1873.
45 Read before the Royal Society, Edinburgh, 19th May 1873, and reprinted from the Proceedings R.S.E.
46 Jour. Scot. Met. Soc., New Ser. xxvi. 35.
47 Quoted by Mr. Milne Home.
48 Atlas Météorologique de l’Observatoire Impérial, 1867.
49 Comptes Rendus de l’Académie, 29th March 1869.
50 Professor Balfour’s “Class Book of Botany,” Physiology, chap. xii., p. 670.
51 Comptes Rendus, 1867 and 1869.
52 See his paper.
53 Annales de Chimie et de Physique, xlv., 1830. A more detailed comparison of the climates in question would be a most interesting and important contribution to the subject.
54 Reviewed in the Austrian Meteorological Magazine, vol. iv.; p. 543.
55 Comptes Rendus, 28th May 1860.
56 Ibid., 20th May 1861.
57 Becquerel, “Climats,” p. 141.
58 Scoresby-Jackson’s “Medical Climatology.”
A mountain valley has, at the best, a certain prison-like effect on the imagination, but a mountain valley, an Alpine winter, and an invalid’s weakness make up among them a prison of the most effective kind. The roads indeed are cleared, and at least one footpath dodging up the hill; but to these the health-seeker is rigidly confined. There are for him no cross-cuts over the field, no following of streams, no unguided rambles in the wood. His walks are cut and dry. In five or six different directions he can push as far, and no farther, than his strength permits; never deviating from the line laid down for him and beholding at each repetition the same field of wood and snow from the same corner of the road. This, of itself, would be a little trying to the patience in the course of months; but to this is added, by the heaped mantle of the snow, an almost utter absence of detail and an almost unbroken identity of colour. Snow, it is true, is not merely white. The sun touches it with roseate and golden lights. Its own crushed infinity of crystals, its own richness of tiny sculpture, fills it, when regarded near at hand, with wonderful depths of coloured shadow, and, though wintrily transformed, it is still water, and has watery tones of blue. But, when all is said, these fields of white and blots of crude black forest are but a trite and staring substitute for the infinite variety and pleasantness of the earth’s face. Even a boulder, whose front is too precipitous to have retained the snow, seems, if you come upon it in your walk, a perfect gem of colour, reminds you almost painfully of other places, and brings into your head the delights of more Arcadian days—the path across the meadow, the hazel dell, the lilies on the stream, and the scents, the colours, and the whisper of the woods. And scents here are as rare as colours. Unless you get a gust of kitchen in passing some hotel, you shall smell nothing all day long but the faint and choking odour of frost. Sounds, too, are absent: not a bird pipes, not a bough waves, in the dead, windless atmosphere. If a sleigh goes by, the sleigh-bells ring, and that is all; you work all winter through to no other accompaniment but the crunching of your steps upon the frozen snow.
It is the curse of the Alpine valleys to be each one village from one end to the other. Go where you please, houses will still be in sight, before and behind you, and to the right and left. Climb as high as an invalid is able, and it is only to spy new habitations nested in the wood. Nor is that all; for about the health resort the walks are besieged by single people walking rapidly with plaids about their shoulders, by sudden troops of German boys trying to learn to jödel, and by German couples silently and, as you venture to fancy, not quite happily, pursuing love’s young dream. You may perhaps be an invalid who likes to make bad verses as he walks about. Alas! no muse will suffer this imminence of interruption—and at the second stampede of jödellers you find your modest inspiration fled. Or you may only have a taste for solitude; it may try your nerves to have some one always in front whom you are visibly overtaking, and some one always behind who is audibly overtaking you, to say nothing of a score or so who brush past you in an opposite direction. It may annoy you to take your walks and seats in public view. Alas! there is no help for it among the Alps. There are no recesses, as in Gorbio Valley by the oil-mill; no sacred solitude of olive gardens on the Roccabruna-road; no nook upon St. Martin’s Cape, haunted by the voice of breakers, and fragrant with the three-fold sweetness of the rosemary and the sea-pines and the sea.
For this publicity there is no cure, and no alleviation; but the storms of which you will complain so bitterly while they endure, chequer and by their contrast brighten the sameness of the fair-weather scenes. When sun and storm contend together—when the thick clouds are broken up and pierced by arrows of golden daylight—there will be startling rearrangements and transfigurations of the mountain summits. A sun-dazzling spire of alp hangs suspended in mid-sky among awful glooms and blackness; or perhaps the edge of some great mountain shoulder will be designed in living gold, and appear for the duration of a glance bright like a constellation, and alone “in the unapparent.” You may think you know the figure of these hills; but when they are thus revealed, they belong no longer to the things of earth—meteors we should rather call them, appearances of sun and air that endure but for a moment and return no more. Other variations are more lasting, as when, for instance, heavy and wet snow has fallen through some windless hours, and the thin, spiry mountain pine-trees stand each stock-still and loaded with a shining burthen. You may drive through a forest so disguised, the tongue-tied torrent struggling silently in the cleft of the ravine, and all still except the jingle of the sleigh bells, and you shall fancy yourself in some untrodden northern territory—Lapland, Labrador, or Alaska.
