From the national point of view, the Battle of Courtrai is no less important. Had the Flemings again failed in their bold bid for liberty, the principle of Belgian nationality might have been irretrievably jeopardized on the eve of the period when it was to assert itself, and the efforts of centuries towards the reconstitution of political unity might have become useless. It is, of course, entirely wrong to attribute the rising of 1302 to purely patriotic motives, as some romantic Belgian historians have endeavoured to do; but one may legitimately believe that part at least of the blind and obstinate heroism displayed during the struggle may have been inspired by an obscure instinct that Flanders was, at the moment, waging the battle of Belgium—that is to say, of all the lands lying between France and Germany, and which, if permanently annexed by one or other of the Powers, must necessarily upset the balance of Europe and wreck all hope of European peace based on national freedom.
Flanders did not, however, reap the full benefits of her victory. The peace concluded in 1319, after further military operations, took away from the county all the Walloon district, considerably reducing the cattle grazing area and making Flemish industry more dependent than ever on England for its raw material. From the beginning of the fourteenth century, the counts, who had, up to then, sided with the people, went over to the French party, so that, when the Hundred Years' War broke out, Flanders found herself again faced by the cruel alternative of breaking her allegiance and being exposed to the disasters of an armed invasion from the South, or keeping it and seeing her industry ruined owing to the stoppage of her trade with England.
As early as 1336, Count Louis de Nevers having ordered the arrest of English merchants, Edward III, as a reprisal, interrupted all intercourse between the two countries. This measure was all the more disastrous for Flanders because, helped by the immigration of some Flemish weavers and fullers to England, an English cloth industry had been started across the Channel. The English were therefore far less dependent on the Flemings than the Flemings on the English, and it was to be feared that the new industry would greatly benefit from the monopoly created by the stoppage of trade. The prosperity of Bruges was further threatened, since the prohibition did not include Brabant, and Antwerp remained open to British trade.
In 1338 the people rose against their count, and Jacques Van Artevelde of Ghent became the acknowledged leader of the movement. These risings differed from the "Matines brugeoises" in that the aristocracy took part in them as well as the craftsmen. Van Artevelde was not a workman like De Coninck. He was a rich landowner and had great interests in the cloth trade. His aim was not only to preserve the country's independence, but to safeguard its prosperity. Approached by Edward III's delegates, he tried at first to maintain a purely neutral attitude, but, when the English king landed in Antwerp with supplies of wool, he was obliged to side with England. The "Wise Man of Ghent" suggested, however, that in order to relieve the Communes of their oath of allegiance to Philip of Valois, who had succeeded the Capetians, Edward should declare himself the true king of France. The struggle which followed the destruction of the French fleet at Sluis (1340) was protracted, no decision being reached at the siege of Tournai. Edward was called back to England by the restlessness of his own subjects, while the Flemish artisans were unwilling indefinitely to hold the field against the French armies. The departure of the English forces caused great bitterness among the people, who accused Van Artevelde of having betrayed them, and in the course of a riot the once popular tribune was killed by the mob (1345). Froissart, his enemy, pays him a generous tribute: "The poor exalted him, the wicked killed him."
His son Philip, Queen Philippa's godson, vainly endeavoured to succeed where his father had failed. After leading a revolt against the pro-French Count Louis de Mâle, he was defeated by the French in 1382 and died on the battlefield.
All these struggles had weakened Flanders considerably. By chasing German merchants from Bruges (1380), Louis de Mâle had brought about the decadence of this port in favour of Antwerp, where the English were soon to transfer the wool market. Political persecutions had driven a great many of the artisans to England, to the great advantage of English industry. Hundreds of houses in Bruges remained empty, Ypres was half destroyed, and Ghent had lost a considerable part of its population. Civil war had exhausted the country's resources during the last years of the fourteenth century. In the country-side the dykes were neglected, great stretches of "polders" were again flooded by the sea, and wolves and bears infested the woods. The restoration of Flanders to its previous prosperity did not take place before the middle of the fifteenth century, as a result of the wise rule of the dukes of Burgundy.
