Why, look at Hugh, it is his favourite boast that there isn’t a publisher in England who has not refused him at one time or another; nor one who wouldn’t be glad to accept him to-day.”
“Mr. Kinross—refused!” echoed Miss Bibby. Her world seemed in need of reconstruction for a minute. Then a strange warmth and comfort gathered about her poor heart. This made the author less terribly aloof, less altogether impossible to question if she should have the happiness of obtaining an interview.
She put her request at last very timidly to her new friend.
“Do you think he would give me an interview—just a very, very short one?”
But now Kate Kinross was perturbed.
“My dear girl,” she said (all women she liked were “dear girls” to Kate), “I simply dare not ask him. He has stood out against it so persistently all these five years. He simply hates publicity; he says all he asks is [p93] to do his work, to do it as he likes, and to go his own way as unmolested and as privately as a bricklayer does.”
“But just a very, very short one,” pleaded Miss Bibby. She went on to tell Kate about Thomas’s letter, the editor’s offer, this chance of a lifetime for herself.
Kate almost groaned.
“Five years have I kept them off him,” she said, “five whole years, and not one interviewer have I even allowed to get across the doorway! And you would have me plot against his peace like this!”
Miss Bibby urged no more, just sat still and swallowed heroically once or twice, and then said smilingly that it “didn’t matter at all.”
But Kate’s keen eyes were on her all the time. Something about this slender woman with the grey, half-startled eyes, and the soft mouth that quivered so easily, and the soft, thin cheek where the pink pulsed to and fro as rapidly as in a young girl’s, touched her curiously.
She stood up at last and put a hand on her visitor’s shoulder in a hearty, encouraging way.
“My dear girl,” she said, “come along, you shall have your chance. He had his, I’ll remind him of that. He will probably never forgive me, but I will risk that. Come along.”
[p94]
“But not now—you don’t mean now?”
gasped Miss Bibby, shrinking back in actual
alarm, for her hostess seemed seeking to pilot
her into the house. It would certainly take
a week or two to persuade the author, she
counted, and she herself would consequently
have that length of time in which to screw up
her courage.
“Certainly now,” said Miss Kinross, “this minute. Why not? He’s only in that room across the hall.”
“Oh, oh,” gasped Miss Bibby, “I—I must have time—I—I daren’t—Oh, Oh—don’t knock at the door—for Heaven’s sake.”
Kate laughed and drew back one moment.
“My dear girl,” she said, “he’s not in the least brutal, as he seems from his books. You couldn’t meet with a more harmless man if you hunted for a year. Don’t you be alarmed—why, you silly girl, you are actually trembling! He is nearly as stout as I am, and much more good-natured, and you’re not afraid of me. Now, come along.”
She opened a door without knocking and put in her head.
“Hugh,” she said, in as bland a tone as she could call up, “I have brought a lady to interview you for the Evening Mail. I have assured her you will not object. Well, I shall see you again in half an hour, Miss Bibby.”
[p95]
And Miss Bibby felt herself pushed gently
into the study of Hugh Kinross, and all
retreat cut off behind her by the silent closing
of the door.
[Back to Contents]
[p96]
CHAPTER IX
THE INTERVIEW FOR THE “EVENING MAIL”
Kate could hardly have chosen a more inopportune moment. The hero, who had troubled Hugh’s repose in the moist atmosphere of the city, persisted in behaving in an untoward fashion, even when translated to an altitude of three thousand feet or so. He still perorated, still posed like a shop-walker, still behaved like a puppet, with its pulling strings in plainest evidence.
It was a mercilessly hot afternoon. All over the mountains the tourists were asking themselves in bitterness of spirit why they had left their comfortable homes in the city to subject themselves to weather like this. They all had the feeling of being wronged out of their money; the hotel-keepers, the house-agents, had lured them here under false pretences, and positively deserved punishment.
