LIBERALS AND CATHOLICS

The status of neutrality not only affected foreign politics, it reacted very strongly on Belgium's internal life. If it crippled her activity with regard to home defence, it developed to an abnormal degree party warfare. It shut the door on international problems and all questions which may be considered as national issues and before which party strife ought to cease in consideration for the common weal. Social, philosophic or religious differences were not balanced, in modern Belgium, as in other countries, by international consciousness. In the close atmosphere of the tutelage of the Powers, party politics absorbed the whole public life of the nation and external problems were practically ignored. It thus happened that the people who stood in the forefront of Europe, and who were more directly interested than any other in the fluctuations of European politics, were about the worst informed on foreign affairs.

From 1839 to 1885, the electorate being limited by a property qualification (only 35,000 electors out of 4,000,000 inhabitants taking part in the first election), the struggle was confined to the two middle-class parties, Catholics and Liberals. Roughly speaking, the Catholics stood for the defence of religious interests, more especially in the domain of education and relief, the Liberals for the supremacy of a nominally neutral State in all public matters. It is easy to realize how this purely political quarrel could degenerate into a conflict of ideals, some ultramontanes distrusting the motives of "atheists" and ignoring the public spirit of men who did not share their creed, while some agnostics, steeped in the narrow doctrines of Voltaire and Diderot, made the Church the scapegoat of all social evils and even denied the wholesome influence of religion on social education.

During the first part of the century the conflict was not so acute, both parties possessing their moderate and extremist leaders and the so-called "Liberal Catholics" acting as a link between the two factions. From 1847 to 1870 the Liberals, representing the bourgeoisie of the large towns, were most of the time in power, while from 1870 to 1878 the Catholics, upheld by the farmers and the middle classes of the small towns, took the direction of affairs. The property qualification was progressively reduced, first for the parliamentary, later for the provincial and communal elections, and a larger share was given to the lower middle classes in the administration of the country. Meanwhile, party differences had developed through the gradual disappearance of the moderating elements on both sides, and the vexed question of education was coming to the fore. The 1830 Constitution was not very explicit concerning this matter, and both parties interpreted it according to their own interests. Many communes having neglected to keep up the official schools, religious orders had taken a more and more important part in primary education. When the Liberals came into power, in 1878, they passed a law compelling every commune to maintain its own schools, where religious instruction should only be given out of school hours. They also founded a great many secondary schools and training colleges, with the object of transferring education from religious to secular teachers. These sweeping reforms entailed heavy expenditure and unpopular taxation, and finally brought about the downfall of the Liberal régime in 1884. The Catholics proceeded to abrogate the 1879 law on primary education by giving State grants to the free Catholic schools, and suppressed a number of the secondary schools and training colleges established by the previous régime.

Feeling ran so high that King Leopold, who realized the harm which this "school war" was doing to the national spirit, warned Monsieur Malou (the Catholic premier) against the attitude he had adopted, as he had previously warned the Liberal premier, Frère-Orban: "The Liberals have acted as if there were no longer any Catholics in Belgium. Are you going also to act as if there were no Liberals left in the country, without any consideration for the disastrous consequences of such an attitude for the nation and for yourself?"

From 1885 to 1913 educational matters, though by no means forgotten, were entirely overshadowed by social problems and by the efforts made by the Opposition to obtain the revision of the Constitution and the adoption of universal suffrage. This change was brought about by the foundation, in 1885, by the Flemish printer, César de Paepe, of the Belgian Labour Party. Its action was from the first political as well as economic. While consumers' co-operatives, such as the "Vooruit" of Ghent, were founded in several large towns, Socialist clubs entertained a continuous agitation for electoral franchise, their aim being to use Parliament to obtain the sweeping social reforms inscribed on their programme. Here, again, we find French insistence on politics checked by the old spirit of association which had been so prominent in the Netherlands during the Middle Ages.

LABOUR PARTY

After the miners' strike of 1886, both Catholics and Liberals revised their programmes and paid more attention to social reforms. But the workmen, who were now powerfully organized, especially in the industrial centres of the South, wanted to take a direct share in political life. Under pressure of public opinion, the demand for a revision of the Constitution was at last taken into consideration in 1891, and in 1893 a new law granted universal suffrage tempered by plural voting. In 1902 a new campaign was launched by the allied Liberal-Socialist opposition in favour of universal suffrage pure and simple, without obtaining any result, but when, in 1913, a general strike supported the demand, the Catholic Government promised that the question should be examined by a parliamentary commission.