Literature is perhaps nowadays the most characteristic expression of civilization, just as painting was the most striking mode of expression in the Renaissance and architecture in the Middle Ages. We have seen that, in the Netherlands, civic monuments constitute a typical feature in mediæval architecture, but, though it is important to insist on the conditions which favoured and inspired the building of belfries and cloth-halls, the important part played by churches in the Netherlands, as in France and England, must nevertheless be acknowledged. It is true that, considering the intense religious life of the Low Countries from the tenth to the fifteenth centuries, the number of well preserved old churches still existing is rather disappointing, but this impression would be greatly altered if it were possible to revive the buildings which have fallen victim to destruction or to a worse fate still, wholesale restoration.
All through the Middle Ages, Belgium was an extraordinarily active centre of religious teaching and mysticism, and nowhere else perhaps in Europe did the Christian faith penetrate so deeply among the common people. Quite apart from the intellectual and aristocratic movements favoured in the tenth and eleventh centuries by the imperial bishops of Liége and their celebrated schools, from the deeper influence exerted in other parts by the Clunisian monks (eleventh century) and by the Cistercians and Prémontrés (twelfth century), the enthusiasm aroused by the crusades is a sufficient proof of the country's religious fervour. Not only did the nobles play a predominant part, Godfrey of Bouillon, Duke of Lower Lotharingia, being the leader of the first crusade and the counts of Flanders, Robert II, Thierry of Alsace, Philip of Alsace and Baldwin IX, taking a large share in the same and in subsequent expeditions, but the lower classes enlisted with the same enthusiasm and flocked around the cross raised by Peter the Hermit and his followers. It is reported that, during the second crusade, certain localities lost more than half their male population.
Later, with the development of the Communes, the bourgeois and the townspeople endeavoured to nominate their own priests and chaplains, civil hospitals were founded, and, in the thirteenth century, the mendicant orders enjoyed an enormous popularity, owing to the familiarity with which they mixed with the people. They followed the armies in the field, and it was among them that the citizens found their favourite preachers in times of peace.
The great concourse of merchants and artisans in the towns favoured the spreading of heresies, and, for a time, the Manicheans, under their leader Tanchelm, made many converts among the Antwerp weavers; but the Church was strong enough, at the time, not to appeal hastily to forcible repression. The heretic preachers were fought, on their own ground, by Franciscans, Dominicans and other ecclesiastics, who succeeded in defeating them by their personal prestige. One of these preachers who was honoured as a saint, Lambert le Bègue (the Stammerer), greatly influenced spiritual life in Liége and the surrounding districts. The foundation of the characteristically Belgian institution of the "Béguines," or "Beggards," can, at least partly, be traced to his religious activity.
This institution, which spread all over the country during the thirteenth century, shows once more the success of all attempts in the Netherlands to bring the inspiration of religion into the practice of everyday life and into close contact with the humble and the poor. It was specially successful among the women, and absorbed a great many of the surplus female population. The "Béguines" did not pronounce eternal vows and could, if they liked, return to the world. They led a very active life, settled in small houses, forming a large square planted with trees, around a chapel where they held their services. All the time not devoted to prayer was given to some manual work, teaching or visiting the poor. From Nivelles, the movement spread to Ghent, Bruges, Lille, Ypres, Oudenarde, Damme, Courtrai, Alost, Dixmude, etc., and even to Northern France and Western Germany. The accomplished type of the "Béguine" is Marie d'Oignies, who, after a few months of married life, separated from her husband, spent many years among the lepers, and finally settled, with a few companions, in the little convent of Oignies, near Namur.
Such was the spirit which inspired the builders of the Belgian churches. Certainly the most typical and perhaps the most beautiful is Notre Dame of Tournai, with its romanesque nave, built in the eleventh century, its early Gothic choir (thirteenth century) and its later Gothic porch (fourteenth century). It illustrates admirably the succession of styles used in the country during the Middle Ages and the series of influences to which these styles were subjected from the East and from the South. Most of the romanesque churches of the tenth and eleventh centuries were built either by German architects or by their Belgian pupils. Though the best examples of the period are now found either at Tournai (cathedral and St. Quentin), at Soignies (St. Vincent) and at Nivelles (Ste. Gertrude), the centre of the school was at Liége, where St. Denis, St. Jacques, St. Barthélémy and especially Ste. Croix still show some traces of this early work. The main features of these buildings, in their original state, are, beside the use of the rounded arch, round or octagonal turrets, with pointed roofs, over the façade and sometimes over the transept.
the cathedral, tournai.
