The Project Gutenberg eBook of Browning's England, by Helen Archibald Clarke

I felt begin
The Judgment-Day: to retrocede
Was too late now. "In very deed,"
(I uttered to myself) "that Day!"
The intuition burned away
All darkness from my spirit too:
There, stood I, found and fixed, I knew,
Choosing the world. The choice was made;
And naked and disguiseless stayed,
And unevadable, the fact.
My brain held all the same compact
Its senses, nor my heart declined
Its office; rather, both combined
To help me in this juncture. I
Lost not a second,—agony
Gave boldness: since my life had end
And my choice with it—best defend,
Applaud both! I resolved to say,
"So was I framed by thee, such way
I put to use thy senses here!
It was so beautiful, so near,
Thy world,—what could I then but choose
My part there? Nor did I refuse
To look above the transient boon
Of time; but it was hard so soon
As in a short life, to give up
Such beauty: I could put the cup
Undrained of half its fulness, by;
But, to renounce it utterly,
—That was too hard! Nor did the cry
397 Which bade renounce it, touch my brain
Authentically deep and plain
Enough to make my lips let go.
But Thou, who knowest all, dost know
Whether I was not, life's brief while,
Endeavoring to reconcile
Those lips (too tardily, alas!)
To letting the dear remnant pass,
One day,—some drops of earthly good
Untasted! Is it for this mood,
That Thou, whose earth delights so well,
Hast made its complement a hell?"

XVII

A final belch of fire like blood,
Overbroke all heaven in one flood
Of doom. Then fire was sky, and sky
Fire, and both, one brief ecstasy,
Then ashes. But I heard no noise
(Whatever was) because a voice
Beside me spoke thus, "Life is done,
Time ends, Eternity's begun,
And thou art judged for evermore."

XVIII

I looked up; all seemed as before;
Of that cloud-Tophet overhead
No trace was left: I saw instead
The common round me, and the sky
Above, stretched drear and emptily
Of life. 'Twas the last watch of night,
Except what brings the morning quite;
When the armed angel, conscience-clear,
His task nigh done, leans o'er his spear
398 And gazes on the earth he guards,
Safe one night more through all its wards,
Till God relieve him at his post.
"A dream—a waking dream at most!"
(I spoke out quick, that I might shake
The horrid nightmare off, and wake.)
"The world gone, yet the world is here?
Are not all things as they appear?
Is Judgment past for me alone?
—And where had place the great white throne?
The rising of the quick and dead?
Where stood they, small and great? Who read
The sentence from the opened book?"
So, by degrees, the blood forsook
My heart, and let it beat afresh;
I knew I should break through the mesh
Of horror, and breathe presently:
When, lo, again, the voice by me!

XIX

I saw.... Oh brother, 'mid far sands
The palm-tree-cinctured city stands,
Bright-white beneath, as heaven, bright-blue,
Leans o'er it, while the years pursue
Their course, unable to abate
Its paradisal laugh at fate!
One morn,—the Arab staggers blind
O'er a new tract of death, calcined
To ashes, silence, nothingness,—
And strives, with dizzy wits, to guess
Whence fell the blow. What if, 'twixt skies
And prostrate earth, he should surprise
The imaged vapor, head to foot,
Surveying, motionless and mute,
399 Its work, ere, in a whirlwind rapt
It vanished up again?—So hapt
My chance. He stood there. Like the smoke
Pillared o'er Sodom, when day broke,—
I saw Him. One magnific pall
Mantled in massive fold and fall
His head, and coiled in snaky swathes
About His feet: night's black, that bathes
All else, broke, grizzled with despair,
Against the soul of blackness there.
A gesture told the mood within—
That wrapped right hand which based the chin,
That intense meditation fixed
On His procedure,—pity mixed
With the fulfilment of decree.
Motionless, thus, He spoke to me,
Who fell before His feet, a mass,
No man now.

