Cecily Foster came down the sloping, fir-fringed road from the village at a leisurely pace. Usually she walked with a long, determined stride, but to-day the drowsy, mellowing influence of the Autumn afternoon was strong upon her and filled her with placid content. Without being actively conscious of it, she was satisfied with the existing circumstances of her life. It was half over now. The half of it yet to be lived stretched before her, tranquil, pleasant and uneventful, like the afternoon, filled with unhurried duties and calmly interesting days, Cecily liked the prospect.
When she came to her own lane she paused, folding her hands on the top of the whitewashed gate, while she basked for a moment in the warmth that seemed cupped in the little grassy hollow hedged about with young fir-trees.
Before her lay sere, brooding fields sloping down to a sandy shore, where long foamy ripples were lapping with a murmur that threaded the hushed air like a faint minor melody.
On the crest of the little hill to her right was her home—hers and Lucy Ellen's. The house was an old-fashioned, weather-gray one, low in the eaves, with gables and porches overgrown with vines that had turned to wine-reds and rich bronzes in the October frosts. On three sides it was closed in by tall old spruces, their outer sides bared and grim from long wrestling with the Atlantic winds, but their inner green and feathery. On the fourth side a trim white paling shut in the flower garden before the front door. Cecily could see the beds of purple and scarlet asters, making rich whorls of color under the parlor and sitting-room windows. Lucy Ellen's bed was gayer and larger than Cecily's. Lucy Ellen had always had better luck with flowers.
She could see old Boxer asleep on the front porch step and Lucy Ellen's white cat stretched out on the parlor window-sill. There was no other sign of life about the place. Cecily drew a long, leisurely breath of satisfaction.
"After tea I'll dig up those dahlia roots," she said aloud. "They'd ought to be up. My, how blue and soft that sea is! I never saw such a lovely day. I've been gone longer than I expected. I wonder if Lucy Ellen's been lonesome?"
When Cecily looked back from the misty ocean to the house, she was surprised to see a man coming with a jaunty step down the lane under the gnarled spruces. She looked at him perplexedly. He must be a stranger, for she was sure no man in Oriental walked like that.
"Some agent has been pestering Lucy Ellen, I suppose," she muttered vexedly.
The stranger came on with an airy briskness utterly foreign to Orientalites. Cecily opened the gate and went through. They met under the amber-tinted sugar maple in the heart of the hollow. As he passed, the man lifted his hat and bowed with an ingratiating smile.
He was about forty-five, well, although somewhat loudly dressed, and with an air of self-satisfied prosperity pervading his whole personality. He had a heavy gold watch chain and a large seal ring on the hand that lifted his hat. He was bald, with a high, Shaksperian forehead and a halo of sandy curls. His face was ruddy and weak, but good-natured: his eyes were large and blue, and he had a little straw-colored moustache, with a juvenile twist and curl in it.
Cecily did not recognize him, yet there was something vaguely familiar about him. She walked rapidly up to the house. In the sitting-room she found Lucy Ellen peering out between the muslin window curtains. When the latter turned there was an air of repressed excitement about her.
"Who was that man, Lucy Ellen?" Cecily asked.
To Cecily's amazement, Lucy Ellen blushed—a warm, Spring-like flood of color that rolled over her delicate little face like a miracle of rejuvenescence.
"Didn't you know him? That was Cromwell Biron," she simpered. Although Lucy Ellen was forty and, in most respects, sensible, she could not help simpering upon occasion.
"Cromwell Biron," repeated Cecily, in an emotionless voice. She took off her bonnet mechanically, brushed the dust from its ribbons and bows and went to put it carefully away in its white box in the spare bedroom. She felt as if she had had a severe shock, and she dared not ask anything more just then. Lucy Ellen's blush had frightened her. It seemed to open up dizzying possibilities of change.
"But she promised—she promised," said Cecily fiercely, under her breath.
While Cecily was changing her dress, Lucy Ellen was getting the tea ready in the little kitchen. Now and then she broke out into singing, but always checked herself guiltily. Cecily heard her and set her firm mouth a little firmer.
"If a man had jilted me twenty years ago, I wouldn't be so overwhelmingly glad to see him when he came back—especially if he had got fat and bald-headed," she added, her face involuntarily twitching into a smile. Cecily, in spite of her serious expression and intense way of looking at life, had an irrepressible sense of humor.
Tea that evening was not the pleasant meal it usually was. The two women were wont to talk animatedly to each other, and Cecily had many things to tell Lucy Ellen. She did not tell them. Neither did Lucy Ellen ask any questions, her ill-concealed excitement hanging around her like a festal garment.
Cecily's heart was on fire with alarm and jealousy. She smiled a little cruelly as she buttered and ate her toast.
"And so that was Cromwell Biron," she said with studied carelessness. "I thought there was something familiar about him. When did he come home?"
"He got to Oriental yesterday," fluttered back Lucy Ellen. "He's going to be home for two months. We—we had such an interesting talk this afternoon. He—he's as full of jokes as ever. I wished you'd been here."