Or, possibly, you arise very early in the morning; totter down-stairs in a state of somnambulism; take the simulacrum of a meal by the glimmer of one lamp in the deserted coffee-room; and find yourself by seven o’clock outside in a belated moonlight and a freezing chill. The mail sleigh takes you up and carries you on, and you reach the top of the ascent in the first hour of the day. To trace the fires of the sunrise as they pass from peak to peak, to see the unlit tree-tops stand out soberly against the lighted sky, to be for twenty minutes in a wonderland of clear, fading shadows, disappearing vapours, solemn blooms of dawn, hills half glorified already with the day and still half confounded with the greyness of the western heaven—these will seem to repay you for the discomforts of that early start; but as the hour proceeds, and these enchantments vanish, you will find yourself upon the farther side in yet another Alpine valley, snow white and coal black, with such another long-drawn congeries of hamlets and such another senseless watercourse bickering along the foot. You have had your moment; but you have not changed the scene. The mountains are about you like a trap; you cannot foot it up a hillside and behold the sea as a great plain, but live in holes and corners, and can change only one for another.
There has come a change in medical opinion, and a change has followed in the lives of sick folk. A year or two ago and the wounded soldiery of mankind were all shut up together in some basking angle of the Riviera, walking a dusty promenade or sitting in dusty olive-yards within earshot of the interminable and unchanging surf—idle among spiritless idlers not perhaps dying, yet hardly living either, and aspiring, sometimes fiercely, after livelier weather and some vivifying change. These were certainly beautiful places to live in, and the climate was wooing in its softness. Yet there was a later shiver in the sunshine; you were not certain whether you were being wooed; and these mild shores would sometimes seem to you to be the shores of death. There was a lack of a manly element; the air was not reactive; you might write bits of poetry and practise resignation, but you did not feel that here was a good spot to repair your tissue or regain your nerve. And it appears, after all, that there was something just in these appreciations. The invalid is now asked to lodge on wintry Alps; a ruder air shall medicine him; the demon of cold is no longer to be fled from, but bearded in his den. For even Winter has his “dear domestic cave,” and in those places where he may be said to dwell for ever tempers his austerities.
Any one who has travelled westward by the great transcontinental railroad of America must remember the joy with which he perceived, after the tedious prairies of Nebraska and across the vast and dismal moorlands of Wyoming, a few snowy mountain summits along the southern sky. It is among these mountains in the new State of Colorado that the sick man may find, not merely an alleviation of his ailments, but the possibility of an active life and an honest livelihood. There, no longer as a lounger in a plaid, but as a working farmer, sweating at his work, he may prolong and begin anew his life. Instead of the bath-chair, the spade; instead of the regulated walk, rough journeys in the forest, and the pure, rare air of the open mountains for the miasma of the sick-room—these are the changes offered him, with what promise of pleasure and of self-respect, with what a revolution in all his hopes and terrors, none but an invalid can know. Resignation, the cowardice that apes a kind of courage and that lives in the very air of health resorts, is cast aside at a breath of such a prospect. The man can open the door; he can be up and doing; he can be a kind of a man after all and not merely an invalid.
But it is a far cry to the Rocky Mountains. We cannot all of us go farming in Colorado; and there is yet a middle term, which combines the medical benefits of the new system with the moral drawbacks of the old. Again the invalid has to lie aside from life and its wholesome duties; again he has to be an idler among idlers; but this time at a great altitude, far among the mountains, with the snow piled before his door and the frost flowers every morning on his window. The mere fact is tonic to his nerves. His choice of a place of wintering has somehow to his own eyes the air of an act of bold contract; and, since he has wilfully sought low temperatures, he is not so apt to shudder at a touch of chill. He came for that, he looked for it, and he throws it from him with the thought.
