But they had forgotten her—oh, they had forgotten her already!
When half an hour had passed, Nanny was startled by approaching footsteps. Not wishing to be seen, she crept softly behind the headstones into the shadow of the willow on the farther side, and the old dog followed. Doctor Fritz, coming to the grave, thought himself alone with the dead. He knelt down by the headstone and pressed his face against it.
"Avis," he said gently, "dear Avis, I have come to visit your grave tonight because you seem nearer to me here than elsewhere. And I want to talk to you, Avis, as I have always talked to you every Christmastide since we were children together. I have missed you so tonight, dear friend and sympathizer—no words can tell how I have missed you—your welcoming handclasp and your sweet face in the firelight shadows. I could not bear to speak your name, the aching sense of loss was so bitter. Amid all the Christmas mirth and good fellowship I felt the sorrow of your vacant chair. Avis, I wanted to tell you what the year had brought to me. My theory has been proved; it has made me a famous man. Last Christmas, Avis, I told you of it, and you listened and understood and believed in it. Dear Avis, once again I thank you for all you have been to me—all you are yet. I have brought you your roses; they are as white and pure and fragrant as your life."
Other footsteps came so quickly on Doctor Fritz' retreating ones that Nanny could not rise. It was Laddie this time—gay, careless, thoughtless Laddie.
"Roses? So Fritz has been here! I have brought you lilies, Avis. Oh, Avis, I miss you so! You were so jolly and good—you understood a fellow so well. I had to come here tonight to tell you how much I miss you. It doesn't seem half home without you. Avis, I'm trying to be a better chap—more the sort of man you'd have me be. I've given the old set the go-by—I'm trying to live up to your standard. It would be easier if you were here to help me. When I was a kid it was always easier to be good for awhile after I'd talked things over with you. I've got the best mother a fellow ever had, but you and I were such chums, weren't we, Avis? I thought I'd just break down in there tonight and put a damper on everything by crying like a baby. If anybody had spoken about you, I should have. Hello!"
Laddie wheeled around with a start, but it was only Robert's two boys, who came shyly up to the grave, half hanging back to find anyone else there.
"Hello, boys," said Laddie huskily. "So you've come to see her grave too?"
"Yes," said Cecil solemnly. "We—we just had to. We couldn't go to bed without coming. Oh, isn't it lonesome without Cousin Avis?"
"She was always so good to us," said Sid.
"She used to talk to us so nice," said Cecil chokily. "But she liked fun, too."
"Boys," said Laddie gravely, "never forget what Cousin Avis used to say to you. Never forget that you have got to grow up into men she'd be proud of."
They went away then, the boys and their boyish uncle; and when they had gone Nora came, stealing timidly through the shadows, starting at the rustle of the wind in the trees.
"Oh, Avis," she whispered. "I want to see you so much! I want to tell you all about it—about him. You would understand so well. He is the best and dearest lover ever a girl had. You would think so too. Oh, Avis, I miss you so much! There's a little shadow even on my happiness because I can't talk it over with you in the old way. Oh, Avis, it was dreadful to sit around the fire tonight and not see you. Perhaps you were there in spirit. I love to think you were, but I wanted to see you. You were always there to come home to before, Avis, dear."
Sobbing, she went away; and then came Margaret, the grave, strong Margaret.
"Dear cousin, dear to me as a sister, it seemed to me that I must come to you here tonight. I cannot tell you how much I miss your wise, clear-sighted advice and judgment, your wholesome companionship. A little son was born to me this past year, Avis. How glad you would have been, for you knew, as none other did, the bitterness of my childless heart. How we would have delighted to talk over my baby together, and teach him wisely between us! Avis, Avis, your going made a blank that can never be filled for me!"
Margaret was still standing there when the old people came.
"Father! Mother! Isn't it too late and chilly for you to be here?"
"No, Margaret, no," said the mother. "I couldn't go to my bed without coming to see Avis's grave. I brought her up from a baby—her dying mother gave her to me. She was as much my own child as any of you. And oh! I miss her so. You only miss her when you come home, but I miss her all the time—every day!"
"We all miss her, Mother," said the old father, tremulously. "She was a good girl—Avis was a good girl. Good night, Avis!"
"'Say not good night, but in some brighter clime bid her good morning,'" quoted Margaret softly. "That was her own wish, you know. Let us go back now. It is getting late."
When they had gone Nanny crept out from the shadows. It had not occurred to her that perhaps she should not have listened—she had been too shy to make her presence known to those who came to Avis's grave. But her heart was full of joy.
"Oh, Miss Avis, I'm so glad, I'm so glad! They haven't forgotten you after all, Miss Avis, dear, not one of them. I'm sorry I was so cross at them; and I'm so glad they haven't forgotten you. I love them for it."
Then the old dog and Nanny went home together.
