THE YOUNG CHEVALIER

A FRAGMENT


 

THE YOUNG CHEVALIER


 

PROLOGUE

THE WINE-SELLER’S WIFE

There was a wine-seller’s shop, as you went down to the river in the city of the Anti-popes. There a man was served with good wine of the country and plain country fare; and the place being clean and quiet, with a prospect on the river, certain gentlemen who dwelt in that city in attendance on a great personage made it a practice (when they had any silver in their purses) to come and eat there and be private.

They called the wine-seller Paradou. He was built more like a bullock than a man, huge in bone and brawn, high in colour, and with a hand like a baby for size. Marie-Madeleine was the name of his wife; she was of Marseilles, a city of entrancing women, nor was any fairer than herself. She was tall, being almost of a height with Paradou; full-girdled, point-device in every form, with an exquisite delicacy in the face; her nose and nostrils a delight to look at from the fineness of the sculpture, her eyes inclined a hair’s-breadth inward, her colour between dark and fair, and laid on even like a flower’s. A faint rose dwelt in it, as though she had been found unawares bathing, and had blushed from head to foot. She was of a grave countenance, rarely smiling; yet it seemed to be written upon every part of her that she rejoiced in life. Her husband loved the heels of her feet and the knuckles of her fingers; he loved her like a glutton and a brute; his love hung about her like an atmosphere; one that came by chance into the wine-shop was aware of that passion; and it might be said that by the strength of it the woman had been drugged or spell-bound. She knew not if she loved or loathed him; he was always in her eyes like something monstrous,—monstrous in his love, monstrous in his person, horrific but imposing in his violence; and her sentiment swung back and forward from desire to sickness. But the mean, where it dwelt chiefly, was an apathetic fascination, partly of horror; as of Europa in mid ocean with her bull.

On the 10th November 1749 there sat two of the foreign gentlemen in the wine-seller’s shop. They were both handsome men of a good presence, richly dressed. The first was swarthy and long and lean, with an alert, black look, and a mole upon his cheek. The other was more fair. He seemed very easy and sedate, and a little melancholy for so young a man, but his smile was charming. In his grey eyes there was much abstraction, as of one recalling fondly that which was past and lost. Yet there was strength and swiftness in his limbs; and his mouth set straight across his face, the under lip a thought upon side, like that of a man accustomed to resolve. These two talked together in a rude outlandish speech that no frequenter of that wine-shop understood. The swarthy man answered to the name of Ballantrae; he of the dreamy eyes was sometimes called Balmile, and sometimes my Lord, or my Lord Gladsmuir; but when the title was given him, he seemed to put it by as if in jesting, not without bitterness.

The mistral blew in the city. The first day of that wind, they say in the countries where its voice is heard, it blows away all the dust, the second all the stones, and the third it blows back others from the mountains. It was now come to the third day; outside the pebbles flew like hail, and the face of the river was puckered, and the very building-stones in the walls of houses seemed to be curdled, with the savage cold and fury of that continuous blast. It could be heard to hoot in all the chimneys of the city; it swept about the wine-shop, filling the room with eddies; the chill and gritty touch of it passed between the nearest clothes and the bare flesh; and the two gentlemen at the far table kept their mantles loose about their shoulders. The roughness of these outer hulls, for they were plain travellers’ cloaks that had seen service, set the greater mark of richness on what showed below of their laced clothes; for the one was in scarlet and the other in violet and white, like men come from a scene of ceremony; as indeed they were.

It chanced that these fine clothes were not without their influence on the scene which followed, and which makes the prologue of our tale. For a long time Balmile was in the habit to come to the wine-shop and eat a meal or drink a measure of wine; sometimes with a comrade; more often alone, when he would sit and dream and drum upon the table, and the thoughts would show in the man’s face in little glooms and lightenings, like the sun and the clouds upon a water. For a long time Marie-Madeleine had observed him apart. His sadness, the beauty of his smile when by any chance he remembered her existence and addressed her, the changes of his mind signalled forth by an abstruse play of feature, the mere fact that he was foreign and a thing detached from the local and the accustomed, insensibly attracted and affected her. Kindness was ready in her mind; it but lacked the touch of an occasion to effervesce and crystallise. Now Balmile had come hitherto in a very poor plain habit; and this day of the mistral, when his mantle was just open, and she saw beneath it the glancing of the violet and the velvet and the silver, and the clustering fineness of the lace, it seemed to set the man in a new light, with which he shone resplendent to her fancy.