A long straight reach of valley, wall-like mountains upon either hand that rise higher and higher and shoot up new summits the higher you climb; a few noble peaks seen even from the valley; a village of hotels; a world of black and white—black pine-woods, clinging to the sides of the valley, and white snow flouring it, and papering it between the pine-woods, and covering all the mountains with a dazzling curd; add a few score invalids marching to and fro upon the snowy road, or skating on the ice-rinks, possibly to music, or sitting under sunshades by the door of the hotel—and you have the larger features of a mountain sanatorium. A certain furious river runs curving down the valley; its pace never varies, it has not a pool for as far as you can follow it; and its unchanging, senseless hurry is strangely tedious to witness. It is a river that a man could grow to hate. Day after day breaks with the rarest gold upon the mountain spires, and creeps, growing and glowing, down into the valley. From end to end the snow reverberates the sunshine; from end to end the air tingles with the light, clear and dry like crystal. Only along the course of the river, but high above it, there hangs far into the noon one waving scarf of vapour. It were hard to fancy a more engaging feature in a landscape; perhaps it is harder to believe that delicate, long-lasting phantom of the atmosphere, a creature of the incontinent stream whose course it follows. By noon the sky is arrayed in an unrivalled pomp of colour—mild and pale and melting in the north, but towards the zenith, dark with an intensity of purple blue. What with this darkness of heaven and the intolerable lustre of the snow, space is reduced again to chaos. An English painter, coming to France late in life, declared with natural anger that “the values were all wrong.” Had he got among the Alps on a bright day he might have lost his reason. And even to any one who has looked at landscape with any care, and in any way through the spectacles of representative art, the scene has a character of insanity. The distant shining mountain peak is here beside your eye; the neighbouring dull-coloured house in comparison is miles away; the summit, which is all of splendid snow, is close at hand; the nigh slopes, which are black with pine-trees, bear it no relation, and might be in another sphere. Here there are none of those delicate gradations, those intimate, misty joinings-on and spreadings-out into the distance, nothing of that art of air and light by which the face of nature explains and veils itself in climes which we may be allowed to think more lovely. A glaring piece of crudity, where everything that is not white is a solecism and defies the judgment of the eyesight; a scene of blinding definition; a parade of daylight, almost scenically vulgar, more than scenically trying, and yet hearty and healthy, making the nerves to tighten and the mouth to smile: such is the winter daytime in the Alps. With the approach of evening all is changed. A mountain will suddenly intercept the sun; a shadow fall upon the valley; in ten minutes the thermometer will drop as many degrees; the peaks that are no longer shone upon dwindle into ghosts; and meanwhile, overhead, if the weather be rightly characteristic of the place, the sky fades towards night through a surprising key of colours. The latest gold leaps from the last mountain. Soon, perhaps, the moon shall rise, and in her gentler light the valley shall be mellowed and misted, and here and there a wisp of silver cloud upon a hilltop, and here and there a warmly glowing window in a house, between fire and starlight, kind and homely in the fields of snow.
But the valley is not seated so high among the clouds to be eternally exempt from changes. The clouds gather, black as ink; the wind bursts rudely in; day after day the mists drive overhead, the snowflakes flutter down in blinding disarray; daily the mail comes in later from the top of the pass; people peer through their windows and foresee no end but an entire seclusion from Europe, and death by gradual dry-rot, each in his indifferent inn; and when at last the storm goes and the sun comes again, behold a world of unpolluted snow, glossy like fur, bright like daylight, a joy to wallowing dogs and cheerful to the souls of men. Or perhaps from across storied and malarious Italy, a wind cunningly winds about the mountains and breaks, warm and unclean, upon our mountain valley. Every nerve is set ajar; the conscience recognises, at a gust, a load of sins and negligences hitherto unknown; and the whole invalid world huddles into its private chambers, and silently recognises the empire of the Föhn.
There will be no lack of diversion in an Alpine sanatorium. The place is half English, to be sure, the local sheet appearing in double column, text and translation; but it still remains half German; and hence we have a band which is able to play, and a company of actors able, as you will be told, to act. This last you will take on trust, for the players, unlike the local sheet, confine themselves to German; and though at the beginning of winter they come with their wig-boxes to each hotel in turn, long before Christmas they will have given up the English for a bad job. There will follow, perhaps, a skirmish between the two races; the German element seeking, in the interest of their actors, to raise a mysterious item, the Kur-taxe, which figures heavily enough already in the weekly bills, the English element stoutly resisting. Meantime in the English hotels home-played farces, tableaux-vivants, and even balls enliven the evenings; a charity bazaar sheds genial consternation; Christmas and New Year are solemnised with Pantagruelian dinners, and from time to time the young folks carol and revolve untunefully enough through the figures of a singing quadrille. A magazine club supplies you with everything, from the Quarterly to the Sunday at Home. Grand tournaments are organised at chess, draughts, billiards, and whist. Once and again wandering artists drop into our mountain valley, coming you know not whence, going you cannot imagine whither, and belonging to every degree in the hierarchy of musical art, from the recognised performer who announces a concert for the evening, to the comic German family or solitary long-haired German baritone, who surprises the guests at dinner-time with songs and a collection. They are all of them good to see; they, at least, are moving; they bring with them the sentiment of the open road; yesterday, perhaps, they were in Tyrol, and next week they will be far in Lombardy, while all we sick folk still simmer in our mountain prison. Some of them, too, are welcome as the flowers in May for their own sake; some of them may have a human voice; some may have that magic which transforms a wooden box into a song-bird, and what we jeeringly call a fiddle into what we mention with respect as a violin. From that grinding lilt, with which the blind man, seeking pence, accompanies the beat of paddle wheels across the ferry, there is surely a difference rather of kind than of degree to that unearthly voice of singing that bewails and praises the destiny of man at the touch of the true virtuoso. Even that you may perhaps enjoy; and if you do so you will own it impossible to enjoy it more keenly than here, im Schnee der Alpen. A hyacinth in a pot, a handful of primroses packed in moss, or a piece of music by some one who knows the way to the heart of a violin, are things that, in this invariable sameness of the snows and frosty air, surprise you like an adventure. It is droll, moreover, to compare the respect with which the invalids attend a concert, and the ready contempt with which they greet the dinner-time performers. Singing which they would hear with real enthusiasm—possibly with tears—from a corner of a drawing-room, is listened to with laughter when it is offered by an unknown professional and no money has been taken at the door.
