Another notion about twins which may possibly help to throw light on some of the practices of the Areoi Society, is that they or their parents or both are endowed with a fertilising or prolific virtue, which enables them to multiply animals or plants and thereby to increase the food supply. Thus, for example, some tribes of Northern Rhodesia keep pigeons in their villages, and in erecting a pigeon-cote they take care that the first stakes "are driven in by a woman who has borne twins, in order, they say, that the pigeons may multiply."[80] Some Bantu tribes of this region ascribe a similar virtue to both the father and the mother of twins. They think that such parents exert a beneficial or prolific influence at laying the foundations of pigeon-cotes, chicken-houses, goat-pens, or any other building used for the purposes of breeding; a certain woman who had borne twins thrice was lately in great request at these functions.[81] The Zulus think that all goats belonging to a twin bring forth young in couples.[82]
In the Central District of Busoga, Central Africa, when a woman has given birth to twins, the people of her clan do not sow any seed until the twins have been brought to the field. A pot of cooked grain is set before the children with a cake of sesame and all the seed that is to be sown. The food is eaten by the assembled people, and afterwards the field is sown in presence of the twins; the plot is then said to be the field of the twins. The mother of twins must sow her seed before any person of the clan will sow his or hers.[83] These customs seem clearly to imply a belief that twins and their mother possess a special power of fertilising the seed. Among the Baganda of Central Africa twins were supposed to be sent by Mukasa, the great god whose blessing on the crops and on the people was ensured at an annual festival. The twins were thought to be under the protection of the god, and they bore his name, the boys being called Mukasa and the girls Namukasa. And a series of customs observed by the parents of twins among the Baganda indicates in the plainest manner a belief that they were endowed with a fertilising virtue which extended, not only to the crops and the cattle, but also to human beings. Thus the parents of twins were supposed to make people fruitful by sprinkling them with a mixture of water and clay from pots, of which each of the parents had one. Again, some time after the birth the parents used to make a round of visits to relations and friends, taking the twins with them. At every house they danced, the father wearing a crown made from a certain creeper, and the mother wearing a girdle of the same material. At these dances offerings were made to the twins. These dances were most popular "because the people believed that thereby they obtained a special blessing from the god Mukasa, who favoured the parents of twins, and through them dispensed blessing wherever they went." The persons whom the twins and their parents honoured with a visit "thought that, not only they themselves would be blessed and given children, but that their herds and crops also would be multiplied." A ceremony performed by the father and mother of twins over a flower of the plantain indicated in the plainest, if the grossest, fashion the belief of the Baganda that parents of twins could magically fertilise the plantains which form the staple food of the people. No wonder, then, that among them a mother of twins is deemed a source of blessing to the whole community, and that for some time after the birth both she and the father were sacred and wore a distinctive dress to prevent any one from touching them. The father, in particular, "could do what he liked, because he was under the protection of the god"; for example, he was free to enter anybody's garden and to take the produce at will. Special drums, too, were made for the parents, one for the father and one for the mother; and for some time after the birth these were beaten continually both by day and by night.[84]
Among the Hos of Togo, in West Africa, in like manner, special drums are beaten for the parents of twins, and the parents dance publicly to the music in the main street of the village, after going nine times round it. Some days later the parents go the round of all the Ho towns, everywhere executing the same dance to the same music at noon; but should one of the twins have died in the meantime, the parents dance at night. It is believed that, if the customary rites were not performed at the birth of twins, the parents of the twins would be crippled. Curiously enough, the drums, to the music of which the parents dance, may not be beaten by any one without special reason; and no one else may dance to their music except such as have slain either a man or a leopard. Among these people the birth of twins is the occasion of very great rejoicing. They say that "the road which the mother of twins goes is better than the road which the rich man goes."[85] The saying suggests that the Hos, like the Baganda, regard a mother of twins as diffusing fertility wherever she goes; and, on the analogy of the dances of parents of twins among the Baganda, we may conjecture that in like manner among the Hos the parents of twins are supposed to confer the blessing of fruitfulness on all the towns where they dance.
Among the Barundi of East Africa the birth of twins is celebrated with rites, songs, and ritual dances, which last for days and even for weeks. As soon as the news spreads, the neighbours, friends, and relations flock to the house to sing, bringing with them presents for the parents or offerings to the spirits. The amount of provisions thus accumulated is enormous, but the parents of the twins benefit little by it; the great bulk disappears as by magic among the self-invited guests. Festivity, dancing, and singing are now the order of the day. Dancers, male and female, their faces painted red and white or yellow, dance like furies in a circle for hours together, singing ritual hymns at the top of their voices, while an old sorceress besprinkles the troop with lustral water. It is commonly believed that if these rites were omitted, the twins and their parents would die. At the birth of twins it is customary to buy two black sheep or lambs and to dedicate them to the twins, one to each. These sheep are then left at liberty to run about as they like by day and night, and to enter the fields and browse at will. If one of them dies it is replaced by another. The animals are described as the guardians of the children, the receptacle or symbol of their spirits, in short, as their fetish.[86] To some extent, they are analogous to the pig which an Areoi used to offer to the god at the ceremony of his consecration; for, though sometimes the animal was killed, at other times it was liberated, and, being regarded as sacred or belonging to the god to whom it had been offered, was allowed to range the district uncontrolled till it died.[87] Among the Baluba, a tribe of the Belgian Congo, there is great joy at the birth of twins, and special ceremonies are observed on the occasion. The twins are invariably named Kyunga and Kahya, after the spirits of two ancient kings, and to these spirits the twins are consecrated. After being washed and decorated they are placed side by side in a winnowing-basket and carried by the women of the family in procession through the village, headed by the proud father. Dancing and singing they go to the ash-heap of the village. There they all rub themselves with ashes and perform another dance. After that, still led by the father of the twins, they go to the houses of the chief people, and in front of each house the father dances, while the women beat time with their hands. Wherever the procession halts, the householder is expected to come and admire the twins, to compliment the father, and to deposit a small present in the winnowing-basket.[88] Among the Herero of South-West Africa the parents of twins are looked on as sacred, and for a time they may not speak to any one, and no one may speak to them. But after the lapse of some days the family goes the round of the village, visiting three or four huts every day. The father of the twins sits down on the right side of the hut, and the inmates make him offerings of beads, oxen, and so forth. When he has thus gone the round of the village, he repairs to the neighbouring villages, where the same ceremonies are repeated. It is often a year before he returns to his own village, and when he does so he brings back with him a great quantity of offerings. Henceforth the father of the twins enjoys all the privileges of a priestly chief; he may sacrifice at the holy fire, and he may represent and even succeed the chief in the office of priest for the village. The twins themselves are eligible for the same office. If a chief dies a natural death, he is succeeded in his priestly function by his twin son; whereas the chieftainship passes to the chief's legal heir, who is properly the son of his eldest sister, and who thenceforth assumes the name of the twin. A twin is bound by no taboo; he may eat of all flesh offered in sacrifice; he may drink of the milk of every holy cow, just like the chief and the priest themselves.[89]
In these cases we are not told that twins and their parents are supposed to be endowed with a power of multiplying the herds and generally of increasing the supply of food by the prolific influence which they diffuse about them; but the analogy of the customs and beliefs of the Baganda concerning the birth of twins renders the supposition probable. At least on this hypothesis we can readily understand the round of visits which the parents, or one of them, pay to the surrounding towns or villages, and the presents which are made to them. If they indeed possess a power of imparting fertility and abundance wherever they go, it is obviously in everybody's interest to be visited by them, and clearly, on the same supposition, it is everybody's duty to make some return to them for the wonderful benefits which they have conferred.
