Among the names that were occasionally mentioned in the brief and fleeting annals of the stage from the year 1798 to the year 1811, were those of Mr. David Poe and the beautiful Miss Arnold—afterward Mrs. Poe,—the father and mother of that most brilliant but erratic genius Edgar A. Poe.
David Poe was the son of old General Poe, who won his honors in Revolutionary times and was a man of sterling character and many heroic qualities. Miss Arnold belonged to the stage by birth, and from earliest youth had been attached to the theatre in some capacity. It is a most miserable fate for a child, but she knew of nothing better. She came before the public with a naïveté that was touching, and played her little airs on the piano and sung her little songs and uttered her childish sentences always to the very best of her ability, putting up with the late hours and the hasty and often scanty meals and the general discomfort of her lot with the utmost amiability and good-nature. No sheltered home, no days of careless pleasure, no constant and watchful care over health or manners or morals, fell to her lot; but the frowns and sometimes the curses of the older actors, the ill-nature of the manager, and the wearied fretfulness of her mother, who was growing old in the drudgery of her profession,—for she never rose above that at any time. Nor does it appear that Miss Arnold had any particular talent, though she won a moderate share of favor upon the stage; but she was always much esteemed by those who knew her in private. She sung and sometimes danced, as did her husband, who was an actor of inferior merit. There is something very pathetic in the story of the little second-rate actress who was so conscientious and so persevering, and one cannot but hope that she received her due share of the applause which lends such a fascination to the life of the actor that he rarely abandons it for any other career.
There is a hint of the hardship of her life in the fact that there are but three short breaks in her dramatic career through all those years,—the times when the three children were born to them. Edgar was born Jan. 19, 1809, and his mother appeared upon the stage again February 10, and played to the end of the season almost incessantly. The family were poor to the verge of destitution at all times, and the little woman had need of a brave heart when the children came crowding into the poor unfurnished nest. One cannot doubt that there was much of pain and worry in the little creature's heart before the birth of Edgar; and no doubt the paint covered the traces of many tears on the faded cheeks, and the smiles which wreathed her face were more artificial than the usual stage smiles during all those weary months. In 1811 she and her husband were playing in Richmond, when her health failed her, and they were brought to great straits for the means of life. The actors gave her a benefit, but the receipts were small, and the following card was inserted in the Richmond papers:—
"To the Humane: On this night Mrs. Poe, lingering on the bed of disease and surrounded by her children, asks your assistance; and asks it perhaps, for the last time."
Before the second benefit night the Richmond ladies had come to her relief, and she was tenderly cared for during the brief remainder of her life by stranger hands. She had never had a home. She had passed her whole life in poor, mean lodgings, about which no household charm could linger. In these desolate places had been passed even her honeymoon; in some garret lodgings had her children been born; here all that she had known of domestic joy or sorrow had been enacted; here she had doubtless wept her hot tears and had her little triumphs, and here she had died. Poor little variety-actress of the olden time! there is one heart at least that is touched by your lot, even at this distant day, and has dropped a tear to your memory on the page where she has read your history.
The three children were cared for by the kind people of Richmond, and Edgar was adopted by Mrs. John Allan, whose husband gave but a reluctant consent to the arrangement. Edgar was a most beautiful and precocious child, and attracted much attention in the new home. If the poor mother on her dying-bed could have known of the good fortune which awaited him, it would have eased somewhat the bitter pangs of her parting with her beautiful and idolized child. He was taken to England, where he spent several years of his childhood, and when he returned, entered a classical school, where he was prepared for college. He was described as "self-willed, capricious, inclined to be imperious, and, though of generous impulses, not steadily kind or even amiable." He was a facile scholar and fond of Latin and English poetry. He was nearly always alone, making few friends among his schoolmates, and was of a dignified and reserved disposition and inclined to melancholy. He entered the University of Virginia at the age of seventeen, and it was here that his fatal habit of drinking was first formed. One of his schoolmates writes:—
"Poe's passion for strong drink was as marked and peculiar as that for cards. It was not the taste of the beverage that influenced him. Without a sip or smack of the mouth he would seize a full glass, without water or sugar, and send it home at a single gulp. This frequently used him up; but if not, he rarely returned to the charge."