(Twelfth-fourteenth century).
View larger image
Ph. B.
With the decline of German political and intellectual influence, Gothic was introduced into the country by French architects. In the last years of the twelfth century, Tournai thus became the meeting-place of the two currents, and, owing to its favourable position on the Scheldt and to the material available in the district, dominated the whole religious architecture of Flanders. The period of transition lasted over a century and produced some of the most characteristic religious buildings of the country, in which both the rounded and pointed arches are happily combined. To this period belong St. Jacques and Ste. Madeleine of Tournai, St. Nicolas and St. Jacques of Ghent and the pretty little church of Pamele, built by Arnold of Binche (near Tournai) between 1238 and 1242, where beside the romanesque turrets of the façade may be found a short central octagonal Gothic tower. The well-known Church of St. Sauveur at Bruges, begun in 1137, belongs to the same period, but brick instead of Tournai stone has been used for its erection. The same feature is found in a good many Gothic churches in maritime Flanders and Holland, which were too distant from the Hainault quarries.
Tournai again, in the choir of its cathedral, furnishes a good example of Belgian early Gothic (thirteenth century), of which the destroyed cathedral of Ypres, St. Martin, was considered the masterpiece. All trace of the round arch has now disappeared and the columns are formed by massive pillars.
As the Gothic style develops in its secondary period (late thirteenth and beginning of fourteenth century) the windows increase in size, the pillars are fluted and the tracery of the windows becomes more and more complicated. The best examples of this particular Gothic still in existence are the choir of St. Paul at Liége and Notre Dame of Huy (begun in 1311).
bronze font in the church of st. bartholomew, liége (1107-1118).
The baptism of Christ.
St. Peter baptising Cornelius.
View larger image
The most important and the best preserved Belgian churches belong, however, to the third period of Gothic, when clustered columns replace pillars, tracery becomes flamboyant and spires soar higher and higher above the naves. Brabant is especially rich in fourteenth and fifteenth century churches. Possessing its own quarries, it was independent of Tournai, and can claim an original style altogether free from Hainault or French influence. In this group must be mentioned Notre Dame of Hal; the cathedral of St. Rombaut, in Malines, begun in 1350 and whose flat-roofed tower was only finished in 1452; Ste. Gudule, in Brussels, the oldest of them all, with some parts dating as far back as the thirteenth century, a flamboyant porch and two flat-roofed towers similar to those of St. Rombaut; and, finally, the great cathedral of Antwerp, begun in 1387, with one of the highest towers in Europe and certainly the slenderest, whose various stories mark the transformation of style as they rise to end in a purely Renaissance spire.
collegiate church of sainte gudule, brussels.
(Thirteenth-fourteenth century).
View larger image
Ph. B.
Most of these romanesque and Gothic churches have no unity of style, owing to the long period covered during their building. From a purely architectural point of view, they lack perhaps the purity of some of their French and German rivals, but they are all the more interesting to the historian and bring him into close contact with the transformation of mind and manners from the Middle Ages to the Renaissance.
In order not to split up our subject we have wandered from the civilization of the Middle Ages into the early Renaissance. Let us now go back to Notre Dame of Tournai, with her five pointed towers, and see what we may learn from her with regard to the intellectual and literary developments of the period. In the same way as the building of its choir, in the early thirteenth century, shows evident traces of French influence, so the use of French, among the upper classes and in the literature of the period, becomes more and more predominant.
During the first centuries of the Middle Ages, French influence in Flanders was particularly noticeable in the monasteries. Almost in every monastery Walloon and Flemish monks lived side by side, and it became necessary that their abbots should be able to make themselves understood by both sections of the community. Thierry of St. Trond was chosen by the monks of St. Peter at Ghent "quoniam Theutonica et Gaulonica lingua expeditus." Examples abound of bishops, teachers and preachers able to express themselves in Flemish and French. The "Cantilène of Ste. Eulalie," the oldest poem written in the French language, was discovered in the monastery of St. Amand together with one of the oldest German writings, the "Ludwigslied." The Clunisian influence tended also to spread the use of French in the northern districts.