Similarly we may perhaps suppose that the rounds which the Areois went from island to island, dancing, singing, and playing their tricks wherever they stopped, were believed to quicken the fruits of the earth, and possibly also to multiply the pigs and the fish. On that assumption, the unlimited right which these vagabonds enjoyed of appropriating and consuming the produce of the gardens was probably accorded to them as a natural and proper remuneration for the inestimable services which their mere presence was believed to render to the crops. The sexual excesses, in which they appear to have indulged, would also be intelligible, if it was imagined that, on the principle of sympathetic magic, such indulgences actually promoted the multiplication and growth of plants and animals. But this explanation of the extravagant rites observed by the Areois, and of the quaint beliefs entertained concerning them, is offered only as an hypothesis for what it is worth. It may be worth while noting that among the Kpelle, a tribe of Liberia in West Africa, there is reported to exist a Secret Society of Twins,[90] but whether it bears any resemblance to the Society of the Areois I do not know.
A familiar figure of the Polynesian pantheon, who meets us in the mythology of the Society Islanders, was the famous god or hero Maui. Many stories of his exploits were told in the islands. It is said that originally the sky lay flat upon the face of the earth and ocean, being held down by the legs of a huge cuttle-fish. But Maui dived into the sea, and, grappling with the monster, utterly dismembered him; whereupon the sky flew up and expanded into the beautiful blue vault which we now see above us, with the noonday sun for the keystone of the arch.[91] Again, the natives told how, one day, sitting in his canoe, Maui let down his line with a hook at the end of it and fished up the earth, which had hitherto lain at the bottom of the sea.[92] Also he is said to have held the sun with ropes to prevent him from going too fast.[93] For it happened that Maui was hard at work, building a temple, when he perceived that the day was declining and that the night would overtake him before he had accomplished his task; so hastily twining some ropes of coco-nut fibre, he laid hold of the sun's rays and tethered them by the ropes to a tree, so that the sun could not stir till Maui had finished the task he was at.[94] Further, Maui is said to have invented the mode of kindling fire by rubbing the point of one stick in the groove of another,[95] which was the way in which the Society Islanders regularly made fire.[96] Maui was also supposed to be the cause of earthquakes.[97] In Tahiti a curious image of Maui was seen and described by Captain Cook. "It was the figure of a man, constructed of basket-work, rudely made, but not ill-designed; it was something more than seven feet high, and rather too bulky in proportion to its height. The wicker skeleton was completely covered with feathers, which were white where the skin was to appear, and black in the parts which it is their custom to paint or stain, and upon the head, where there was to be a representation of hair: upon the head also were four protuberances, three in front and one behind, which we should have called horns, but which the Indians dignified with the name of Tate Ete, little men. The image was called Manioe, and was said to be the only one in Otaheite. They attempted to give us an explanation of its use and design, but we had not then acquired enough of their language to understand them. We learnt, however, afterwards that it was a representation of Mauwe, one of their Eatuas, or gods of the second class."[98]
Besides the high primaeval deities, born of the Night, the Society Islanders believed in a host of inferior divinities, many of whom were said to have been created by Taaroa, the supreme god. Thus, between the high gods and the deities of particular places or of particular professions, there was a class of intermediate deities, who were not supposed to have existed from the beginning or to have been born of Night. Their origin was veiled in obscurity, but they were often described as having been renowned men, who, after death, were deified by their descendants. They all received the homage of the people, and on all public occasions were acknowledged among the gods.[99] Again, there were many gods of the sea, among whom the principal seem to have been Tuaraatai and Ruahatu. These were generally called shark gods (atua mao), not that the shark was itself deemed a god, but that it was supposed to be employed by the marine gods as their minister of vengeance. It was only the large blue shark which was believed to act in this capacity; and it is said that these voracious creatures always spared a shipwrecked priest, even when they devoured his companions; nay, they would recognise a priest on board any canoe, come at his call, and retire at his bidding. A priest of one of these shark gods told Mr. Ellis that he or his father had been carried on the back of a shark from Raiatea to Huahine, a distance of twenty miles. Other gods were thought to preside over the fisheries, and to direct the shoals of fish to the coasts. Their aid was invoked by fishermen before they launched their canoes and while they were busy at sea. But these marine deities were not supposed by the people to be of equal antiquity with the great primordial gods, born of the Night (atua fauau po).[100] Again, there were gods of the air, who were sometimes worshipped under the figure of birds. The chief of these aerial deities were thought to be a brother and sister, who dwelt near the great rock, which is the foundation of the world. There they imprisoned the stormy winds, but sent them forth from time to time to punish such as neglected the worship of the gods. In tempests their compassion was besought by mariners tossed on the sea or by their friends on shore.[101] To the minds of the islanders there were also gods of hill and dale, of precipice and ravine. "By their rude mythology each lovely island was made a sort of fairy-land, and the spells of enchantment were thrown over its varied scenes.... The mountain's summit, and the fleecy mists that hang upon its brows—the rocky defile—the foaming cataract—and the lonely dell—were all regarded as the abode or resort of these invisible beings."[102]
The general name for "god" in the Society Islands, as throughout Polynesia, was atua.[103] The word was also applied, in the expression oramatuas or oromatuas, to the spirits of departed relatives, who were also worshipped and ranked among the deities.[104] To these we shall return presently; meantime it may not be out of place to give some notice of the worship of the other gods, since in the religion of the Society Islanders, as of other branches of the Polynesian race, it was closely interwoven with the worship of the dead.