This, for a lad of seventeen, with an excitable temperament, was sufficient to sow the seeds of all his future woe. The youthful brain inflamed with alcohol never really recovers its normal condition, even when abstinence follows, and Poe's life-long struggle with his adversary began at this tender age. Dr. Day, long connected with the inebriate asylum at Binghamton, N. Y., once had an opportunity to examine the brain of a man who, after having been a drunkard, reformed and lived for some years as a teetotaller. He found to his surprise that the globules of the brain had not shrunk to their natural size. They did not exhibit the inflammation of the drunkard's brain, but they were still enlarged, and seemed ready on the instant to absorb the fumes of alcohol and resume their former condition. He thought he saw in this morbid condition of the brain the physical part of the reason why a man who has once been habituated to liquor falls so easily under its sway again in spite of every moral reason for refraining. Doubtless he was right, and poor Poe was only one of a vast number of men of brilliant intellects and kind hearts, who after a life-long struggle are defeated by the enemy they have taken into their stomachs to destroy their brains.
It is not our purpose to trace the poet through all the devious windings of his life, but to dwell for a little while upon the course of his domestic life and give some of the striking points in his character. We will pass over the close of his college career and the episode at West Point, as well as the publication of his earliest volume of poems, and look at him as we find him in the summer of 1833, living in Baltimore. He had a home here with his father's widowed sister, Mrs. Clemm, who with her daughter Virginia lived in a very humble way in that city. The little Poe could earn—for he was then at one of his lowest financial periods—went into the common stock, and the three struggled along together. Virginia was a child of eleven, beautiful, delicate, refined; and Mrs. Clemm was then, as always thereafter, the best and kindest of friends to the poet. She had little to offer him, save kindness and motherly love; but she gave these most abundantly, and they were of priceless value to Poe. For many months he kept himself from his besetting sin, and worked faithfully at whatever literary work he could get to do. But he was poor to the point of destitution, and the mental strain upon him was great, with his extraordinary pride and sensitiveness. He had been well reared, with fine and delicate tastes, and accustomed to money; and privation was very bitter to him. He was naturally an aristocrat, too, and found in the associations to which he was almost compelled by poverty a heavy cross. At the end of two years he felt himself forced to leave Baltimore, and thought he could obtain employment in Richmond. He had become greatly attached to Virginia, and she was equally so to him; and although she was but a child of thirteen, Poe proposed to marry her and take her and Mrs. Clemm with him to his new destination. The youth of Virginia seems to have been the only obstacle in the mind of Mrs. Clemm, who had conceived the deepest affection for Poe and had great confidence in his abilities. She was friendless and unable to take care of herself and her daughter, and after some hesitation she consented to the marriage. It did not take place, however, till Virginia was fourteen years old.
Ill-starred and ill-timed as this marriage seemed to be, it was the one bright and beautiful thing about the life of Poe. He remained passionately devoted to the youthful wife as long as she lived; and it is thought by those who knew him best that, despite his numerous romantic passages with ladies after her death, Virginia was the only woman he ever really loved. In spite of the bad habits which clung to him so persistently, he seems to have been a really kind and devoted husband to the end. She, on her part, worshipped him with a supreme infatuation that was blind to all his faults. The romance of the first months of married life seemed never to wear off, and through all their sorrows—and they were many and bitter—their love burned as brightly as at first.
To Mrs. Clemm, also, Poe was always a devoted son, and through all his waywardness; and folly and sin she clung to him with the devotion of a true mother. The sturdy figure of this woman shows through all the dark spots of his life, casting a gleam of brightness. She was a strong, masculine-looking woman, full of energy, and took upon herself all the practical affairs of the little household. She received the money from Poe, and expended it in her own way; and she had a faculty of getting a good deal of comfort out of a very little money. So their home was almost always comfortable, even when they were poorest. And she never gave way to reproaches, even when Poe was at his worst. She seemed to consider his failing only in the light of a misfortune, and never blamed, but always pitied him. She worshipped his genius almost as blindly as did Virginia, and it is pleasant to think that with all their misfortunes and privations, they had much real happiness in their little home. Poe was very proud and very fond of Virginia, and liked to take strangers to see her. She had a voice of wonderful sweetness and sung exquisitely, and in some of their more prosperous days she had her harp and piano. One evening when she was singing she ruptured a blood-vessel, and for a time her life was despaired of Poe describes the affliction long afterwards in a letter as follows:—
"Six years ago a wife whom I loved as no man ever loved before, ruptured a blood-vessel in singing. I took leave of her forever, and underwent all the agonies of her death. She recovered partially, and I again hoped. At the end of a year the vessel again broke. I went through precisely the same scene. Then again—again—and even once again at varying intervals. Each time I felt all the agonies of her death, and at each accession of the disorder I loved her more dearly and clung to her life with more desperate pertinacity. But I am constitutionally sensitive,—nervous to an unusual degree. I became insane, with long intervals of possible sanity. During these fits of absolute unconsciousness, I drank—God only knows how often or how much. As a matter of course, my enemies referred the insanity to the drink, rather than the drink to the insanity."
