Bless me, what a queer-looking object one of them is...

"He is too big," they all said; and the turkey cock, who had been born into the world with spurs and fancied himself really an emperor, puffed himself out like a vessel in full sail and flew at the duckling. He became quite red in the head with passion, so that the poor little thing did not know where to go, and was quite miserable because he was so ugly as to be laughed at by the whole farmyard.

So it went on from day to day; it got worse and worse. The poor duckling was driven about by every one; even his brothers and sisters were unkind to him and would say, "Ah, you ugly creature, I wish the cat would get you" and his mother had been heard to say she wished he had never been born. The ducks pecked him, the chickens beat him, and the girl who fed the poultry pushed him with her feet. So at last he ran away, frightening the little birds in the hedge as he flew over the palings. "They are afraid because I am so ugly," he said. So he flew still farther, until he came out on a large moor inhabited by wild ducks. Here he remained the whole night, feeling very sorrowful.

In the morning, when the wild ducks rose in the air, they stared at their new comrade. "What sort of a duck are you?" they all said, coming round him.

He bowed to them and was as polite as he could be, but he did not reply to their question. "You are exceedingly ugly," said the wild ducks; "but that will not matter if you do not want to marry one of our family."

Poor thing! he had no thoughts of marriage; all he wanted was permission to lie among the rushes and drink some of the water on the moor. After he had been on the moor two days, there came two wild geese, or rather goslings, for they had not been out of the egg long, which accounts for their impertinence. "Listen, friend," said one of them to the duckling; "you are so ugly that we like you very well. Will you go with us and become a bird of passage? Not far from here is another moor, in which there are some wild geese, all of them unmarried. It is a chance for you to get a wife. You may make your fortune, ugly as you are."

"Bang, bang," sounded in the air, and the two wild geese fell dead among the rushes, and the water was tinged with blood. "Bang, bang," echoed far and wide in the distance, and whole flocks of wild geese rose up from the rushes.

The sound continued from every direction, for the sportsmen surrounded the moor, and some were even seated on branches of trees, overlooking the rushes. The blue smoke from the guns rose like clouds over the dark trees, and as it floated away across the water, a number of sporting dogs bounded in among the rushes, which bent beneath them wherever they went. How they terrified the poor duckling! He turned away his head to hide it under his wing, and at the same moment a large, terrible dog passed quite near him. His jaws were open, his tongue hung from his mouth, and his eyes glared fearfully. He thrust his nose close to the duckling, showing his sharp teeth, and then "splash, splash," he went into the water, without touching him.

"Oh," sighed the duckling, "how thankful I am for being so ugly; even a dog will not bite me."

And so he lay quite still, while the shot rattled through the rushes, and gun after gun was fired over him. It was late in the day before all became quiet, but even then the poor young thing did not dare to move. He waited quietly for several hours and then, after looking carefully around him, hastened away from the moor as fast as he could. He ran over field and meadow till a storm arose, and he could hardly struggle against it.

Towards evening he reached a poor little cottage that seemed ready to fall, and only seemed to remain standing because it could not decide on which side to fall first. The storm continued so violent that the duckling could go no farther. He sat down by the cottage, and then he noticed that the door was not quite closed, in consequence of one of the hinges having given way. There was, therefore, a narrow opening near the bottom large enough for him to slip through, which he did very quietly, and got a shelter for the night. Here, in this cottage, lived a woman, a cat, and a hen. The cat, whom his mistress called "My little son," was a great favorite; he could raise his back, and purr, and could even throw out sparks from his fur if it were stroked the wrong way. The hen had very short legs, so she was called "Chickie Short-legs." She laid good eggs, and her mistress loved her as if she had been her own child. In the morning the strange visitor was discovered; the cat began to purr and the hen to cluck.

"What is that noise about?" said the old woman, looking around the room. But her sight was not very good; therefore when she saw the duckling she thought it must be a fat duck that had strayed from home. "Oh, what a prize!" she exclaimed. "I hope it is not a drake, for then I shall have some ducks' eggs. I must wait and see."

So the duckling was allowed to remain on trial for three weeks; but there were no eggs.

Now the cat was the master of the house, and the hen was the mistress; and they always said, "We and the world," for they believed themselves to be half the world, and by far the better half, too. The duckling thought that others might hold a different opinion on the subject, but the hen would not listen to such doubts.