The sacred place dedicated to religious worship was called a morai, or, as it is also spelled, a marai or marae, which may be translated "temple," though all such places were uncovered and open to the sky. The national temples, where the principal idols were deposited, consisted of large walled enclosures, some of which contained smaller inner courts. The form was frequently that of a square or a parallelogram, with sides forty or fifty feet long. The area was paved with flat stones, and two sides of it were enclosed by a high stone wall, while the front was protected by a low fence, and within rose in steps or terraces a solid pyramidical structure built of stone, which usually formed one of the narrow sides of the area, either at the western or at the eastern end. These pyramids, which were always truncated so as to form a narrow platform or ridge on their upper surface, were the most striking and characteristic feature of the morais; indeed the name morai or marae appears to have been sometimes confined, at least by European observers, to the pyramid. In front of the pyramid the images were kept and the altars fixed. The houses of the priests and of the keepers of the idols were erected within the enclosure.[105] Of these interesting monuments, which seemed destined to last for ages, only a few insignificant ruins survive; the rest have been destroyed, chiefly at the instigation of the missionaries.[106]
Some of the pyramids erected within these sacred enclosures were of great size. In Tahiti an enormous one was seen and described by Captain Cook as well as by later observers. It was of oblong shape and measured two hundred and sixty-seven feet in length by eighty-seven feet in width. It rose in a series of eleven steps or terraces, each four feet high, so that the total height of the structure was forty-four feet. Each step was formed of a single course of white coral stone, neatly squared and polished. The steps on the long sides were broader than those at the ends, so that at the top it terminated, not in an oblong of the same figure as the base, but in a ridge like the roof of a house. The interior of the pyramid was solid, being filled up with round pebbles which, from the regularity of their figure, seemed to have been wrought. Some of the coral stones were very large; one of them was three and a half feet long by two and a half feet wide. The foundation of the pyramid was built not of coral, but of what Captain Cook called rock, by which he probably meant a volcanic stone. These foundation stones were also squared; one of them measured four feet seven inches by two feet four inches. "Such a structure," says Captain Cook, "raised without the assistance of iron tools to shape the stones, or mortar to join them, struck us with astonishment: it seemed to be as compact and firm as it could have been made by any workman in Europe, except that the steps which range along its greatest length are not perfectly strait, but sink in a kind of hollow in the middle, so that the whole surface, from end to end, is not a right line, but a curve." All the stones, both rock and coral, must have been brought from a distance, for there was no quarry in the neighbourhood. The squaring of these blocks with stone tools must, as Captain Cook observes, have been a work of incredible labour; but the polishing of them could have been effected more easily by means of the sharp coral sand, which is found everywhere on the seashore in great abundance. On the top of the pyramid, and about the middle, stood the wooden image of a bird; and near it lay the image of a fish carved in stone. This great pyramid formed part of one side of a spacious area, nearly square, which measured three hundred and sixty feet by three hundred and fifty-four, and was walled in with stone as well as paved with flat stones in its whole extent. Notwithstanding the pavement, several trees were growing within the sacred enclosure. About a hundred yards to the west was another paved area or court, in which were several small stages raised on wooden pillars about seven feet high. These stages the natives called ewattas. Captain Cook judged them rightly to be altars, observing that they supported what appeared to be offerings in the shape of provisions of all sorts, as well as whole hogs and many skulls of hogs and dogs.[107]
The pyramids within the sacred enclosure were not usually so large or so lofty. In the island of Huahine the pyramid of the chief god Tani or Tane was a hundred and twenty-four feet long by sixteen feet broad, and it had only two steps or stories. The lower step or story was about ten feet high and faced with blocks of coral, set on their edges: some of these blocks were as high as the step itself. The upper step or story was similarly faced with coral, but was not more than three feet high. The interior of both stories was filled with earth. In the centre of the principal front stood the god's bed, a stone platform twenty-four feet long by thirteen feet wide, but only eighteen inches high. The style and masonry of this pyramid, as well as its dimensions, appear to have been very inferior to those of the great one in Tahiti. The blocks were apparently unhewn and unpolished, the angles ill formed, and the walls not straight. Venerable and magnificent trees overshadowed the sanctuary. One of them measured fifteen yards in girth above the roots. It is said that the god often wished to fly away, but that his long tail always caught in the boughs of this giant tree and dragged him down to earth again.[108]
These sacred pyramids "were erected in any place, and at any time, when the priests required, by the slavish people. On such occasions the former overlooked the latter at their work, and denounced the most terrible judgments upon those who were remiss at it. The poor wretches were thus compelled to finish their tasks (burthensome as they often were, in heaving blocks from the sea, dragging them ashore, and heaping them one upon another) without eating, which would have desecrated the intended sanctuary. To restrain the gnawings of hunger they bound girdles of bark round their bodies, tightening the ligatures from time to time, as their stomachs shrank with emptiness. And, when the drudgery was done, it was not uncommon for the remorseless priests to seize one of the miserable builders and sacrifice him to the idol of the place."[109]
Temples of this sort were found scattered over the islands in every situation—on hill-tops, on jutting headlands, and in the recesses of groves.[110] They varied greatly in size: some were small and built in the rudest manner, mere squares of ill-shapen and ill-piled stones. In the island of Borabora the missionaries found not less than two hundred and twenty of these structures crowded within an area only ten miles in circumference.[111] The trees that grew within the sacred enclosure were sacred. They comprised particularly the tall cypress-like casuarina and the broader-leaved and more exuberant callophyllum, thespesia, and cardia. Their interlacing boughs formed a thick umbrageous covert, which often excluded the rays of the sun; and the contrast between the bright glare of a tropical day outside and the sombre gloom in the depths of the grove, combined with the sight of the gnarled trunks and twisted boughs of the aged trees, and the sighing of the wind in the branches, to strike a religious horror into the mind of the beholder.[112] The ground which surrounded the temples (morais) was sacred and afforded a sanctuary for criminals. Thither they fled on any apprehension of danger, especially when many human sacrifices were expected, and thence they might not be torn by violence, though they were sometimes seduced from their asylum by guile.[113]
These remarkable sanctuaries were at once temples for the worship of the gods and burial-places for the human dead. On this combination of functions I have already adduced some evidence;[114] but as the point is important, I will cite further testimonies as to the custom of burying the dead in these enclosures.
