SUNSET FROM GRAND VIEW, GRAND CANYON NATIONAL PARK
From a photograph copyright by Fred Harvey

SUNSET FROM GRAND VIEW, GRAND CANYON NATIONAL PARK
All the strata from the rim to the river may be seen in this picture

After all, if only one day is possible, it is the wise decision. With the rim road, over which various drives are scheduled, and several commanding points to whose precipices one may walk, it will be a day to remember for a lifetime. One should not attempt too much in this one day. It is enough to sit in the presence of the spectacle. Fortunate is he who may stay another day and descend the trail into the streets of this vast city; many times fortunate he who may live a little amid its glories.

Because of this general habit of "seeing" the Grand Canyon between sunrise and sunset, the admirable hotel accommodations are not extensive, but sufficient. There are cottage accommodations also at cheaper rates. Hotels and cottages are well patronized summer and winter. Upon the rim are unique rest-houses, in one of which is a high-power telescope. There is a memorial altar to John Wesley Powell, the first explorer of the canyon. There is an excellent reproduction of a Hopi house. There is an Indian camp. The day's wanderer upon the rim will not lack entertainment when his eyes turn for rest from the chasm.

From the hotel, coaches make regular trips daily to various viewpoints. Hopi Point, Mohave Point, Yavapai Point, and Grandeur Point may all be visited; the run of eight miles along the famous Hermit Rim Road permits brief stops at Hopi, Mohave, and Pima Points. Automobiles also make regular runs to the gorgeous spectacle from Grand View. Still more distant points may be made in private or hired cars. Navajo Point offers unequalled views up and down the full length of the canyon, and an automobile-road will bring the visitor within easy reach of Bass Camp near Havasupai Point in the far west of the reservation.

Many one-day visitors take none of these stage and automobile trips, contented to dream the hours away upon Yavapai or Hopi Points near by. After all, it is just as well. A single viewpoint cannot be mastered in one's first day, so what's the use of others? On the other hand, seeing the same view from different viewpoints miles apart will enrich and elaborate it. Besides, one should see many views in order to acquire some conception, however small, of the intricacy and grandeur of the canyon. Besides, these trips help to rest the eyes and mind. It is hard indeed to advise the unlucky one-day visitor. It is as if a dyspeptic should lead you to an elaborate banquet of a dozen courses, and say: "I have permission to eat three bites. Please help me choose them."

Wherever he stands upon the rim the appalling silence hushes the voice to whispers. No cathedral imposes stillness so complete. It is sacrilege to speak, almost to move. And yet the Grand Canyon is a moving picture. It changes every moment. Always shadows are disappearing here, appearing there; shortening here, lengthening there. With every passing hour it becomes a different thing. It is a sun-dial of monumental size.

In the early morning the light streams down the canyon from the east. Certain promontories shoot miles into the picture, gleaming in vivid color, backed by dark shadows. Certain palaces and temples stand in magnificent relief. The inner gorge is brilliantly outlined in certain places. As the day advances these prominences shift positions; some fade; some disappear; still others spring into view.

As midday approaches the shadows fade; the promontories flatten; the towering edifices move bodily backward and merge themselves in the opposite rim. There is a period of several hours when the whole canyon has become a solid wall; strata fail to match; eye and mind become confused; comprehension is baffled by the tangle of disconnected bands of color; the watcher is distressed by an oppressive sense of helplessness.

It is when afternoon is well advanced that the magician sun begins his most astonishing miracles in the canyon's depths. Out from the blazing wall, one by one, step the mighty obelisks and palaces, defined by ever-changing shadows. Unsuspected promontories emerge, undreamed-of gulfs sink back in the perspective. The serpentine gorge appears here, fades there, seems almost to move in the slow-changing shadows. I shall not try even to suggest the soul-uplifting spectacle which culminates in sunset.

Days may be spent upon the rim in many forms of pleasure; short camping trips may be made to distant points.

The descent into the canyon is usually made from El Tovar down the Bright Angel Trail, so called because it faces the splendid Bright Angel Canyon of the north side, and by the newer Hermit Trail which starts a few miles west. There are trails at Grand View, eight miles east, and at Bass Camp, twenty-four miles west of El Tovar, which are seldom used now. All go to the bottom of the Granite Gorge. The commonly used trails may be travelled afoot by those physically able, and on mule-back by any person of any age who enjoys ordinary health. The Bright Angel trip returns the traveller to the rim at day's end. The Hermit Trail trip camps him overnight on the floor of the canyon at the base of a magic temple. The finest trip of all takes him down the Hermit Trail, gives him a night in the depths, and returns him to the rim by the Bright Angel Trail. Powell named Bright Angel Creek during that memorable first passage through the Canyon. He had just named a muddy creek Dirty Devil, which suggested, by contrast, the name of Bright Angel for a stream so pure and sparkling.

The Havasupai Indian reservation may be visited in the depths of Cataract Canyon by following the trail from Bass Camp.

