If old Jolyon, as he got into his cab, had said: 'I won't believe a word of it!' he would more truthfully have expressed his sentiments.
The notion that James and his womankind had seen him in the company of his son had awakened in him not only the impatience he always felt when crossed, but that secret hostility natural between brothers, the roots of which—little nursery rivalries—sometimes toughen and deepen as life goes on, and, all hidden, support a plant capable of producing in season the bitterest fruits.
Hitherto there had been between these six brothers no more unfriendly feeling than that caused by the secret and natural doubt that the others might be richer than themselves; a feeling increased to the pitch of curiosity by the approach of death—that end of all handicaps—and the great 'closeness' of their man of business, who, with some sagacity, would profess to Nicholas ignorance of James' income, to James ignorance of old Jolyon's, to Jolyon ignorance of Roger's, to Roger ignorance of Swithin's, while to Swithin he would say most irritatingly that Nicholas must be a rich man. Timothy alone was exempt, being in gilt-edged securities.
But now, between two of them at least, had arisen a very different sense of injury. From the moment when James had the impertinence to pry into his affairs—as he put it—old Jolyon no longer chose to credit this story about Bosinney. His grand-daughter slighted through a member of 'that fellow's' family! He made up his mind that Bosinney was maligned. There must be some other reason for his defection.
June had flown out at him, or something; she was as touchy as she could be!
He would, however, let Timothy have a bit of his mind, and see if he would go on dropping hints! And he would not let the grass grow under his feet either, he would go there at once, and take very good care that he didn't have to go again on the same errand.
He saw James' carriage blocking the pavement in front of 'The Bower.' So they had got there before him—cackling about having seen him, he dared say! And further on, Swithin's greys were turning their noses towards the noses of James' bays, as though in conclave over the family, while their coachmen were in conclave above.
Old Jolyon, depositing his hat on the chair in the narrow hall, where that hat of Bosinney's had so long ago been mistaken for a cat, passed his thin hand grimly over his face with its great drooping white moustaches, as though to remove all traces of expression, and made his way upstairs.
He found the front drawing-room full. It was full enough at the best of times—without visitors—without any one in it—for Timothy and his sisters, following the tradition of their generation, considered that a room was not quite 'nice' unless it was 'properly' furnished. It held, therefore, eleven chairs, a sofa, three tables, two cabinets, innumerable knicknacks, and part of a large grand piano. And now, occupied by Mrs. Small, Aunt Hester, by Swithin, James, Rachel, Winifred, Euphemia, who had come in again to return 'Passion and Paregoric' which she had read at lunch, and her chum Frances, Roger's daughter (the musical Forsyte, the one who composed songs), there was only one chair left unoccupied, except, of course, the two that nobody ever sat on—and the only standing room was occupied by the cat, on whom old Jolyon promptly stepped.
In these days it was by no means unusual for Timothy to have so many visitors. The family had always, one and all, had a real respect for Aunt Ann, and now that she was gone, they were coming far more frequently to The Bower, and staying longer.
Swithin had been the first to arrive, and seated torpid in a red satin chair with a gilt back, he gave every appearance of lasting the others out. And symbolizing Bosinney's name 'the big one,' with his great stature and bulk, his thick white hair, his puffy immovable shaven face, he looked more primeval than ever in the highly upholstered room.
His conversation, as usual of late, had turned at once upon Irene, and he had lost no time in giving Aunts Juley and Hester his opinion with regard to this rumour he heard was going about. No—as he said—she might want a bit of flirtation—a pretty woman must have her fling; but more than that he did not believe. Nothing open; she had too much good sense, too much proper appreciation of what was due to her position, and to the family! No sc—, he was going to say 'scandal' but the very idea was so preposterous that he waved his hand as though to say—'but let that pass!'
Granted that Swithin took a bachelor's view of the situation—still what indeed was not due to that family in which so many had done so well for themselves, had attained a certain position? If he had heard in dark, pessimistic moments the words 'yeomen' and 'very small beer' used in connection with his origin, did he believe them?
No! he cherished, hugging it pathetically to his bosom the secret theory that there was something distinguished somewhere in his ancestry.
“Must be,” he once said to young Jolyon, before the latter went to the bad. “Look at us, we've got on! There must be good blood in us somewhere.”
He had been fond of young Jolyon: the boy had been in a good set at College, had known that old ruffian Sir Charles Fiste's sons—a pretty rascal one of them had turned out, too; and there was style about him—it was a thousand pities he had run off with that half-foreign governess! If he must go off like that why couldn't he have chosen someone who would have done them credit! And what was he now?—an underwriter at Lloyd's; they said he even painted pictures—pictures! Damme! he might have ended as Sir Jolyon Forsyte, Bart., with a seat in Parliament, and a place in the country!