Thus Captain Cook writes: "I must more explicitly observe that there are two places in which the dead are deposited: one a kind of shed, where the flesh is suffered to putrefy; the other an enclosure, with erections of stones, where the bones are afterwards buried. The sheds are called tupapow, and the enclosures morai. The morais are also places of worship".[115] Again, after describing how a dead body used to be placed in the temporary house or shed (tupapow) and left there to decay for five moons, Captain Cook tells us that "what remains of the body is taken down from the bier, and the bones, having been scraped and washed very clean, are buried, according to the rank of the person, either within or without a morai: if the deceased was an earee or chief, his skull is not buried with the rest of the bones, but is wrapped up in fine cloth, and put in a kind of box made for that purpose, which is also placed in the morai. This coffer is called ewharre no te orometua, the house of a teacher or master".[116]
Again, after describing the human sacrifice which he witnessed at the great morai at Attahooroo, in Tahiti, Captain Cook proceeds as follows: "The morai (which, undoubtedly, is a place of worship, sacrifice, and burial at the same time), where the sacrifice was now offered, is that where the supreme chief of the whole island is always buried, and is appropriated to his family, and some of the principal people. It differs little from the common ones, except in extent. Its principal part is a large oblong pile of stones, lying loosely upon each other, about twelve or fourteen feet high, contracted toward the top, with a square area on each side, loosely paved with pebble stones, under which the bones of the chiefs are buried.... The human sacrifices are buried under different parts of the pavement."[117]
Again, Captain Cook tells us that after a battle the victors used to collect all the dead that had fallen into their hands and bring them to the morai, where, with much ceremony, they dug a hole and buried all the bodies in it as so many offerings to the gods; but the skulls of the slain were never afterwards taken up. Their own great chiefs who fell in battle were treated in a different manner. Captain Cook was informed that the bodies of the late king and two chiefs, who were slain in battle, were brought to the morai at Attahooroo. There the priests cut out the bowels of the corpses before the great altar, and the bodies were afterwards buried at three different spots in the great pile of stones which formed the most conspicuous feature of the morai. Common men who perished in the same battle were all buried in a single hole at the foot of the pile. The spots where the bodies of the king and chiefs reposed were pointed out to Captain Cook and his companions.[118]
Again, in the island of Tahiti, the naturalist George Forster, who accompanied Captain Cook, saw a stone building, "in form of the frustum of a pyramid," constructed in terraces or steps, and measuring about twenty yards in length at the base. "This the native said was a burying-place and place of worship, marài, and distinguished it by the name of marai no-Aheatua, the burying-place of Aheatua, the present king of Tiarroboo."[119]
Again, in the island of Huahine, the missionaries Tyerman and Bennet saw "a pagan marae hard by, where the sovereigns of Huahine were buried—and where, indeed, they lay in more than oriental state, each one resting in his bed, at the foot of the Sacred Mountain, beneath the umbrage of the magnificent aoa [tree], and near the beach for ever washed by waters that roll round the world.... The great marae itself was dedicated to Tani, the father of the gods here; but the whole ground adjacent was marked with the vestiges of smaller maraes—private places for worship and family interment—while this was the capital of the island and the headquarters of royalty and idolatry."[120] A little later, speaking of the same sacred place, the missionaries observe, "The first marae that we visited was the sepulchral one of the kings of Huahine, for many generations. It was an oblong inclosure, forty-five feet long by twenty broad, fenced with a strong stone wall. Here the bodies of the deceased, according to the manner of the country, being bound up, with the arms doubled to their shoulders, the legs bent under their thighs and both forced upwards against the abdomen, were let down, without coffins, into a hole prepared for their reception, and just deep enough to allow the earth to cover their heads."[121]
One of our best authorities on these islands, William Ellis, speaks of the maraes (morais), whether they belonged to private families, to districts, or to the kings, as being "the general depositories of the bones of the departed, whose bodies had been embalmed"; and as a motive for the practice he alleges the sanctity which attached to these places, and which might naturally be supposed to guard the graves against impious and malicious violation.[122] However, the first missionaries say of the islanders that "they bury none in the morai, but those offered in sacrifice, or slain in battle, or the children of chiefs which have been strangled at the birth—an act of atrocious inhumanity too common."[123] According to Moerenhout, the marais (morais) belonging to private families were often used as cemeteries; but in the public marais none but the human victims, and sometimes the priests, were interred.[124] Thus there is to some extent a conflict of testimony between our authorities on the subject of burial in the temples. But the evidence which I have adduced seems to render it probable that many at least of the morais served as burial-grounds for kings and chiefs of high degree, and even for common men who had fallen fighting in the service of their country.