Before the war, Belgium was the most productive agricultural district of Europe. The secret of her prosperity is generally attributed to the small number of large estates and to the great area cultivated by small owners, 48 per cent. of the cultivated area being covered by farms of 2-1/2 to 7-1/2 acres. It must be added that, during the last twenty years, powerful producers' co-operatives, or "Boerenbonden," have grouped agriculturists and given them important advantages with regard to credit and insurance. The inbred qualities which have rendered this development possible are, however, to be found in the race itself. Again and again, in the course of centuries, the Belgian peasant has come to the fore under every political régime and every system of landholding. He has had to conquer the country from the sea, protect it against its incursions and to repair periodically the havoc caused by war. The memory of physical and social calamities has been handed down the ages, and the present system of small-ownership and co-operative societies is only the result of centuries of incessant toil.

The conservative spirit of the peasants and farmers is illustrated by the opposition made to the project of the Liberal Minister Rogier, in 1833, to build the first railway in Belgium. It was argued that this would be a considerable waste of fertile soil and would frighten the cattle. The first railway line, between Brussels and Malines, was nevertheless inaugurated on May 5, 1835, and since then, such enormous progress has been realized that, before the war, Belgium occupied the first place in Europe with regard to the development of its railway lines. All other means of communication have been similarly developed. In 1913 the country possessed 40,000 kilometres of roads, 4,656 kilometres of railway line, 2,250 kilometres of light railways, and 2,000 kilometres of inland waterways.


THE INDUSTRIAL REVOLUTION

The first consequence of the Revolution was to disorganize Belgian industry, which had lost the Dutch market, the powerful works of Cockerill, at Seraing, being among the few which did not suffer from the change. The introduction of machinery in a country so rich in coal-fields not only restored the situation but enormously increased industrial production in the Southern districts. In 1830 only 400 machines were used, with a total of 12,000 horse-power; in 1902 these figures had risen to 19,000 machines with 720,000 horse-power, without taking into account railway engines (718,000 horse-power).

The distribution of the various industries in the different parts of the country did not vary very much from that existing under previous régimes. Broadly speaking, no new development took place, every centre remaining in the situation determined by coal or the presence of raw material. The principal centre of the textile industry remained at Ghent, near the hemp-fields of the Lys; metal-works, glass-works, etc., were still grouped close to the four main coal-fields in the region of Mons, La Louvière (Centre), Charleroi and Liége; the number of men engaged on industrial production before the war had reached 1,500,000, among whom were 153,000 miners, over 149,000 metal workers, and over 129,000 textile workers.

But it is not so much to the number as to the quality of her workmen that Belgium owes her great industrial prosperity. This may be accounted for by the fact that a great number of industrial workers never lost touch with the land. Belonging, most of them, to agricultural districts, they do not settle permanently around their factories, and between the country and the great centres there is a continuous exchange of population. The hard-working qualities of mechanics and artisans are inherited from the peasants, and there is a considerable reluctance, on their part, to crowd into big cities, cheap railway fares allowing them to live around the towns where they work during the day.

