"Look!" she cried, a few moments after. "There is just such a cloud-shadow sweeping over that long hill on the left. Is it true, I wonder? I never see those flying shadows without thinking of 'Charon sweeping over them.' It is such a comfort, Rose, that we like the same things, isn't it?"
"Indeed it is!" said Rose, heartily. "But, oh! Hilda dear, stop a moment! There is some yellow clover. Why, I had no idea it grew so far north as this!"
"Yellow clover!" repeated Hildegarde, looking about her. "Who ever heard of yellow clover? I don't see any."
"No, dear," said Rose; "it does not grow in the sides of buggies, nor even on stone-walls. If you could bend your lofty gaze to the ditch by the roadside, you might possibly see it."
"Oh, there!" said Hildegarde, laughing. "Take the reins, Miss Impudence, and I will get them." She sprang lightly out, and returned with a handful of yellow blossoms.
"Are they really clover?" she asked, examining them curiously. "I had no idea there were more than two kinds, red and white."
"There are eight kinds, child of the city," said Rose, "beside melilot, which is a kind of clover-cousin. This yellow is the hop-clover. Dear me! how it does remind me of my Aunt Caroline."
"And how, let me in a spirit of love inquire, does it resemble your Aunt Caroline? Is she yellow?"
"She was, poor dear!" replied Rose. "She has been dead now—oh! a long time. She was an aunt of Mother's; and once she had the jaundice, and it seems to me she was always yellow after that. But that was not all, Hilda. There was an old handbook of botany among Father's books, and I used to read it a great deal, and puzzle over the long words. I always liked long words, even when I was a little wee girl. Well, one day I was reading, and Aunt Caroline happened to come in. She despised reading, and thought it was an utter waste of time, and that I ought to sew or knit all the time, since I could not help Mother with the housework. She was very practical herself, and a famous housekeeper. So she looked at me, and frowned, and said, 'Well, Pink, mooning away over a book as usual? Useless rubbish! yer ma'd ought to keep ye at work.' I didn't say anything; I never said much to Aunt Caroline, because I knew she didn't like me, and I suppose I was rather spoiled by every one else being too good to me. But I looked down at my old book, which was open at 'Trefolium: Clover.' And there I read—oh, Hilda, it is really too bad to tell!—I read: 'The teeth bristle-form'—and hers did stick out nearly straight!—'corolla mostly withering or persistent; the claws'—and then I began to laugh, for it was exactly like Aunt Caroline herself; she was so withering, and so persistent! And I sat there and giggled, a great girl of thirteen, till I got perfectly hysterical. The more I laughed, the angrier she grew, of course; till at last she went out into the kitchen and slammed the door after her. But I heard her telling Mother that that gal of hers appeared to be losing such wits as she had,—not that 't was any great loss, as fur as she could see. Wasn't that dreadful, Hildegarde? Of course I was wheeled over to her house the next day, and begged her pardon; but she was still withering and persistent, though she said, 'Very excusable!' at last."
"Why, Rose!" said Hildegarde, laughing. "I didn't suppose you were ever naughty, even when you were a baby."
"Oh, indeed I was!" answered Rose; "just as naughty as any one else, I suppose. Did I ever tell you how I came near making poor Bubble deaf? That wasn't exactly naughty, because I didn't mean to do anything bad; but it was funny. I must have been about five years old, and I used to sit in a sort of little chair-cart that Father made for me. One day Mother was washing, and she set me down beside the baby's cradle (that was Bubble, of course), and told me to watch him, and to call her if he cried. Well, for a while, Mother said, all was quiet. Then she heard Baby fret a little, and then came a queer sort of noise, she could not tell what, and after that quiet again. So she thought what a nice, helpful little girl I was getting to be; and when she came in she said, 'Well, Pinkie, you stopped the baby's fretting, didn't you?'
"'Oh, yes, Mother!' I said, as pleased as possible. 'I roared in his ear!' You may imagine how frightened Mother was; but fortunately it did him no harm."
Here the road dipped down into a gully, and Dr. Abernethy had to pick his way carefully among loose stones. Presently the stone-walls gave place to a most wonderful kind of fence,—a kind that even country-bred Rose had never seen before. When the great trees, the giants of the old forest, had been cut, and the ground cleared for farm-lands and pastures, their stumps had been pulled up by the roots; and these roots, vast, many-branched, twisted into every imaginable shape, were locked together, standing edgewise, and tossing their naked arms in every direction.
"Oh, how wonderful!" cried Hildegarde. "Look, Rose! they are like the bones of some great monster,—a gigantic cuttlefish, perhaps. What huge trees they must have been, to have such roots as these!"
"Dear, beautiful things!" sighed Rose. "If they could only have been left! Isn't it strange to think of people not caring for trees, Hilda?"
"Yes!" said Hilda, meekly, and blushing a little. "It is strange now; but before last year, Rose, I don't believe I ever looked at a tree."
"Oh, before last year!" cried Rose, laughing. "There wasn't any 'before last year.' I had never heard of Shelley before last year. I had never read a ballad, nor a 'Waverley,' nor the 'Newcomes,' nor anything. Let's not talk about the dark ages. You love trees now, I'm sure."