When Lawrence Eastman began going to see Bessy Houghton the Lynnfield people shrugged their shoulders and said he might have picked out somebody a little younger and prettier—but then, of course, Bessy was well off. A two-hundred-acre farm and a substantial bank account were worth going in for. Trust an Eastman for knowing upon which side his bread was buttered.
Lawrence was only twenty, and looked even younger, owing to his smooth, boyish face, curly hair, and half-girlish bloom. Bessy Houghton was in reality no more than twenty-five, but Lynnfield people had the impression that she was past thirty. She had always been older than her years—a quiet, reserved girl who dressed plainly and never went about with other young people. Her mother had died when Bessy was very young, and she had always kept house for her father. The responsibility made her grave and mature. When she was twenty her father died and Bessy was his sole heir. She kept the farm and took the reins of government in her own capable hands. She made a success of it too, which was more than many a man in Lynnfield had done.
Bessy had never had a lover. She had never seemed like other girls, and passed for an old maid when her contemporaries were in the flush of social success and bloom.
Mrs. Eastman, Lawrence's mother, was a widow with two sons. George, the older, was the mother's favourite, and the property had been willed to him by his father. To Lawrence had been left the few hundreds in the bank. He stayed at home and hired himself to George, thereby adding slowly to his small hoard. He had his eye on a farm in Lynnfield, but he was as yet a mere boy, and his plans for the future were very vague until he fell in love with Bessy Houghton.
In reality nobody was more surprised over this than Lawrence himself. It had certainly been the last thing in his thoughts on the dark, damp night when he had overtaken Bessy walking home alone from prayer meeting and had offered to drive her the rest of the way.
Bessy assented and got into his buggy. At first she was very silent, and Lawrence, who was a bashful lad at the best of times, felt tongue-tied and uncomfortable. But presently Bessy, pitying his evident embarrassment, began to talk to him. She could talk well, and Lawrence found himself entering easily into the spirit of her piquant speeches. He had an odd feeling that he had never known Bessy Houghton before; he had certainly never guessed that she could be such good company. She was very different from the other girls he knew, but he decided that he liked the difference.
"Are you going to the party at Baileys' tomorrow night?" he asked, as he helped her to alight at her door.
"I don't know," she answered. "I'm invited—but I'm all alone—and parties have never been very much in my line."
There was a wistful note in her voice, and Lawrence detecting it, said hurriedly, not giving himself time to get frightened: "Oh, you'd better go to this one. And if you like, I'll call around and take you."
He wondered if she would think him very presumptuous. He thought her voice sounded colder as she said: "I am afraid that it would be too much trouble for you."
"It wouldn't be any trouble at all," he stammered. "I'll be very pleased to take you."
In the end Bessy had consented to go, and the next evening Lawrence called for her in the rose-red autumn dusk.
Bessy was ready and waiting. She was dressed in what was for her unusual elegance, and Lawrence wondered why people called Bessy Houghton so plain. Her figure was strikingly symmetrical and softly curved. Her abundant, dark-brown hair, instead of being parted plainly and drawn back into a prim coil as usual, was dressed high on her head, and a creamy rose nestled amid the becoming puffs and waves. She wore black, as she usually did, but it was a lustrous black silk, simply and fashionably made, with frost-like frills of lace at her firm round throat and dainty wrists. Her cheeks were delicately flushed, and her wood-brown eyes were sparkling under her long lashes.
She offered him a half-opened bud for his coat and pinned it on for him. As he looked down at her he noticed what a sweet mouth she had—full and red, with a half child-like curve.
The fact that Lawrence Eastman took Bessy Houghton to the Baileys' party made quite a sensation at that festal scene. People nodded and winked and wondered. "An old maid and her money," said Milly Fiske spitefully. Milly, as was well known, had a liking for Lawrence herself.
Lawrence began to "go with" Bessy Houghton regularly after that. In his single-mindedness he never feared that Bessy would misjudge his motives or imagine him to be prompted by mercenary designs. He never thought of her riches himself, and it never occurred to him that she would suppose he did.
He soon realized that he loved her, and he ventured to hope timidly that she loved him in return. She was always rather reserved, but the few favours that meant nothing from other girls meant a great deal from Bessy. The evenings he spent with her in her pretty sitting-room, their moonlight drives over long, satin-smooth stretches of snowy roads, and their walks home from church and prayer meeting under the winter stars, were all so many moments of supreme happiness to Lawrence.
Matters had gone thus far before Mrs. Eastman got her eyes opened. At Mrs. Tom Bailey's quilting party an officious gossip took care to inform her that Lawrence was supposed to be crazy over Bessy Houghton, who was, of course, encouraging him simply for the sake of having someone to beau her round, and who would certainly throw him over in the end since she knew perfectly well that it was her money he was after.