Although Poe's word is not always to be taken in regard to his own affairs, this doubtless describes his feelings over Virginia's condition quite truthfully; and whether the drinking was cause or effect we shall probably never really know.
During one of the periods of Virginia's improved health Poe took her and went to New York, leaving Mrs. Clemm behind to settle up domestic affairs. In a letter which he wrote to his mother-in-law, we have a glimpse of the kindlier side of the man's nature and of his real affection for this devoted friend, as well as some hints of the straits of poverty to which they had been accustomed, by the fulness of his descriptions of the plenty upon which they had fallen. He is speaking of his boarding-house:—
"I wish Catarina [the cat] could see it; she would faint. Last night for supper we had the nicest tea you ever drank,—strong and hot,—wheat and rye bread, cheese, tea-cakes (elegant—a great dish), two dishes of elegant ham and two of cold veal, piled up like a mountain and large slices, three dishes of the cakes, and everything in the greatest profusion. No fear of starving here. The landlady seemed as if she couldn't press us enough, and we were at home directly. For breakfast we had excellent-flavored coffee, hot and strong,—not very clear and no great deal of cream,—veal-cutlets, elegant ham and eggs, and nice bread and butter. I never sat down to a more plentiful or a nicer breakfast. I wish you could have seen the eggs and the great dishes of meat. Sis is delighted, and we are both in excellent spirits. She has coughed hardly any, and had no night-sweat. She is now busy mending my pants, which I tore against a nail. I went out last night and bought a skein of silk, a skein of thread, two buttons, a pair of slippers, and a tin pan for the stove. The fire kept all night. We have now got four dollars and a half left. To-morrow I am going to try and borrow three dollars, so that I may have a fortnight to go upon. I feel in excellent spirits, and haven't drank a drop—so that I hope soon to get out of trouble. The very instant I scrape together enough money I will send it on. You can't imagine how much we both do miss you. Sissy had a hearty cry last night because you and Catarina weren't here. We hope to send for you very soon."
It is hard to read of the straits to which Poe was often reduced for a little money, and to know that all this time he was writing those immortal tales which would now make a man's fortune as soon as produced. It is true that he had two or three times good salaried positions,—good for that day,—but he never kept them long, and his chronic state was one of poverty, if not of destitution.
Mrs. Osgood, who knew him in the later days in New York, says of him:—
"I have never seen him otherwise than gentle, generous, well-bred, and fastidiously refined. To a sensitive and delicately nurtured woman there was a peculiar and irresistible charm in the chivalric, graceful, and almost tender reverence with which he invariably approached all women who won his respect."
The home in the suburbs where he lived in the last days of his wife's life is described as a story-and-a-half house at the top of Fordham Hill. Within on the ground floor were two small apartments,—a kitchen and sitting-room,—and above, up a narrow stairway, two others, one Poe's room,—a low, cramped chamber lighted by little square windows like port-holes,—the other a diminutive closet of a bedroom, hardly large enough to lie down in. The furnishing was of the scantiest, but everything faultlessly neat.
"Mrs. Clemm, now over sixty, in her worn black dress made upon all who saw her an impression of dignity, refinement, and deep motherly devotion to her children. Virginia, at the age of twenty-five, retained her beauty, but the large black eyes and raven hair contrasted sadly with the pallor of her face. Poe himself, poor, proud, and ill, anticipating grief and nursing the bitterness that springs from helplessness in the sight of suffering borne by those dear to us, was restless and variable, the creature of contradictory impulses."