"That I do!" said Hildegarde. "The oak best of all, the elm next; but I love them all."
"The pine is my favorite," said Rose. "The great stately king, with his broad arms; it always seems as if an eagle should be sitting on one of them. What was that line you told me the other day?—'The pine-tree spreads his dark-green layers of shade.' Tennyson, isn't it?"
"Yes," replied Hildegarde. "But it was 'Cranford' that made me think of it. And it isn't 'pine-tree,' after all. I looked, and found it was 'cedar.' Mr. Holbrook, you remember,—Miss Matty's old lover,—quotes it, when they are taking tea with him. Dear Miss Matty! do you think Cousin Wealthy is the least little bit like her, Rose?"
"Perhaps!" said Rose, thoughtfully. "I think—Oh, Hilda, look!" she cried, breaking off suddenly. "What a queer little house!"
Hildegarde checked Dr. Abernethy, who had been trotting along quite briskly, and they both looked curiously at the little house on their left, which certainly was "queer,"—a low, unpainted shanty, gray with age, the shingles rotting off, and moss growing in the chinks. The small panes of glass were crusted with dirt, and here and there one had been broken, and replaced with brown paper. The front yard was a tangle of ribbon-grass and clover; but a tuft of straggling flowers here and there showed that it had once had care and attention. There was no sign of life about the place.
"Rose!" cried Hildegarde, stopping the horse with a pull of the reins; "it is a deserted house. Do you know that I have never seen one in my life? I must positively take a peep at it, and see what it is like inside. Take the reins, Bonne Silène, while I go and reconnoitre the position." She jumped out, and making her way as best she might through the grassy tangle, was soon gazing in at one of the windows. "Oh!" she cried, "it isn't deserted, Rose! At least?—well, some one has been here. But, oh, me! oh, me! What a place! I never, never dreamed of such a place. I—"
"What is the matter?" cried Rose. "If you don't tell me, I shall jump out!"
"No, you won't!" said Hildegarde. "You'd better not, Miss! but oh, dear! who ever, ever dreamed of such a place? My dear, it is the Abode of Dirt. Squalid is no word for it; squalor is richness compared to this house. I am looking—sit still, Rose!—I am looking into a room about as big as a comfortable pantry. There is a broken stove in it, and a table, and a stool; and in the room beyond I can see a bed,—at least, I suppose it is meant for a bed. Oh! what person can live here?"
"I am coming, Hilda," said Rose. "The only question is whether I get out with your help or without."
"Obstinate Thing!" cried Hildegarde, flying to her assistance. "Well, it shall see the lovely sight, so it shall. Carefully, now; don't trip on these long grass-loops. There! isn't that a pretty place? Now enjoy yourself, while I get out the tie-rein, and fasten the good beast to a tree."
In hunting for the tie-rein under the seat of the carriage, Hildegarde discovered something else which made her utter an exclamation of surprise. "Luncheon!" she cried. "Rose, my dear, did you know about this basket? Saint Martha must have put it in. Turnovers, Rose! sandwiches, Rose! and, I declare, a bottle of milk and a tin cup. Were ever two girls so spoiled as we shall be?"
"How kind!" said Rose. "I am not in the least hungry, but I should like a cup of milk. Oh, Hildegarde!"
"What now?" asked that young woman, returning with the precious basket, and applying her nose once more to the window. "Fresh horrors?"
"My dear," said Rose, "look! That is the pantry,—that little cupboard, with the door hanging by one hinge; and there isn't anything in it to eat, except three crackers and an onion."
Both girls gazed in silence at the forlorn scene before them. Then they looked at each other. Hildegarde gave an expressive little shake to the basket. Rose smiled and nodded; then they hugged each other a little, which was a foolish way they had when they were pleased. Very cautiously Hildegarde pushed the crazy door open, and they stood in the melancholy little hovel. All was even dirtier and more squalid than it had looked from outside; but the girls did not mind it now, for they had an idea, which had come perhaps to both at the same moment. Hilda looked about for a broom, and finally found the dilapidated skeleton of one. Rose, realizing at once that search for a duster would be fruitless, pulled a double handful of long grass from the front yard, and the two laid about them,—one vigorously, the other carefully and thoroughly. Dust flew from doors and windows; the girls sneezed and coughed, but persevered, till the little room at last began to look as if it might once have been habitable.
"Now you have done enough, Rosy!" cried Hildegarde. "Sit down on the doorstep and make a posy, while I finish."
Rose, being rather tired, obeyed. Hildegarde then looked for a scrubbing-brush, but finding none, was obliged to give the little black table such a cleaning as she could with the broom and bunches of grass. Behind the house was a lilac-bush, covered with lovely fragrant clusters of blossoms; she gathered a huge bunch of them, and putting them in a broken pitcher with water, set them in the middle of the table. Meanwhile Rose had found two or three peonies and some sweet-william, and with these and some ribbon-grass had made quite a brilliant bouquet, which was laid beside the one cracked plate which the cupboard afforded. On this plate the sandwiches were neatly piled, and the turnovers (all but two, which the girls ate, partly out of gratitude to Martha, but chiefly because they were good) were laid on a cluster of green leaves. As for the milk, that, Hildegarde declared, Rose must and should drink; and she stood over her till she tilted the bottle back and drained the last drop.
