With the flaring candle shaded by his left hand, Edward Arundel examined the two chambers in the pavilion. There was very little to reward his scrutiny. The two small rooms were bare and cheerless. The repairs that had been executed had only gone so far as to make them tolerably inhabitable, and secure from wind and weather. The furniture was the same that Edward remembered having seen on his last visit to the Towers; for Mary had been fond of sitting in one of the little rooms, looking out at the slow river and the trembling rushes on the shore. There was no trace of recent occupation in the empty rooms, no ashes in the grates. The girl grinned maliciously as Mr. Arundel raised the light above his head, and looked about him. He walked in and out of the two rooms. He stared at the obsolete chairs, the rickety tables, the dilapidated damask curtains, flapping every now and then in the wind that rushed in through the crannies of the doors and windows. He looked here and there, like a man bewildered; much to the amusement of Miss Betsy Murrel, who, with her arms crossed, and her elbows in the palms of her moist hands, followed him backwards and forwards between the two small chambers.
"There was some one living here a week ago," he said; "some one who had the care of a––––"
He stopped suddenly. If he had guessed rightly at the dark secret, it was better that it should remain for ever hidden. This girl was perhaps more ignorant than himself. It was not for him to enlighten her.
"Do you know if anybody has lived here lately?" he asked.
Betsy Murrel shook her head.
"Nobody has lived here––not that oi knows of," she replied; "not to take their victuals, and such loike. Missus brings her work down sometimes, and sits in one of these here rooms, while Muster Poll does his pictur' paa–intin'; that's all oi knows of."
Edward went back to the painting–room, and set down his candle. The mystery of those empty chambers was no business of his. He began to think that his cousin Olivia was mad, and that her outbursts of terror and agitation had been only the raving of a mad woman, after all. There had been a great deal in her manner during the last year that had seemed like insanity. The presence of the child might have been purely accidental; and his cousin's wild vehemence only a paroxysm of insanity. He sighed as he left Miss Murrel to her scouring. The world seemed out of joint; and he, whose energetic nature fitted him for the straightening of crooked things, had no knowledge of the means by which it might be set right.
"Good–bye, lonely place," he said; "good–bye to the spot where my young wife first told me of her love."
He walked back to the cottage, where the bustle of packing and preparation was all over, and where Mr. Morrison was entertaining a select party of friends in the kitchen. Early the next morning Mr. Arundel and his servant left Lincolnshire; the key of Kemberling Retreat was given up to the landlord; and a wooden board, flapping above the dilapidated trellis–work of the porch, gave notice that the habitation was to be let.
All the county, or at least all that part of the county within a certain radius of Marchmont Towers, waited very anxiously for Mr. Paul Marchmont to make some move. The horsewhipping business had given quite a pleasant zest, a flavour of excitement, a dash of what it is the fashion nowadays to call "sensation," to the wind–up of the hunting breakfast. Poor Paul's thrashing had been more racy and appetising than the finest olives that ever grew, and his late guests looked forward to a great deal more excitement and "sensation" before the business was done with. Of course Paul Marchmont would do something. He must make a stir; and the sooner he made it the better. Matters would have to be explained. People expected to know the cause of Edward Arundel's enmity; and of course the new master of the Towers would see the propriety of setting himself right in the eyes of his influential acquaintance, his tenantry, and retainers; especially if he contemplated standing for Swampington at the next general election.
This was what people said to each other. The scene at the hunting–breakfast was a most fertile topic of conversation. It was almost as good as a popular murder, and furnished scandalous paragraphs ad infinitum for the provincial papers, most of them beginning, "It is understood––," or "It has been whispered in our hearing that––," or "Rochefoucault has observed that––." Everybody expected that Paul Marchmont would write to the papers, and that Edward Arundel would answer him in the papers; and that a brisk and stirring warfare would be carried on in printer's–ink––at least. But no line written by either of the gentlemen appeared in any one of the county journals; and by slow degrees it dawned upon people that there was no further amusement to be got out of Paul's chastisement, and that the master of the Towers meant to take the thing quietly, and to swallow the horrible outrage, taking care to hide any wry faces he made during that operation.
