De Stancy took the flask, and drank a little.

‘It warms, does it not?’ said Dare.

‘Too much,’ said De Stancy with misgiving. ‘I have been taken unawares. Why, it is three parts brandy, to my taste, you scamp!’

Dare put away the wine. ‘Now you are to see something,’ he said.

‘Something—what is it?’ Captain De Stancy regarded him with a puzzled look.

‘It is quite a curiosity, and really worth seeing. Now just look in here.’

The speaker advanced to the back of the building, and withdrew the wood billet from the wall.

‘Will, I believe you are up to some trick,’ said De Stancy, not, however, suspecting the actual truth in these unsuggestive circumstances, and with a comfortable resignation, produced by the potent liquor, which would have been comical to an outsider, but which, to one who had known the history and relationship of the two speakers, would have worn a sadder significance. ‘I am too big a fool about you to keep you down as I ought; that’s the fault of me, worse luck.’

He pressed the youth’s hand with a smile, went forward, and looked through the hole into the interior of the gymnasium. Dare withdrew to some little distance, and watched Captain De Stancy’s face, which presently began to assume an expression of interest.

What was the captain seeing? A sort of optical poem.

Paula, in a pink flannel costume, was bending, wheeling and undulating in the air like a gold-fish in its globe, sometimes ascending by her arms nearly to the lantern, then lowering herself till she swung level with the floor. Her aunt Mrs. Goodman, and Charlotte De Stancy, were sitting on camp-stools at one end, watching her gyrations, Paula occasionally addressing them with such an expression as—‘Now, Aunt, look at me—and you, Charlotte—is not that shocking to your weak nerves,’ when some adroit feat would be repeated, which, however, seemed to give much more pleasure to Paula herself in performing it than to Mrs. Goodman in looking on, the latter sometimes saying, ‘O, it is terrific—do not run such a risk again!’

It would have demanded the poetic passion of some joyous Elizabethan lyrist like Lodge, Nash, or Constable, to fitly phrase Paula’s presentation of herself at this moment of absolute abandonment to every muscular whim that could take possession of such a supple form. The white manilla ropes clung about the performer like snakes as she took her exercise, and the colour in her face deepened as she went on. Captain De Stancy felt that, much as he had seen in early life of beauty in woman, he had never seen beauty of such a real and living sort as this. A recollection of his vow, together with a sense that to gaze on the festival of this Bona Dea was, though so innocent and pretty a sight, hardly fair or gentlemanly, would have compelled him to withdraw his eyes, had not the sportive fascination of her appearance glued them there in spite of all. And as if to complete the picture of Grace personified and add the one thing wanting to the charm which bound him, the clouds, till that time thick in the sky, broke away from the upper heaven, and allowed the noonday sun to pour down through the lantern upon her, irradiating her with a warm light that was incarnadined by her pink doublet and hose, and reflected in upon her face. She only required a cloud to rest on instead of the green silk net which actually supported her reclining figure for the moment, to be quite Olympian; save indeed that in place of haughty effrontery there sat on her countenance only the healthful sprightliness of an English girl.

Dare had withdrawn to a point at which another path crossed the path occupied by De Stancy. Looking in a side direction, he saw Havill idling slowly up to him over the silent grass. Havill’s knowledge of the appointment had brought him out to see what would come of it. When he neared Dare, but was still partially hidden by the boughs from the third of the party, the former simply pointed to De Stancy upon which Havill stood and peeped at him. ‘Is she within there?’ he inquired.

Dare nodded, and whispered, ‘You need not have asked, if you had examined his face.’

‘That’s true.’

‘A fermentation is beginning in him,’ said Dare, half pitifully; ‘a purely chemical process; and when it is complete he will probably be clear, and fiery, and sparkling, and quite another man than the good, weak, easy fellow that he was.’

To precisely describe Captain De Stancy’s admiration was impossible. A sun seemed to rise in his face. By watching him they could almost see the aspect of her within the wall, so accurately were her changing phases reflected in him. He seemed to forget that he was not alone.

‘And is this,’ he murmured, in the manner of one only half apprehending himself, ‘and is this the end of my vow?’

Paula was saying at this moment, ‘Ariel sleeps in this posture, does he not, Auntie?’ Suiting the action to the word she flung out her arms behind her head as she lay in the green silk hammock, idly closed her pink eyelids, and swung herself to and fro.

BOOK THE THIRD. DE STANCY.

I.

Captain De Stancy was a changed man. A hitherto well-repressed energy was giving him motion towards long-shunned consequences. His features were, indeed, the same as before; though, had a physiognomist chosen to study them with the closeness of an astronomer scanning the universe, he would doubtless have discerned abundant novelty.

In recent years De Stancy had been an easy, melancholy, unaspiring officer, enervated and depressed by a parental affection quite beyond his control for the graceless lad Dare—the obtrusive memento of a shadowy period in De Stancy’s youth, who threatened to be the curse of his old age. Throughout a long space he had persevered in his system of rigidly incarcerating within himself all instincts towards the opposite sex, with a resolution that would not have disgraced a much stronger man. By this habit, maintained with fair success, a chamber of his nature had been preserved intact during many later years, like the one solitary sealed-up cell occasionally retained by bees in a lobe of drained honey-comb. And thus, though he had irretrievably exhausted the relish of society, of ambition, of action, and of his profession, the love-force that he had kept immured alive was still a reproducible thing.

The sight of Paula in her graceful performance, which the judicious Dare had so carefully planned, led up to and heightened by subtle accessories, operated on De Stancy’s surprised soul with a promptness almost magical.

On the evening of the self-same day, having dined as usual, he retired to his rooms, where he found a hamper of wine awaiting him. It had been anonymously sent, and the account was paid. He smiled grimly, but no longer with heaviness. In this he instantly recognized the handiwork of Dare, who, having at last broken down the barrier which De Stancy had erected round his heart for so many years, acted like a skilled strategist, and took swift measures to follow up the advantage so tardily gained.

Captain De Stancy knew himself conquered: he knew he should yield to Paula—had indeed yielded; but there was now, in his solitude, an hour or two of reaction. He did not drink from the bottles sent. He went early to bed, and lay tossing thereon till far into the night, thinking over the collapse. His teetotalism had, with the lapse of years, unconsciously become the outward and visible sign to himself of his secret vows; and a return to its opposite, however mildly done, signified with ceremonious distinctness the formal acceptance of delectations long forsworn.