"All is come to pass.
Such shows are over for each soul
They had respect to. In the roll
Of judgment which convinced mankind
Of sin, stood many, bold and blind,
Terror must burn the truth into:
Their fate for them!—thou hadst to do
With absolute omnipotence,
Able its judgments to dispense
To the whole race, as every one
Were its sole object. Judgment done,
God is, thou art,—the rest is hurled
To nothingness for thee. This world,
This finite life, thou hast preferred,
In disbelief of God's plain word,
400 To heaven and to infinity.
Here the probation was for thee,
To show thy soul the earthly mixed
With heavenly, it must choose betwixt.
The earthly joys lay palpable,—
A taint, in each, distinct as well;
The heavenly flitted, faint and rare,
Above them, but as truly were
Taintless, so, in their nature, best.
Thy choice was earth: thou didst attest
'Twas fitter spirit should subserve
The flesh, than flesh refine to nerve
Beneath the spirit's play. Advance
No claim to their inheritance
Who chose the spirit's fugitive
Brief gleams, and yearned, 'This were to live
Indeed, if rays, completely pure
From flesh that dulls them, could endure,—
Not shoot in meteor-light athwart
Our earth, to show how cold and swart
It lies beneath their fire, but stand
As stars do, destined to expand,
Prove veritable worlds, our home!'
Thou saidst,—'Let spirit star the dome
Of sky, that flesh may miss no peak,
No nook of earth,—I shall not seek
Its service further!' Thou art shut
Out of the heaven of spirit; glut
Thy sense upon the world: 'tis thine
For ever—take it!"

XXI

"How? Is mine,
The world?" (I cried, while my soul broke
401 Out in a transport.) "Hast Thou spoke
Plainly in that? Earth's exquisite
Treasures of wonder and delight,
For me?"

XXII

The austere voice returned,—
"So soon made happy? Hadst thou learned
What God accounteth happiness,
Thou wouldst not find it hard to guess
What hell may be his punishment
For those who doubt if God invent
Better than they. Let such men rest
Content with what they judged the best.
Let the unjust usurp at will:
The filthy shall be filthy still:
Miser, there waits the gold for thee!
Hater, indulge thine enmity!
And thou, whose heaven self-ordained
Was, to enjoy earth unrestrained,
Do it! Take all the ancient show!
The woods shall wave, the rivers flow,
And men apparently pursue
Their works, as they were wont to do,
While living in probation yet.
I promise not thou shalt forget
The past, now gone to its account;
But leave thee with the old amount
Of faculties, nor less nor more,
Unvisited, as heretofore,
By God's free spirit, that makes an end.
So, once more, take thy world! Expend
Eternity upon its shows,
Flung thee as freely as one rose
Out of a summer's opulence,
402 Over the Eden-barrier whence
Thou art excluded. Knock in vain!"

XXIII

I sat up. All was still again.
I breathed free: to my heart, back fled
The warmth. "But, all the world!"—I said.
I stooped and picked a leaf of fern,
And recollected I might learn
From books, how many myriad sorts
Of fern exist, to trust reports,
Each as distinct and beautiful
As this, the very first I cull.
Think, from the first leaf to the last!
Conceive, then, earth's resources! Vast
Exhaustless beauty, endless change
Of wonder! And this foot shall range
Alps, Andes,—and this eye devour
The bee-bird and the aloe-flower?

XXIV

Then the voice, "Welcome so to rate
The arras-folds that variegate
The earth, God's antechamber, well!
The wise, who waited there, could tell
By these, what royalties in store
Lay one step past the entrance-door.
For whom, was reckoned, not so much,
This life's munificence? For such
As thou,—a race, whereof scarce one
Was able, in a million,
To feel that any marvel lay
In objects round his feet all day;
Scarce one, in many millions more,
403 Willing, if able, to explore
The secreter, minuter charm!
—Brave souls, a fern-leaf could disarm
Of power to cope with God's intent,—
Or scared if the south firmament
With north-fire did its wings refledge!
All partial beauty was a pledge
Of beauty in its plenitude:
But since the pledge sufficed thy mood,
Retain it! plenitude be theirs
Who looked above!"

XXV

Though sharp despairs
Shot through me, I held up, bore on.
"What matter though my trust were gone
From natural things? Henceforth my part
Be less with nature than with art!
For art supplants, gives mainly worth
To nature; 'tis man stamps the earth—
And I will seek his impress, seek
The statuary of the Greek,
Italy's painting—there my choice
Shall fix!"