"Can you lay eggs?" she asked. "No." "Then have the goodness to cease talking." "Can you raise your back, or purr, or throw out sparks?" said the cat. "No." "Then you have no right to express an opinion when sensible people are speaking." So the duckling sat in a corner, feeling very low-spirited; but when the sunshine and the fresh air came into the room through the open door, he began to feel such a great longing for a swim that he could not help speaking of it.

"What an absurd idea!" said the hen. "You have nothing else to do; therefore you have foolish fancies. If you could purr or lay eggs, they would pass away."

"But it is so delightful to swim about on the water," said the duckling, "and so refreshing to feel it close over your head while you dive down to the bottom."

"Delightful, indeed! it must be a queer sort of pleasure," said the hen. "Why, you must be crazy! Ask the cat—he is the cleverest animal I know; ask him how he would like to swim about on the water, or to dive under it, for I will not speak of my own opinion. Ask our mistress, the old woman; there is no one in the world more clever than she is. Do you think she would relish swimming and letting the water close over her head?"

"I see you don't understand me," said the duckling.

"We don't understand you? Who can understand you, I wonder? Do you consider yourself more clever than the cat or the old woman?—I will say nothing of myself. Don't imagine such nonsense, child, and thank your good fortune that you have been so well received here. Are you not in a warm room and in society from which you may learn something? But you are a chatterer, and your company is not very agreeable. Believe me, I speak only for your good. I may tell you unpleasant truths, but that is a proof of my friendship. I advise you, therefore, to lay eggs and learn to purr as quickly as possible."

"I believe I must go out into the world again," said the duckling.

"Yes, do," said the hen. So the duckling left the cottage and soon found water on which it could swim and dive, but he was avoided by all other animals because of his ugly appearance.

Autumn came, and the leaves in the forest turned to orange and gold; then, as winter approached, the wind caught them as they fell and whirled them into the cold air. The clouds, heavy with hail and snowflakes, hung low in the sky, and the raven stood among the reeds, crying, "Croak, croak." It made one shiver with cold to look at him. All this was very sad for the poor little duckling.

One evening, just as the sun was setting amid radiant clouds, there came a large flock of beautiful birds out of the bushes. The duckling had never seen any like them before. They were swans; and they curved their graceful necks, while their soft plumage shone with dazzling whiteness. They uttered a singular cry as they spread their glorious wings and flew away from those cold regions to warmer countries across the sea. They mounted higher and higher in the air, and the ugly little duckling had a strange sensation as he watched them. He whirled himself in the water like a wheel, stretched out his neck towards them, and uttered a cry so strange that it frightened even himself. Could he ever forget those beautiful, happy birds! And when at last they were out of his sight, he dived under the water and rose again almost beside himself with excitement. He knew not the names of these birds nor where they had flown, but he felt towards them as he had never felt towards any other bird in the world.

He was not envious of these beautiful creatures; it never occurred to him to wish to be as lovely as they. Poor ugly creature, how gladly he would have lived even with the ducks, had they only treated him kindly and given him encouragement.

The winter grew colder and colder; he was obliged to swim about on the water to keep it from freezing, but every night the space on which he swam became smaller and smaller. At length it froze so hard that the ice in the water crackled as he moved, and the duckling had to paddle with his legs as well as he could, to keep the space from closing up. He became exhausted at last and lay still and helpless, frozen fast in the ice.

Early in the morning a peasant who was passing by saw what had happened. He broke the ice in pieces with his wooden shoe and carried the duckling home to his wife. The warmth revived the poor little creature; but when the children wanted to play with him, the duckling thought they would do him some harm, so he started up in terror, fluttered into the milk pan, and splashed the milk about the room. Then the woman clapped her hands, which frightened him still more. He flew first into the butter cask, then into the meal tub and out again. What a condition he was in! The woman screamed and struck at him with the tongs; the children laughed and screamed and tumbled over each other in their efforts to catch him, but luckily he escaped. The door stood open; the poor creature could just manage to slip out among the bushes and lie down quite exhausted in the newly fallen snow.

It would be very sad were I to relate all the misery and privations which the poor little duckling endured during the hard winter; but when it had passed he found himself lying one morning in a moor, amongst the rushes. He felt the warm sun shining and heard the lark singing and saw that all around was beautiful spring.