But the exceeding freshness of his feeling for Paula, which by reason of its long arrest was that of a man far under thirty, and was a wonder to himself every instant, would not long brook weighing in balances. He wished suddenly to commit himself; to remove the question of retreat out of the region of debate. The clock struck two: and the wish became determination. He arose, and wrapping himself in his dressing-gown went to the next room, where he took from a shelf in the pantry several large bottles, which he carried to the window, till they stood on the sill a goodly row. There had been sufficient light in the room for him to do this without a candle. Now he softly opened the sash, and the radiance of a gibbous moon riding in the opposite sky flooded the apartment. It fell on the labels of the captain’s bottles, revealing their contents to be simple aerated waters for drinking.

De Stancy looked out and listened. The guns that stood drawn up within the yard glistened in the moonlight reaching them from over the barrack-wall: there was an occasional stamp of horses in the stables; also a measured tread of sentinels—one or more at the gates, one at the hospital, one between the wings, two at the magazine, and others further off. Recurring to his intention he drew the corks of the mineral waters, and inverting each bottle one by one over the window-sill, heard its contents dribble in a small stream on to the gravel below.

He then opened the hamper which Dare had sent. Uncorking one of the bottles he murmured, ‘To Paula!’ and drank a glass of the ruby liquor.

‘A man again after eighteen years,’ he said, shutting the sash and returning to his bedroom.

The first overt result of his kindled interest in Miss Power was his saying to his sister the day after the surreptitious sight of Paula: ‘I am sorry, Charlotte, for a word or two I said the other day.’

‘Well?’

‘I was rather disrespectful to your friend Miss Power.’

‘I don’t think so—were you?’

‘Yes. When we were walking in the wood, I made a stupid joke about her.... What does she know about me—do you ever speak of me to her?’

‘Only in general terms.’

‘What general terms?’

‘You know well enough, William; of your idiosyncrasies and so on—that you are a bit of a woman-hater, or at least a confirmed bachelor, and have but little respect for your own family.’

‘I wish you had not told her that,’ said De Stancy with dissatisfaction.

‘But I thought you always liked women to know your principles!’ said Charlotte, in injured tones; ‘and would particularly like her to know them, living so near.’

‘Yes, yes,’ replied her brother hastily. ‘Well, I ought to see her, just to show her that I am not quite a brute.’

‘That would be very nice!’ she answered, putting her hands together in agreeable astonishment. ‘It is just what I have wished, though I did not dream of suggesting it after what I have heard you say. I am going to stay with her again to-morrow, and I will let her know about this.’

‘Don’t tell her anything plainly, for heaven’s sake. I really want to see the interior of the castle; I have never entered its walls since my babyhood.’ He raised his eyes as he spoke to where the walls in question showed their ashlar faces over the trees.

‘You might have gone over it at any time.’

‘O yes. It is only recently that I have thought much of the place: I feel now that I should like to examine the old building thoroughly, since it was for so many generations associated with our fortunes, especially as most of the old furniture is still there. My sedulous avoidance hitherto of all relating to our family vicissitudes has been, I own, stupid conduct for an intelligent being; but impossible grapes are always sour, and I have unconsciously adopted Radical notions to obliterate disappointed hereditary instincts. But these have a trick of re-establishing themselves as one gets older, and the castle and what it contains have a keen interest for me now.’

‘It contains Paula.’

De Stancy’s pulse, which had been beating languidly for many years, beat double at the sound of that name.

‘I meant furniture and pictures for the moment,’ he said; ‘but I don’t mind extending the meaning to her, if you wish it.’

‘She is the rarest thing there.’

‘So you have said before.’

‘The castle and our family history have as much romantic interest for her as they have for you,’ Charlotte went on. ‘She delights in visiting our tombs and effigies and ponders over them for hours.’

‘Indeed!’ said De Stancy, allowing his surprise to hide the satisfaction which accompanied it. ‘That should make us friendly.... Does she see many people?’

‘Not many as yet. And she cannot have many staying there during the alterations.’

‘Ah! yes—the alterations. Didn’t you say that she has had a London architect stopping there on that account? What was he—old or young?’

‘He is a young man: he has been to our house. Don’t you remember you met him there?’

‘What was his name?’

‘Mr. Somerset.’

‘O, that man! Yes, yes, I remember.... Hullo, Lottie!’

‘What?’

‘Your face is as red as a peony. Now I know a secret!’ Charlotte vainly endeavoured to hide her confusion. ‘Very well—not a word! I won’t say more,’ continued De Stancy good-humouredly, ‘except that he seems to be a very nice fellow.’

De Stancy had turned the dialogue on to this little well-preserved secret of his sister’s with sufficient outward lightness; but it had been done in instinctive concealment of the disquieting start with which he had recognized that Somerset, Dare’s enemy, whom he had intercepted in placing Dare’s portrait into the hands of the chief constable, was a man beloved by his sister Charlotte. This novel circumstance might lead to a curious complication. But he was to hear more.

‘He may be very nice,’ replied Charlotte, with an effort, after this silence. ‘But he is nothing to me, more than a very good friend.’

‘There’s no engagement, or thought of one between you?’

‘Certainly there’s not!’ said Charlotte, with brave emphasis. ‘It is more likely to be between Paula and him than me and him.’

De Stancy’s bare military ears and closely cropped poll flushed hot. ‘Miss Power and him?’

‘I don’t mean to say there is, because Paula denies it; but I mean that he loves Paula. That I do know.’

De Stancy was dumb. This item of news which Dare had kept from him, not knowing how far De Stancy’s sense of honour might extend, was decidedly grave. Indeed, he was so greatly impressed with the fact, that he could not help saying as much aloud: ‘This is very serious!’

‘Why!’ she murmured tremblingly, for the first leaking out of her tender and sworn secret had disabled her quite.

‘Because I love Paula too.’

‘What do you say, William, you?—a woman you have never seen?’

‘I have seen her—by accident. And now, my dear little sis, you will be my close ally, won’t you? as I will be yours, as brother and sister should be.’ He placed his arm coaxingly round Charlotte’s shoulder.

‘O, William, how can I?’ at last she stammered.

‘Why, how can’t you, I should say? We are both in the same ship. I love Paula, you love Mr. Somerset; it behoves both of us to see that this flirtation of theirs ends in nothing.’