"Oh, dear!" said Rose, looking sadly at the empty bottle; "I hope the poor thing doesn't like milk. It couldn't be a child, Hildegarde, could it? living here all alone. And anyhow he—or she—will have a better dinner than one onion and—" But here she broke off, and uttered a low cry of dismay. "Oh, Hilda! Hilda! look there!"
Hildegarde turned hastily round, and then stood petrified with dismay; for some one was looking in at the window. Pressed against the little back window was the face of an old man, so withered and wrinkled that it looked hardly human; only the eyes, bright and keen, were fixed upon the girls, with what they thought was a look of anger. Masses of wild, unkempt gray hair surrounded the face, and a fragment of old straw hat was drawn down over the brows. Altogether it was a wild vision; and perhaps it was not surprising that the gentle Rose was terrified, while even Hildegarde felt decidedly uncomfortable. They stood still for a moment, meeting helplessly the steady gaze of the sharp, fierce eyes; then with one impulse they turned and fled,—Hildegarde half carrying her companion in her strong arms. Half laughing, half crying, they reached the carriage. Rose tumbled in somehow, Hildegarde flew to unfasten the tie-rein; and the next moment they were speeding away at quite a surprising rate, Dr. Abernethy having, for the first time in years, received a smart touch of the whip, which filled him with amazement and indignation.
Neither of the girls spoke until at least a quarter of a mile lay between them and the scene of their terror; then, as they came to the foot of a hill, Hildegarde checked the good horse to a walk, and turned and looked at Rose. One look,—and they both broke into fits of laughter, and laughed and laughed as if they never would stop.
"Oh!" cried Hildegarde, wiping the tears which were rolling down her cheeks. "Rose! I wonder if I looked as guilty as I felt. No wonder he glowered, if I did."
"Of course you did," said Rose. "You were the perfect ideal of a Female Burgler, caught with the spoons in her hand; and I—oh! my cheeks are burning still; I feel as if I were nothing but a blush. And after all, we were breaking and entering, Hilda!"
"But we did no harm!" said Hilda, stoutly. "I don't much care, now we are safe out of the way. And I'm glad the poor old glowering thing will have a good dinner for once. Rose, he must be at least a hundred! Did you ever see anything look so old?"
Rose shook her head meditatively. "It's dreadful to think of his living all alone there," she said. "For he must be alone. There was only one plate, you know, and that wretched bed. Oh, Hilda!" she added, a moment later, "the basket! we have left the basket there. What shall we do? Must we go back?"
"Perish the thought!" cried Hildegarde, with a shudder half real, half playful. "I wouldn't go back there now for the half of my kingdom. Let me see! We will not tell Cousin Wealthy to-day—"
"Oh, no!" cried Rose, shrinking at the bare thought.
"Nor even to-morrow, perhaps," continued Hildegarde. "She would be frightened, and might expect you to be ill; we will wait a day or two before we tell her. But Martha is not nervous. We can tell her to-morrow, and say that we will get another basket. After all, we were doing no harm,—none in the world."
But the best-laid plans, as we all know, "gang aft agley;" and the girls were not to have the telling of their adventure in their own way.
That evening, as they were sitting on the piazza after tea, they heard Miss Wealthy's voice, saying, "Martha, there is some one coming up the front walk,—an aged man, apparently. Will you see who it is, please? Perhaps he wants food, for I see he has a basket."
Hildegarde and Rose looked at each other in terror.
"Oh, Hilda!" whispered Rose, catching her friend's hand, "it must be he! What shall we do?"
"Hush!" said Hildegarde. "Listen, and don't be a goose! Do? what should he do to us? He might recite the 'Curse of Kehama,' but it isn't likely he knows it."
Martha, who had been reconnoitring through a crack of the window-blind, now uttered an exclamation. "Well, of all! Mam, it's old Galusha Pennypacker, as sure as you stand there."
"Is it possible?" said Miss Wealthy, in a tone of great surprise. "Martha, you must be mistaken. Galusha Pennypacker coming here. Why should he come here?"
But for once Martha was not ready to answer her mistress, for she had gone to open the door.
The girls listened, with clasped hands and straining ears.
"Why, Mr. Pennypacker!" they heard Martha say. "This is never you?"
Then a shrill, cracked voice broke in, speaking very slowly, as if speech were an unaccustomed effort. "Is there—two gals—here?"
"Two gals?" repeated Martha, in amazement. "What two gals?"
"Gals!" said the old man's voice,—"one on 'em highty-tighty, fly-away-lookin', 'n' the other kind o' 'pindlin'; drivin' your hoss, they was."
"Why—yes!" said Martha, more and more astonished. "What upon earth—"
"Here's their basket!" the old man continued; "tell 'em I—relished the victuals. Good-day t' ye!"
Then came the sound of a stick on the steps, and of shuffling feet on the gravel; and the next moment Miss Wealthy and Martha were gazing at the guilty girls with faces of mute amazement and inquiry which almost upset Hildegarde's composure.
"It's true, Cousin Wealthy!" she said quickly. "We meant to tell you—in a little while, when you would not be worried. We thought the house was deserted, and I went and looked in at the window. And—it looked so wretched, we thought we might—"
"There was only an onion and three crackers," murmured Rose, in deprecating parenthesis.