XXVI

"Obtain it!" said the voice,
"—The one form with its single act,
Which sculptors labored to abstract,
The one face, painters tried to draw,
With its one look, from throngs they saw.
And that perfection in their soul,
These only hinted at? The whole,
They were but parts of? What each laid
His claim to glory on?—afraid
404 His fellow-men should give him rank
By mere tentatives which he shrank
Smitten at heart from, all the more,
That gazers pressed in to adore!
'Shall I be judged by only these?'
If such his soul's capacities,
Even while he trod the earth,—think, now,
What pomp in Buonarroti's brow,
With its new palace-brain where dwells
Superb the soul, unvexed by cells
That crumbled with the transient clay!
What visions will his right hand's sway
Still turn to forms, as still they burst
Upon him? How will he quench thirst,
Titanically infantine,
Laid at the breast of the Divine?
Does it confound thee,—this first page
Emblazoning man's heritage?—
Can this alone absorb thy sight,
As pages were not infinite,—
Like the omnipotence which tasks
Itself to furnish all that asks
The soul it means to satiate?
What was the world, the starry state
Of the broad skies,—what, all displays
Of power and beauty intermixed,
Which now thy soul is chained betwixt,—
What else than needful furniture
For life's first stage? God's work, be sure,
No more spreads wasted, than falls scant!
He filled, did not exceed, man's want
Of beauty in this life. But through
Life pierce,—and what has earth to do,
Its utmost beauty's appanage,
405 With the requirement of next stage?
Did God pronounce earth 'very good'?
Needs must it be, while understood
For man's preparatory state;
Nought here to heighten nor abate;
Transfer the same completeness here,
To serve a new state's use,—and drear
Deficiency gapes every side!
The good, tried once, were bad, retried.
See the enwrapping rocky niche,
Sufficient for the sleep in which
The lizard breathes for ages safe:
Split the mould—and as light would chafe
The creature's new world-widened sense,
Dazzled to death at evidence
Of all the sounds and sights that broke
Innumerous at the chisel's stroke,—
So, in God's eye, the earth's first stuff
Was, neither more nor less, enough
To house man's soul, man's need fulfil.
Man reckoned it immeasurable?
So thinks the lizard of his vault!
Could God be taken in default,
Short of contrivances, by you,—
Or reached, ere ready to pursue
His progress through eternity?
That chambered rock, the lizard's world,
Your easy mallet's blow has hurled
To nothingness for ever; so,
Has God abolished at a blow
This world, wherein his saints were pent,—
Who, though found grateful and content,
With the provision there, as thou,
Yet knew he would not disallow
406 Their spirit's hunger, felt as well,—
Unsated,—not unsatable,
As paradise gives proof. Deride
Their choice now, thou who sit'st outside!"

XXVII

I cried in anguish, "Mind, the mind,
So miserably cast behind,
To gain what had been wisely lost!
Oh, let me strive to make the most
Of the poor stinted soul, I nipped
Of budding wings, else now equipped
For voyage from summer isle to isle!
And though she needs must reconcile
Ambition to the life on ground,
Still, I can profit by late found
But precious knowledge. Mind is best—
I will seize mind, forego the rest,
And try how far my tethered strength
May crawl in this poor breadth and length.
Let me, since I can fly no more,
At least spin dervish-like about
(Till giddy rapture almost doubt
I fly) through circling sciences,
Philosophies and histories
Should the whirl slacken there, then verse,
Fining to music, shall asperse
Fresh and fresh fire-dew, till I strain
Intoxicate, half-break my chain!
Not joyless, though more favored feet
Stand calm, where I want wings to beat
The floor. At least earth's bond is broke!"