TRADE OF ANTWERP

The condition of this wonderful economic development was the opening of the Scheldt. For nearly two centuries and a half the country had been cut off from the outside world and obliged to live on her own resources. We have seen how, during the fifteen years of union with Holland, the trade of Antwerp had made considerable progress, and how, in spite of Dutch resistance, the freedom of international rivers proclaimed by the Vienna Congress was applied to the Lower Scheldt. The 1839 settlement placed the river, below Antwerp, under the joint control of a Belgo-Dutch commission. The only obstacle still in the way was a toll of one florin and a half which King William had persisted in levying on all ships going and coming from the port. In 1863, after laborious negotiations undertaken by Baron Lambermont, Belgium was able to buy off these tolls from Holland for the sum of 36,000,000 francs. The stream was at last definitely free, at least in time of peace. Placed under normal conditions, with the help of numerous waterways spreading over the interior of an exceptionally rich country, Antwerp was bound to reconquer rapidly the situation it had occupied under Charles V. In 1840 about 1,500 ships, with a tonnage of 24,000, entered the port. In 1898 the annual tonnage had reached 6,500,000, and in 1913 over 25,000,000. Though such figures were undreamt of in the sixteenth century, the nature of the Antwerp trade remained very similar. The Antwerp merchants were really brokers or warehousers, and most of the merchandise brought to the port from all parts of the world was re-exported to other countries. So that in trade, as in industry and agriculture, the permanence of certain characteristics, determined by the land and the race, are preserved to this day. The absence of a national merchant fleet, which was equally apparent in the sixteenth century, did not affect imports and exports, which increased respectively from 98,000,000 francs and 104,500,000 francs in 1831 to 6,550,000,000 francs and 5,695,000,000 francs in 1910. The Government undertook various great public works in order to allow the country to benefit fully from this extraordinary activity. In 1906 a law was passed voting large credits for the extension of Antwerp's maritime installations. When these works are completed they will give to the port 60 kilometres of quays instead of 21. In 1881 the enlargement of the Terneuzen canal permitted large ships to reach Ghent; the new port of Bruges and the Zeebrugge canal were inaugurated in 1907, and an important scheme, whose result will be to connect Brussels with the sea, begun in 1900, is still in progress.

Economic renaissance was accompanied by a corresponding increase in the population. From 4,000,000 in 1831 it rose to 5,000,000 in 1870, and to 7,500,000 in 1911. With a density of 652 persons per square mile, Belgium became the most thickly populated country in the world and only consumed a fourteenth part of her industrial production. The necessity of finding new markets abroad and of discovering some substitute for the loss of the Dutch colonies, which had proved so helpful during the period of union with Holland, might have been felt by any far-sighted statesman. Leopold I had already devoted some attention to the problem. He encouraged several Belgian settlements in Rio Nuñez, where a regular protectorate was established for a short time, in Guatemala and in various parts of Brazil. None of these enterprises, however, bore fruit, and the problem was still unsolved when Leopold II ascended the throne in 1865.

FOREIGN ENTERPRISES

The search for a colonial outlet for the activity of the nation dominated the reign of the new king and absorbed all the energy he was able to spare from military problems. As Duke of Brabant, Leopold II had already drawn the attention of the country to the future development of China. He had formed several projects with regard to the establishment of a Belgian settlement at the mouth of the Yangtse-Kiang and on the island of Formosa. Their failure did not prevent him from taking, later on, an active part in Chinese affairs. The Imperial Government did not entertain towards Belgium the same distrust as it did towards the European Great Powers, and King Leopold several times had the opportunity of acting as intermediary between these Powers and the Chinese Government, in order to obtain concessions. He became thus, in later years, the initiator of the Peking-Hankow railway. The difficulty of finding a field of economic activity in foreign countries became, nevertheless, more and more apparent, and, without giving up his Chinese policy, the Belgian king endeavoured to ensure to his country some part of the vacant territories which had not yet been seized by other European nations. When his Congo enterprise was in full swing, he proposed to buy the Canary Islands from Spain (1898), and, after the Spanish-American War, opened negotiations with America with regard to the future development of the newly acquired Philippines. He was also concerned, for a time, with Korean, Manchurian and Mongolian enterprises, and nothing but the progress of the Congo scheme put a stop to his incessant search for new opportunities.

In 1876, when the Congo basin was still practically terra incognita, Stanley having just left Europe in order to determine the course of the stream, Leopold II founded the "Association Internationale Africaine." It was a purely private association, composed of geographers and travellers, its aim being to suppress the slave trade in Central Africa and to open this part of the continent to modern civilization. Two years later, on Stanley's return, the "Comité d'Etudes du Haut Congo" secured his services in order to undertake, with the help of a little band of Belgian explorers, a complete survey of the Congo basin and to conclude treaties with the native chiefs. Within five years a region as large as a fifth of Europe, and eighty times larger than Belgium, had been brought under the influence of the Committee, and in 1883 the king founded the "Association Internationale du Congo."

