That night Nora lay beside her sisters in the tiny room that looked out on the harbour. The younger girls slept soundly, but Nora kept awake to listen to the laughter of the wind outside, and con over what she and Rob had said to each other. There was no blot on her happiness save a sorry wonder what the Camerons would say when they knew.
"They will think me ungrateful and fickle," she sighed. "They don't know that I can't help it even if I would. They will never understand."
Nor did they. When Nora told them that she was going back to Racicot, they laughed at her kindly at first, treating it as the passing whim of a homesick girl. Later, when they came to understand that she meant it, they were grieved and angry. There were scenes of pleading and tears and reproaches. Nora cried bitterly in Mrs. Cameron's arms, but stood rock-firm. She could never go back to them—never.
They appealed to Nathan Shelley finally, but he refused to say anything.
"It can't be altered," he told them. "The sea has called her and she'll listen to naught else. I'm sorry enough for the girl's own sake. It would have been better for her if she could have cut loose from it all and lived your life, I dare say. But you've made a fair trial and it's of no use. I know what's in her heart—it was in mine once—and I'll say no word of rebuke to her. She's free to go or stay as she chooses—just as free as she was last year."
Mrs. Cameron made one more appeal to Nora. She told the girl bitterly that she was ungrateful.
"I'm not that," said Nora with quivering lips. "I love you, and I'm grateful to you. But your life isn't for me, after all. I thought it was—I longed so for it. And I loved it, too—I love it yet. But there's something stronger in me that holds me here."
"I don't think you realize what you are doing, Nora. You have been a little homesick and you are glad to be back. But after we have gone and you must settle into the old Racicot life again, you will not be contented. You will find that your life with us will have unfitted you for this. There will be no real place for you here—nothing for you to do. You will be as a stranger here."
"Oh, no. I am going to marry Rob Fletcher," said Nora proudly.
"Marry Rob Fletcher! And you might have married Clark Bryant, Nora!"
Nora shook her head. "That could never have been. I thought it might once—but I know better now. You see, I love Rob."
There did not seem to be anything more to say after that. Mrs. Cameron did not try to say anything. She went away in sorrow.
Nora cried bitterly after she had gone. But there were no tears in her eyes that night when she walked on the shore with Rob Fletcher. The wind whistled around them, and the stars came out in the great ebony dome of the sky over the harbour. Laughter and song of the fishing folk were behind them, and the deep, solemn call of the sea before. Over the harbour gleamed the score of lights at Dalveigh. Rob looked from them to Nora.
"Do you think you'll ever regret yon life, my girl?"
"Never, Rob. It seems to me now like a beautiful garment put on for a holiday and worn easily and pleasantly for a time. But I've put it off now, and put on workaday clothes again. It is only a week since I left Dalveigh, but it seems long ago. Listen to the wind, Rob! It is singing of the good days to be for you and me."
He bent over and kissed her.
"My own dear lass!" he said softly.
Estella was waiting under the poplars at the gate for Spencer Morgan. She was engaged to him, and he always came to see her on Saturday and Wednesday evenings. It was after sunset, and the air was mellow and warm-hued. The willow trees along the walk and the tall birches in the background stood out darkly distinct against the lemon-tinted sky. The breath of mint floated out from the garden, and the dew was falling heavily.
Estella leaned against the gate, listening for the sound of wheels and dreamily watching the light shining out from the window of Vivienne LeMar's room. The blind was up and she could see Miss LeMar writing at her table. Her profile was clear and distinct against the lamplight.
Estella reflected without the least envy that Miss LeMar was very beautiful. She had never seen anyone who was really beautiful before—beautiful with the loveliness of the heroines in the novels she sometimes read or the pictures she had seen.
Estella Bowes was not pretty. She was a nice-looking girl, with clear eyes, rosy cheeks, and a pervading air of the content and happiness her life had always known. She was an orphan and lived with her uncle and aunt. In the summer they sometimes took a boarder for a month or two, and this summer Miss LeMar had come. She had been with them about a week. She was an actress from the city and had around her all the glamour of a strange, unknown life. Nothing was known about her. The Boweses liked her well enough as a boarder. Estella admired and held her in awe. She wondered what Spencer would think of this beautiful woman. He had not yet seen her.
It was quite dark when he came. Estella opened the gate for him, but he got out of his buggy and walked up the lane beside her with his arm about her. Miss LeMar's light had removed to the parlour where she was singing, accompanying herself on the cottage organ. Estella felt annoyed. The parlour was considered her private domain on Wednesday and Saturday night, but Miss LeMar did not know that.
"Who is singing?" asked Spencer. "What a voice she has!"
"That's our new boarder, Miss LeMar," answered Estella. "She's an actress and sings and does everything. She is awfully pretty, Spencer."
"Yes?" said the young man indifferently.
He was not in the least interested in the Boweses' new boarder. Indeed, he considered her advent a nuisance. He pressed Estella closer to him, and when they reached the garden gate he kissed her. Estella always remembered that moment afterwards. She was so supremely happy.