Yes; Paul Marchmont let the matter drop. The report was circulated that he was very ill, and had suffered from a touch of brain–fever, which kept him a victim to incessant delirium until after Mr. Arundel had left the county. This rumour was set afloat by Mr. Weston the surgeon; and as he was the only person admitted to his brother–in–law's apartment, it was impossible for any one to contradict his assertion.
The fox–hunting squires shrugged their shoulders; and I am sorry to say that the epithets, "hound," "cur," "sneak," and "mongrel," were more often applied to Mr. Marchmont than was consistent with Christian feeling on the part of the gentlemen who uttered them. But a man who can swallow a sound thrashing, administered upon his own door–step, has to contend with the prejudices of society, and must take the consequences of being in advance of his age.
So, while his new neighbours talked about him, Paul Marchmont lay in his splendid chamber, with the frisking youths and maidens staring at him all day long, and simpering at him with their unchanging faces, until he grew sick at heart, and began to loathe all this new grandeur, which had so delighted him a little time ago. He no longer laughed at the recollection of shabby Charlotte Street. He dreamt one night that he was back again in the old bedroom, with the painted deal furniture, and the hideous paper on the walls, and that the Marchmont–Towers magnificence had been only a feverish vision; and he was glad to be back in that familiar place, and was sorry on awaking to find that Marchmont Towers was a splendid reality.
There was only one faint red streak upon his shoulders, for the thrashing had not been a brutal one. It was disgrace Edward Arundel had wanted to inflict, not physical pain, the commonplace punishment with which a man corrects his refractory horse. The lash of the hunting–whip had done very little damage to the artist's flesh; but it had slashed away his manhood, as the sickle sweeps the flowers amidst the corn.
He could never look up again. The thought of going out of this house for the first time, and the horror of confronting the altered faces of his neighbours, was as dreadful to him as the anticipation of that awful exit from the Debtor's Door, which is the last step but one into eternity, must be to the condemned criminal.
"I shall go abroad," he said to his mother, when he made his appearance in the western drawing–room, a week after Edward's departure. "I shall go on the Continent, mother; I have taken a dislike to this place, since that savage attacked me the other day."
Mrs. Marchmont sighed.
"It will seem hard to lose you, Paul, now that you are rich. You were so constant to us through all our poverty; and we might be so happy together now."
The artist was walking up and down the room, with his hands in the pockets of his braided velvet coat. He knew that in the conventional costume of a well–bred gentleman he showed to a disadvantage amongst other men; and he affected a picturesque and artistic style of dress, whose brighter hues and looser outlines lighted up his pale face, and gave a grace to his spare figure.
"You think it worth something, then, mother?" he said presently, half kneeling, half lounging in a deep–cushioned easy chair near the table at which his mother sat. "You think our money is worth something to us? All these chairs and tables, this great rambling house, the servants who wait upon us, and the carriages we ride in, are worth something, are they not? they make us happier, I suppose. I know I always thought such things made up the sum of happiness when I was poor. I have seen a hearse going away from a rich man's door, carrying his cherished wife, or his only son, perhaps; and I've thought, 'Ah, but he has forty thousand a year!' You are happier here than you were in Charlotte Street, eh, mother?"
Mrs. Marchmont was a Frenchwoman by birth, though she had lived so long in London as to become Anglicised. She only retained a slight accent of her native tongue, and a good deal more vivacity of look and gesture than is common to Englishwomen. Her elder daughter was sitting on the other side of the broad fireplace. She was only a quieter and older likeness of Lavinia Weston.
"Am I happier?" exclaimed Mrs. Marchmont. "Need you ask me the question, Paul? But it is not so much for myself as for your sake that I value all this grandeur."
She held out her long thin hand, which was covered with rings, some old–fashioned and comparatively valueless, others lately purchased by her devoted son, and very precious. The artist took the shrunken fingers in his own, and raised them to his lips.
"I'm very glad that I've made you happy, mother," he said; "that's something gained, at any rate."