If, instead of ruling over a small neutral State, Leopold II had ruled over one of the large nations of Europe, he would have reaped forthwith the fruit of his labour and the gratitude of his people. The Congo would have become a State colony, been subsidized by State funds, and the sovereign would have incurred no further responsibilities in the matter. But Belgium was not a Great Power like Germany, which acquired its African colonies at the same time, in a similar manner. Neither could she rest her colonial claims on historical grounds, like Holland or Portugal. She was not even fully independent, as far as foreign policy was concerned, and her right to break fresh ground might have been questioned at the time. Besides, popular opinion in Belgium, dominated by the fear of international complications, was not prepared to claim this right, even the capitalists considering the king's projects far too hazardous to give him the necessary support. Leopold II was, therefore, left to his own resources to accomplish an almost superhuman task: to obtain the necessary recognition from the Powers, and to sufficiently develop the resources of the Congo to persuade the Belgian people to accept his gift.

It was, therefore, not as a king, but as a private individual, that the president of the "Association Internationale du Congo" was obliged first to remove the obstacles created by French and Portuguese opposition, and, later, to persuade the other Powers to entrust him with the administration of the new territory. This first success must not be attributed to his diplomatic skill alone, but also to the enormous expenses implied by the bold enterprise, to the reluctance of the rich colonial Powers to incur further liabilities and to their anxiety to avoid international difficulties. Germany's attitude, in view of further events, may be described as expectant. Bismarck had only just been converted to colonial expansion, and found, no doubt, what he must have considered as the "interregnum" of King Leopold an excellent solution of his difficulties.

CONGO FREE STATE

In 1885 the work of the "Association" was recognized by the Congress of Berlin, the sovereign of Belgium becoming the sovereign of the Congo Free State. The treaty of Berlin stipulated that trade should remain free in the new State, that the natives should be protected and that slavery should be suppressed. Four years later, the king, in his will, left the Congo to Belgium, "desiring to ensure to his beloved country the fruit of a work pursued during long years with the generous and devoted collaboration of many Belgians, and confident of thus securing for Belgium, if she was willing to use it, an indispensable outlet for her trade and industry and a new field for her children's activity."

The work was pushed with indomitable energy. In 1894 a vigorous campaign against the Arab slave-traders was brought to a successful conclusion. In 1898 the first railway connecting Matadi, on the Lower Congo, with Leopoldville, on the Stanley Pool, opened the great waterway as far as the Stanley Falls. A flotilla was launched on the upper stream and its main affluents, while roads and telegraph lines spread all over the country.

The financial situation, however, remained critical. The enterprise had absorbed the greater part of the king's personal fortune. The credits voted by the Belgian Chambers were inadequate, and, though a few financiers began by now to realize the enormous value of the enterprise, their number was not sufficient to ensure the immediate future. Faced with considerable difficulties, which compelled him to severely curtail his personal expenses, Leopold II had formally offered the colony to the country in 1895. This offer had been rejected. Under the stress of circumstances, the sovereign of the Congo Free State decided to exploit directly the natural resources of the land, mainly rubber and ivory. The natives were compelled to pay a tax in kind and vast concessions were granted to commercial companies whose actions could not be properly controlled. This semi-commercial, semi-political system was bound to lead to abuses, even a few State agents betraying the confidence which their chief had placed in them and oppressing the natives in order to exact a heavier tax.

When the first protests were heard in this country, King Leopold committed the grave mistake of not starting an immediate inquiry and punishing the culprits. Distrusting the motives of the leaders of the campaign, and stiffened in his resistance by the tone they chose to adopt towards him, he allowed the opposition to grow to such proportions that the general public, whose indignation was skilfully nurtured by the most exaggerated reports, lost all sense of proportion. They ignored the fact that the king had given sufficient proof of disinterestedness and of devotion to his country not to deserve the abominable accusations launched against him. They forgot the invaluable work accomplished, under the most difficult circumstances, during twenty years of ceaseless labour, the suppression of slavery, of cannibalism, human sacrifices and tribal wars, and remembered only the gross indictments of Mr. Morel and the biased reports of Mr. Roger Casement (1913).

THE BELGIAN CONGO

When, the next year, three impartial magistrates sent to the Congo by King Leopold reported that the excesses had been repressed and advised a complete reform of the administration, their testimony was disregarded. When concessions were abolished and drastic measures taken against the criminal agents, the fact remained unnoticed. Even after the Congo had become a Belgian Colony (1908), under the control of the Belgian Parliament, when every scrap of authority had been taken away from the old king with the "Domaine de la Couronne" (whose revenue was to be devoted by its founder to public works in Belgium), when the colony had been entirely reorganized, the campaign of the Congo Reform Association went on relentlessly. Far from silencing his accusers, the king's death, a year later, was made the occasion of a fresh outburst of abuse.

