The Confederation of Arras was proclaimed on January 6, 1579. On the 23rd the Union of Utrecht was constituted, under the same claim of defending the Pacification of Ghent. It grouped around Holland and Zeeland the provinces of Utrecht, Gelder, Friesland, Over-Yssel and Groningen, together with the most important towns of Flanders and Brabant: Ghent, Ypres, Bruges, Antwerp, Brussels, etc. They undertook to act jointly in reference to peace, war, alliances and all external matters, while retaining their local autonomy. The exercise of religion remained free, with the exception of Holland and Zeeland, from which Catholicism was excluded. The Union of Utrecht was the origin of the Republic of the Seven United Provinces. It was entirely dominated by the particularist policy of Holland and Zeeland, which, as events developed more and more in favour of Farnese in the South, took less and less interest in their Southern confederates. The small forces at their disposal rendered any offensive towards Flanders and Brabant, which would have provided the beleaguered cities with food and arms, very difficult, and the reopening of the Scheldt, which must have taken place in the event of the integral preservation of the Union of Utrecht, would have reacted unfavourably on the trade of the Northern ports.
Owing to the defensive attitude of the North, events moved rather slowly during the following years. After the fall of Maestricht, which was marked by further massacres of the people by the Spanish soldiery, Farnese, who had staked all on a policy of conciliation, gradually dismissed the Spanish troops and organized native units with the help of the Malcontents. Now that all bonds were severed between the Union of Utrecht and the crown of Spain, Philip II endeavoured to revenge himself on his opponent by putting a price on his head (1580). The apology written by the Prince of Orange in answer to Philip's accusations, in the shape of a letter addressed to the States General, is one of the most dignified pleas of such a kind in history. Orange had no difficulty in showing the sincerity of his motives and his devotion to the common weal. The reader of this eloquent document will, however, realize that its author lacked the energy and self-reliance necessary to deal with the desperate situation in which the country was placed. In his eagerness to save the Belgian towns and to safeguard unity, in spite of the unwillingness of Holland and Zeeland to depart from their expectant attitude, he concluded with the Duke of Anjou, on September 29th, the treaty of Plessis-lez-Tours, by which, in exchange for military help, the duke was to receive the title of hereditary sovereign of the United Provinces, undertook to respect the rights of the States General and maintain the representatives of the House of Orange-Nassau as hereditary Stadhouders of Holland, Zeeland and Utrecht. This last clause was introduced far more to pacify the Northerners, who strongly objected to these negotiations, than to further Orange's personal ambition. It shows once more the privileged situation occupied by the three provinces and their strong particularist tendencies. The treaty of Plessis-lez-Tours, which was supposed to save the Union, was destined to give it its death-blow and to strengthen the alliance between the Southern provinces and Farnese. By that time, the central Government in Antwerp had become purely nominal. The Northern provinces had ceased to send their representatives and the delegates from the South could not claim to represent the people, who were more and more unfavourable to their attitude. The States General was only used to register and sanction Orange's decisions. In spite of some opposition, it finally proclaimed, on July 26, 1581, the deposition of the king.
Hostilities were at once resumed, Farnese besieging Cambrai and Tournai, which had not yet joined the Confederation. The first town was saved by the intervention of the French troops of Anjou, but the second capitulated on November 3rd. From that time, Farnese endeavoured to treat his enemies with the greatest clemency. He suppressed severely all acts of terrorism or pillage and offered honourable conditions to any city willing to surrender, the Protestants being free to leave the town after settling their affairs and the local liberties remaining intact. By these moderate conditions and by the loyalty with which he kept to them, he gradually earned the respect, if not the sympathy, of a great number of his former opponents, and his attitude contrasted favourably with the vagaries of Anjou, whose rule was, after all, the only alternative offered to the Southern provinces at the time. After a journey to England, where he received a rebuff from Queen Elizabeth, Anjou was greeted with great honours at Antwerp (February 19, 1582). During the year which followed, he grew more and more impatient of the obstacles placed in his way and the restrictions imposed on his authority. He finally decided to make a bid for power, and, on the night of January 16-17, 1583, his soldiers endeavoured to seize the gates of Antwerp and occupy the public buildings. They were, however, defeated by the armed citizens, and the duke, entirely discredited, was obliged to leave the country. This episode is remembered as the "French Fury."