Virginia now failed rapidly, Poe was ill, and the household was reduced almost to the starving-point. Winter was upon them; and when at last a sympathizing friend found them she thus describes the situation:—
"There was no clothing upon the bed, which was only straw, but a snow-white counterpane and sheets. The weather was cold, and the sick lady had the dreadful chills that accompany the hectic fever of consumption. She lay on the straw bed wrapped in her husband's great-coat, with a large tortoise-shell cat in her bosom. The wonderful cat seemed conscious of her great usefulness. The coat and the cat were the sufferer's only means of warmth, except as her husband held her hands and her mother her feet. Mrs. Clemm was passionately fond of her daughter, and her distress on account of her illness and poverty and misery was dreadful to see."
This friend at once interested some benevolent people in the case, and poor Virginia's last days were made comfortable by their aid. Poe's heart seemed filled with inexpressible gratitude to all who aided him in this sorest crisis of his life; and although he was much broken by his loss, he rallied once more and was sober and industrious for a time. Mrs. Clemm stood faithfully by him, and even watched over him through some of the fearful seasons of delirium which followed his complete giving up to the habits of drinking and of taking opium.
Of the final scenes of this unhappy life it is needless to write. They have been often described, and though the accounts vary, the sum and substance are the same. Poe was attacked with delirium-tremens in Baltimore, and died in a hospital in that city in October, 1849. Beautiful, gifted, and sensitive, proud, ambitious, and daring, endowed with a subtle charm of manner as well as of person, amiable and generous in his home life, loyal and devoted to his family, a very pleasing picture is presented of the man if we look but on this side. Could he have overcome the fatal fascination of drink, we might never have seen the reverse side of all this. As it is, let us cover his follies with our mantle of charity and dwell only upon his genius and his virtues.
During a portion of Thackeray's life there seemed to be in the public mind a complete misapprehension of the character of the man. Superficial readers of his books, who knew nothing of him personally, were fond of applying the name of cynic to him; and he was even accused by some of these of being a hater of his kind, a misanthropist, a bitter satirist, a hard, ungenial man.
As no adequate personal memoir of him has ever been written, it being understood by his family that such a publication would have been distasteful to him, it has taken time to correct all the false impressions that have gained credence in regard to the great humorist; but at the present time his character has been practically cleared of the former false charges. As one by one the friends who knew him personally have spoken, it has been discovered that this cynic was one of the tenderest and kindest men that our time has produced; this hater of his kind, a man so soft-hearted and full of sensibility that it was really a serious drawback to him in life; this misanthropist, one of the most genial and kindly companions in the world; this bitter satirist, a man who never made an enemy by his speech; this hard man, one who actually threw money away, as all his friends thought, by bestowing it upon every applicant whether he could afford it or not.
So great a change in the world's estimate of a man has seldom been made after the man's death. It is to be accounted for by the fact that while he was living his friends never told what they knew of him, and that only very gradually did they reveal his virtues, even after he had gone, feeling always that he would have preferred them to be silent; and by the other fact that he often appeared other than he was, to cover up his excessive sensibility, of which he was very much ashamed.
The world will come to a truer knowledge of him still some day; and then it will be found what a great, loving, noble heart was hidden behind his thin crust of cynicism,—what gentleness, what tenderness, what wise kindness he was capable of,—what loyalty to his friends and to his principles, what reverence for sacred things, what infinite depths of pathos, lay beneath that mocking exterior. Let us gather together a few of these personal traits as they have been given us by different hands, and try to make thus a true likeness of the man as he appeared to those who knew him best. The events of his life were few and by no means striking.