The good faith of the public throughout the Congo campaign is unquestionable. That of its main engineers is at least open to doubt. They organized their efforts at the time when the greatest difficulties of colonization had been overcome. They pursued them after all cause for abuse had been removed. In one of his first books, British Case in French Congo, Mr. Morel suggests the partition of the Free State between this country and Germany. In his last books, written during the war, he warmly champions the internationalization of Central Africa in order to save the German Colonies. Neither can it be urged that those two men who roused the conscience of this country against the Congo atrocities were deeply shocked by more recent and far better authenticated atrocities committed in Belgium. If they were, the only remark an impartial observer might venture to make is that their actions, during the war, scarcely reflected such righteous indignation. It may be too hasty to conclude from this, and from the close association of Erzberger, Morel and Casement in the Congo campaign, that this campaign was engineered by Germany. We do not yet possess all the documents necessary to establish this fact. We know enough, however, to deplore that a movement which might have been so beneficial to all concerned was allowed to fall into the hands of unscrupulous agitators, who succeeded in estranging for a time Belgium from Great Britain, and incidentally in marring the last years of the life of one of the greatest Belgian patriots.


CHAPTER XXVIII

INTELLECTUAL RENAISSANCE

The remarkable revival of Belgian Arts and Letters which followed shortly after the 1830 Revolution is one of the most striking examples of the influence exercised by political events on intellectual activity. For over a century the nation had been devoid of self-expression, and during the fifteen years of Union with Holland scarcely any notable works were produced. No doubt this time, being one of economic recovery, was not favourable to the efflorescence of Art and Letters, but the intense activity of the period of independence appears nevertheless as an outburst of national pride and energy. It seems as if all the strength, subdued during the periods of foreign domination, had at last found an outlet, as if the Belgians had waited all these years to assert again their intellectual power, which could not or would not flourish for the benefit of foreigners.

PALACE JUSTICE, BRUSSELS

palace of justice, brussels.
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Ph. B.

Architecture no longer represents, in modern times, what it represented in the past, and it would be vain to search in modern Belgium, and, for the matter of that, in any modern country, for the manifestation of an original style expressing the spirit of the age. There are, however, symptoms of vitality which must not be entirely disregarded. The considerable number of public buildings erected and the more or less successful efforts of their builders are by themselves a remarkable testimony. It is characteristic of Belgian civilization and of its irradicable traditional spirit of regionalism that the Hôtels de Ville built in imitation of the Flemish Renaissance are particularly numerous, and even in some cases, such as the Maison communale of Schaarbeek, particularly impressive. Some reconstitutions were also attempted, as, for instance, the Antwerp Exchange and the Palace of Margaret of Austria in Malines. The only strikingly original monument is the Palace of Justice in Brussels, built by Poelaert (1870-79). It is the result of an extraordinary medley of styles, from the Assyrian onwards, and presents one of the most pathetic and gigantic efforts to create a beautiful monument under modern conditions. This huge building was intended by the Belgian people to be the apotheosis of Right. Not only of the Justice of everyday courts, but also of international Justice and of the right, so long violated on Belgian soil, of the people to dispose of themselves.

HISTORICAL SCULPTURE

Wandering through the most important squares and gardens of Belgian towns, the stranger will be astonished at the number of monuments raised to the great Belgians of the past and to the heroes of Belgian history. In Brussels, Antwerp, Ghent, Bruges, and even the small provincial towns, he will find statues dedicated not only to the modern kings and statesmen, but to the leaders of the various revolts against foreign oppression, to the great artists and communal tribunes. Almost every person mentioned in this book possesses his effigy, and the town of Tongres has gone as far as immortalizing the features of the Celtic chief Ambiorix in token of his resistance to the Roman Legions. All these statues are not necessarily great works of art, nor is the historical conception which their ensemble represents quite above criticism, but, if one remembers that they were almost all raised within fifty years of the declaration of Belgian independence, one may at least understand the reason of their sudden appearance. In spite of those who insist, in flattering terms, on Belgium's youth, she strongly maintains her right to old traditions and wants to keep her ancient heroes before her eyes. More or less consciously, the sculptors of these statues realized that their fathers of the Renaissance and the Middle Ages had as great a share in the making of the nation as present kings and ministers. Their sudden appearance in the midst of Belgian towns was not the result of official zeal, but the living symbol of the gratitude of new to old Belgium. Jacques van Artevelde in Ghent, Breydel and De Coninck in Bruges, Egmont and Horn in Brussels came into their own at last.