The first experience usually noted in the descent is the fine quality of the trail, gentle in slope and bordered by rock on the steep side. The next experience is the disappearance of the straight uncompromising horizon of the opposite rim, which is a distinctive feature of every view from above. As soon as the descent fairly begins, even the smaller bluffs and promontories assume towering proportions, and, from the Tonto floor, the mighty elevations of Cheops, Isis, Zoroaster, Shiva, Wotan, and the countless other temples of the abyss become mountains of enormous height.

CAMPING PARTY ON THE SOUTH RIM
From a photograph copyright by Fred Harvey

CAMPING PARTY ON THE SOUTH RIM
This is within a few hundred feet of the Grand Canyon abyss


DOWN HERMIT TRAIL FROM RIM TO RIVER
From a photograph copyright by Fred Harvey

DOWN HERMIT TRAIL FROM RIM TO RIVER
Grand Canyon National Park

From the river's side the elevations of the Granite Gorge present a new series of precipitous towers, back of which in places loom the tops of the painted palaces, and back of them, from occasional favored view-spots, the far-distant rim. Here, and here only, does the Grand Canyon reveal the fulness of its meaning.

IV

The Grand Canyon was discovered in 1540 by El Tovar, one of the captains of Cardenas, in charge of one of the expeditions of the Spanish explorer, Diaz, who was hunting for seven fabled cities of vast wealth. "They reached the banks of a river which seemed to be more than three or four leagues above the stream that flowed between them." It was seen in 1776 by a Spanish priest who sought a crossing and found one at a point far above the canyon; this still bears the name Vado de los Padres.

By 1840 it was probably known to the trappers who overran the country. In 1850 Lieutenant Whipple, surveying for a Pacific route, explored the Black Canyon and ascended the Grand Canyon to Diamond Creek.

In 1857 Lieutenant Ives, sent by the War Department to test the navigability of the Colorado, ascended as far as the Virgin River in a steamboat which he had shipped in pieces from Philadelphia. From there he entered the Grand Canyon afoot, climbed to the rim, and, making a detour, encountered the river again higher up. In 1867 James White was picked up below the Virgin River lashed to floating logs. He said that his hunting-party near the head of the Colorado River, attacked by Indians, had escaped upon a raft. This presently broke up in the rapids and his companions were lost. He lashed himself to the wreckage and was washed through the Grand Canyon.

About this time Major John Wesley Powell, a school-teacher who had lost an arm in the Civil War, determined to explore the great canyons of the Green and Colorado Rivers. Besides the immense benefit to science, the expedition promised a great adventure. Many lives had been lost in these canyons and wonderful were the tales told concerning them. Indians reported that huge cataracts were hidden in their depths and that in one place the river swept through an underground passage.

Nevertheless, with the financial backing of the State institutions of Illinois and the Chicago Academy of Science, Powell got together a party of ten men with four open boats, provisions for ten months, and all necessary scientific instruments. He started above the canyons of the Green River on May 24, 1869.

There are many canyons on the Green and Colorado Rivers. They vary in length from eight to a hundred and fifty miles, with walls successively rising from thirteen hundred to thirty-five hundred feet in height. The climax of all, the Grand Canyon, is two hundred and seventeen miles long, with walls six thousand feet in height.

THROUGH THE GRANITE GORGE SURGES THE MUDDY COLORADO
From a photograph by A.J. Baker

THROUGH THE GRANITE GORGE SURGES THE MUDDY COLORADO

WHEN MORNING MISTS LIFT FROM THE DEPTHS OF THE GRAND CANYON
From a photograph by Fred Harvey

WHEN MORNING MISTS LIFT FROM THE DEPTHS OF THE GRAND CANYON

On August 17, when Powell and his adventurers reached the Grand Canyon, their rations had been reduced by upsets and other accidents to enough musty flour for ten days, plenty of coffee, and a few dried apples. The bacon had spoiled. Most of the scientific instruments were in the bottom of the river. One boat was destroyed. The men were wet to the skin and unable to make a fire. In this plight they entered the Grand Canyon, somewhere in whose depths a great cataract had been reported.

The story of the passage is too long to tell here. Chilled, hungry, and worn, they struggled through it. Often they were obliged to let their boats down steep rapids by ropes, and clamber after them along the slippery precipices. Often there was nothing to do but to climb into their boats and run down long foaming slants around the corners of which death, perhaps, awaited. Many times they were upset and barely escaped with their lives. With no wraps or clothing that were not soaked with water, there were nights when they could not sleep for the cold.

So the days passed and the food lessened to a few handfuls of wet flour. The dangers increased; some falls were twenty feet in height. Finally three of the men determined to desert; they believed they could climb the walls and that their chances would be better with the Indians than with the canyon. Powell endeavored to dissuade them, but they were firm. He offered to divide his flour with them, but this they refused.

These men, two Howlands, brothers, and William Dunn, climbed the canyon walls and were killed by Indians. Two or three days later Powell and the rest of his party emerged below the Grand Canyon, where they found food and safety.

Taught by the experience of this great adventure, Powell made a second trip two years later which was a scientific achievement. Later on he became Director of the United States Geological Survey.

Since then, the passage of the Grand Canyon has been made several times. R.B. Stanton made it in 1889 in the course of a survey for a proposed railroad through the canyon; one of the leaders of the party was drowned.