Of skating little need be said; in so snowy a climate the rinks must be intelligently managed; their mismanagement will lead to many days of vexation and some petty quarrelling, but when all goes well, it is certainly curious, and perhaps rather unsafe, for the invalid to skate under a burning sun, and walk back to his hotel in a sweat, through long tracts of glare and passages of freezing shadow. But the peculiar outdoor sport of this district is tobogganing. A Scotsman may remember the low flat board, with the front wheels on a pivot, which was called a hurlie; he may remember this contrivance, laden with boys, as, laboriously started, it ran rattling down the brae, and was, now successfully, now unsuccessfully, steered round the corner at the foot; he may remember scented summer evenings passed in this diversion, and many a grazed skin, bloody cockscomb, and neglected lesson. The toboggan is to the hurlie what the sled is to the carriage; it is a hurlie upon runners; and if for a grating road you substitute a long declivity of beaten snow, you can imagine the giddy career of the tobogganist. The correct position is to sit; but the fantastic will sometimes sit hindforemost, or dare the descent upon their belly or their back. A few steer with a pair of pointed sticks, but it is more classical to use the feet. If the weight be heavy and the track smooth, the toboggan takes the bit between its teeth; and to steer a couple of full-sized friends in safety requires not only judgment but desperate exertion. On a very steep track, with a keen evening frost, you may have moments almost too appalling to be called enjoyment; the head goes, the world vanishes; your blind steed bounds below your weight; you reach the foot, with all the breath knocked out of your body, jarred and bewildered as though you had just been subjected to a railway accident. Another element of joyful horror is added by the formation of a train; one toboggan being tied to another, perhaps to the number of half a dozen, only the first rider being allowed to steer, and all the rest pledged to put up their feet and follow their leader, with heart in mouth, down the mad descent. This, particularly if the track begins with a headlong plunge, is one of the most exhilarating follies in the world, and the tobogganing invalid is early reconciled to somersaults.
There is all manner of variety in the nature of the tracks, some miles in length, others but a few yards, and yet like some short rivers, furious in their brevity. All degrees of skill and courage and taste may be suited in your neighbourhood. But perhaps the true way to toboggan is alone and at night. First comes the tedious climb, dragging your instrument behind you. Next a long breathing-space, alone with snow and pine-woods, cold, silent, and solemn to the heart. Then you push off; the toboggan fetches away; she begins to feel the hill, to glide, to swim, to gallop. In a breath you are out from under the pine-trees, and a whole heavenful of stars reels and flashes overhead. Then comes a vicious effort; for by this time your wooden steed is speeding like the wind, and you are spinning round a corner, and the whole glittering valley and all the lights in all the great hotels lie for a moment at your feet; and the next you are racing once more in the shadow of the night with close-shut teeth and beating heart. Yet a little while and you will be landed on the high-road by the door of your own hotel. This, in an atmosphere tingling with forty degrees of frost, in a night made luminous with stars and snow, and girt with strange white mountains, teaches the pulse an unaccustomed tune and adds a new excitement to the life of man upon his planet.