In more recent years the German traveller, Arthur Baessler, who examined and described the existing ruins of these sacred edifices, denied that the maraes (morais) were places of burial, while he allowed that they were places of worship.[125] He distinguished a marae from an ahu, admitting at the same time that they closely resembled each other, both in their structure and in the ritual celebrated at them.[126] According to him, a marae was a sort of domestic chapel, the possession of which constituted the most distinctive mark of a noble family. Every chief, high or low, had one of them and took rank according to its antiquity.[127] It was an oblong area, open to the sky and enclosed by walls on three sides and by a pyramid on the fourth: walls and pyramid alike were built of blocks of stone or coral.[128] The ahu, on the other hand, was a monument erected to the memory of a distinguished chief, whose mortal remains were deposited in it. But apart from the grave which it contained, the ahu, according to Baessler, hardly differed from a marae, though it was mostly larger: it was a great walled enclosure with a pyramid, altars, and houses of the priests. And the ritual celebrated in the ahu resembled the ritual performed in the marae: there, too, the faithful assembled to pray, and there the priests recited the same liturgy.[129] Thus both the form and, to some extent at least, the function of the two types of sanctuary presented a close similarity. The islanders themselves, it appears, do not always clearly distinguish them at the present day.[130] And the single distinction on which Baessler insisted, that the dead were buried in the ahu but not in the marae, seems not to hold good universally, even on Baessler's own showing. For he admits that, "if ever a chief was buried in his own marae, it must have been in most exceptional cases, but probably statements to that effect rest only on a confusion of the marae with the ahu; such a practice would also run counter to the habits of the natives, who sought the most secret places for their dead, and certainly concealed the heads in caves difficult of access and unknown to others. On the other hand, the maraes of humbler families may more frequently, if not as a rule, have served as places of burial."[131] And even in regard to the holiest marae, dedicated to the great god Oro, in the island of Raiatea,[132] Baessler himself cites a tradition, apparently well authenticated, that a great number of warriors slain in battle were buried in it.[133] The argument that the people buried their dead, or at all events their skulls, only in remote caves among the mountains seems untenable; for according to the evidence of earlier writers the practice of concealing the bones or the skulls of the dead in caves was generally, if not always, a precaution adopted in time of war, to prevent these sacred relics from falling into the hands of invaders; the regular custom seems to have been to bury the bones in or near the marae and to keep the skulls either there or in the house.[134] On the whole, then, it is perhaps safer to follow earlier and, from the nature of the case, better-informed writers in neglecting the distinction which Baessler drew between a marae (morai) and an ahu. In any case we have Baessler's testimony that an ahu was at once a place of burial and a place of worship. There seems to be no evidence that any of these sacred edifices, whether maraes or ahus, were associated with a worship of the sun. On the other hand, it is certain that some at least of them were dedicated, partly or chiefly, to a cult of the dead, which formed a very important element in the religion of the Society Islanders, whereas there is little or nothing to show that they adored either the sun, or any other of the heavenly bodies, with the possible exception of the moon.[135] This did not, however, prevent them from entertaining absurd notions concerning these great luminaries. At an eclipse they imagined that the moon or the sun was being swallowed by some god whom they had offended; and on such occasions they repaired to the temple and offered prayers and liberal presents to the deity for the purpose of inducing him to disgorge the luminary.[136]
Temples such as have been described were erected on all important occasions, such as a war, a decisive victory, or the installation of a great chief or king of a whole island. In these latter cases the natives boasted that the number of persons present was so great that, if each of them only brought a single stone, the amount of stones thus collected would have sufficed to build their largest temples and pyramids.[137] One of the occasions when it became necessary to build new temples was when the old ones had been overthrown by enemies in war. After such a desecration it was customary to perform a ceremony for the purpose of purifying the land from the defilement which it had incurred through the devastations of the foe, who had, perhaps, demolished the temples, destroyed or mutilated the idols, and burned with fire the curiously carved pieces of wood which marked the sacred places of interment and represented the spirits of the dead (tiis). Before the rite of purification was performed the temples were rebuilt, new altars reared, new images placed within the sacred precincts, and new wooden effigies set up near the graves. At the close of the rites in the new temples, the worshippers repaired to the seashore, where the chief priest offered a short prayer and the people dragged a net of coco-nut leaves through a shallow part of the sea, usually detaching small pieces of coral, which they brought ashore. These were called fish and were delivered to the priest, who conveyed them to the temple and deposited them on the altar, offering at the same time a prayer to induce the gods to cleanse the land from pollution, that it might be as pure as the coral fresh from the sea. It was now thought safe to abide on the soil and to eat of its produce, whereas if the ceremony had not been performed, death would have been, in the opinion of the people, the consequence of partaking of fruits grown on the defiled land.[138]
The temples were sacred. When a man approached one of them to worship or to bring his offering to the altar, he bared his body to the waist in sign of reverence and humility.[139] Women in general might not enter a temple, but when their presence was indispensable for certain ceremonies, the ground was covered with cloth, on which they walked, lest they should defile the holy place with their feet.[140] For example, some six weeks or two months after the birth of a child the father and mother took the child to a temple, where they both offered their blood to the gods by cutting their heads with shark's teeth and allowing the blood to drip on leaves, which they laid on the altar. On this occasion the husband spread a cloth on the floor of the temple for his wife to tread upon, for she might not step on the ground or the pavement.[141] Similarly at marriage bride and bridegroom visited the family temple (marae, morai), where the skulls of their ancestors were brought out and placed before them; but a large white cloth had to be spread out on the pavement for the bride to walk upon. Sometimes at these marriage rites the female relatives cut their faces and brows with shark's teeth, caught the flowing blood on cloth, and deposited the cloth, sprinkled with the mingled blood of the mothers of the married pair, at the feet of the bride.[142] At other times the mother of the bride gashed her own person cruelly with a shark's tooth, and having filled a coco-nut basin with the blood which flowed from her wounds, she presented it to the bridegroom, who immediately threw it from him.[143] While certain festivals were being celebrated at the temples the exclusion of women from them was still more rigid. Thus in the island of Huahine, during the celebration of the great annual festival, at which all the idols of the island were brought from their various shrines to the principal temple to be clothed with new dresses and ornaments, no woman was allowed to approach any of the sacred edifices under pain of death, which was instantly inflicted by whoever witnessed the sacrilege. Even if the wives and children of the priests themselves came within a certain distance, while some particular services were going on, they were murdered on the spot by their husbands and fathers with the utmost ferocity.[144]