This was a fib. Cecily knew it.
"I don't, then," she said contemptuously. "You know I never had much use for Cromwell Biron. I think he had a face of his own to come down here to see you uninvited, after the way he treated you."
Lucy Ellen blushed scorchingly and was miserably silent.
"He's changed terrible in his looks," went on Cecily relentlessly. "How bald he's got—and fat! To think of the spruce Cromwell Biron got to be bald and fat! To be sure, he still has the same sheepish expression. Will you pass me the currant jell, Lucy Ellen?"
"I don't think he's so very fat," she said resentfully, when Cecily had left the table. "And I don't care if he is."
Twenty years before this, Biron had jilted Lucy Ellen Foster. She was the prettiest girl in Oriental then, but the new school teacher over at the Crossways was prettier, with a dash of piquancy, which Lucy Ellen lacked, into the bargain. Cromwell and the school teacher had run away and been married, and Lucy Ellen was left to pick up the tattered shreds of her poor romance as best she could.
She never had another lover. She told herself that she would always be faithful to the one love of her life. This sounded romantic, and she found a certain comfort in it.
She had been brought up by her uncle and aunt. When they died she and her cousin, Cecily Foster, found themselves, except for each other, alone in the world.
Cecily loved Lucy Ellen as a sister. But she believed that Lucy Ellen would yet marry, and her heart sank at the prospect of being left without a soul to love and care for.
It was Lucy Ellen that had first proposed their mutual promise, but Cecily had grasped at it eagerly. The two women, verging on decisive old maidenhood, solemnly promised each other that they would never marry, and would always live together. From that time Cecily's mind had been at ease. In her eyes a promise was a sacred thing.
The next evening at prayer-meeting Cromwell Biron received quite an ovation from old friends and neighbors. Cromwell had been a favorite in his boyhood. He had now the additional glamour of novelty and reputed wealth.
He was beaming and expansive. He went into the choir to help sing. Lucy Ellen sat beside him, and they sang from the same book. Two red spots burned on her thin cheeks, and she had a cluster of lavender chrysanthemums pinned on her jacket. She looked almost girlish, and Cromwell Biron gazed at her with sidelong admiration, while Cecily watched them both fiercely from her pew. She knew that Cromwell Biron had come home, wooing his old love.
"But he sha'n't get her," Cecily whispered into her hymnbook. Somehow it was a comfort to articulate the words, "She promised."
On the church steps Cromwell offered his arm to Lucy Ellen with a flourish. She took it shyly, and they started down the road in the crisp Autumn moonlight. For the first time in ten years Cecily walked home from prayer-meeting alone. She went up-stairs and flung herself on her bed, reckless for once, of her second best hat and gown.
Lucy Ellen did not venture to ask Cromwell in. She was too much in awe of Cecily for that. But she loitered with him at the gate until the grandfather's clock in the hall struck eleven. Then Cromwell went away, whistling gaily, with Lucy Ellen's chrysanthemum in his buttonhole, and Lucy Ellen went in and cried half the night. But Cecily did not cry. She lay savagely awake until morning.
"Cromwell Biron is courting you again," she said bluntly to Lucy Ellen at the breakfast table.
Lucy Ellen blushed nervously.
"Oh, nonsense, Cecily," she protested with a simper.
"It isn't nonsense," said Cecily calmly. "He is. There is no fool like an old fool, and Cromwell Biron never had much sense. The presumption of him!"
Lucy Ellen's hands trembled as she put her teacup down.
"He's not so very old," she said faintly, "and everybody but you likes him—and he's well-to-do. I don't see that there's any presumption."
"Maybe not—if you look at it so. You're very forgiving, Lucy Ellen. You've forgotten how he treated you once."
"No—o—o, I haven't," faltered Lucy Ellen.
"Anyway," said Cecily coldly, "you shouldn't encourage his attentions, Lucy Ellen; you know you couldn't marry him even if he asked you. You promised."
All the fitful color went out of Lucy Ellen's face. Under Cecily's pitiless eyes she wilted and drooped.
"I know," she said deprecatingly, "I haven't forgotten. You are talking nonsense, Cecily. I like to see Cromwell, and he likes to see me because I'm almost the only one of his old set that is left. He feels lonesome in Oriental now."
Lucy Ellen lifted her fawn-colored little head more erectly at the last of her protest. She had saved her self-respect.
In the month that followed Cromwell Biron pressed his suit persistently, unintimidated by Cecily's antagonism. October drifted into November and the chill, drear days came. To Cecily the whole outer world seemed the dismal reflex of her pain-bitten heart. Yet she constantly laughed at herself, too, and her laughter was real if bitter.
One evening she came home late from a neighbor's. Cromwell Biron passed her in the hollow under the bare boughs of the maple that were outlined against the silvery moonlit sky.
When Cecily went into the house, Lucy Ellen opened the parlor door. She was very pale, but her eyes burned in her face and her hands were clasped before her.
"I wish you'd come in here for a few minutes, Cecily," she said feverishly.