It was Swithin who, following the impulse which sooner or later urges thereto some member of every great family, went to the Heralds' Office, where they assured him that he was undoubtedly of the same family as the well-known Forsites with an 'i,' whose arms were 'three dexter buckles on a sable ground gules,' hoping no doubt to get him to take them up.
Swithin, however, did not do this, but having ascertained that the crest was a 'pheasant proper,' and the motto 'For Forsite,' he had the pheasant proper placed upon his carriage and the buttons of his coachman, and both crest and motto on his writing-paper. The arms he hugged to himself, partly because, not having paid for them, he thought it would look ostentatious to put them on his carriage, and he hated ostentation, and partly because he, like any practical man all over the country, had a secret dislike and contempt for things he could not understand he found it hard, as anyone might, to swallow 'three dexter buckles on a sable ground gules.'
He never forgot, however, their having told him that if he paid for them he would be entitled to use them, and it strengthened his conviction that he was a gentleman. Imperceptibly the rest of the family absorbed the 'pheasant proper,' and some, more serious than others, adopted the motto; old Jolyon, however, refused to use the latter, saying that it was humbug meaning nothing, so far as he could see.
Among the older generation it was perhaps known at bottom from what great historical event they derived their crest; and if pressed on the subject, sooner than tell a lie—they did not like telling lies, having an impression that only Frenchmen and Russians told them—they would confess hurriedly that Swithin had got hold of it somehow.
Among the younger generation the matter was wrapped in a discretion proper. They did not want to hurt the feelings of their elders, nor to feel ridiculous themselves; they simply used the crest....
“No,” said Swithin, “he had had an opportunity of seeing for himself, and what he should say was, that there was nothing in her manner to that young Buccaneer or Bosinney or whatever his name was, different from her manner to himself; in fact, he should rather say....” But here the entrance of Frances and Euphemia put an unfortunate stop to the conversation, for this was not a subject which could be discussed before young people.
And though Swithin was somewhat upset at being stopped like this on the point of saying something important, he soon recovered his affability. He was rather fond of Frances—Francie, as she was called in the family. She was so smart, and they told him she made a pretty little pot of pin-money by her songs; he called it very clever of her.
He rather prided himself indeed on a liberal attitude towards women, not seeing any reason why they shouldn't paint pictures, or write tunes, or books even, for the matter of that, especially if they could turn a useful penny by it; not at all—kept them out of mischief. It was not as if they were men!
'Little Francie,' as she was usually called with good-natured contempt, was an important personage, if only as a standing illustration of the attitude of Forsytes towards the Arts. She was not really 'little,' but rather tall, with dark hair for a Forsyte, which, together with a grey eye, gave her what was called 'a Celtic appearance.' She wrote songs with titles like 'Breathing Sighs,' or 'Kiss me, Mother, ere I die,' with a refrain like an anthem:
She wrote the words to them herself, and other poems. In lighter moments she wrote waltzes, one of which, the 'Kensington Coil,' was almost national to Kensington, having a sweet dip in it.
It was very original. Then there were her 'Songs for Little People,' at once educational and witty, especially 'Gran'ma's Porgie,' and that ditty, almost prophetically imbued with the coming Imperial spirit, entitled 'Black Him In His Little Eye.'
Any publisher would take these, and reviews like 'High Living,' and the 'Ladies' Genteel Guide' went into raptures over: 'Another of Miss Francie Forsyte's spirited ditties, sparkling and pathetic. We ourselves were moved to tears and laughter. Miss Forsyte should go far.'
With the true instinct of her breed, Francie had made a point of knowing the right people—people who would write about her, and talk about her, and people in Society, too—keeping a mental register of just where to exert her fascinations, and an eye on that steady scale of rising prices, which in her mind's eye represented the future. In this way she caused herself to be universally respected.
Once, at a time when her emotions were whipped by an attachment—for the tenor of Roger's life, with its whole-hearted collection of house property, had induced in his only daughter a tendency towards passion—she turned to great and sincere work, choosing the sonata form, for the violin. This was the only one of her productions that troubled the Forsytes. They felt at once that it would not sell.
Roger, who liked having a clever daughter well enough, and often alluded to the amount of pocket-money she made for herself, was upset by this violin sonata.
“Rubbish like that!” he called it. Francie had borrowed young Flageoletti from Euphemia, to play it in the drawing-room at Prince's Gardens.