"We thought we might leave part of our luncheon, for Martha had given us such a quantity; and just when we had finished, we saw a face at the window—oh, such a dreadful old face!—and we ran away, and forgot the basket. So you see, Martha," she added, "it was partly your fault, for giving us so much luncheon."
"I see!" said Martha, chuckling, and apparently much amused.
But Miss Wealthy looked really frightened. "My dear girls," she said, "it was a very imprudent thing to do. Why, Galusha Pennypacker is half insane, people think. A dreadful old miser, who lives in filth and wretchedness, while he has plenty of money hidden away,—at least people say he has. Why, it terrifies me to think of your going into that hovel."
"Oh! Cousin Wealthy," said Hildegarde, soothingly, "he couldn't have hurt us, poor old thing! if he had tried. He looks at least a hundred years old. And of course we didn't know he was a miser. But surely it will do no harm for him to have a good dinner for once, and Martha's turnovers ought really to have a civilizing effect upon him. Who knows? Perhaps it may make him remember nicer ways, and he may try to do better."
Miss Wealthy was partly reconciled by this view of the case; but she declared that Rose must go to bed at once, as she must be quite exhausted.
At this moment Martha, who was still holding the basket, gave an exclamation of surprise. "Why," she said, "there's things in this! Did you leave these in the basket, Miss Hilda?"
"I? No!" cried Hildegarde, wondering. "I left nothing at all in it. What is there?"
All clustered eagerly round Martha, who with provoking deliberation took out two small parcels which lay in the bottom of the basket, and looked them carefully over before opening them. They were wrapped in dirty scraps of brown paper.
"Oh! there is writing on them!" cried Hildegarde. "Martha dear, do tell us what it says!"
Martha studied the inscriptions for some minutes, and then read aloud: "'The fly-away gal' and 'the pail gal.' Well, of all!" she cried, "it's presents, I do believe. Here, Miss Hilda, this must be for you."
Hildegarde opened the little parcel eagerly. It contained a small shagreen case, which in its turn proved to contain a pair of scissors of antique and curious form, an ivory tablet, yellow with age, a silver bodkin, and a silver fruit-knife, all fitting neatly in their places; the whole case closing with a spring. "It is the prettiest thing I ever saw!" cried Hildegarde. "See, Cousin Wealthy, isn't it delightful to think of that poor old dear—But what have you, Rose-red? You must be the 'pail gal,' of course, though you are not pale now."
Rose opened her parcel, and found, in a tiny box of faded morocco, an ivory thimble exquisitely carved with minute Chinese figures. It fitted her slender finger to perfection, and she gazed at it with great delight, while Miss Wealthy and Martha shook their heads in amazement and perplexity.
"Galusha Pennypacker, with such things as these!" cried one.
"Galusha Pennypacker making presents!" exclaimed the other. "Well, wonders will never cease!"
"The thimble is really beautiful!" said Miss Wealthy. "He was a seafaring man in his youth, I remember, and he must have brought this home from one of his voyages, perhaps fifty or sixty years ago. Dear me! how strangely things do come about! But, my dear Rose, you really must go to bed at once, for I am sure you must be quite exhausted."
And the delighted girls went off in triumph with their treasures, to chatter in their rooms as only girls can chatter.
The next evening was chilly, and instead of sitting on the piazza, the girls were glad to draw their chairs around Miss Wealthy's work-table and bring out their work-baskets. Hildegarde had brought two dozen napkins with her to hem for her mother, and Rose was knitting a soft white cloud, which was to be a Christmas present for good Mrs. Hartley at the farm. As for Miss Wealthy, she, as usual, was knitting gray stockings of fine soft wool. They all fell to talking about old Galusha Pennypacker, now pitying his misery, now wondering at the tales of his avarice. Hildegarde took out the little scissors-case, and examined it anew. "Do you suppose this belonged to his mother?" she asked. "You say he never married. Or had he a sister?"
"No, he had no sister," replied Miss Wealthy. "His mother was a very respectable woman. I remember her, though she died when I was quite a little girl. He had an aunt, too,—a singular woman, who used to be very kind to me. What is it, my dear?" For Hildegarde had given a little cry of surprise.
"Here is a name!" cried the girl. "At least, it looks like a name; but I cannot make it out. See, Cousin Wealthy, on the little tablet! Oh, how interesting!"
Miss Wealthy took the tablet, which consisted of two thin leaves of ivory, fitting closely together. On the inside of one leaf was written in pencil, in a tremulous hand. "Ca-ira."
"Is it a name?" asked Rose.
Miss Wealthy nodded. "His aunt's name," she said,—"Ca-iry[1] Pennypacker. Yes, surely; this must have belonged to her. Dear, dear! how strangely things come about! Aunt Ca-iry we all called her, though she was no connection of ours. And to think of your having her scissors-case! Now I come to remember, I used to see this in her basket when I used to poke over her things, as I loved to do. Dear, dear!"
"Oh, Cousin Wealthy," cried Hildegarde, "do tell us about her, please! How came she to have such a queer name? I am sure there must be some delightful story about her."