Cecily followed silently into the room.
"Cecily," she said faintly, "Cromwell was here to-night. He asked me to marry him. I told him to come to-morrow night for his answer."
She paused and looked imploringly at Cecily. Cecily did not speak. She stood tall and unrelenting by the table. The rigidity of her face and figure smote Lucy Ellen like a blow. She threw out her bleached little hands and spoke with a sudden passion utterly foreign to her.
"Cecily, I want to marry him. I—I—love him. I always have. I never thought of this when I promised. Oh, Cecily, you'll let me off my promise, won't you?"
"No," said Cecily. It was all she said. Lucy Ellen's hands fell to her sides, and the light went out of her face.
"You won't?" she said hopelessly.
Cecily went out. At the door she turned.
"When John Edwards asked me to marry him six years ago, I said no for your sake. To my mind a promise is a promise. But you were always weak and romantic, Lucy Ellen."
Lucy Ellen made no response. She stood limply on the hearth-rug like a faded blossom bitten by frost.
After Cromwell Biron had gone away the next evening, with all his brisk jauntiness shorn from him for the time, Lucy Ellen went up to Cecily's room. She stood for a moment in the narrow doorway, with the lamplight striking upward with a gruesome effect on her wan face.
"I've sent him away," she said lifelessly. "I've kept my promise, Cecily."
There was silence for a moment. Cecily did not know what to say. Suddenly Lucy Ellen burst out bitterly.
"I wish I was dead!"
Then she turned swiftly and ran across the hall to her own room. Cecily gave a little moan of pain. This was her reward for all the love she had lavished on Lucy Ellen.
"Anyway, it is all over," she said, looking dourly into the moonlit boughs of the firs; "Lucy Ellen'll get over it. When Cromwell is gone she'll forget all about him. I'm not going to fret. She promised, and she wanted the promise first."
During the next fortnight tragedy held grim sway in the little weather-gray house among the firs—a tragedy tempered with grim comedy for Cecily, who, amid all her agony, could not help being amused at Lucy Ellen's romantic way of sorrowing.
Lucy Ellen did her mornings' work listlessly and drooped through the afternoons. Cecily would have felt it as a relief if Lucy Ellen had upbraided her, but after her outburst on the night she sent Cromwell away, Lucy Ellen never uttered a word of reproach or complaint.
One evening Cecily made a neighborly call in the village. Cromwell Biron happened to be there and gallantly insisted upon seeing her home.
She understood from Cromwell's unaltered manner that Lucy Ellen had not told him why she had refused him. She felt a sudden admiration for her cousin.
When they reached the house Cromwell halted suddenly in the banner of light that streamed from the sitting-room window. They saw Lucy Ellen sitting alone before the fire, her arms folded on the table, and her head bowed on them. Her white cat sat unnoticed at the table beside her. Cecily gave a gasp of surrender.
"You'd better come in," she said, harshly. "Lucy Ellen looks lonesome."
Cromwell muttered sheepishly, "I'm afraid I wouldn't be company for her. Lucy Ellen doesn't like me much—"
"Oh, doesn't she!" said Cecily, bitterly. "She likes you better than she likes me for all I've—but it's no matter. It's been all my fault—she'll explain. Tell her I said she could. Come in, I say."
She caught the still reluctant Cromwell by the arm and fairly dragged him over the geranium beds and through the front door. She opened the sitting-room door and pushed him in. Lucy Ellen rose in amazement. Over Cromwell's bald head loomed Cecily's dark face, tragic and determined.
"Here's your beau, Lucy Ellen," she said, "and I give you back your promise."
She shut the door upon the sudden illumination of Lucy Ellen's face and went up-stairs with the tears rolling down her cheeks.
"It's my turn to wish I was dead," she muttered. Then she laughed hysterically.
"That goose of a Cromwell! How queer he did look standing there, frightened to death of Lucy Ellen. Poor little Lucy Ellen! Well, I hope he'll be good to her."
Freda's snuggery was aglow with the rose-red splendour of an open fire which was triumphantly warding off the stealthy approaches of the dull grey autumn twilight. Roger St. Clair stretched himself out luxuriously in an easy-chair with a sigh of pleasure.
"Freda, your armchairs are the most comfy in the world. How do you get them to fit into a fellow's kinks so splendidly?"
Freda smiled at him out of big, owlish eyes that were the same tint as the coppery grey sea upon which the north window of the snuggery looked.
"Any armchair will fit a lazy fellow's kinks," she said.
"I'm not lazy," protested Roger. "That you should say so, Freda, when I have wheeled all the way out of town this dismal afternoon over the worst bicycle road in three kingdoms to see you, bonnie maid!"
"I like lazy people," said Freda softly, tilting her spoon on a cup of chocolate with a slender brown hand.
Roger smiled at her chummily.
"You are such a comfortable girl," he said. "I like to talk to you and tell you things."
"You have something to tell me today. It has been fairly sticking out of your eyes ever since you came. Now, 'fess."