XXVIII

Then, (sickening even while I spoke)
"Let me alone! No answer, pray,
To this! I know what Thou wilt say!
All still is earth's,—to know, as much
As feel its truths, which if we touch
With sense, or apprehend in soul,
What matter? I have reached the goal—
'Whereto does knowledge serve!' will burn
My eyes, too sure, at every turn!
I cannot look back now, nor stake
Bliss on the race, for running's sake.
The goal's a ruin like the rest!—
And so much worse thy latter quest,"
(Added the voice) "that even on earth—
Whenever, in man's soul, had birth
Those intuitions, grasps of guess,
Which pull the more into the less,
Making the finite comprehend
Infinity,—the bard would spend
Such praise alone, upon his craft,
As, when wind-lyres obey the waft,
Goes to the craftsman who arranged
The seven strings, changed them and rechanged—
Knowing it was the South that harped.
He felt his song, in singing, warped;
Distinguished his and God's part: whence
A world of spirit as of sense
Was plain to him, yet not too plain,
Which he could traverse, not remain
A guest in:—else were permanent
Heaven on the earth its gleams were meant
To sting with hunger for full light,408—
Made visible in verse, despite
The veiling weakness,—truth by means
Of fable, showing while it screens,—
Since highest truth, man e'er supplied,
Was ever fable on outside.
Such gleams made bright the earth an age;
Now the whole sun's his heritage!
Take up thy world, it is allowed,
Thou who hast entered in the cloud!"

XXIX

Then I—"Behold, my spirit bleeds,
Catches no more at broken reeds,—
But lilies flower those reeds above:
I let the world go, and take love!
Love survives in me, albeit those
I love be henceforth masks and shows,
Not living men and women: still
I mind how love repaired all ill,
Cured wrong, soothed grief, made earth amends
With parents, brothers, children, friends!
Some semblance of a woman yet
With eyes to help me to forget,
Shall look on me; and I will match
Departed love with love, attach
Old memories to new dreams, nor scorn
The poorest of the grains of corn
I save from shipwreck on this isle,
Trusting its barrenness may smile
With happy foodful green one day,
More precious for the pains. I pray,—
Leave to love, only!"

XXX

At the word,
The form, I looked to have been stirred
With pity and approval, rose
O'er me, as when the headsman throws
Axe over shoulder to make end—
I fell prone, letting Him expend
His wrath, while thus the inflicting voice
Smote me. "Is this thy final choice?
Love is the best? 'Tis somewhat late!
And all thou dost enumerate
Of power and beauty in the world,
The mightiness of love was curled
Inextricably round about.
Love lay within it and without,
To clasp thee,—but in vain! Thy soul
Still shrunk from Him who made the whole,
Still set deliberate aside
His love!—Now take love! Well betide
Thy tardy conscience! Haste to take
The show of love for the name's sake,
Remembering every moment Who,
Beside creating thee unto
These ends, and these for thee, was said
To undergo death in thy stead
In flesh like thine: so ran the tale.
What doubt in thee could countervail
Belief in it? Upon the ground
'That in the story had been found
Too much love! How could God love so?'
He who in all his works below
Adapted to the needs of man,
Made love the basis of the plan,410—
Did love, as was demonstrated:
While man, who was so fit instead
To hate, as every day gave proof,—
Man thought man, for his kind's behoof,
Both could and did invent that scheme
Of perfect love: 'twould well beseem
Cain's nature thou wast wont to praise,
Not tally with God's usual ways!"

XXXI

And I cowered deprecatingly—
"Thou Love of God! Or let me die,
Or grant what shall seem heaven almost!
Let me not know that all is lost,
Though lost it be—leave me not tied
To this despair, this corpse-like bride!
Let that old life seem mine—no more—
With limitation as before,
With darkness, hunger, toil, distress:
Be all the earth a wilderness!
Only let me go on, go on,
Still hoping ever and anon
To reach one eve the Better Land!"

XXXII

Then did the form expand, expand—
I knew Him through the dread disguise
As the whole God within His eyes
Embraced me.

XXXIII

When I lived again,
The day was breaking,—the grey plain
I rose from, silvered thick with dew.
Was this a vision? False or true?
411 Since then, three varied years are spent,
And commonly my mind is bent
To think it was a dream—be sure
A mere dream and distemperature—
The last day's watching: then the night,—
The shock of that strange Northern Light
Set my head swimming, bred in me
A dream. And so I live, you see,
Go through the world, try, prove, reject,
Prefer, still struggling to effect
My warfare; happy that I can
Be crossed and thwarted as a man,
Not left in God's contempt apart,
With ghastly smooth life, dead at heart,
Tame in earth's paddock as her prize.
Thank God, she still each method tries
To catch me, who may yet escape,
She knows,—the fiend in angel's shape!
Thank God, no paradise stands barred
To entry, and I find it hard
To be a Christian, as I said!
Still every now and then my head
Raised glad, sinks mournful—all grows drear
Spite of the sunshine, while I fear
And think, "How dreadful to be grudged
No ease henceforth, as one that's judged.
Condemned to earth for ever, shut
From heaven!"
But Easter-Day breaks! But
Christ rises! Mercy every way
Is infinite,—and who can say?