Mrs. Eastman was a proud woman and a determined one. She had always disliked Bessy Houghton, and she went home from the quilting resolved to put an instant stop to "all such nonsense" on her son's part.
"Where is Lawrie?" she asked abruptly; as she entered the small kitchen where George Eastman was lounging by the fire.
"Out in the stable grooming up Lady Grey," responded her older son sulkily. "I suppose he's gadding off to see Bessy Houghton again, the young fool that he is! Why don't you put a stop to it?"
"I am going to put a stop to it," said Mrs. Eastman grimly. "I'd have done it before if I'd known. You should have told me of it if you knew. I'm going out to see Lawrence right now."
George Eastman muttered something inaudible as the door closed behind her. He was a short, thickset man, not in the least like Lawrence, who was ten years his junior. Two years previously he had made a furtive attempt to pay court to Bessy Houghton for the sake of her wealth, and her decided repulse of his advances was a remembrance that made him grit his teeth yet. He had hated her bitterly ever since.
Lawrence was brushing his pet mare's coat until it shone like satin, and whistling "Annie Laurie" until the rafters rang. Bessy had sung it for him the night before. He could see her plainly still as she had looked then, in her gown of vivid red—a colour peculiarly becoming to her—with her favourite laces at wrist and throat and a white rose in her hair, which was dressed in the high, becoming knot she had always worn since the night he had shyly told her he liked it so.
She had played and sung many of the sweet old Scotch ballads for him, and when she had gone to the door with him he had taken both her hands in his and, emboldened by the look in her brown eyes, he had stooped and kissed her. Then he had stepped back, filled with dismay at his own audacity. But Bessy had said no word of rebuke, and only blushed hotly crimson. She must care for him, he thought happily, or else she would have been angry.
When his mother came in at the stable door her face was hard and uncompromising.
"Lawrie," she said sharply, "where are you going again tonight? You were out last night."
"Well, Mother, I promise you I wasn't in any bad company. Come now, don't quiz a fellow too close."
"You are going to dangle after Bessy Houghton again. It's time you were told what a fool you were making of yourself. She's old enough to be your mother. The whole settlement is laughing at you."
Lawrence looked as if his mother had struck him a blow in the face. A dull, purplish flush crept over his brow.
"This is some of George's work," he broke out fiercely. "He's been setting you on me, has he? Yes, he's jealous—he wanted Bessy himself, but she would not look at him. He thinks nobody knows it, but I do. Bessy marry him? It's very likely!"
"Lawrie Eastman, you are daft. George hasn't said anything to me. You surely don't imagine Bessy Houghton would marry you. And if she would, she is too old for you. Now, don't you hang around her any longer."
"I will," said Lawrence flatly. "I don't care what anybody says. You needn't worry over me. I can take care of myself."
Mrs. Eastman looked blankly at her son. He had never defied or disobeyed her in his life before. She had supposed her word would be law. Rebellion was something she had not dreamed of. Her lips tightened ominously and her eyes narrowed.
"You're a bigger fool than I took you for," she said in a voice that trembled with anger. "Bessy Houghton laughs at you everywhere. She knows you're just after her money, and she makes fun—"
"Prove it," interrupted Lawrence undauntedly, "I'm not going to put any faith in Lynnfield gossip. Prove it if you can."
"I can prove it. Maggie Hatfield told me what Bessy Houghton said to her about you. She said you were a lovesick fool, and she only went with you for a little amusement, and that if you thought you had nothing to do but marry her and hang up your hat there you'd find yourself vastly mistaken."
Possibly in her calmer moments Mrs. Eastman might have shrunk from such a deliberate falsehood, although it was said of her in Lynnfield that she was not one to stick at a lie when the truth would not serve her purpose. Moreover, she felt quite sure that Lawrence would never ask Maggie Hatfield anything about it.
Lawrence turned white to the lips, "Is that true, Mother?" he asked huskily.
"I've warned you," replied his mother, not choosing to repeat her statement. "If you go after Bessy any more you can take the consequences."
She drew her shawl about her pale, malicious face and left him with a parting glance of contempt.
"I guess that'll settle him," she thought grimly. "Bessy Houghton turned up her nose at George, but she shan't make a fool of Lawrence too."
Alone in the stable Lawrence stood staring out at the dull red ball of the winter sun with unseeing eyes. He had implicit faith in his mother, and the stab had gone straight to his heart. Bessy Houghton listened in vain that night for his well-known footfall on the verandah.
The next night Lawrence went home with Milly Fiske from prayer meeting, taking her out from a crowd of other girls under Bessy Houghton's very eyes as she came down the steps of the little church.
Bessy walked home alone. The light burned low in her sitting-room, and in the mirror over the mantel she saw her own pale face, with its tragic, pain-stricken eyes. Annie Hillis, her "help," was out. She was alone in the big house with her misery and despair.