The last hopes of reconstituting the unity of the Netherlands were ruined by the murder, on July 10, 1584, at Delft, of the Prince of Orange, the only statesman who had pursued this aim with some consistency, in spite of all his mistakes. This action was as criminal as it was senseless. The prince had failed in his great enterprise of uniting the Netherlands against Spain, and no efforts on his part could have restored the situation. Thanks to the Spanish reinforcements the Confederation had allowed him to receive, Farnese was systematically blockading and besieging every important Flemish town. Already Dunkirk, Ypres and Bruges had opened their gates to him and obtained very favourable conditions. Ghent itself, the stronghold of Calvinism in Flanders, whose population had distinguished itself by so many cruelties and excesses and which was considered as the arch-enemy of the Malcontents, benefited from the same policy when obliged to surrender, on September 17th. All the old customs were restored, the town was obliged to pay 200,000 golden écus, its hostages were pardoned, and, though the Protestants were not allowed to celebrate their worship in public, they obtained a delay of two years before leaving the city.
At the beginning of 1585 almost every town had been reduced as far as Malines. Brussels, which had vainly expected some help from the North, opened its gates to Farnese on March 10th, and the taking of Antwerp, on August 16th, closed the series of operations which definitely separated Belgium from Holland and again placed the Southern provinces under the subjection of Spain. Antwerp had been defended obstinately by its burgomaster, the Calvinist pamphleteer, Marnix de St. Aldegonde, who confidently hoped that his Northern allies would create a diversion and at least prevent the Spanish from cutting off the great port from the sea. In the case of Antwerp, Holland and Zeeland might have interfered without so much danger, but Orange was no longer there to plead for unity and the great port of the Southern provinces was abandoned to its fate.
The fall of Antwerp had doomed all projects of anti-Spanish unity. It had settled for centuries to come the fate of the Southern provinces, which were henceforth attached to a foreign dynasty and administered as foreign possessions. This ultimate result was not, however, apparent at once, and for some years the people entertained a hope of a return to the Burgundian tradition and to a national policy. This period of transition is covered by the reign of Albert and Isabella, who were, nominally at least, the sovereigns of the Low Countries.
belgium under the rule of the kings of spain.
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Before giving the Low Countries as a dowry to his daughter Isabella, Philip II made several attempts to break the resistance of Holland and Zeeland. Had Farnese been left to deal with the situation after the fall of Antwerp, he might have succeeded in this difficult enterprise. But all the successes he had obtained against Maurice of Nassau in Zeeland Flanders, Brabant and Gelder were jeopardized by the European policy of the Spanish king. From August 20, 1585, Queen Elizabeth had at last openly allied herself with the United Provinces, and the whole attention of Philip was now centred upon England and upon the bold project of forcing the entry of the Thames with a powerful fleet. Farnese was therefore obliged to concentrate most of his troops near Dunkirk, in view of the projected landing. The complete failure of the expedition released these forces, but their absence from the Northern provinces had already given Maurice of Nassau the opportunity of restoring the situation (1588). The next year, instead of resuming the campaign against the United Provinces, Farnese was obliged to fight in France to support the Catholic League. It was in the course of one of these expeditions that he died in Arras, on December 3, 1593.
the infanta isabella.
From a picture by Rubens (Brussels Museum).
archduke albert.
From a picture by Rubens (Brussels Museum).
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Philip was bound by his promises to send to Belgium a prince of the blood. His choice of Archduke Ernest, son of Maximilian II, was, however, an unhappy one, as the weak prince was entirely dominated by his Spanish general, Fuentès, brother-in-law of the Duke of Alba. The country suffered, at the time, from the combined attacks of Maurice of Nassau and of Henry IV of France. After the death of Archduke Ernest, Philip chose as governor-general the former's younger brother, Archduke Albert, who had distinguished himself as Viceroy of Portugal. He arrived just in time, in 1596, to relieve the situation by the taking of Calais. This success was short-lived, and by the treaty of Vervins (May 2, 1597) Philip was obliged to restore Calais to France, together with the Vermandois and part of Picardy. The next year the king negotiated the marriage of his daughter Isabella with Archduke Albert. He died on September 13, 1598, before the marriage could be celebrated. Had Philip II come to this last determination willingly, the future of the Low Countries, at least of the Southern provinces, might still have been saved. But this last act of the sovereign whose rule had been so fatal to the Netherlands proved as disappointing as the others. While he wrote in the act of cession that "the greatest happiness which might occur to a country is to be governed under the eyes and in the presence of its natural prince and lord," he almost annihilated this very wise concession to Belgian aspirations by adding stringent restrictions. The inhabitants of the Low Countries were not allowed to trade with the Indies; in the eventuality of the Infanta Isabella having no children, the provinces would return to the crown. Besides, the act contained some secret clauses according to which the new sovereigns undertook to obey all orders received from Madrid and to maintain Spanish garrisons in the principal towns. The Spanish king reserved to himself the right to re-annex the Low Countries in any case, under certain circumstances.