This poem has often been cited as a proof of Browning's own belief in historical Chris412tianity. It can hardly be said to be more than a doubtful proof, for it depends upon a subjective vision of which the speaker, himself, doubts the truth. The speaker in this poem belongs in the same category with Bishop Blougram. A belief in infinite Love can come to him only through the dogma of the incarnation, he therefore holds to that, no matter how tossed about by doubts. The failure of all human effort to attain the Absolute and, as a consequence, the belief in an Absolute beyond this life is a dominant note in Browning's own philosophy. The nature of that Absolute he further evolves from the intellectual observation of power that transcends human comprehension, and the even more deep-rooted sense of love in the human heart.

Much of his thought resembles that of the English scientist, Herbert Spencer. The relativity of knowledge and the relativity of good and evil are cardinal doctrines with both of them. Herbert Spencer's mystery behind all phenomena and Browning's failure of human knowledge are identical—the negative proof of the absolute,—but where Spencer contents himself with the statement that though we cannot know the Absolute, yet it must transcend all that the human mind has con413ceived of perfection, Browning, as we have already seen, declares that we can know something of the nature of that Absolute through the love which we know in the human heart as well as the power we see displayed in Nature.

In connection with this subject, which for lack of space can merely be touched on in the present volume, it will be instructive to round out Browning's presentations of his own contributions to nineteenth-century thought with two quotations, one from "The Parleyings:" "With Bernard de Mandeville," and one from a poem in his last volume "Reverie." In the first, human love is symbolized as the image made by a lens of the sun, which latter symbolizes Divine Love.

BERNARD DE MANDEVILLE

. . . . . . . . . . . . . . . . .

Boundingly up through Night's wall dense and dark,
Embattled crags and clouds, outbroke the Sun
Above the conscious earth, and one by one
Her heights and depths absorbed to the last spark
His fluid glory, from the far fine ridge
Of mountain-granite which, transformed to gold,
Laughed first the thanks back, to the vale's dusk fold
On fold of vapor-swathing, like a bridge
414 Shattered beneath some giant's stamp. Night wist
Her work done and betook herself in mist
To marsh and hollow there to bide her time
Blindly in acquiescence. Everywhere
Did earth acknowledge Sun's embrace sublime
Thrilling her to the heart of things: since there
No ore ran liquid, no spar branched anew,
No arrowy crystal gleamed, but straightway grew
Glad through the inrush—glad nor more nor less
Than, 'neath his gaze, forest and wilderness,
Hill, dale, land, sea, the whole vast stretch and spread,
The universal world of creatures bred
By Sun's munificence, alike gave praise—
All creatures but one only: gaze for gaze,
Joyless and thankless, who—all scowling can—
Protests against the innumerous praises? Man,
Sullen and silent.

Stand thou forth then, state
Thy wrong, thou sole aggrieved—disconsolate—
While every beast, bird, reptile, insect, gay
And glad acknowledges the bounteous day!