She went dizzily upstairs to her own room and flung herself on the bed in the chill moonlight.
"It is all over," she said dully. All night she lay there, fighting with her pain. In the wan, grey morning she looked at her mirrored self with pitying scorn—at the pallid face, the lifeless features, the dispirited eyes with their bluish circles.
"What a fool I have been to imagine he could care for me!" she said bitterly. "He has only been amusing himself with my folly. And to think that I let him kiss me the other night!"
She thought of that kiss with a pitiful shame. She hated herself for the weakness that could not check her tears. Her lonely life had been brightened by the companionship of her young lover. The youth and girlhood of which fate had cheated her had come to her with love; the future had looked rosy with promise; now it had darkened with dourness and greyness.
Maggie Hatfield came that day to sew. Bessy had intended to have a dark-blue silk made up and an evening waist of pale pink cashmere. She had expected to wear the latter at a party which was to come off a fortnight later, and she had got it to please Lawrence, because he had told her that pink was his favourite colour. She would have neither it nor the silk made up now. She put them both away and instead brought out an ugly pattern of snuff-brown stuff, bought years before and never used.
"But where is your lovely pink, Bessy?" asked the dressmaker. "Aren't you going to have it for the party?"
"No, I'm not going to have it made up at all," said Bessy listlessly. "It's too gay for me. I was foolish to think it would ever suit me. This brown will do for a spring suit. It doesn't make much difference what I wear."
Maggie Hatfield, who had not been at prayer meeting the night beforehand knew nothing of what had occurred, looked at her curiously, wondering what Lawrence Eastman could see in her to be as crazy about her as some people said he was. Bessy was looking her oldest and plainest just then, with her hair combed severely back from her pale, dispirited face.
"It must be her money he is after," thought the dressmaker. "She looks over thirty, and she can't pretend to be pretty. I believe she thinks a lot of him, though."
For the most part, Lynnfield people believed that Bessy had thrown Lawrence over. This opinion was borne out by his woebegone appearance. He was thin and pale; his face had lost its youthful curves and looked hard and mature. He was moody and taciturn and his speech and manner were marked by a new cynicism.
In April a well-to-do storekeeper from an adjacent village began to court Bessy Houghton. He was over fifty, and had never been a handsome man in his best days, but Lynnfield oracles opined that Bessy would take him. She couldn't expect to do any better, they said, and she was looking terribly old and dowdy all at once.
In June Maggie Hatfield went to the Eastmans' to sew. The first bit of news she imparted to Mrs. Eastman was that Bessy Houghton had refused Jabez Lea—at least, he didn't come to see her any more.
Mrs. Eastman twitched her thread viciously. "Bessy Houghton was born an old maid," she said sharply. "She thinks nobody is good enough for her, that is what's the matter. Lawrence got some silly boy-notion into his head last winter, but I soon put a stop to that."
"I always had an idea that Bessy thought a good deal of Lawrence," said Maggie. "She has never been the same since he left off going with her. I was up there the morning after that prayer-meeting night people talked so much of, and she looked positively dreadful, as if she hadn't slept a wink the whole night."
"Nonsense!" said Mrs. Eastman decisively. "She would never think of taking a boy like him when she'd turned up her nose at better men. And I didn't want her for a daughter-in-law anyhow. I can't bear her. So I put my foot down in time. Lawrence sulked for a spell, of course—boy-fashion—and he's been as fractious as a spoiled baby ever since."
"Well, I dare say you're right," assented the dressmaker. "But I must say I had always imagined that Bessy had a great notion of Lawrence. Of course, she's so quiet it is hard to tell. She never says a word about herself."
There was an unsuspected listener to this conversation. Lawrence had come in from the field for a drink, and was standing in the open kitchen doorway, within easy earshot of the women's shrill tones.
He had never doubted his mother's word at any time in his life, but now he knew beyond doubt that there had been crooked work somewhere. He shrank from believing his mother untrue, yet where else could the crookedness come in?
When Mrs. Eastman had gone to the kitchen to prepare dinner, Maggie Hatfield was startled by the appearance of Lawrence at the low open window of the sitting-room.
"Mercy me, how you scared me!" she exclaimed nervously.
"Maggie," said Lawrence seriously, "I want to ask you a question. Did Bessy Houghton ever say anything to you about me or did you ever say that she did? Give me a straight answer."
The dressmaker peered at him curiously.
"No. Bessy never so much as mentioned your name to me," she said, "and I never heard that she did to anyone else. Why?"
"Thank you. That was all I wanted to know," said Lawrence, ignoring her question, and disappearing as suddenly as he had come.
That evening at moonrise he passed through the kitchen dressed in his Sunday best. His mother met him at the door.
"Where are you going?" she asked querulously.