This half-hearted arrangement, besides placing the archduke in a false position in his relations with his subjects, deprived him of all initiative in foreign matters. In fact, in spite of his sincere attempts to shake off Spanish influence, he enjoyed less independence than some former governors, like Margaret of Austria.
These secret clauses were not known to the Belgian people, and they greeted their new sovereigns with unbounded enthusiasm. Their journey from Luxemburg to Brussels, where they made their entry on September 15, 1599, was a triumphal progress. After so many years of war and foreign subjection, the Belgians believed that Albert and Isabella would bring them a much needed peace and an independence similar to that which they enjoyed under Charles V and Philip the Handsome. They considered their accession to the throne as a return to the Burgundian policy to which they had been so consistently loyal all through their struggle against Spain, and whose remembrance had done so much to separate them from the Northern provinces. On several occasions, and more especially at the time of the peace of Arras, they had expressed a wish to be governed by a prince of the blood who would be allowed to act as their independent sovereign, and they confidently imagined that this wish was going to be realized and that, under her new rulers, the country would be at last able to repair the damage caused by the war and to restore her economic prosperity.
They knew that the new régime implied the exclusion of the Protestants from the Southern provinces, but this did not cause much discontent at the time. All through the struggle the Catholics had been in great majority not only in the country but also in the principal towns, with the sole exception of Antwerp, which was the meeting-place of many refugees. Though at the time of the Pacification of Ghent a great number of citizens had adopted the new faith in order to avoid Calvinistic persecutions, they had given it up as soon as the armies of Farnese entered their towns. The sincere Protestants had been obliged to emigrate to the Northern provinces. Though the number of these emigrants has been somewhat exaggerated, they included a great many intellectuals, big traders and skilful artisans, whose loss was bound to affect the Southern provinces, as their presence was destined to benefit Holland, where the names of the Bruxellois Hans van Aerssen, the Gantois Heinsius and the Tournaisiens Jacques and Issac Lemaire are still remembered.
At the time of the arrival of Albert and Isabella in Belgium, Protestantism had practically disappeared from the towns and maintained itself only in a few remote villages, such as Dour (Hainault), Hoorebeke, Estaires (Flanders) and Hodimont (Limburg), where Protestant communities still exist to-day. Though the placards had not been abolished, they were no longer applied, and all executions had ceased. Except in case of a public manifestation causing scandal, the judges did not interfere, and even then, penalties were limited to castigation or fine.
Contrary to some popular conceptions, Protestantism was not uprooted by the violence and cruelties of the Inquisition in the Southern provinces. On the contrary, these violences, under the Duke of Alba, only contributed to extend its influence. The Calvinist excesses of 1577-79 and the leniency of Farnese did more to counteract Calvinist propaganda than the wholesale massacres organized by the Council of Blood. It was against these persecutions, not against the Catholic religion, that the Southern provinces fought throughout the period of revolution, and the breaking off of all relations with the North automatically brought to an end the influence of Calvinism.
The rapid success obtained by Farnese's policy, and the fact that his successors had no need to have recourse to violent measures, shows that Protestantism was not deeply rooted in the South and that the people would have been only too pleased to agree to its exclusion if they had obtained in exchange peace and independence. But the war went on and the archduke was compelled to remain governor for Philip III.