He left the fireplace, and walked slowly up and down the room, stopping now and then to look out at the wintry sky, or the flat expanse of turf below it; but he was quite a different creature to that which he had been before his encounter with Edward Arundel. The chairs and tables palled upon him. The mossy velvet pile of the new carpets seemed to him like the swampy ground of a morass. The dark–green draperies of Genoa velvet deepened into black with the growing twilight, and seemed as if they had been fashioned out of palls.
What was it worth, this fine house, with the broad flat before it? Nothing, if he had lost the respect and consideration of his neighbours. He wanted to be a great man as well as a rich one. He wanted admiration and flattery, reverence and esteem; not from poor people, whose esteem and admiration were scarcely worth having, but from wealthy squires, his equals or his superiors by birth and fortune. He ground his teeth at the thought of his disgrace. He had drunk of the cup of triumph, and had tasted the very wine of life; and at the moment when that cup was fullest, it had been snatched away from him by the ruthless hand of his enemy.
Christmas came, and gave Paul Marchmont a good opportunity of playing the country gentleman of the olden time. What was the cost of a couple of bullocks, a few hogsheads of ale, and a waggon–load of coals, if by such a sacrifice the master of the Towers could secure for himself the admiration due to a public benefactor? Paul gave carte blanche to the old servants; and tents were erected on the lawn, and monstrous bonfires blazed briskly in the frosty air; while the populace, who would have accepted the bounties of a new Nero fresh from the burning of a modern Rome, drank to the health of their benefactor, and warmed themselves by the unlimited consumption of strong beer.
Mrs. Marchmont and her invalid daughter assisted Paul in his attempt to regain the popularity he had lost upon the steps of the western terrace. The two women distributed square miles of flannel and blanketing amongst greedy claimants; they gave scarlet cloaks and poke–bonnets to old women; they gave an insipid feast, upon temperance principles, to the children of the National Schools. And they had their reward; for people began to say that this Paul Marchmont was a very noble fellow, after all, by Jove, sir and that fellow Arundel must have been in the wrong, sir; and no doubt Marchmont had his own reasons for not resenting the outrage, sir; and a great deal more to the like effect.
After this roasting of the two bullocks the wind changed altogether. Mr. Marchmont gave a great dinner–party upon New–Year's Day. He sent out thirty invitations, and had only two refusals. So the long dining–room was filled with all the notabilities of the district, and Paul held his head up once more, and rejoiced in his own grandeur. After all, one horsewhipping cannot annihilate a man with a fine estate and eleven thousand a year, if he knows how to make a splash with his money.
Olivia Marchmont shared in none of the festivals that were held. Her father was very ill this winter; and she spent a good deal of her time at Swampington Rectory, sitting in Hubert Arundel's room, and reading to him. But her presence brought very little comfort to the sick man; for there was something in his daughter's manner that filled him with inexpressible terror; and he would lie for hours together watching her blank face, and wondering at its horrible rigidity. What was it? What was the dreadful secret which had transformed this woman? He tormented himself perpetually with this question, but he could imagine no answer to it. He did not know the power which a master–passion has upon these strong–minded women, whose minds are strong because of their narrowness, and who are the bonden slaves of one idea. He did not know that in a breast which holds no pure affection the master–fiend Passion rages like an all–devouring flame, perpetually consuming its victim. He did not know that in these violent and concentrative natures the line that separates reason from madness is so feeble a demarcation, that very few can perceive the hour in which it is passed.