He was born in Calcutta in 1811, and brought to England when six years of age. At eleven he was placed in Charter-House School, where he is described as a rosy-faced boy, with dark curling hair, and a quick intelligent eye, ever twinkling with good-humor. For the usual school sports he had no taste, and was only known to enjoy theatricals and caricatures, for which he retained his taste throughout life. He was wonderfully social and vivacious, and the best of good company, even at this early day. Merry, light-hearted, unselfish, not very industrious, but a fair classical scholar, and possessed of a wonderful memory,—so he is remembered by those who knew him at this time. In a great school, where nearly all the boys bullied those who were beneath them, he was noted for his invariable kindness to the smaller boys, and it was remarked of him, even at this age, that for one who had such powers of sarcasm he made very few wounds by his tongue. At eighteen he entered Cambridge University, but left it at nineteen and went to study art in Paris. Here he remained for several years, and began his literary work. Here, too, he was married, when twenty-six years of age, to Miss Isabella Shawe, and here they passed the first happy days of their married life together. He has himself sketched a picture of the time, in these words:—
"The humblest painter, be he ever so poor, may have a friend watching at his easel, or a gentle wife sitting by with her work in her lap, and with fond smiles or silence, or both, cheering his labors."
For a few short years they were very happy together, and three children were born to them. Then the most terrible misfortune of his life fell upon him,—his wife, after a severe illness, became hopelessly insane. For some time Thackeray refused to believe that it was more than an illness from which she would recover, but at last the terrible truth was forced upon him that he had lost her forever, and in a way so much more cruel than death. She was placed in the home of a kind family employed to care for her, and there she remained until death released her. His grief was of the most hopeless kind, and it made a melancholy man of him throughout life. At times and seasons his natural gayety would return to him; but he was a sad man at heart from that dreadful day when the horror of her fate was revealed to him. He never spoke directly of his grief, but once in a while he would speak of it in parable, as when he talked to a friend about somebody's wife whom he had known becoming insane, and that friend says:—
"Never shall I forget the look, the manner, the voice, with which he said to me, 'It is an awful thing for her to continue to live. It is awful for her so to die. But has it ever occurred to you how awful the recovery of her lost reason would be, without the consciousness of the loss of time? She finds the lover of her youth a gray-haired old man, and her infants young men and women. Is it not sad to think of this?'"
His mother came to live with him, and his children grew to maturity beneath his roof, one of them the Miss Thackeray now so well known as a novelist. But tenderly as he was attached to them,—and there could have been no fonder father,—he no doubt felt all the sadness of the thought that
"The many make the household,
But only one the home."
In one of the "Roundabouts" he says:—
"I own, for my part, that in reading papers which this hand formerly penned, I often lose sight of the text under my eyes. It is not the words I see, but that past day, that by-gone page of life's history, that tragedy—comedy it may be—which our little home company were enacting, that merry-making which we shared, that funeral which we followed, that bitter, bitter grief which we buried."
That he should live much in that vanished past, was but natural; yet it was hard for a man like Thackeray, who had naturally such great capacity for the enjoyment of life.
That his home was a pleasant and goodly place, all who have ever visited it bear witness. He made it his refuge from all outer troubles, and practised a genial and kindly hospitality there. It was a long time before he was able to buy a house, though he made a good deal of money from his books, his free-handed generous ways always keeping him back financially; but when he was enabled to buy one, he took great pride and pleasure in it, and decorated it according to his artistic tastes. To make a little more money for his daughters, that they might be independent when he was gone, he began lecturing, and was twice induced to come to America for that purpose, much as he dreaded leaving home, and especially crossing the ocean.
His speech at the farewell dinner given him before leaving for America the last time, expressed this dread in a very comical manner, and was received with great cheering and uproar. "I have before me," he said, "at this minute the horrid figure of a steward with a basin perhaps, or a glass of brandy and water, which he will press me to drink, and which I shall try to swallow, and which won't make me any better. I know it won't." This with a grimace which put the whole table in a roar. Then he went on to tell of the last dinners given to criminals and convicts, and how they were allowed always to choose what they would have, in a manner so droll that all thought him in the happiest mood, while he was scarcely able to keep up, so sad was his heart at the prospect of leaving home. Next morning, we are told by a spectator, "he had been round crying in corners; and when the cab finally came, and the luggage had all been bestowed, and the servants stood in the hall, 'This is the moment I have dreaded,' said Thackeray, as he entered the dining-room to embrace his daughters, and when he hastily descended the steps to the door, he knew that they would be at the window to cast one loving, lingering look. 'Good-by,' he murmured in a suppressed tone, 'keep close behind me, and try to let me jump in unseen.' The instant the door of the vehicle closed behind him, he threw himself back in the corner, and buried his face in his hands."