Then the young bird felt that his wings were strong, as he flapped them against his sides and rose high into the air. They bore him onwards until, before he well knew how it had happened, he found himself in a large garden. The apple trees were in full blossom, and the fragrant elders bent their long green branches down to the stream, which wound round a smooth lawn. Everything looked beautiful in the freshness of early spring. From a thicket close by came three beautiful white swans, rustling their feathers and swimming lightly over the smooth water. The duckling saw these lovely birds and felt more strangely unhappy than ever.

"I will fly to these royal birds," he exclaimed, "and they will kill me because, ugly as I am, I dare to approach them. But it does not matter; better be killed by them than pecked by the ducks, beaten by the hens, pushed about by the maiden who feeds the poultry, or starved with hunger in the winter."

Then he flew to the water and swam towards the beautiful swans. The moment they espied the stranger they rushed to meet him with outstretched wings.

"Kill me," said the poor bird and he bent his head down to the surface of the water and awaited death.

But what did he see in the clear stream below? His own image—no longer a dark-gray bird, ugly and disagreeable to look at, but a graceful and beautiful swan.

To be born in a duck's nest in a farmyard is of no consequence to a bird if it is hatched from a swan's egg. He now felt glad at having suffered sorrow and trouble, because it enabled him to enjoy so much better all the pleasure and happiness around him; for the great swans swam round the newcomer and stroked his neck with their beaks, as a welcome.

Into the garden presently came some little children and threw bread and cake into the water.

The new one is the most beautiful of all...

"See," cried the youngest, "there is a new one;" and the rest were delighted, and ran to their father and mother, dancing and clapping their hands and shouting joyously, "There is another swan come; a new one has arrived."

Then they threw more bread and cake into the water and said, "The new one is the most beautiful of all, he is so young and pretty." And the old swans bowed their heads before him.

Then he felt quite ashamed and hid his head under his wing, for he did not know what to do, he was so happy—yet he was not at all proud. He had been persecuted and despised for his ugliness, and now he heard them say he was the most beautiful of all the birds. Even the elder tree bent down its boughs into the water before him, and the sun shone warm and bright. Then he rustled his feathers, curved his slender neck, and cried joyfully, from the depths of his heart, "I never dreamed of such happiness as this while I was the despised ugly duckling."


Little Ida's Flowers

LITTLE IDA'S FLOWERS

M
Y POOR flowers are quite faded!" said little Ida. "Only yesterday evening they were so pretty, and now all the leaves are drooping. Why do they do that?" she asked of the student, who sat on the sofa. He was a great favorite with her, because he used to tell her the prettiest of stories and cut out the most amusing things in paper—hearts with little ladies dancing in them, and high castles with doors which one could open and shut. He was a merry student. "Why do the flowers look so wretched to-day?" asked she again, showing him a bouquet of faded flowers.

"Do you not know?" replied the student. "The flowers went to a ball last night, and are tired. That's why they hang their heads."

"What an idea," exclaimed little Ida. "Flowers cannot dance!"

"Of course they can dance! When it is dark, and we are all gone to bed, they jump about as merrily as possible. They have a ball almost every night."

"And can their children go to the ball?" asked Ida.

"Oh, yes," said the student; "daisies and lilies of the valley, that are quite little."

"And when is it that the prettiest flowers dance?"

"Have you not been to the large garden outside the town gate, in front of the castle where the king lives in summer—the garden that is so full of lovely flowers? You surely remember the swans which come swimming up when you give them crumbs of bread? Believe me, they have capital balls there."

"I was out there only yesterday with my mother," said Ida, "but there were no leaves on the trees, and I did not see a single flower. What has become of them? There were so many in the summer."

"They are inside the palace now," replied the student. "As soon as the king and all his court go back to the town, the flowers hasten out of the garden and into the palace, where they have famous times. Oh, if you could but see them! The two most beautiful roses seat themselves on the throne and act king and queen. All the tall red cockscombs stand before them on either side and bow; they are the chamberlains. Then all the pretty flowers come, and there is a great ball. The blue violets represent the naval cadets; they dance with hyacinths and crocuses, who take the part of young ladies. The tulips and the tall tiger lilies are old ladies,—dowagers,—who see to it that the dancing is well done and that all things go on properly."

"But," asked little Ida, "is there no one there to harm the flowers for daring to dance in the king's castle?"