Spencer went off to put up his horse, and Estella waited for him on the porch steps, wondering if any other girl in the world could be quite so happy as she was, or love anyone as much as she loved Spencer. She did not see how it could be possible, because there was only one Spencer.
When Spencer came back she took him into the parlour, half shyly, half proudly. He was a handsome fellow, with a magnificent physique. Miss LeMar stopped singing and turned around on the organ stool as they entered. The little room was flooded with a mellow light from the pink-globed lamp on the table, and in the soft, shadowy radiance she was as beautiful as a dream. She wore a dress of crepe, cut low in the neck. Estella had never seen anyone dressed so before. To her it seemed immodest.
She introduced Spencer. He bowed awkwardly and sat stiffly down by the window with his eyes riveted on Miss LeMar's face. Estella, catching a glimpse of herself in the old-fashioned mirror above the mantel, suddenly felt a cold chill of dissatisfaction. Her figure had never seemed to her so stout and stiff, her brown hair so dull and prim, her complexion so muddy, her features so commonplace. She wished Miss LeMar would go out of the room.
Vivienne LeMar watched the two faces before her; a hard gleam, half mockery, half malice, flashed into her eyes and a smile crept about her lips. She looked straight in Spencer Morgan's honest blue eyes and read there the young man's dazzled admiration. There was contempt in the look she turned on Estella.
"You were singing when we came in," said Spencer. "Won't you go on, please? I am very fond of music."
Miss LeMar turned again to the organ. The gleaming curves of her neck and shoulders rose out of their filmy sheathings of lace. Spencer, sitting where he could see her face with its rose-leaf bloom and the ringlets of golden hair clustering about it, gazed at her, unheeding of aught else. Estella saw his look. She suddenly began to hate the black-eyed witch at the organ—and to fear her as well. Why did Spencer look at her like that? She wished she had not brought him in at all. She felt commonplace and angry, and wanted to cry.
Vivienne LeMar went on singing, drifting from one sweet love song into another. Once she looked up at Spencer Morgan. He rose quickly and went to her side, looking down at her with a strange fire in his eyes.
Estella got up abruptly and left the room. She was angry and jealous, but she thought Spencer would follow her. When he did not, she could not believe it. She waited on the porch for him, not knowing whether she were more angry or miserable. She would not go back into the room. Vivienne LeMar had stopped singing. She could hear a low murmur of voices. When she had waited there an hour, she went in and upstairs to her room with ostentatious footsteps. She was too angry to cry or to realize what had happened, and still kept hoping all sorts of impossible things as she sat by her window.
It was ten o'clock when Spencer went away and Vivienne LeMar passed up the hall to her room. Estella clenched her hands in an access of helpless rage. She was very angry, but under her fury was a horrible ache of pain. It could not be only three hours since she had been so happy! It must be more than that! What had happened? Had she made a fool of herself? Ought she to have behaved in any other way? Perhaps Spencer had come out to look for her after she had gone upstairs and, not finding her, had gone back to Miss LeMar to show her he was angry. This poor hope was a small comfort. She wished she had not acted as she had. It looked spiteful and jealous, and Spencer did not like people who were spiteful and jealous. She would show him she was sorry when he came back, and it would be all right.
She lay awake most of the night, thinking out plausible reasons and excuses for Spencer's behaviour, and trying to convince herself that she had exaggerated everything absurdly. Towards morning she fell asleep and awoke hardly remembering what had happened. Then it rolled back upon her crushingly.
But she rose and dressed in better spirits. It had been hardest to lie there and do nothing. Now the day was before her and something pleasant might happen. Spencer might come back in the evening. She would be doubly nice to him to make up.
Mrs. Bowes looked sharply at her niece's dull eyes and pale cheeks at the breakfast table. She had her own thoughts of things. She was a large, handsome woman with a rather harsh face.
"Did you go upstairs last night and leave Spencer Morgan with Miss LeMar?" she asked bluntly.
"Yes," muttered Estella.
"Did you have a quarrel with him?"
"No."
"What made you act so queer?"
"I couldn't help it," faltered the girl.
The food she was eating seemed to choke her. She wished she were a hundred miles away from everyone she ever knew.
Mrs. Bowes gave a grunt of dissatisfaction.
"Well, I think it is a pretty queer piece of business. But if you are satisfied, it isn't anyone else's concern, I suppose. He stayed with her till ten o'clock and when he left she did everything but kiss him—and she asked him to come back too. I heard."
"Aunt!" protested the girl.
She felt as if her aunt were striking her blow after blow on a sensitive, quivering spot. It was bad enough to know it all, but to hear it put into such cold, brutal words was more than she could endure. It seemed to make everything so horribly sure.
"I guess I had a right to listen, hadn't I, with such goings on in my own house? You're a little fool, Estella Bowes! I don't believe that LeMar girl is a bit better than she ought to be. I wish I'd never taken her to board, and if you say so, I'll send her packing right off and not give her a chance to make mischief atween folks."