Beside these historical statues, the traveller will find some remarkable works of a more recent date which will recommend themselves for their purely artistic value and which are generally noticeable for their feeling for movement and muscular effort. In many ways, the qualities of Rubens were revived in the modern school of Belgian sculpture, and the Brabo fountain in Antwerp, the Death of Ompdrailles and the Riders' Fight in Brussels suffice to show the influence exercised by the seventeenth century school of painting on Jef. Lambeaux, Van der Stappen and J. de Lalaing. The most original of Belgian sculptors, Constantin Meunier (1831-1904), while possessing similar plastic qualities, opened a new field by his idealization of agricultural and industrial work. His miners, dockers, puddlers, and field labourers are known to all students of art and will stand in the future as the symbol of the economic renaissance of a people who could, even under modern conditions, find a kind of grim attachment to their labour.

"THE PUDDLER

"the puddler."
By constantin meunier (1831-1904).
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Cold academic compositions, painted under the influence of the chief of the Imperial French school of painting, Louis David, were the only productions of Belgian Art at the beginning of the nineteenth century. In no domain did the fashion change more abruptly, on the morrow of the Revolution, than in Belgian historical paintings. As early as 1833, G. Wappers of Antwerp exhibited a large canvas recording an episode of the recent Revolution. His example was followed by many artists at the time, and Belgian history became the subject of a great number of paintings, whose rather theatrical and pompous style does not entirely succeed in hiding their sincere and serious qualities. The French style of David was soon abandoned. Movement and colour, so inherent in the Belgian temperament, came again to the fore, and, though the influence of Rubens was overmastering, it was at least a national influence, and soon led, under the inspiration of Henri Leys (1815-69), to the production of historical works of great interest. The latter's frescoes of the Hôtel de Ville in Antwerp, illustrating the old franchises and privileges of the town, may still be considered as a striking expression of municipal freedom.

MODERN PAINTERS

At the same time, a great number of painters, reacting against the rather artificial style of historical paintings, went back to genre pictures, in which Teniers and his followers had excelled in the past. Henri de Braekeleer (1814-88) translated the simple, intimate poetry of modest interiors, while Joseph Stevens (1819-92) devoted his genius to scenes of dog life. Later, when social questions came to the fore and when the attention of the public was centred on the sufferings of the poor and destitute, De Groux, Léon Frédéric and, even more, Eugène Laermans (b. 1864) conveyed in their works a burning sympathy for the wretches and vagabonds straying through the towns and the Flemish country-side. The latter's work is strongly influenced by Breughel. Through an extraordinary paradox, Belgian Art, which only represented scenes of merriment during the darkest days of the Spanish occupation, gave far more importance to scenes of misery during the modern time of great public prosperity, so revolting did it seem that such prosperity should not be shared by all.

Another artist in whose works Breughel's inspiration is apparent is Jacob Smits (b. 1856). He is almost the only one who may be considered as a representative of religious painting in Belgium. Like Breughel, he succeeded in bringing the Christian story close to the people's hearts amidst Flemish contemporary surroundings.

A school of art in which colour and light play such a predominant part is bound to produce valuable landscapes. In this new form, the love of country expressed itself far more sincerely than in the earlier historical compositions. Under the influence of Henri Boulanger, Belgium produced, in later years, a number of first-rate landscape painters such as Verwée, Courtens, Gilsoul, Baertsoen and Emile Claus. Flemish landscapes exert a far greater attraction than the Walloon hills, and, generally speaking, the Flemish element dominates in the modern school as it did in the old. For the golden light lies on the damp fields of Flanders, and Flemish artists have not yet given up the hope of capturing it.