To any one who should come from a southern sanatorium to the Alps, the row of sun-burned faces round the table would present the first surprise. He would begin by looking for the invalids, and he would lose his pains, for not one out of five of even the bad cases bears the mark of sickness on his face. The plump sunshine from above and its strong reverberation from below colour the skin like an Indian climate; the treatment, which consists mainly of the open air, exposes even the sickliest to tan, and a tableful of invalids comes, in a month or two, to resemble a tableful of hunters. But although he may be thus surprised at the first glance, his astonishment will grow greater, as he experiences the effects of the climate on himself. In many ways it is a trying business to reside upon the Alps: the stomach is exercised, the appetite often languishes; the liver may at times rebel; and because you have come so far from metropolitan advantages, it does not follow that you shall recover. But one thing is undeniable—that in the rare air, clear, cold, and blinding light of Alpine winters, a man takes a certain troubled delight in his existence which can nowhere else be paralleled. He is perhaps no happier, but he is stingingly alive. It does not, perhaps, come out of him in work or exercise, yet he feels an enthusiasm of the blood unknown in more temperate climates. It may not be health, but it is fun.
There is nothing more difficult to communicate on paper than this baseless ardour, this stimulation of the brain, this sterile joyousness of spirits. You wake every morning, see the gold upon the snow-peaks, become filled with courage, and bless God for your prolonged existence. The valleys are but a stride to you; you cast your shoe over the hilltops; your ears and your heart sing; in the words of an unverified quotation from the Scots psalms, you feel yourself fit “on the wings of all the winds” to “come flying all abroad.” Europe and your mind are too narrow for that flood of energy. Yet it is notable that you are hard to root out of your bed; that you start forth, singing, indeed, on your walk, yet are unusually ready to turn home again; that the best of you is volatile; and that although the restlessness remains till night, the strength is early at an end. With all these heady jollities, you are half conscious of an underlying languor in the body; you prove not to be so well as you had fancied; you weary before you have well begun; and though you mount at morning with the lark, that is not precisely a song-bird’s heart that you bring back with you when you return with aching limbs and peevish temper to your inn.
It is hard to say wherein it lies, but this joy of Alpine winters is its own reward. Baseless, in a sense, it is more than worth more permanent improvements. The dream of health is perfect while it lasts; and if, in trying to realise it, you speedily wear out the dear hallucination, still every day, and many times a day, you are conscious of a strength you scarce possess, and a delight in living as merry as it proves to be transient.
The brightness—heaven and earth conspiring to be bright—the levity and quiet of the air; the odd stirring silence—more stirring than a tumult; the snow, the frost, the enchanted landscape: all have their part in the effect and on the memory, “tous vous tapent sur la tête”; and yet when you have enumerated all, you have gone no nearer to explain or even to qualify the delicate exhilaration that you feel—delicate, you may say, and yet excessive, greater than can be said in prose, almost greater than an invalid can bear. There is a certain wine of France known in England in some gaseous disguise, but when drunk in the land of its nativity still as a pool, clean as river water, and as heady as verse. It is more than probable that in its noble natural condition this was the very wine of Anjou so beloved by Athos in the “Musketeers.” Now, if the reader has ever washed down a liberal second breakfast with the wine in question, and gone forth, on the back of these dilutions, into a sultry, sparkling noontide, he will have felt an influence almost as genial, although strangely grosser, than this fairy titillation of the nerves among the snow and sunshine of the Alps. That also is a mode, we need not say of intoxication, but of insobriety. Thus also a man walks in a strong sunshine of the mind, and follows smiling, insubstantial meditations. And whether he be really so clever or so strong as he supposes, in either case he will enjoy his chimera while it lasts.
The influence of this giddy air displays itself in many secondary ways. A certain sort of laboured pleasantry has already been recognised, and may perhaps have been remarked in these papers, as a sort peculiar to that climate. People utter their judgments with a cannonade of syllables; a big word is as good as a meal to them; and the turn of a phrase goes further than humour or wisdom. By the professional writer many sad vicissitudes have to be undergone. At first he cannot write at all. The heart, it appears, is unequal to the pressure of business, and the brain, left without nourishment, goes into a mild decline. Next, some power of work returns to him, accompanied by jumping headaches. Last, the spring is opened, and there pours at once from his pen a world of blatant, hustling polysyllables, and talk so high as, in the old joke, to be positively offensive in hot weather. He writes it in good faith and with a sense of inspiration; it is only when he comes to read what he has written that surprise and disquiet seize upon his mind. What is he to do, poor man? All his little fishes talk like whales. This yeasty inflation, this stiff and strutting architecture of the sentence has come upon him while he slept; and it is not he, it is the Alps, who are to blame. He is not, perhaps, alone, which somewhat comforts him. Nor is the ill without a remedy. Some day, when the spring returns, he shall go down a little lower in this world, and remember quieter inflections and more modest language. But here, in the meantime, there seems to swim up some outline of a new cerebral hygiene and a good time coming, when experienced advisers shall send a man to the proper measured level for the ode, the biography, or the religious tract; and a nook may be found between the sea and Chimborazo, where Mr. Swinburne shall be able to write more continently, and Mr. Browning somewhat slower.