Estella's suffering found vent in a burst of anger.
"You needn't do anything of the sort!" she cried.
"It's all nonsense about Spencer—it was my fault—and anyhow, if he is so easily led away as that, I am sure I don't want him! I wish to goodness, Aunt, you'd leave me alone!"
"Oh, very well!" returned Mrs. Bowes in an offended tone. "It was for your own good I spoke. You know best, I suppose. If you don't care, I don't know that anyone else need."
Estella went about her work like one in a dream. A great hatred had sprung up in her heart against Vivienne LeMar. The simple-hearted country girl felt almost murderous. The whole day seemed like a nightmare to her. When night came she dressed herself with feverish care, for she could not quell the hope that Spencer would surely come again. But he did not; and when she went up to bed, it did not seem as if she could live through the night. She lay staring wide-eyed through the darkness until dawn. She wished that she might cry, but no tears came to her relief.
Next day she went to work with furious energy. When her usual tasks were done, she ransacked the house for other employment. She was afraid if she stopped work for a moment she would go mad. Mrs. Bowes watched her with a grim pity.
At night she walked to prayer meeting in the schoolhouse a mile away. She always went, and Spencer was generally on hand to see her home. He was not there tonight. She wished she had not come. It was dreadful to have to sit still and think. She did not hear a word the minister said.
She had to walk home with a crowd of girls and nerve herself to answer their merry sallies that no one might suspect. She was tortured by the fear that everyone knew her shame and humiliation and was pitying her. She got hysterically gay, but underneath all she was constantly trying to assign a satisfactory reason for Spencer's nonappearance. He was often kept away, and of course he was a little cross at her yet, as was natural. If he had come before her then, she could have gone down in the very dust at his feet and implored his forgiveness.
When she reached home she went into the garden and sat down. The calm of the night soothed her. She felt happier and more hopeful. She thought over all that had passed between her and Spencer and all his loving assurances, and the recollection comforted her. She was almost happy when she went in.
Tomorrow is Sunday, she thought when she wakened in the morning. Her step was lighter and her face brighter. Mrs. Bowes seemed to be in a bad humour. Presently she said bluntly:
"Do you know that Spencer Morgan was here last night?"
Estella felt the cold tighten round her heart. Yet underneath it sprang up a wild, sweet hope.
"Spencer here! I suppose he forgot it was prayer meeting night. What did he say? Why didn't you tell him where I was?"
"I don't know that he forgot it was prayer meeting night," returned Mrs. Bowes with measured emphasis. "'Tisn't likely his memory has failed so all at once. He didn't ask where you was. He took good care to go before you got home too. Miss LeMar entertained him. I guess she was quite capable of it."
Estella bent over her dishes in silence. Her face was deadly white.
"I'll send her away," said Mrs. Bowes pityingly. "When she's gone, Spencer will soon come back to you."
"No, you won't!" said Estella fiercely. "If you do, she'll only go over to Barstows', and it would be worse than ever. I don't care—I'll show them both I don't care! As for Spencer coming back to me, do you think I want her leavings? He's welcome to go."
"He's only just fooled by her pretty face," persisted Mrs. Bowes in a clumsy effort at consolation. "She's just turning his head, the hussy, and he isn't really in his proper senses. You'll see, he'll be ashamed of himself when he comes to them again. He knows very well in his heart that you're worth ten girls like her."
Estella faced around.
"Aunt," she said desperately, "you mean well, I know, but you're killing me! I can't stand it. For pity's sake, don't say another word to me about this, no matter what happens. And don't keep looking at me as if I were a martyr! She watches us and it would please her to think I cared. I don't—and I mean she shall see I don't. I guess I'm well rid of a fellow as fickle as he is, and I've sense enough to know it."
She went upstairs then, tearing off her turquoise engagement ring as she climbed the steps. All sorts of wild ideas flashed through her head. She would go down and confront Vivienne LeMar—she would rush off and find Spencer and throw his ring at him, no matter where he was—she would go away where no one would ever see her again. Why couldn't she die? Was it possible people could suffer like this and yet go on living?
"I don't care—I don't care!" she moaned, telling the lie aloud to herself, as if she hoped that by this means she would come to believe it.
When twilight came she went out to the front steps and leaned her aching head against the honeysuckle trellis. The sun had just set and the whole world swam in dusky golden light. The wonderful beauty frightened her. She felt like a blot on it.
While she stood there, a buggy came driving up the lane and wheeled about at the steps. In it was Spencer Morgan.
Estella saw him and, in spite of the maddening throb of hope that seemed suddenly to transfigure the world for her, her pride rose in arms. Had Spencer come the night before, he would have found her loving and humble. Even now, had she but been sure that he had come to see her, she would have unbent. But was it the other? The torturing doubt stung her to the quick.