Lawrence looked her squarely in the face with accusing eyes, before which her own quailed.
"I'm going to see Bessy Houghton, Mother," he said sternly, "and to ask her pardon for believing the lie that has kept us apart so long."
Mrs. Eastman flushed crimson and opened her lips to speak. But something in Lawrence's grave, white face silenced her. She turned away without a word, knowing in her secret soul that her youngest-born was lost to her forever.
Lawrence found Bessy in the orchard under apple trees that were pyramids of pearly bloom. She looked at him through the twilight with reproach and aloofness in her eyes. But he put out his hands and caught her reluctant ones in a masterful grasp.
"Listen to me, Bessy. Don't condemn me before you've heard me. I've been to blame for believing falsehoods about you, but I believe them no longer, and I've come to ask you to forgive me."
He told his story simply and straightforwardly. In strict justice he could not keep his mother's name out of it, but he merely said she had been mistaken. Perhaps Bessy understood none the less. She knew what Mrs. Eastman's reputation in Lynnfield was.
"You might have had a little more faith in me," she cried reproachfully.
"I know—I know. But I was beside myself with pain and wretchedness. Oh, Bessy, won't you forgive me? I love you so! If you send me away I'll go to the dogs. Forgive me, Bessy."
And she, being a woman, did forgive him.
"I've loved you from the first, Lawrence," she said, yielding to his kiss.
When Paul Morgan, a rising young lawyer with justifiable political aspirations, married Elinor Ashton, leading woman at the Green Square Theatre, his old schoolmates and neighbours back in Spring Valley held up their hands in horror, and his father and mother up in the weather-grey Morgan homestead were crushed in the depths of humiliation. They had been too proud of Paul ... their only son and such a clever fellow ... and this was their punishment! He had married an actress! To Cyrus and Deborah Morgan, brought up and nourished all their lives on the strictest and straightest of old-fashioned beliefs both as regards this world and that which is to come, this was a tragedy.
They could not be brought to see it in any other light. As their neighbours said, "Cy Morgan never hilt up his head again after Paul married the play-acting woman." But perhaps it was less his humiliation than his sorrow which bowed down his erect form and sprinkled grey in his thick black hair that fifty years had hitherto spared. For Paul, forgetting the sacrifices his mother and father had made for him, had bitterly resented the letter of protest his father had written concerning his marriage. He wrote one angry, unfilial letter back and then came silence. Between grief and shame Cyrus and Deborah Morgan grew old rapidly in the year that followed.
At the end of that time Elinor Morgan, the mother of an hour, died; three months later Paul Morgan was killed in a railroad collision. After the funeral Cyrus Morgan brought home to his wife their son's little daughter, Joscelyn Morgan.
Her aunt, Annice Ashton, had wanted the baby. Cyrus Morgan had been almost rude in his refusal. His son's daughter should never be brought up by an actress; it was bad enough that her mother had been one and had doubtless transmitted the taint to her child. But in Spring Valley, if anywhere, it might be eradicated.
At first neither Cyrus nor Deborah cared much for Joscelyn. They resented her parentage, her strange, un-Morgan-like name, and the pronounced resemblance she bore to the dark-haired, dark-eyed mother they had never seen. All the Morgans had been fair. If Joscelyn had had Paul's blue eyes and golden curls her grandfather and grandmother would have loved her sooner.
But the love came ... it had to. No living mortal could have resisted Joscelyn. She was the most winsome and lovable little mite of babyhood that ever toddled. Her big dark eyes overflowed with laughter before she could speak, her puckered red mouth broke constantly into dimples and cooing sounds. She had ways that no orthodox Spring Valley baby ever thought of having. Every smile was a caress, every gurgle of attempted speech a song. Her grandparents came to worship her and were stricter than ever with her by reason of their love. Because she was so dear to them she must be saved from her mother's blood.
Joscelyn shot up through a roly-poly childhood into slim, bewitching girlhood in a chill repressive atmosphere. Cyrus and Deborah were nothing if not thorough. The name of Joscelyn's mother was never mentioned to her; she was never called anything but Josie, which sounded more "Christian-like" than Joscelyn; and all the flowering out of her alien beauty was repressed as far as might be in the plainest and dullest of dresses and the primmest arrangement possible to riotous ripe-brown curls.
The girl was never allowed to visit her Aunt Annice, although frequently invited. Miss Ashton, however, wrote to her occasionally, and every Christmas sent a box of presents which even Cyrus and Deborah Morgan could not forbid her to accept, although they looked with disapproving eyes and ominously set lips at the dainty, frivolous trifles the actress woman sent. They would have liked to cast those painted fans and lace frills and beflounced lingerie into the fire as if they had been infected rags from a pest-house.