NATIONAL LITERATURE

The artistic Renaissance of modern Belgium might have been expected. The worship of colour and form had always been a strong characteristic of the race, and even in the drab years of the Austrian régime Belgian painters had never ceased to work. A far more startling development was the appearance, towards the middle of the nineteenth century, of a national Belgian school of literature. In the Middle Ages, Flemish and French letters in Belgium had produced some remarkable works. Owing to the scholastic character of these writings and to the predominant influence of French culture, they could not, however, be considered as a direct expression of the people's spirit. In many ways, the modern school of Belgian Letters was a new departure: French and Flemish influences were more evenly balanced, and, though they worked separately, Flemish and French writers, coming into close contact with the people's soul, expressed the same feelings and the same aspirations. For, if we make due allowance for the part played by purely Walloon writers, specially novelists and story-tellers, the main feature of the Belgian school of literature in the nineteenth century is the break up of the language barrier. Strange as it may seem, a comparison between writers in French and Flemish reveals a series of similarities so striking that, supposing an adequate translation were possible, there would be no difficulty whatever in including them in the same group. The main reason for this is, no doubt, that almost all the leaders of the movement in French, starting with De Coster and Lemonnier, up to the contemporary period of Verhaeren and Maeterlinck, are of Flemish extraction, and that their best works are imbued with Flemish traditions and Flemish temperament. Broadly speaking, one might say that most of the Belgian French writers are Flemings writing in French and are far closer to their Northern brethren than to the French whose language they use. Charles de Coster, who may be considered as the father of this particular branch of the school, published in 1868 the Legend of Ulenspiegel, which is nothing but a prose epic in which the legendary character of Owliglass is identified with one of the heroes of the sixteenth century revolution against Spain. Camille Lemonnier (1844-1913), in his best novels, deals with the manners and customs of the Flemish peasantry. The very soul of Flanders shines through the whole work of Belgium's great national poet, Emile Verhaeren, from his early Les Flamandes (1883) to the six volumes of Toute la Flandre (1904-12), and in all his earlier writings (1889-98), Maurice Maeterlinck remains under the influence of Flemish mysticism and miracle plays. This may seem a one-sided conclusion, and the names of many Belgian writers of great distinction may be quoted against it, but if we were to examine the question more closely, this conclusion would be rather verified than disproved. From a purely historical point of view, the general trend of inspiration is certainly towards the North rather than towards the South.

The main features which characterize the Belgian writers in French and confer on them a truly national originality are, on one side, a tendency to emphasize the intimate joys of life, and on the other, an intense feeling for mysticism, sometimes quite dissociated from any dogmatic faith. Just as Flemish Art is remarkable for the religious work of the fifteenth century and the sensuous productions of the seventeenth, so Belgian writing in the nineteenth oscillates between the spirit of Jordaens and that of Memling. In spite of some modernist tendencies and a great technical boldness, Belgian literature remains deeply influenced by mediævalism. It belongs to the twentieth century, even when written in the nineteenth, or to the fifteenth. The classical atmosphere of the French seventeenth and eighteenth centuries is totally absent. Those who care for the delicately poised balance of classical taste, for wit and brilliance of dialogue, will be disconcerted by childishness or fierce passion. It is an abrupt literature, but spontaneous and sincere, which has not been spoilt by formalism and scepticism, but which has not acquired, from a purely technical point of view, the perfection of the French. Having remained inarticulate during the two centuries of classical education, it has lost nothing and gained nothing through them.

THE FLEMISH MOVEMENT

It is significant that the movement started in Flanders before influencing the French-speaking part of the country. The Flemish novelist, Henri Conscience (1812-83) had devoted a series of books to the history of his country long before De Coster wrote his Ulenspiegel. The Flemish language was, at the time, struggling against great difficulties. It had been entirely neglected, from the literary point of view, during the eighteenth century, and suffered now from the natural reaction which followed the 1830 Revolution. It had reaped little benefit from the fifteen years of union with Holland, and there was a general belief, among the Flemings themselves, that it would never recover its ancient position. The Flemish literary Renaissance was initiated by a small group of intellectuals, headed by Jan Frans Willems (1793-1846), who exerted all their energy to revive Flemish customs, collect folk songs and traditions, and obtain a liberal interpretation of the Constitution which proclaimed liberty of language. The Flemish Movement received a new impulse when the young poet Albrecht Rodenbach (1856-80) spread its influence to all Flemish intellectual circles. The Flemings began to realize that they possessed in Guido Gezelle (1813-99) a religious poet whose work could bear comparison with the best French writings in the country. They saw, growing up around them, a new school of writers of great promise, and they insisted on their language being recognized, not only in principle, but in fact, as the second official language of the country. In 1898 a law was passed removing some of the causes of grievances, such as the inability of judges and officials to understand the language of the people with whom they dealt. Progressively the Flemish language came into its own in matters of education and administration, and, before the war, the only large question still under discussion was the creation of a Flemish University. The principle of such an institution had been admitted, but the relationship between this new University and the old French University of Ghent had not yet been established.