She waited, stubbornly resolved that she would not speak first. It was not in her place. Spencer Morgan flicked his horse sharply with his whip. He dared not look at Estella, but he felt her uncompromising attitude. He was miserably ashamed of himself, and he felt angry at Estella for his shame.
"Do you care to come for a drive?" he asked awkwardly, with a covert glance at the parlour windows.
Estella caught the glance and her jealous perception instantly divined its true significance. Her heart died within her. She did not care what she said.
"Oh," she cried with a toss of her head, "it's not me you want—it's Miss LeMar, isn't it? She's away at the shore. You'll find her there, I dare say."
Still, in spite of all, she perversely hoped. If he would only make any sign, the least in the world, that he was sorry—that he still loved her—she could forgive him everything. When he drove away without another word, she could not believe it again. Surely he would not go—surely he knew she did not mean it—he would turn back before he got to the gate.
But he did not. She saw him disappear around the turn of the road. She could not see if he took the shore lane further on, but she was sure he would. She was furious at herself for acting as she had done. It was all her fault again! Oh, if he would only give her another chance!
She was in her room when she heard the buggy drive up again. She knew it was Spencer and that he had brought Vivienne LeMar home. Acting on a sudden wild impulse, the girl stepped out on the landing and confronted her rival as she came up the stairs.
The latter paused at sight of the white face and anguished eyes. There was a little mocking smile on her lovely face.
"Miss LeMar," said Estella in a quivering voice, "what do you mean by all this? You know I'm engaged to Spencer Morgan!"
Miss LeMar laughed softly.
"Really? If you are engaged to the young man, my dear Miss Bowes, I would advise you to look after him more sharply. He seems very willing to flirt, I should say."
She passed on to her room with a malicious smile. Estella shrank back against the wall, humiliated and baffled. When she found herself alone, she crawled back to her room and threw herself face downward on the bed, praying that she might die.
But she had to live through the horrible month that followed—a month so full of agony that she seemed to draw every breath in pain. Spencer never sought her again; he went everywhere with Miss LeMar. His infatuation was the talk of the settlement. Estella knew that her story was in everyone's mouth, and her pride smarted; but she carried a brave front outwardly. No one should say she cared.
She believed that the actress was merely deluding Spencer for her own amusement and would never dream of marrying him. But one day the idea occurred to her that she might. Estella had always told herself that even if Spencer wanted to come back to her she would never take him back, but now, by the half-sick horror that came over her, she knew how strong the hope had really been and despised herself more than ever.
One evening she was alone in the parlour. She had lit the lamp and was listlessly arranging the little room. She looked old and worn. Her colour was gone and her eyes were dull. As she worked, the door opened and Vivienne LeMar walked or, rather, reeled into the room.
Estella dropped the book she held and gazed at her as one in a dream. The actress's face was flushed and her hair was wildly disordered. Her eyes glittered with an unearthly light. She was talking incoherently. The air was heavy with the fumes of brandy.
Estella laughed hysterically. Vivienne LeMar was grossly intoxicated. This woman whom Spencer Morgan worshipped, for whom he had forsaken her, was reeling about the room, laughing idiotically, talking wildly in a thick voice. If he could but see her now!
Estella turned white with the passion of the wild idea that had come to her. Spencer Morgan should see this woman in her true colours.
She lost no time. Swiftly she left the room and locked the door behind her on the maudlin, babbling creature inside. Then she flung a shawl over her head and ran from the house. It was not far to the Morgan homestead. She ran all the way, hardly knowing what she was doing. Mrs. Morgan answered her knock. She gazed in bewilderment at Estella's wild face.
"I want Spencer," said the girl through her white lips.
The elder woman stepped back in dumb amazement. She knew and rued her son's folly. What could Estella want with him?
The young man appeared in the doorway. Estella caught him by the arm and pulled him outside.
"Miss LeMar wants you at once," she said hoarsely. "At once—you are to come at once!"
"Has anything happened to her?" cried Spencer savagely. "Is she ill—is she—what is the matter?"
"No, she is not ill. But she wants you. Come at once."
He started off bareheaded. Estella followed him up the road breathlessly. Surely it was the strangest walk ever a girl had, she told herself with mirthless laughter. She pushed the key into his hand at the porch.
"She's in the parlour," she said wildly. "Go in and look at her, Spencer."
Spencer snatched the key and fitted it into the door. He was full of fear. Had Estella gone out of her mind? Had she done anything to Vivienne? Had she—
As he entered, the actress reeled to her feet and came to meet him. He stood and gazed at her stupidly. This could not be Vivienne, this creature reeking with brandy, uttering such foolish words! What fiend was this in her likeness?
He grew sick at heart and brain; she had her arms about him. He tried to push her away, but she clung closer, and her senseless laughter echoed through the room. He flung her from him with an effort and rushed out through the hall and down the road like a madman. Estella, watching him, felt that she was avenged. She was glad with a joy more pitiful than grief.