Some of these sacred edifices are still impressive in their ruins and deserve the name of megalithic monuments. Thus the temple (marae, morai) of Oro at Opoa, which was the holiest temple in the island of Raiatea and perhaps in the Society Islands generally,[145] is about a hundred and thirty-eight feet long by twenty-six feet broad. It is enclosed by a wall of gigantic coral blocks standing side by side to a height of about six feet seven inches. The blocks have been hewn from the inner reef; the outer surfaces were smoothed, the inner left rough. One of the blocks stands over eleven feet high, without reckoning the part concealed by the soil; it is twelve feet wide, by two and a half feet thick. Another block is about ten feet long by eight feet broad and one foot thick.[146] In the ruined temple of Tainuu, situated in the district of Tevaitoa, one block is about eleven and a half feet high by eleven feet wide, with a thickness varying from twenty inches to two and a half feet.[147]
The idols or images of the gods were usually made of wood, but sometimes of stone. Some were rudely carved in human shape; others were rough unpolished logs, wrapped in many folds of cloth or covered with a matting of coco-nut fibre.[148] The image of the god Oro was a straight log of casuarina wood, six feet long, uncarved, but decorated with feathers. On the other hand Taaroa, the supreme deity of Polynesia, was represented by a rudely carved human figure about four feet high, with a number of little images studding his body to indicate the multitude of gods that had proceeded from him as creator. The body of the god was hollow, and when it was taken from the temple, where it had been worshipped for many generations, it was found to contain a number of small idols in the cavity. It is supposed that these petty gods had been placed there by their worshippers and owners that they might absorb some of the supernatural powers of the greater divinity before being removed to the places where they were to commence deities on their own account.[149] With a similar intention it was customary to fill the inside of the hollow images with red feathers in order that the plumes might be impregnated with the divine influence and might afterwards diffuse it for the benefit of the owner of the feathers, who had placed them in the image for that purpose. The red feathers, plucked from a small bird which is found in many of the islands, thus became an ordinary medium for communicating and extending supernatural powers, not only in the Society Islands, but throughout Polynesia. The beautiful long tail-feathers of the tropic or man-of-war bird were used for the same purpose. The gods were supposed to be very fond of these feathers and ready to impart their blessed essence to them. Hence people brought the feathers to the priest and received from him in exchange two or three which had been sanctified in the stomach of the deity; on extracting them from that receptacle, the priest prayed to the god that he would continue to inhabit the red feathers even when they were detached from his divine person.[150] The feathers thus consecrated were themselves regarded as in some sense divine and were called gods (atuas, oromatuas); the people had great confidence in their sovereign virtue, and on occasions of danger they sought them out, believing that the mere presence of the feathers would afford them adequate protection. For example, when they were threatened by a storm at sea, they would hold out the feathers to the menacing clouds and command them to depart.[151]
The offerings presented to the gods included every kind of valuable property, such as birds, fish, beasts, the fruits of the earth and the choicest native manufactures. The fruits and other eatables were generally, but not always, dressed. Portions of the fowls, pigs, or fish, cooked with sacred fire in the temple, were presented to the deity; the remainder furnished a banquet for the priests and other sacred persons, who were privileged to eat of the sacrifices. The portions appropriated to the gods were placed on the altar and left there till they decayed. In the public temples the great altars were wooden stages, some eight or ten feet high, supported on a number of wooden posts, which were sometimes curiously carved and polished. But there were also smaller altars in the temples; some of them were like round tables, resting on a single post. Domestic altars and such as were erected near the bodies of dead friends were small square structures of wicker-work. In sacrificing pigs they were very anxious not to break a bone or disfigure the animal. Hence they used to strangle the animal or bleed it to death.[152]
Human victims were sacrificed on many occasions, as in time of war, at great national festivals, during the illness of their rulers, and at the building of a temple. William Ellis was told that the foundations of some of their sacred edifices were laid in human sacrifices, and that at least the central pillar, which supported the roof of one of the sacred houses at Maeva, had been planted on the body of a man. The victims were either captives taken in war or persons who had rendered themselves obnoxious to the chiefs or the priests. In the technical language of the priests they were called "fish." When once a man had been chosen for sacrifice, the family to which he belonged was regarded as taboo or devoted to the altar, and when another victim was wanted, he was more frequently taken from that family than from any other. Similarly, a district which had once furnished victims was thenceforth devoted. Hence, at the approach of ceremonies which were usually accompanied by human sacrifices, the members of certain families and the inhabitants of certain districts used to flee to the mountains and hide in caves till the ceremony was over. But the doomed man was seldom apprised of his fate beforehand. A sudden blow with a club or a stone on the nape of the neck was the usual way of despatching him, lest the body should be mangled or a bone broken. If the blow had only stunned him, he was soon killed, and the corpse, placed in a long basket of coco-nut leaves, was carried to the temple and offered to the god by being set before the idol. In dedicating it the priest took out one of the eyes and handed it on a leaf to the king, who made as if he would swallow it, but passed it on to a priest or attendant. After the ceremony the body, still wrapt in coco-nut leaves, was often deposited on the branches of a neighbouring tree, where it remained some time. Finally, the bones were taken down and buried under the pavement of the temple (marae).[153]