Is it a return of youth, or is it a congestion of the brain? It is a sort of congestion, perhaps, that leads the invalid, when all goes well, to face the new day with such a bubbling cheerfulness. It is certainly congestion that makes night hideous with visions, all the chambers of a many-storied caravanserai, haunted with vociferous nightmares, and many wakeful people come down late for breakfast in the morning. Upon that theory the cynic may explain the whole affair—exhilaration, nightmares, pomp of tongue and all. But, on the other hand, the peculiar blessedness of boyhood may itself be but a symptom of the same complaint, for the two effects are strangely similar; and the frame of mind of the invalid upon the Alps is a sort of intermittent youth, with periods of lassitude. The fountain of Juventus does not play steadily in these parts; but there it plays, and possibly nowhere else.
In an old note-book, soiled and dog-eared by much travelling, yellow and musty with the long years it had lain hid in a Samoan chest, the present writer came across the mimic war correspondence here presented to the public. The stirring story of these tin-soldier campaigns occupies the greater share of the book, though interspersed with many pages of scattered verse, not a little Gaelic idiom and verb, a half-made will and the chaptering of a novel. This game of tin soldiers, an intricate “Kriegspiel,” involving rules innumerable, prolonged arithmetical calculations, constant measuring with foot-rules, and the throwing of dice, sprang from the humblest beginnings—a row of soldiers on either side and a deadly marble. From such a start it grew in size and complexity until it became mimic war indeed, modelled closely upon real conditions and actual warfare, requiring, on Stevenson’s part, the use of text-books and long conversations with military invalids; on mine, all the pocket-money derived from my publishing ventures as well as a considerable part of my printing stock in trade.
The abiding spirit of the child in Stevenson was seldom shown in more lively fashion than during those days of exile at Davos, where he brought a boy’s eagerness, a man’s intellect, a novelist’s imagination, into the varied business of my holiday hours; the printing press, the toy theatre, the tin soldiers, all engaged his attention. Of these, however, the tin soldiers most took his fancy; and the war game was constantly improved and elaborated, until from a few hours a “war” took weeks to play, and the critical operations in the attic monopolised half our thoughts. This attic was a most chilly and dismal spot, reached by a crazy ladder, and unlit save for a single frosted window; so low at the eaves and so dark that we could seldom stand upright, nor see without a candle. Upon the attic floor a map was roughly drawn in chalks of different colours, with mountains, rivers, towns, bridges, and roads of two classes. Here we would play by the hour, with tingling fingers and stiffening knees, and an intentness, zest, and excitement that I shall never forget. The mimic battalions marched and counter-marched, changed by measured evolutions from column formation into line, with cavalry screens in front and massed supports behind, in the most approved military fashion of to-day. It was war in miniature, even to the making and destruction of bridges, the entrenching of camps, good and bad weather, with corresponding influence on the roads, siege and horse artillery proportionately slow, as compared to the speed of unimpeded foot and proportionately expensive in the upkeep; and an exacting commissariat added to the last touch of verisimilitude. Four men formed the regiment or unit, and our shots were in proportion to our units and amount of ammunition. The troops carried carts of printers’ “ems”—twenty “ems” to each cart—and for every shot taken an “em” had to be paid into the base, from which fresh supplies could be slowly drawn in empty carts returned for the purpose. As a large army often contained thirty regiments, consuming a cart and a half of ammunition in every engagement (not to speak of the heavy additional expense of artillery), it will be seen what an important part the commissariat played in the game, and how vital to success became the line of communication to the rear. A single cavalry brigade, if bold and lucky enough, could break the line at the weakest link, and by cutting off the sustenance of a vast army could force it to fall back in the full tide of success. A well-devised flank attack, the plucky destruction of a bridge, or the stubborn defence of a town, might each become a factor in changing the face of the war and materially alter the course of campaigns.
It must not be supposed that the enemy ever knew your precise strength, or that it could divine your intentions by the simple expedient of looking at your side of the attic and counting your regiments. Numerous numbered cards dotted the country wherever the eye might fall; one, perhaps, representing a whole army with supports, another a solitary horseman dragging some ammunition, another nothing but a dummy that might paralyse the efforts of a corps, and overawe it into a ruinous inactivity. To uncover these cards and unmask the forces for which they stood was the duty of the cavalry vedettes, whose movements were governed by an elaborate and most vexatious set of rules. It was necessary to feel your way amongst these alarming pasteboards to obtain an inkling of your opponent’s plans, and the first dozen moves were often spent in little less. But even if you were befriended by the dice, and your cavalry broke the enemy’s screen and uncovered his front, you would learn nothing more than could reasonably be gleaned with a field-glass. The only result of a daring and costly activity might be such meagre news as “the road is blocked with artillery and infantry in column” or “you can perceive light horse-artillery strongly supported.” It was only when the enemy began to take his shots that you would begin to learn the number of his regiments, and even then he often fired less than his entitled share in order to maintain the mystery of his strength.