V

The history of the Grand Canyon has been industriously collected. It remains for others to gather the legends. It is enough here to quote from Powell the Indian story of its origin.

"Long ago," he writes, "there was a great and wise chief who mourned the death of his wife, and would not be comforted until Tavwoats, one of the Indian gods, came to him and told him his wife was in a happier land, and offered to take him there that he might see for himself, if, upon his return, he would cease to mourn. The great chief promised. Then Tavwoats made a trail through the mountains that intervene between that beautiful land, the balmy region of the great West, and this, the desert home of the poor Numa. This trail was the canyon gorge of the Colorado. Through it he led him; and when they had returned the deity exacted from the chief a promise that he would tell no one of the trail. Then he rolled a river into the gorge, a mad, raging stream, that should engulf any that might attempt to enter thereby."

VI

The bill creating the Grand Canyon National Park passed Congress early in 1919, and was signed by President Wilson on February 26. This closed an intermittent campaign of thirty-three years, begun by President Harrison, then senator from Indiana, in January, 1886, to make a national park of the most stupendous natural spectacle in the world. Politics, private interests, and the deliberation of governmental procedure were the causes of delay. A self-evident proposition from the beginning, it illustrates the enormous difficulties which confront those who labor to develop our national-parks system. The story is worth the telling.

Senator Harrison's bill of 1886 met an instant response from the whole nation. It called for a national park fifty-six miles long and sixty-nine miles wide. There was opposition from Arizona and the bill failed. In 1893 the Grand Canyon National Forest was created. In 1898, depredations and unlawful seizures of land having been reported, the Secretary of the Interior directed the Land-Office to prepare a new national-park bill. In 1899 the Land-Office reported that the bill could not be drawn until the region was surveyed. It took the Geological Survey five years to make the survey. The bill was not prepared because meantime it was discovered that the Atlantic and Pacific Railroad, now the Santa Fé, owned rights which first must be eliminated.

Failing to become a national park, President Roosevelt proclaimed the Grand Canyon a national monument in 1908. In 1909 a bill was introduced entitling Ralph H. Cameron to build a scenic railway along the canyon rim, which created much adverse criticism and failed. In 1910 the American Scenic and Historic Preservation Society proposed a bill to create the Grand Canyon a national park of large size. The Geological Survey, to which it was referred, recommended a much smaller area. By the direction of President Taft, Senator Flint introduced a national-park bill which differed from both suggestions. The opposition of grazing interests threw it into the hands of conferees. In 1911 Senator Flint introduced the conferees' bill, but it was opposed by private interests and failed.

Meantime the country became aroused. Patriotic societies petitioned for a national park, and the National Federation of Women's Clubs began an agitation. The Department of the Interior prepared a map upon which to base a bill, and for several years negotiated with the Forest Service, which administered the Grand Canyon as a national monument, concerning boundaries. Finally the boundaries were reduced to little more than the actual rim of the canyon, and a bill was prepared which Senator Ashurst introduced in February, 1917. It failed in committee in the House owing to opposition from Arizona. It was the same bill, again introduced by Senator Ashurst in the new Congress two months later, which finally passed the House and became a law in 1919; but it required a favoring resolution by the Arizona legislature to pave the way.

Meantime many schemes were launched to utilize the Grand Canyon for private gain. It was plastered thickly with mining claims, though the Geological Survey showed that it contained no minerals worth mining; mining claims helped delay. Schemers sought capital to utilize its waters for power. Railroads were projected. Plans were drawn to run sightseeing cars across it on wire cables. These were the interests, and many others, which opposed the national park.


XVII

THE RAINBOW OF THE DESERT

Zion National Monument, Southern Utah. Area, 120 Square Miles

When, in the seventies, Major J.W. Powell, the daring adventurer of the Grand Canyon, faced Salt Lake City on his return from one of his notable geological explorations of the southwest, he laid his course by a temple of rock "lifting its opalescent shoulders against the eastern sky." His party first sighted it across seventy miles of a desert which "rose in a series of Cyclopean steps." When, climbing these, they had seen the West Temple of the Virgin revealed in the glory of vermilion body and shining white dome, and had gazed between the glowing Gates of Little Zion into the gorgeous valley within, these scenery-sated veterans of the Grand Canyon and the Painted Desert passed homeward profoundly impressed and planning quick return.

No wonder that Brigham Young, who had visited it many years before with a party of Mormons seeking a refuge in event of Indian raids or of exile from their Zion, Salt Lake City, had looked upon its glory as prophetic, and named it Little Zion.

Geologists found the spot a fruitful field of study. They found it also a masterpiece of desert beauty.

"Again we are impressed with the marvellous beauty of outline, the infinite complication of these titanic buttes," wrote F.S. Dellenbaugh, topographer of the Powell party, on his second visit. "It is doubtful if in this respect the valley has its equal. Not even the Grand Canyon offers a more varied spectacle; yet all is welded together in a superb ensemble."

"Nothing can exceed the wondrous beauty of Little Zion Canyon," wrote C.E. Dutton. "In its proportions it is about equal to Yosemite, but in the nobility and beauty of its sculptures there is no comparison. It is Hyperion to a Satyr. No wonder the fierce Mormon zealot who named it was reminded of the Great Zion on which his fervid thoughts were bent, of 'houses not built with hands, eternal in the heavens.'"