‘I don’t like you to put it like that—that I love him—it frightens me,’ murmured the girl, visibly agitated. ‘I don’t want to divide him from Paula; I couldn’t, I wouldn’t do anything to separate them. Believe me, Will, I could not! I am sorry you love there also, though I should be glad if it happened in the natural order of events that she should come round to you. But I cannot do anything to part them and make Mr. Somerset suffer. It would be TOO wrong and blamable.’

‘Now, you silly Charlotte, that’s just how you women fly off at a tangent. I mean nothing dishonourable in the least. Have I ever prompted you to do anything dishonourable? Fair fighting allies was all I thought of.’

Miss De Stancy breathed more freely. ‘Yes, we will be that, of course; we are always that, William. But I hope I can be your ally, and be quite neutral; I would so much rather.’

‘Well, I suppose it will not be a breach of your precious neutrality if you get me invited to see the castle?’

‘O no!’ she said brightly; ‘I don’t mind doing such a thing as that. Why not come with me tomorrow? I will say I am going to bring you. There will be no trouble at all.’

De Stancy readily agreed. The effect upon him of the information now acquired was to intensify his ardour tenfold, the stimulus being due to a perception that Somerset, with a little more knowledge, would hold a card which could be played with disastrous effect against himself—his relationship to Dare. Its disclosure to a lady of such Puritan antecedents as Paula’s, would probably mean her immediate severance from himself as an unclean thing.

‘Is Miss Power a severe pietist, or precisian; or is she a compromising lady?’ he asked abruptly.

‘She is severe and uncompromising—if you mean in her judgments on morals,’ said Charlotte, not quite hearing. The remark was peculiarly apposite, and De Stancy was silent.

He spent some following hours in a close study of the castle history, which till now had unutterably bored him. More particularly did he dwell over documents and notes which referred to the pedigree of his own family. He wrote out the names of all—and they were many—who had been born within those domineering walls since their first erection; of those among them who had been brought thither by marriage with the owner, and of stranger knights and gentlemen who had entered the castle by marriage with its mistress. He refreshed his memory on the strange loves and hates that had arisen in the course of the family history; on memorable attacks, and the dates of the same, the most memorable among them being the occasion on which the party represented by Paula battered down the castle walls that she was now about to mend, and, as he hoped, return in their original intact shape to the family dispossessed, by marriage with himself, its living representative.

In Sir William’s villa were small engravings after many of the portraits in the castle galleries, some of them hanging in the dining-room in plain oak and maple frames, and others preserved in portfolios. De Stancy spent much of his time over these, and in getting up the romances of their originals’ lives from memoirs and other records, all which stories were as great novelties to him as they could possibly be to any stranger. Most interesting to him was the life of an Edward De Stancy, who had lived just before the Civil Wars, and to whom Captain De Stancy bore a very traceable likeness. This ancestor had a mole on his cheek, black and distinct as a fly in cream; and as in the case of the first Lord Amherst’s wart, and Bennet Earl of Arlington’s nose-scar, the painter had faithfully reproduced the defect on canvas. It so happened that the captain had a mole, though not exactly on the same spot of his face; and this made the resemblance still greater.

He took infinite trouble with his dress that day, showing an amount of anxiety on the matter which for him was quite abnormal. At last, when fully equipped, he set out with his sister to make the call proposed. Charlotte was rather unhappy at sight of her brother’s earnest attempt to make an impression on Paula; but she could say nothing against it, and they proceeded on their way.

It was the darkest of November weather, when the days are so short that morning seems to join with evening without the intervention of noon. The sky was lined with low cloud, within whose dense substance tempests were slowly fermenting for the coming days. Even now a windy turbulence troubled the half-naked boughs, and a lonely leaf would occasionally spin downwards to rejoin on the grass the scathed multitude of its comrades which had preceded it in its fall. The river by the pavilion, in the summer so clear and purling, now slid onwards brown and thick and silent, and enlarged to double size.

II.

Meanwhile Paula was alone. Of anyone else it would have been said that she must be finding the afternoon rather dreary in the quaint halls not of her forefathers: but of Miss Power it was unsafe to predicate so surely. She walked from room to room in a black velvet dress which gave decision to her outline without depriving it of softness. She occasionally clasped her hands behind her head and looked out of a window; but she more particularly bent her footsteps up and down the Long Gallery, where she had caused a large fire of logs to be kindled, in her endeavour to extend cheerfulness somewhat beyond the precincts of the sitting-rooms.

The fire glanced up on Paula, and Paula glanced down at the fire, and at the gnarled beech fuel, and at the wood-lice which ran out from beneath the bark to the extremity of the logs as the heat approached them. The low-down ruddy light spread over the dark floor like the setting sun over a moor, fluttering on the grotesque countenances of the bright andirons, and touching all the furniture on the underside.

She now and then crossed to one of the deep embrasures of the windows, to decipher some sentence from a letter she held in her hand. The daylight would have been more than sufficient for any bystander to discern that the capitals in that letter were of the peculiar semi-gothic type affected at the time by Somerset and other young architects of his school in their epistolary correspondence. She was very possibly thinking of him, even when not reading his letter, for the expression of softness with which she perused the page was more or less with her when she appeared to examine other things.

She walked about for a little time longer, then put away the letter, looked at the clock, and thence returned to the windows, straining her eyes over the landscape without, as she murmured, ‘I wish Charlotte was not so long coming!’

As Charlotte continued to keep away, Paula became less reasonable in her desires, and proceeded to wish that Somerset would arrive; then that anybody would come; then, walking towards the portraits on the wall, she flippantly asked one of those cavaliers to oblige her fancy for company by stepping down from his frame. The temerity of the request led her to prudently withdraw it almost as soon as conceived: old paintings had been said to play queer tricks in extreme cases, and the shadows this afternoon were funereal enough for anything in the shape of revenge on an intruder who embodied the antagonistic modern spirit to such an extent as she. However, Paula still stood before the picture which had attracted her; and this, by a coincidence common enough in fact, though scarcely credited in chronicles, happened to be that one of the seventeenth-century portraits of which De Stancy had studied the engraved copy at Myrtle Villa the same morning.

Whilst she remained before the picture, wondering her favourite wonder, how would she feel if this and its accompanying canvases were pictures of her own ancestors, she was surprised by a light footstep upon the carpet which covered part of the room, and turning quickly she beheld the smiling little figure of Charlotte De Stancy.

‘What has made you so late?’ said Paula. ‘You are come to stay, of course?’