Freda put away her cup and saucer, got up, and stood by the fireplace, with one arm outstretched along the quaintly carved old mantel. She laid her head down on its curve and looked expectantly at Roger.
"I have seen my ideal, Freda," said Roger gravely.
Freda lifted her head and then laid it down again. She did not speak. Roger was glad of it. Even at the moment he found himself thinking that Freda had a genius for silence. Any other girl he knew would have broken in at once with surprised exclamations and questions and spoiled his story.
"You have not forgotten what my ideal woman is like?" he said.
Freda shook her head. She was not likely to forget. She remembered only too keenly the afternoon he had told her. They had been sitting in the snuggery, herself in the inglenook, and Roger coiled up in his big pet chair that nobody else ever sat in.
"'What must my lady be that I must love her?'" he had quoted. "Well, I will paint my dream-love for you, Freda. She must be tall and slender, with chestnut hair of wonderful gloss, with just the suggestion of a ripple in it. She must have an oval face, colourless ivory in hue, with the expression of a Madonna; and her eyes must be 'passionless, peaceful blue,' deep and tender as a twilight sky."
Freda, looking at herself along her arm in the mirror, recalled this description and smiled faintly. She was short and plump, with a piquant, irregular little face, vivid tinting, curly, unmanageable hair of ruddy brown, and big grey eyes. Certainly, she was not his ideal.
"When and where did you meet your lady of the Madonna face and twilight eyes?" she asked.
Roger frowned. Freda's face was solemn enough but her eyes looked as if she might be laughing at him.
"I haven't met her yet. I have only seen her. It was in the park yesterday. She was in a carriage with the Mandersons. So beautiful, Freda! Our eyes met as she drove past and I realized that I had found my long-sought ideal. I rushed back to town and hunted up Pete Manderson at the club. Pete is a donkey but he has his ways of being useful. He told me who she was. Her name is Stephanie Gardiner; she is his cousin from the south and is visiting his mother. And, Freda, I am to dine at the Mandersons' tonight. I shall meet her."
"Do goddesses and ideals and Madonnas eat?" said Freda in an awed whisper. Her eyes were certainly laughing now. Roger got up stiffly.
"I must confess I did not expect that you would ridicule my confidence, Freda," he said frigidly. "It is very unlike you. But if you are not interested I will not bore you with any further details. And it is time I was getting back to town anyhow."
When he had gone Freda ran to the west window and flung it open. She leaned out and waved both hands at him over the spruce hedge.
"Roger, Roger, I was a horrid little beast. Forget it immediately, please. And come out tomorrow and tell me all about her."
Roger came. He bored Freda terribly with his raptures but she never betrayed it. She was all sympathy—or, at least, as much sympathy as a woman can be who must listen while the man of men sings another woman's praises to her. She sent Roger away in perfect good humour with himself and all the world, then she curled herself up in the snuggery, pulled a rug over her head, and cried.
Roger came out to Lowlands oftener than ever after that. He had to talk to somebody about Stephanie Gardiner and Freda was the safest vent. The "pursuit of the Ideal," as she called it, went on with vim and fervour. Sometimes Roger would be on the heights of hope and elation; the next visit he would be in the depths of despair and humility. Freda had learned to tell which it was by the way he opened the snuggery door.
One day when Roger came he found six feet of young man reposing at ease in his particular chair. Freda was sipping chocolate in her corner and looking over the rim of her cup at the intruder just as she had been wont to look at Roger. She had on a new dark red gown and looked vivid and rose-hued.
She introduced the stranger as Mr. Grayson and called him Tim. They seemed to be excellent friends. Roger sat bolt upright on the edge of a fragile, gilded chair which Freda kept to hide a shabby spot in the carpet, and glared at Tim until the latter said goodbye and lounged out.
"You'll be over tomorrow?" said Freda.
"Can't I come this evening?" he pleaded.
Freda nodded. "Yes—and we'll make taffy. You used to make such delicious stuff, Tim."
"Who is that fellow, Freda?" Roger inquired crossly, as soon as the door closed.
Freda began to make a fresh pot of chocolate. She smiled dreamily as if thinking of something pleasant.
"Why, that was Tim Grayson—dear old Tim. He used to live next door to us when we were children. And we were such chums—always together, making mud pies, and getting into scrapes. He is just the same old Tim, and is home from the west for a long visit. I was so glad to see him again."
"So it would appear," said Roger grumpily. "Well, now that 'dear old Tim' is gone, I suppose I can have my own chair, can I? And do give me some chocolate. I didn't know you made taffy."
"Oh, I don't. It's Tim. He can do everything. He used to make it long ago, and I washed up after him and helped him eat it. How is the pursuit of the Ideal coming on, Roger-boy?"
Roger did not feel as if he wanted to talk about the Ideal. He noticed how vivid Freda's smile was and how lovable were the curves of her neck where the dusky curls were caught up from it. He had also an inner vision of Freda making taffy with Tim and he did not approve of it.