And Doctor G.K. Gilbert, whose intimate study of its recesses has become a geological classic, declared it "the most wonderful defile" that it had been even his experienced fortune to behold.

Technical literature contains other outbursts of enthusiastic admiration, some of eloquence, hidden, however, among pages so incomprehensible to the average lover of the sublime in Nature that the glory of Little Zion was lost in its very discovery. So remote did it lie from the usual lines of travel and traffic that, though its importance resulted in its conservation as a national monument in 1909, it was six or seven years more before its fame as a spectacle of the first order began to get about. The tales of adventurous explorers, as usual, were discounted. It was not until agencies seeking new tourist attractions sent parties to verify reports that the public gaze was centred upon the canyon's supreme loveliness.

To picture Zion one must recall that the great plateau in which the Virgin River has sunk these canyons was once enormously higher than now. The erosion of hundreds of thousands, or, if you please, millions of years, has cut down and still is cutting down the plateau. These "Cyclopean steps," each step the thickness of a stratum or a series of strata of hardened sands, mark progressive stages in the decomposition of the whole.

Little Zion Canyon is an early stage in Nature's process of levelling still another sandstone step, that is all; this one fortunately of many gorgeous hues. From the top of this layer we may look down thousands of vertical feet into the painted canyon whose river still is sweeping out the sands that Nature chisels from the cliffs; or from the canyon's bottom we may look up thousands of feet to the cliffed and serrated top of the doomed plateau. These ornate precipices were carved by trickling water and tireless winds. These fluted and towered temples of master decoration were disclosed when watery chisels cut away the sands that formerly had merged them with the ancient rock, just as the Lion of Lucerne was disclosed for the joy of the world when Thorwaldsen's chisel chipped away the Alpine rock surrounding its unformed image.

The colors are even more extraordinary than the forms. The celebrated Vermilion Cliff, which for more than a hundred miles streaks the desert landscape with vivid red, here combines spectacularly with the White Cliff, another famous desert feature—two thousand feet of the red surmounted by a thousand feet of the white. These constitute the body of color.

But there are other colors. The Vermilion Cliff rests upon the so-called Painted Desert stratum, three hundred and fifty feet of a more insistent red relieved by mauve and purple shale. That in turn rests upon a hundred feet of brown conglomerate streaked with gray, the grave of reptiles whose bones have survived a million years or more. And that rests upon the greens and grays and yellows of the Belted Shales.

Nor is this all, for far in the air above the wonderful White Cliff rise in places six hundred feet of drab shales and chocolate limestones intermixed with crimsons whose escaping dye drips in broad vertical streaks across the glistening white. And even above that, in places, lie remnants of the mottled, many-colored beds of St. Elmo shales and limestones in whose embrace, a few hundred miles away, lie embedded the bones of many monster dinosaurs of ages upon ages ago.

Through these successive layers of sands and shales and limestones, the deposits of a million years of earth's evolution, colored like a Roman sash, glowing in the sun like a rainbow, the Virgin River has cut a vertical section, and out of its sides the rains of centuries of centuries have detached monster monoliths and temples of marvellous size and fantastic shape, upon whose many-angled surfaces water and wind have sculptured ten thousand fanciful designs and decorations.

The way in to this desert masterpiece of southern Utah is a hundred miles of progressive preparation. From railroad to canyon there is not an unuseful mile or hour. It is as if all were planned, step by step, to make ready the mind of the traveller to receive the revelation with fullest comprehension.

To one approaching who does not know the desert, the motion-picture on the screen of the car-window is exciting in its mystery. These vast arid bottomlands of prehistoric Lake Bonneville, girded by mountain groups and ranges as arid as the sands from which they lift their tawny sides, provoke suggestive questions of the past.

THE WESTERN TEMPLE THE EASTERN TEMPLE OUTLINES
THE WESTERN TEMPLE   THE EASTERN TEMPLE

OUTLINES OF THE WESTERN AND EASTERN TEMPLES, ZION NATIONAL MONUMENT
From drawings by William H. Holmes

In this receptive mood the traveller reaches Lund and an automobile. The ride to Cedar City, where he spends the night, shows him the sage-dotted desert at close range. His horizon is one of bare, rugged mountains. In front of him rise the "Cyclopean steps" in long, irregular, deeply indented sweeps. The vivid Pink Cliff, which, had it not long since been washed away from Little Zion, would have added another tier of color to its top, here, on the desert, remains a distant horizon. The road climbs Lake Bonneville's southern shore, and, at Cedar City, reaches the glorified sandstones.