"No one knows anything about it," replied the student. "Once during the night, perhaps, the old steward of the castle does, to be sure, come in with his great bunch of keys to see that all is right; but the moment the flowers hear the clanking of the keys they stand stock-still or hide themselves behind the long silk window curtains. Then the old steward will say, 'Do I not smell flowers here?' but he can't see them."

"That is very funny," exclaimed little Ida, clapping her hands with glee; "but should not I be able to see the flowers?"

"To be sure you can see them," replied the student. "You have only to remember to peep in at the windows the next time you go to the palace. I did so this very day, and saw a long yellow lily lying on the sofa. She was a court lady."

"Do the flowers in the Botanical Garden go to the ball? Can they go all that long distance?"

"Certainly," said the student; "for the flowers can fly if they please. Have you not seen the beautiful red and yellow butterflies that look so much like flowers? They are in fact nothing else. They have flown off their stalks high into the air and flapped their little petals just as if they were wings, and thus they came to fly about. As a reward for always behaving well they have leave to fly about in the daytime, too, instead of sitting quietly on their stalks at home, till at last the flower petals have become real wings. That you have seen yourself.

"It may be, though, that the flowers in the Botanical Garden have never been in the king's castle. They may not have heard what frolics take place there every night. But I'll tell you; if, the next time you go to the garden, you whisper to one of the flowers that a great ball is to be given yonder in the castle, the news will spread from flower to flower and they will all fly away. Then should the professor come to his garden there won't be a flower there, and he will not be able to imagine what has become of them."

"But how can one flower tell it to another? for I am sure the flowers cannot speak."

"No; you are right there," returned the student. "They cannot speak, but they can make signs. Have you ever noticed that when the wind blows a little the flowers nod to each other and move all their green leaves? They can make each other understand in this way just as well as we do by talking."

"And does the professor understand their pantomime?" asked Ida.

"Oh, certainly; at least part of it. He came into his garden one morning and saw that a great stinging nettle was making signs with its leaves to a beautiful red carnation. It was saying, 'You are so beautiful, and I love you with all my heart!' But the professor doesn't like that sort of thing, and he rapped the nettle on her leaves, which are her fingers; but she stung him, and since then he has never dared to touch a nettle."

"Ha! ha!" laughed little Ida, "that is very funny."

"How can one put such stuff into a child's head?" said a tiresome councilor, who had come to pay a visit. He did not like the student and always used to scold when he saw him cutting out the droll pasteboard figures, such as a man hanging on a gibbet and holding a heart in his hand to show that he was a stealer of hearts, or an old witch riding on a broomstick and carrying her husband on the end of her nose. The councilor could not bear such jokes, and he would always say, as now: "How can any one put such notions into a child's head? They are only foolish fancies."

But to little Ida all that the student had told her was very entertaining, and she kept thinking it over. She was sure now that her pretty yesterday's flowers hung their heads because they were tired, and that they were tired because they had been to the ball. So she took them to the table where stood her toys. Her doll lay sleeping, but Ida said to her, "You must get up, and be content to sleep to-night in the table drawer, for the poor flowers are ill and must have your bed to sleep in; then perhaps they will be well again by to-morrow."

And she at once took the doll out, though the doll looked vexed at giving up her cradle to the flowers.

Ida laid the flowers in the doll's bed and drew the coverlet quite over them, telling them to lie still while she made some tea for them to drink, in order that they might be well next day. And she drew the curtains about the bed, that the sun might not shine into their eyes.

All the evening she thought of nothing but what the student had told her; and when she went to bed herself, she ran to the window where her mother's tulips and hyacinths stood. She whispered to them, "I know very well that you are going to a ball to-night." The flowers pretended not to understand and did not stir so much as a leaf, but that did not prevent Ida from knowing what she knew.

When she was in bed she lay for a long time thinking how delightful it must be to see the flower dance in the king's castle, and said to herself, "I wonder if my flowers have really been there." Then she fell asleep.


In the night she woke. She had been dreaming of the student and the flowers and the councilor, who told her they were making game of her. All was still in the room, the night lamp was burning on the table, and her father and mother were both asleep.

"I wonder if my flowers are still lying in Sophie's bed," she thought to herself. "How I should like to know!" She raised herself a little and looked towards the door, which stood half open; within lay the flowers and all her playthings. She listened, and it seemed to her that she heard some one playing upon the piano, but quite softly, and more sweetly than she had ever heard before.