Vivienne LeMar left the cottage the next day. Mrs. Bowes, suspecting some mystery, questioned Estella sharply, but could find out nothing. The girl kept her own counsel stubbornly. The interest and curiosity of the village centred around Spencer Morgan, and his case was well discussed. Gossip said that the actress had jilted him and that he was breaking his heart about it. Then came the rumour that he was going West.
Estella heard it apathetically. Life seemed ended for her. There was nothing to look forward to. She could not even look back. All the past was embittered. She had never met Spencer since the night she went after him. She sometimes wondered what he must think of her for what she had done. Did he think her unwomanly and revengeful? She did not care. It was rather a relief to hear that he was going away. She would not be tortured by the fear of meeting him then. She was sure he would never come back to her. If he did, she would never forgive him.
One evening in early harvest Estella was lingering by the lane gate at twilight. She had worked slavishly all day and was very tired, but she was loath to go into the house, where her trouble always seemed to weigh on her more heavily. The dusk, sweet night seemed to soothe her as it always did.
She leaned her head against the poplar by the gate. How long Spencer Morgan had been standing by her she did not know, but when she looked up he was there. In the dim light she could see how haggard and hollow-eyed he had grown. He had changed almost as much as herself.
The girl's first proud impulse was to turn coldly away and leave him. But some strange tumult in her heart kept her still. What had he come to say?
There was a moment's fateful silence. Then Spencer spoke in a muffled voice.
"I couldn't go away without seeing you once more, Estella, to say good-bye. Perhaps you won't speak to me. You must hate me. I deserve it."
He paused, but she said no word. She could not. After a space, he went wistfully on.
"I know you can never forgive me—no girl could. I've behaved like a fool. There isn't any excuse to be made for me. I don't think I could have been in my right senses, Estella. It all seems like some bad dream now. When I saw her that night, I came to my right mind, and I've been the most miserable man alive ever since. Not for her—but because I'd lost you. I can't bear to live here any longer, so I am going away. Will you say good-bye, Estella?"
Still she did not speak. There were a hundred things she wanted to say but she could not say them. Did he mean that he loved her still? If she were sure of that, she could forgive him anything, but her doubt rendered her mute.
The young man turned away despairingly from her rigid attitude. So be it—he had brought his fate on himself.
He had gone but a few steps when Estella suddenly found her voice with a gasp.
"Spencer!" He came swiftly back. "Oh, Spencer—do—you—do you love me still?"
He caught her hands in his.
"Love you—oh, Estella, yes, yes! I always have. That other wasn't love—it was just madness. When it passed I hated life because I'd lost you. I know you can't forgive me, but, oh—"
He broke down. Estella flung her arms around his neck and put her face up to his. She felt as if her heart must break with its great happiness. He understood her mute pardon. In their kiss the past was put aside. Estella's martyrdom was ended.
When I was a child I always thought a visit to Wyther Grange was a great treat. It was a big, quiet, old-fashioned house where Grandmother Laurance and Mrs. DeLisle, my Aunt Winnifred, lived. I was a favourite with them, yet I could never overcome a certain awe of them both. Grandmother was a tall, dignified old lady with keen black eyes that seemed veritably to bore through one. She always wore stiffly-rustling gowns of rich silk made in the fashion of her youth. I suppose she must have changed her dress occasionally, but the impression on my mind was always the same, as she went trailing about the house with a big bunch of keys at her belt—keys that opened a score of wonderful old chests and boxes and drawers. It was one of my dearest delights to attend Grandmother in her peregrinations and watch the unfolding and examining of all those old treasures and heirlooms of bygone Laurances.
Of Aunt Winnifred I was less in awe, possibly because she dressed in a modern way and so looked to my small eyes more human and natural. As Winnifred Laurance she had been the beauty of the family and was a handsome woman still, with brilliant dark eyes and cameo-like features. She always looked very sad, spoke in a low sweet voice, and was my childish ideal of all that was high-bred and graceful.
I had many beloved haunts at the Grange, but I liked the garret best. It was a roomy old place, big enough to have comfortably housed a family in itself, and was filled with cast-off furniture and old trunks and boxes of discarded finery. I was never tired of playing there, dressing up in the old-fashioned gowns and hats and practising old-time dance steps before the high, cracked mirror that hung at one end. That old garret was a veritable fairyland to me.
There was one old chest which I could not explore and, like all forbidden things, it possessed a great attraction for me. It stood away back in a dusty, cobwebbed corner, a strong, high wooden box, painted blue. From some words which I had heard Grandmother let fall I was sure it had a history; it was the one thing she never explored in her periodical overhaulings. When I grew tired of playing I liked to creep up on it and sit there, picturing out my own fancies concerning it—of which my favourite one was that some day I should solve the riddle and open the chest to find it full of gold and jewels with which I might restore the fortune of the Laurances and all the traditionary splendours of the old Grange.
I was sitting there one day when Aunt Winnifred and Grandmother Laurance came up the narrow dark staircase, the latter jingling her keys and peering into the dusty corners as she came along the room. When they came to the old chest, Grandmother rapped the top smartly with her keys.