From Cedar City to the canyon one sweeps through Mormon settlements founded more than sixty years ago, a region of stream-watered valleys known of old as Dixie. The road is part of the Arrowhead Trail, once in fact a historic trail, now a motor-highway between Salt Lake and Los Angeles. The valleys bloom. Pomegranates, figs, peaches, apricots, melons, walnuts, and almonds reach a rare perfection. Cotton, which Brigham Young started here as an experiment in 1861, is still grown. Lusty cottonwood-trees line the banks of the little rivers. Cedars dot the valleys and cover thickly the lower hills. And everywhere, on every side, the arid cliffs close in. The Pink Cliff has been left behind, but the Vermilion Cliff constantly appears. The White Cliff enters and stays. Long stretches of road overlie one and another colored stratum; presently the ground is prevailingly red, with here and there reaches of mauve, yellow, green, and pink.

Cedar City proves to be a quaint, straggling Mormon village with a touch of modern enterprise; south of Cedar City the villages lack the enterprise. The houses are of a gray composition resembling adobe, and many of them are half a century old and more. Dilapidated square forts, reminders of pioneer struggles with the Indians, are seen here and there. Compact Mormon churches are in every settlement, however small. The men are bearded, coatless, and wear baggy trousers, suggestive of Holland. Bronzed and deliberate women, who drive teams and work the fields with the men, wear old-fashioned sunbonnets. Many of these people have never seen a railroad-train. Newspapers are scarce and long past date. Here Mormonism of the older fashion is a living religion, affecting the routine of daily life.

Dixie is a land of plenty, but it is a foreign land. It is reminiscent, with many differences, of an Algerian oasis. The traveller is immensely interested. Somehow these strange primitive villages, these simple, earnest, God-fearing people, merge into unreality with the desert, the sage-dotted mountains, the cedar-covered slopes, the blooming valleys, the colored sands, and the vivid cliffs.

Through Bellevue, Toquerville, the ruins of Virgin City, Rockville, and finally to Springdale winds the road. Meantime the traveller has speeded south under the Hurricane Cliff, which is the ragged edge left when all the land west of it sank two thousand feet during some geologic time long past. He reaches the Virgin River where it emerges from the great cliffs in whose recesses it is born, and whence it carries in its broad muddy surge the products of their steady disintegration.

From here on, swinging easterly up-stream, sensation hastens to its climax. Here the Hurricane Cliff sends aloft an impressive butte painted in slanting colors and capped with black basalt. Farther on a rugged promontory striped with vivid tints pushes out from the southern wall nearly to the river's brink. The cliffs on both sides of the river are carved from the stratum which geologists call the Belted Shales. Greenish-grays, brownish-yellows, many shades of bright red, are prominent; it is hard to name a color or shade which is not represented in its horizontal bands. "The eye tires and the mind flags in their presence," writes Professor Willis T. Lee. "To try to realize in an hour's time the beauty and variety of detail here presented is as useless as to try to grasp the thoughts expressed in whole rows of volumes by walking through a library."

Far up the canyon which North Creek pushes through this banded cliff, two towering cones of glistening white are well named Guardian Angels—of the stream which roars between their feet. Eagle Crag, which Moran painted, looms into view. On the south appears the majestic massing of needle-pointed towers which Powell named the Pinnacles of the Virgin. The spectacular confuses with its brilliant variations.

At the confluence of the Virgin River and its North Fork, known of old as the Parunuweap and the Mukuntuweap, the road sweeps northward up the Mukuntuweap. There have been differing reports of the meaning of this word, which gave the original name to the national monument. It has been popularly accepted as meaning "Land of God," but John R. Wallis, of St. George, Utah, has traced it to its original Indian source. Mukuntuweap, he writes, means "Land of the Springs," and Parunuweap "Land of the Birds."

Reaching Springdale, at the base of the Vermilion Cliff, the traveller looks up-stream to the valley mouth through which the river emerges from the cliffs, and a spectacle without parallel meets his eye. Left of the gorgeous entrance rises the unbelievable West Temple of the Virgin, and, merging with it from behind, loom the lofty Towers of the Virgin. Opposite these, and back from the canyon's eastern brink, rises the loftier and even more majestic East Temple of the Virgin. Between them he sees a perspective of red and white walls, domes, and pinnacles which thrills him with expectation.

And so, fully prepared in mind and spirit, awed and exultant, he enters Zion.

Few natural objects which have been described so seldom have provoked such extravagant praise as the West Temple. It is seen from a foreground of gliding river, cottonwood groves, and talus slopes dotted with manzanita, sage, cedars, and blooming cactus. From a stairway of mingled yellows, reds, grays, mauves, purples, and chocolate brown, it springs abruptly four thousand feet. Its body is a brilliant red. Its upper third is white. It has the mass and proportions, the dignity and grandeur, of a cathedral. It is supremely difficult to realize that it was not designed, so true to human conception are the upright form and mass of its central structure, the proportioning and modelling of its extensive wings and buttresses. On top of the lofty central rectangle rests, above its glistening white, a low squared cap of deepest red. It is a temple in the full as well as the noblest sense of the word.

The East Temple, which rises directly opposite and two miles back from the rim, is a fitting companion. It is a thousand feet higher. Its central structure is a steep truncated cone capped like the West Temple. Its wings are separated half-way down, one an elongated pyramid and the other a true cone, both of magnificent size and bulk but truly proportioned to the central mass. Phrase does not convey the suggestion of architectural calculation in both of these stupendous monuments. One can easily believe that the Mormon prophet in naming them saw them the designed creations of a personal deity.