This became apparent immediately when, in 1600, the States General claimed a voice in the administration of the country and in the control of expenditure. They met with a curt refusal and were obliged to agree to pay a regular subsidy in place of the old "special grants." The same year, Maurice of Nassau invaded Northern Flanders in the hope of provoking a rising, but the people did not answer to his call. The Spanish, however, were defeated at the battle of Nieuport, where the archduke was severely wounded. The next year began the siege of Ostend, which had remained faithful to the United Provinces and which was easily able to receive provisions by sea. After three years of struggle, the town was obliged to surrender, thanks to the skilful operations of Ambrose Spinola, who was placed at the head of the Spanish army. After further indecisive operations, a twelve years' truce was finally declared, on April 9, 1609, between the United Provinces and Spain. Philip III virtually recognized the independence of the Republic and even allowed the Dutch merchants to trade with the West Indies, a privilege which he had refused to his own subjects in Belgium. The Southern provinces were further sacrificed by the recognition of the blockade of the Scheldt, which remained closed to all ships wishing to enter Antwerp, to the greater benefit of Dutch ports.
As soon as hostilities were resumed, in 1621, it became apparent that Philip IV would not support Belgium any more energetically than his father had done. Spinola, who had the whole responsibility of the defence of the country after the death of Archduke Albert (1621), succeeded in taking Breda (1625). With the Spanish general's disgrace, owing to a court intrigue, the armies of the United Provinces were once more successful in consolidating their situation in Northern Brabant and Limburg, which they considered as the bulwarks of their independence. Frederick Henry of Nassau, who had succeeded his brother in the command of the Republic's armies, took Bois-le-Duc in 1629, and Venloo, Ruremonde and Maestricht in 1632. He was supported, in these last operations, by Louis XIII, who, prompted by Richelieu, took this opportunity of humiliating the Hapsburg dynasty. The Spanish commander, the Marquis of Santa Cruz, proved so inefficient that some Belgian patriots tried to take matters into their own hands and to deliver their country from a foreign domination which was so fatal to its interests. It soon became clear, however, that any step taken against Spain would deliver Belgium into the hands of either the French or the Dutch. A first ill-considered and hasty attempt was made by Henry, Count of Bergh, and René de Renesse, who opened secret negotiations at The Hague with some Dutch statesmen and the French ambassador. On June 18th they attempted a rising at Liége, but were obliged to take refuge in the United Provinces. A more serious conspiracy was entered into, almost at the same time, by Count Egmont and Prince d'Epinoy, who, with some followers, formed a Walloon League. Their aim was to drive the Spaniards out of the country with the help of the French and to found a "Belgian Federative and Independent State." On being denounced to the Government, the conspirators were obliged to take flight before their plans had matured.
The fall of Maestricht had induced Isabella to assemble once more the States General. After thirty-two years' silence, the latter put forward the same grievances concerning the restoration of old privileges and the defence of the country by native troops, together with new complaints referring to the recent Spanish administration. The people had become so restless that the Marquis of Santa Cruz and Cardinal de La Cueva, the representative of Philip IV in the Low Countries, were obliged to fly from Brussels. Under pressure of public opinion, Isabella allowed the States General to send a deputation to The Hague to negotiate peace (September 17, 1632). The deputies left the town amid great rejoicings. With undaunted optimism, the Belgians hoped that where the Spanish armies had failed their representatives would be successful, and that the new negotiations would bring them at last peace and independence, for they realized that they could not obtain one without the other. According to a contemporary, they believed that they saw "the dawn of the day of peace and tranquillity after such a long and black night of evil war." But they had reckoned without the exigencies of the Dutch, whose policy was even then to secure their own safety, independence and prosperity by drastically sacrificing the interests of the Southern provinces. The delegates were met with the proposal of establishing in Belgium a Catholic Federative Republic at the price of heavy territorial concessions both to Holland and to the French. They could obtain independence, but on such conditions that they would never have been able to defend it.
The following year (1633), after the death of Isabella, Philip IV recalled the Belgian delegates. He dissolved the States General a few months later (1634). From this time to the end of the eighteenth century, during the Brabançonne revolution, the representatives of the Belgian people were no longer consulted and had no share in the central Government of Belgium.
The truce of 1609-21 was used by the Government and the people to restore as far as possible the economic prosperity of the Catholic Netherlands. The relative success with which these efforts were crowned shows that some energy was left in the country, in spite of the blockade imposed on her trade and of the emigration of some of her most prominent sons to the United Provinces. It is a common mistake to presume that, from the beginning of the seventeenth century, all economic and intellectual life left the Southern provinces and was absorbed by the Northern. The contrast was indeed striking between the young republic which was becoming the first maritime Power in Europe and the mother-country from which it had been torn, and which had ceased to occupy a prominent rank in European affairs. A medal was struck, in 1587, showing, on one side, symbols of want and misery, applied to the Catholic Netherlands, and, on the other, symbols of riches and prosperity, applied to the Northern Netherlands, whilst the inscriptions made it clear that these were the punishment of the impious and the reward of the faithful. But a careful study of the period would show that her most valuable treasure, the stubborn energy of her people, did not desert Belgium during this critical period, and that in a remarkably short time she succeeded in rebuilding her home, or at least those parts of it which she was allowed to repair.