If the game possessed a weakness, it was the unshaken courage of our troops, who faced the most terrific odds and endured defeat upon defeat with an intrepidity rarely seen on the actual field. An attempt was made to correct this with the dice, but the innovation was so heart-breaking to the loser, and so perpetual a menace to the best-laid plans, that it had perforce to be given up. After two or three dice-box panics our heroes were permitted to resume their normal and unprecedented devotion to their cause, and their generals breathed afresh. There was another defect in our “Kriegspiel”: I was so much the better shot that my marksmanship often frustrated the most admirable strategy and the most elaborate of military schemes. It was in vain that we—or rather my opponent—wrestled with the difficulty and tried to find a substitute for the deadly and discriminating pop-gun. It was all of no use. Whatever the missile—sleeve-fink, marble, or button—I was invariably the better shot, and that skill stood me in good stead on many an ensanguined plain, and helped to counteract the inequality between a boy of twelve and a man of mature years. A wise discretion ruled with regard to the personnel of the fighting line. Stevenson possessed a horde of particularly chubby cavalrymen, who, when marshalled in close formation at the head of the infantry, could bear unscathed the most accurate and overwhelming fire, and thus shelter their weaker brethren in the rear. This was offset by his “Old Guard,” whose unfortunate peculiarity of carrying their weapons at the charge often involved whole regiments in a common ruin. On my side there was a multitude of flimsy Swiss, for whom I trembled whenever they were called to action. These Swiss were so weak upon their legs that the merest breath would mow them down in columns, and so deficient in stamina that they would often fall before they were hurt. Their ranks were burdened, too, with a number of egregious puppets with musical instruments, who never fell without entangling a few of their comrades.
Another improvement that was tried and soon again given up was an effort to match the sickness of actual war. Certain zones were set apart as unwholesome, especially those near great rivers and lakes, and troops unfortunate enough to find themselves in these miasmic plains had to undergo the ordeal of the dice-box. Swiss or Guards, musicians, Arabs, chubby cavalrymen or thin, all had to pay Death’s toll in a new and frightful form. But we rather overdid the miasma, so it was abolished by mutual consent.
The war which forms the subject of the present paper was unusual in no respect save that its operations were chronicled from day to day in a public press of Stevenson’s imagination, and reported by daring correspondents on the field. Nothing is more eloquent of the man than the particularity and care with which this mimic war correspondence was compiled; the author of the “Child’s Garden” had never outgrown his love for childish things, and it is typical of him that, though he mocks us at every turn and loses no occasion to deride the puppets in the play, he is everywhere faithful to the least detail of fact. It must not be supposed that I was privileged to hear these records daily read and thus draw my plans against the morrow; on the contrary, they were sometimes held back until the military news was staled by time or were guardedly communicated with blanks for names and the dead unnumbered. Potty, Pipes, and Piffle were very real to me, and lived like actual people in that dim garret. I can still see them through the mist of years; the formidable General Stevenson, corpulent with solder, a detachable midget who could be mounted upon a fresh steed whenever his last had been trodden under foot, whose frame gave evidence of countless mendings; the emaciated Delafield, with the folded arms, originally a simple artilleryman, but destined to reach the highest honours; Napoleon, with the flaming clothes, whom fate had bound to a very fragile horse; Green, the simple patriot, who took his name from his coat; and the redoubtable Lafayette in blue, alas! with no Washington to help him.
The names of that attic country fall pleasantly upon the ear and brighten the dark and bloody page of war: Scarlet, Glendarule, Sandusky, Mar, Tahema, and Savannah; how sweetly they run! I must except my own (and solitary) contribution to the map, Samuel City, which sounds out of key with these mouthfuls of melody, though none the less an important point. Yallobally I shall always recall with bitterness, for it was there I first felt the thorn of a vindictive press. The reader will see what little cause I had to love the Yallobally Record, a scurrilous sheet that often made my heart ache, for all I pretended to laugh and see the humour of its attacks. It was indeed a relief when I learned I might exert my authority and suppress its publication—and even hang the editor—which I did, I fear, with unseemly haste. It will be noticed that the story of the war begins on the tenth day, the earlier moves being without interest save to the combatants themselves, passed as they were in uncovering the cards on either side; and in learning, with more or less success, the forces for which they stood. This was an essential but scarcely stirring branch of tin-soldiering, and has been accordingly unreported as too tedious even for the columns of the Yallobally Record. When the veil had been somewhat lifted and the shadowy armies discerned with some precision, the historian takes his pen and awaits the clash of arms.