A more definite conception of Nature's gigantic processes follows upon realization that these lofty structures once joined across the canyon, stratum for stratum, color for color. The rock that joined them, disintegrated by the frosts and rains, has passed down the muddy current of the Virgin, down the surging tide of the Colorado, through the Grand Canyon, and into the Pacific. Some part of these sands doubtless helped to build the peninsula of Lower California.

Passing the gates the traveller stands in a trench of nearly perpendicular sides more than half a mile deep, half a mile wide at the bottom, a mile wide from crest to crest. The proportions and measurements suggest Yosemite, but there is little else in common. These walls blaze with color. On the west the Streaked Wall, carved from the White Cliff, is stained with the drip from the red and drab and chocolate shales and limestones not yet wholly washed from its top. It is a vivid thing, wonderfully eroded. Opposite is the Brown Wall, rich in hue, supporting three stupendous structures of gorgeous color, two of which are known as the Mountain of the Sun and the Watchman. Together they are the Sentinels. Passing these across a plaza apparently broadened for their better presentation rise on the west the Three Patriarchs, Yosemite-like in form, height, and bulk, but not in personality or color. The brilliance of this wonder-spot passes description.

Here the canyon contracts, and we come to the comfortable hotel-camp, terminal of the automobile journey. It is on the river side in a shady alcove of the east wall near a spring. Here horses may be had for exploration.

A mile above the camp stands one of the most remarkable monoliths of the region. El Gobernador is a colossal truncated dome, red below and white above. The white crown is heavily marked in two directions, suggesting the web and woof of drapery. Directly opposite, a lesser monolith, nevertheless gigantic, is suggestively if sentimentally called Angel's Landing. A natural bridge which is still in Nature's workshop is one of the interesting spectacles of this vicinity. Its splendid arch is fully formed, but the wall against which it rests its full length remains, broken through in one spot only. How many thousands or hundreds of thousands of years will be required to wipe away the wall and leave the bridge complete is for those to guess who will.

EL GOBERNADOR, ZION NATIONAL MONUMENT
From a photograph by Douglas White

EL GOBERNADOR, ZION NATIONAL MONUMENT
Three thousand feet high; the lower two thousand feet is a brilliant red, the upper thousand feet is white

Here also is the valley end of a wire cable which passes upward twenty-five hundred feet to cross a break in the wall to a forest on the mesa's top. Lumber is Dixie's most hardly furnished need. For years sawn timbers have been cabled down into the valley and carted to the villages of the Virgin River.

In some respects the most fascinating part of Little Zion is still beyond. A mile above El Gobernador the river swings sharply west and doubles on itself. Raspberry Bend is far nobler than its name implies, and the Great Organ which the river here encircles exacts no imaginative effort. Beyond this the canyon narrows rapidly. The road has long since stopped, and soon the trail stops. Presently the river, now a shrunken stream, concealing occasional quicksands, offers the only footing. The walls are no less lofty, no less richly colored, and the weary traveller works his difficult way forward.

There will come a time if he persists when he may stand at the bottom of a chasm more than two thousand feet deep and, nearly touching the walls on either side, look up and see no sky.

"At the water's edge the walls are perpendicular," writes Doctor G.K. Gilbert, of the U.S. Geological Survey, who first described it, "but in the deeper parts they open out toward the top. As we entered and found our outlook of sky contracted—as we had never before seen it between canyon cliffs—I measured the aperture above, and found it thirty-five degrees. We had thought this a minimum, but soon discovered our error. Nearer and nearer the walls approached, and our strip of blue narrowed down to twenty degrees, then ten, and at last was even intercepted by the overhanging rocks. There was, perhaps, no point from which, neither forward nor backward, could we discover a patch of sky, but many times our upward view was completely cut off by the interlocking of the walls, which, remaining nearly parallel to each other, warped in and out as they ascended."

Here he surprises the secret of the making of Zion.

"As a monument of denudation, this chasm is an example of downward erosion by sand-bearing water. The principle on which the cutting depends is almost identical with that of the marble saw, but the sand grains, instead of being embedded in rigid iron, are carried by a flexible stream of water. By gravity they have been held against the bottom of the cut, so that they should make it vertical, but the current has carried them, in places, against one side or the other, and so far modified the influence of gravity that the cut undulates somewhat in its vertical section, as well as in its horizontal."

ZION CANYON FROM THE RIM
From a photograph by the U.S. Geological Survey

ZION CANYON FROM THE RIM

THE THREE PATRIARCHS, ZION CANYON THE THREE PATRIARCHS, ZION CANYON
These red-and-white structures rise more than two thousand feet above the canyon floor

This, then, is how Nature began, on the original surface of the plateau, perhaps with the output of a spring shower, to dig this whole mighty spectacle for our enjoyment to-day. We may go further. We may imagine the beginning of the titanic process that dug the millions of millions of chasms, big and little, contributing to the mighty Colorado, that dug the Grand Canyon itself, that reduced to the glorified thing it now is the enormous plateau of our great southwest, which would have been many thousands of feet higher than the highest pinnacle of Little Zion had not erosion more than counteracted the uplifting of the plateau.