In the family, according to patriarchal usage, the father was the priest, but the priests of the national temples formed a distinct class; their office was hereditary. The high priesthood was often held by a member of the royal family, and sometimes the king himself acted as the national priest. The duties of the priests were to recite prayers, to present offerings, and to sacrifice victims. Their prayers, usually uttered in shrill, chanting tones, were often exceedingly long and full of repetitions.[154] They had plenty of employment, being called in to officiate on all occasions, whether at birth or at death, at feasts or in sickness; for they were the physicians as well as the clergy of the country. They professed to possess extraordinary powers, such as to promote conception or to effect abortion, to cause or to heal disease, to pray the evil spirit into food, and even to kill men outright. Hence they were greatly feared.[155] Of the little knowledge that existed in the islands the priests are reported to have possessed the largest share, but it consisted chiefly in an acquaintance with the names and ranks of the various subordinate deities (atuas); however, according to Captain Cook, they excelled the rest of the people in their knowledge of navigation and astronomy: indeed, the very name for priest (tahowa) signified nothing more than a man of knowledge.[156] In the island of Huahine the priest whose duty it was to carry the image of the god Tani (Tane) "was a personage of such superhuman sanctity that everything which he touched became sacred; he was, therefore, not suffered to marry, as the honour of being his wife was too much for any mortal woman. But this was not all; he would himself be so defiled by such a connection that he would be disqualified for his office, and must immediately resign it; nay, if he did not repent, and return with a great peace-offering to Tani's house, he might expect to be first struck blind, and afterwards strangled in his sleep. He was not allowed to climb a cocoa tree, because, if he did, it would be so hallowed that nobody else durst afterwards ascend it."[157]
One of the most important functions of the priests was to act as mouthpieces of the gods. In the discharge of this duty they were believed to be inspired and possessed by the deity, who spoke through them to the people. When the time came for them to consult the god, they assumed an odd fantastic dress, enriched with red and black feathers, to which the deity was so partial, that when the priests approached him in this array, he descended to earth at their call in one of the sacred birds that frequented the temples (morais) and fed on the sacrifices. As soon as the bird lighted on the sacred edifice, the god left the fowl and entered into the priest. The holy man, thus inspired, now stretched himself, yawned, and rubbed his arms, legs, and body, which began to be inflated, as if the skin of the abdomen would burst; the eyes of the seer were thrown into various contortions, now staring wide, now half-shut and sinking into stupor, while at other times the whole frame was convulsed and appeared to have undergone a sudden and surprising change. The voice sank to a low pitch, and grew squeaky and broken; but at times it would suddenly rise to an astonishing height. The words uttered by the possessed man were regarded as oracular, and nothing that he asked for the god or for himself in this state was ever refused him. Of all this the priest himself affected to be entirely unaware, but a colleague was regularly at hand to record the divine message and the divine requirements, which were often very large. When the deity took his departure from the priest, he did so with such convulsions and violence as to leave the man lying motionless and exhausted on the ground, and the oracle was so timed that this happened at the very moment when the sacred bird, the vehicle of the god, flew away from the temple. On coming to himself the priest uttered a loud shriek and seemed to wake as from a profound sleep, unconscious of everything that had passed.[158] Sometimes, however, the priest continued to be possessed by the deity for two or three days; at such times he wore a piece of native cloth, of a peculiar sort, round one arm as a sign of his inspiration. His acts during this period were deemed to be those of the god; hence the greatest attention was paid to his expressions and to the whole of his deportment. Indeed, so long as the fit of inspiration lasted he was called a god (atua); but when it was over, he resumed his ordinary title of priest.[159]
We are told that in his fine frenzy the priest "often rolled on the earth, foaming at the mouth, as if labouring under the influence of the divinity, by whom he was possessed, and, in shrill cries, and violent and often indistinct sounds, revealed the will of the god."[160] It would probably be a mistake to assume that on such occasions the frantic behaviour was deliberately assumed and the wild whirling words were consciously uttered for the purpose of deceiving the people; in short, that the whole performance was a mere piece of acting, a bare-faced imposture. It is far more likely that, bred from childhood to believe in the reality of divine inspiration, the priest often sincerely imagined himself to be possessed by a deity, and that, under the excitement which such an imagination was calculated to produce, he honestly mistook his own thick-coming fancies for a revelation from the gods. A chief, who had formerly been a prophet of the god Oro, assured the missionaries "that although he sometimes feigned his fits of inspiration, to deceive the credulous multitude, yet, at other times, they came upon him involuntarily and irresistibly. Something seemed to rush through his whole frame, and overpower his spirit, in a manner which he could not describe. Then he frothed at the mouth, gnashed his teeth, and distorted his limbs with such violence that it required five or six strong men to hold him. At these times his words were deemed oracles, and whatever he advised respecting state affairs, or other matters, was implicitly observed by king and chiefs."[161] Thus on the ravings of these crazy fanatics or deliberate impostors often hung the issues of life or death, of war or peace.[162] It appears to have been especially the priests of Oro who laid claim to inspiration and contrived to shape the destinies of their country through the powerful sway which they exercised over the mind of the king. In their fits of fanatical frenzy, while they delivered their oracles, they insisted on the sovereign's implicit compliance with their mandates, denouncing the most dreadful judgments on him if he should prove refractory.[163]