He refused to talk about the Ideal. On his way back to town he found himself thinking that Freda had the most charming, glad little laugh of any girl he knew. He suddenly remembered that he had never heard the Ideal laugh. She smiled placidly—he had raved to Freda about that smile—but she did not laugh. Roger began to wonder what an ideal without any sense of humour would be like when translated into the real.
He went to Lowlands the next afternoon and found Tim there—in his chair again. He detested the fellow but he could not deny that he was good-looking and had charming manners. Freda was very nice to Tim. On his way back to town Roger decided that Tim was in love with Freda. He was furious at the idea. The presumption of the man!
He also remembered that he had not said a word to Freda about the Ideal. And he never did say much more—perhaps because he could not get the chance. Tim was always there before him and generally outstayed him.
One day when he went out he did not find Freda at home. Her aunt told him that she was out riding with Mr. Grayson. On his way back he met them. As they cantered by, Freda waved her riding whip at him. Her face was full of warm, ripe, kissable tints, her loose lovelocks were blowing about it, and her eyes shone like grey pools mirroring stars. Roger turned and watched them out of sight behind the firs that cupped Lowlands.
That night at Mrs. Crandall's dinner table somebody began to talk about Freda. Roger strained his ears to listen. Mrs. Kitty Carr was speaking—Mrs. Kitty knew everything and everybody.
"She is simply the most charming girl in the world when you get really acquainted with her," said Mrs. Kitty, with the air of having discovered and patented Freda. "She is so vivid and unconventional and lovable—'spirit and fire and dew,' you know. Tim Grayson is a very lucky fellow."
"Are they engaged?" someone asked.
"Not yet, I fancy. But of course it is only a question of time. Tim simply adores her. He is a good soul and has lots of money, so he'll do. But really, you know, I think a prince wouldn't be good enough for Freda."
Roger suddenly became conscious that the Ideal was asking him a question of which he had not heard a word. He apologized and was forgiven. But he went home a very miserable man.
He did not go to Lowlands for two weeks. They were the longest, most wretched two weeks he had ever lived through. One afternoon he heard that Tim Grayson had gone back west. Mrs. Kitty told it mournfully.
"Of course, this means that Freda has refused him," she said. "She is such an odd girl."
Roger went straight out to Lowlands. He found Freda in the snuggery and held out his hands to her.
"Freda, will you marry me? It will take a lifetime to tell you how much I love you."
"But the Ideal?" questioned Freda.
"I have just discovered what my ideal is," said Roger. "She is a dear, loyal, companionable little girl, with the jolliest laugh and the warmest, truest heart in the world. She has starry grey eyes, two dimples, and a mouth I must and will kiss—there—there—there! Freda, tell me you love me a little bit, although I've been such a besotted idiot."
"I will not let you call my husband-that-is-to-be names," said Freda, snuggling down into the curve of his shoulder. "But indeed, Roger-boy, you will have to make me very, very happy to square matters up. You have made me so unutterably unhappy for two months."
"The pursuit of the Ideal is ended," declared Roger.
"I wonder if I'd better flavour this cake with lemon or vanilla. It's the most perplexing thing I ever heard of in my life."
Miss Cynthia put down the bottles with a vexed frown; her perplexity had nothing whatever to do with flavouring the golden mixture in her cake bowl. Mrs. John Joe knew that; the latter had dropped in in a flurry of curiosity concerning the little boy whom she had seen about Miss Cynthia's place for the last two days. Her daughter Kitty was with her; they both sat close together on the kitchen sofa.
"It is too bad," said Mrs. John Joe sympathetically. "I don't wonder you are mixed up. So unexpected, too! When did he come?"
"Tuesday night," said Miss Cynthia. She had decided on the vanilla and was whipping it briskly in. "I saw an express wagon drive into the yard with a boy and a trunk in it and I went out just as he got down. 'Are you my Aunt Cynthia?' he said. 'Who in the world are you?' I asked. And he says, 'I'm Wilbur Merrivale, and my father was John Merrivale. He died three weeks ago and he said I was to come to you, because you were his sister.' Well, you could just have knocked me down with a feather!"
"I'm sure," said Mrs. John Joe. "But I didn't know you had a brother. And his name—Merrivale?"
"Well, he wasn't any relation really. I was about six years old when my father married his mother, the Widow Merrivale. John was just my age, and we were brought up together just like brother and sister. He was a real nice fellow, I must say. But he went out to Californy years ago, and I haven't heard a word of him for fifteen years—didn't know if he was alive or dead. But it seems from what I can make out from the boy, that his mother died when he was a baby, and him and John roughed it along together—pretty poor, too, I guess—till John took a fever and died. And he told some of his friends to send the boy to me, for he'd no relations there and not a cent in the world. And the child came all the way from Californy, and here he is. I've been just distracted ever since. I've never been used to children, and to have the house kept in perpetual uproar is more than I can stand. He's about twelve and a born mischief. He'll tear through the rooms with his dirty feet, and he's smashed one of my blue vases and torn down a curtain and set Towser on the cat half a dozen times already—I never was so worried. I've got him out on the verandah shelling peas now, to keep him quiet for a little spell."