Little else need be said to complete this picture. The rains and melting snows of early spring produce mesa-top torrents which pour into the valley and hasten for a period the processes of decorating the walls and levelling the plateau. So it happens that waterfalls of power and beauty then enrich this wondrous spectacle. But this added beauty is not for the tourist, who may come in comfort only after its disappearance.

But springs are many. Trickling from various levels in the walls, they develop new tributary gorges. Gushing from the foundations, they create alcoves and grottos which are in sharp contrast with their desert environment, enriching by dampness the colors of the sandstone and decorating these refreshment-places with trailing ferns and flowering growths. In these we see the origin of the Indian name, Mukuntuweap, Land of the Springs.

The Indians, however, always stood in awe of Little Zion. They entered it, but feared the night.

In 1918 President Wilson changed the name from Mukuntuweap to Zion. At the same time he greatly enlarged the reservation. Zion National Monument now includes a large area of great and varied desert magnificence, including the sources and canyons of two other streams besides Mukuntuweap.


XVIII

HISTORIC MONUMENTS OF THE SOUTHWEST

Eleven national monuments in the States of Arizona, New Mexico, and Colorado illustrate the history of our southwest from the times when prehistoric man dwelt in caves hollowed in desert precipices down through the Spanish fathers' centuries of self-sacrifice and the Spanish explorers' romantic search for the Quivira and the Seven Cities of Cibola.

The most striking feature of the absorbing story of the Spanish occupation is its twofold inspiration. Hand in hand the priest and the soldier boldly invaded the desert. The passion of the priest was the saving of souls, and the motive of the soldier was the greed of gold. The priest deprecated the soldier; the soldier despised the priest. Each used the other for the realization of his own purposes. The zealous priest, imposing his religion upon the shrinking Indian, did not hesitate to invoke the soldier's aid for so holy a purpose; the soldier used the gentle priest to cloak the greedy business of wringing wealth from the frugal native. Together, they hastened civilization.

Glancing for a moment still further back, the rapacious hordes already had gutted the rich stores of Central America and the northern regions of South America. The rush of the lustful conqueror was astonishingly swift. Columbus himself was as eager for gold as he was zealous for religion. From the discovery of America scarcely twenty years elapsed before Spanish armies were violently plundering the Caribbean Islands, ruthlessly subjugating Mexico, overrunning Venezuela, and eagerly seeking tidings of the reputed wealth of Peru. The air was supercharged with reports of treasure, and no reports were too wild for belief; myths, big and little, ran amuck. El Dorado, the gilded man of rumor, became the dream, then the belief, of the times; presently a whole nation was conceived clothed in dusted gold. The myth of the Seven Cities of Cibola, each a city of vast treasure, the growth of years of rumor, seems to have perfected itself back home in Spain. The twice-born myth of Quivira, city of gold, which cost thousands of lives and hundreds of thousands of Spanish ducats, lives even to-day in remote neighborhoods of the southwest.

Pizarro conquered Peru in 1526; by 1535, with the south looted, Spanish eyes looked longingly northward. In 1539 Fray Marcos, a Franciscan, made a reconnaissance from the Spanish settlements of Sonora into Arizona with the particular purpose of locating the seven cities. The following year Coronado, at his own expense, made the most romantic exploration in human history. Spanish expectation may be measured by the cost of this and its accompanying expedition by sea to the Gulf of California, the combined equipment totalling a quarter million dollars of American money of to-day. Coronado took two hundred and sixty horsemen, sixty foot-soldiers, and more than a thousand Indians. Besides his pack-animals he led a thousand spare horses to carry home the loot.

He sought the seven cities in Arizona and New Mexico, and found the pueblo of Zuñi, prosperous but lacking its expected hoard of gold; he crossed Colorado in search of Quivira and found it in Kansas, a wretched habitation of a shiftless tribe; their houses straw, he reported, their clothes the hides of cows, meaning bison. He entered Nebraska in search of the broad river whose shores were lined with gold—the identical year, curiously, in which De Soto discovered the Mississippi. Many were the pueblos he visited and many his adventures and perils; but the only treasure he brought back was his record of exploration.

This was the first of more than two centuries of Spanish expeditions. Fifty years after Coronado, the myth of Quivira was born again; thereafter it wandered homeless, the inspiration of constant search, and finally settled in the ruins of the ancient pueblo of Tabirá, or, as Bandelier has it, Teypaná, New Mexico; the myth of the seven cities never wholly perished.

It is not my purpose to follow the fascinating fortunes of Spanish proselyting and conquest. I merely set the stage for the tableaux of the national monuments.

I

The Spaniards found our semiarid southwest dotted thinly with the pueblos and its canyons hung with the cliff-dwellings of a large and fairly prosperous population of peace-loving Indians, who hunted the deer and the antelope, fished the rivers, and dry-farmed the mesas and valleys. Not so advanced in the arts of civilization as the people of the Mesa Verde, in Colorado, nevertheless their sense of form was patent in their architecture, and their family life, government, and religion were highly organized. They were worshippers of the sun. Each pueblo and outlying village was a political unit.