The high inhuman note of the wind, the violence and continuity of its outpouring, and the fierce touch of it upon man’s whole periphery, accelerated the functions of the mind. It set thoughts whirling, as it whirled the trees of the forest; it stirred them up in flights, as it stirred up the dust in chambers. As brief as sparks, the fancies glittered and succeeded each other in the mind of Marie-Madeleine; and the grave man with the smile, and the bright clothes under the plain mantle, haunted her with incongruous explanations. She considered him, the unknown, the speaker of an unknown tongue, the hero (as she placed him) of an unknown romance, the dweller upon unknown memories. She recalled him sitting there alone, so immersed, so stupefied; yet she was sure he was not stupid. She recalled one day when he had remained a long time motionless, with parted lips, like one in the act of starting up, his eyes fixed on vacancy. Any one else must have looked foolish; but not he. She tried to conceive what manner of memory had thus entranced him; she forged for him a past; she showed him to herself in every light of heroism and greatness and misfortune; she brooded with petulant intensity on all she knew and guessed of him. Yet, though she was already gone so deep, she was still unashamed, still unalarmed; her thoughts were still disinterested; she had still to reach the stage at which—beside the image of that other whom we love to contemplate and to adorn—we place the image of ourself and behold them together with delight.

She stood within the counter, her hands clasped behind her back, her shoulders pressed against the wall, her feet braced out. Her face was bright with the wind and her own thoughts; as a fire in a similar day of tempest glows and brightens on a hearth, so she seemed to glow, standing there, and to breathe out energy. It was the first time Ballantrae had visited that wine-seller’s, the first time he had seen the wife; and his eyes were true to her.

“I perceive your reason for carrying me to this very draughty tavern,” he said at last.

“I believe it is propinquity,” returned Balmile.

“You play dark,” said Ballantrae, “but have a care! Be more frank with me, or I will cut you out. I go through no form of qualifying my threat, which would be commonplace and not conscientious. There is only one point in these campaigns: that is the degree of admiration offered by the man; and to our hostess I am in a posture to make victorious love.”

“If you think you have the time, or the game worth the candle,” replied the other with a shrug.

“One would suppose you were never at the pains to observe her,” said Ballantrae.

“I am not very observant,” said Balmile. “She seems comely.”

“You very dear and dull dog!” cried Ballantrae; “chastity is the most besotting of the virtues. Why, she has a look in her face beyond singing! I believe, if you was to push me hard, I might trace it home to a trifle of a squint. What matters? The height of beauty is in the touch that’s wrong, that’s the modulation in a tune. ’Tis the devil we all love; I owe many a conquest to my mole”—he touched it as he spoke with a smile, and his eyes glittered;—“we are all hunchbacks, and beauty is only that kind of deformity that I happen to admire. But come! Because you are chaste, for which I am sure I pay you my respects, that is no reason why you should be blind. Look at her, look at the delicious nose of her, look at her cheek, look at her ear, look at her hand and wrist—look at the whole baggage from heels to crown, and tell me if she wouldn’t melt on a man’s tongue.”

As Ballantrae spoke, half jesting, half enthusiastic, Balmile was constrained to do as he was bidden. He looked at the woman, admired her excellences, and was at the same time ashamed for himself and his companion. So it befell that when Marie-Madeleine raised her eyes, she met those of the subject of her contemplations fixed directly on herself with a look that is unmistakable, the look of a person measuring and valuing another,—and, to clench the false impression, that his glance was instantly and guiltily withdrawn. The blood beat back upon her heart and leaped again; her obscure thoughts flashed clear before her; she flew in fancy straight to his arms like a wanton, and fled again on the instant like a nymph. And at that moment there chanced an interruption, which not only spared her embarrassment, but set the last consecration on her now articulate love.

Into the wine-shop there came a French gentleman, arrayed in the last refinement of the fashion, though a little tumbled by his passage in the wind. It was to be judged he had come from the same formal gathering at which the others had preceded him; and perhaps that he had gone there in the hope to meet with them, for he came up to Ballantrae with unceremonious eagerness.

“At last, here you are!” he cried in French. “I thought I was to miss you altogether.”

The Scotsmen rose, and Ballantrae, after the first greetings, laid his hand on his companion’s shoulder.