Charlotte said she had come to stay. ‘But I have brought somebody with me!’

‘Ah—whom?’

‘My brother happened to be at home, and I have brought him.’

Miss De Stancy’s brother had been so continuously absent from home in India, or elsewhere, so little spoken of, and, when spoken of, so truly though unconsciously represented as one whose interests lay wholly outside this antiquated neighbourhood, that to Paula he had been a mere nebulosity whom she had never distinctly outlined. To have him thus cohere into substance at a moment’s notice lent him the novelty of a new creation.

‘Is he in the drawing-room?’ said Paula in a low voice.

‘No, he is here. He would follow me. I hope you will forgive him.’

And then Paula saw emerge into the red beams of the dancing fire, from behind a half-drawn hanging which screened the door, the military gentleman whose acquaintance the reader has already made.

‘You know the house, doubtless, Captain De Stancy?’ said Paula, somewhat shyly, when he had been presented to her.

‘I have never seen the inside since I was three weeks old,’ replied the artillery officer gracefully; ‘and hence my recollections of it are not remarkably distinct. A year or two before I was born the entail was cut off by my father and grandfather; so that I saw the venerable place only to lose it; at least, I believe that’s the truth of the case. But my knowledge of the transaction is not profound, and it is a delicate point on which to question one’s father.’

Paula assented, and looked at the interesting and noble figure of the man whose parents had seemingly righted themselves at the expense of wronging him.

‘The pictures and furniture were sold about the same time, I think?’ said Charlotte.

‘Yes,’ murmured De Stancy. ‘They went in a mad bargain of my father with his visitor, as they sat over their wine. My father sat down as host on that occasion, and arose as guest.’

He seemed to speak with such a courteous absence of regret for the alienation, that Paula, who was always fearing that the recollection would rise as a painful shadow between herself and the De Stancys, felt reassured by his magnanimity.

De Stancy looked with interest round the gallery; seeing which Paula said she would have lights brought in a moment.

‘No, please not,’ said De Stancy. ‘The room and ourselves are of so much more interesting a colour by this light!’

As they moved hither and thither, the various expressions of De Stancy’s face made themselves picturesquely visible in the unsteady shine of the blaze. In a short time he had drawn near to the painting of the ancestor whom he so greatly resembled. When her quick eye noted the speck on the face, indicative of inherited traits strongly pronounced, a new and romantic feeling that the De Stancys had stretched out a tentacle from their genealogical tree to seize her by the hand and draw her in to their mass took possession of Paula. As has been said, the De Stancys were a family on whom the hall-mark of membership was deeply stamped, and by the present light the representative under the portrait and the representative in the portrait seemed beings not far removed. Paula was continually starting from a reverie and speaking irrelevantly, as if such reflections as those seized hold of her in spite of her natural unconcern.

When candles were brought in Captain De Stancy ardently contrived to make the pictures the theme of conversation. From the nearest they went to the next, whereupon Paula as hostess took up one of the candlesticks and held it aloft to light up the painting. The candlestick being tall and heavy, De Stancy relieved her of it, and taking another candle in the other hand, he imperceptibly slid into the position of exhibitor rather than spectator. Thus he walked in advance holding the two candles on high, his shadow forming a gigantic figure on the neighbouring wall, while he recited the particulars of family history pertaining to each portrait, that he had learnt up with such eager persistence during the previous four-and-twenty-hours. ‘I have often wondered what could have been the history of this lady, but nobody has ever been able to tell me,’ Paula observed, pointing to a Vandyck which represented a beautiful woman wearing curls across her forehead, a square-cut bodice, and a heavy pearl necklace upon the smooth expanse of her neck.

‘I don’t think anybody knows,’ Charlotte said.

‘O yes,’ replied her brother promptly, seeing with enthusiasm that it was yet another opportunity for making capital of his acquired knowledge, with which he felt himself as inconveniently crammed as a candidate for a government examination. ‘That lady has been largely celebrated under a fancy name, though she is comparatively little known by her own. Her parents were the chief ornaments of the almost irreproachable court of Charles the First, and were not more distinguished by their politeness and honour than by the affections and virtues which constitute the great charm of private life.’

The stock verbiage of the family memoir was somewhat apparent in this effusion; but it much impressed his listeners; and he went on to point out that from the lady’s necklace was suspended a heart-shaped portrait—that of the man who broke his heart by her persistent refusal to encourage his suit. De Stancy then led them a little further, where hung a portrait of the lover, one of his own family, who appeared in full panoply of plate mail, the pommel of his sword standing up under his elbow. The gallant captain then related how this personage of his line wooed the lady fruitlessly; how, after her marriage with another, she and her husband visited the parents of the disappointed lover, the then occupiers of the castle; how, in a fit of desperation at the sight of her, he retired to his room, where he composed some passionate verses, which he wrote with his blood, and after directing them to her ran himself through the body with his sword. Too late the lady’s heart was touched by his devotion; she was ever after a melancholy woman, and wore his portrait despite her husband’s prohibition. ‘This,’ continued De Stancy, leading them through the doorway into the hall where the coats of mail were arranged along the wall, and stopping opposite a suit which bore some resemblance to that of the portrait, ‘this is his armour, as you will perceive by comparing it with the picture, and this is the sword with which he did the rash deed.’

‘What unreasonable devotion!’ said Paula practically. ‘It was too romantic of him. She was not worthy of such a sacrifice.’

‘He also is one whom they say you resemble a little in feature, I think,’ said Charlotte.

‘Do they?’ replied De Stancy. ‘I wonder if it’s true.’ He set down the candles, and asking the girls to withdraw for a moment, was inside the upper part of the suit of armour in incredibly quick time. Going then and placing himself in front of a low-hanging painting near the original, so as to be enclosed by the frame while covering the figure, arranging the sword as in the one above, and setting the light that it might fall in the right direction, he recalled them; when he put the question, ‘Is the resemblance strong?’

He looked so much like a man of bygone times that neither of them replied, but remained curiously gazing at him. His modern and comparatively sallow complexion, as seen through the open visor, lent an ethereal ideality to his appearance which the time-stained countenance of the original warrior totally lacked.

At last Paula spoke, so stilly that she seemed a statue enunciating: ‘Are the verses known that he wrote with his blood?’