The sweat of heat and mental exertion poured down Hugh’s face. He had followed [p97] his usual plan of work this year, that of drifting pleasantly along for nine months, jotting down a few notes, and writing a chapter now and again; and then pulling himself sharply together, and trying to work like a horse, and get all his ideas reduced to paper, corrected, re-written, and made ready for Kate to type in three months. Every New Year’s Day he sat with Kate and mapped out a plan of work for the fresh year, that was to be utterly dissimilar to this reprehensible practice. Sometimes they got paper, and planned out each month’s work, so many chapters to the month; it was surprising how simple it all looked, put down like that. For instance, one book a year, when a year consisted of three hundred and sixty-five days, was not too much to expect from a moderately active man in full possession of his health and faculties. One book a year represented say, thirty chapters, sixty or seventy thousand words. Seventy thousand words, divided by three hundred and sixty-five days, represented less than two hundred words a day. It looked like child’s play—on the sheet of paper. It fairly astonished Hugh when he saw the whole question of his authorship thus reduced to its simple factors in black and white. Kate had typed the remarkable memorandum for him last year, and pasted it on a card, so that he might prop [p98] it up before him on his desk as a constant reminder.
Two hundred words a day! He used to spend much of the early part of January leaning back in his chair, happily planning out the accomplishment of two or three books which had long been in his head, but which want of time had hitherto prevented from getting as far as his writing-block. Yes, he determined (in January) that it was more than possible to have the whole three finished by next December; he was not married, his time was his own, he could order his days as he pleased, and turn night into day, and day into night, exactly when he chose. Why, when the good moods came, did he not write five thousand words a day, easily, eagerly! And this steady writing of a couple of hundred words a day would bring the good mood often, no doubt.
Yes, he would finish the three books this year—the subjects were all to his hand—and possibly the play he had had tucked away in his mind so many years. And some verse, too—the luxury of verse was very dear to him.
Brave January with the sun of resolution flaming high in the sky!
It was December now.
The poet might have as truly spoken of the facilis descensus to December as to the torrid region he mentioned.
[p99]
It was December, and Hugh’s first book
still wanted forty thousand words to complete
it. The other two works, the play,
the verses, were still in the pale nimbus that
ever plays tantalizingly around an author’s
desk.
It was December and the publisher was clamouring for copy. In the proud insolence begot of January’s shining possibilities and Kate’s neat memorandum, Hugh had promised his book by August.
And the long-suffering, kindly publisher, sympathetic over an author’s mood, had refrained from overmuch pressing of his claim for three months. But it was December now and he was growing restive; the MS. had to be typed, had to waste five weeks at sea, to be read in London, to be placed as advantageously as possible for serial rights in various countries, to be illustrated, to be printed, proofs had to be sent out for correction, to be returned, ten more weeks had to be lost at sea, and yet the book be published in the sacred season of autumn, nine short months hence.
The publisher was restive and Hugh desperate.
He had sworn to himself this afternoon nearly as fiercely as Pauline had that he would not leave the room until he “got it right.” Pauline was granted the relief of [p100] tears. Hugh could only give vent to his tumult of mind by tearing off his collar and hurling it into one corner of the room, peeling off his coat and flinging it under his table, and kicking off his white canvas shoes. These last he had purchased from one of the shoe-makers in the township only this morning, having neglected to put any footgear at all in his portmanteau. And being only two and elevenpence—none better were kept in stock—the shoes were badly cut and pinched him atrociously.
One at present reposed, sole upwards, on a chair where it had alighted after a vigorous aërial flight, and the other stood its ground in the middle of the floor.
And this was the manner of author Miss Bibby found herself suddenly shut up with for an interview destined for the Evening Mail!
Hugh spun round in his chair at Kate’s bland voice. He probably imagined he was in his revolving-chair at home, but he was not, and the frail article beneath him, unused to gyration upon one leg, gave way instantly and all but precipitated him at full length before his visitor.
Max, who an hour before had impugned the butcher’s impurity of language, would have found that in some respects a butcher and an author were men and brothers.
[p100a]
“Hugh spun round in his chair at Kate’s bland voice”
There was only one word; but the vigorous [p101] deliverance of it made Miss Bibby catch her breath and clasp her hands.
“I have startled you, madam,” said Hugh, facing the “limp lavender lady” as he had called her to Kate; “and I ought to apologize, I am aware, but I don’t. I would have apologized had I been betrayed to it in a drawing-room. But this is my work-room, where I see nobody.” The last four words were almost thundered.