"Now all the flowers are certainly dancing," thought she. "Oh, how I should like to see them!" but she dared not get up for fear of waking her father and mother. "If they would only come in here!" But the flowers did not come, and the music went on so prettily that she could restrain herself no longer, and she crept out of her little bed, stole softly to the door, and peeped into the room. Oh, what a pretty sight it was!

On the floor all the flowers danced gracefully....

There was no night lamp in the room, still it was quite bright; the moon shone through the window down upon the floor, and it was almost like daylight. The hyacinths and tulips stood there in two rows. Not one was left on the window, where stood the empty flower pots. On the floor all the flowers danced gracefully, making all the turns, and holding each other by their long green leaves as they twirled around. At the piano sat a large yellow lily, which little Ida remembered to have seen in the summer, for she recollected that the student had said, "How like she is to Miss Laura," and how every one had laughed at the remark. But now she really thought that the lily was very like the young lady. It had exactly her manner of playing—bending its long yellow face, now to one side and now to the other, and nodding its head to mark the time of the beautiful music.

A tall blue crocus now stepped forward, sprang upon the table on which lay Ida's playthings, went straight to the doll's cradle, and drew back the curtains. There lay the sick flowers; but they rose at once, greeted the other flowers, and made a sign that they would like to join in the dance. They did not look at all ill now.

Suddenly a heavy noise was heard, as of something falling from the table. Ida glanced that way and saw that it was the rod she had found on her bed on Shrove Tuesday, and that it seemed to wish to belong to the flowers. It was a pretty rod, for a wax figure that looked exactly like the councilor sat upon the head of it.

The rod began to dance, and the wax figure that was riding on it became long and great, like the councilor himself, and began to exclaim, "How can one put such stuff into a child's head?" It was very funny to see, and little Ida could not help laughing, for the rod kept on dancing, and the councilor had to dance too,—there was no help for it,—whether he remained tall and big or became a little wax figure again. But the other flowers said a good word for him, especially those that had lain in the doll's bed, so that at last the rod left it in peace.

At the same time there was a loud knocking inside the drawer where Sophie, Ida's doll, lay with many other toys. She put out her head and asked in great astonishment: "Is there a ball here? Why has no one told me of it?" She sat down upon the table, expecting some of the flowers to ask her to dance with them; but as they did not, she let herself fall upon the floor so as to make a great noise; and then the flowers all came crowding about to ask if she were hurt, and they were very polite—especially those that had lain in her bed.

She was not at all hurt, and the flowers thanked her for the use of her pretty bed and took her into the middle of the room, where the moon shone, and danced with her, while the other flowers formed a circle around them. So now Sophie was pleased and said they might keep her bed, for she did not mind sleeping in the drawer the least in the world.

But the flowers replied: "We thank you most heartily for your kindness, but we shall not live long enough to need it; we shall be quite dead by to-morrow. But tell little Ida she is to bury us out in the garden near the canary bird's grave; and then we shall wake again next summer and be even more beautiful than we have been this year."

"Oh, no, you must not die," said Sophie, kissing them as she spoke; and then a great company of flowers came dancing in. Ida could not imagine where they could have come from, unless from the king's garden. Two beautiful roses led the way, wearing golden crowns; then followed wallflowers and pinks, who bowed to all present. They brought a band of music with them. Wild hyacinths and little white snowdrops jingled merry bells. It was a most remarkable orchestra. Following these were an immense number of flowers, all dancing—violets, daisies, lilies of the valley, and others which it was a delight to see.

At last all the happy flowers wished one another good night. Little Ida, too, crept back to bed, to dream of all that she had seen.

When she rose next morning she went at once to her little table to see if her flowers were there. She drew aside the curtains of her little bed; yes, there lay the flowers, but they were much more faded to-day than yesterday. Sophie too was in the drawer, but she looked very sleepy.

"Do you remember what you were to say to me?" asked Ida of her.

But Sophie looked quite stupid and had not a word to say.

"You are not kind at all," said Ida; "and yet all the flowers let you dance with them."

Then she chose from her playthings a little pasteboard box with birds painted on it, and in it she laid the dead flowers.

"That shall be your pretty casket," said she; "and when my cousins come to visit me, by and by, they shall help me to bury you in the garden, in order that next summer you may grow again and be still more beautiful."