‘O yes, they have been carefully preserved.’ Captain De Stancy, with true wooer’s instinct, had committed some of them to memory that morning from the printed copy to be found in every well-ordered library. ‘I fear I don’t remember them all,’ he said, ‘but they begin in this way:—

A solemn silence followed the close of the recital, which De Stancy improved by turning the point of the sword to his breast, resting the pommel upon the floor, and saying:—

‘After writing that we may picture him turning this same sword in this same way, and falling on it thus.’ He inclined his body forward as he spoke.

‘Don’t, Captain De Stancy, please don’t!’ cried Paula involuntarily.

‘No, don’t show us any further, William!’ said his sister. ‘It is too tragic.’

De Stancy put away the sword, himself rather excited—not, however, by his own recital, but by the direct gaze of Paula at him.

This Protean quality of De Stancy’s, by means of which he could assume the shape and situation of almost any ancestor at will, had impressed her, and he perceived it with a throb of fervour. But it had done no more than impress her; for though in delivering the lines he had so fixed his look upon her as to suggest, to any maiden practised in the game of the eyes, a present significance in the words, the idea of any such arriere-pensee had by no means commended itself to her soul.

At this time a messenger from Markton barracks arrived at the castle and wished to speak to Captain De Stancy in the hall. Begging the two ladies to excuse him for a moment, he went out.

While De Stancy was talking in the twilight to the messenger at one end of the apartment, some other arrival was shown in by the side door, and in making his way after the conference across the hall to the room he had previously quitted, De Stancy encountered the new-comer. There was just enough light to reveal the countenance to be Dare’s; he bore a portfolio under his arm, and had begun to wear a moustache, in case the chief constable should meet him anywhere in his rambles, and be struck by his resemblance to the man in the studio.

‘What the devil are you doing here?’ said Captain De Stancy, in tones he had never used before to the young man.

Dare started back in surprise, and naturally so. De Stancy, having adopted a new system of living, and relinquished the meagre diet and enervating waters of his past years, was rapidly recovering tone. His voice was firmer, his cheeks were less pallid; and above all he was authoritative towards his present companion, whose ingenuity in vamping up a being for his ambitious experiments seemed about to be rewarded, like Frankenstein’s, by his discomfiture at the hands of his own creature.

‘What the devil are you doing here, I say?’ repeated De Stancy.

‘You can talk to me like that, after my working so hard to get you on in life, and make a rising man of you!’ expostulated Dare, as one who felt himself no longer the leader in this enterprise.

‘But,’ said the captain less harshly, ‘if you let them discover any relations between us here, you will ruin the fairest prospects man ever had!’

‘O, I like that, captain—when you owe all of it to me!’

‘That’s too cool, Will.’

‘No; what I say is true. However, let that go. So now you are here on a call; but how are you going to get here often enough to win her before the other man comes back? If you don’t see her every day—twice, three times a day—you will not capture her in the time.’

‘I must think of that,’ said De Stancy.

‘There is only one way of being constantly here: you must come to copy the pictures or furniture, something in the way he did.’

‘I’ll think of it,’ muttered De Stancy hastily, as he heard the voices of the ladies, whom he hastened to join as they were appearing at the other end of the room. His countenance was gloomy as he recrossed the hall, for Dare’s words on the shortness of his opportunities had impressed him. Almost at once he uttered a hope to Paula that he might have further chance of studying, and if possible of copying, some of the ancestral faces with which the building abounded.

Meanwhile Dare had come forward with his portfolio, which proved to be full of photographs. While Paula and Charlotte were examining them he said to De Stancy, as a stranger: ‘Excuse my interruption, sir, but if you should think of copying any of the portraits, as you were stating just now to the ladies, my patent photographic process is at your service, and is, I believe, the only one which would be effectual in the dim indoor lights.’

‘It is just what I was thinking of,’ said De Stancy, now so far cooled down from his irritation as to be quite ready to accept Dare’s adroitly suggested scheme.

On application to Paula she immediately gave De Stancy permission to photograph to any extent, and told Dare he might bring his instruments as soon as Captain De Stancy required them.

‘Don’t stare at her in such a brazen way!’ whispered the latter to the young man, when Paula had withdrawn a few steps. ‘Say, “I shall highly value the privilege of assisting Captain De Stancy in such a work.”’

Dare obeyed, and before leaving De Stancy arranged to begin performing on his venerated forefathers the next morning, the youth so accidentally engaged agreeing to be there at the same time to assist in the technical operations.

III.

As he had promised, De Stancy made use the next day of the coveted permission that had been brought about by the ingenious Dare. Dare’s timely suggestion of tendering assistance had the practical result of relieving the other of all necessity for occupying his time with the proceeding, further than to bestow a perfunctory superintendence now and then, to give a colour to his regular presence in the fortress, the actual work of taking copies being carried on by the younger man.

The weather was frequently wet during these operations, and Paula, Miss De Stancy, and her brother, were often in the house whole mornings together. By constant urging and coaxing the latter would induce his gentle sister, much against her conscience, to leave him opportunities for speaking to Paula alone. It was mostly before some print or painting that these conversations occurred, while De Stancy was ostensibly occupied with its merits, or in giving directions to his photographer how to proceed. As soon as the dialogue began, the latter would withdraw out of earshot, leaving Paula to imagine him the most deferential young artist in the world.

‘You will soon possess duplicates of the whole gallery,’ she said on one of these occasions, examining some curled sheets which Dare had printed off from the negatives.

‘No,’ said the soldier. ‘I shall not have patience to go on. I get ill-humoured and indifferent, and then leave off.’

‘Why ill-humoured?’

‘I scarcely know—more than that I acquire a general sense of my own family’s want of merit through seeing how meritorious the people are around me. I see them happy and thriving without any necessity for me at all; and then I regard these canvas grandfathers and grandmothers, and ask, “Why was a line so antiquated and out of date prolonged till now?”’

She chid him good-naturedly for such views. ‘They will do you an injury,’ she declared. ‘Do spare yourself, Captain De Stancy!’

De Stancy shook his head as he turned the painting before him a little further to the light.

‘But, do you know,’ said Paula, ‘that notion of yours of being a family out of date is delightful to some people. I talk to Charlotte about it often. I am never weary of examining those canopied effigies in the church, and almost wish they were those of my relations.’

‘I will try to see things in the same light for your sake,’ said De Stancy fervently.

‘Not for my sake; for your own was what I meant, of course,’ she replied with a repressive air.

Captain De Stancy bowed.