Man speaks now:—"What avails Sun's earth-felt thrill
To me? Sun penetrates the ore, the plant—
They feel and grow: perchance with subtler skill
He interfuses fly, worm, brute, until
Each favored object pays life's ministrant
By pressing, in obedience to his will,
Up to completion of the task prescribed,
So stands and stays a type. Myself imbibed
Such influence also, stood and stand complete—
The perfect Man,—head, body, hands and feet,
415 True to the pattern: but does that suffice?
How of my superadded mind which needs
—Not to be, simply, but to do, and pleads
For—more than knowledge that by some device
Sun quickens matter: mind is nobly fain
To realize the marvel, make—for sense
As mind—the unseen visible, condense
—Myself—Sun's all-pervading influence
So as to serve the needs of mind, explain
What now perplexes. Let the oak increase
His corrugated strength on strength, the palm
Lift joint by joint her fan-fruit, ball and balm,—
Let the coiled serpent bask in bloated peace,—
The eagle, like some skyey derelict,
Drift in the blue, suspended glorying,—
The lion lord it by the desert-spring,—
What know or care they of the power which pricked
Nothingness to perfection? I, instead,
When all-developed still am found a thing
All-incomplete: for what though flesh had force
Transcending theirs—hands able to unring
The tightened snake's coil, eyes that could outcourse
The eagle's soaring, voice whereat the king
Of carnage couched discrowned? Mind seeks to see,
Touch, understand, by mind inside of me,
The outside mind—whose quickening I attain
To recognize—I only. All in vain
Would mind address itself to render plain
The nature of the essence. Drag what lurks
Behind the operation—that which works
Latently everywhere by outward proof—
Drag that mind forth to face mine? No! aloof
I solely crave that one of all the beams
Which do Sun's work in darkness, at my will
416 Should operate—myself for once have skill
To realize the energy which streams
Flooding the universe. Above, around,
Beneath—why mocks that mind my own thus found
Simply of service, when the world grows dark,
To half-surmise—were Sun's use understood,
I might demonstrate him supplying food,
Warmth, life, no less the while? To grant one spark
Myself may deal with—make it thaw my blood
And prompt my steps, were truer to the mark
Of mind's requirement than a half-surmise
That somehow secretly is operant
A power all matter feels, mind only tries
To comprehend! Once more—no idle vaunt
'Man comprehends the Sun's self!' Mysteries
At source why probe into? Enough: display,
Make demonstrable, how, by night as day,
Earth's centre and sky's outspan, all's informed
Equally by Sun's efflux!—source from whence
If just one spark I drew, full evidence
Were mine of fire ineffably enthroned—
Sun's self made palpable to Man!"

Thus moaned
Man till Prometheus helped him,—as we learn,—
Offered an artifice whereby he drew
Sun's rays into a focus,—plain and true,
The very Sun in little: made fire burn
And henceforth do Man service—glass-conglobed
Though to a pin-point circle—all the same
Comprising the Sun's self, but Sun disrobed
Of that else-unconceived essential flame
Borne by no naked sight. Shall mind's eye strive
417 Achingly to companion as it may
The supersubtle effluence, and contrive
To follow beam and beam upon their way
Hand-breadth by hand-breadth, till sense faint—confessed
Frustrate, eluded by unknown unguessed
Infinitude of action? Idle quest!
Rather ask aid from optics. Sense, descry
The spectrum—mind, infer immensity!
Little? In little, light, warmth, life are blessed—
Which, in the large, who sees to bless? Not I
More than yourself: so, good my friend, keep still
Trustful with—me? with thee, sage Mandeville!

The second "Reverie" has the effect of a triumphant swan song, especially the closing stanzas, the poem having been written very near the end of the poet's life.

"In a beginning God
Made heaven and earth." Forth flashed
Knowledge: from star to clod
Man knew things: doubt abashed
Closed its long period.

Knowledge obtained Power praise.
Had Good been manifest,
Broke out in cloudless blaze,
Unchequered as unrepressed,
In all things Good at best—

Then praise—all praise, no blame—
Had hailed the perfection. No!
As Power's display, the same
Be Good's—praise forth shall flow
Unisonous in acclaim!

418 Even as the world its life,
So have I lived my own—
Power seen with Love at strife,
That sure, this dimly shown,
—Good rare and evil rife.

Whereof the effect be—faith
That, some far day, were found
Ripeness in things now rathe,
Wrong righted, each chain unbound,
Renewal born out of scathe.

Why faith—but to lift the load,
To leaven the lump, where lies
Mind prostrate through knowledge owed
To the loveless Power it tries
To withstand, how vain! In flowed

Ever resistless fact:
No more than the passive clay
Disputes the potter's act,
Could the whelmed mind disobey
Knowledge the cataract.

But, perfect in every part,
Has the potter's moulded shape,
Leap of man's quickened heart,
Throe of his thought's escape,
Stings of his soul which dart

Through the barrier of flesh, till keen
She climbs from the calm and clear,
Through turbidity all between,
From the known to the unknown here,
Heaven's "Shall be," from Earth's "Has been"?