"I'm really sorry for you," said Mrs. John Joe. "But, poor child, I suppose he's never had anyone to look after him. And come all the way from Californy alone, too—he must be real smart."
"Too smart, I guess. He must take after his mother, whoever she was, for there ain't a bit of Merrivale in him. And he's been brought up pretty rough."
"Well, it'll be a great responsibility for you, Cynthia, of course. But he'll be company, too, and he'll be real handy to run errands and—"
"I'm not going to keep him," said Miss Cynthia determinedly. Her thin lips set themselves firmly and her voice had a hard ring.
"Not going to keep him?" said Mrs. John Joe blankly. "You can't send him back to Californy!"
"I don't intend to. But as for having him here to worry my life out and keep me in a perpetual stew, I just won't do it. D'ye think I'm going to trouble myself about children at my age? And all he'd cost for clothes and schooling, too! I can't afford it. I don't suppose his father expected it either. I suppose he expected me to look after him a bit—and of course I will. A boy of his age ought to be able to earn his keep, anyway. If I look out a place for him somewhere where he can do odd jobs and go to school in the winter, I think it's all anyone can expect of me, when he ain't really no blood relation."
Miss Cynthia flung the last sentence at Mrs. John Joe rather defiantly, not liking the expression on that lady's face.
"I suppose nobody could expect more, Cynthy," said Mrs. John Joe deprecatingly. "He would be an awful bother, I've no doubt, and you've lived alone so long with no one to worry you that you wouldn't know what to do with him. Boys are always getting into mischief—my four just keep me on the dead jump. Still, it's a pity for him, poor little fellow! No mother or father—it seems hard."
Miss Cynthia's face grew grimmer than ever as she went to the door with her callers and watched them down the garden path. As soon as Mrs. John Joe saw that the door was shut, she unburdened her mind to her daughter.
"Did you ever hear tell of the like? I thought I knew Cynthia Henderson well, if anybody in Wilmot did, but this beats me. Just think, Kitty—there she is, no one knows how rich, and not a soul in the world belonging to her, and she won't even take in her brother's child. She must be a hard woman. But it's just meanness, pure and simple; she grudges him what he'd eat and wear. The poor mite doesn't look as if he'd need much. Cynthia didn't used to be like that, but it's growing on her every day. She's got hard as rocks."
That afternoon Miss Cynthia harnessed her fat grey pony into the phaeton herself—she kept neither man nor maid, but lived in her big, immaculate house in solitary state—and drove away down the dusty, buttercup-bordered road, leaving Wilbur sitting on the verandah. She returned in an hour's time and drove into the yard, shutting the gate behind her with a vigorous snap. Wilbur was not in sight and, fearful lest he should be in mischief, she hurriedly tied the pony to the railing and went in search of him. She found him sitting by the well, his chin in his hands; he was pale and his eyes were red. Miss Cynthia hardened her heart and took him into the house.
"I've been down to see Mr. Robins this afternoon, Wilbur," she said, pretending to brush some invisible dust from the bottom of her nice black cashmere skirt for an excuse to avoid looking at him, "and he's agreed to take you on trial. It's a real good chance—better than you could expect. He says he'll board and clothe you and let you go to school in the winter."
The boy seemed to shrink.
"Daddy said that I would stay with you," he said wistfully. "He said you were so good and kind and would love me for his sake."
For a moment Miss Cynthia softened. She had been very fond of her stepbrother; it seemed that his voice appealed to her across the grave in behalf of his child. But the crust of years was not to be so easily broken.
"Your father meant that I would look after you," she said, "and I mean to, but I can't afford to keep you here. You'll have a good place at Mr. Robins', if you behave yourself. I'm going to take you down now, before I unharness the pony, so go and wash your face while I put up your things. Don't look so woebegone, for pity's sake! I'm not taking you to prison."
Wilbur turned and went silently to the kitchen. Miss Cynthia thought she heard a sob. She went with a firm step into the little bedroom off the hall and took a purse out of a drawer.
"I s'pose I ought," she said doubtfully. "I don't s'pose he has a cent. I daresay he'll lose or waste it."
She counted out seventy-five cents carefully. When she came out, Wilbur was at the door. She put the money awkwardly into his hand.
"There, see that you don't spend it on any foolishness."
Miss Cynthia's Action made a good deal of talk in Wilmot. The women, headed by Mrs. John Joe—who said behind Cynthia's back what she did not dare say to her face—condemned her. The men laughed and said that Cynthia was a shrewd one; there was no getting round her. Miss Cynthia herself was far from easy. She could not forget Wilbur's wistful eyes, and she had heard that Robins was a hard master.
A week after the boy had gone she saw him one day at the store. He was lifting heavy bags from a cart. The work was beyond his strength, and he was flushed and panting. Miss Cynthia's conscience gave her a hard stab. She bought a roll of peppermints and took them over to him. He thanked her timidly and drove quickly away.