The same bilingual characteristic may be found among the nobles, who met frequently in the course of their military expeditions or peaceful tournaments. Intermarriages between families belonging to both parts of Lotharingia and Flanders were frequent. Besides, most of the large domains lay across the language frontier. The knowledge of French soon became an essential condition of a good education, and the children of Flemish lords were sent to French abbeys in order to perfect their knowledge of the language. It may be assumed that, at the end of the eleventh century, the majority of the aristocracy was bilingual. It was one of the reasons which gave the Belgian nobles such a prominent position in the crusades. A contemporary writer, Otto of Friesingen, explains that Godfrey of Bouillon was placed at the head of the crusaders because, "brought up on the frontier between romanized and Teutonic people, he knew both languages equally well."
This penetration of French, not only in Flanders, which was nominally attached to the kingdom of France, but also in Lotharingia and even in Liége, the centre of German influence, is all the more remarkable as it implied no political hegemony, the counts of Flanders being practically independent, at the time, and the other nobles attached to the Empire. It was not introduced by conquest, as in England in the eleventh century, or through immigration, like German into Bohemia or into the Baltic States. The race of the northern provinces remained relatively pure, and the adoption of a second language by the aristocracy can only be explained by the intimate relations created between Thiois (Flemings) and Walloons owing to political conditions, to diocesan boundaries and social intercourse.
The influence of French was still further increased during the twelfth century, which is the classical epoch of French literature in the Middle Ages, and during which trade became so much more active owing to the formation of the Communes. It was not only spoken by nearly all the counts of Flanders and used in their private correspondence, but it became, to a certain extent, the official language when Latin was dispossessed of its monopoly. Its use ceased to be confined to the aristocracy and spread to the bourgeoisie, owing to the frequent intercourse between Flemish and French merchants at the fairs of Champagne. All bills of exchange were written in French, and even the Lombards and the Florentine bankers used it in their transactions. Its knowledge was as necessary, at the time, as a knowledge of English may be to-day to all exporters. As late as 1250, it was the only popular language in which public documents were written. It is true that, in Northern Flanders, many Germanic terms are mixed with it, but it exerts practically no influence on the early development of the Flemish language. The linguistic situation in Flanders, during the thirteenth century, is interesting to compare with that existing in England, at the same time, where the imported tongue was progressively absorbed by the native, just as the Normans were absorbed by the Saxons. Again, it is typical of the pacific character of French penetration that when, in the middle of the thirteenth century, Flemish prose, having sufficiently developed, was adopted for public acts, no restriction whatever was placed on this custom. French, however, remained the language used by the counts and by their officers. The documents of the period present an extraordinary medley of Latin, French and Flemish texts.
Brabant was not so strongly influenced, partly because the dukes belonged to the old native dynasty and partly because the dukedom entered later into the current of trade intercourse. French was used at court, and a knowledge of it was considered as a necessary accomplishment for a nobleman. But the dukes used Flemish in their relations with their Flemish subjects, and when Latin gradually disappeared, the popular language took its place in public acts.
This efflorescence of the French language must be connected with the great prosperity of Walloon Flanders and the development, in Arras, Douai, Lille, Tournai and Valenciennes, of an intense literary movement, including poets, chroniclers and translators endowed with a distinct originality. As late as the thirteenth century these writers, who had adopted the Picard dialect, proclaimed their independence from purely French literature, so that, in their own domain, they play a similar part to that played by the Tournai master-builders in theirs. The counts of Flanders and Hainault, among them Philip of Alsace, Baldwin V and Baldwin VI, patronized native literature and even attracted to their courts some of the greatest French poets of the period, such as Chrétien de Troyes and Gautier d'Epinal. The dukes of Brabant imitated this example and patronized Adenet le Roi, who was considered the most eminent Belgian trouvère. We still possess a few songs composed by Duke Henry III. Nothing can give us a better insight into the intellectual life of some of the nobles of the time than the following lines in which Lambert d'Ardres describes the manifold activities of Baldwin II, Count of Guines (1169-1206). This prince "surrounded himself with clerks and masters, asked them questions unceasingly and listened to them attentively. But, as he would have liked to know everything and could not remember everything by heart, he ordered Master Landri de Waben to translate for him from the Latin into Romance the Song of Solomon, together with its mystic interpretation, and often had it read aloud to him. He learned, in the same way, the Gospels, accompanied by appropriate sermons, which had been translated, as well as the life of St. Anthony Abbot, by a certain Alfred. He also received from Master Godfrey a great portion of the Physic translated from Latin into Romance. Everyone knows that the venerable Father Simon of Bologna translated for him from the Latin into Romance the book of Solinus on natural history and, in order to obtain a reward for his labour, offered the book to him publicly and read it to him aloud."