Miss Wealthy considered a minute, then she said: "My dear, if you will open the fourth left-hand drawer of that chest between the windows, and look in the farther right-hand corner of the drawer, I think you will find a roll of paper tied with a pink ribbon."
Hildegarde obeyed in wondering silence; and Miss Wealthy, taking the roll, held it in her hand for a moment without speaking, which was very trying to the girls' feelings. At last she said,—
"There is an interesting story about Ca-iry Pennypacker, and, curiously enough, I have it here, written down by—whom do you think?—your mother, Hilda, my dear!"
"My mother!" cried Hildegarde, in amazement.
"Your mother," repeated Miss Wealthy. "You see, when Mildred was a harum-scarum girl—" Hildegarde uttered an exclamation, and Miss Wealthy stopped short. "Is there something you want to say, dear?" she asked gently. "I will wait."
The girl blushed violently. "I beg your pardon, Cousin Wealthy," she said humbly. "Shall I go out and stand in the entry? Papa always used to make me, when I interrupted."
"You are rather too big for that now, my child," said the old lady, smiling; "and I notice that you very seldom interrupt. It is better never done, however. Well, as I was saying, your mother used to make me a great many visits in her school holidays; for she was my god-daughter, and always very dear to me. She was very fond of hearing stories, and I told her all the old tales I could think of,—among them this one of Aunt Ca-iry's, which the old lady had told me herself when I was perhaps ten years old. It had made a deep impression on me, so that I was able to repeat it almost in her own words, in the country talk she always used. She was not an educated woman, my dear, but one of sterling good sense and strong character. Well, the story impressed your mother so much that she was very anxious for me to write it down; but as I have no gift whatever in that way, she finally wrote it herself, taking it from my lips, as you may say,—only changing my name from Wealthy to Dolly,—but making it appear as if the old woman herself were speaking. Very apt at that sort of thing Mildred always was. And now, if you like, my dears, I will read you the story."
If they liked! Was there ever a girl who did not love a story? Gray eyes and blue sparkled with anticipation, and there was no further danger of interruption as Miss Wealthy, in her soft, clear voice, began to read the story of—
What's this you've found? Well, now! well, now! where did you get that, little gal? Been rummagin' in Aunt Ca-iry's bureau, hev you? Naughty little gal! Bring it to me, honey. Why, that little bag,—I wouldn't part with it for gold! That was give me by a queen,—think o' that, Dolly,—by a real live queen, 'cordin' to her own idees,—the Queen o' Sheba.
Tell you about her? Why, yes, I will. Bring your little cheer here by the fire,—so; and get your knittin'. When little gals come to spend the day with Aunt Ca-iry they allus brings their knittin',—don't they?—'cause they know they won't get any story unless they do. I can't have no idle hands round this kitchen, 'cause Satan might git in, ye know, and find some mischief for them to do. There! now we're right comf'table, and I'll begin.
You see, Dolly, I've lived alone most o' my life, as you may say. Mother died when I was fifteen, and Father, he couldn't stay on without her, so he went the next year; and my brother was settled a good way off: so ever since I've lived here in the old brown house alone, 'cept for the time I'm goin' to tell ye about, when I had a boarder, and a queer one she was. Plenty o' folks asked me to hire out with them, or board with them, and I s'pose I might have married, if I'd been that kind, but I wasn't. Never could abide the thought of havin' a man gormineerin' over me, not if he was the lord o' the land. And I was strong, and had a cow and some fowls, and altogether I knew when I was well off; and after a while folks learned to let me alone. "Queer Ca-iry," they called me,—in your grandfather's time, Dolly,—but now it's "Aunt Ca-iry" with the hull country round, and everybody's very good to the old woman.
How did I come to have such a funny name? Well, my father give it to me. He was a great man for readin', my father was, and there was one book he couldn't ever let alone, skurcely. 'T was about the French Revolution, and it told how the French people tried to git up a republic like ourn. But they hadn't no sense, seemin'ly, and some of 'em was no better nor wild beasts, with their slaughterin', devourin' ways; so nothin' much came of it in the end 'cept bloodshed.
Well, it seems they had a way of yellin' round the streets, and shoutin' and singin', "Ca-ira! Ca-ira!" Made a song out of it, the book said, and sang it day in and day out. Father said it meant "That will go!" or somethin' like that, though I never could see any meanin' in it myself. Anyhow, it took Father's fancy greatly, and when I was born, nothin' would do but I must be christened Ca-ira. So I was, and so I stayed; and I don't know as I should have done any better if I'd been called Susan or Jerusha. So that's all about the name, and now we'll come to the story.
One day, when I was about eighteen years old, I was takin' a walk in the woods with my dog Bluff. I was very fond o' walkin', and so was Bluff, and there was woods all about, twice as much as there is now. It was a fine, clear day, and we wandered a long way, further from home than we often went, 'way down by Rollin' Dam Falls. The stream was full, and the falls were a pretty sight; and I sat lookin' at 'em, as girls do, and pullin' wintergreen leaves. I never smell wintergreen now without thinkin' of that day. All of a suddent I heard Bluff bark; and lookin' round, I saw him snuffin' and smellin' about a steep clay bank covered with vines and brambles. "Woodchuck!" I thought; and I called him off, for I never let him kill critters unless they were mischeevous, which in the wild woods they couldn't be, of course. But the dog wouldn't come off. He stayed there, sniffin' and growlin', and at last I went to see what the trouble was.
