"All girls ain't alike, mamma—satin shoes cost no more nowadays as leather. We got a dollar-ninety-eight satin pump, you wouldn't believe it—and such a seller! All girls ain't alike, mamma."
"What you mean, Abie?"
Mr. Ginsburg turned on the couch so that his face was close to the wall, and his voice half lost in the curve of his arm.
"Well, once in a while you come across a girl that ain't—ain't like the rest of 'em. Well, there ought to be girls that ain't like the rest of 'em, oughtn't there?"
Mrs. Ginsburg's rocking and fanning slowed down a bit; a curious moment fell over the little room; a nerve-tingling quiescence that in its pregnant moment can race the mind back over an eternity—a silence that is cold with sweat, like the second when a doctor removes his stethoscope from over a patient's left breast and looks at him with a film of pity glazing his eyes.
"What you mean, Abie? Tell mamma what you mean. I ain't the one to stand in your light." Mrs. Ginsburg's speech clogged in her throat.
"You know you always got a home with me, mamma. You know, no matter what comes, I always got to tuck you in bed at night and fix the windows for you. You know you always got with me the best kind of a home I got to give you. Ain't it?"
His hand crept out and rested lightly—ever so lightly—on his mother's knee.
"Abie, you never talked like this before—I won't stand in your way, Abie. If you can make up your mind, Beulah Washeim or Hannah Rosenblatt, either would be—"
"Aw, mamma, it ain't them."
Mrs. Ginsburg's hand closed tightly over her son's; a train swooped past and created a flurry of warm breeze in the room.
"Who—is—it, Abie? Don't be afraid to tell mamma."
"Why, mamma, it ain't no one! Can't a fellow just talk? You started it, didn't you? I was just talking 'cause you was."
"He scares me yet! No consideration that boy has got for his mother! Abie, a little broth—you ain't got no fever, Abie—your head is cool like ice."
"You ain't had no supper yet, mamma."
"I had coffee at five o'clock; for myself I never worry. I'm glad enough you feel all right. It's eight o'clock, Abie—I go me to bed. To-morrow I go to market with Yetta."
"Aw, mamma, now why for do you—"
"I ain't too proud—such high-toned notions I ain't got. For what I pay forty-two cents for eggs up here when I can get 'em for thirty-eight?"
"Be careful, mamma; don't fall over the chair—you want a light?"
"No. Write me a note for the milkman, Abie, before you go to bed, and leave it out with the bottles—half a pint of double cream I want. I make you cream-potatoes for supper to-morrow. I laid your blue shirt on your bed, Abie—don't go to bed on it. It's the last time I iron it; but once more you can wear it, then I make dust-rags. I ironed it soft like you like."
"Yes, mamma."
"Put the cover on the canary, too, Abie. That night you went to the lodge he chirped and chirped, just like you was lost and he was crying 'cause me and him was lonely."
"Yes, mamma. Wait till I light the gas in your room for you—you'll stumble."
"It's too hot for light; I can see by the Magintys' kitchen light across the air-shaft. What she does in her kitchen so late I don't know—such housekeeping! Yesterday with my own eyes I seen her shake a table-cloth out the window with a hole like my hand in it. She should know what I think of such ways."
Mrs. Ginsburg moved through the gloom, steering carefully round the phantom furniture. From his place on the couch her son could hear her moving about her tiny room adjoining the kitchen. A shoe dropped and, after a satisfying interval, another; the padding of bare feet across a floor; the tink of a china pitcher against its bowl; the slam of a drawer; the rusty squeal of spiral bed-springs under pressure.
"Abie, I'm ready."
When Mr. Ginsburg groped into his mother's room she lay in the casual attitude of sleep, but the yellow patch of light from the shaft fell across her open eyes and gray wisps of hair that lay on her pillow like a sickly aura.
"Good night, Abie. You're a good boy, Abie."
"Good night, mamma. A sheet ain't enough—you got to have the blue-and-white quilt on you, too."
"Don't, Abie—do you want to suffocate me? I can't stand so much. Take off the quilt."
"Your rheumatism, you know, mamma—you'll see how much cooler it will get in the night."
"Ach, Abie, leave that window all the way up. So hot, and that boy closes me up like—"
"When the lace curtain blows in it means you're in a draught, mamma—half-way open you can have it, but not all. Without me to fuss you'd have a fine rheumatism—like it ain't dangerous for you to sleep where there's enough draught to blow the curtain in."
"Abie, if you don't feel good, in two minutes I can get up and heat the broth if—"
"I'm grand, mamma. Here, I move this chair so the light from Magintys' don't shine in your eyes."
"What she does in her kitchen so late I don't know. Good night, Abie. In the dark you look like poor papa. How he used to fuss round the room at night fixing me just like you—poor papa, Abie—not? Poor papa?"
"Good night, mamma."
Mr. Ginsburg leaned over and kissed his mother lightly on the forehead.
"Double cream did you say I should write the milkman?"
"Yes—and, Abie, don't forget to cover the bird."
"Yes. Here, I leave the door half-way open, mamma. Good night."
"Abie! Abie!"
"Yes?"
"Oh, it ain't nothing at all, Abie—never mind."
"I'm right here, mamma. Anything you want me to do?"
"Nothing. Good night, Abie."
"Good night, mamma."
At eight-fifteen Monday morning Miss Ruby Cohn blew into the Ginsburg & Son's shoe store like a breath of thirty-nine-cents-an-ounce perfume shot from a strong-spray atomizer. The street hung with the strong breath of Mayflower a full second after her small, tall-heeled feet had crossed its soft asphalt.
At the first whiff Mr. Ginsburg drew the upper half of his body out from a case of misses' ten-button welt soles he was unpacking and smiled as if Aurora and spring, and all the heyday misses that Guido Reni and Botticelli loved to paint, had suddenly danced into his shop.
"Well, well, Miss Ruby, are you back?"
Miss Cohn titillated toward the rear of the store, the tail of a cockatoo titillated at a sharp angle from her hat, a patent-leather handbag titillated from a long cord at her wrist, and a smile iridescent as sunlight on spray played about her lips. She placed her hand blinker-fashion against her mouth as if she would curb the smile.
"Don't tell anybody, Mr. Ginsburg, and I'll whisper you something. Listen! I ain't back; I'm shooting porcelain ducks off the shelf in a china shop."
"Ah, you're back again with your fun, ain't you? Miss Ruby—believe me—I missed you enough. I bet you had a grand time at the farm!"
Mr. Ginsburg shook hands with her shyly, with a sudden red in his face, and as if her fingers were holy with the dust of a butterfly's wings and he feared to brush it off.
"Say, Mr. Ginsburg, you should have seen me! What I think of a shoe-tree after laying all yesterday afternoon under a oak-tree next to a brook that made a noise like playing a tune on wine-glasses, I'd hate to tell you. Say, you're unpacking them ten-button welts, ain't you? Good! It ain't too soon for the school stock."
Miss Cohn withdrew two super-long, sapphire-headed hat-pins from her super-small hat, slid out of a tan summer-silk jacket, dallied with the froth of white frills at her throat, ran her fingers through the flame of her hair and turned to Mr. Ginsburg. Her skin was like thick cream and smattered with large, light-brown freckles, which enhanced its creaminess as a crescent of black plaster laid against a lady's cheek makes fairness fairer.