‘What are you going to do with your photographs when you have them?’ she asked, as if still anxious to obliterate the previous sentimental lapse.

‘I shall put them into a large album, and carry them with me in my campaigns; and may I ask, now I have an opportunity, that you would extend your permission to copy a little further, and let me photograph one other painting that hangs in the castle, to fittingly complete my set?’

‘Which?’

‘That half-length of a lady which hangs in the morning-room. I remember seeing it in the Academy last year.’

Paula involuntarily closed herself up. The picture was her own portrait. ‘It does not belong to your series,’ she said somewhat coldly.

De Stancy’s secret thought was, I hope from my soul it will belong some day! He answered with mildness: ‘There is a sort of connection—you are my sister’s friend.’

Paula assented.

‘And hence, might not your friend’s brother photograph your picture?’

Paula demurred.

A gentle sigh rose from the bosom of De Stancy. ‘What is to become of me?’ he said, with a light distressed laugh. ‘I am always inconsiderate and inclined to ask too much. Forgive me! What was in my mind when I asked I dare not say.’

‘I quite understand your interest in your family pictures—and all of it,’ she remarked more gently, willing not to hurt the sensitive feelings of a man so full of romance.

‘And in that ONE!’ he said, looking devotedly at her. ‘If I had only been fortunate enough to include it with the rest, my album would indeed have been a treasure to pore over by the bivouac fire!’

‘O, Captain De Stancy, this is provoking perseverance!’ cried Paula, laughing half crossly. ‘I expected that after expressing my decision so plainly the first time I should not have been further urged upon the subject.’ Saying which she turned and moved decisively away.

It had not been a productive meeting, thus far. ‘One word!’ said De Stancy, following and almost clasping her hand. ‘I have given offence, I know: but do let it all fall on my own head—don’t tell my sister of my misbehaviour! She loves you deeply, and it would wound her to the heart.’

‘You deserve to be told upon,’ said Paula as she withdrew, with just enough playfulness to show that her anger was not too serious.

Charlotte looked at Paula uneasily when the latter joined her in the drawing-room. She wanted to say, ‘What is the matter?’ but guessing that her brother had something to do with it, forbore to speak at first. She could not contain her anxiety long. ‘Were you talking with my brother?’ she said.

‘Yes,’ returned Paula, with reservation. However, she soon added, ‘He not only wants to photograph his ancestors, but MY portrait too. They are a dreadfully encroaching sex, and perhaps being in the army makes them worse!’

‘I’ll give him a hint, and tell him to be careful.’

‘Don’t say I have definitely complained of him; it is not worth while to do that; the matter is too trifling for repetition. Upon the whole, Charlotte, I would rather you said nothing at all.’

De Stancy’s hobby of photographing his ancestors seemed to become a perfect mania with him. Almost every morning discovered him in the larger apartments of the castle, taking down and rehanging the dilapidated pictures, with the assistance of the indispensable Dare; his fingers stained black with dust, and his face expressing a busy attention to the work in hand, though always reserving a look askance for the presence of Paula.

Though there was something of subterfuge, there was no deep and double subterfuge in all this. De Stancy took no particular interest in his ancestral portraits; but he was enamoured of Paula to weakness. Perhaps the composition of his love would hardly bear looking into, but it was recklessly frank and not quite mercenary. His photographic scheme was nothing worse than a lover’s not too scrupulous contrivance. After the refusal of his request to copy her picture he fumed and fretted at the prospect of Somerset’s return before any impression had been made on her heart by himself; he swore at Dare, and asked him hotly why he had dragged him into such a hopeless dilemma as this.

‘Hopeless? Somerset must still be kept away, so that it is not hopeless. I will consider how to prolong his stay.’

Thereupon Dare considered.

The time was coming—had indeed come—when it was necessary for Paula to make up her mind about her architect, if she meant to begin building in the spring. The two sets of plans, Somerset’s and Havill’s, were hanging on the walls of the room that had been used by Somerset as his studio, and were accessible by anybody. Dare took occasion to go and study both sets, with a view to finding a flaw in Somerset’s which might have been passed over unnoticed by the committee of architects, owing to their absence from the actual site. But not a blunder could he find.

He next went to Havill; and here he was met by an amazing state of affairs. Havill’s creditors, at last suspecting something mythical in Havill’s assurance that the grand commission was his, had lost all patience; his house was turned upside-down, and a poster gleamed on the front wall, stating that the excellent modern household furniture was to be sold by auction on Friday next. Troubles had apparently come in battalions, for Dare was informed by a bystander that Havill’s wife was seriously ill also.

Without staying for a moment to enter his friend’s house, back went Mr. Dare to the castle, and told Captain De Stancy of the architect’s desperate circumstances, begging him to convey the news in some way to Miss Power. De Stancy promised to make representations in the proper quarter without perceiving that he was doing the best possible deed for himself thereby.

He told Paula of Havill’s misfortunes in the presence of his sister, who turned pale. She discerned how this misfortune would bear upon the undecided competition.

‘Poor man,’ murmured Paula. ‘He was my father’s architect, and somehow expected, though I did not promise it, the work of rebuilding the castle.’

Then De Stancy saw Dare’s aim in sending him to Miss Power with the news; and, seeing it, concurred: Somerset was his rival, and all was fair. ‘And is he not to have the work of the castle after expecting it?’ he asked.

Paula was lost in reflection. ‘The other architect’s design and Mr. Havill’s are exactly equal in merit, and we cannot decide how to give it to either,’ explained Charlotte.

‘That is our difficulty,’ Paula murmured. ‘A bankrupt, and his wife ill—dear me! I wonder what’s the cause.’

‘He has borrowed on the expectation of having to execute the castle works, and now he is unable to meet his liabilities.’

‘It is very sad,’ said Paula.

‘Let me suggest a remedy for this dead-lock,’ said De Stancy.

‘Do,’ said Paula.

‘Do the work of building in two halves or sections. Give Havill the first half, since he is in need; when that is finished the second half can be given to your London architect. If, as I understand, the plans are identical, except in ornamental details, there will be no difficulty about it at all.’

Paula sighed—just a little one; and yet the suggestion seemed to satisfy her by its reasonableness. She turned sad, wayward, but was impressed by De Stancy’s manner and words. She appeared indeed to have a smouldering desire to please him. In the afternoon she said to Charlotte, ‘I mean to do as your brother says.’