My dear, when I lifted up those vines and brambles, what should I see but a hole in the bank!—a hole about two feet across, bigger than any that a woodchuck ever made. The edges were rubbed smooth, as if the critter that made it was big enough to fit pretty close in gettin' through. My first idee was that 't was a wolf's den,—wolves were seen sometimes in those days in the Cobbossee woods,—and I was goin' to drop the vines and slip off as quiet as I could, when what does that dog do but pop into the hole right before my eyes, and go wrigglin' through it! I called and whistled, but 't was no use; the dog was bound to see what was in there.
I waited a minute, expectin' to hear the wolf growl, and thinkin' my poor Bluff would be torn to pieces, and yet I must go off and leave him, or be treated the same myself. But, Dolly, instead of a wolf's growl, I heard next minute a sound that made me start more 'n the wolf would ha' done,—the sound of a human voice. Yes! out o' the bowels o' the earth, as you may say, a voice was cryin' out, frightened and angry-like; and then Bluff began to bark, bark! Oh, dear! I felt every which way, child. But 't was clear that there was only one path of duty, and that path led through the hole; for a fellow creature was in trouble, and 't was my dog makin' the trouble. Down I went on my face, and through that hole I crawled and wriggled,—don't ask me how, for I don't know to this day,—thinkin' of the sarpent in the Bible all the way.
Suddenly the hole widened, and I found myself in a kind of cave, about five feet by six across, but high enough for me to stand up. I scrambled to my feet, and what should I see but a woman,—a white woman,—sittin' on a heap o' moose and sheep skins, and glarin' at me with eyes like two live coals. She had driven Bluff off, and he stood growlin' in the corner.
For a minute we looked at each other without sayin' anything; I didn't know what upon airth to say. At last she spoke, quite calm, in a deep, strange voice, almost like a man's, but powerful sweet.
"What seek you," she said, "slave?"
Well, that was a queer beginnin', you see, Dolly, and didn't help me much. But I managed to say, "My dog come in, and I followed him—to see what he was barkin' at."
"He was barkin' at me," said the woman. "Bow down before me, slave! I am the Queen!"
And she made a sign with her hand, so commandin'-like that I made a bow, the best way I could. But, of course, I saw then that the poor creature was out of her mind, and I thought 't would be best to humor her, seein' as I had come in without an invitation, as you may say.
"Do you—do you live here, ma'am?" I asked, very polite.
"Your Majesty!" says she, holdin' up her head, and lookin' at me as if I was dirt under her feet.
"Do you live here, your Majesty?" I asked again.
"I am stayin' here," she said. "I am waitin' for the King, who is comin' for me soon. You did not meet him, slave, on your way hither?"
"What king was your Majesty meanin'?" says I.
"King Solomon, of course!" said she. "For what lesser king should the Queen of Sheba wait?"
"To be sure!" says I. "No, ma'am,—your Majesty, I mean,—I didn't meet King Solomon. I should think you might find a more likely place to wait for him in than this cave. A king wouldn't be very likely to find his way in here, would he?"
She looked round with a proud kind o' look. "The chamber is small," she said, "but richly furnished,—richly furnished. You may observe, slave, that the walls are lined with virgin gold."
She waved her hand, and I looked round too at the yellow clay walls and ceilin'. You never could think of such a place, Dolly, unless you'd ha' seen it. However that poor creature had fixed it up so, no mortal will ever know, I expect. There was a fireplace in one corner, and a hole in the roof over it. I found out arterwards that the smoke went out through a hollow tree that grew right over the cave. There was a fryin'-pan, and some meal in a kind o' bucket made o' birch-bark, some roots, and a few apples. All round the sides she'd stuck alder-berries and flowers and pine-tassels, and I don't know what not. There was nothin' like a cheer or table, nothin' but the heap o' skins she was settin' on,—that was bed and sofy and everything else for her, I reckon.
And she herself—oh, dear! it makes me want to laugh and cry, both together, to think how that unfortinit creature was rigged up. She had a sheepskin over her shoulders, tied round her neck, with the wool outside. On her head was a crown o' birch-bark, cut into p'ints like the crowns in pictures, and stained yeller with the yeller clay,—I suppose she thought it was gold,—and her long black hair was stuck full o' berries and leaves and things. Under the sheepskin she had just nothin' but rags,—such rags as you never seed in all your days, Dolly, your mother bein' the tidy body she is. And moccasins on her feet,—no stockin's; that finished her Majesty's dress. Well, poor soul! and she as proud and contented as you please, fancyin' herself all gold and di'monds.
I made up my mind pretty quick what was the right thing for me to do; and I said, as soothin' as I could,—
"Your Majesty, I don't reelly advise you to wait here no longer for King Solomon. I never seed no kings round these woods,—it's out o' the line o' kings, as you may say,—and I don't think he'd be likely to find you out, even if he should stroll down to take a look at the falls, same as I did. Haven't you no other—palace, that's a little more on the travelled road, where he'd be likely to pass?"
"No," she said, kind o' mournful, and shakin' her head,—"no, slave. I had once, but it was taken from me."