“My lord,” said he, “allow me to present to you one of my best friends and one of our best soldiers, the Lord Viscount Gladsmuir.”

The two bowed with the elaborate elegance of the period.

Monseigneur,” said Balmile, “je n’ai pas la prétention de m’affubler d’un titre que la mauvaise fortune de mon roi ne me permet pas de porter comme il sied. Je m’appelle, pour vous servir, Blair de Balmile tout court.” [My lord, I have not the effrontery to cumber myself with a title which the ill fortunes of my king will not suffer me to bear the way it should be. I call myself, at your service, plain Blair of Balmile.]

Monsieur le Vicomte ou monsieur Blèr’ de Balmaïl,” replied the new-comer, “le nom n’y fait rien et l’on connaît vos beaux faits.” [The name matters nothing, your gallant actions are known.]

A few more ceremonies, and these three, sitting down together to the table, called for wine. It was the happiness of Marie-Madeleine to wait unobserved upon the prince of her desires. She poured the wine, he drank of it; and that link between them seemed to her, for the moment, close as a caress. Though they lowered their tones, she surprised great names passing in their conversation, names of kings, the names of de Gesvre and Belle-Isle; and the man who dealt in these high matters, and she who was now coupled with him in her own thoughts, seemed to swim in mid air in a transfiguration. Love is a crude core, but it has singular and far-reaching fringes; in that passionate attraction for the stranger that now swayed and mastered her, his harsh incomprehensible language, and these names of grandees in his talk, were each an element.

The Frenchman stayed not long, but it was plain he left behind him matter of much interest to his companions; they spoke together earnestly, their heads down, the woman of the wine-shop totally forgotten; and they were still so occupied when Paradou returned.

This man’s love was unsleeping. The even bluster of the mistral, with which he had been combating some hours, had not suspended, though it had embittered, that predominant passion. His first look was for his wife, a look of hope and suspicion, menace and humility and love, that made the over-blooming brute appear for the moment almost beautiful. She returned his glance, at first as though she knew him not, then with a swiftly waxing coldness of intent; and at last, without changing their direction, she had closed her eyes.

There passed across her mind during that period much that Paradou could not have understood had it been told to him in words: chiefly the sense of an enlightening contrast betwixt the man who talked of kings and the man who kept a wine-shop, betwixt the love she yearned for and that to which she had been long exposed like a victim bound upon the altar. There swelled upon her, swifter than the Rhone, a tide of abhorrence and disgust. She had succumbed to the monster, humbling herself below animals; and now she loved a hero, aspiring to the semi-divine. It was in the pang of that humiliating thought that she had closed her eyes.

Paradou—quick, as beasts are quick, to translate silence—felt the insult through his blood; his inarticulate soul bellowed within him for revenge. He glanced about the shop. He saw the two indifferent gentlemen deep in talk, and passed them over: his fancy flying not so high. There was but one other present, a country lout who stood swallowing his wine, equally unobserved by all and unobserving; to him he dealt a glance of murderous suspicion, and turned direct upon his wife. The wine-shop had lain hitherto, a space of shelter, the scene of a few ceremonial passages and some whispered conversation, in the howling river of the wind; the clock had not yet ticked a score of times since Paradou’s appearance; and now, as he suddenly gave tongue, it seemed as though the mistral had entered at his heels.

“What ails you, woman?” he cried, smiting on the counter.

“Nothing ails me,” she replied. It was strange; but she spoke and stood at that moment like a lady of degree, drawn upward by her aspirations.

“You speak to me, by God, as though you scorned me!” cried the husband.

The man’s passion was always formidable; she had often looked on upon its violence with a thrill, it had been one ingredient in her fascination; and she was now surprised to behold him, as from afar off, gesticulating but impotent. His fury might be dangerous like a torrent or a gust of wind, but it was inhuman; it might be feared or braved, it should never be respected. And with that there came in her a sudden glow of courage and that readiness to die which attends so closely upon all strong passions.

“I do scorn you,“ she said.

“What is that?” he cried.

“I scorn you,” she repeated, smiling.

“You love another man!” said he.

“With all my soul,” was her reply.

The wine-seller roared aloud so that the house rang and shook with it.

“Is this the ——?” he cried, using a foul word, common in the South; and he seized the young countryman and dashed him to the ground. There he lay for the least interval of time insensible; thence fled from the house, the most terrified person in the county. The heavy measure had escaped from his hands, splashing the wine high upon the wall. Paradou caught it. “And you?” he roared to his wife, giving her the same name in the feminine, and he aimed at her the deadly missile. She expected it, motionless, with radiant eyes.