419 Then life is—to wake not sleep,
Rise and not rest, but press
From earth's level where blindly creep
Things perfected, more or less,
To the heaven's height, far and steep,

Where, amid what strifes and storms
May wait the adventurous quest,
Power is Love—transports, transforms
Who aspired from worst to best,
Sought the soul's world, spurned the worms'.

I have faith such end shall be:
From the first, Power was—I knew.
Life has made clear to me
That, strive but for closer view,
Love were as plain to see.

When see? When there dawns a day,
If not on the homely earth,
Then yonder, worlds away,
Where the strange and new have birth,
And Power comes full in play.

CHAPTER VI

The year that Avison was born, 1710, it is recorded further that "the back front of this organ was finished which cost the said corporation £200 together with the expense of cleaning and repairing the whole instrument."

June 26, 1749, the common council of Newcastle ordered a sweet stop to be added to the organ. This was after Avison became organist, his appointment to that post having been in 1736. So we know that he at least had a "trumpet stop" and a "sweet stop," with which to embellish his organ playing.

The church is especially distinguished for the number and beauty of its chantries, and any who have a taste for examining armorial bearings will find two good-sized volumes devoted to a description of those in this church, by Richardson. Equal distinction attaches to the church owing to the beauty of its steeple, which has been called the pride and glory of the Northern Hemisphere. According to the enthusiastic Richardson it is justly esteemed on account of its peculiar excellency of design and delicacy of execution one of the finest specimens of architectural beauty in Europe.422 This steeple is as conspicuous a feature of Newcastle as the State House Dome is of Boston, situated, as it is, almost in the center of the town. Richardson gives the following minute description of this marvel. "It consists of a square tower forty feet in width, having great and small turrets with pinnacles at the angles and center of each front tower. From the four turrets at the angles spring two arches, which meet in an intersecting direction, and bear on their center an efficient perforated lanthorne, surmounted by a tall and beautiful spire: the angles of the lanthorne have pinnacles similar to those on the turrets, and the whole of the pinnacles, being twelve in number, and the spire, are ornamented with crockets and vanes."

There is a stirring tradition in regard to this structure related by Bourne to the effect that in the time of the Civil Wars, when the Scots had besieged the town for several weeks, and were still as far as at first from taking it, the general sent a messenger to the mayor of the town, and demanded the keys, and the delivering up of the town, or he would immediately demolish the steeple of St. Nicholas. The mayor and aldermen upon hearing this, immediately ordered a certain number of the chiefest of the Scottish prisoners to be carried423 up to the top of the tower, the place below the lanthorne and there confined. After this, they returned the general an answer to this purpose,—that they would upon no terms deliver up the town, but would to the last moment defend it: that the steeple of St. Nicholas was indeed a beautiful and magnificent piece of architecture, and one of the great ornaments of the town; but yet should be blown into atoms before ransomed at such a rate: that, however, if it was to fall, it should not fall alone, that the same moment he destroyed the beautiful structure he should bathe his hands in the blood of his countrymen who were placed there on purpose either to preserve it from ruin or to die along with it. This message had the desired effect. The men were there kept prisoners during the whole time of the siege and not so much as one gun fired against it.

Avison, however, had other claims to distinction, besides being organist of this ancient church. He was a composer, and was remembered by one of his airs, at least, into the nineteenth century, namely "Sound the Loud Timbrel." He appears not to be remembered, however, by his concertos, of which he published no less than five sets for a full band of stringed instruments, nor by his424 quartets and trios, and two sets of sonatas for the harpsichord and two violins. All we have to depend on now as to the quality of his music are the strictures of a certain Dr. Hayes, an Oxford Professor, who points out many errors against the rules of composition in the works of Avison, whence he infers that his skill in music is not very profound, and the somewhat more appreciative remarks of Hawkins who says "The music of Avison is light and elegant, but it wants originality, a necessary consequence of his too close attachment to the style of Geminiani which in a few particulars only he was able to imitate."

Geminiani was a celebrated violin player and composer of the day, who had come to England from Italy. He is said to have held his pupil, Avison, in high esteem and to have paid him a visit at Newcastle in 1760. Avison's early education was gained in Italy; and in addition to his musical attainments he was a scholar and a man of some literary acquirements. It is not surprising, considering all these educational advantages that he really made something of a stir upon the publication of his "small book," as Browning calls it, with, we may add, its "large title."