The path thus set for Joscelyn's dancing feet to walk in was indeed sedate and narrow. She was seldom allowed to mingle with the young people of even quiet, harmless Spring Valley; she was never allowed to attend local concerts, much less take part in them; she was forbidden to read novels, and Cyrus Morgan burned an old copy of Shakespeare which Paul had given him years ago and which he had himself read and treasured, lest its perusal should awaken unlawful instincts in Joscelyn's heart. The girl's passion for reading was so marked that her grandparents felt that it was their duty to repress it as far as lay in their power.
But Joscelyn's vitality was such that all her bonds and bands served but little to check or retard the growth of her rich nature. Do what they might they could not make a Morgan of her. Her every step was a dance, her every word and gesture full of a grace and virility that filled the old folks with uneasy wonder. She seemed to them charged with dangerous tendencies all the more potent from repression. She was sweet-tempered and sunny, truthful and modest, but she was as little like the trim, simple Spring Valley girls as a crimson rose is like a field daisy, and her unlikeness bore heavily on her grandparents.
Yet they loved her and were proud of her. "Our girl Josie," as they called her, was more to them than they would have admitted even to themselves, and in the main they were satisfied with her, although the grandmother grumbled because Josie did not take kindly to patchwork and rug-making and the grandfather would fain have toned down that exuberance of beauty and vivacity into the meeker pattern of maidenhood he had been accustomed to.
When Joscelyn was seventeen Deborah Morgan noticed a change in her. The girl became quieter and more brooding, falling at times into strange, idle reveries, with her hands clasped over her knee and her big eyes fixed unseeingly on space; or she would creep away for solitary rambles in the beech wood, going away droopingly and returning with dusky glowing cheeks and a nameless radiance, as of some newly discovered power, shining through every muscle and motion. Mrs. Morgan thought the child needed a tonic and gave her sulphur and molasses.
One day the revelation came. Cyrus and Deborah had driven across the valley to visit their married daughter. Not finding her at home they returned. Mrs. Morgan went into the house while her husband went to the stable. Joscelyn was not in the kitchen, but the grandmother heard the sound of voices and laughter in the sitting room across the hall.
"What company has Josie got?" she wondered, as she opened the hall door and paused for a moment on the threshold to listen. As she listened her old face grew grey and pinched; she turned noiselessly and left the house, and flew to her husband as one distracted.
"Cyrus, Josie is play-acting in the room ... laughing and reciting and going on. I heard her. Oh, I've always feared it would break out in her and it has! Come you and listen to her."
The old couple crept through the kitchen and across the hall to the open parlour door as if they were stalking a thief. Joscelyn's laugh rang out as they did so ... a mocking, triumphant peal. Cyrus and Deborah shivered as if they had heard sacrilege.
Joscelyn had put on a trailing, clinging black skirt which her aunt had sent her a year ago and which she had never been permitted to wear. It transformed her into a woman. She had cast aside her waist of dark plum-coloured homespun and wrapped a silken shawl about herself until only her beautiful arms and shoulders were left bare. Her hair, glossy and brown, with burnished red lights where the rays of the dull autumn sun struck on it through the window, was heaped high on her head and held in place by a fillet of pearl beads. Her cheeks were crimson, her whole body from head to foot instinct and alive with a beauty that to Cyrus and Deborah, as they stood mute with horror in the open doorway, seemed akin to some devilish enchantment.
Joscelyn, rapt away from her surroundings, did not perceive her grandparents. Her face was turned from them and she was addressing an unseen auditor in passionate denunciation. She spoke, moved, posed, gesticulated, with an inborn genius shining through every motion and tone like an illuminating lamp.
"Josie, what are you doing?"
It was Cyrus who spoke, advancing into the room like a stern, hard impersonation of judgment. Joscelyn's outstretched arm fell to her side and she turned sharply around; fear came into her face and the light went out of it. A moment before she had been a woman, splendid, unafraid; now she was again the schoolgirl, too confused and shamed to speak.
"What are you doing, Josie?" asked her grandfather again, "dressed up in that indecent manner and talking and twisting to yourself?"
Joscelyn's face, that had grown pale, flamed scarlet again. She lifted her head proudly.
"I was trying Aunt Annice's part in her new play," she answered. "I have not been doing anything wrong, Grandfather."
"Wrong! It's your mother's blood coming out in you, girl, in spite of all our care! Where did you get that play?"
"Aunt Annice sent it to me," answered Joscelyn, casting a quick glance at the book on the table. Then, when her grandfather picked it up gingerly, as if he feared contamination, she added quickly, "Oh, give it to me, please, Grandfather. Don't take it away."
"I am going to burn it," said Cyrus Morgan sternly.
"Oh, don't, Grandfather," cried Joscelyn, with a sob in her voice. "Don't burn it, please. I ... I ... won't practise out of it any more. I'm sorry I've displeased you. Please give me my book."