Translations play a most important part in the literature of the time, and it is significant that Belgium, from this point of view, owing no doubt to her duality of language, acted as a pioneer for France. Just as the Walloon provinces were first to discard Latin in public acts and replace it by French, it is among their writers that the first and most notable translators may be found. The tastes of translators and their patrons were very catholic; science, theology, history and poetry proving equally attractive. Another characteristic of French letters in Belgium is the importance given to history. The first historical work written in French is a translation by Nicolas de Senlis of the Chronicle of Turpin, made for Yolande, sister of Baldwin V of Hainault. In 1225 a clerk compiled for Roger, castellan of Lille, a series of historical stories, the Livre des Histoires, taken from the most various sources, from the creation of the world down to his own time. Soon original works, dealing with local and contemporary events, replaced translations and compilations. Such are the Story of Hainault, written for Baldwin of Avesnes, and the rhymed Chronicle of Tournai by Philippe Mousket.
The bourgeoisie soon became interested in the movement. But the citizens of the towns enjoyed neither courtiers' poetry nor epics and warlike histories. Satire and didactic works were far more to their taste. As early as the first part of the twelfth century a priest, Nivardus, collected the numerous animal stories which were told in his time and in which Renard the fox, Isengrain the wolf, Noble the lion and many more animal heroes play a very lively part. These tales, in spite of their Oriental or Greek origin, had found a new meaning among the townsfolk of the twelfth century, who delighted in the tricks of Renard, whose cunning outwitted the strength of the great barons and the pride of their suzerain. Translations from Nivardus were the origin of the French versions of the Roman du Renard and of the Flemish poem of Reinaert, written by Willem in the thirteenth century, and which surpasses all other variations of the theme.
The Reinaert is the first notable work of mediæval Flemish literature. Willem's predecessor, Hendrick van Veldeke, is merely a translator. One of his most popular poems at the time, the Eneÿde, is a Flemish version of the French Roman d'Enéas. The number and the success of these Flemish translations of French romances of chivalry, in the thirteenth century, is however, remarkable, especially as it was the means of introducing these stories into Germany, where they received new and sometimes original treatment. From its very origin Flemish literature acted thus as an intermediary between France and Germany. Veldeke was a noble, and his works were only appreciated in the castles. Jacob van Maerlant, who was hailed, in his time, as the "Father of Flemish Poets," was a bourgeois scribe. Though obliged at first to write some translations from the French Romances, he could not but feel that this kind of literature suited neither the aspirations nor the temperament of the people among whom he lived. Turning from these frivolous stories, he sought in the works of Vincent de Beauvais and Pierre Comestor a wiser and more serious inspiration. His ambition was to place within reach of laymen the scientific, philosophic and religious thought of his time, so that they might obtain the same chances of acquiring knowledge as the learned clerics. This is the spirit which pervades his principal and most popular works, Der Naturen Blume, the Rymbybel and the Spiegel historiael, in which the author deals with natural lore and sacred and profane history.
In his impatience against "the beautiful, false French poets who rhyme more than they know," van Maerlant declared that all French things were false: "wat waelsch is valsch is," but one would seek vainly any systematic hostility towards France in the poet's encyclopædic work. On the contrary, on several occasions, he pays a glowing tribute to the intellectual splendour of France, specially as represented by the University of Paris, and it is not without astonishment that we discover from his pen, on the eve of the Battle of the Golden Spurs, a eulogy of the French régime.
The reason why van Maerlant attacked the French Romances of Chivalry was not that they were French, but that they were Romances. The characteristic of the early Flemish writers, apart from the satiric poetry of Willem, is the seriousness of their thought and purpose. They feel strongly their responsibility in influencing their contemporaries and seldom abandon the tone of the preacher or teacher. The most eloquent verses of van Maerlant may be found in Van den Lande van Oversee, in which he preaches a new crusade after the fall of St. John of Acre.