At the end of the sixteenth century the situation, especially in Flanders and Brabant, was pitiful. The dikes were pierced, the polders were flooded and by far the greater part of the cultivated area left fallow. The amount of unclaimed land was so large in Flanders that the first new-comer was allowed to till it. Wild beasts had invaded the country, and only a mile from Ghent travellers were attacked by wolves. Bands of robbers infested the land, and in 1599 an order was issued to fell all the woods along roads and canals, in order to render travelling more secure. In Brabant, many villages had lost more than half their houses, the mills were destroyed and the flocks scattered. The conditions in several of the towns were still worse. At Ghent the famine was so acute among the poor that they even ate the garbage thrown in the streets. The population of Antwerp, from 100,000 in the fifteenth century, had fallen to 56,948 in 1645. Lille, on account of its industry, and Brussels, owing to the presence of the court, were the only centres which succeeded in maintaining their prosperity. The excesses of the foreign garrisons, often ill-paid and living on the population, added still further to the misery. The English traveller Overbury, who visited the seventeen provinces at the beginning of the truce, declared that, as soon as he had passed the frontier, he found "a Province distressed with Warre; the people heartlesse, and rather repining against their Governours, then revengefull against the Enemies, the bravery of that Gentrie which was left, and the Industry of the Merchant quite decayed; the Husbandman labouring only to live, without desire to be rich to another's use; the Townes (whatsoever concerned not the strength of them) ruinous; And to conclude, the people here growing poore with lesse taxes, then they flourish with on the States side."
The truce had declared the re-establishment of commercial liberty, but the blockade of the coast remained as stringent as ever. Flushing, Middleburg and Amsterdam had inherited the transit trade of Antwerp, now completely abandoned by foreign merchants. In 1609 only two Genoese and one merchant from Lucca remained in the place, while the last Portuguese and English were taking their departure. The Exchange was now so completely deserted that, in 1648, it was used as a library. The docks were only frequented by a few Dutch boats which brought their cargo of corn and took away manufactured articles. Any foreign boat laden for Antwerp was obliged to discharge its cargo in Zeeland, the Dutch merchant fleet monopolizing the trade of the Scheldt.
The Belgians could not alter this situation themselves. They could only appeal to Spanish help, and Spain was neither in a situation nor in a mood to help them. Most of its naval forces had been destroyed during the Armada adventure, and neither the few galleys brought by Spinola to Sluis, before the taking of this town by Maurice of Nassau (1604), nor the privateers from Dunkirk were able to do more than harass Dutch trade. With the defeat of the reorganized Spanish fleet at the Battle of the Downs, the last hope of seeing the Dutch blockade raised vanished. Not only was the Lower Scheldt firmly held, but enemy ships cruised permanently outside Ostend, Nieuport and Dunkirk. The attempts made by the Government to counter these measures by the closing of the land frontier were equally doomed to failure, since the Dutch did not depend in any way on their Belgian market, while the Belgians needed the corn imported from the Northern provinces. The extraordinary indifference of the Spanish kings to the trade of their Northern possessions is made evident by the fact that, while the treaty of 1609 allowed the Dutch to trade with the Indies, it was only thirty-one years later that the Belgians received the same permission.
Thwarted in this direction, the activity of the people and of the Government concentrated on industry and agriculture. Dikes were rebuilt, marshes drained and cattle brought into the country. Though trade had been ruined, the raw material remained. The region of Valenciennes, Tournai and Lille was the first to recover. The wool which could no longer come through Antwerp was imported from Rouen, a staple being fixed at St. Omer. In 1597 an enthusiastic contemporary compared Lille to a small Antwerp. The Walloon provinces had been less severely tried, and the coal industry, as well as the foundries, in the Meuse valley soon recovered their former activity. Tapestry-making was also resumed in Oudenarde and Brussels, copper-working in Malines, dyeing in Antwerp and linen-weaving in the Flemish country districts. But the economic upheaval caused by the civil wars had given the death-blow to the decaying town industries, paralysed by the régime of the corporations. The coppersmiths of Dinant and Namur were now completely ruined, and the cloth industry in Ghent had become so insignificant that, in 1613, the cloth hall of the town was ceded to the society of the "Fencers of St. Michael." Rural industry and capitalist organization, which had made such strides at the beginning of the sixteenth century, had now definitely superseded mediæval institutions.