"I wonder what is in this old chest," she said. "I believe it really should be opened. The moths may have got into it through that crack in the lid."
"Why don't you open it, Mother?" said Mrs. DeLisle. "I am sure that key of Robert's would fit the lock."
"No," said Grandmother in the tone that nobody, not even Aunt Winnifred, ever dreamed of disputing. "I will not open that chest without Eliza's permission. She confided it to my care when she went away, and I promised that it should never be opened until she came for it."
"Poor Eliza," said Mrs. DeLisle thoughtfully. "I wonder what she is like now. Very much changed, like all the rest of us, I suppose. It is almost thirty years since she was here. How pretty she was!"
"I never approved of her," said Grandmother brusquely. "She was a sentimental, fanciful creature. She might have married well but she preferred to waste her life pining over the memory of a man who was not worthy to untie the shoelace of a Laurance."
Mrs. DeLisle sighed softly and made no reply. People said that she had had her own romance in her youth and that her mother had sternly repressed it. I had heard that her marriage with Mr. DeLisle was loveless on her part and proved very unhappy. But he had been dead many years, and Aunt Winnifred never spoke of him.
"I have made up my mind what to do," said Grandmother decidedly. "I will write to Eliza and ask her if I may open the chest to see if the moths have got into it. If she refuses, well and good. I have no doubt that she will refuse. She will cling to her old sentimental ideas as long as the breath is in her body."
I rather avoided the old chest after this. It took on a new significance in my eyes and seemed to me like the tomb of something—possibly some dead and buried romance of the past.
Later on a letter came to Grandmother; she passed it over the table to Mrs. DeLisle.
"That is from Eliza," she said. "I would know her writing anywhere—none of your modern sprawly, untidy hands, but a fine lady-like script, as regular as copperplate. Read the letter, Winnifred; I haven't my glasses and I dare say Eliza's rhapsodies would tire me very much. You need not read them aloud—I can imagine them all. Let me know what she says about the chest."
Aunt Winnifred opened and read the letter and laid it down with a brief sigh.
"This is all she says about the chest. 'If it were not for one thing that is in it, I would ask you to open the chest and burn all its contents. But I cannot bear that anyone but myself should see or touch that one thing. So please leave the chest as it is, dear Aunt. It is no matter if the moths do get in.' That is all," continued Mrs. DeLisle, "and I must confess that I am disappointed. I have always had an almost childish curiosity about that old chest, but I seem fated not to have it gratified. That 'one thing' must be her wedding dress. I have always thought that she locked it away there."
"Her answer is just what I expected of her," said Grandmother impatiently. "Evidently the years have not made her more sensible. Well, I wash my hands of her belongings, moths or no moths."
It was not until ten years afterwards that I heard anything more of the old chest. Grandmother Laurance had died, but Aunt Winnifred still lived at the Grange. She was very lonely, and the winter after Grandmother's death she sent me an invitation to make her a long visit.
When I revisited the garret and saw the old blue chest in the same dusty corner, my childish curiosity revived and I begged Aunt Winnifred to tell me its history.
"I am glad you have reminded me of it," said Mrs. DeLisle. "I have intended to open the chest ever since Mother's death but I kept putting it off. You know, Amy, poor Eliza Laurance died five years ago, but even then Mother would not have the chest opened. There is no reason why it should not be examined now. If you like, we will go and open it at once and afterwards I will tell you the story."
We went eagerly up the garret stairs. Aunt knelt down before the old chest and selected a key from the bunch at her belt.
"Would it not be too provoking, Amy, if this key should not fit after all? Well, I do not believe you would be any more disappointed than I."
She turned the key and lifted the heavy lid. I bent forward eagerly. A layer of tissue paper revealed itself, with a fine tracing of sifted dust in its crinkles.
"Lift it up, child," said my aunt gently. "There are no ghosts for you, at least, in this old chest."
I lifted the paper up and saw that the chest was divided into two compartments. Lying on the top of one was a small, square, inlaid box. This Mrs. DeLisle took up and carried to the window. Lifting up the cover she laid it in my lap.
"There, Amy, look through it and let us see what old treasures have lain hidden there these forty years."
The first thing I took out was a small square case covered with dark purple velvet. The tiny clasp was almost rusted away and yielded easily. I gave a little cry of admiration. Aunt Winnifred bent over my shoulder.
"That is Eliza's portrait at the age of twenty, and that is Willis Starr's. Was she not lovely, Amy?"
Lovely indeed was the face looking out at me from its border of tarnished gilt. It was the face of a young girl, in shape a perfect oval, with delicate features and large dark-blue eyes. Her hair, caught high on the crown and falling on her neck in the long curls of a bygone fashion, was a warm auburn, and the curves of her bare neck and shoulders were exquisite.
"The other picture is that of the man to whom she was betrothed. Tell me, Amy, do you think him handsome?"
I looked at the other portrait critically. It was that of a young man of about twenty-five; he was undeniably handsome, but there was something I did not like in his face and I said so.