"Well, how's business? I've come back feeling like I could sell storm rubbers to a mermaid."
"You look grand for certain, Miss Ruby. They just can't look any grander'n you. Believe me, I missed you enough! To-day it's cool; but the day before yesterday you can know I was done up when I closed before six."
"Can you beat it? And I was laying flat on the grass, with ants running up my sleeves and down my neck and wishing for my sealskin—it was so cool. I see Herschey's got cloth-tops in his windows. What's the matter with us springing them patent-tip kids? Say, I got a swell idea for a window comin' home on the train—lookin' at the wheat-fields made me think of it."
"Whatta you know about that? Wheat-fields made her think of a shoe window—like a whip she is—so sharp!"
"It's a yellow season, Mr. Ginsburg; and we can use them old-oak stands and have a tan school window that'll make every plate-glass front between here and One Hundred and Twenty-fifth Street look like a Sixth Avenue slightly worn display."
"Good! You can have just what kind of a window you like, Miss Ruby—just anything you—you like. After such a summer we can afford such a fall window as we want. I see the Busy Bee's got red-paper poppies in theirs—something like that, maybe, with—"
"Nix on paper flowers for us! I got a china-silk idea from a little drummer I met up in the country—one nice little fellow! I wonder if you know him? Simon Leavitt; he says he sold you goods. Simon Leavitt. Know him?"
"No."
"One nice little fellow!"
Silence.
"I missed you lots, Miss Ruby. When Saturday came I said to mamma: 'How I miss that girl! Only one month she's been with us, but how I miss that girl!' Oh—eh, Miss Ruby!"
Miss Cohn adjusted a pair of tissue-paper sleevelets and smoothed her smooth tan hips as if she would erase them entirely; then she looked up at him delicately, and for the instant the pink aura of her hair and the rise and fall of her too high bosom gave her some of the fleshly beauty of a Flora.
"Like you had time to think of me! I bet the Washeim girl was in every other day for a pair of—"
"Now, Miss Ruby, you—"
"'Sh! There's some one out front. It's that cashier from Truman's grocery. You finish unpacking that case, Mr. Ginsburg. I'll wait on her. I bet she wants tango slippers."
Miss Cohn flitted to the front of the store as rapidly as the span of her narrow skirt would permit, and Mr. Ginsburg dived deep into the depths of his wooden case. But in his nostrils, in the creases of his coat, and in the recesses of his heart was the strong breath of the Mayflower; and in the phantasmagoria of bonfire-colored hair and cream-colored skin, and the fragrance of his own emotions, he bent so dreamily over the packing-case that the blood rushed as if by capillary attraction to his temples; and when he staggered to an upright posture large black blotches were doing an elf dance before his eyes.
"Mr. Ginsburg! Oh, Mr. Ginsburg!"
"Yes, Miss Ruby."
From the highest rung of a ladder, parallel with the top row of a wall of shoe-boxes, Miss Cohn poised like a humming-bird.
"Say, have we got any more of them 4567 French heel, chiffon rosette?"
"Yes, Miss Ruby—right there under the 5678's."
"Sure enough. Never mind coming out; I can find 'em—yes, here they are."
From her height she smiled down at him, pushed her ladder leftward along its track, clapped a shoe-box under her arm, and hurried down, her shoe-buttoner jangling from a pink ribbon at her waist-line. Mr. Ginsburg delved deeper.
"Mr. Ginsburg!"
"Yes, Miss Ruby."
"Just a moment, please—there's a lady out here wants low-cuts, and I'm busy with a customer. Front, please—just this way, madam. I'll have some one to wait on you in a moment."
Mr. Ginsburg clapped his hands dry of dust, wriggled into his unlined alpaca coat, brushed his plush-like hair with his palms, and advanced to the front of the store. His voice was lubricated with the sweet-oil of willing servitude.
"What can I do for you, madam? Low-cuts for yourself?"
He straddled a stool and took the foot in the cup of his hand. Beside him on a similar stool that brought their heads parallel Miss Ruby smoothed her hand across her customer's instep.
"Ain't that effect great, Mr. Ginsburg, with that swell little rosette? I was just telling this young lady if I had her instep I'd never wear anything but our dancing-shoes."
"It certainly is swell," agreed Mr. Ginsburg, peering into the lining of the shoe he removed to read its size.
The day's tide quickened; the yellow benches, with ceiling fans purring over them, were filled with rows of trade who tamped the floor with shiny, untried soles, bent themselves double to feel of toe and instep, and walked the narrow strip of green felt as if on clay feet they feared would break.
Came noon and afternoon. Miss Cohn ascended and descended the ladder with the agility of a street vender's mechanical toy, shoes tucked under each arm, and a pencil at a violent angle in the nest of her hair.
"Have we got any more of them 543 flat heels, Mr. Ginsburg?"
"Yes, Miss Ruby—right there in back of you."
"Say, you'd think I was using my eyes for something besides seeing, wouldn't you? Wait on that lady next, Mr. Ginsburg. She wants white kids."
"Certainly."
"Yes'm; we sell lots of them russet browns. It's a little shoe that gives satisfaction every time. Mr. Ginsburg is always ordering more. I wore a pair of them for two years myself. There ain't no wear-out to them. We carry that in stock, too, and it keeps them like new—just rub with a flannel cloth—fifteen cents a bottle. Just a moment, madam; I'll be over to you as soon as I'm finished here. Mr. Ginsburg, take off that lady's shoe and show her a pair of them dollar-ninety-eight elastic sides while I finish with this lady. Sure, you can have 'em by five, madam. Name? Hornschein, 3456 Eighth Avenue? Dollar-eighty out of two. Thank you! Call again. Now, madam, what can I do for you? Yes, we have them in moccasins in year-old size—sixty cents, and grand and soft for their little feet. Wait; I'll see. Mr. Ginsburg, have we got those 672 infants' in pink?"
"Sure thing. Wait, Miss Ruby—I'll climb for you. I have to go up anyway."
"Aw, you're busy with your own customers. Don't trouble."
"Nothing's trouble when it's for you, Miss Ruby. Show her those tassel tops, too."
"Oh, Mr. Ginsburg, ain't you the kidder, though! Yes'm; the tassel tops are eighty. Ain't they the cutest little things?"
At six o'clock a medley of whistles shrieked out the eventide—clarions that ripped upward like sky-rockets in flight; hard-throated soprano whistles that juggled with the topmost note like a colorature diva. The oak benches emptied, Mr. Ginsburg raised the front awning and kicked the carpet-covered brick away from the door, so that it swung quietly closed; daubed at his wrists and collar-top with a damp handkerchief.
"First breathing space we've had to-day, ain't it, Miss Ruby?"
Miss Cohn flopped down on a bench and breathed heavily; her hair lay damp on her temples; the ruffles at her neck were limp as the ruff of a Pierette the morning after the costume ball.
"You should worry, Mr. Ginsburg! With such a business next year at this time you'll have two clerks and more breathing space than you got breath."
Mr. Ginsburg seated himself carefully beside her at a wide range, so that a customer for a seven-E last could have fitted in between them.
"I've built up a good business here, Miss Ruby. The trouble with poor papa was he was afraid to spend, and he was afraid of novelties. I couldn't learn him that a windowful of satin pumps helps swell the storm-rubber sale. Those little dollar-ninety-eights look swell on your feet, Miss Ruby; you're a good advertisement for the stock—not?"