From the very beginning Belgian Flemish literature is distinct from the French, but has many points of contact with the intellectual movement of the Walloon provinces. There can be no question, at this early stage, of disagreement or rivalry, for French was only, at the time, the second language of the aristocracy in Flanders, and, as Flemish letters developed, they naturally penetrated into the upper classes. There are few examples in history of a civilization combining with such harmony the genius of two races and two languages.
There are certain periods in the life of nations and individuals when, owing to a combination of happy circumstances, all their best faculties work in perfect harmony. They give us a complete and almost perfect image of the man or the land. It is towards such periods of efflorescence that we turn when we want to judge a great reformer, a great writer or a great artist, and it is only fair that we should turn to them also when we want to appreciate the part played in the history of civilization by all nations who have left their mark in the world.
the netherlands under the rule of the dukes of burgundy.
View larger image
Such a period of economic, political and artistic splendour may be found in Belgium when the whole country became united under the dukes of Burgundy. The fifteenth century is for Belgium what the Elizabethan period is for England and the seventeenth century for France. Not only did the territorial importance of the unified provinces reach its culminating point and the national princes play a prominent part in European politics, but, from the point of view of economic prosperity and intellectual efflorescence, Bruges, Brussels and Antwerp rivalled, at the time, the great Italian Republics of the Renaissance.
Considering the common interests linking the various States, and their remoteness from the political centres of France and Germany, the unification of the country under one crown seemed a foregone conclusion. In fact, we have seen that, already at the beginning of the twelfth century, the division of the country between the two great Powers had become purely nominal. Lotharingia ceased to exist owing to the decreasing influence of the Empire following the struggle of the Investitures, and the counts of Flanders were so powerful that they were practically independent of their French suzerains. They began to take an important share in political life east of the Scheldt, and would no doubt have succeeded in uniting the whole country under their sway but for the rising power of the Communes and for the political recovery of France. The Communes substituted economic divisions for the political divisions created by Feudalism. The efforts of the French kings, while unable to crush Flemish independence, succeeded, nevertheless, in checking the power of the counts, while other States, such as Brabant, were allowed to develop more freely beyond the Scheldt.
At the close of the fourteenth century, the Communes, which had proved such a powerful means of liberating trade and industry from feudal restrictions, had, to a great extent, ceased to fulfil their part in the development of the nation. Instead of using their privileges to further economic relations, the large towns oppressed the smaller ones and the country-side was entirely sacrificed. Internal strife, war with France and the decadence of the cloth industry had brought about a state of economic depression and social unrest out of which the country could only emerge through the support of a strong and centralized administration. On the other hand, the French kings were, for the time, reconciled to the idea of an independent Flanders and too exhausted by their struggle against England to make further warlike attempts in this direction. So that when Philip the Bold, Duke of Burgundy, became Count of Flanders, in 1384, the country, exhausted by civil war and independent of foreign hegemony, was at last prepared to submit to parting with some of its local privileges in order to obtain peace and prosperity under a wise central administration.
Philip was the brother of Charles V, King of France, and succeeded Louis de Mâle after marrying the count's daughter. He was supposed to bring back Flanders under French influence, but, as a matter of fact, pursued a policy distinct from that of the French. Once more, as in the case of Guy de Dampierre and of Ferrand, the French king was deceived in his plans, and the interests of the country proved stronger than the personal relations of its ruler. One of the first acts of the new count was to secure Artois, thus reconstituting the bilingual Flanders of the previous century. He then proceeded to extend the power of his house by obtaining, for his second son Antoine, the succession of Brabant in exchange for military help given to the Duchess Jeanne. Such a scheme was opposed to the emperor's projects, but his influence could not outweigh the advantages which the Brabançons expected from the House of Burgundy. It thus happened that, when Philip the Bold died, in 1404, his eldest son John inherited Flanders and Artois, and Antoine acquired Brabant and Limburg. The latter's possessions were further increased by his marriage with Elisabeth Gorlitz, heiress of Luxemburg.