But before it sped, Paradou was met by another adversary, and the unconscious rivals stood confronted. It was hard to say at that moment which appeared the more formidable. In Paradou, the whole muddy and truculent depths of the half-man were stirred to frenzy; the lust of destruction raged in him; there was not a feature in his face but it talked murder. Balmile had dropped his cloak: he shone out at once in his finery, and stood to his full stature; girt in mind and body; all his resources, all his temper, perfectly in command; in his face the light of battle. Neither spoke; there was no blow nor threat of one; it was war reduced to its last element, the spiritual; and the huge wine-seller slowly lowered his weapon. Balmile was a noble, he a commoner; Balmile exulted in an honourable cause. Paradou already perhaps began to be ashamed of his violence. Of a sudden, at least, the tortured brute turned and fled from the shop in the footsteps of his former victim, to whose continued flight his reappearance added wings.

So soon as Balmile appeared between her husband and herself, Marie-Madeleine transferred to him her eyes. It might be her last moment, and she fed upon that face; reading there inimitable courage and illimitable valour to protect. And when the momentary peril was gone by, and the champion turned a little awkwardly towards her whom he had rescued, it was to meet, and quail before, a gaze of admiration more distinct than words. He bowed, he stammered, his words failed him; he who had crossed the floor a moment ago, like a young god, to smite, returned like one discomfited; got somehow to his place by the table, muffled himself again in his discarded cloak, and for a last touch of the ridiculous, seeking for anything to restore his countenance, drank of the wine before him, deep as a porter after a heavy lift. It was little wonder if Ballantrae, reading the scene with malevolent eyes, laughed out loud and brief, and drank with raised glass, “To the champion of the Fair.”

Marie-Madeleine stood in her old place within the counter; she disdained the mocking laughter; it fell on her ears, but it did not reach her spirit. For her, the world of living persons was all resumed again into one pair, as in the days of Eden; there was but the one end in life, the one hope before her, the one thing needful, the one thing possible,—to be his.


 

CHAPTER I

THE PRINCE

That same night there was in the city of Avignon a young man in distress of mind. Now he sat, now walked in a high apartment, full of draughts and shadows. A single candle made the darkness visible; and the light scarce sufficed to show upon the wall, where they had been recently and rudely nailed, a few miniatures and a copper medal of the young man’s head. The same was being sold that year in London, to admiring thousands. The original was fair; he had beautiful brown eyes, a beautiful bright open face; a little feminine, a little hard, a little weak; still full of the light of youth, but already beginning to be vulgarised; a sordid bloom come upon it, the lines coarsened with a touch of puffiness. He was dressed, as for a gala, in peach-colour and silver; his breast sparkled with stars and was bright with ribbons; for he had held a levee in the afternoon and received a distinguished personage incognito. Now he sat with a bowed head, now walked precipitately to and fro, now went and gazed from the uncurtained window, where the wind was still blowing, and the lights winked in the darkness.

The bells of Avignon rose into song as he was gazing; and the high notes and the deep tossed and drowned, boomed suddenly near or were suddenly swallowed up, in the current of the mistral. Tears sprang in the pale blue eyes; the expression of his face was changed to that of a more active misery; it seemed as if the voices of the bells reached, and touched and pained him, in a waste of vacancy where even pain was welcome. Outside in the night they continued to sound on, swelling and fainting; and the listener heard in his memory, as it were their harmonies, joy-bells clashing in a northern city, and the acclamations of a multitude, the cries of battle, the gross voices of cannon, the stridor of an animated life. And then all died away, and he stood face to face with himself in the waste of vacancy, and a horror came upon his mind, and a faintness on his brain, such as seizes men upon the brink of cliffs.