"Funny what a hit them pumps make! Mr. Leavitt was crazy about them, too; but, say, what your mother thinks of these satin slippers I'd hate to tell you. When she was down the day before I left she looked at 'em till I got so nervous I tripped over the cracks between the boards. Say, but wasn't she sore about the new glass fixtures! I kinda felt like it was my fault, too; but I was strong for 'em because—"
"Mamma's the old-fashioned kind, Miss Ruby—her and poor papa like the old way of doing things. She's getting old, Miss Ruby, but she means well. She's a good mother—a good mother."
"She's sure a grand woman—carrying soup across to old Levinsky every day, and all."
"She's more'n you know she is, too, Miss Ruby—little things that woman does I could tell you about—when she didn't have it so good as now neither."
Miss Ruby dropped her lids until her eyes were as soft as plush behind the portières of her lashes; her voice dropped into a throat that might have been lined with that same soft plush.
"I had a mother for two days—like I said to Mr. Leavitt the other day up in the country—we was talking about different things. I says to him, I says, she quit when she looked at me—just laid down and died when I was two days old. I must have been enough to scare the daylights out of any one. Next to a pink worm on a fish-hook gimme a red-headed baby for the horrors! Say, you ought to seen Mr. Leavitt fish! Six bass he caught in one day—I sat next him and watched; we had 'em fried for supper. He's some little—"
"What a pleasure you'd 'a' been to your mother, Miss Ruby! Such a girl like you I could wish my own mother."
"That's just what Mr. Leavitt used to tell me; but, gee! he was a kidder! I—I oughtta had a mother! Sometimes I—sometimes in the night when I can't sleep—daytimes you don't care so much—but sometimes at night I—I just don't care about nothing. With a girl like me, that ain't even known a mother or father, it ain't always so easy to keep her head above water."
"Poor little girl!"
"Since the day I left the Institootion I been dodging the city and jumping its mud-holes like a lady trying to cross Sixth Avenue when it's torn up. I—oh, ain't I the silly one?—treating you to my troubles! Say, I got a swell riddle! I can't give it like Leavitt—like Simon did; but—"
"Always Mr. Leavitt, and now it's Simon yet—such a hit as that man made with you—not?"
"Hit! Can't a girl have a gentleman friend? Can't you have a lady friend—a friend like Miss Washeim, who comes in for shoes three times—"
"Ruby, can I help it when she comes in here?"
"Can I help it when I go to the country and meet Mr. Leavitt?"
"Ruby!"
Mr. Ginsburg slid himself along the bench until a customer for a AA misses' last would have fitted with difficulty between, and looked at her as ancient Phidias must have looked at his Athene.
"Ruby—I can't keep it back no longer—since you went away on your vacation I've had it inside of me, but I never knew what it was till you walked back this morning. First, I thought I was sick with the heat; but now I know it was you—"
"What—what you—"
"I—I invite you to get married, Ruby. I got a feeling for you like I never had for any girl! I want it that mamma should have a good girl like you to make it easy for her. I can't say what I want to say, Ruby; I don't say it so good, but—a girl could do worse than me—not, Ruby?"
Miss Cohn's fingers closed over the shoe-hook at her belt until the knuckles sprang out whiter than her white skin.
"Oh, Mr. Ginsburg! What would your mamma say? A young man like you, with a grand business and all—you could do for yourself what you wanted. If you was only a drummer like Simon; but—"
A wisp of Miss Cohn's hair, warm as sunset, brushed close to Mr. Ginsburg's lips; he groped for her hand, because the mist of his emotions was over his eyes.
"Ruby, I invite you to get married; that's—all I want is that mamma should have it good with me always like she has it now. She's getting old, Ruby, and I always say what's the difference if I humor her? When she don't want to move in an apartment with a marble hall and built-in wash-tubs, I say: All right; we stay over the store. When she don't like it that I put a telephone in, I tell her I got a friend in the business put it in for nothing. You could give it to her as good as a daughter—not, Ruby?"
"She's a grand woman, Abie; she—"
"Ruby!"
"Oh! Oh!"
In the eventide quiescence of the shop, with the heliotrope of early dusk about them, and passers-by flashing by the plate-glass window in a stream that paused neither for love nor life, Mr. Ginsburg leaned over and gathered Miss Cohn in his arms, pushed back the hair from her forehead and kissed her thrice—once on each lowered eyelid, and once on her lips, which were puckered to resemble a rosebud.
"Abie, you—you mustn't! We're in the store!"
"I should worry!"
"What will—what will they say?"
"For what they say I care that much!" cried Mr. Ginsburg, with insouciance. "Ain't I got a ruby finer than what they got in the finest jewelry store?"
Miss Cohn raised her smooth cheek from the rough weft of Mr. Ginsburg's sleeve.
"What your mamma will say I don't know! You that could have Beulah Washeim or Birdie Harburger, or any of those grand girls that are grand catches—I ain't bringing you nothing, Abie."
"We're going to make it grand for mamma, Ruby—that's all I want you to bring me. She'll have it so good as never in her life. You are going to be a good daughter to her—not, Ruby?"
"Yes, Abe. If we take a bigger apartment she can have an outside room, and I can take all the housekeeping off her hands. Such nut-salad as I can make you never tasted—like they serve it in the finest restaurant! I got the recipe from my landlady. If we take a bigger apartment—"
"What mamma wants we do—how's that? She's so used to having her own way I always say, What's the difference? When poor papa lived she—"
"Abe, there's your mamma calling you down the back stairs now—you should go up to your supper. I must go, too; my landlady gets mad when I'm late—it's half past six already. Oh, I feel scared! What'll she say when she hears?"
"Scared for what, my little girl?... Yes, mamma; I'm coming!... There ain't a week passes that mamma don't say if I find the right girl I should get married. Even the other night, before I knew it myself, she said it to me. 'Abie,' she always says, 'don't let me stand in your way!'... Yes, mamma; I'll be right up!... You and her can get along grand when you two know each other—grand!"
"Your mamma's calling like she was mad, Abie."
"To-night, Ruby, you come up to us for supper—we bring her a surprise-party."
"Oh, you ain't going to tell her to-night—right away—are you?"
"For what I have secrets from my own mother? She should know the good news. Get your hat, Ruby. Come on, Ruby-la! Come on!"
"Oh, Abie, you ain't going to forget to lock the front store door, are you?"
"Ach!—that should happen to me yet. The things a man don't do when he's engaged! If mamma should know I forget to lock the store she'd think I've gone crazy with being in love—you little Ruby-la!"
Mr. Ginsburg hastened to the front of the store on feet that bounded off the floor like rubber balls, and switched on the electric show-window display.
"Abe, you got the double switch on! What you think this is—convention or Christmas week?"
"To-night we celebrate with double window lights. What's the difference if it costs a little more or a little less? The night he gets engaged a fellow should afford what he wants."
"Abe!"
"There now—with two locks on the door we should worry about burglars! I'm the burglar that's stealing the ruby, ain't I?... One, two, three—up we go, to mamma and supper. Watch out for the step there! I want her to see my Ruby—finer than you can buy in the finest jewelry store!" cried Mr. Ginsburg, clinging proudly to his metaphor.