Let us first consider those national monuments which touch intimately the Spanish occupation.

Gran Quivira National Monument

Eighty miles southeast of Albuquerque, in the hollow of towering desert ranges, lies the arid country which Indian tradition calls the Accursed Lakes. Here, at the points of a large triangle, sprawl the ruins of three once flourishing pueblo cities, Abo, Cuaray, and Tabirá. Once, says tradition, streams flowed into lakes inhabited by great fish, and the valleys bloomed; it was an unfaithful wife who brought down the curse of God.

When the Spaniards came these cities were at the flood-tide of prosperity. Their combined population was large. Tabirá was chosen as the site of the mission whose priests should trudge the long desert trails and minister to all.

Undoubtedly, it was one of the most important of the early Spanish missions. The greater of the two churches was built of limestone, its outer walls six feet thick. It was a hundred and forty feet long and forty-eight feet wide. The present height of the walls is twenty-five feet.

The ancient community building adjoining the church, the main pueblo of Tabirá, has the outlines which are common to the prehistoric pueblos of the entire southwest and persist in general features in modern Indian architecture. The rooms are twelve to fifteen feet square, with ceilings eight or ten feet high. Doors connect the rooms, and the stories, of which there are three, are connected by ladders through trapdoors. It probably held a population of fifteen hundred. The pueblo has well stood the rack of time; the lesser buildings outside it have been reduced to mounds.

The people who built and inhabited these cities of the Accursed Lakes were of the now extinct Piro stock. The towns were discovered in 1581 by Francisco Banchez de Chamuscado. The first priest assigned to the field was Fray Francisco de San Miguel, this in 1598. The mission of Tabirá was founded by Francisco de Acevedo about 1628. The smaller church was built then; the great church was built in 1644, but was never fully finished. Between 1670 and 1675 all three native cities and their Spanish churches were wiped out by Apaches.

Charles F. Lummis, from whom some of these historical facts are quoted, has been at great pains to trace the wanderings of the Quivira myth. Bandelier mentions an ancient New Mexican Indian called Tio Juan Largo, who told a Spanish explorer about the middle of the eighteenth century that Quivira was Tabirá. Otherwise history is silent concerning the process by which the myth finally settled upon that historic city, far indeed from its authentic home in what now is Kansas. The fact stands, however, that as late as the latter half of the eighteenth century the name Tabirá appeared on the official map of New Mexico. When and how this name was lost and the famous ruined city with its Spanish churches accepted as Gran Quivira perhaps never will be definitely known.

"Mid-ocean is not more lonesome than the plains, nor night so gloomy as that dumb sunlight," wrote Lummis in 1893, approaching the Gran Quivira across the desert. "The brown grass is knee-deep, and even this shock gives a surprise in this hoof-obliterated land. The bands of antelope that drift, like cloud shadows, across the dun landscape suggest less of life than of the supernatural. The spell of the plains is a wondrous thing. At first it fascinates. Then it bewilders. At last it crushes. It is intangible but resistless; stronger than hope, reason, will—stronger than humanity. When one cannot otherwise escape the plains, one takes refuge in madness."

This is the setting of the "ghost city" of "ashen hues," that "wraith in pallid stone," the Gran Quivira.

El Morro National Monument

Due west from Albuquerque, New Mexico, not far from the Arizona boundary, El Morro National Monument conserves a mesa end of striking beauty upon whose cliffs are graven many inscriptions cut in passing by the Spanish and American explorers of more than two centuries. It is a historical record of unique value, the only extant memoranda of several expeditions, an invaluable detail in the history of many. It has helped trace obscure courses and has established important departures. To the tourist it brings home, as nothing else can, the realization of these grim romances of other days.

El Morro, the castle, is also called Inscription Rock. West of its steepled front, in the angle of a sharp bend in the mesa, is a large partly enclosed natural chamber, a refuge in storm. A spring here betrays the reason for El Morro's popularity among the explorers of a semidesert region. The old Zuñi trail bent from its course to touch this spring. Inscriptions are also found near the spring and on the outer side of the mesa facing the Zuñi Road.

For those acquainted with the story of Spanish exploration this national monument will have unique interest. To all it imparts a fascinating sense of the romance of those early days with which the large body of Americans have yet to become familiar. The popular story of this romantic period of American history, its poetry and its fiction remain to be written.

The oldest inscription is dated February 18, 1526. The name of Juan de Oñate, later founder of Santa Fé, is there under date of 1606, the year of his visit to the mouth of the Colorado River. One of the latest Spanish inscriptions is that of Don Diego de Vargas, who in 1692 reconquered the Indians who rebelled against Spanish authority in 1680.

The reservation also includes several important community houses of great antiquity, one of which perches safely upon the very top of El Morro rock.

Casa Grande National Monument

In the far south of Arizona not many miles north of the boundary of Sonora, there stands, near the Gila River, the noble ruin which the Spaniards call Casa Grande, or Great House. It was a building of large size situated in a compound of outlying buildings enclosed in a rectangular wall; no less than three other similar compounds and four detached clan houses once stood in the near neighborhood. Evidently, in prehistoric days, this was an important centre of population; remains of an irrigation system are still visible.