On the table, by the side of the candle, stood a tray of glasses, a bottle, and a silver bell. He went thither swiftly, then his hand lowered first above the bell, then settled on the bottle. Slowly he filled a glass, slowly drank it out; and, as a tide of animal warmth recomforted the recesses of his nature, stood there smiling at himself. He remembered he was young; the funeral curtains rose, and he saw his life shine and broaden and flow out majestically, like a river sunward. The smile still on his lips, he lit a second candle and a third; a fire stood ready built in a chimney, he lit that also; and the fir-cones and the gnarled olive billets were swift to break in flame and to crackle on the hearth, and the room brightened and enlarged about him like his hopes. To and fro, to and fro, he went, his hands lightly clasped, his breath deeply and pleasurably taken. Victory walked with him; he marched to crowns and empires among shouting followers; glory was his dress. And presently again the shadows closed upon the solitary. Under the gilt of flame and candle-light, the stone walls of the apartment showed down bare and cold; behind the depicted triumph loomed up the actual failure: defeat, the long distress of the flight, exile, despair, broken followers, mourning faces, empty pockets, friends estranged. The memory of his father rose in his mind: he, too, estranged and defied; despair sharpened into wrath. There was one who had led armies in the field, who had staked his life upon the family enterprise, a man of action and experience, of the open air, the camp, the court, the council-room; and he was to accept direction from an old, pompous gentleman in a home in Italy, and buzzed about by priests? A pretty king, if he had not a martial son to lean upon! A king at all?

“There was a weaver (of all people) joined me at St. Ninians; he was more of a man than my papa!” he thought. “I saw him lie doubled in his blood and a grenadier below him—and he died for my papa! All died for him, or risked the dying, and I lay for him all those months in the rain and skulked in heather like a fox; and now he writes me his advice! calls me Carluccio—me, the man of the house, the only king in that king’s race.“ He ground his teeth. “The only king in Europe! Who else? Who has done and suffered except me? who has lain and run and hidden with his faithful subjects, like a second Bruce? Not my accursed cousin, Louis of France at least, the lewd effeminate traitor!” And filling the glass to the brim, he drank a king’s damnation. Ah, if he had the power of Louis, what a king were here!

The minutes followed each other into the past, and still he persevered in this debilitating cycle of emotions, still fed the fire of his excitement with driblets of Rhine wine: a boy at odds with life, a boy with a spark of the heroic, which he was now burning out and drowning down in futile reverie and solitary excess.

From two rooms beyond, the sudden sound of a raised voice attracted him.

“By....

 


FABLES


 

FABLES


 
I

THE PERSONS OF THE TALE

After the 32nd chapter of “Treasure Island,” two of the puppets strolled out to have a pipe before business should begin again, and met in an open place not far from the story.

“Good-morning, Cap’n,” said the first, with a man-o’-war salute, and a beaming countenance.

“Ah, Silver!” grunted the other. “You’re in a bad way, Silver.”

“Now, Cap’n Smollett,” remonstrated Silver, “dooty is dooty, as I knows, and none better; but we’re off dooty now; and I can’t see no call to keep up the morality business.”

“You’re a damned rogue, my man,” said the Captain.

“Come, come, Cap’n, be just,” returned the other. “There’s no call to be angry with me in earnest. I’m on’y a chara’ter in a sea story. I don’t really exist.”

“Well, I don’t really exist either,” says the Captain, “which seems to meet that.”

“I wouldn’t set no limits to what a virtuous chara’ter might consider argument,” responded Silver. “But I’m the villain of this tale, I am; and speaking as one sea-faring man to another, what I want to know is, what’s the odds?”

“Were you never taught your catechism?” said the Captain. “Don’t you know there’s such a thing as an Author?”

“Such a thing as a Author?” returned John derisively. “And who better’n me? And the p’int is, if the Author made you, he made Long John, and he made Hands, and Pew, and George Merry—not that George is up to much, for he’s little more’n a name; and he made Flint, what there is of him; and he made this here mutiny, you keep such a work about; and he had Tom Redruth shot; and—well, if that’s a Author, give me Pew!”

“Don’t you believe in a future state?” said Smollett. “Do you think there’s nothing but the present story-paper?”

“I don’t rightly know for that,” said Silver; “and I don’t see what it’s got to do with it, anyway. What I know is this: if there is sich a thing as a Author, I’m his favourite chara’ter. He does me fathoms better’n he does you—fathoms, he does. And he likes doing me. He keeps me on deck mostly all the time, crutch and all; and he leaves you measling in the hold, where nobody can’t see you, nor wants to, and you may lay to that! If there is a Author, by thunder, but he’s on my side, and you may lay to it!”

“I see he’s giving you a long rope,” said the Captain. “But that can’t change a man’s convictions. I know the Author respects me; I feel it in my bones: when you and I had that talk at the blockhouse door, who do you think he was for, my man?”