Aunt Winnifred made no reply—she was taking out the remaining contents of the box. There was a white silk fan with delicately carved ivory sticks, a packet of old letters and a folded paper containing some dried and crumpled flowers. Aunt laid the box aside and unpacked the chest in silence. First came a ball dress of pale-yellow satin brocade, made with the trained skirt, "baby" waist and full puffed sleeves of a former generation. Beneath it was a case containing a necklace of small but perfect pearls and a pair of tiny satin slippers. The rest of the compartment was filled with household linen, fine and costly but yellowed with age—damask table linen and webs of the uncut fabric.
In the second compartment lay a dress. Aunt Winnifred lifted it out reverently. It was a gown of rich silk that had once been white, but now, like the linen, it was yellow with age. It was simply made and trimmed with cobwebby old lace. Wrapped around it was a long white bridal veil, redolent with some strange, old-time perfume that had kept its sweetness all through the years.
"Well, Amy, this is all," said Aunt Winnifred with a quiver in her voice. "And now for the story. Where shall I begin?"
"At the very beginning, Aunty. You see I know nothing at all except her name. Tell me who she was and why she put her wedding dress away here."
"Poor Eliza!" said Aunt dreamily. "It is a sorrowful story, Amy, and it seems so long ago now. I must be an old woman. Forty years ago—and I was only twenty then. Eliza Laurance was my cousin, the only daughter of Uncle Henry Laurance. My father—your grandfather, Amy, you don't remember him—had two brothers, each of whom had an only daughter. Both these girls were called Eliza after your great-grandmother. I never saw Uncle George's Eliza but once. He was a rich man and his daughter was much sought after, but she was no beauty, I promise you that, and proud and vain to the last degree. Her home was in a distant city and she never came to Wyther Grange.
"The other Eliza Laurance was a poor man's daughter. She and I were of the same age and did not look unlike each other, although I was not so pretty by half. You can see by the portrait how beautiful she was, and it does her scant justice, for half her charm lay in her arch expression and her vivacious ways. She had her little faults, of course, and was rather over much given to romance and sentiment. This did not seem much of a defect to me then, Amy, for I was young and romantic too. Mother never cared much for Eliza, I think, but everyone else liked her. One winter Eliza came to Wyther Grange for a long visit. The Grange was a very lively place then, Amy. Eliza kept the old house ringing with merriment. We went out a great deal and she was always the belle of any festivity we attended. Yet she wore her honours easily; all the flattery and homage she received did not turn her head.
"That winter we first met Willis Starr. He was a newcomer, and nobody knew much about him, but one or two of the best families took him up, and his own fascinations did the rest. He became what you would call the rage. He was considered very handsome, his manners were polished and easy, and people said he was rich.
"I don't think, Amy, that I ever trusted Willis Starr. But like all the rest, I was blinded by his charm. Mother was almost the only one who did not worship at his shrine, and very often she dropped hints about penniless adventurers that made Eliza very indignant.
"From the first he had paid Eliza marked attention and seemed utterly bewitched by her. Well, his was an easy winning. Eliza loved him with her whole impulsive, girlish heart and made no attempt to hide it.
"I shall never forget the night they were first engaged. It was Eliza's birthday, and we were invited to a ball that evening. This yellow gown is the very one she wore. I suppose that is why she put it away here—the gown she wore on the happiest night of her life. I had never seen her look more beautiful—her neck and arms were bare, and she wore this string of pearls and carried a bouquet of her favourite white roses.
"When we reached home after the dance, Eliza had her happy secret to tell us. She was engaged to Willis Starr, and they were to be married in early spring.
"Willis Starr certainly seemed to be an ideal lover, and Eliza was so perfectly happy that she seemed to grow more beautiful and radiant every day.
"Well, Amy, the wedding day was set. Eliza was to be married from the Grange, as her own mother was dead, and I was to be bridesmaid. We made her wedding dress together, she and I. Girls were not above making their own gowns then, and not a stitch was set in Eliza's save those put there by loving fingers and blessed by loving wishes. It was I who draped the veil over her sunny curls—see how yellow and creased it is now, but it was as white as snow that day.
"A week before the wedding, Willis Starr was spending the evening at the Grange. We were all chattering gaily about the coming event, and in speaking of the invited guests Eliza said something about the other Eliza Laurance, the great heiress, looking archly at Willis over her shoulder as she spoke. It was some merry badinage about the cousin whose namesake she was but whom she so little resembled.
"We all laughed, but I shall never forget the look that came over Willis Starr's face. It passed quickly, but the chill fear that it gave me remained. A few minutes later I left the room on some trifling errand, and as I returned through the dim hall I was met by Willis Starr. He laid his hand on my arm and bent his evil face—for it was evil then, Amy—close to mine.
"'Tell me,' he said in a low but rude tone, 'is there another Eliza Laurance who is an heiress?'