His allusion to his little girls, in the poem of "The White Squall," is well known, and shows how constantly he had them in his thoughts:—
"And when, its force expended,
The harmless storm was ended,
And as the sunrise splendid
Came blushing o'er the sea,
I thought, as day was breaking,
My little girls were waking,
And smiling, and making
A prayer at home for me."
His love for these little girls, to whom he felt he must be both father and mother, gave him unusual tenderness for all children, and he once said he never could see a boy without wanting to give him a sovereign. This he did very often too in England, where children, like servants, are allowed to receive "tips" from their parents' friends; and when in this country he felt it quite a hardship that the children of his friends were not allowed to take his money.
His American visits afforded him much pleasure—and profit too; and he always spoke kindly of us after his return. His light way of expressing his feeling towards us was extremely characteristic, as when he said he hoped he should never be guilty of speaking ill either of the North or the South, as he had been offered equally good claret by both. His frequent allusions to eating and drinking give the idea of a much more convivial person than he really was; he was temperate in both, but he loved to write of these things. In the "Memorials of Gormandizing," he writes in the most appetizing manner of all the good dinners he has eaten in many lands. Each dinner is an epic of the table. They make one hungry with an inappeasable hunger, and make him long to have Thackeray at his own board as a most appreciative guest. He was quite a diner-out in London, and a great favorite wherever he went. He was not one of the professional talkers, but always had one or two good things to say, which he did not repeat until they were stereotyped, as so many do. Though he said witty things now and then, he was not a wit in the sense that Jerrold was. He shone most in little subtle remarks on life, little off-hand sketches of character, and descriptive touches of men and things. He could be uproariously funny on occasion, and even sing his "Jolly Doctor Luther" at table to a congenial company; but he was often very dignified, and always gentlemanly. The bits of doggerel with which he was wont to diversify his conversation are spoken of by all his friends as irresistibly ludicrous, and he seems to have indulged in this pastime from a boy, as he did in those of caricaturing and parodying. Mr. Fields tells us that—
"In the midst of the most serious topic under discussion he was fond of asking permission to sing a comic song, or he would beg to be allowed to enliven the occasion by the instant introduction of a double shuffle. . . . During his first visit to America his jollity knew no bounds, and it became necessary often to repress him when walking in the street. I well remember his uproarious shouting and dancing when he was told that the tickets to his first course of readings were all sold; and when we rode together from his hotel to the lecture-hall, he insisted on thrusting both his long legs out of the carriage window, in deference, as he said, to his magnanimous ticket-holders."
Some of his fun was a little embarrassing to his friends, as when Mr. Fields had taken him to the meeting of a scientific club at the house of a distinguished Boston gentlemen, and Thackeray, being bored by the proceedings, stole into a little anteroom, where he thought no one could see him but his friend, and proceeded to give vent to his feelings in pantomime.
"He threw an imaginary person (myself, of course) upon the floor, and proceeded to stab him several times with a paper-folder which he caught up for that purpose. After disposing of his victim in this way, he was not satisfied, for the dull lecture still went on in the other room, and he fired an imaginary revolver several times at an imaginary head; still the droning speaker proceeded; and now began the greatest pantomimic scene of all, namely, murder by poison, after the manner in which the player King is disposed of in 'Hamlet.' Thackeray had found a small phial on the mantel-shelf and out of it he proceeded to pour the imaginary 'juice of cursed hebenon' into the imaginary porches of somebody's ears. The whole thing was inimitably done, and I hoped nobody saw it but myself; but years afterwards a ponderous fat-witted young man put the question squarely to me: 'What was the matter with Mr. Thackeray that night the club met at M——'s house?'"