A note was despatched to Havill that very day, and in an hour the crestfallen architect presented himself at the castle. Paula instantly gave him audience, commiserated him, and commissioned him to carry out a first section of the buildings, comprising work to the extent of about twenty thousand pounds expenditure; and then, with a prematureness quite amazing among architects’ clients, she handed him over a cheque for five hundred pounds on account.

When he had gone, Paula’s bearing showed some sign of being disquieted at what she had done; but she covered her mood under a cloak of saucy serenity. Perhaps a tender remembrance of a certain thunderstorm in the foregoing August when she stood with Somerset in the arbour, and did not own that she loved him, was pressing on her memory and bewildering her. She had not seen quite clearly, in adopting De Stancy’s suggestion, that Somerset would now have no professional reason for being at the castle for the next twelve months.

But the captain had, and when Havill entered the castle he rejoiced with great joy. Dare, too, rejoiced in his cold way, and went on with his photography, saying, ‘The game progresses, captain.’

‘Game? Call it Divine Comedy, rather!’ said the soldier exultingly.

‘He is practically banished for a year or more. What can’t you do in a year, captain!’

Havill, in the meantime, having respectfully withdrawn from the presence of Paula, passed by Dare and De Stancy in the gallery as he had done in entering. He spoke a few words to Dare, who congratulated him. While they were talking somebody was heard in the hall, inquiring hastily for Mr. Havill.

‘What shall I tell him?’ demanded the porter.

‘His wife is dead,’ said the messenger.

Havill overheard the words, and hastened away.

‘An unlucky man!’ said Dare.

‘That, happily for us, will not affect his installation here,’ said De Stancy. ‘Now hold your tongue and keep at a distance. She may come this way.’

Surely enough in a few minutes she came. De Stancy, to make conversation, told her of the new misfortune which had just befallen Mr. Havill.

Paula was very sorry to hear it, and remarked that it gave her great satisfaction to have appointed him as architect of the first wing before he learnt the bad news. ‘I owe you best thanks, Captain De Stancy, for showing me such an expedient.’

‘Do I really deserve thanks?’ asked De Stancy. ‘I wish I deserved a reward; but I must bear in mind the fable of the priest and the jester.’

‘I never heard it.’

‘The jester implored the priest for alms, but the smallest sum was refused, though the holy man readily agreed to give him his blessing. Query, its value?’

‘How does it apply?’

‘You give me unlimited thanks, but deny me the tiniest substantial trifle I desire.’

‘What persistence!’ exclaimed Paula, colouring. ‘Very well, if you WILL photograph my picture you must. It is really not worthy further pleading. Take it when you like.’

When Paula was alone she seemed vexed with herself for having given way; and rising from her seat she went quietly to the door of the room containing the picture, intending to lock it up till further consideration, whatever he might think of her. But on casting her eyes round the apartment the painting was gone. The captain, wisely taking the current when it served, already had it in the gallery, where he was to be seen bending attentively over it, arranging the lights and directing Dare with the instruments. On leaving he thanked her, and said that he had obtained a splendid copy. Would she look at it?

Paula was severe and icy. ‘Thank you—I don’t wish to see it,’ she said.

De Stancy bowed and departed in a glow of triumph; satisfied, notwithstanding her frigidity, that he had compassed his immediate aim, which was that she might not be able to dismiss from her thoughts him and his persevering desire for the shadow of her face during the next four-and-twenty-hours. And his confidence was well founded: she could not.

‘I fear this Divine Comedy will be slow business for us, captain,’ said Dare, who had heard her cold words.

‘O no!’ said De Stancy, flushing a little: he had not been perceiving that the lad had the measure of his mind so entirely as to gauge his position at any moment. But he would show no shamefacedness. ‘Even if it is, my boy,’ he answered, ‘there’s plenty of time before the other can come.’

At that hour and minute of De Stancy’s remark ‘the other,’ to look at him, seemed indeed securely shelved. He was sitting lonely in his chambers far away, wondering why she did not write, and yet hoping to hear—wondering if it had all been but a short-lived strain of tenderness. He knew as well as if it had been stated in words that her serious acceptance of him as a suitor would be her acceptance of him as an architect—that her schemes in love would be expressed in terms of art; and conversely that her refusal of him as a lover would be neatly effected by her choosing Havill’s plans for the castle, and returning his own with thanks. The position was so clear: he was so well walled in by circumstances that he was absolutely helpless.

To wait for the line that would not come—the letter saying that, as she had desired, his was the design that pleased her—was still the only thing to do. The (to Somerset) surprising accident that the committee of architects should have pronounced the designs absolutely equal in point of merit, and thus have caused the final choice to revert after all to Paula, had been a joyous thing to him when he first heard of it, full of confidence in her favour. But the fact of her having again become the arbitrator, though it had made acceptance of his plans all the more probable, made refusal of them, should it happen, all the more crushing. He could have conceived himself favoured by Paula as her lover, even had the committee decided in favour of Havill as her architect. But not to be chosen as architect now was to be rejected in both kinds.

IV.

It was the Sunday following the funeral of Mrs. Havill, news of whose death had been so unexpectedly brought to her husband at the moment of his exit from Stancy Castle. The minister, as was his custom, improved the occasion by a couple of sermons on the uncertainty of life. One was preached in the morning in the old chapel of Markton; the second at evening service in the rural chapel near Stancy Castle, built by Paula’s father, which bore to the first somewhat the relation of an episcopal chapel-of-ease to the mother church.

The unscreened lights blazed through the plate-glass windows of the smaller building and outshone the steely stars of the early night, just as they had done when Somerset was attracted by their glare four months before. The fervid minister’s rhetoric equalled its force on that more romantic occasion: but Paula was not there. She was not a frequent attendant now at her father’s votive building. The mysterious tank, whose dark waters had so repelled her at the last moment, was boarded over: a table stood on its centre, with an open quarto Bible upon it, behind which Havill, in a new suit of black, sat in a large chair. Havill held the office of deacon: and he had mechanically taken the deacon’s seat as usual to-night, in the face of the congregation, and under the nose of Mr. Woodwell.

Mr. Woodwell was always glad of an opportunity. He was gifted with a burning natural eloquence, which, though perhaps a little too freely employed in exciting the ‘Wertherism of the uncultivated,’ had in it genuine power. He was a master of that oratory which no limitation of knowledge can repress, and which no training can impart. The neighbouring rector could eclipse Woodwell’s scholarship, and the freethinker at the corner shop in Markton could demolish his logic; but the Baptist could do in five minutes what neither of these had done in a lifetime; he could move some of the hardest of men to tears.