"If you don't mind my bein' so bold," I said, "where was you stayin' before you come here?"
"With devils!" she said, so fierce and sudden that Bluff and I both jumped. "Speak not of them, lest my wrath descend upon you."
This wasn't very encouragin'; but I wasn't a bit frightened, and I set to work again, talkin' and arguin', and kind o' hintin' that there'd been some kings seen round the place where I lived. That weren't true, o' course, and I knew I was wrong, Dolly, to mislead the poor creature, even if 't was for her good; but I quieted my conscience by thinkin' that 't was true in one way, for Hezekiah King and his nine children lived not more 'n a mile from my house.
Well, to make a long story short, I e'en persuaded the Queen o' Sheba to come home with me, and stay at my house till King Solomon turned up. She didn't much relish the idee of staying with a slave,—as she would have it I was,—but I told her I didn't work for no one but myself, and I wasn't no common kind o' slave at all; so at last she give in, poor soul, and followed me as meek as a lamb through the hole, draggin' her big moose-skin—which was her coronation-robe, she said, and she couldn't leave it behind—after her, and Bluff growlin' at her heels like all possessed.
Well, I got her home, and gave her some supper, and set her in a cheer; and you never in all your life see any one so pleased. She looked, and looked, and you'd ha' thought this kitchen was Marble Halls like them in the song. It did look cheerful and pleasant, but much the same as it does now, after sixty years, little Dolly. And if you'll believe it, it's this very arm-cheer as I'm sittin' in now, that the Queen o' Sheba sot in. It had a flowered chintz cover then, new and bright. Well, she sat back at last, and drew a long breath.
"You have done well, faithful slave!" she said. "This is my own palace that you have brought me to. I know it well,—well; and this is my throne, from which I shall judge the people till the King comes."
This is what the boys would call "rather cool;" but I only said, "Yes, your Majesty, you shall judge every one there is to judge,"—which was me and Bluff, and Crummy the cow, and ten fowls, and the pig. She was just as pleasant and condescendin' as could be all the evenin', and when I put her to bed in the fourposter in the spare room, she praised me again, and said that when the King came she would give me a carcanet of rubies, whatever that is.
Just as soon as she was asleep, the first thing that I did was to open the stove and put her rags in, piece by piece, till they was all burnt up. The moose-skin, which was a good one, I hung out on the line to air. Then I brought out some clothes of Mother's that I'd kep' laid away,—a good calico dress and some underclothing, all nice and fresh,—and laid them over the back of a cheer by her bed. It seemed kind o' strange to go to bed with a ravin' lunatic, as you may say, in the next room; but I knew I was doin' right, and that was all there was to it. The Lord would see to the rest, I thought.
Next mornin' I was up bright and early, and soon as I'd made the fire and tidied up and got breakfast under way, I went in to see how her Majesty was. She was wide awake, sittin' up in bed, and lookin' round her as wild as a hawk. Seemed as if she was just goin' to spring out o' bed; but when she saw me, she quieted down, and when I spoke easy and soothin' like, and asked her how she'd slept, she answered pleasant enough.
"But where are my robes?" said she, pointin' to the clothes I'd laid out. "Those are not my robes."
"They's new robes," I said, quite bold. "The old ones had to be taken away, your Majesty. They weren't fit for you to wear, really,—all but the coronation robe; and that's hangin' on the line, to—to take the wrinkles out."
Well, I had a hard fight over the clothes; she couldn't make up her mind nohow to put 'em on. But at last I had an idee. "Don't you know," I said, "the Bible says 'The King's Daughter is all radiant within, in raiment of wrought needlework'? Well, this is wrought needlework, every bit of it."
I showed her the seams and the stitches; and, my dear, she put it on without another word, and was as pleased as Punch when she was dressed up all neat and clean. Then I brushed her hair out,—lovely hair it was, comin' down below her knees, and thick enough for a cloak, but matted and tangled so 't was a sight to behold,—and braided it, and put it up on top of her head like a sort o' crown, and I tell you she looked like a queen, if ever anybody did. She fretted a little for her birch-bark crown, but I told her how Scripture said a woman's glory was her hair, and that quieted her at once. Poor soul! she was real good and pious, and she'd listen to Scripture readin' by the hour; but I allus had to wind up with somethin' about King Solomon.
Well, Dolly, the Queen o' Sheba stayed with me (I must make my story short, Honey, for your ma'll be comin' for ye soon now) three years; and I will say that they was happy years for both of us. Not yourself could be more biddable than that poor crazy Queen was, once she got wonted to me and the place. At first she was inclined to wander off, a-lookin' for the King; but bimeby she got into the way of occupyin' herself, spinnin'—she was a beautiful spinner, and when I told her 't was Scriptural, I could hardly get her away from the wheel—and trimmin' the house up with flowers, and playin' with Bluff, for all the world like a child. And in the evenin's,—well, there! she'd sit on her throne and tell stories about her kingdom, and her gold and spices, and myrrh and frankincense and things, and all the great things she was goin' to do for her faithful slave,—that was me, ye know; she never would call me anything else,—till it all seemed just as good as true. 'T was true to her; and if 't had been really true for me, I shouldn't ha' been half so well off as in my own sp'ere; so 't was all right.