Apart from the priests there was a class of men whose business it was to preserve and hand down to their successors the lists of the gods, the liturgical prayers, and the sacred traditions. As these liturgies and legends were often very lengthy and couched in a metaphorical and obscure language, a prodigious memory and long practice were indispensable for their preservation and transmission among a people to whom the art of writing was unknown. Since the slightest mistake in the recitation of a liturgy was deemed the worst of omens and necessitated the suspension of the religious service, however costly and important the service might be, the sacred recorders, as we may call them, were obliged, for the sake of their credit, to practise continually the recitation of the prayers, legends, and traditions of which they were the depositories. To aid them in their task they made use of bundles of little sticks of different sizes, one of which they drew from a bundle at the conclusion of each prayer. It was their duty on solemn occasions to recite these liturgies or sacred poems while they paced slowly by night round the temples (morais) and other holy places; hence they went by the name of harepo, which means "Walkers by night." We are told that if at these times they made a mistake in a single word or hesitated for a moment, they stopped and returned home; and if the subject of their prayers chanced to be some enterprise in which they desired to enlist the favour of the gods, such a mistake or hesitation was enough to cause the undertaking to be abandoned irretrievably, since success in it was believed to be impossible. Nothing, it is said, could be more astonishing than the memory displayed by these men, while they recited, word for word, and for nights together, the ancient traditions of which the mutilated and mangled remains would demand the assiduous study of several years. The office of sacred recorder (harepo) was hereditary in the male line; the sons were trained in the duties from their earliest years, but only such as were endowed with an excellent memory could satisfy the requirements of the profession. They believed that a good memory was a gift of the gods.[164]
Of the Society Islanders we are informed that "they believe every man to have a separate being within him, named tee, which acts in consequence of the impression of the senses, and combines ideas into thoughts. This being, which we would call the soul, exists after death, and lodges in the wooden images which are placed round the burying-places, and which are called by the same name, tee."[165] When they were asked in what part of the body the soul resides, they always answered that it was seated in the belly or in the bowels (I roto té obou). They would not admit that the brain could be the seat of thought or the heart of the affections; and in support of their opinion they alleged the agitation of the bowels in strong emotion, such as fear and desire.[166] Hence, too, they called thoughts by a phrase which signifies "words in the belly" (parou no te oboo).[167]
But the Society Islanders did not regard the possession of a soul as a privilege peculiar to humanity. According to Captain Cook, "they maintain that not only all other animals, but trees, fruit, and even stones, have souls, which at death, or upon being consumed or broken, ascend to the divinity, with whom they first mix, and afterwards pass into the mansion allotted to each."[168] Their word for soul was varoua, according to Moerenhout, who adds that, "It appears that they accorded this varoua (spirit, soul) not only to man, but even in addition to the animals, to plants, to everything that vegetates, grows or moves on the earth."[169]
They thought that the soul of man could be separated for a time from the body during life without causing immediate death. Thus, like many other peoples, they explained dreams by the supposed absence of the soul during slumber. We are told that "they put great confidence in dreams, and suppose in sleep the soul leaves the body under the care of the guardian angel, and moves at large through the regions of spirits. Thus they say, My soul was such a night in such a place, and saw such a spirit. When a person dies, they say his soul is fled away, hārre pō, gone to night."[170] But they also believed that a man's soul or spirit could be conjured out of his body by magic art or demoniacal agency. Thus, when people had been robbed, they would sometimes call in the help of a priest to ascertain the thief. In such a case the priest, after offering prayers to his demon, would direct them to dig a hole in the floor of the house and to fill it with water; then, taking a young plantain in his hand, he would stand over the hole and pray to the god, whom he invoked, and who, if he were propitious, was supposed to conduct the spirit of the thief to the house and to place it over the water. The image of the spirit, which they believed to resemble the person of the man, was, according to their account, reflected in the water and perceived by the priest, who was thus able to identify the thief, alleging that the god had shown him the reflection of the culprit in the water.[171] From this it appears that in the opinion of the Society Islanders, as of many other peoples, a man's soul or spirit is a faithful image of his body.[172]
They believed that in the pangs of death the soul keeps fluttering about the lips, and that, when all is over, it ascends and mixes with or, as they expressed it, is eaten by the deity.[173] When one of their sacred recorders (harepo), who had been famous in his life for his knowledge of the ancient traditions, was at the point of death, it was customary for his son and successor to place his mouth over the mouth of the dying man, as if to inhale the parting soul at the moment of quitting the body; for in this way he was supposed to inherit the lore of his father. The natives, it is said, were convinced that these sages owed their learning to this expedient, though none the less they studied day and night to perfect themselves in their profession.[174]
Every disease was supposed to be the result of direct supernatural agency, and to be inflicted by the gods for some crime committed against the law of taboo of which the sufferer had been guilty; or it might have been brought upon him by an enemy, who had compassed his destruction by means of an offering. They explained death in like manner: according to them, it was invariably caused by the direct influence of the gods.[175] They acknowledged, indeed, that they possessed poisons which, taken with food, produced convulsions and death, but these effects they traced to the anger of the gods, who employed the drugs as their material agents or secondary causes. Even when a man was killed in battle, they still saw in his death the hand of a god, who had actually entered into the weapon that inflicted the fatal blow.[176]
The gods who were thus supposed to afflict human life with sickness and disease and to bring it to an untimely termination in death were not always nor perhaps usually the high primaeval deities; often they were the souls of the dead, who ranked among the domestic divinities (oromatuas). And, like the Maoris,[177] the natives of the Society Islands are said to have stood in particular fear of the souls of dead infants, who, angered at their mother for their too early death, took their revenge by sending sickness on the surviving members of the family. Hence when a woman was ill-treated by her husband, she would often threaten to insult the ghost of a dead baby; and this threat, with the deplorable consequences which it was calculated to entail, seldom failed to bring the husband to a better frame of mind; or if he happened to prove recalcitrant, the other members of the family, who might be involved in the calamity, would intercede and restore peace in the household. Thus we are told that among these islanders the fear of the dead supplied in some measure the place of natural affection and tenderness in softening and humanising the general manners.[178]