Any of three emotions were crowded into his voice—excitement, trepidation, the love that is beyond understanding—or the trilogy of them all.
"Come along, Ruby-la!"
Through the rear of the store and up a winding back stairway they marched like glorified children; and at the first landing he must pause and kiss away the words of fear and nervousness from her lips and look into her diffident eyes with the same rapture that was Jupiter's when he gazed on Antiope.
"Such a little scarey she is—like mamma was going to bite!"
At the top of the flight the door of the apartment stood open; a blob of gas lighted a yellowish way to the kitchen, and through the yellow Mrs. Ginsburg's voice drifted out to them:
"Once more I call you, Abie, and then I dish up supper and eat alone—no consideration that boy has got for his mother! He should know what it is not to have a mother who fixes him Pfannküchen in this heat! Don't complain to me if everything is not fit to eat! In the heat I stand and cook, and that boy closes so late—Abie! Once more I call you and then I dish up. Ab-ie!" Mrs. Ginsburg's voice rose to an acidulated high C.
"Mamma! Mamma, don't get so excited—it ain't late. The days get shorter, that's all. Look! I brought company for supper. We don't stand on no ceremony. Come right in the kitchen, Ruby."
Mr. Ginsburg pushed Miss Cohn into the room before him, and Mrs. Ginsburg raised her face from over the steaming stove-top—the pink of heat and exertion high in her cheek. Reflexly her hand clutched at the collar of her black wrapper, where it fell away to reveal the line where the double scallop of her chin met the high swell of her bosom.
"Miss Cohn! Miss Cohn!"
"How do you do, Mrs. Ginsburg? I—"
"Sit right down, Miss Cohn—or you and Abie go in the front room till I dish up. You must excuse me the way I holler, but so mad that boy makes me. Just like his poor papa, he makes a long face if his supper is cold, but not once does he come up on time."
"All men are alike, Mrs. Ginsburg—that's what they say about 'em anyway."
"Such a supper we got you'll have to excuse, Miss Cohn. Abie, take them German papers off the chair. Miss Cohn can sit out here a minute if she don't mind such heat. If Abie had taken the trouble to tell me you was coming I'd have fixed—"
"I am glad you don't fix no extras for me, Mrs. Ginsburg. I like to take just pot-luck."
"Abie likes Pfannküchen and pot-roast better than the finest I can fix him, and this morning at Fulton Market I seen such grand green beans; and I said to Yetta, 'I fix 'em sweet-sour for supper; he likes them so.'"
"I love sweet-sour beans, too, Mrs. Ginsburg. My landlady fixes all them German dishes swell."
"Well, you don't mind that I don't make no extras for you? You had a nice vacation? I tell Abie he should take one himself—not? He worked hisself sick last week. I was scared enough about him. Abie, why don't you find a chair for yourself? Why you stand there like—like—"
Even as she spoke the red suddenly ran out of Mrs. Ginsburg's face, leaving it the color of oysters packed in ice.
"Abie!"
For answer Mr. Ginsburg crossed the room and took his mother in a wide-armed embrace, so that his mouth was close to her ear. His lips were pale and tinged with a faintly green aura, like a child's who holds his breath from rage or a lyceum reader's who feels the icy clutch of stage-panic on him.
"Mamma, we—we—me and Ruby got a surprise-party for you. Guess, mamma—such a grand surprise for you!"
Mrs. Ginsburg placed her two fists against her son's blue shirt-front, threw back her head, and looked into his eyes; her heavy waist-line swayed backward against his firm embrace; immediate tears sprang into her eyes.
"Abie! Abie!"
"Mamma, look how happy you should be! Ain't you always wanted a daughter, mamma? For joy she cries, Ruby."
"Abie, my boy! Ach, Miss Cohn, you must excuse me."
"Aw, now, mamma, don't cry so. Look! You make my shoulder all wet—shame on you! You should laugh like never in your life! Ruby, you and mamma kiss right away—you should get to know each other now."
"Ach, Miss Cohn, you must excuse me. I always told him I mustn't stand in his way; but what that boy is to me, Miss Cohn—what—what—"
"Ruby—mamma, call her Ruby. Ain't she your little Ruby as much as mine—now, ain't she?"
"Yes; come here, Ruby, and let me kiss you. Since poor papa's gone you can never know what that boy has been to me, Ruby—such a son; not out of the house would he go without me! It's like I was giving away my heart to give him up—like I was tearing it right out from inside of me! Ach, but how glad I am for him!"
"Aw, mamma—like you was giving me up!"
Mr. Ginsburg swallowed with such difficulty that the tears sprang into his eyes.
"I ain't taking him away from you, Mrs. Ginsburg—he's your son as much as ever—and more."
"Call her mamma, Ruby—just like I do."
"Mamma! Just don't you worry, mamma; it's going to be grand for you and me and all of us."
"Hear her, mamma, how she talks! Ain't she a girl for you?"
"You—you children mustn't mind me—I'm an old woman. You go in the front room, and I'll be all right in a minute—so happy I am for my boy. You bad boy, you—not to tell your mamma the other night!"
"Mamma, so help me, I didn't know it myself till I seen her come back to-day so pretty, and all—I just felt it inside of me all of a sudden."
"Aw, Abe—ain't he the silly talker, Mrs. Ginsburg?—mamma! You mustn't cry, mamma; we'll make it grand for you."
"Ain't I the silly one myself to cry when I'm so happy for you? I'll be all right in a minute—so happy I am!"
"Ruby, you tell mamma how grand it'll be."
Miss Cohn placed her arms about Mrs. Ginsburg's neck, stood on tiptoe, and kissed her on the tear-wet lips.
"You always got a home with us, mamma. Me and Abie wouldn't be engaged this minute if it wasn't that you would always have a home with us."
With one swoop Mr. Ginsburg gathered the two women in a mutual embrace that strained his arms from their sockets; his voice was taut, like one who talks through a throat that aches.
"My little mamma and my little Ruby—ain't it?"
Mrs. Ginsburg dried her eyes on a corner of her apron and smiled at them with fresh tears forming instantly.
"He's been a good boy, Ruby. I only want that he should make just so good a husband. I always said the girl that gets him does well enough for herself. I don't want to brag on my own child, but—if—"
"Aw, mamma!"
"But, if I do say it myself, he's been a good boy to his mother."
"Now, mamma, don't begin—"
"I always said to him, Ruby, looks in a girl don't count the most—such girls as you see nowadays, with their big ideas, ain't worth house-room. I always say to him, Ruby, a girl that ain't ashamed to work and knows the value of a dollar, and can help a young man save and get a start without such big ideas like apartments and dummy waiters—"
"Honest, wouldn't you think this was a funeral! Mamma, to-night we have a party—not? I go down and get up that bottle of wine!"
"Himmel! My Pfannküchen! Yes, Abie, run down in the cellar; on the top shelf it is, under the grape-jelly row—left yet from poor papa's last birthday. Ach, Ruby, you should have known poor papa—that such a man could have been taken before his time! Sit down, Ruby, while I dish up."
The tears dried on Mrs. Ginsburg's cheeks, leaving the ravages of dry paths down them; Mr. Ginsburg's footsteps clacked down the bare flight of stairs.
"Abie! Oh, Abie!"