“And don’t he respect me?” cried Silver. “Ah, you should ’a’ heard me putting down my mutiny, George Merry and Morgan and that lot, no longer ago’n last chapter; you’d ’a’ heard something then! You’d ’a’ seen what the Author thinks o’ me! But come now, do you consider yourself a virtuous chara’ter clean through?”

“God forbid!” said Captain Smollett solemnly. “I am a man that tries to do his duty, and makes a mess of it as often as not. I’m not a very popular man at home, Silver, I’m afraid!” and the Captain sighed.

“Ah,” says Silver. “Then how about this sequel of yours? Are you to be Cap’n Smollett just the same as ever and not very popular at home, says you? And if so, why, it’s ‘Treasure Island’ over again, by thunder; and I’ll be Long John and Pew’ll be Pew, and we’ll have another mutiny as like as not. Or are you to be somebody else? And if so, why, what the better are you? and what the worse am I?”

“Why, look here, my man,” returned the Captain; “I can’t understand how this story comes about at all, can I? I can’t see how you and I who don’t exist should get to speaking here, and smoke our pipes for all the world like reality? Very well, then, who am I to pipe up with my opinions? I know the Author’s on the side of good; he tells me so, it runs out of his pen as he writes. Well, that’s all I need to know; I’ll take my chance upon the rest.”

“It’s a fact he seemed to be against George Merry,” Silver admitted, musingly. “But George is little more’n a name at the best of it,” he added, brightening. “And to get into soundings for once. What is this good? I made a mutiny, and I been a gentleman o’ fortune; well, but by all stories, you ain’t no such saint. I’m a man that keeps company very easy; even by your own account, you ain’t, and to my certain knowledge you’re a devil to haze. Which is which? Which is good and which bad? Ah, you tell me that! Here we are in stays, and you may lay to it!”

“We’re none of us perfect,” replied the Captain. “That’s a fact of religion, my man. All I can say is, I try to do my duty; and if you try to do yours, I can’t compliment you on your success.”

“And so you was the judge, was you?” said Silver, derisively.

“I would be both judge and hangman for you, my man, and never turn a hair,” returned the Captain. “But I get beyond that: it mayn’t be sound theology, but it’s common sense, that what is good is useful too—or there and thereabout, for I don’t set up to be a thinker. Now, where would a story go to if there were no virtuous characters?”

“If you go to that,” replied Silver, “where would a story begin, if there wasn’t no villains?”

“Well, that’s pretty much my thought,” said Captain Smollett. “The Author has to get a story; that’s what he wants; and to get a story, and to have a man like the doctor (say) given a proper chance, he has to put in men like you and Hands. But he’s on the right side; and you mind your eye! You’re not through this story yet; there’s trouble coming for you.”

“What’ll you bet?” asked John.

“Much I care if there ain’t,” returned the Captain. “I’m glad enough to be Alexander Smollett, bad as he is; and I thank my stars upon my knees that I’m not Silver. But there’s the ink-bottle opening. To quarters!”

And indeed the Author was just then beginning to write the words:

Chapter XXXIII

 
II

THE SINKING SHIP

“Sir,” said the first lieutenant, bursting into the Captain’s cabin, “the ship is going down.”

“Very well, Mr. Spoker,” said the Captain; “but that is no reason for going about half-shaved. Exercise your mind a moment, Mr. Spoker, and you will see that to the philosophic eye there is nothing new in our position: the ship (if she is to go down at all) may be said to have been going down since she was launched.”

“She is settling fast,” said the first lieutenant, as he returned from shaving.

“Fast, Mr. Spoker?” asked the Captain. “The expression is a strange one, for time (if you will think of it) is only relative.”

“Sir,” said the lieutenant, “I think it is scarcely worth while to embark in such a discussion when we shall all be in Davy Jones’s Locker in ten minutes.”

“By parity of reasoning,” returned the Captain gently, “it would never be worth while to begin any inquiry of importance; the odds are always overwhelming that we must die before we shall have brought it to an end. You have not considered, Mr. Spoker, the situation of man,” said the Captain, smiling, and shaking his head.

“I am much more engaged in considering the position of the ship,” said Mr. Spoker.

“Spoken like a good officer,” replied the Captain, laying his hand on the lieutenant’s shoulder.

On deck they found the men had broken into the spirit-room, and were fast getting drunk.