Thus it happened that, when the sermon was fairly under way, Havill began to feel himself in a trying position. It was not that he had bestowed much affection upon his deceased wife, irreproachable woman as she had been; but the suddenness of her death had shaken his nerves, and Mr. Woodwell’s address on the uncertainty of life involved considerations of conduct on earth that bore with singular directness upon Havill’s unprincipled manoeuvre for victory in the castle competition. He wished he had not been so inadvertent as to take his customary chair in the chapel. People who saw Havill’s agitation did not know that it was most largely owing to his sense of the fraud which had been practised on the unoffending Somerset; and when, unable longer to endure the torture of Woodwell’s words, he rose from his place and went into the chapel vestry, the preacher little thought that remorse for a contemptibly unfair act, rather than grief for a dead wife, was the cause of the architect’s withdrawal.

When Havill got into the open air his morbid excitement calmed down, but a sickening self-abhorrence for the proceeding instigated by Dare did not abate. To appropriate another man’s design was no more nor less than to embezzle his money or steal his goods. The intense reaction from his conduct of the past two or three months did not leave him when he reached his own house and observed where the handbills of the countermanded sale had been torn down, as the result of the payment made in advance by Paula of money which should really have been Somerset’s.

The mood went on intensifying when he was in bed. He lay awake till the clock reached those still, small, ghastly hours when the vital fires burn at their lowest in the human frame, and death seizes more of his victims than in any other of the twenty-four. Havill could bear it no longer; he got a light, went down into his office and wrote the note subjoined.

‘MADAM,—The recent death of my wife necessitates a considerable change in my professional arrangements and plans with regard to the future. One of the chief results of the change is, I regret to state, that I no longer find myself in a position to carry out the enlargement of the castle which you had so generously entrusted to my hands.

‘I beg leave therefore to resign all further connection with the same, and to express, if you will allow me, a hope that the commission may be placed in the hands of the other competitor. Herewith is returned a cheque for one-half of the sum so kindly advanced in anticipation of the commission I should receive; the other half, with which I had cleared off my immediate embarrassments before perceiving the necessity for this course, shall be returned to you as soon as some payments from other clients drop in.—I beg to remain, Madam, your obedient servant, JAMES HAVILL.’

Havill would not trust himself till the morning to post this letter. He sealed it up, went out with it into the street, and walked through the sleeping town to the post-office. At the mouth of the box he held the letter long. By dropping it, he was dropping at least two thousand five hundred pounds which, however obtained, were now securely his. It was a great deal to let go; and there he stood till another wave of conscience bore in upon his soul the absolute nature of the theft, and made him shudder. The footsteps of a solitary policeman could be heard nearing him along the deserted street; hesitation ended, and he let the letter go.

When he awoke in the morning he thought over the circumstances by the cheerful light of a low eastern sun. The horrors of the situation seemed much less formidable; yet it cannot be said that he actually regretted his act. Later on he walked out, with the strange sense of being a man who, from one having a large professional undertaking in hand, had, by his own act, suddenly reduced himself to an unoccupied nondescript. From the upper end of the town he saw in the distance the grand grey towers of Stancy Castle looming over the leafless trees; he felt stupefied at what he had done, and said to himself with bitter discontent: ‘Well, well, what is more contemptible than a half-hearted rogue!’

That morning the post-bag had been brought to Paula and Mrs. Goodman in the usual way, and Miss Power read the letter. His resignation was a surprise; the question whether he would or would not repay the money was passed over; the necessity of installing Somerset after all as sole architect was an agitation, or emotion, the precise nature of which it is impossible to accurately define.

However, she went about the house after breakfast with very much the manner of one who had had a weight removed either from her heart or from her conscience; moreover, her face was a little flushed when, in passing by Somerset’s late studio, she saw the plans bearing his motto, and knew that his and not Havill’s would be the presiding presence in the coming architectural turmoil. She went on further, and called to Charlotte, who was now regularly sleeping in the castle, to accompany her, and together they ascended to the telegraph-room in the donjon tower.

‘Whom are you going to telegraph to?’ said Miss De Stancy when they stood by the instrument.

‘My architect.’

‘O—Mr. Havill.’

‘Mr. Somerset.’

Miss De Stancy had schooled her emotions on that side cruelly well, and she asked calmly, ‘What, have you chosen him after all?’

‘There is no choice in it—read that,’ said Paula, handing Havill’s letter, as if she felt that Providence had stepped in to shape ends that she was too undecided or unpractised to shape for herself.

‘It is very strange,’ murmured Charlotte; while Paula applied herself to the machine and despatched the words:—

‘Miss Power, Stancy Castle, to G. Somerset, Esq., F.S.A., F.R.I.B.A., Queen Anne’s Chambers, St. James’s.

‘Your design is accepted in its entirety. It will be necessary to begin soon. I shall wish to see and consult you on the matter about the 10th instant.’

When the message was fairly gone out of the window Paula seemed still further to expand. The strange spell cast over her by something or other—probably the presence of De Stancy, and the weird romanticism of his manner towards her, which was as if the historic past had touched her with a yet living hand—in a great measure became dissipated, leaving her the arch and serene maiden that she had been before.

About this time Captain De Stancy and his Achates were approaching the castle, and had arrived about fifty paces from the spot at which it was Dare’s custom to drop behind his companion, in order that their appearance at the lodge should be that of master and man.

Dare was saying, as he had said before: ‘I can’t help fancying, captain, that your approach to this castle and its mistress is by a very tedious system. Your trenches, zigzags, counterscarps, and ravelins may be all very well, and a very sure system of attack in the long run; but upon my soul they are almost as slow in maturing as those of Uncle Toby himself. For my part I should be inclined to try an assault.’

‘Don’t pretend to give advice, Willy, on matters beyond your years.’

‘I only meant it for your good, and your proper advancement in the world,’ said Dare in wounded tones.

‘Different characters, different systems,’ returned the soldier. ‘This lady is of a reticent, independent, complicated disposition, and any sudden proceeding would put her on her mettle. You don’t dream what my impatience is, my boy. It is a thing transcending your utmost conceptions! But I proceed slowly; I know better than to do otherwise. Thank God there is plenty of time. As long as there is no risk of Somerset’s return my situation is sure.’