"No," was the stern reply. "Go to your room, girl, and take off that rig. There is to be no more play-acting in my house, remember that."
He flung the book into the fire that was burning in the grate. For the first time in her life Joscelyn flamed out into passionate defiance.
"You are cruel and unjust, Grandfather. I have done no wrong ... it is not doing wrong to develop the one gift I have. It's the only thing I can do ... and I am going to do it. My mother was an actress and a good woman. So is Aunt Annice. So I mean to be."
"Oh, Josie, Josie," said her grandmother in a scared voice. Her grandfather only repeated sternly, "Go, take that rig off, girl, and let us hear no more of this."
Joscelyn went but she left consternation behind her. Cyrus and Deborah could not have been more shocked if they had discovered the girl robbing her grandfather's desk. They talked the matter over bitterly at the kitchen hearth that night.
"We haven't been strict enough with the girl, Mother," said Cyrus angrily. "We'll have to be stricter if we don't want to have her disgracing us. Did you hear how she defied me? 'So I mean to be,' she says. Mother, we'll have trouble with that girl yet."
"Don't be too harsh with her, Pa ... it'll maybe only drive her to worse," sobbed Deborah.
"I ain't going to be harsh. What I do is for her own good, you know that, Mother. Josie is as dear to me as she is to you, but we've got to be stricter with her."
They were. From that day Josie was watched and distrusted. She was never permitted to be alone. There were no more solitary walks. She felt herself under the surveillance of cold, unsympathetic eyes every moment and her very soul writhed. Joscelyn Morgan, the high-spirited daughter of high-spirited parents, could not long submit to such treatment. It might have passed with a child; to a woman, thrilling with life and conscious power to her very fingertips, it was galling beyond measure. Joscelyn rebelled, but she did nothing secretly ... that was not her nature. She wrote to her Aunt Annice, and when she received her reply she went straight and fearlessly to her grandparents with it.
"Grandfather, this letter is from my aunt. She wishes me to go and live with her and prepare for the stage. I told her I wished to do so. I am going."
Cyrus and Deborah looked at her in mute dismay.
"I know you despise the profession of an actress," the girl went on with heightened colour. "I am sorry you think so about it because it is the only one open to me. I must go ... I must."
"Yes, you must," said Cyrus cruelly. "It's in your blood ... your bad blood, girl."
"My blood isn't bad," cried Joscelyn proudly. "My mother was a sweet, true, good woman. You are unjust, Grandfather. But I don't want you to be angry with me. I love you both and I am very grateful indeed for all your kindness to me. I wish that you could understand what...."
"We understand enough," interrupted Cyrus harshly. "This is all I have to say. Go to your play-acting aunt if you want to. Your grandmother and me won't hinder you. But you'll come back here no more. We'll have nothing further to do with you. You can choose your own way and walk in it."
With this dictum Joscelyn went from Spring Valley. She clung to Deborah and wept at parting, but Cyrus did not even say goodbye to her. On the morning of her departure he went away on business and did not return until evening.
Joscelyn went on the stage. Her aunt's influence and her mother's fame helped her much. She missed the hard experiences that come to the unassisted beginner. But her own genius must have won in any case. She had all her mother's gifts, deepened by her inheritance of Morgan intensity and sincerity ... much, too, of the Morgan firmness of will. When Joscelyn Morgan was twenty-two she was famous over two continents.
When Cyrus Morgan returned home on the evening after his granddaughter's departure he told his wife that she was never to mention the girl's name in his hearing again. Deborah obeyed. She thought her husband was right, albeit she might in her own heart deplore the necessity of such a decree. Joscelyn had disgraced them; could that be forgiven?
Nevertheless both the old people missed her terribly. The house seemed to have lost its soul with that vivid, ripely tinted young life. They got their married daughter's oldest girl, Pauline, to come and stay with them. Pauline was a quiet, docile maiden, industrious and commonplace—just such a girl as they had vainly striven to make of Joscelyn, to whom Pauline had always been held up as a model. Yet neither Cyrus nor Deborah took to her, and they let her go unregretfully when they found that she wished to return home.
"She hasn't any of Josie's gimp," was old Cyrus's unspoken fault. Deborah spoke, but all she said was, "Polly's a good girl, Father, only she hasn't any snap."
Joscelyn wrote to Deborah occasionally, telling her freely of her plans and doings. If it hurt the girl that no notice was ever taken of her letters she still wrote them. Deborah read the letters grimly and then left them in Cyrus's way. Cyrus would not read them at first; later on he read them stealthily when Deborah was out of the house.
When Joscelyn began to succeed she sent to the old farmhouse papers and magazines containing her photographs and criticisms of her plays and acting. Deborah cut them out and kept them in her upper bureau drawer with Joscelyn's letters. Once she overlooked one and Cyrus found it when he was kindling the fire. He got the scissors and cut it out carefully. A month later Deborah discovered it between the leaves of the family Bible.