As a matter of fact Roger was right. It was rubbish, but—annoying! the sort of rubbish that wouldn't sell. As every Forsyte knows, rubbish that sells is not rubbish at all—far from it.
And yet, in spite of the sound common sense which fixed the worth of art at what it would fetch, some of the Forsytes—Aunt Hester, for instance, who had always been musical—could not help regretting that Francie's music was not 'classical'. the same with her poems. But then, as Aunt Hester said, they didn't see any poetry nowadays, all the poems were 'little light things.'
There was nobody who could write a poem like 'Paradise Lost,' or 'Childe Harold'. either of which made you feel that you really had read something. Still, it was nice for Francie to have something to occupy her; while other girls were spending money shopping she was making it!
And both Aunt Hester and Aunt Juley were always ready to listen to the latest story of how Francie had got her price increased.
They listened now, together with Swithin, who sat pretending not to, for these young people talked so fast and mumbled so, he never could catch what they said.
“And I can't think,” said Mrs. Septimus, “how you do it. I should never have the audacity!”
Francie smiled lightly. “I'd much rather deal with a man than a woman. Women are so sharp!”
“My dear,” cried Mrs. Small, “I'm sure we're not.”
Euphemia went off into her silent laugh, and, ending with the squeak, said, as though being strangled: “Oh, you'll kill me some day, auntie.”
Swithin saw no necessity to laugh; he detested people laughing when he himself perceived no joke. Indeed, he detested Euphemia altogether, to whom he always alluded as 'Nick's daughter, what's she called—the pale one?' He had just missed being her god-father—indeed, would have been, had he not taken a firm stand against her outlandish name. He hated becoming a godfather. Swithin then said to Francie with dignity: “It's a fine day—er—for the time of year.” But Euphemia, who knew perfectly well that he had refused to be her godfather, turned to Aunt Hester, and began telling her how she had seen Irene—Mrs. Soames—at the Church and Commercial Stores.
“And Soames was with her?” said Aunt Hester, to whom Mrs. Small had as yet had no opportunity of relating the incident.
“Soames with her? Of course not!”
“But was she all alone in London?”
“Oh, no; there was Mr. Bosinney with her. She was perfectly dressed.”
But Swithin, hearing the name Irene, looked severely at Euphemia, who, it is true, never did look well in a dress, whatever she may have done on other occasions, and said:
“Dressed like a lady, I've no doubt. It's a pleasure to see her.”
At this moment James and his daughters were announced. Dartie, feeling badly in want of a drink, had pleaded an appointment with his dentist, and, being put down at the Marble Arch, had got into a hansom, and was already seated in the window of his club in Piccadilly.
His wife, he told his cronies, had wanted to take him to pay some calls. It was not in his line—not exactly. Haw!
Hailing the waiter, he sent him out to the hall to see what had won the 4.30 race. He was dog-tired, he said, and that was a fact; had been drivin' about with his wife to 'shows' all the afternoon. Had put his foot down at last. A fellow must live his own life.
At this moment, glancing out of the bay window—for he loved this seat whence he could see everybody pass—his eye unfortunately, or perhaps fortunately, chanced to light on the figure of Soames, who was mousing across the road from the Green Park-side, with the evident intention of coming in, for he, too, belonged to 'The Iseeum.'
Dartie sprang to his feet; grasping his glass, he muttered something about 'that 4.30 race,' and swiftly withdrew to the card-room, where Soames never came. Here, in complete isolation and a dim light, he lived his own life till half past seven, by which hour he knew Soames must certainly have left the club.
It would not do, as he kept repeating to himself whenever he felt the impulse to join the gossips in the bay-window getting too strong for him—it absolutely would not do, with finances as low as his, and the 'old man' (James) rusty ever since that business over the oil shares, which was no fault of his, to risk a row with Winifred.
If Soames were to see him in the club it would be sure to come round to her that he wasn't at the dentist's at all. He never knew a family where things 'came round' so. Uneasily, amongst the green baize card-tables, a frown on his olive coloured face, his check trousers crossed, and patent-leather boots shining through the gloom, he sat biting his forefinger, and wondering where the deuce he was to get the money if Erotic failed to win the Lancashire Cup.
His thoughts turned gloomily to the Forsytes. What a set they were! There was no getting anything out of them—at least, it was a matter of extreme difficulty. They were so d—-d particular about money matters; not a sportsman amongst the lot, unless it were George. That fellow Soames, for instance, would have a fit if you tried to borrow a tenner from him, or, if he didn't have a fit, he looked at you with his cursed supercilious smile, as if you were a lost soul because you were in want of money.