Olivia Marchmont had never been the most lively or delightful of companions. The tenderness which is the common attribute of a woman's nature had not been given to her. She ought to have been a great man. Nature makes these mistakes now and then, and the victim expiates the error. Hence comes such imperfect histories as that of English Elizabeth and Swedish Christina. The fetters that had bound Olivia's narrow life had eaten into her very soul, and cankered there. If she could have been Edward Arundel's wife, she would have been the noblest and truest wife that ever merged her identity into that of another, and lived upon the refracted glory of her husband's triumphs. She would have been a Rachel Russell, a Mrs. Hutchinson, a Lady Nithisdale, a Madame de Lavalette. She would have been great by reason of her power of self–abnegation; and there would have been a strange charm in the aspect of this fierce nature attuned to harmonise with its master's soul, all the barbaric discords melting into melody, all the harsh combinations softening into perfect music; just as in Mr. Buckstone's most poetic drama we are bewitched by the wild huntress sitting at the feet of her lord, and admire her chiefly because we know that only that one man upon all the earth could have had power to tame her. To any one who had known Olivia's secret, there could have been no sadder spectacle than this of her decay. The mind and body decayed together, bound by a mysterious sympathy. All womanly roundness disappeared from the spare figure, and Mrs. Marchmont's black dresses hung about her in loose folds. Her long, dead, black hair was pushed away from her thin face, and twisted into a heavy knot at the back of her head. Every charm that she had ever possessed was gone. The oldest women generally retain some traits of their lost beauty, some faint reflection of the sun that has gone down, to light up the soft twilight of age, and even glimmer through the gloom of death. But this woman's face retained no token of the past. No empty hull, with shattered bulwarks crumbled by the fury of fierce seas, cast on a desert shore to rot and perish there, was ever more complete a wreck than she was. Upon her face and figure, in every look and gesture, in the tone of every word she spoke, there was an awful something, worse than the seal of death. Little by little the miserable truth dawned upon Hubert Arundel. His daughter was mad! He knew this; but he kept the dreadful knowledge hidden in his own breast,––a hideous secret, whose weight oppressed him like an actual burden. He kept the secret; for it would have seemed to him the most cruel treason against his daughter to have confessed his discovery to any living creature, unless it should be absolutely necessary to do so. Meanwhile he set himself to watch Olivia, detaining her at the Rectory for a week together, in order that he might see her in all moods, under all phases.
He found that there were no violent or outrageous evidences of this mental decay. The mind had given way under the perpetual pressure of one set of thoughts. Hubert Arundel, in his ignorance of his daughter's secrets, could not discover the cause of her decadence; but that cause was very simple. If the body is a wonderful and complex machine which must not be tampered with, surely that still more complex machine the mind must need careful treatment. If such and such a course of diet is fatal to the body's health, may not some thoughts be equally fatal to the health of the brain? may not a monotonous recurrence of the same ideas be above all injurious? If by reason of the peculiar nature of a man's labour, he uses one limb or one muscle more than the rest, strange bosses rise up to testify to that ill usage, the idle limbs wither, and the harmonious perfection of Nature gives place to deformity. So the brain, perpetually pressed upon, for ever strained to its utmost tension by the wearisome succession of thoughts, becomes crooked and one–sided, always leaning one way, continually tripping up the wretched thinker.
John Marchmont's widow had only one set of ideas. On every subject but that one which involved Edward Arundel and his fortunes her memory had decayed. She asked her father the same questions––commonplace questions relating to his own comfort, or to simple household matters, twenty times a day, always forgetting that he had answered her. She had that impatience as to the passage of time which is one of the most painful signs of madness. She looked at her watch ten times an hour, and would wander out into the cheerless garden, indifferent to the bitter weather, in order to look at the clock in the church–steeple, under the impression that her own watch, and her father's, and all the time–keepers in the house, were slow.
She was sometimes restless, taking up one occupation after another, to throw all aside with equal impatience, and sometimes immobile for hours together. But as she was never violent, never in any way unreasonable, Hubert Arundel had not the heart to call science to his aid, and to betray her secret. The thought that his daughter's malady might be cured never entered his mind as within the range of possibility. There was nothing to cure; no delusions to be exorcised by medical treatment; no violent vagaries to be held in check by drugs and nostrums. The powerful intellect had decayed; its force and clearness were gone. No drugs that ever grew upon this earth could restore that which was lost.
This was the conviction which kept the Rector silent. It would have given him unutterable anguish to have told his daughter's secret to any living being; but he would have endured that misery if she could have been benefitted thereby. He most firmly believed that she could not, and that her state was irremediable.