"Yes, mamma!"
His voice came up remotely from two flights down, like a banshee voice drifting through a yellow sheol of dim-lit hallway.
"Abe, bring up some dill pickles from the jar—there's a dish in the closet."
"Yes, I bring them."
Between the two women fell silence—a silence that in its brief moment spawned the eggs of a thousand unborn thoughts.
From her corner the girl regarded the older woman with a nervous diffidence, her small, black-satin feet curled well inward and round the rungs of the chair.
"I—I hope you ain't mad at me, Mrs. Ginsburg—you ain't more surprised than me."
A note as thin as sheet tin crept into Mrs. Ginsburg's voice.
"He's my boy, Ruby, and what he wants I want. I know you ain't the kind of a girl, Ruby, that won't help my boy along—not? Extravagant ways and high living never got a young couple nowheres. Abie should take out a thousand more life insurance now; and, with economical ways, you got a grand future. For myself I don't care—I ain't so young any more, and—"
"You always got a home with us, Mrs. Ginsburg. You won't know yourself, you'll have it so good! If we move you with us out of this dark little flat we—you won't know yourself, you'll have it so good!"
"I hope you ain't starting out with no big ideas, Ruby—this flat ain't so dark but it could be worse. For young people with good eyes it should do all right. If it was good enough for Abie's papa and me it—"
Mr. Ginsburg burst into the kitchen, a wine-bottle tucked under one arm and a white china dish held at arm's-length.
"Such pickles as mamma makes, Ruby, you never tasted! You should learn how. You two can get out here in the kitchen, with your sleeves rolled up to your elbows, and such housekeeping times you can have! I'll get dill down by Anchute's like last year—not, mamma?... Come; we sit down now. We can all eat in the kitchen, mamma. Don't make company out of Ruby—she knows we got a front room to eat in if we want it. Come and sit down, Ruby, across from mamma, so we get used to it right away—sit here, you little Ruby-la, you!"
Mr. Ginsburg exuded radiance like August bricks exude the heat of day. He kissed Miss Cohn playfully under the pink lobe of each ear and repeated the performance beneath Mrs. Ginsburg's not so pink lobes; carved the gravy-oozing slices of pot-roast with a hand that was no less skilful because it trembled under pressure of a sublime agitation.
"Ruby, I learn you right away—we always got to save mamma the heel of the bread, 'cause she likes it."
Miss Cohn smiled and regarded Mr. Ginsburg from the left corner of each eye.
"I wasn't so slow learning the shoe business, was I, Abe?"
"You look at me so cute-like, and I'll come over to you right this minute! Look at her, mamma, how she flirts with me—just like it wasn't all settled."
"Abie, pass Ruby the beans. Honest, for a beau, you don't know nothing—your papa was a better beau as you. Pass her the beans. Don't you see she ain't got none? You two with your love-making! You remind me of me and poor papa; he—he—"
"Now, mamma, don't you go getting sad again like a funeral."
"I ain't, Abie. I'm—so happy—for you."
"To-night we just play, and to-morrow mamma decides when we get married—not, Ruby? We do like she wants it—to-night we just play. Ruby, pass your glass and mamma's, and we drink to our three selves with claret."
Mr. Ginsburg poured with agitated hand, and the red in his face mounted even as the wine in the glass.
"To the two grandest women in the world! May we all be happy and prosperous from to-night!" Mr. Ginsburg swung his right arm far from him and brought his glass round to his lips in a grand semi-circle. "To the two grandest women in the world!"
Mrs. Ginsburg tipped the glass against her lips.
"To my two children! God bless them and poor papa!"
"The first time I ever seen mamma drink wine, Ruby. She hates it—that shows how much she likes you already. Eat your dessert, mamma; it'll take the taste away. You like noodle dumplings? Such dumplings as these you should learn to make, Ruby-la."
"Children, you have had enough supper?"
"It was a grand supper, mamma."
They scraped their chairs backward from the table and smiled satiated, soul-deep smiles. From the sitting-room a clock chimed the half-hour.
"So late, children! Ach, how time flies when there's excitement! You and Ruby go in the parlor—I do the dishes so quick you won't know it."
"Ruby can help you with the dishes, mamma."
"Sure I can; we can do 'em in a hurry, and then go maybe to a picture show or some place."
"Picture show—nine o'clock!"
"There's always two shows, Mrs. Ginsburg—the second don't begin till then. I always go to the second show—it's always the liveliest."
"Come on, mamma; you and Ruby do the dishes, and we go. It's a grand night, and for once late hours won't hurt you."
"Ach, you ain't got no time for a old lady like me—in the night air I get rheumatism. Abie can tell you how on cool nights like this I get rheumatism. You two children go. I'm sleepy already. These few dishes I can do quicker as with you, Ruby."
"Without you we don't go—me and Ruby won't go then."
"We won't go, then, like Abe says—we won't go then."
"Abie, if it pleases me that you go to the picture show for an hour—you can do that much for mamma the first night you're engaged; some other night maybe I go too. Let me stay at home, Abie, and get my sleep like always."
"Ah, mamma, you're afraid. I know you even get scared when the bed-post creaks. We stay home, too."
"Ruby, for me will you make him go?"
"Abie, if your mamma wants you to go for an hour—you go. If she comes, too, we're glad; but many a night I've stayed in the boarding-house alone. If you was afraid you'd say so—wouldn't you, Mrs. Ginsburg—mamma?"
"Afraid of what? Nobody won't steal me!"
"Sure, mamma?"
"Get Ruby's hat and coat, Abie. Good-by, you children, you! Have a good time. Abie, stop with your nonsense—on the nose he has to kiss me!"
"Ruby, just as easy we can stay at home with mamma—not?"
"Sure! Aw, Abe, don't you know how to hold a girl's coat? So clumsy he is!"
"Good night, Ruby. I congratulate you on being my daughter. Good night, Ruby—you come to-morrow."
"Good night, mamma—to-morrow I see you."
"Good night, mamma. In less than an hour I be back—before the clock strikes ten. You shouldn't make me go—I don't like to leave you here."
"Ach, you silly children! I'm glad for peace by myself. Look! I close the door right on you."
"Good night, mamma. I be back by ten."
"Good-by, Abie."
"What?"
"Good night, children!"
When the clock in the parlor struck eleven Mrs. Ginsburg wiped dry her last dish, flapped out her damp dish-towel, and hung it over a cord stretched diagonally across a corner of the kitchen. Then she closed the cupboard door on the rows of still warm dishes, slammed down the window and locked it, reached up, turned out the gas, and groped into her adjoining bedroom.
Reflected light from the Maginty kitchen lay in an oblong on the floor and climbed half-way on the bed. By aid of the yellow oblong Mrs. Ginsburg undressed slowly and like a withered Suzanne, who dared not blush through her wrinkles.
The black wrapper, with empty arms dangling, she spread across a chair, and atop of it a black cotton petticoat, sans all the gentle mysteries of lace and frill. Lastly, beside the bed, in the very attitude of the service of love, she placed her shoes—expressive shoes, swollen from swollen joints, and full of the capacity for labor.
Then Mrs. Ginsburg climbed into bed, knees first, threw backward over the foot-board the blue-and-white coverlet, and drew the sheet up about her. A fresh-as-water breeze blew inward the lace curtain, admitting a streak of light across her eyes and a merry draught about her head. The parlor clock tonged the half-hour.