And that wife of his (Dartie's mouth watered involuntarily), he had tried to be on good terms with her, as one naturally would with any pretty sister-in-law, but he would be cursed if the (he mentally used a coarse word)—would have anything to say to him—she looked at him, indeed, as if he were dirt—and yet she could go far enough, he wouldn't mind betting. He knew women; they weren't made with soft eyes and figures like that for nothing, as that fellow Soames would jolly soon find out, if there were anything in what he had heard about this Buccaneer Johnny.
Rising from his chair, Dartie took a turn across the room, ending in front of the looking-glass over the marble chimney-piece; and there he stood for a long time contemplating in the glass the reflection of his face. It had that look, peculiar to some men, of having been steeped in linseed oil, with its waxed dark moustaches and the little distinguished commencements of side whiskers; and concernedly he felt the promise of a pimple on the side of his slightly curved and fattish nose.
In the meantime old Jolyon had found the remaining chair in Timothy's commodious drawing-room. His advent had obviously put a stop to the conversation, decided awkwardness having set in. Aunt Juley, with her well-known kindheartedness, hastened to set people at their ease again.
“Yes, Jolyon,” she said, “we were just saying that you haven't been here for a long time; but we mustn't be surprised. You're busy, of course? James was just saying what a busy time of year....”
“Was he?” said old Jolyon, looking hard at James. “It wouldn't be half so busy if everybody minded their own business.”
James, brooding in a small chair from which his knees ran uphill, shifted his feet uneasily, and put one of them down on the cat, which had unwisely taken refuge from old Jolyon beside him.
“Here, you've got a cat here,” he said in an injured voice, withdrawing his foot nervously as he felt it squeezing into the soft, furry body.
“Several,” said old Jolyon, looking at one face and another; “I trod on one just now.”
A silence followed.
Then Mrs. Small, twisting her fingers and gazing round with 'pathetic calm', asked: “And how is dear June?”
A twinkle of humour shot through the sternness of old Jolyon's eyes. Extraordinary old woman, Juley! No one quite like her for saying the wrong thing!
“Bad!” he said; “London don't agree with her—too many people about, too much clatter and chatter by half.” He laid emphasis on the words, and again looked James in the face.
Nobody spoke.
A feeling of its being too dangerous to take a step in any direction, or hazard any remark, had fallen on them all. Something of the sense of the impending, that comes over the spectator of a Greek tragedy, had entered that upholstered room, filled with those white-haired, frock-coated old men, and fashionably attired women, who were all of the same blood, between all of whom existed an unseizable resemblance.
Not that they were conscious of it—the visits of such fateful, bitter spirits are only felt.
Then Swithin rose. He would not sit there, feeling like that—he was not to be put down by anyone! And, manoeuvring round the room with added pomp, he shook hands with each separately.
“You tell Timothy from me,” he said, “that he coddles himself too much!” Then, turning to Francie, whom he considered 'smart,' he added: “You come with me for a drive one of these days.” But this conjured up the vision of that other eventful drive which had been so much talked about, and he stood quite still for a second, with glassy eyes, as though waiting to catch up with the significance of what he himself had said; then, suddenly recollecting that he didn't care a damn, he turned to old Jolyon: “Well, good-bye, Jolyon! You shouldn't go about without an overcoat; you'll be getting sciatica or something!” And, kicking the cat slightly with the pointed tip of his patent leather boot, he took his huge form away.
When he had gone everyone looked secretly at the others, to see how they had taken the mention of the word 'drive'—the word which had become famous, and acquired an overwhelming importance, as the only official—so to speak—news in connection with the vague and sinister rumour clinging to the family tongue.
Euphemia, yielding to an impulse, said with a short laugh: “I'm glad Uncle Swithin doesn't ask me to go for drives.”
Mrs. Small, to reassure her and smooth over any little awkwardness the subject might have, replied: “My dear, he likes to take somebody well dressed, who will do him a little credit. I shall never forget the drive he took me. It was an experience!” And her chubby round old face was spread for a moment with a strange contentment; then broke into pouts, and tears came into her eyes. She was thinking of that long ago driving tour she had once taken with Septimus Small.
James, who had relapsed into his nervous brooding in the little chair, suddenly roused himself: “He's a funny fellow, Swithin,” he said, but in a half-hearted way.