My dear, my poor Queen might have been with me to this day, if it hadn't been for the meddlesomeness of men. I've heerd talk o' women meddling, and very likely they may, when they live along o' men; but it don't begin with women, nor yet end with 'em. One day I'd been out 'tendin' to the cow, and as I was comin' back I heerd screams and shrieks, and a man's voice talkin' loud. You may believe I run, Dolly, as fast as run I could; and when I came to the kitchen there was Hezekiah King and a strange man standin' and talkin' to the Queen. She was all in a heap behind the big chair, poor soul, tremblin' like a leaf, and her eyes glarin' like they did the fust time I see her; and she didn't say a word, only scream, like a panther in a trap, every minute or two.
I steps before her, and "What's this?" says I, short enough.
"Mornin', Ca-iry," says Hezekiah, smilin' his greasy smile, that allus did make me want to slap his face. "This is Mr. Clamp, from Coptown. Make ye acquainted with Miss Ca-iry Pennypacker, Mr. Clamp. I met up with Mr. Clamp yesterday, Ca-iry, and I was tellin' him about this demented creatur as you've been shelterin' at your own expense the last three years, as the hull neighborhood says it's a shame. And lo! how myster'ous is the ways o' Providence! Mr. Clamp is sup'n'tendent o' the Poor Farm down to Coptown, and he says this woman is a crazy pauper as he has had in keer for six year, ever since she lost her wits along o' her husband bein' drownded. She run away three year ago last spring, and he ain't heard nothin' of her till yisterday, when he just chanced to meet up with me. So now he's come as in dooty bound, she belongin' to the deestrick o' Coptown, to take her off your hands, and thank ye for—"
He hadn't no time to say more. I took him by the shoulders,—I was mortal strong in those days, Dolly; there wasn't a man within ten miles but I could ha' licked him if he'd been wuth it,—and shot him out o' the door like a sack o' flour. Then I took the other man, who was standin' with his mouth open, for all the world like a codfish, and shot him out arter him. He tumbled against Hezekiah, and they both went down together, and sat there and looked at me with their mouths open.
"You go home," says I, "and take care o' yourselves, if you know how. When I want you or the like o' you, I'll send for you. Scat!" And I shut the door and bolted it, b'ilin' with rage, and came back to my poor Queen.
She was down on the floor, all huddled up in a corner, moanin' and moanin', like a dumb beast that has a death wound. I lifted her up, and tried to soothe and quiet her,—she was tremblin' all over,—but 't was hard work. Not a word could I get out of her but "Devil! Devil!" and then "Solomon!" over and over again. I brought the Bible, and read her about the Temple, and the knops and the flowers, and the purple, and the gold dishes, till she was quiet again; and then I put her to bed, poor soul! though 't was only six o'clock, and sat and sang "Jerusalem the Golden" till she dropped off to sleep. I was b'ilin' mad still, and besides I was afraid she'd have a fit o' sickness, or turn ravin', after the fright, so I didn't sleep much myself that night. Towards mornin', however, I dropped off, and must have slept sound; for when I woke it was seven o'clock, the sun was up high, the door was swingin' open, and the Queen o' Sheba was gone.
Don't ask me, little Dolly, how I felt, when I found that poor creature was nowhere on the place. I knew where to go, though. Something told me, plain as words; and Bluff and I, we made a bee-line for the Rollin' Dam woods. The dog found her first. She had tried to get into her hole, but the earth had caved in over it; so she had laid down beside it, on the damp ground, in her nightgown. Oh, dear! oh, dear! How long she'd been there, nobody will ever know. She was in a kind o' swoon, and I had to carry her most o' the way, however I managed to do it; but I was mortal strong in those days, and she was slight and light, for all her bein' tall. When I got her home and laid her in her bed, I knowed she'd never leave it; and sure enough, before night she was in a ragin' fever. A week it lasted; and when it began to go down, her life went with it. My poor Queen! she was real gentle when the fiery heat was gone. She lay there like a child, so weak and white. One night, when I'd been singin' to her a spell, she took this little bag from her neck, where she'd allus worn it, under her clothes, and giv' it to me.
"Faithful slave," she said,—she couldn't speak above a whisper,—"King Solomon is comin' for me to-night. I have had a message from him. I leave you this as a token of my love and gratitude. It is the Great Talisman, more precious than gold or gems. Open it when I am gone. And now, good slave, kiss me, for I would sleep awhile."
I kissed my poor dear, and she dozed off peaceful and happy. But all of a sudden she opened her eyes with a start, and sat up in the bed.
"Solomon!" she cried, and held out her arms wide. "Solomon, my King!" and then fell back on the piller, dead.
There, little Dolly! don't you cry, dear! 'T was the best thing for the poor thing. I opened the bag, when it was all over, and what do you think I found? A newspaper slip, sayin', "Lost at sea, on March 2, 18—, Solomon Marshall, twenty-seven years," and a lock o' dark-brown hair. Them was the Great Talisman. But if true love and faith can make a thing holy, this poor little bag is holy, and as such I've kept it.
There's your ma comin', Dolly. Put on your bonnet, Honey, quick! And see here, dear! you needn't tell her nothin' I said about Hezekiah King, I clean forgot he was your grandfather.