It was on the same lines that the new industries which developed in the country at the time were organized by their promoters. The manufacture of silk stuffs started in Antwerp, while the State attempted the cultivation of mulberry-trees to provide raw material. Similar attention was devoted by Albert and Isabella to lace-making, which produced one of the most important articles of export. Glass furnaces were established in Ghent, Liége and Hainault, paper-works in Huy, the manufacture of iron cauldrons began in Liége, and soap factories and distilleries were set up in other places.
The solicitude of the central Government was not limited to industry. Roads and canals were repaired all over the country and new important public works were undertaken. Though the project of a Rhine-Scheldt Canal, favoured by Isabella, had to be given up owing to Dutch opposition, the canals from Bruges to Ghent (1614), from Bruges to Ostend (1624-66) and from Bruges to Ypres (1635-39) were completed at this time. Navigation on the Dendre was also improved, and it was in 1656 that the project was made to connect Brussels with the province of Hainault by a waterway. This plan was only realized a century later.
The conditions prevailing in the Catholic Low Countries during the first part of the seventeenth century were, therefore, on the whole, favourable. With regard to world trade and foreign politics the country was entirely paralysed, but the activity of the people and the solicitude of the sovereigns succeeded in realizing the economic restoration of the country as far as this restoration depended upon them. The real economic decadence of Belgium did not occur on the date of the separation, but fifty years later, during the second half of the seventeenth century, when its exports were reduced by the protective tariffs of France, when the Thirty Years' War ruined the German market and when Spain remained the only country open for its produce.
This relative prosperity extended beyond the twelve years of the truce. For, even when hostilities were resumed, they did not deeply affect the life of the nation, most of the operations being limited to the frontier. Some Belgian historians have drawn a very flattering picture of this period and extolled the personal qualities of Albert and Isabella. We must, however, realize that, in spite of the archduke's good intentions, the promises made at the peace of Arras were not kept, that the States General were only twice assembled and that all the political guarantees obtained by the patriots from Farnese were disregarded. Spanish garrisons remained in the country and the representatives of the people had no control over the expenditure. In fact, Belgium was nearer to having an absolutist monarchical régime than it had ever been before. The Council of State was only assembled to conciliate the nobility, whose loyalty was still further encouraged by the granting of honours, such as that of the Order of the Golden Fleece, and entrusting to them missions to foreign countries. The upper bourgeoisie, on the other hand, were largely permitted to enter the ranks of the nobility by receiving titles. From 1602 to 1638 no less than forty-one estates were raised to the rank of counties, marquisates and principalities, and a contemporary writer complains that "as many nobles are made now in one year as formerly in a hundred." It was among these new nobles, or would-be nobles, who constituted a class very similar to that of the English gentry of the same period, that the State recruited the officers of its army and many officials, whose loyalty was, of course, ensured.
No opposition was likely from the ranks of the clergy. The new bishoprics founded by Philip II had been reconstituted and the bishops selected by the king exercised strict discipline in their dioceses. Besides, all religious orders were now united by the necessity of opposing a common front to the attacks of the Protestants, and they felt that the fate of the religion was intimately bound up with that of the dynasty. The principle of the Divine right of Kings was opposed to the doctrine of the right of the people to choose their monarch propounded by the Monarchomaques, and Roman Catholics were, by then, attached to the monarchy just as Calvinists were attached to the Republic. The experiences of the last century prevented any return to the situation existing under Charles V, when, on certain questions, the clergy were inclined to side with the people against the prince. The close alliance of Church and State had now become an accomplished fact, and was destined to influence Belgian politics right up to modern times. The loyalty of the people was even stimulated by this alliance, the work of public charity being more and more taken from the communal authorities to be monopolized by the clergy. Attendance at church and, for children, at catechism and Sunday school was encouraged by benevolence, the distribution of prizes and small favours, while religious slackness or any revolutionary tendency implied a loss of all similar advantages. Here, again, the skilful propaganda against heresy constituted a powerful weapon in the hands of the State. It must, in all fairness, be added that charity contributed greatly to relieve the misery so widespread during the first years of the century, and that the people were genuinely grateful to such orders as the Récollets and the Capuchins, who resumed the work undertaken with such enthusiasm by the Minor Orders in the previous centuries. They visited the prisoners and the sick, sheltered the insane and the destitute, and even undertook such public duties as those of firemen. These efforts soon succeeded in obliterating the last traces of Calvinist and republican tendencies, which had never succeeded in affecting the bulk of the population.