Silence for a while, then the black rush of a train, an intermittent little plaint like the chirrup of a bird in its cage, the squeak of a bed-post, and a succession of the unimportant noises that belong solely to the mystery of night.
Finally, from under the sheet, the tremolo of a moan—the sob of a heart that aches and, aching, dares not break.
Romance has more lives than a cat. Crushed to earth beneath the double-tube, non-skiddable tires of a sixty-horse-power limousine, she allows her prancing steed to die in the dust of yesterday and elopes with the chauffeur.
Love has transferred his activities from the garden to the electric-heated taxi-cab and suffers fewer colds in the head. No, romance is not dead—only reincarnated; she rode away in divided skirt and side-saddle, and motored back in goggles. The tree-bark messages of the lovers of Arden are the fifty-word night letters of to-day.
The first editions of the Iliad were writ in the tenderest flesh parts of men's hearts, and truly enough did Moses blast his sublime messages out of the marble of all time; but why bury romance with the typewriter as a headstone?
Why, indeed—when up in the ninth-floor offices of A. L. Gregory, stenographers and expert typewriters—Miss Goldie Flint, with hair the color of heat-lightning, and wrists that jangled to the rolled-gold music of three bracelets, could tick-tack a hundred-word-a-minute love scene that was destined, after her neat carbon copies were distributed, to wring tears, laughter, and two dollars each from a tired-business-man audience.
Why, indeed, when the same slow fires that burned in Giaconda's upslanted eyes and made the world her lover lay deep in Goldie's own and invariably won her a seat in the six-o'clock Subway rush, and a bold, bad, flirtatious stare if she ventured to look above the third button of a man's coat.
Goldie Flint, beneath whose too-openwork shirt-waist fluttered a heart the tempo of which was love of life—and love of life on eight dollars a week and ninety per cent. impure food, and a hall-room, more specifically a standing room, is like a pink rose-bush that grows in a slack heap and begs its warmth from ashes.
Goldie, however, up in her ninth-floor offices, and bent to an angle of forty-five degrees over the dénouement of white-slave drama that promised a standing-room-only run and the free advertising of censorship, had little time or concern for her various atrophies.
It was nearly six o'clock, and she wanted half a yard of pink tulle before the shops closed. Besides, hers were the problems of the six-million-dollar incorporateds, who hire girls for six dollars a week; for the small-eyed, large-diamoned birds of prey who haunt the glove-counters and lace departments of the six-million-dollar incorporateds with invitations to dinner; and for the night courts, which are struggling to stanch the open gap of the social wound with medicated gauze instead of a tight tourniquet.
A yard of pink tulle cut to advantage would make a fresh yoke that would brighten even a three-year-old, gasolene-cleaned blouse. Harry Trimp liked pink tulle. Most Harry Trimps do.
At twenty minutes before six the lead-colored dusk of January crowded into the Gregory typewriting office so thick that the two figures before the two typewriters faded into the veil of gloom like a Corot landscape faints into its own mist.
Miss Flint ripped the final sheet of her second act from the roll of her machine, reached out a dim arm that was noisy with bracelets, and clicked on the lights. The two figures at the typewriters, the stationary wash-stand in the corner, a roll-top desk, and the heat-lightning tints in Miss Flint's hair sprang out in the jaundiced low candle-power.
"I'm done the second act, Miss Gregory. May I go now?"
Miss Flint's eyes were shining with the love-of-life lamps, the mica powder of romance, and a brilliant anticipation of Harry Trimp. Miss Gregory's were twenty years older and dulled like glass when you breathed on it.
"Yes; if you got to go I guess you can."
"Ain't it a swell play, Miss Gregory? Ain't it grand where he pushes her to the edge of the bridge and she throws herself down and hugs his knees?"
"Did you red ink your stage directions in, with the margin wide, like he wants? He was fussy about the first act."
"Yes'm; and say, ain't it a swell name for a show—'The Last of the Dee-Moolans'? Give me a show to do every time, and you can have all your contracts and statements and multigraph letters. Those love stories that long, narrow fellow brings in are swell to do, too, if he wa'n't such an old grouch about punctuation. Give me stuff that has some reading in it every time!"
Miss Gregory sniffed—the realistic, acidulated sniff of unloved forty and a thin nose.
"The sooner you quit curlin' your side-hair and begin to learn that life's made up of statements and multigraphs, instead of love scenes on papier-mâché bridges and flashy fellows in checked suits and get-rich-quick schemes, the better off you're going to be."
The light in Goldie's face died out as suddenly as a Jack-o'-lantern when you blow on the taper.
"Aw, Miss Greg-or-ee!" Her voice was the downscale wail of an oboe. "Whatta you always picking on Harry Trimp for? He ain't ever done anything to you—and you said yourself when he brought them circular letters in that he was one handsome kid."
"Just the same, I knew when he came in here the second time hanging round you with them blue eyes and black lashes, and that batch of get-rich-quick letters, he was as phony as his scarf-pin."
"I glory in a fellow's spunk that can give up a clerking job and strike out for hisself—that's what I do!"
"He was fired—that's how he started out for himself. Ask Mae Pope; she knows a thing or two about him."
"Aw, Miss—"
"Wait until you have been dealing with them as long as I have! Once get a line on a man's correspondence, and you can see through him as easy as through a looking-glass with the mercury rubbed off."
The walls of Jericho fell at the blast of a ram's horn. Not so Miss Flint's frailer fortifications.
"The minute a fellow that doesn't belong to the society of pikers and gets a three-figure salary comes along, and can take a girl to a restaurant where they begin with horse-doovries instead of wiping your cutlery on the table-cloth and deciding whether you want the 'and' with your ham fried or scrambled—the minute a fellow like that comes along and learns one of us girls that taxi-cabs was made for something besides dodging, and pink roses for something besides florist windows—that minute they put on another white-slave play, and your friends begin to recite the doxology to music. Gee! It's fierce!"
"Gimme that second act, Goldie. Thank Gawd I can say that in all my years of experience I've never been made a fool of: and, if I do say it, I had chances in my time!"
"You—you're the safest girl I know, Miss Gregory."
"What?"
"You're safe if you know the ropes, Miss Gregory."
"What did you do with the Rheinhardt statement, Goldie? He'll be in for it any minute."
"It's in your left-hand drawer, along with those contracts, Miss Gregory. I made two carbons."
Miss Flint slid into her pressed-plush fourteen-dollar-and-a-half copy of a fourteen-hundred-fifty-dollar unborn-lamb coat, pulled her curls out from under the brim of her tight hat, and clasped a dyed-rat tippet about her neck so that her face flowered above it like a small rose out of its calyx.
The Bacon-Shakespeare controversy, the Fifth Dimension, and the American Shopgirl and How She Does Not Look It on Six Dollars a Week, and Milk-Chocolate Lunches are still the subjects that are flung like serpentine confetti across the pink candle-shades of four-fork dinners, and are wound like red tape round Uplift Societies and Ladies' Culture Clubs.
Yet Goldie flourished on milk-chocolate lunches like the baby-food infants on the backs of magazines flourish on an add-hot-water-and-serve, twenty-five-cents-a-can substitute for motherhood.
"Good night, Miss Gregory."
"Night!"