Lloyd Osbourne
Glendarule Times.—10th. Scarlet.—“The advance of the enemy continues along three lines, a light column moving from Tahema on Grierson, and the main body concentrating on Garrard from the Savannah and Yallobally roads. Garrard and Grierson have both been evacuated. A small force, without artillery, is alone in the neighbourhood of Cinnabar, and some of that has fallen back on Glentower by the pass. The brave artillery remains in front of Scarlet, and was reinforced this morning with some ammunition. All day infantry has been moving eastward on Sandusky. The greatest depression prevails.”
Editorial Comment.—General Stevenson may, or may not, be a capable commander. It would be unjust to pronounce in the meantime. Still, the attempt to seize Mar was disastrously miscalculated, and, as we all know, the column has fallen back on Sandusky with cruel loss. Nor is it possible to deny that the attempt to hold Grierson, and keep an army in the west, was idle. Our correspondent at Scarlet mentions the passage of troops moving eastward through that place, and the retreat of another column on Glentower. These are the last wrecks of that Army of the West, from which great things were once expected. With the exception of the Yolo column, which is without guns, all our forces are now concentrated in the province of Sandusky; Blue Mountain Province is particularly deserted, and nothing has been done to check, even for an hour, the advance of our numerous and well-appointed foes.
11th. Scarlet.—The horse-artillery returned through Scarlet on the Glendarule road; hideous confusion reigns; were the enemy to fall upon us now, the best opinions regard our position as hopeless. Authentic news has been received of the desertion of Cinnabar.
Sandusky.—The enemy has again appeared, threatening Mar, and the column moving to the relief of the Yolo column has stopped in its advance in consequence. General Stevenson moved out a column with artillery, and crushed a flanking party of the enemy’s great centre army on Scarlet, Garrard, and Savannah road; no loss was sustained on our side; the enemy’s loss is officially calculated at four hundred killed or wounded.
Scarlet.—At last the moment has arrived. The enemy, with a strong column of horse and horse-artillery, occupied Grierson this morning. This, with his Army of the Centre moving steadily forward upon Garrard, places all the troops in and around this place in imminent danger of being entirely cut off, or being forced to retreat before overwhelming forces across the Blue Mountains, a course, according to all military men, involving the total destruction of General Potty’s force. Piffle’s whole corps, with the heavy artillery, continued its descent on the left bank of the Sandusky river, while Potty, dashing through Scarlet at the hand-gallop, and among the cheers of the populace, moved off along the Grierson road, collecting infantry as he moved, and riding himself at the head of the horse-artillery.
Note.—General Potty was an airy, amiable, affected creature, the very soul of bravery and levity. He had risen rapidly by virtue of his pleasing manners; but his application was small, and he lacked self-reliance at the Council Board. Piffle called him a parrot; he returned the compliment by calling Piffle “the hundred-weight of bricks.” They were scarce on speaking terms.
Half an hour after, he had driven the fore-guard of the enemy out of Grierson without the loss of a trooper on our side; the enemy’s loss is reckoned at 1,600 men. I telegraph at this juncture before returning to the field. So far the work is done; Potty has behaved nobly. But he remains isolated by the retreat of Piffle, with a large force in front, and another large force advancing on his unprotected flank.
Editorial Comment.—We have been successful in two skirmishes, but the situation is felt to be critical, and is by some supposed to be desperate. Stevenson’s skirmish on the 11th did not check the advance of the Army of the Centre; it is impossible to predict the result of Potty’s success before Grierson. The Yolo column appears to meet with no resistance; but it is terribly committed, and is, it must be remembered, quite helpless for offensive purposes, without the co-operation of Stevenson from Sandusky. How that can be managed, while the enemy hold the pass behind Mar, is more than we can see. Some shrewd, but perhaps too hopeful, critics perceive a deep policy in the inactivity of our troops about Sandusky, and believe that Stevenson is luring on the cautious Osbourne to his ruin. We will hope so; but this does not explain Piffle’s senseless counter-marchings around Scarlet, nor the horribly outflanked and unsupported position of Potty on the line of the Cinnabar river. If General Osbourne were a child, we might hope for the best; there is no doubt that he has been careless about Mar and Yolo, and that he was yesterday only saved from a serious disaster by a fluke, and the imperfection of our scout system; but the situation to the west and centre wears a different complexion; there his steady, well-combined advance, carrying all before him, contrasts most favourably with the timid and divided counsels of our Stevensons, Piffles, and Pottys.