"Robins hasn't any business putting such work on a child," she said to herself indignantly. "I'll speak to him about it."
And she did—and got an answer that made her ears tingle. Mr. Robins bluntly told her he guessed he knew what was what about his hands. He weren't no nigger driver. If she wasn't satisfied, she might take the boy away as soon as she liked.
Miss Cynthia did not get much comfort out of life that summer. Almost everywhere she went she was sure to meet Wilbur, engaged in some hard task. She could not help seeing how miserably pale and thin he had become. The worry had its effect on her. The neighbours said that Cynthy was sharper than ever. Even her church-going was embittered. She had always enjoyed walking up the aisle with her rich silk skirt rustling over the carpet, her cashmere shawl folded correctly over her shoulders, and her lace bonnet set precisely on her thin shining crimps. But she could take no pleasure in that or in the sermon now, when Wilbur sat right across from her pew, between hard-featured Robins and his sulky-looking wife. The boy's eyes had grown too large for his thin face.
The softening of Miss Cynthia was a very gradual process, but it reached a climax one September morning, when Mrs. John Joe came into the former's kitchen with an important face. Miss Cynthia was preserving her plums.
"No, thank you, I'll not sit down—I only run in—I suppose you've heard it. That little Merrivale boy has took awful sick with fever, they say. He's been worked half to death this summer—everyone knows what Robins is with his help—and they say he has fretted a good deal for his father and been homesick, and he's run down, I s'pose. Anyway, Robins took him over to the hospital at Stanford last night—good gracious, Cynthy, are you sick?"
Miss Cynthia had staggered to a seat by the table; her face was pallid.
"No, it's only your news gave me a turn—it came so suddenly—I didn't know."
"I must hurry back and see to the men's dinners. I thought I'd come and tell you, though I didn't know as you'd care."
This parting shot was unheeded by Miss Cynthia. She laid her face in her hands. "It's a judgement on me," she moaned. "He's going to die, and I'm his murderess. This is the account I'll have to give John Merrivale of his boy. I've been a wicked, selfish woman, and I'm justly punished."
It was a humbled Miss Cynthia who met the doctor at the hospital that afternoon. He shook his head at her eager questions.
"It's a pretty bad case. The boy seems run down every way. No, it is impossible to think of moving him again. Bringing him here last night did him a great deal of harm. Yes, you may see him, but he will not know you, I fear—he is delirious and raves of his father and California."
Miss Cynthia followed the doctor down the long ward. When he paused by a cot, she pushed past him. Wilbur lay tossing restlessly on his pillow. He was thin to emaciation, but his cheeks were crimson and his eyes burning bright.
Miss Cynthia stooped and took the hot, dry hands in hers.
"Wilbur," she sobbed, "don't you know me—Aunt Cynthia?"
"You are not my Aunt Cynthia," said Wilbur. "Daddy said Aunt Cynthia was good and kind—you are a cross, bad woman. I want Daddy. Why doesn't he come? Why doesn't he come to little Wilbur?"
Miss Cynthia got up and faced the doctor.
"He's got to get better," she said stubbornly. "Spare no expense or trouble. If he dies, I will be a murderess. He must live and give me a chance to make it up for him."
And he did live; but for a long time it was a hard fight, and there were days when it seemed that death must win. Miss Cynthia got so thin and wan that even Mrs. John Joe pitied her.
The earth seemed to Miss Cynthia to laugh out in prodigal joyousness on the afternoon she drove home when Wilbur had been pronounced out of danger. How tranquil the hills looked, with warm October sunshine sleeping on their sides and faint blue hazes on their brows! How gallantly the maples flaunted their crimson flags! How kind and friendly was every face she met! Afterwards, Miss Cynthia said she began to live that day.
Wilbur's recovery was slow. Every day Miss Cynthia drove over with some dainty, and her loving gentleness sat none the less gracefully on her because of its newness. Wilbur grew to look for and welcome her coming. When it was thought safe to remove him, Miss Cynthia went to the hospital with a phaeton-load of shawls and pillows.
"I have come to take you away," she said.
Wilbur shrank back. "Not to Mr. Robins," he said piteously. "Oh, not there, Aunt Cynthia!"
"Of course not," Miss Cynthia said.
John Harrington was a woman-hater, or thought that he was, which amounts to the same thing. He was forty-five and, having been handsome in his youth, was a fine-looking man still. He had a remarkably good farm and was a remarkably good farmer. He also had a garden which was the pride and delight of his heart or, at least, it was before Mrs. Hayden's pigs got into it.
Sarah King, Harrington's aunt and housekeeper, was deaf and crabbed, and very few visitors ever came to the house. This suited Harrington. He was a good citizen and did his duty by the community, but his bump of sociability was undeveloped. He was also a contented man, looking after his farm, improving his stock, and experimenting with new bulbs in undisturbed serenity. This, however, was all too good to last. A man is bound to have some troubles in this life, and Harrington's were near their beginning when Perry Hayden bought the adjoining farm from the heirs of Shakespeare Ely, deceased, and moved in.