Goldie closed the door softly behind her as though tiptoeing away from the buzzing gnats of an eight-hour day. Simultaneously across the hall the ground-glass door of the Underwriters' Realty Company swung open with a gust, and Mr. Eddie Bopp, clerk, celibate, and aspirant for the beyond of each state, bowed himself directly in Goldie's path.
"Ed-die! Ain't you early to-night, though! Since when are you keeping board-of-directors hours?"
"I been watching for you, Goldie."
Eddie needs no introduction. He solicits coffee orders at your door. The shipping-clerks and dustless-broom agents and lottery-ticket buyers of the world are made of his stuff. Bronx apartment houses, with perambulators and imitation marble columns in the down-stairs foyer, are built for his destiny. He sells you a yard of silk; he travels to Coney Island on hot Sunday afternoons; he bleaches on the bleachers; he bookkeeps; he belongs to a building association and wears polka-dot neckties. He is not above the pink evening edition. Ibsen and eugenics and post impressionism have never darkened the door of his consciousness. He is the safe-and-sane strata in the social mountain; not of the base or of the rarefied heights that carry dizziness.
Yet when Eddie regarded Goldie there was that in his eyes which transported him far above the safe-and-sane strata to the only communal ground that men and socialists admit—the Arcadia of lovers.
"I wasn't going to let you get by me to-night, Goldie. I ain't walked home with you for so long I haven't a rag of an excuse left to give Addie."
Miss Flint colored the faint pink of dawn's first moment.
"I—I got to do some shopping to-night, Eddie. That's why I quit early. Believe me, Gregory'll make me pay up to-morrow."
"It won't be the first time I shopped with you, Goldie."
"No."
"Remember the time we went down in Tracy's basement for a little alcohol-stove you wanted for your breakfasts? The girl at the counter thought we—we were spliced."
"Yeh!" Miss Flint's voice was faint as the thud of a nut to the ground.
They shot down fifteen fireproof stories in a breath-taking elevator, and then out on the whitest, brightest Broadway in the world, where the dreary trilogy of Wine, Woman, and Song is played from noon to dawn, with woman the cheapest of the three.
"How's Addie?"
"She don't complain, but she gets whiter and whiter—poor kid! I got her some new crutches, Goldie—swell mahogany ones with silver tips. You ought to see her get round on them!"
"I—I been so busy—night-work and—and—"
"She's been asking about you every night, Goldie. It ain't like you to stay away like this."
Their breaths clouded before them in the stinging air, and down the length of the enchanted highway lights sprang out of the gloom and winked at them like naughty eyes.
"What's the matter, Goldie? You ain't mad at me—us—are you?"
Eddie took her pressed-plush elbow in the cup of his hand and looked down at her, trying in vain to capture the bright flame of her glance.
"Nothing's the matter, Eddie. Why should I be mad? I been busy—that's all."
The tide of home-going New York caught them in its six-o'clock vortex. Shops emptied and street-cars filled. A newsboy fell beneath a car, and Broadway parted like a Red Sea for an overworked ambulance, the mission of which was futile. A lady in a fourteen-hundred-fifty-dollar unborn-lamb coat and a notorious dog-collar of pearls stepped out of a wine-colored limousine into the gold-leaf foyer of a hotel. A ten-story emporium ran an iron grating across its entrance, and ten watchmen reported for night duty.
"Aw, gee! They're closed! Ain't that the limit now! Ain't that the limit! I wanted some pink tulle."
"Poor kid! Don't you care! You can get it tomorrow—you can work Gregory."
"I—I wanted it for tonight."
"What?"
"I wanted it for my yoke."
They turned into the dark aisle of a side street; the wind lurked around the corner to leap at them.
"Oh-h-h-h!"
He held tight to her arm.
"It's some night—ain't it, girlie?"
"I should say so!"
"Poor little kid!"
Eddie's voice was suddenly the lover's, full of that quality which is like unto the ting of a silver bell after the clapper is quiet.
"You're coming home to a good hot supper with me, Goldie—ain't you, Goldie? Addie'll like it."
She withdrew her hand from the curve of his elbow.
"I can't, Eddie—not tonight. I—tell her I'm coming over real soon."
"Oh!"
"It's sure cold, ain't it?"
"Goldie, can't you tell a fellow what's the matter? Can't you tell me why you been dodging me—us—for two weeks? Can't you tell a fellow—huh, Goldie?"
"Geewhillikins, Eddie! Ain't I told you it's nothing? There ain't a girl could be a better friend to Addie than me."
"I know that, Goldie; but—"
"Didn't we work in the same office thick as peas for two whole years before her—accident—even before I knew she had a brother? Ain't I stuck to her right through—ain't I?"
"You know that ain't what I mean, Goldie. You been a swell friend to poor Addie, stayin' with her Sundays when you could be havin' a swell time and all; but it's me I'm talking about, Goldie. Sometimes—sometimes I—"
"Aw!"
"I've never talked straight out about it before, Goldie; but you—you remember the night—the night I rigged up like a Christmas tree, and you said I was all the ice-cream in my white pants—the night Addie was run over and they sent for me?"
"Will I ever forget it!"
"I was tuning up that evening to tell you, Goldie—while we were sitting there on your stoop, with the street-light in our eyes, and you screechin' every time a June-bug bumbled in your face!"
"Gawd, how I hate bugs! There was one in Miss Gregory's—"
"I was going to tell you that night, Goldie, that there was only one girl—one girl for me—and—"
"Yeh; and while we were sittin' there gigglin' and screechin' at June-bugs poor Addie was provin' that a street-car fender has got it all over a mangling-machine."
"Yes; it's like she says about herself—she was payin' her initiation fee for life membership into the Society of Cripples with a perfectly good hip and a bit of spine."
"Poor Addie! Gawd, how she loved to dance! She used to spend every noon-hour eatin' marshmallows and learning me new steps."
The wind soughed in their ears, and Goldie's skirts blew backward like sails.
"You haven't got a better friend than Addie right now, girlie! She always says our little flat is yours. The three of us, Goldie—the three of us could—"
"It's swell for a girl that ain't got none of her own blood to have a friend like that. Swell, lemme tell you!"
"Goldie!"
"Yes."
"It's like I said—I've never talked right out before, but I got a feelin' you're slippin' away from me like a eel, girlie. You know—aw, you know I ain't much on the elocution stuff; but if it wasn't for Addie and her accident right now—I'd ask you outright—I would. You know what I mean!"
"I don't know anything, Eddie; I'm no mind-reader!"
"Aw, cut it out, Goldie! You know I'm tied up right now and can't say some of the things I was going to say that night on the stoop. You know what I mean—with Addie's doctor's bills and chair and crutches, and all."
"Sure I do, Eddie. You've got no right to think of anything."
She turned from him so that her profile was like a white cameo mounted on black velvet.
"You just give me a little time, Goldie, and I'll be on my feet, all righty. I just want some kind of understanding between us—that's all."
"Oh—you—I—"
"I got Joe's job cinched if he goes over to the other firm in March; and by that time, Goldie, you and me and Addie, on eighty per, could—why, we—"
She swayed back from his close glance and ran up the first three steps of her rooming-house. Her face was struck with fear suddenly, as with a white flame out of the sky.
"'Sh-h-h-h-h-h!" she said. "You mustn't!"