The two cousins were two merry boys, Gustave and Adolphe. Their father had given them each a new crossbow, which they brought with them to show to Ida. She told them of the poor flowers that were dead and were to be buried in the garden. So the two boys walked in front, with their bows slung across their shoulders, and little Ida followed, carrying the dead flowers in their pretty coffin. A little grave was dug for them in the garden. Ida first kissed the flowers and then laid them in the earth, and Adolphe and Gustave shot with their crossbows over the grave, for they had neither guns nor cannons.


The Steadfast Tin Soldier

THE STEADFAST TIN SOLDIER

T
HERE were once five and twenty tin soldiers. They were brothers, for they had all been made out of the same old tin spoon. They all shouldered their bayonets, held themselves upright, and looked straight before them. Their uniforms were very smart-looking—red and blue—and very splendid. The first thing they heard in the world, when the lid was taken off the box in which they lay, was the words "Tin soldiers!" These words were spoken by a little boy, who clapped his hands for joy. The soldiers had been given him because it was his birthday, and now he was putting them out upon the table.

Each was exactly like the rest to a hair, except one who had but one leg. He had been cast last of all, and there had not been quite enough tin to finish him; but he stood as firmly upon his one leg as the others upon their two, and it was he whose fortunes became so remarkable.

On the table where the tin soldiers had been set up were several other toys, but the one that attracted most attention was a pretty little paper castle. Through its tiny windows one could see straight into the hall. In front of the castle stood little trees, clustering round a small mirror which was meant to represent a transparent lake. Swans of wax swam upon its surface, and it reflected back their images.

All this was very pretty, but prettiest of all was a little lady who stood at the castle's open door. She too was cut out of paper, but she wore a frock of the clearest gauze and a narrow blue ribbon over her shoulders, like a scarf, and in the middle of the ribbon was placed a shining tinsel rose. The little lady stretched out both her arms, for she was a dancer, and then she lifted one leg so high that the Soldier quite lost sight of it. He thought that, like himself, she had but one leg.

"That would be just the wife for me," thought he, "if she were not too grand. But she lives in a castle, while I have only a box, and there are five and twenty of us in that. It would be no place for a lady. Still, I must try to make her acquaintance." A snuffbox happened to be upon the table and he lay down at full length behind it, and here he could easily watch the dainty little lady, who still remained standing on one leg without losing her balance.

When the evening came all the other tin soldiers were put away in their box, and the people in the house went to bed. Now the playthings began to play in their turn. They visited, fought battles, and gave balls. The tin soldiers rattled in the box, for they wished to join the rest, but they could not lift the lid. The nutcrackers turned somersaults, and the pencil jumped about in a most amusing way. There was such a din that the canary woke and began to speak—and in verse, too. The only ones who did not move from their places were the Tin Soldier and the Lady Dancer. She stood on tiptoe with outstretched arms, and he was just as persevering on his one leg; he never once turned away his eyes from her.

Twelve o'clock struck—crash! up sprang the lid of the snuffbox. There was no snuff in it, but a little black goblin. You see it was not a real snuffbox, but a jack-in-the-box.

"Tin Soldier," said the Goblin, "keep thine eyes to thyself. Gaze not at what does not concern thee!"

But the Tin Soldier pretended not to hear.

"Only wait, then, till to-morrow," remarked the Goblin.

Next morning, when the children got up, the Tin Soldier was placed on the window sill, and, whether it was the Goblin or the wind that did it, all at once the window flew open and the Tin Soldier fell head foremost from the third story to the street below. It was a tremendous fall! Over and over he turned in the air, till at last he rested, his cap and bayonet sticking fast between the paving stones, while his one leg stood upright in the air.

Away he sailed ... down the gutter...

The maidservant and the little boy came down at once to look for him, but, though they nearly trod upon him, they could not manage to find him. If the Soldier had but once called "Here am I!" they might easily enough have heard him, but he did not think it becoming to cry out for help, being in uniform.

It now began to rain; faster and faster fell the drops, until there was a heavy shower; and when it was over, two street boys came by.

"Look you," said one, "there lies a tin soldier. He must come out and sail in a boat."

So they made a boat out of an old newspaper and put the Tin Soldier in the middle of it, and away he sailed down the gutter, while the boys ran along by his side, clapping their hands.