The two brothers supported each other, and when Antoine died at Agincourt (1415), John the Fearless obtained the lease of Luxemburg. He had previously intervened in the affairs of Liége and received the title of protector of the bishopric. Only Hainault, Holland, Zeeland and Namur remained independent of the Burgundian House when John died, in 1419, assassinated on the bridge of Montereau. Like his father, his policy had been inspired far more by the interests of the Low Countries than by those of France. He resided in Ghent during the greater part of his reign.
philip the good.
From a portrait by Roger Van der Weyden (Madrid).
View larger image
Philip the Good, his son, reaped all the benefits of his father's efforts. He completed the work of unification by extending his protectorate over Tournai, Cambrai and Utrecht and buying Namur. John IV of Brabant, son of Antoine and Elisabeth, had married Jacqueline of Bavaria, Countess of Hainault, Holland and Zeeland. When he and his brother had died without heir, Brabant and Limburg reverted to the elder branch of the House of Burgundy. So that, after having dispossessed his cousin Jacqueline of her inheritance, Philip became practically the sole master of all the principalities founded on Belgian soil since the Middle Ages.
No doubt the dukes of Burgundy were helped in their work of unification by a series of most favourable circumstances. Within a remarkably short time, many marriages and deaths occurred which favoured their plans to a very considerable extent. But it would be a great mistake to attribute their success to fate alone. Their power was so great that, through political pressure and offers of money, they might, in any case, have induced the less favoured princes of the country to part with their domains. And, what is far more important, economic and political circumstances were such as to render the old system of local divisions obsolete and to necessitate the formation of a central administration pooling the resources and directing the common policy of all parts of the country. It was not through the process of Burgundian unification that Belgium became a nation. It was because Belgium had already practically become a nation, through the gradual intercourse of the various principalities, that one prince, more favoured than his neighbours at the time, was able to concentrate in his hands the power of all the Belgian princes.
It is not without reason, nevertheless, that Justus Lipsius, the Belgian humanist of the seventeenth century, calls Philip the Good "conditor Belgii," the founder of Belgium. If this prince benefited from the efforts of his predecessors, if he enjoyed tremendous opportunities, he was wise enough to make full use of them. While enlarging his possessions and even contemplating, no doubt, the foundation of a great European Empire, he proceeded step by step and did not launch into any wild enterprise which might have jeopardized the future. While building up a centralized State such as the legists of the Renaissance conceived it, a State independent of local institutions and possessing a distinct life apart from the people and above them, he endeavoured, as much as possible, to respect local privileges, superimposing modern institutions on mediæval ones and preserving, if not wholly, at least formally, the rights of each province and town.
The "great duke of the West," as he was called, "could," according to his own words, "have been king if he had only willed it"—that is to say, if he had been prepared to pay homage to the Emperor. After some protracted negotiations, he preferred to remain a duke and to preserve his complete independence. He was Duke of Burgundy, Count of Flanders, Duke of Brabant, Count of Hainault, "Mambourg" of Liége, etc.; he was, in short, the head of a monarchic confederation in which he succeeded in establishing a few central institutions common to all the principalities, a private Council, the "Council of the Duke," a government Council, "the Grand Council," and the "States General," on which sat delegates of the various provincial States and which the duke called together when he deemed it opportune. The States General's approval was necessary whenever fresh taxes were to be levied or when the sovereign intended to declare war. Following the example of the French kings, the duke was nearly always able to conciliate the States General by giving the majority of the seats to members of the clergy or to the nobility. The latter he succeeded in converting into a body of courtiers by grants of money, land or well-paid offices, also by founding, in 1480, the privileged order of the Golden Fleece.
Philip's external policy was judged severely by his English contemporaries, whose views are no doubt reflected in the First Part of Shakespeare's Henry VI, where we see Burgundy abandoning his allies at the instigation of the Maid of Orleans. His "betrayal" was followed by riots in London, during which some Flemish and Walloon merchants lost their lives. Considered, however, from the point of view of the period, when diplomacy and politics were not inspired by a particularly keen sense of justice and morality, the duke's decision is easy to explain. Drawn into the English alliance by the traditional policy of Flanders, which always sought support in this country against France, and by the murder of his father, for which he sought revenge, he never lost sight of the possible threat to his power and independence which an overwhelming English victory might constitute some day. English ambitions in the Low Countries had been made evident by the expedition of the Duke of Gloucester, Henry V's brother, who had championed Jacqueline of Bavaria's cause against the duke. A permanent union of Hainault, Brabant and Holland, under English protection, had even been contemplated. It would, therefore, have been contrary to Burgundian and to Belgian interests, if the power of France had been absolutely and irremediably crushed, since such a victory would have upset the balance of Western power, on which the very existence of the new confederation depended.