“My men,” said the Captain, “there is no sense in this. The ship is going down, you will tell me, in ten minutes: well, and what then? To the philosophic eye, there is nothing new in our position. All our lives long, we may have been about to break a blood-vessel or to be struck by lightning, not merely in ten minutes, but in ten seconds; and that has not prevented us from eating dinner, no, nor from putting money in the Savings Bank. I assure you, with my hand on my heart, I fail to comprehend your attitude.”

The men were already too far gone to pay much heed.

“This is a very painful sight, Mr. Spoker,” said the Captain.

“And yet to the philosophic eye, or whatever it is,” replied the first lieutenant, “they may be said to have been getting drunk since they came aboard.”

“I do not know if you always follow my thought, Mr. Spoker,” returned the Captain gently. “But let us proceed.”

In the powder magazine they found an old salt smoking his pipe.

“Good God!” cried the Captain, “what are you about?”

“Well, sir,” said the old salt apologetically, “they told me as she were going down.”

“And suppose she were?” said the Captain. “To the philosophic eye, there would be nothing new in our position. Life, my old shipmate, life, at any moment and in any view, is as dangerous as a sinking ship; and yet it is man’s handsome fashion to carry umbrellas, to wear indiarubber overshoes, to begin vast works, and to conduct himself in every way as if he might hope to be eternal. And for my own poor part I should despise the man who, even on board a sinking ship, should omit to take a pill or to wind up his watch. That, my friend, would not be the human attitude.”

“I beg pardon, sir,” said Mr. Spoker. “But what is precisely the difference between shaving in a sinking ship and smoking in a powder magazine?”

“Or doing anything at all in any conceivable circumstances?” cried the Captain. “Perfectly conclusive; give me a cigar!”

Two minutes afterwards the ship blew up with a glorious detonation.


 
III

THE TWO MATCHES

One day there was a traveller in the woods in California, in the dry season, when the trades were blowing strong. He had ridden a long way, and he was tired and hungry, and dismounted from his horse to smoke a pipe. But when he felt in his pocket he found but two matches. He struck the first, and it would not light.

“Here is a pretty state of things!” said the traveller. “Dying for a smoke; only one match left; and that certain to miss fire! Was there ever a creature so unfortunate? And yet,” thought the traveller, “suppose I light this match, and smoke my pipe, and shake out the dottle here in the grass—the grass might catch fire, for it is dry like tinder; and while I snatch out the flames in front, they might evade and run behind me, and seize upon yon bush of poison oak; before I could reach it, that would have blazed up; over the bush I see a pine-tree hung with moss; that, too, would fly in fire upon the instant to its topmost bough; and the flame of that long torch—how would the trade-wind take and brandish that through the inflammable forest! I hear this dell roar in a moment with the joint voice of wind and fire, I see myself gallop for my soul, and the flying conflagration chase and outflank me through the hills; I see this pleasant forest burn for days, and the cattle roasted, and the springs dried up, and the farmer ruined, and his children cast upon the world. What a world hangs upon this moment!”

With that he struck the match, and it missed fire.

“Thank God!” said the traveller, and put his pipe in his pocket.


 
IV

THE SICK MAN AND THE FIREMAN

There was once a sick man in a burning house, to whom there entered a fireman.

“Do not save me,” said the sick man. “Save those who are strong.”

“Will you kindly tell me why?” inquired the fireman, for he was a civil fellow.

“Nothing could possibly be fairer,” said the sick man. “The strong should be preferred in all cases, because they are of more service in the world.”

The fireman pondered a while, for he was a man of some philosophy. “Granted,” said he at last, as a part of the roof fell in; “but for the sake of conversation, what would you lay down as the proper service of the strong?”

“Nothing can possibly be easier,” returned the sick man; “the proper service of the strong is to help the weak.”

Again the fireman reflected, for there was nothing hasty about this excellent creature. “I could forgive you being sick,” he said at last, as a portion of the wall fell out, “but I cannot bear your being such a fool.” And with that he heaved up his fireman’s axe, for he was eminently just, and clove the sick man to the bed.


 
V

THE DEVIL AND THE INNKEEPER

Once upon a time the devil stayed at an inn, where no one knew him, for they were people whose education had been neglected. He was bent on mischief, and for a time kept everybody by the ears. But at last the innkeeper set a watch upon the devil and took him in the fact.

The innkeeper got a rope’s end.

“Now I’m going to thrash you,” said the innkeeper.