As a modern sovereign, bent on increasing the power of the State, Archduke Albert resented the encroachments of the clergy, as Charles V had done before him. But he was as powerless to extricate himself from the circumstances which identified the interests of his internal policy with those of the Church, as to liberate himself from the severe restrictions with which the Spanish régime paralysed his initiative in foreign matters.
If it be true that the spirit of a period can best be judged by its intellectual and artistic achievements, we ought certainly to find in the pictures of Rubens (1577-1640) an adequate expression of the tendencies and aspirations of the Counter Reformation in Belgium. Compared with the religious pictures of the Van Eycks and of Van der Weyden, such works as the "Spear Thrust" (Antwerp Museum), "The Erection of the Cross" and the "Descent from the Cross" (Antwerp Cathedral) form a complete contrast. There is no trace left in them of the mystic atmosphere, the sense of repose and of the intense inner tragedy which pervade the works of the primitives. Within a century, Flemish art is completely transformed. It appeals to the senses more than to the soul, and finds greatness in the display of physical effort and majestic lines more than in any spiritual fervour. Two predominant influences contributed to bring about this extraordinary transformation—the influence of Italy and that of the Catholic Restoration, specially as expressed by the Jesuits.
While, in the fifteenth century, Art, in the Low Countries, had remained purely Flemish, or, to speak more accurately, faithful to native tendencies, all through the sixteenth century the attraction of the Italian Renaissance became more and more apparent. We know that Van der Weyden, in 1450, and Josse van Ghent, in 1468, visited Italy, but they went there more as teachers than as students. Their works were appreciated by the Italian patrons for their intense originality and for their technical perfection. Jean Gossaert, better known as Mabuse on account of his being born in Maubeuge (c. 1472), was the first of a numerous series of artists who, all through the sixteenth century, considered the imitation of the Italian art of the period as an essential condition of success. Just as the primitive National school had been patronized by the dukes of Burgundy, the Italianizants were patronized by Charles V, Margaret of Austria and Mary of Hungary. The worship of Raphael and Michael Angelo, so apparent in the paintings of Van Orley, Peter Pourbus, J. Massys and many others, marks the transition between the primitive tendencies of Van Eyck and the modern tendencies of Rubens. Both tendencies are sometimes aptly combined in their works, and their portraits, especially those of Antoine Moro, still place the Antwerp school of the sixteenth century in the forefront of European Art, but the general decadence of native inspiration is nevertheless plainly apparent. The favour shown to these painters by the governors under Charles V and Philip II is significant. Whatever their personal opinions may have been, the Italianizants adapted themselves to the pomp displayed by the Monarchists and to the modern spirit of Catholicism, as opposed to the Reformation, whose critical and satiric tendencies were expressed, to a certain extent, by realists like Jérôme Bosch (1460-1516) and Peter Breughel (c. 1525-69) who painted, at the same time, genre pictures of a popular character and who remained absolutely free from Italian influence. The same opposition which divided society and religion reflected itself in Art.
Though he succeeded in transforming their methods, Rubens is nevertheless the spiritual descendant of the Italianizants. It is from them and from his direct contact with the works of Michael Angelo and Titian that he inherits his association of spiritual sublimity with physical strength. Adopting without reserve Michael Angelo's pagan vision of Christianity, he transformed his saints and apostles into powerful heroes and endeavoured to convey the awe and majesty inspired by the Christian drama through an imposing combination of forceful lines and striking colouring.