Goodness! how the waves rocked that paper boat, and how fast the stream ran! The Tin Soldier became quite giddy, the boat veered round so quickly; still he moved not a muscle, but looked straight before him and held his bayonet tightly.

All at once the boat passed into a drain, and it became as dark as his own old home in the box. "Where am I going now?" thought he. "Yes, to be sure, it is all that Goblin's doing. Ah! if the little lady were but sailing with me in the boat, I would not care if it were twice as dark."

Just then a great water rat, that lived under the drain, darted suddenly out.

"Have you a passport?" asked the rat. "Where is your passport?"

But the Tin Soldier kept silence and only held his bayonet with a firmer grasp.

The boat sailed on, but the rat followed. Whew! how he gnashed his teeth and cried to the sticks and straws: "Stop him! stop him! He hasn't paid toll! He hasn't shown his passport!"

But the stream grew stronger and stronger. Already the Tin Soldier could see daylight at the point where the tunnel ended; but at the same time he heard a rushing, roaring noise, at which a bolder man might have trembled. Think! just where the tunnel ended, the drain widened into a great sheet that fell into the mouth of a sewer. It was as perilous a situation for the Soldier as sailing down a mighty waterfall would be for us.

He was now so near it that he could not stop. The boat dashed on, and the Tin Soldier held himself so well that no one might say of him that he so much as winked an eye. Three or four times the boat whirled round and round; it was full of water to the brim and must certainly sink.

The Tin Soldier stood up to his neck in water; deeper and deeper sank the boat, softer and softer grew the paper; and now the water closed over the Soldier's head. He thought of the pretty little dancer whom he should never see again, and in his ears rang the words of the song:

Wild adventure, mortal danger,
Be thy portion, valiant stranger.

The paper boat parted in the middle, and the Soldier was about to sink, when he was swallowed by a great fish.

Oh, how dark it was! darker even than in the drain, and so narrow; but the Tin Soldier retained his courage; there he lay at full length, shouldering his bayonet as before.

To and fro swam the fish, turning and twisting and making the strangest movements, till at last he became perfectly still.

Something like a flash of daylight passed through him, and a voice said, "Tin Soldier!" The fish had been caught, taken to market, sold and bought, and taken to the kitchen, where the cook had cut him with a large knife. She seized the Tin Soldier between her finger and thumb and took him to the room where the family sat, and where all were eager to see the celebrated man who had traveled in the maw of a fish; but the Tin Soldier remained unmoved. He was not at all proud.

They set him upon the table there. But how could so curious a thing happen? The Soldier was in the very same room in which he had been before. He saw the same children, the same toys stood upon the table, and among them the pretty dancing maiden, who still stood upon one leg. She too was steadfast. That touched the Tin Soldier's heart. He could have wept tin tears, but that would not have been proper. He looked at her and she looked at him, but neither spoke a word.

And now one of the little boys took the Tin Soldier and threw him into the stove. He gave no reason for doing so, but no doubt the Goblin in the snuffbox had something to do with it.

The Tin Soldier stood now in a blaze of red light. The heat he felt was terrible, but whether it proceeded from the fire or from the love in his heart, he did not know. He saw that the colors were quite gone from his uniform, but whether that had happened on the journey or had been caused by grief, no one could say. He looked at the little lady, she looked at him, and he felt himself melting; still he stood firm as ever, with his bayonet on his shoulder. Then suddenly the door flew open; the wind caught the Dancer, and she flew straight into the stove to the Tin Soldier, flashed up in a flame, and was gone! The Tin Soldier melted into a lump; and in the ashes the maid found him next day, in the shape of a little tin heart, while of the Dancer nothing remained save the tinsel rose, and that was burned as black as a coal.


Little Thumbelina

LITTLE THUMBELINA

T
HERE was once a woman who wished very much to have a little child. She went to a fairy and said: "I should so very much like to have a little child. Can you tell me where I can find one?"

"Oh, that can be easily managed," said the fairy. "Here is a barleycorn; it is not exactly of the same sort as those which grow in the farmers' fields, and which the chickens eat. Put it into a flowerpot and see what will happen."

"Thank you," said the woman; and she gave the fairy twelve shillings, which was the price of the barleycorn. Then she went home and planted it, and there grew up a large, handsome flower, somewhat like a tulip in appearance, but with its leaves tightly closed, as if it were still a bud.