Thackeray's playfulness was indeed a marked peculiarity, and innumerable stories are told of his dancing pirouettes, singing impromptu songs, and rhyming a whole company to their infinite amusement. Each one of his personal friends, in talking of him, says, "But if you could only have heard him" at such a time; but of course no one can repeat such unpremeditated jests, and the flavor is gone from them when any one tries to do so. He was the life of the clubs he frequented, and spent much time in them and at theatres, of which he was passionately fond. His duties as a man of fashion took much of his time, and his friends were always wondering when he wrote his books. Much of the jollity and boyish hilarity of his life in society was a rebound from the strain of these books. He was wont to live much, as did Dickens, in the creations of his fancy, and sometimes his emotional nature became overwrought in his work. Mr. Underwood tells us:—
"One day while the great novel of 'The Newcomes' was in course of publication, Lowell, who was then in London, met Thackeray on the street. The novelist was serious in manner, and his looks and voice told of weariness and affliction. He saw the kindly inquiry in the poet's eyes, and said, 'Come into Evans's and I'll tell you all about it. I have killed the Colonel!' So they walked in and took a table in a remote corner; and then Thackeray, drawing the fresh manuscript from his breast-pocket, read through that exquisitely touching chapter which records the death of Colonel Newcome. When he came to the final Adsum, the tears which had been swelling his lids for some time trickled down his face, and the last word was almost an inarticulate sob."
Thackeray's sensibility was really extreme, and he could not read anything pathetic without actual discomfort,—never could get through "The Bride of Lammermoor," for instance,—and would not listen to any sad tales of suffering in real life if he could escape them. If he did hear of any one in want or distress, he relieved his feelings by instantly appropriating to their use all the money he found himself in possession of at the time. When he was editor of the "Cornhill Magazine," this soft-heartedness was a great drawback to him. He was always paying for contributions he could not use, if they were sent, as so many are, with some pitiful tale accompanying; and was always wasting his valuable time by writing to poor creatures about their dreary verses, which there was no hope of his being able to improve. When quite young, he loaned—or rather gave, though he called it a loan—three hundred pounds to poor old Maginn, when he was beaten in the battle of life and lay in the Fleet Prison. But he denied this act with the utmost vehemence when accused of it, and berated the old fellow in a laborious manner for having been beaten when he should have fought on. Indeed, he was very much ashamed of his soft-heartedness always, and would oftentimes bluster and appear very fierce when appealed to for assistance.
Anthony Trollope tells a story about going to him one day and telling him of the straits to which a mutual friend was reduced.
"'Do you mean to say that I am to find two thousand pounds?' he said angrily, with some expletives. I explained that I had not even suggested the doing of anything,—only that we might discuss the matter. Then there came over his face a peculiar smile, and a wink in his eye, and he whispered his suggestion, as if ashamed of his meanness. 'I'll go half,' he said, 'if anybody will do the rest.' And he did go half at a day or two's notice. I could tell various stories of the same kind."
These things were not easy for him to do; for he was never a rich man, and he had constant calls upon his charity. He kept a small floating fund always in circulation among his poorer acquaintances; and when one returned it to him he passed it to another, never considering it as his own but for the use of the unfortunate. He liked to disguise his charities as jokes,—as filling a pill-box with gold pieces and sending it to a needy friend, with the inscription, "To be taken one at a time, as needed;" and various devices of this kind. He was as generous of his praise as of his money, and always had a good word for his literary friends. His fine tribute to Macaulay will be remembered, and his praise of Washington Irving, of Charlotte Bronté, and many others. While he had an exaggerated contempt for the foibles of the world at large, he had an almost equally exaggerated sympathy for the joys and sorrows of individuals; and much of the scorn which he gives to humanity collectively may be taken as a sort of vent to his feelings when he is ashamed of having been too foolishly weak in dealing with some of these fellow-mortals in real life.
He never encouraged his companions in being cynical, but always encouraged them in admiration. "I am glad he worships anybody," he said, when some friends were satirizing an absent companion for his devotion to a great man. Neither would he encourage any unkind talk about the absent, or laugh at any good hit which was aimed at a friend. "You fiend!" he said to a friend who was laughing over a sharp attack on an acquaintance, and he refused to read or hear a word of it. Indeed, for steadfast loyalty to his friends, his equal has seldom been seen. He made common cause with them in everything, and nothing so enraged him as treachery or deceit among friends.