"My poor girl!" he thought to himself; "how proud I was of her ten years ago! I can do nothing for her; nothing except to love and cherish her, and hide her humiliation from the world."
But Hubert Arundel was not allowed to do even this much for the daughter he loved; for when Olivia had been with him a little more than a week, Paul Marchmont and his mother drove over to Swampington Rectory one morning and carried her away with them. The Rector then saw for the first time that his once strong–minded daughter was completely under the dominion of these two people, and that they knew the nature of her malady quite as well as he did. He resisted her return to the Towers; but his resistance was useless. She submitted herself willingly to her new friends, declaring that she was better in their house than anywhere else. So she went back to her old suite of apartments, and her old servant Barbara waited upon her; and she sat alone in dead John Marchmont's study, listening to the January winds shrieking in the quadrangle, the distant rooks calling to each other amongst the bare branches of the poplars, the banging of the doors in the corridor, and occasional gusts of laughter from the open door of the dining–room,––while Paul Marchmont and his guests gave a jovial welcome to the new year.
While the master of the Towers re–asserted his grandeur, and made stupendous efforts to regain the ground he had lost, Edward Arundel wandered far away in the depths of Brittany, travelling on foot, and making himself familiar with the simple peasants, who were ignorant of his troubles. He had sent Mr. Morrison down to Dangerfield with the greater part of his luggage; but he had not the heart to go back himself––yet awhile. He was afraid of his mother's sympathy, and he went away into the lonely Breton villages, to try and cure himself of his great grief, before he began life again as a soldier. It was useless for him to strive against his vocation. Nature had made him a soldier, and nothing else; and wherever there was a good cause to be fought for, his place was on the battle–field.
Major Lawford and his blue–eyed daughters were not amongst those guests who accepted Paul Marchmont's princely hospitalities. Belinda Lawford had never heard the story of Edward's lost bride as he himself could have told it; but she had heard an imperfect version of the sorrowful history from Letitia, and that young lady had informed her friend of Edward's animus against the new master of the Towers.
"The poor dear foolish boy will insist upon thinking that Mr. Marchmont was at the bottom of it all," she had said in a confidential chat with Belinda, "somehow or other; but whether he was, or whether he wasn't, I'm sure I can't say. But if one attempts to take Mr. Marchmont's part with Edward, he does get so violent and go on so, that one's obliged to say all sorts of dreadful things about Mary's cousin for the sake of peace. But really, when I saw him one day in Kemberling, with a black velvet shooting–coat, and his beautiful smooth white hair and auburn moustache, I thought him most interesting. And so would you, Belinda, if you weren't so wrapped up in that doleful brother of mine."
Whereupon, of course, Miss Lawford had been compelled to declare that she was not "wrapped up" in Edward, whatever state of feeling that obscure phrase might signify; and to express, by the vehemence of her denial, that, if anything, she rather detested Miss Arundel's brother. By–the–by, did you ever know a young lady who could understand the admiration aroused in the breast of other young ladies for that most uninteresting object, a brother? Or a gentleman who could enter with any warmth of sympathy into his friend's feelings respecting the auburn tresses or the Grecian nose of "a sister"? Belinda Lawford, I say, knew something of the story of Mary Arundel's death, and she implored her father to reject all hospitalities offered by Paul Marchmont.
"You won't go to the Towers, papa dear?" she said, with her hands clasped upon her father's arm, her cheeks kindling, and her eyes filling with tears as she spoke to him; "you won't go and sit at Paul Marchmont's table, and drink his wine, and shake hands with him? I know that he had something to do with Mary Arundel's death. He had indeed, papa. I don't mean anything that the world calls crime; I don't mean any act of open violence. But he was cruel to her, papa; he was cruel to her. He tortured her and tormented her until she––" The girl paused for a moment, and her voice faltered a little. "Oh, how I wish that I had known her, papa," she cried presently, "that I might have stood by her, and comforted her, all through that sad time!"
The Major looked down at his daughter with a tender smile,––a smile that was a little significant, perhaps, but full of love and admiration.