"'Certainly there is,' I said sharply. 'She is our cousin and the daughter of our Uncle George. Our Eliza is not an heiress. You surely did not suppose she was!'
"Willis stepped aside with a mocking smile.
"'I did—what wonder? I had heard much about the great heiress, Eliza Laurance, and the great beauty, Eliza Laurance. I supposed they were one and the same. You have all been careful not to undeceive me.'
"'You forget yourself, Mr. Starr, when you speak so to me,' I retorted coldly. 'You have deceived yourself. We have never dreamed of allowing anyone to think that Eliza was an heiress. She is sweet and lovely enough to be loved for her own sake.'
"I went back to the parlour full of dismay. Willis Starr remained gloomy and taciturn all the rest of the evening, but nobody seemed to notice it but myself.
"The next day we were all so busy that I almost forgot the incident of the previous evening. We girls were up in the sewing room putting the last touches to the wedding gown. Eliza tried it and her veil on and was standing so, in all her silken splendour, when a letter was brought in. I guessed by her blush who was the writer. I laughed and ran downstairs, leaving her to read it.
"When I returned she was still standing just where I had left her in the middle of the room, holding the letter in her hand. Her face was as white as her veil, and her wide-open eyes had a dazed, agonized look as of someone who had been stricken a mortal blow. All the soft happiness and sweetness had gone out of them. They were the eyes of an old woman, Amy.
"'Eliza, what is the matter?' I said. 'Has anything happened to Willis?'
"She made no answer, but walked to the fireplace, dropped the letter in a bed of writhing blue flame and watched it burn to white ashes. Then she turned to me.
"'Help me take off this gown, Winnie,' she said dully. 'I shall never wear it again. There will be no wedding. Willis is gone.'
"'Gone!' I echoed stupidly.
"'Yes. I am not the heiress, Winnie. It was the fortune, not the girl, he loved. He says he is too poor for us to dream of marrying when I have nothing. Oh, such a cruel, heartless letter! Why did he not kill me? It would have been so much more merciful! I loved him so—I trusted him so! Oh, Winnie, Winnie, what am I to do!'
"There was something terrible in the contrast between her passionate words and her calm face and lifeless voice. I wanted to call Mother, but she would not let me. She went away to her own room, trailing along the dark hall in her dress and veil, and locked herself in.
"Well, I told it all to the others in some fashion. You can imagine their anger and dismay. Your father, Amy—he was a hot-blooded, impetuous, young fellow then—went at once to seek Willis Starr. But he was gone, no one knew where, and the whole country rang with the gossip and scandal of the affair. Eliza knew nothing of this, for she was ill and unconscious for many a day. In a novel or story she would have died, I suppose, and that would have been the end of it. But this was in real life, and Eliza did not die, although many times we thought she would.
"When she did recover, how frightfully changed she was! It almost broke my heart to see her. Her very nature seemed to have changed too—all her joyousness and light-heartedness were dead. From that time she was a faded, dispirited creature, no more like the Eliza we had known than the merest stranger. And then after a while came other news—Willis Starr was married to the other Eliza Laurance, the true heiress. He had made no second mistake. We tried to keep it from Eliza but she found it out at last. That was the day she came up here alone and packed this old chest. Nobody ever knew just what she put into it. But you and I see now, Amy—her ball dress, her wedding gown, her love letters and, more than all else, her youth and happiness—this old chest was the tomb of it all. Eliza Laurance was really buried here.
"She went home soon after. Before she went she exacted a promise from Mother that the old chest should be left at the Grange unopened until she came for it herself. But she never came back, and I do not think she ever intended to, and I never saw her again.
"That is the story of the old chest. It was all over so long ago—the heartbreak and the misery—but it all seems to come back to me now. Poor Eliza!"
My own eyes were full of tears as Aunt Winnifred went down the stairs, leaving me sitting dreamily there in the sunset light, with the old yellowed bridal veil across my lap and the portrait of Eliza Laurance in my hand. Around me were the relics of her pitiful story—the old, oft-repeated story of a faithless love and a woman's broken heart—the gown she had worn, the slippers in which she had danced light-heartedly at her betrothal ball, her fan, her pearls, her gloves—and it somehow seemed to me as if I were living in those old years myself, as if the love and happiness, the betrayal and pain were part of my own life. Presently Aunt Winnifred came back through the twilight shadows.
"Let us put all these things back in their grave, Amy," she said. "They are of no use to anyone now. The linen might be bleached and used, I dare say—but it would seem like a sacrilege. It was Mother's wedding present to Eliza. And the pearls—would you care to have them, Amy?"
"Oh, no, no," I said with a little shiver. "I would never wear them, Aunt Winnifred. I should feel like a ghost if I did. Put everything back just as we found it—only her portrait. I would like to keep that."
Reverently we put gowns and letters and trinkets back into the old blue chest. Aunt Winnifred closed the lid and turned the key softly. She bowed her head over it for a minute and then we went together in silence down the shadowy garret stairs of Wyther Grange.