But Joscelyn's name was never mentioned between them, and when other people asked them concerning her their replies were cold and ungracious. In a way they had relented towards her, but their shame of her remained. They could never forget that she was an actress.
Once, six years after Joscelyn had left Spring Valley, Cyrus, who was reading a paper by the table, got up with an angry exclamation and stuffed it into the stove, thumping the lid on over it with grim malignity.
"That fool dunno what he's talking about," was all he would say. Deborah had her share of curiosity. The paper was the National Gazette and she knew that their next-door neighbour, James Pennan, took it. She went over that evening and borrowed it, saying that their own had been burned before she had had time to read the serial in it. With one exception she read all its columns carefully without finding anything to explain her husband's anger. Then she doubtfully plunged into the exception ... a column of "Stage Notes." Halfway down she came upon an adverse criticism of Joscelyn Morgan and her new play. It was malicious and vituperative. Deborah Morgan's old eyes sparkled dangerously as she read it.
"I guess somebody is pretty jealous of Josie," she muttered. "I don't wonder Pa was riled up. But I guess she can hold her own. She's a Morgan."
No long time after this Cyrus took a notion he'd like a trip to the city. He'd like to see the Horse Fair and look up Cousin Hiram Morgan's folks.
"Hiram and me used to be great chums, Mother. And we're getting kind of mossy, I guess, never stirring out of Spring Valley. Let's go and dissipate for a week—what say?"
Deborah agreed readily, albeit of late years she had been much averse to going far from home and had never at any time been very fond of Cousin Hiram's wife. Cyrus was as pleased as a child over their trip. On the second day of their sojourn in the city he slipped away when Deborah had gone shopping with Mrs. Hiram and hurried through the streets to the Green Square Theatre with a hang-dog look. He bought a ticket apologetically and sneaked in to his seat. It was a matinee performance, and Joscelyn Morgan was starring in her famous new play.
Cyrus waited for the curtain to rise, feeling as if every one of his Spring Valley neighbours must know where he was and revile him for it. If Deborah were ever to find out ... but Deborah must never find out! For the first time in their married life the old man deliberately plotted to deceive his old wife. He must see his girl Josie just once; it was a terrible thing that she was an actress, but she was a successful one, nobody could deny that, except fools who yapped in the National Gazette.
The curtain went up and Cyrus rubbed his eyes. He had certainly braced his nerves to behold some mystery of iniquity; instead he saw an old kitchen so like his own at home that it bewildered him; and there, sitting by the cheery wood stove, in homespun gown, with primly braided hair, was Joscelyn—his girl Josie, as he had seen her a thousand times by his own ingle-side. The building rang with applause; one old man pulled out a red bandanna and wiped tears of joy and pride from his eyes. She hadn't changed—Josie hadn't changed. Play-acting hadn't spoiled her—couldn't spoil her. Wasn't she Paul's daughter! And all this applause was for her—for Josie.
Joscelyn's new play was a homely, pleasant production with rollicking comedy and heart-moving pathos skilfully commingled. Joscelyn pervaded it all with a convincing simplicity that was really the triumph of art. Cyrus Morgan listened and exulted in her; at every burst of applause his eyes gleamed with pride. He wanted to go on the stage and box the ears of the villain who plotted against her; he wanted to shake hands with the good woman who stood by her; he wanted to pay off the mortgage and make Josie happy. He wiped tears from his eyes in the third act when Josie was turned out of doors and, when the fourth left her a happy, blushing bride, hand in hand with her farmer lover, he could have wept again for joy.
Cyrus Morgan went out into the daylight feeling as if he had awakened from a dream. At the outer door he came upon Mrs. Hiram and Deborah. Deborah's face was stained with tears, and she caught at his hand.
"Oh, Pa, wasn't it splendid—wasn't our girl Josie splendid! I'm so proud of her. Oh, I was bound to hear her. I was afraid you'd be mad, so I didn't let on and when I saw you in the seat down there I couldn't believe my eyes. Oh, I've just been crying the whole time. Wasn't it splendid! Wasn't our girl Josie splendid?"
The crowd around looked at the old pair with amused, indulgent curiosity, but they were quite oblivious to their surroundings, even to Mrs. Hiram's anxiety to decoy them away. Cyrus Morgan cleared his throat and said, "It was great, Mother, great. She took the shine off the other play-actors all right. I knew that National Gazette man didn't know what he was talking about. Mother, let us go and see Josie right off. She's stopping with her aunt at the Maberly Hotel—I saw it in the paper this morning. I'm going to tell her she was right and we were wrong. Josie's beat them all, and I'm going to tell her so!"