Miss Isabella Bird (Mrs. Bishop), authoress of Unbeaten Tracks in Japan, well describes the impression produced on the spectator by the Daibutsus, or colossal images of Buddha, so common in Japan:—“He is not sleeping, he is not waking, he is not acting, he is not thinking, his consciousness is doubtful; he exists,—that is all; his work is done, a hazy beatitude, a negation remain. This is the Nirvana in which the devout Buddhist may aspire to participate.”
The Daibutsu at Kamakura, of which an illustration is given opposite, is one of the largest in Japan. It is fifty feet high, and, as a work of art, is without a rival. The boss protruding from the forehead is supposed to represent a jewel, and to symbolize Illumination.