COMMON TEMPERAMENT

It must be understood that the language question remained throughout a local quarrel between two sets of Flemish intellectuals. It was not a quarrel between Walloons and Flemings, and administrative separation was scarcely ever mentioned. It was not even, before the war, a quarrel between the Flemish people, who knew only Flemish, and the Flemish bourgeoisie, who preferred to talk French. It was a dispute between a few intellectual Flemings, who wished to restore the language to the position it occupied before the Spanish and Austrian régimes silenced it, and the Flemings who wanted to restrict it to the common people and treat it as a patois. It was, to put it bluntly, a discussion between those who ignored history and those who realized that the independence of the Belgian provinces was bound to bring about a revival of Flemish Letters, as it was causing a revival of French Letters. For two centuries the country had remained silent; she was now able to speak again and to use all the riches and the resources of her two languages. Instead of threatening national unity, bilingualism was its necessary condition. For real differences do not lie in modes of expression, but in the feeling and the soul of the people, and it matters little if an image or a thought is expressed in one language or another, as long as they reflect a common temperament and common aspirations.


CHAPTER XXIX

CONCLUSION

The part played by Belgium during the war is well known. Those who knew the country and its history were not astonished at the attitude observed by King Albert and his people on August 3, 1914. Quite apart from any foreign sympathies, no other answer could be given to an ultimatum which directly challenged Belgium's rights. A modern nation might have been intimidated, but an old nation like Belgium, which had struggled towards independence through long and weary periods of warfare and foreign domination, was bound to resist. In challenging King Albert and his ministers, the German Government challenged at the same time all the leaders of the Belgian people, from De Coninck to Vonck and De Mérode, and the reply of the Belgian Government was stiffened by an age-long tradition of stubborn resistance and by the ingrained instinct of the people that this had to be done because there was nothing else to do.

GERMAN INVASION

History also accounts for the desperate fight waged by the small and ill-equipped army against the first military Power in Europe. Liége, Haelen, the three sorties from Antwerp, the ten terrible days on the Yser, are not due merely to the personal valour of the leaders and of their troops, but to the fact that they were Belgian leaders and Belgian troops, that they belonged to a nation conscious of her destiny and who had never despaired in the past, in spite of the ordeals to which she was subjected and of the scorn of those who questioned her very existence. The same thing might be said of all Allied nations. Even so fought the British, even so fought the French; the only difference lies in the fact that their heroism was expected as a matter of course, while that of the Belgians came to many as a surprise. For British traditions and French traditions were well known, while the past of Belgium was blurred amidst the confusion of Feudalism and foreign rule.

On the Yser, in October 1914, the Belgian forces had been reduced from 95,000 to 38,000 bayonets. These last defences, preserving about twenty square miles of independent territory, were maintained during four years while the army was refilling its ranks and reorganizing its supplies. It took its share in all the concerted actions of the Allies in Flanders, and when, at last, the final offensive was launched, on September 28, 1918, King Albert was placed at the head of the Anglo-Franco-Belgian forces.

Meanwhile the civil population, under German occupation, was undergoing one of the severest trials that the nation had ever experienced, not excepting revolutionary oppression and the Spanish Fury. The Germans used every means in their power to disintegrate the people's unity, break its resistance and enlist its services. Terrorism was used, from the first, at Aerschot, Louvain, Tamines, Andenne and Dinant, whilst the invasion progressed towards the heart of the country. Then, under the governorship of Von Bissing, the method was altered, and attempts were made to induce the chiefs of industry and their workmen to resume work for the greater benefit of the enemy. This policy culminated in the sinister deportations, pursued during the winter of 1916-17, which enslaved about 150,000 men and compelled them to work either behind the German front or in German kommandos. Enormous fines and contributions were levied on towns and provinces, the country was emptied of all raw material, private property and the produce of the soil were systematically requisitioned, and the population would have been decimated by famine but for the help of the Commission for Relief in Belgium. When it became evident, in 1917, that the passive resistance of the workers could not be broken, all the industries which had not been commandeered were entirely or partially destroyed and the machinery transported to Germany.