Old Jolyon's silence, his stern eyes, held them all in a kind of paralysis. He was disconcerted himself by the effect of his own words—an effect which seemed to deepen the importance of the very rumour he had come to scotch; but he was still angry.
He had not done with them yet—No, no—he would give them another rub or two.
He did not wish to rub his nieces, he had no quarrel with them—a young and presentable female always appealed to old Jolyon's clemency—but that fellow James, and, in a less degree perhaps, those others, deserved all they would get. And he, too, asked for Timothy.
As though feeling that some danger threatened her younger brother, Aunt Juley suddenly offered him tea: “There it is,” she said, “all cold and nasty, waiting for you in the back drawing room, but Smither shall make you some fresh.”
Old Jolyon rose: “Thank you,” he said, looking straight at James, “but I've no time for tea, and—scandal, and the rest of it! It's time I was at home. Good-bye, Julia; good-bye, Hester; good-bye, Winifred.”
Without more ceremonious adieux, he marched out.
Once again in his cab, his anger evaporated, for so it ever was with his wrath—when he had rapped out, it was gone. Sadness came over his spirit. He had stopped their mouths, maybe, but at what a cost! At the cost of certain knowledge that the rumour he had been resolved not to believe was true. June was abandoned, and for the wife of that fellow's son! He felt it was true, and hardened himself to treat it as if it were not; but the pain he hid beneath this resolution began slowly, surely, to vent itself in a blind resentment against James and his son.
The six women and one man left behind in the little drawing-room began talking as easily as might be after such an occurrence, for though each one of them knew for a fact that he or she never talked scandal, each one of them also knew that the other six did; all were therefore angry and at a loss. James only was silent, disturbed, to the bottom of his soul.
Presently Francie said: “Do you know, I think Uncle Jolyon is terribly changed this last year. What do you think, Aunt Hester?”
Aunt Hester made a little movement of recoil: “Oh, ask your Aunt Julia!” she said; “I know nothing about it.”
No one else was afraid of assenting, and James muttered gloomily at the floor: “He's not half the man he was.”
“I've noticed it a long time,” went on Francie; “he's aged tremendously.”
Aunt Juley shook her head; her face seemed suddenly to have become one immense pout.
“Poor dear Jolyon,” she said, “somebody ought to see to it for him!”
There was again silence; then, as though in terror of being left solitarily behind, all five visitors rose simultaneously, and took their departure.
Mrs. Small, Aunt Hester, and their cat were left once more alone, the sound of a door closing in the distance announced the approach of Timothy.
That evening, when Aunt Hester had just got off to sleep in the back bedroom that used to be Aunt Juley's before Aunt Juley took Aunt Ann's, her door was opened, and Mrs. Small, in a pink night-cap, a candle in her hand, entered: “Hester!” she said. “Hester!”
Aunt Hester faintly rustled the sheet.
“Hester,” repeated Aunt Juley, to make quite sure that she had awakened her, “I am quite troubled about poor dear Jolyon. What,” Aunt Juley dwelt on the word, “do you think ought to be done?”
Aunt Hester again rustled the sheet, her voice was heard faintly pleading: “Done? How should I know?”
Aunt Juley turned away satisfied, and closing the door with extra gentleness so as not to disturb dear Hester, let it slip through her fingers and fall to with a 'crack.'
Back in her own room, she stood at the window gazing at the moon over the trees in the Park, through a chink in the muslin curtains, close drawn lest anyone should see. And there, with her face all round and pouting in its pink cap, and her eyes wet, she thought of 'dear Jolyon,' so old and so lonely, and how she could be of some use to him; and how he would come to love her, as she had never been loved since—since poor Septimus went away.
Roger's house in Prince's Gardens was brilliantly alight. Large numbers of wax candles had been collected and placed in cut-glass chandeliers, and the parquet floor of the long, double drawing-room reflected these constellations. An appearance of real spaciousness had been secured by moving out all the furniture on to the upper landings, and enclosing the room with those strange appendages of civilization known as 'rout' seats. In a remote corner, embowered in palms, was a cottage piano, with a copy of the 'Kensington Coil' open on the music-stand.
Roger had objected to a band. He didn't see in the least what they wanted with a band; he wouldn't go to the expense, and there was an end of it. Francie (her mother, whom Roger had long since reduced to chronic dyspepsia, went to bed on such occasions), had been obliged to content herself with supplementing the piano by a young man who played the cornet, and she so arranged with palms that anyone who did not look into the heart of things might imagine there were several musicians secreted there. She made up her mind to tell them to play loud—there was a lot of music in a cornet, if the man would only put his soul into it.