He was a man of aristocratic feeling, and resented familiarity. He was also in general a reserved man, and allowed few people really to know him. He had a surface nature which was all his mere acquaintances knew. Even his friends were long in finding him out. Douglas Jerrold was once heard to say, "I have known Thackeray eighteen years, and I don't know him yet;" and this was the case with the majority of his friends. His great griefs he kept closely within his own heart, and the more serious side of his nature was all hidden from the world as much as he could hide it. Those who read between the lines discovered it in his books, and those who looked deeply enough into human nature found it in the man, but superficial observers saw only the mocking man of the world. When suddenly observed, his face always had a sad, grave aspect, and it was often hard for him to throw off this seriousness and to put on his harlequin's mask. Upon religious matters he was always reticent, but reverent. Only upon rare occasions would he discuss serious subjects at all, and only with a chosen few. In one letter which has been published he departs from his usual custom and writes:—
"I never feel pity for a man dying, only for survivors if there be such passionately deploring him. You see the pleasures the undersigned proposes to himself here in future years,—a sight of the Alps, a holiday on the Rhine, a ride in the Park, a colloquy with pleasant friends of an evening. If it is death to part with these delights (and pleasures they are, and no mistake), sure the mind can conceive others afterward; and I know one small philosopher who is quite ready to give up these pleasures,—quite content (after a pang or two of separation from dear friends here) to put his hand into that of the summoning angel, and say, 'Lead on, O messenger of God our Father, to the next place whither the divine goodness calls us.' We must be blindfolded before we can pass, I know; but I have no fear about what is to come, any more than my children need fear that the love of their father should fail them. I thought myself a dead man once, and protest the notion gave me no disquiet about myself,—at least the philosophy is more comfortable than that which is tinctured with brimstone."
He hated those who make a stock in trade of their religion, and, like Dr. Johnson, would have advised them to clear their minds of cant; but no genuine evidence of religious feeling or experience was ever treated lightly by him, and he was greatly shocked at any real desecration of sacred things. He had a simple, childlike faith in God and in the Saviour, and a firm hope in the everlasting life.
In person, Thackeray was a tall, ruddy, simple-looking Englishman, with rather a full face, florid, almost rubicund, and keen, kindly eyes, and, after forty, abundant gray hair. He had a conspicuous, almost a commanding figure, with a certain awkwardness in his gait. He had a misshaped nose, caused by an accident in boyhood, and a sarcastic twinkle oftentimes in his eyes, which changed the expression of his whole face.
He dressed well, but unpretendingly, and his voice and manner were always courteous and cordial. He smiled easily, and had a humorous look when not oppressed with sadness, which was often the case in later life. He died suddenly in middle life, leaving, like Dickens, an unfinished novel in the press. No other literary man, save perhaps Macaulay, has been mourned as Thackeray was mourned. There was universal sorrow for his premature loss, and great personal grief among his friends. Twenty-three years have passed since that time, and no successor has arisen to repay the world for that loss. When the curtain fell upon Becky Sharpe and Beatrix, upon Ethel Newcome and the good Colonel, upon Laura and Pendennis, upon Esmond and Warrington, and upon all the deeply studied characters of his mimic stage, that curtain fell to rise no more upon such creatures as his hands had made. He will have no successor. He is the One, the Only. Such pathos, such wit, such wisdom, will not dawn upon us again—in time.
When he wrote Finis for the last time at the close of one of those matchless volumes, it was an epoch closed in the history of literature. When the recording angel wrote Finis at the close of that sad and weary but bravely spent and useful life, it was a sad day for the world of men, who will not look upon his like again. Who that felt a love for the writer and the man could fail to rejoice that the end was quick and painless? One of our own poets has well described the scene:—
"The angel came by night
(Such angels still come down),
And like a winter cloud
Passed over London Town,
Along its lonesome streets,
Where want had ceased to weep,
Until it reached a house
Where a great man lay asleep;
The man of all his time
Who knew the most of men,—
The soundest head and heart,
The sharpest, kindest pen.
It paused beside his bed
And whispered in his ear;
He never turned his head,
But answered, 'I am here.'
Into the night they went;
At morning, side by side,
They gained the sacred place
Where the greatest dead abide;
Where grand old Homer sits,
In godlike state benign;
Where broods in endless thought
The awful Florentine;
Where sweet Cervantes walks,
A smile on his grave face;
Where gossips quaint Montaigne,
The wisest of his race;
Where Goethe looks through all
With that calm eye of his;
Where—little seen, but light—
The only Shakspeare is!
When the new spirit came,
They asked him, drawing near,
'Art thou become like us?'
He answered, 'I am here.'"