Philip's quarrel with Henry VI was, however, short-lived, and, during the last part of his reign, he succeeded in re-establishing the Anglo-Burgundian alliance on a sounder basis. His wife, Isabella of Portugal, a granddaughter of John of Gaunt, used her influence to bring about a reconciliation and the resumption of trade relations. The marriage of Charles, son of Philip, with Margaret of York, sister of Edward IV, which was celebrated in Bruges in 1463 amidst an amazing display of luxury, definitely sealed the bond of union.
charles the bold.
From a portrait by Roger Van der Weyden (Berlin Museum).
View larger image
For France had recovered from her trials; and when he succeeded his father, Charles, surnamed the Bold, was confronted by an adversary all the more formidable that, through his impulsive temperament, he literally played into the hands of the cunning French king. Faced, as Philip had been, by the opposition of the Communes and by the separatist tendencies of certain towns, the new duke, scorning diplomacy, tried to impose his will through sheer force and terrorism. The sack of Dinant in 1466 was destined to serve as an example to Liége, where the agents of King Louis maintained a constant agitation. Two years later, the duke obliged his rival to witness the burning and pillage of the latter city, which had revolted for a second time, following the instigations of the French.
Charles might have resisted his enemy's intrigues, if he had limited his ambitions to the Low Countries. Like his father, he entered into negotiations with the Emperor with the hope of acquiring the title of king. His Burgundian domains were separated from the Low Countries by Alsace and Lorraine. Had he been able to join Low and High Burgundy through these lands, he would have very nearly reconstituted the old kingdom of Lotharingia, by unifying all the borderlands lying between France and Germany, from the North Sea to the Mediterranean. The success of such an enterprise might have had incalculable consequences. But Charles was the last man to succeed in an endeavour requiring at least as much skill and diplomacy as material resources. He obtained rights upon Alsace and conquered Lorraine, but fell an easy prey to Louis XI's artifices by launching an expedition against the Swiss. Defeated at Granson and Morat, he was killed before Nancy, leaving the whole responsibility of his heavy succession to his young daughter Mary.
According to Philip de Commines: "He tried so many things that he could not live long enough to carry them through, and they were indeed almost impossible enterprises." But his external policy remained all through perfectly consistent. He was a faithful friend to the House of York and gave his support to Edward IV, with whom he intended to divide France, had he succeeded in conquering Louis.
Philip the Good, by his work of territorial consolidation, had succeeded in obliterating from the map of Europe the frontier of the Scheldt, which, since the Treaty of Verdun, had divided the country between France and Germany. Charles the Bold failed in reconstituting the short-lived kingdom of Lotharius, which had stood, for a few years, as a barrier between the two rival Powers. Such a dream was indeed outside the scope of practical politics, though, considered from the point of view of language and race, it was not entirely unjustifiable, the population of the Rhine sharing with that of the Low Countries both their Romanic and Germanic characteristics, and asserting from time to time their desire to lead a free and independent life. This desire was never fulfilled, owing partly to the main direction of the line of race-demarcation running from north to south, parallel to the political frontier, and partly to the narrowness of the strip of territory involved. Had such a boundary extended through Belgium along the Scheldt, for instance, instead of being deflected from Cologne to Boulogne, the same result would have occurred. Belgium owes her independent state to the presence of the Coal Wood which, in the fourth century, broke the invaders' efforts along a line running from east to west across political frontiers, not parallel to them. Thanks to the exceptional richness of her widespread plain, easily accessible from the sea, she remains, in modern times, as the last fragment of the great Empire of Lotharius, which, for a few years, gathered under one rule all the borderlands of Western Europe.
The most characteristic monument of the fifteenth century in Belgium is the Town Hall, just as the most characteristic monument of the two preceding centuries is the belfry, with, or without, its Cloth Hall.