“You have no right to be angry with me,” said the devil. “I am only the devil, and it is my nature to do wrong.”

“Is that so?” asked the innkeeper.

“Fact, I assure you,” said the devil.

“You really can’t help doing ill?” asked the innkeeper.

“Not in the smallest,” said the devil; “it would be useless cruelty to thrash a thing like me.”

“It would indeed,” said the innkeeper.

And he made a noose and hanged the devil.

“There!” said the innkeeper.


 
VI

THE PENITENT

A man met a lad weeping. “What do you weep for?” he asked.

“I am weeping for my sins,” said the lad.

“You must have little to do,” said the man.

The next day they met again. Once more the lad was weeping. “Why do you weep now?” asked the man.

“I am weeping because I have nothing to eat,” said the lad.

“I thought it would come to that,” said the man.


 
VII

THE YELLOW PAINT

In a certain city there lived a physician who sold yellow paint. This was of so singular a virtue that whoso was bedaubed with it from head to heel was set free from the dangers of life, and the bondage of sin, and the fear of death for ever. So the physician said in his prospectus; and so said all the citizens in the city; and there was nothing more urgent in men’s hearts than to be properly painted themselves, and nothing they took more delight in than to see others painted. There was in the same city a young man of a very good family but of a somewhat reckless life, who had reached the age of manhood, and would have nothing to say to the paint: “To-morrow was soon enough,” said he; and when the morrow came he would still put it off. So he might have continued to do until his death; only, he had a friend of about his own age and much of his own manners; and this youth, taking a walk in the public street, with not one fleck of paint upon his body, was suddenly run down by a water-cart and cut off in the heyday of his nakedness. This shook the other to the soul; so that I never beheld a man more earnest to be painted; and on the very same evening, in the presence of all his family, to appropriate music, and himself weeping aloud, he received three complete coats and a touch of varnish on the top. The physician (who was himself affected even to tears) protested he had never done a job so thorough.

Some two months afterwards, the young man was carried on a stretcher to the physician’s house.

“What is the meaning of this?” he cried, as soon as the door was opened. “I was to be set free from all the dangers of life; and here have I been run down by that self-same water-cart, and my leg is broken.”

“Dear me!” said the physician. “This is very sad. But I perceive I must explain to you the action of my paint. A broken bone is a mighty small affair at the worst of it; and it belongs to a class of accident to which my paint is quite inapplicable. Sin, my dear young friend, sin is the sole calamity that a wise man should apprehend; it is against sin that I have fitted you out; and when you come to be tempted you will give me news of my paint.”

“O!” said the young man, “I did not understand that, and it seems rather disappointing. But I have no doubt all is for the best; and in the meanwhile, I shall be obliged to you if you will set my leg.”

“That is none of my business,” said the physician; “but if your bearers will carry you round the corner to the surgeon’s, I feel sure he will afford relief.”

Some three years later, the young man came running to the physician’s house in a great perturbation. “What is the meaning of this?” he cried. “Here was I to be set free from the bondage of sin; and I have just committed forgery, arson, and murder.”

“Dear me!” said the physician. “This is very serious. Off with your clothes at once.” And as soon as the young man had stripped, he examined him from head to foot. “No,” he cried with great relief, “there is not a flake broken. Cheer up, my young friend, your paint is as good as new.”

“Good God!” cried the young man, “and what then can be the use of it?”

“Why,” said the physician, “I perceive I must explain to you the nature of the action of my paint. It does not exactly prevent sin; it extenuates instead the painful consequences. It is not so much for this world as for the next; it is not against life; in short, it is against death that I have fitted you out. And when you come to die, you will give me news of my paint.”

“O!” cried the young man, “I had not understood that, and it seems a little disappointing. But there is no doubt all is for the best; and in the meanwhile, I shall be obliged if you will help me to undo the evil I have brought on innocent persons.”

“That is none of my business,” said the physician; “but if you will go round the corner to the police office, I feel sure it will afford you relief to give yourself up.”

Six weeks later the physician was called to the town gaol.

“What is the meaning of this?” cried the young man. “Here am I literally crusted with your paint; and I have broken my leg, and committed all the crimes in the calendar, and must be hanged to-morrow; and am in the meanwhile in a fear so extreme that I lack words to picture it.”

“Dear me!” said the physician. “This is really amazing. Well, well; perhaps if you had not been painted, you would have been more frightened still.”