Agnes Bibby was praying—actually praying for courage. Her throat was working, her grey eyes had their most startled look. She was twisting her hands nervously together.
Hugh was not in the least conscience-stricken at her evident lack of composure.
He seriously considered for one second the expediency of repeating the word, and adding a few others to it, and so scaring the lavender lady out of his room and out of his life for ever.
But then he noticed she was actually trembling, and though his savage impulses were still well to the fore, he dragged up a chair and said “Sit down.”
Miss Bibby sat down uncertainly, still gazing at him as if half expecting he might pounce on her and eat her at any second.
“And now what incredible thing was it I heard my sister say?” he asked.
“She—Miss Kinross—was good enough to try to help me to—an interview—a very [p102] short one—with you,” said Miss Bibby, gathering breath and strength with the opening of her mouth.
“An interview! And my sister—my sister, Kate Kinross—is party to it!”
“She was willing to help another woman,” said Miss Bibby.
“Ah,” said Hugh, “I see, the two of you have plotted together to entrap a defenceless man.”
Miss Bibby ventured on a faint smile, for the author was certainly smiling now. How was she to know, as Kate might have done, that it was his dangerous smile?
“Well, I hope you are going to forgive me, and grant my request,” she said.
“And if I don’t—if contumaciously I refuse?” said Hugh.
Surely Miss Bibby’s prayer for courage was answered. She looked him gently in the eyes.
“I should try again,” she said; and when he laughed at her fluttering audacity, she actually added, “and still again.”
“I see, I see,” he said, “I’m plainly powerless. Well, ‘if ’twere done at all, then ’twere well it were done quickly.’ Fire away, Miss Bibby; just regard me as a lamb led to the slaughter.” There was a twinkle in his eye so demoniac that Kate would have been truly alarmed.
[p103]
But now Miss Bibby was at a disadvantage.
“I—unfortunately I have come unprepared,”
she said. “I did not expect to get the interview
for quite a week. I brought no pencil
and paper, and I might forget something
you say.” She looked distressedly at his
table.
“Oh, don’t mention a trifle like that,” said Hugh urbanely; “permit me to lend you my fountain-pen”—he handed it to her—“and, this writing-block, is that sufficient paper?”
“Oh, quite,” she said gratefully.
“Now then,” said Hugh, and he leaned back in his chair and lowered his eyelids over his wicked eyes, “I will answer any question you like to put to me.”
“How good you are!” breathed Miss Bibby.
Then there was a dead silence in the little room.
“Well,” said Hugh, opening his eyes, “why don’t you begin? It cannot be that compunction has suddenly seized you, I fear.”
The woman’s grey eyes wore their startled look again, there was the pink flag of distress on her cheeks.
“I—I cannot think of any of the questions I should ask,” she said chokingly. “I meant to have carefully studied other interviews; I did not expect to have it so suddenly. Oh, what can you think of me for wasting [p104] your time like this?” She made a motion as if to rise and go. But Hugh waved her back to her chair.
“Possibly,” he said with smoothest courtesy, “I may be able to help you. It would be a pity to let such trifles prevent you from earning money. I presume you will be paid for this?”
“Oh yes,” said Miss Bibby, “I am offered six guineas for it.”
“Ah! And you need the money?”
“Well, I am not actually in want of it,” said Miss Bibby, “but——”
“But you could do with it, I see; most people can, can’t they? Well, let us get on. You want to know all about my private life, don’t you?”
“Oh,” said Miss Bibby, shocked. “I should not like to intrude like that. Just simple questions, I—I think they generally ask where you were born.”
“No, no,” said Hugh; “you haven’t studied the question, it’s plain. The public don’t care a hang nowadays where or how or when a man’s born. What they want to do is to lift the curtain suddenly from his home and see him going through the common round of his daily life. By George, wouldn’t they like to catch him beating his wife! A glimpse like that would make an interviewer’s fortune. ’Pon my soul, Miss Bibby, I’d give you the [p105] chance—you are so indefatigable—if I had such a thing as a wife.”