In the more cultivated American tongue, she was 'through' at last—through that tortuous labyrinth of make-shifts, which must be traversed before fashionable display can be combined with the sound economy of a Forsyte. Thin but brilliant, in her maize-coloured frock with much tulle about the shoulders, she went from place to place, fitting on her gloves, and casting her eye over it all.
To the hired butler (for Roger only kept maids) she spoke about the wine. Did he quite understand that Mr. Forsyte wished a dozen bottles of the champagne from Whiteley's to be put out? But if that were finished (she did not suppose it would be, most of the ladies would drink water, no doubt), but if it were, there was the champagne cup, and he must do the best he could with that.
She hated having to say this sort of thing to a butler, it was so infra dig.; but what could you do with father? Roger, indeed, after making himself consistently disagreeable about the dance, would come down presently, with his fresh colour and bumpy forehead, as though he had been its promoter; and he would smile, and probably take the prettiest woman in to supper; and at two o'clock, just as they were getting into the swing, he would go up secretly to the musicians and tell them to play 'God Save the Queen,' and go away.
Francie devoutly hoped he might soon get tired, and slip off to bed.
The three or four devoted girl friends who were staying in the house for this dance had partaken with her, in a small, abandoned room upstairs, of tea and cold chicken-legs, hurriedly served; the men had been sent out to dine at Eustace's Club, it being felt that they must be fed up.
Punctually on the stroke of nine arrived Mrs. Small alone. She made elaborate apologies for the absence of Timothy, omitting all mention of Aunt Hester, who, at the last minute, had said she could not be bothered. Francie received her effusively, and placed her on a rout seat, where she left her, pouting and solitary in lavender-coloured satin—the first time she had worn colour since Aunt Ann's death.
The devoted maiden friends came now from their rooms, each by magic arrangement in a differently coloured frock, but all with the same liberal allowance of tulle on the shoulders and at the bosom—for they were, by some fatality, lean to a girl. They were all taken up to Mrs. Small. None stayed with her more than a few seconds, but clustering together talked and twisted their programmes, looking secretly at the door for the first appearance of a man.
Then arrived in a group a number of Nicholases, always punctual—the fashion up Ladbroke Grove way; and close behind them Eustace and his men, gloomy and smelling rather of smoke.
Three or four of Francie's lovers now appeared, one after the other; she had made each promise to come early. They were all clean-shaven and sprightly, with that peculiar kind of young-man sprightliness which had recently invaded Kensington; they did not seem to mind each other's presence in the least, and wore their ties bunching out at the ends, white waistcoats, and socks with clocks. All had handkerchiefs concealed in their cuffs. They moved buoyantly, each armoured in professional gaiety, as though he had come to do great deeds. Their faces when they danced, far from wearing the traditional solemn look of the dancing Englishman, were irresponsible, charming, suave; they bounded, twirling their partners at great pace, without pedantic attention to the rhythm of the music.
At other dancers they looked with a kind of airy scorn—they, the light brigade, the heroes of a hundred Kensington 'hops'—from whom alone could the right manner and smile and step be hoped.
After this the stream came fast; chaperones silting up along the wall facing the entrance, the volatile element swelling the eddy in the larger room.
Men were scarce, and wallflowers wore their peculiar, pathetic expression, a patient, sourish smile which seemed to say: “Oh, no! don't mistake me, I know you are not coming up to me. I can hardly expect that!” And Francie would plead with one of her lovers, or with some callow youth: “Now, to please me, do let me introduce you to Miss Pink; such a nice girl, really!” and she would bring him up, and say: “Miss Pink—Mr. Gathercole. Can you spare him a dance?” Then Miss Pink, smiling her forced smile, colouring a little, answered: “Oh! I think so!” and screening her empty card, wrote on it the name of Gathercole, spelling it passionately in the district that he proposed, about the second extra.
But when the youth had murmured that it was hot, and passed, she relapsed into her attitude of hopeless expectation, into her patient, sourish smile.
Mothers, slowly fanning their faces, watched their daughters, and in their eyes could be read all the story of those daughters' fortunes. As for themselves, to sit hour after hour, dead tired, silent, or talking spasmodically—what did it matter, so long as the girls were having a good time! But to see them neglected and passed by! Ah! they smiled, but their eyes stabbed like the eyes of an offended swan; they longed to pluck young Gathercole by the slack of his dandified breeches, and drag him to their daughters—the jackanapes!
And all the cruelties and hardness of life, its pathos and unequal chances, its conceit, self-forgetfulness, and patience, were presented on the battle-field of this Kensington ball-room.