Rubens was chosen by the Jesuits to decorate the great church they had erected in Antwerp in 1620. Such a choice at first appears strange, considering that, on several occasions, Rubens does not seem to conform to the strict rule which the powerful brotherhood succeeded in imposing on other intellectual activities. Translated into poetry, such works as the "Rape of the Daughters of Lucippus," "The Judgment of Paris," "The Progress of Silenus," would suggest a style very much akin to that of Shakespeare's Venus and Adonis, and, needless to say, would never have passed the Church's censor. For the reaction against the moral license and the intellectual liberty of the previous century was by now completed. Higher education was monopolized by the reformed University of Louvain and the new University of Douai, and no Belgian was allowed to study abroad. All traces of Humanism had disappeared from Louvain, where Justus Lipsius remained as the last representative of Renaissance tendencies strongly tempered by orthodoxy. Scientific novelties were so much distrusted that when, in 1621, Van Helmont dared to make public his observations on animal magnetism, he was denounced as a heretic and obliged to recant. For fear of exposing themselves to similar persecutions, the historians of the time confined themselves to the study of national antiquities. The theatre was confined to the representation of conventional Passions and Mysteries and to the plays produced every year by the Jesuits in their schools.
pulpit of sainte gudule, brussels.
(Eighteenth century).
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Ph. B.
As a matter of fact, the tolerance and even the encouragement granted, at the time, to an exuberant display of forms and colours and to an overloaded ornamental architecture, were not opposed to the Jesuit methods. They were determined, by all means at their disposal, to transform the Low Countries into an advance citadel of Roman Catholicism. Their policy was far more positive than negative. They were far more bent on bringing to the Church new converts and stimulating the zeal of their flock than on eradicating Protestantism. They thought that the only means to obtain such a result was to attract the people by pleasant surroundings and not to rebuke them by morose asceticism. They were the first to introduce dancing, music and games into their colleges. They organized processions and sacred pageants. They surrounded the first solemn communion with a new ceremonial. They stimulated emulation and showered prizes on all those who distinguished themselves.
Society was merely for them a larger school in which they used the same means in order to consolidate their position. During the first years of the seventeenth century, an enormous number of new churches were built. Never had architects been so busy since the time of Philip the Good. The church of Douai, erected in 1583, was a replica of the Gésù in Rome, and the general adoption of the Italian "barocco" by the Jesuits has encouraged the idea, in modern times, that there really existed a Jesuit type of architecture. The flowery ornaments on the façades of these churches, their columns, gilded torches, elaborate and heavy designs, cannot be compared to Rubens's masterpieces, but, from the point of view of propaganda, which was the only point of view that mattered, the glorious paintings of the Antwerp master fulfilled the same purpose. They rendered religion attractive to the masses, they combined with music and incense to fill the congregation with a sacred awe conducive to faith.
It ought not to be assumed, however, that the painters of the period enjoyed complete liberty of expression. If the Church showed great tolerance with regard to the choice of certain profane subjects, Christian art was directly influenced by the reforms promulgated by the Council of Trent. In a pamphlet published in 1570 by Jean Molanus, De Picturis et Imaginibus sacris, the new rules are strictly set forth. All subjects inspired by the apocryphal books and popular legends are proscribed, and even such details of treatment as the representation of St. Joseph as an old man and the removal of the lily from the hand of the Angel of the Annunciation to a vase are severely criticized. The censors of the period would have given short shrift to Memling's interpretation of St. Ursula's story and all similar legends which could not be upheld by the authority of the Acta Sanctorum. This remarkable historical work, initiated by Bollandus at the time, endeavoured to weed out from the lives of the saints most of the popular anecdotes which had inspired mediæval artists. All episodes connected with the birth and marriage of the Virgin disappeared, at the same time, from the churches. The Jesuits were stern rationalists, and, considering themselves as the defenders of a besieged fortress, were determined not to lay the Church open to attack and to remove any cause for criticism. Their point of view was entirely contrary to that of the mediæval artists. For the latter, Art sprang naturally from a fervent mysticism, just as flowers spring from the soil. Its intimate faith does not need any effort, any artifices, to make itself apparent; even secondary works retain a religious value. The sacred pictures of the seventeenth century appear, in contrast, as a gigantic and wonderful piece of religious advertisement. Based on purely pagan motives, they succeed in capturing the wandering attention on some sacred subject, by overloading it with a luxury of ornament and an exuberance of gesture unknown to the primitives. The treatment may be free, it is even necessary that it should be so in order to flatter the taste of the period, but the repertory of subjects becomes more and more limited. Brilliant colours, floating draperies, powerful draughtsmanship, become the obedient servants of a stern and dogmatic mind. The pagans exalted sensuousness, the mediæval artists magnified faith, the artists of the Counter-Reformation used all the means of the former to reach the aim of the latter "ad majorem Dei gloriam."