He reached for her hand, caught it and held it—but like a man who feels the rope sliding through his fingers and sees his schooner slipping out to sea—slipping out to sea.
"Lemme go, Eddie! I gotta go—it's late!"
"I know, Goldie. They been guyin' me at the office about you passin' me up; and it's right—ain't it? It's—It's him—" She shook her head and tugged for the freedom of her hand. Tears crowded into her eyes like water to the surface of a tumbler just before the overflow. "It's him—ain't it, Goldie?"
"Well, you won't give—give a girl a chance to say anything. If you'd have given me time I was comin' over and tell you, and—and tell—"
"Goldie!"
"I was—I was—"
"It's none of my business, girlie; but—but he ain't fit for you. He—"
"There you go! The whole crowd of you make me—"
"He ain't fit for no girl, Goldie! Listen to me, girlie! He's just a regular ladykiller! He can't keep a job no more'n a week for the life of him! I used to know him when I worked at Delaney's. Listen to me, Goldie! This here new minin' scheme he's in ain't even on the level! It ain't none of my business; but, good God, Goldie, just because a guy's good-lookin' and a swell dresser and—"
She sprang from his grasp and up the three remaining steps. In the sooty flare of the street lamp she was like Jeanne d'Arc heeding the vision or a suffragette declaiming on a soap-box and equal rights.
"You—the whole crowd of you make me sick! The minute a fellow graduates out of the sixty-dollar-clerk class, and can afford a twenty-dollar suit, without an extra pair of pants thrown in, the whole pack of you begin to yowl and yap at his heels like—"
"Goldie! Goldie, listen—"
"Yes, you do! But I ain't caring. I know him, and I know what I want. We're goin' to get married when we're good and ready, and we ain't apologizing to no one! I don't care what the whole pack of you have to say, except Addie and you; and—and—I—oh—"
Goldie turned and fled into the house, slamming the front door after her so that the stained-glass panels rattled—then up four flights, with the breath soughing in her throat and the fever of agitation racing through her veins.
Her oblong box of a room at the top of the long flights was cold with a cavern damp and musty with the must that is as indigenous to rooming-houses as chorus-girls to the English peerage or insomnia to black coffee.
Even before she lighted her short-armed gas-jet, however, a sweet, insidious, hothouse fragrance greeted her faintly through the must, as the memory of mignonette clings to old lace. Goldie's face softened as if a choir invisible was singing her ragtime from above her skylight. She lighted her fan of gas with fingers that trembled in a pleasant frenzy of anticipation, and the tears dried on her face and left little paths down her cheeks.
A fan of pink roses, fretted with maidenhair fern and caught with a sash of pink tulle, lay on her coarse cot coverlet, as though one of her dreams had ventured out of its long night.
What a witch is love!
Pink leaped into Goldie's cheeks, and into her eyes the light that passeth understanding. Life dropped its dun-colored cloak and stood suddenly garlanded in pink, wire-stemmed roses.
She buried her face in their fragrance. She kissed a cool bud, the heart of which was closed. She unwrapped the pink tulle sash with fingers that were addled—like a child's at the gold cord of a candy-box—and held the filmy streamer against her bosom in the outline of a yoke.
In Mrs. McCasky's boarding-house the onward march of night was as regular as a Swiss watch with an American movement.
At nine o'clock Mr. McCasky's tin bucket grated along the hall wall, down two flights of banisters, across the street, and through the knee-high swinging-doors of Joe's place.
At ten o'clock the Polinis, on the third-floor back, let down their folding-bed and shivered the chandelier in Major Florida's second-floor back.
At eleven o'clock Mr. McCasky's tin bucket grated unevenly along the hall wall, down two flights of banisters, across the street, and through the knee-high swinging-doors of Joe's place.
At twelve o'clock the electric piano in Joe's place ceased to clatter through the night like coal pouring into an empty steel bin, and Mrs. McCasky lowered the hall light from a blob the size of a cranberry to a French pea.
At one o'clock the next to the youngest Polini infant lifted its voice to the skylight, and Mr. Trimp's night-key waltzed round the front-door lock, scratch-scratching for its hole.
In the dim-lit first-floor front Mrs. Trimp started from her light doze like a deer in a park, which vibrates to the fall of a lady's feather fan. The criss-cross from the cane chair-back was imprinted on one sleep-flushed cheek, and her eyes, dim with the weariness of the night-watch, flew to the white-china door-knob.
Reader, rest undismayed. Mr. Trimp entered on the banking-hour legs of a scholar and a gentleman. With a white carnation in his buttonhole, his hat unbattered in the curve of his arm, and his blue eyes behind their curtain of black lashes, but slightly watery, like a thawing ice-pond with a film atop.
"Hello, my little Goldie-eyes!"
Mr. Trimp flashed his double deck of girlish-pearlish teeth. When Mr. Trimp smiled Greuze might have wanted to paint his lips for a child-study. Women tightened up about the throat and dared to wonder whether he wore a chest-protector and asafetida bag. Old ladies in street-cars regarded him through the mist of memories, and as if their motherly fingers itched to run through the heavy yellow hemp of his hair. There was that in his smile which seemed to provoke hand-painted sofa-pillows and baby-ribboned coat-hangers, knitted neckties, and cross-stitch slippers. Once he had posed for an Adonis underwear advertisement.
"Hello, baby! Did you wait up for your old man?"
Goldie regarded her husband with eyes that ten months of marriage had dimmed slightly. Her lips were thinner and tighter and silent.
"I think we landed a sucker to-night for fifty shares, kiddo. Ain't so bad, is it? And so you waited up for your tired old man, baby?"
"No!" she said, the words sparking from her lips like the hiss of a hot iron when you test it with a moist forefinger. "No; I didn't wait up. I been out with you—painting the town."
"I couldn't get home for supper, hon. Me and Cutty—"
"You and Cutty! I wasn't born yesterday!"
"Me and Cutty had a sucker out, baby. He'll bite for fifty shares sure!"
"Gee!" she flamed at him, backing round the rocker from his amorous advances. "Gee! If I was low enough to be a crook—if I was low enough to try and make a livin' sellin' dead dirt for pay dirt—I'd be a successful crook, anyway; I'd—"
"Now, Goldie, hon! Don't—"
"I wouldn't leave my wife havin' heart failure every time McCasky passes the door—I wouldn't!"
"Now, don't fuss at me, Goldie. I'm tired—dog-tired. I got some money comin' in to-morrow that'll—"
"That don't go with me any more!"
"Sure I have."
"I been set out on the street too many times before on promises like that; and it was always after a week of one of these here slow jags. I know them and how they begin. I know them!"
"'Tain't so this time, honey. I been—"
"I know them and how they begin, with your sweet, silky ways. I'd rather have you come staggering home than like this—with your claws hid. I—I'm afraid of you, I tell you. I ain't forgot the night up at Hinkey's. You haven't been out with Cutty no more than I have. You been up to the Crescent, where the Red Slipper is dancing this week, you—"
Mr. Trimp swayed ever so slightly—slightly as a silver reed in the lightest breeze that blows—and regained his balance immediately. His breath, redolent as a garden of spice and cloves, was close to his wife's neck.
"Baby," he said, "you better believe your old man. I been out with Cutty, Goldie. We had a sucker out!"