Here and there, too, lovers—not lovers like Francie's, a peculiar breed, but simply lovers—trembling, blushing, silent, sought each other by flying glances, sought to meet and touch in the mazes of the dance, and now and again dancing together, struck some beholder by the light in their eyes.
Not a second before ten o'clock came the Jameses—Emily, Rachel, Winifred (Dartie had been left behind, having on a former occasion drunk too much of Roger's champagne), and Cicely, the youngest, making her debut; behind them, following in a hansom from the paternal mansion where they had dined, Soames and Irene.
All these ladies had shoulder-straps and no tulle—thus showing at once, by a bolder exposure of flesh, that they came from the more fashionable side of the Park.
Soames, sidling back from the contact of the dancers, took up a position against the wall. Guarding himself with his pale smile, he stood watching. Waltz after waltz began and ended, couple after couple brushed by with smiling lips, laughter, and snatches of talk; or with set lips, and eyes searching the throng; or again, with silent, parted lips, and eyes on each other. And the scent of festivity, the odour of flowers, and hair, of essences that women love, rose suffocatingly in the heat of the summer night.
Silent, with something of scorn in his smile, Soames seemed to notice nothing; but now and again his eyes, finding that which they sought, would fix themselves on a point in the shifting throng, and the smile die off his lips.
He danced with no one. Some fellows danced with their wives; his sense of 'form' had never permitted him to dance with Irene since their marriage, and the God of the Forsytes alone can tell whether this was a relief to him or not.
She passed, dancing with other men, her dress, iris-coloured, floating away from her feet. She danced well; he was tired of hearing women say with an acid smile: “How beautifully your wife dances, Mr. Forsyte—it's quite a pleasure to watch her!” Tired of answering them with his sidelong glance: “You think so?”
A young couple close by flirted a fan by turns, making an unpleasant draught. Francie and one of her lovers stood near. They were talking of love.
He heard Roger's voice behind, giving an order about supper to a servant. Everything was very second-class! He wished that he had not come! He had asked Irene whether she wanted him; she had answered with that maddening smile of hers “Oh, no!”
Why had he come? For the last quarter of an hour he had not even seen her. Here was George advancing with his Quilpish face; it was too late to get out of his way.
“Have you seen 'The Buccaneer'.” said this licensed wag; “he's on the warpath—hair cut and everything!”
Soames said he had not, and crossing the room, half-empty in an interval of the dance, he went out on the balcony, and looked down into the street.
A carriage had driven up with late arrivals, and round the door hung some of those patient watchers of the London streets who spring up to the call of light or music; their faces, pale and upturned above their black and rusty figures, had an air of stolid watching that annoyed Soames. Why were they allowed to hang about; why didn't the bobby move them on?
But the policeman took no notice of them; his feet were planted apart on the strip of crimson carpet stretched across the pavement; his face, under the helmet, wore the same stolid, watching look as theirs.
Across the road, through the railings, Soames could see the branches of trees shining, faintly stirring in the breeze, by the gleam of the street lamps; beyond, again, the upper lights of the houses on the other side, so many eyes looking down on the quiet blackness of the garden; and over all, the sky, that wonderful London sky, dusted with the innumerable reflection of countless lamps; a dome woven over between its stars with the refraction of human needs and human fancies—immense mirror of pomp and misery that night after night stretches its kindly mocking over miles of houses and gardens, mansions and squalor, over Forsytes, policemen, and patient watchers in the streets.
Soames turned away, and, hidden in the recess, gazed into the lighted room. It was cooler out there. He saw the new arrivals, June and her grandfather, enter. What had made them so late? They stood by the doorway. They looked fagged. Fancy Uncle Jolyon turning out at this time of night! Why hadn't June come to Irene, as she usually did, and it occurred to him suddenly that he had seen nothing of June for a long time now.
Watching her face with idle malice, he saw it change, grow so pale that he thought she would drop, then flame out crimson. Turning to see at what she was looking, he saw his wife on Bosinney's arm, coming from the conservatory at the end of the room. Her eyes were raised to his, as though answering some question he had asked, and he was gazing at her intently.
Soames looked again at June. Her hand rested on old Jolyon's arm; she seemed to be making a request. He saw a surprised look on his uncle's face; they turned and passed through the door out of his sight.
The music began again—a waltz—and, still as a statue in the recess of the window, his face unmoved, but no smile on his lips, Soames waited. Presently, within a yard of the dark balcony, his wife and Bosinney passed. He caught the perfume of the gardenias that she wore, saw the rise and fall of her bosom, the languor in her eyes, her parted lips, and a look on her face that he did not know. To the slow, swinging measure they danced by, and it seemed to him that they clung to each other; he saw her raise her eyes, soft and dark, to Bosinney's, and drop them again.