"It is a beautiful flower," said the woman, and she kissed the red and golden-colored petals; and as she did so the flower opened, and she could see that it was a real tulip. But within the flower, upon the green velvet stamens, sat a very delicate and graceful little maiden. She was scarcely half as long as a thumb, and they gave her the name of Little Thumb, or Thumbelina, because she was so small.

A walnut shell, elegantly polished, served her for a cradle; her bed was formed of blue violet leaves, with a rose leaf for a counterpane. Here she slept at night, but during the day she amused herself on a table, where the peasant wife had placed a plate full of water.

Round this plate were wreaths of flowers with their stems in the water, and upon it floated a large tulip leaf, which served the little one for a boat. Here she sat and rowed herself from side to side, with two oars made of white horsehair. It was a very pretty sight. Thumbelina could also sing so softly and sweetly that nothing like her singing had ever before been heard.

One night, while she lay in her pretty bed, a large, ugly, wet toad crept through a broken pane of glass in the window and leaped right upon the table where she lay sleeping under her rose-leaf quilt.

"What a pretty little wife this would make for my son," said the toad, and she took up the walnut shell in which Thumbelina lay asleep, and jumped through the window with it, into the garden.

In the swampy margin of a broad stream in the garden lived the toad with her son. He was uglier even than his mother; and when he saw the pretty little maiden in her elegant bed, he could only cry "Croak, croak, croak."

"Don't speak so loud, or she will wake," said the toad, "and then she might run away, for she is as light as swan's-down. We will place her on one of the water-lily leaves out in the stream; it will be like an island to her, she is so light and small, and then she cannot escape; and while she is there we will make haste and prepare the stateroom under the marsh, in which you are to live when you are married."

Far out in the stream grew a number of water lilies with broad green leaves which seemed to float on the top of the water. The largest of these leaves appeared farther off than the rest, and the old toad swam out to it with the walnut shell, in which Thumbelina still lay asleep.

The tiny creature woke very early in the morning and began to cry bitterly when she found where she was, for she could see nothing but water on every side of the large green leaf, and no way of reaching the land.

Meanwhile the old toad was very busy under the marsh, decking her room with rushes and yellow wildflowers, to make it look pretty for her new daughter-in-law. Then she swam out with her ugly son to the leaf on which she had placed poor Thumbelina. She wanted to bring the pretty bed, that she might put it in the bridal chamber to be ready for her. The old toad bowed low to her in the water and said, "Here is my son; he will be your husband, and you will live happily together in the marsh by the stream."

"Croak, croak, croak," was all her son could say for himself. So the toad took up the elegant little bed and swam away with it, leaving Thumbelina all alone on the green leaf, where she sat and wept. She could not bear to think of living with the old toad and having her ugly son for a husband. The little fishes who swam about in the water beneath had seen the toad and heard what she said, so now they lifted their heads above the water to look at the little maiden.

As soon as they caught sight of her they saw she was very pretty, and it vexed them to think that she must go and live with the ugly toads.

"No, it must never be!" So they gathered together in the water, round the green stalk which held the leaf on which the little maiden stood, and gnawed it away at the root with their teeth. Then the leaf floated down the stream, carrying Thumbelina far away out of reach of land.

Thumbelina sailed past many towns, and the little birds in the bushes saw her and sang, "What a lovely little creature." So the leaf swam away with her farther and farther, till it brought her to other lands. A graceful little white butterfly constantly fluttered round her and at last alighted on the leaf. The little maiden pleased him, and she was glad of it, for now the toad could not possibly reach her, and the country through which she sailed was beautiful, and the sun shone upon the water till it glittered like liquid gold. She took off her girdle and tied one end of it round the butterfly, fastening the other end of the ribbon to the leaf, which now glided on much faster than before, taking Thumbelina with it as she stood.

Presently a large cockchafer flew by. The moment he caught sight of her he seized her round her delicate waist with his claws and flew with her into a tree. The green leaf floated away on the brook, and the butterfly flew with it, for he was fastened to it and could not get away.

Oh, how frightened Thumbelina felt when the cockchafer flew with her to the tree! But especially was she sorry for the beautiful white butterfly which she had fastened to the leaf, for if he could not free himself he would die of hunger. But the cockchafer did not trouble himself at all about the matter. He seated himself by her side, on a large green leaf, gave her some honey from the flowers to eat, and told her she was very pretty, though not in the least like a cockchafer.