To be sure, Perry Hayden, poor fellow, did not bother Harrington much, for he died of pneumonia a month after he came there, but his widow carried on the farm with the assistance of a lank hired boy. Her own children, Charles and Theodore, commonly known as Bobbles and Ted, were as yet little more than babies.
The real trouble began when Mary Hayden's pigs, fourteen in number and of half-grown voracity, got into Harrington's garden. A railing, a fir grove, and an apple orchard separated the two establishments, but these failed to keep the pigs within bounds.
Harrington had just got his garden planted for the season, and to go out one morning and find a horde of enterprising porkers rooting about in it was, to put it mildly, trying. He was angry, but as it was a first offence he drove the pigs out with tolerable calmness, mended the fence, and spent the rest of the day repairing damages.
Three days later the pigs got in again. Harrington relieved his mind by some scathing reflections on women who tried to run farms. Then he sent Mordecai, his hired man, over to the Hayden place to ask Mrs. Hayden if she would be kind enough to keep her pigs out of his garden. Mrs. Hayden sent back word that she was very sorry and would not let it occur again. Nobody, not even John Harrington, could doubt that she meant what she said. But she had reckoned without the pigs. They had not forgotten the flavour of Egyptian fleshpots as represented by the succulent young shoots in the Harrington domains. A week later Mordecai came in and told Harrington that "them notorious pigs" were in his garden again.
There is a limit to everyone's patience. Harrington left Mordecai to drive them out, while he put on his hat and stalked over to the Haydens' place. Ted and Bobbles were playing at marbles in the lane and ran when they saw him coming. He got close up to the little low house among the apple trees before Mordecai appeared in the yard, driving the pigs around the barn. Mrs. Hayden was sitting on her doorstep, paring her dinner potatoes, and stood up hastily when she saw her visitor.
Harrington had never seen his neighbour at close quarters before. Now he could not help seeing that she was a very pretty little woman, with wistful, dark blue eyes and an appealing expression. Mary Hayden had been next to a beauty in her girlhood, and she had a good deal of her bloom left yet, although hard work and worry were doing their best to rob her of it. But John Harrington was an angry man and did not care whether the woman in question was pretty or not. Her pigs had rooted up his garden—that fact filled his mind.
"Mrs. Hayden, those pigs of yours have been in my garden again. I simply can't put up with this any longer. Why in the name of reason don't you look after your animals better? If I find them in again I'll set my dog on them, I give you fair warning."
A faint colour had crept into Mary Hayden's soft, milky-white cheeks during this tirade, and her voice trembled as she said, "I'm very sorry, Mr. Harrington. I suppose Bobbles forgot to shut the gate of their pen again this morning. He is so forgetful."
"I'd lengthen his memory, then, if I were you," returned Harrington grimly, supposing that Bobbles was the hired man. "I'm not going to have my garden ruined just because he happens to be forgetful. I am speaking my mind plainly, madam. If you can't keep your stock from being a nuisance to other people you ought not to try to run a farm at all."
Then did Mrs. Hayden sit down upon the doorstep and burst into tears. Harrington felt, as Sarah King would have expressed it, "every which way at once." Here was a nice mess! What a nuisance women were—worse than the pigs!
"Oh, don't cry, Mrs. Hayden," he said awkwardly. "I didn't mean—well, I suppose I spoke too strongly. Of course I know you didn't mean to let the pigs in. There, do stop crying! I beg your pardon if I've hurt your feelings."
"Oh, it isn't that," sobbed Mrs. Hayden, wiping away her tears. "It's only—I've tried so hard—and everything seems to go wrong. I make such mistakes. As for your garden, sir. I'll pay for the damage my pigs have done if you'll let me know what it comes to."
She sobbed again and caught her breath like a grieved child. Harrington felt like a brute. He had a queer notion that if he put his arm around her and told her not to worry over things women were not created to attend to he would be expressing his feelings better than in any other way. But of course he couldn't do that. Instead, he muttered that the damage didn't amount to much after all, and he hoped she wouldn't mind what he said, and then he got himself away and strode through the orchard like a man in a desperate hurry.
Mordecai had gone home and the pigs were not to be seen, but a chubby little face peeped at him from between two scrub, bloom-white cherry trees.
"G'way, you bad man!" said Bobbles vindictively. "G'way! You made my mommer cry—I saw you. I'm only Bobbles now, but when I grow up I'll be Charles Henry Hayden and you won't dare to make my mommer cry then."
Harrington smiled grimly. "So you're the lad who forgets to shut the pigpen gate, are you? Come out here and let me see you. Who is in there with you?"
"Ted is. He's littler than me. But I won't come out. I don't like you. G'way home."
Harrington obeyed. He went home and to work in his garden. But work as hard as he would, he could not forget Mary Hayden's grieved face.
"I was a brute!" he thought. "Why couldn't I have mentioned the matter gently? I daresay she has enough to trouble her. Confound those pigs!"