Very white, he turned back to the balcony, and leaning on it, gazed down on the Square; the figures were still there looking up at the light with dull persistency, the policeman's face, too, upturned, and staring, but he saw nothing of them. Below, a carriage drew up, two figures got in, and drove away....
That evening June and old Jolyon sat down to dinner at the usual hour. The girl was in her customary high-necked frock, old Jolyon had not dressed.
At breakfast she had spoken of the dance at Uncle Roger's, she wanted to go; she had been stupid enough, she said, not to think of asking anyone to take her. It was too late now.
Old Jolyon lifted his keen eyes. June was used to go to dances with Irene as a matter of course! and deliberately fixing his gaze on her, he asked: “Why don't you get Irene?”
No! June did not want to ask Irene; she would only go if—if her grandfather wouldn't mind just for once for a little time!
At her look, so eager and so worn, old Jolyon had grumblingly consented. He did not know what she wanted, he said, with going to a dance like this, a poor affair, he would wager; and she no more fit for it than a cat! What she wanted was sea air, and after his general meeting of the Globular Gold Concessions he was ready to take her. She didn't want to go away? Ah! she would knock herself up! Stealing a mournful look at her, he went on with his breakfast.
June went out early, and wandered restlessly about in the heat. Her little light figure that lately had moved so languidly about its business, was all on fire. She bought herself some flowers. She wanted—she meant to look her best. He would be there! She knew well enough that he had a card. She would show him that she did not care. But deep down in her heart she resolved that evening to win him back. She came in flushed, and talked brightly all lunch; old Jolyon was there, and he was deceived.
In the afternoon she was overtaken by a desperate fit of sobbing. She strangled the noise against the pillows of her bed, but when at last it ceased she saw in the glass a swollen face with reddened eyes, and violet circles round them. She stayed in the darkened room till dinner time.
All through that silent meal the struggle went on within her.
She looked so shadowy and exhausted that old Jolyon told 'Sankey' to countermand the carriage, he would not have her going out.... She was to go to bed! She made no resistance. She went up to her room, and sat in the dark. At ten o'clock she rang for her maid.
“Bring some hot water, and go down and tell Mr. Forsyte that I feel perfectly rested. Say that if he's too tired I can go to the dance by myself.”
The maid looked askance, and June turned on her imperiously. “Go,” she said, “bring the hot water at once!”
Her ball-dress still lay on the sofa, and with a sort of fierce care she arrayed herself, took the flowers in her hand, and went down, her small face carried high under its burden of hair. She could hear old Jolyon in his room as she passed.
Bewildered and vexed, he was dressing. It was past ten, they would not get there till eleven; the girl was mad. But he dared not cross her—the expression of her face at dinner haunted him.
With great ebony brushes he smoothed his hair till it shone like silver under the light; then he, too, came out on the gloomy staircase.
June met him below, and, without a word, they went to the carriage.
When, after that drive which seemed to last for ever, she entered Roger's drawing-room, she disguised under a mask of resolution a very torment of nervousness and emotion. The feeling of shame at what might be called 'running after him' was smothered by the dread that he might not be there, that she might not see him after all, and by that dogged resolve—somehow, she did not know how—to win him back.
The sight of the ballroom, with its gleaming floor, gave her a feeling of joy, of triumph, for she loved dancing, and when dancing she floated, so light was she, like a strenuous, eager little spirit. He would surely ask her to dance, and if he danced with her it would all be as it was before. She looked about her eagerly.
The sight of Bosinney coming with Irene from the conservatory, with that strange look of utter absorption on his face, struck her too suddenly. They had not seen—no one should see—her distress, not even her grandfather.
She put her hand on Jolyon's arm, and said very low:
“I must go home, Gran; I feel ill.”
He hurried her away, grumbling to himself that he had known how it would be.
To her he said nothing; only when they were once more in the carriage, which by some fortunate chance had lingered near the door, he asked her: “What is it, my darling?”
Feeling her whole slender body shaken by sobs, he was terribly alarmed. She must have Blank to-morrow. He would insist upon it. He could not have her like this.... There, there!
June mastered her sobs, and squeezing his hand feverishly, she lay back in her corner, her face muffled in a shawl.
He could only see her eyes, fixed and staring in the dark, but he did not cease to stroke her hand with his thin fingers.