"You would have stood by Arundel's poor little wife, my dear?" he said. "You would stand by her now, if she were alive, and needed your friendship?"
"I would indeed, papa," Miss Lawford answered resolutely.
"I believe it, my dear; I believe it with all my heart. You are a good girl, my Linda; you are a noble girl. You are as good as a son to me, my dear."
Major Lawford was silent for a few moments, holding his daughter in his arms and pressing his lips upon her broad forehead.
"You are fit to be a soldier's daughter, my darling," he said, "or––or a soldier's wife."
He kissed her once more, and then left her, sighing thoughtfully as he went away.
This is how it was that neither Major Lawford nor any of his family were present at those splendid entertainments which Paul Marchmont gave to his new friends. Mr. Marchmont knew almost as well as the Lawfords themselves why they did not come, and the absence of them at his glittering board made his bread bitter to him and his wine tasteless. He wanted these people as much as the others,––more than the others, perhaps, for they had been Edward Arundel's friends; and he wanted them to turn their backs upon the young man, and join in the general outcry against his violence and brutality. The absence of Major Lawford at the lighted banquet–table tormented this modern rich man as the presence of Mordecai at the gate tormented Haman. It was not enough that all the others should come if these stayed away, and by their absence tacitly testified to their contempt for the master of the Towers.
He met Belinda sometimes on horseback with the old grey–headed groom behind her, a fearless young amazon, breasting the January winds, with her blue eyes sparkling, and her auburn hair blowing away from her candid face: he met her, and looked out at her from the luxurious barouche in which it was his pleasure to loll by his mother's side, half–buried amongst soft furry rugs and sleek leopard–skins, making the chilly atmosphere through which he rode odorous with the scent of perfumed hair, and smiling over cruelly delicious criticisms in newly–cut reviews. He looked out at this fearless girl whose friends so obstinately stood by Edward Arundel; and the cold contempt upon Miss Lawford's face cut him more keenly than the sharpest wind of that bitter January.
Then he took counsel with his womankind; not telling them his thoughts, fears, doubts, or wishes––it was not his habit to do that––but taking their ideas, and only telling them so much as it was necessary for them to know in order that they might be useful to him. Paul Marchmont's life was regulated by a few rules, so simple that a child might have learned them; indeed I regret to say that some children are very apt pupils in that school of philosophy to which the master of Marchmont Towers belonged, and cause astonishment to their elders by the precocity of their intelligence. Mr. Marchmont might have inscribed upon a very small scrap of parchment the moral maxims by which he regulated his dealings with mankind.
"Always conciliate," said this philosopher. "Never tell an unnecessary lie. Be agreeable and generous to those who serve you. N.B. No good carpenter would allow his tools to get rusty. Make yourself master of the opinions of others, but hold your own tongue. Seek to obtain the maximum of enjoyment with the minimum of risk."
Such golden saws as these did Mr. Marchmont make for his own especial guidance; and he hoped to pass smoothly onwards upon the railway of life, riding in a first–class carriage, on the greased wheels of a very easy conscience. As for any unfortunate fellow–travellers pitched out of the carriage–window in the course of the journey, or left lonely and helpless at desolate stations on the way, Providence, and not Mr. Marchmont, was responsible for their welfare. Paul had a high appreciation of Providence, and was fond of talking––very piously, as some people said; very impiously, as others secretly thought––about the inestimable Wisdom which governed all the affairs of this lower world. Nowhere, according to the artist, had the hand of Providence been more clearly visible than in this matter about Paul's poor little cousin Mary. If Providence had intended John Marchmont's daughter to be a happy bride, a happy wife, the prosperous mistress of that stately habitation, why all that sad business of old Mr. Arundel's sudden illness, Edward's hurried journey, the railway accident, and all the complications that had thereupon arisen? Nothing would have been easier than for Providence to have prevented all this; and then he, Paul, would have been still in Charlotte Street, Fitzroy Square, patiently waiting for a friendly lift upon the high–road of life. Nobody could say that he had ever been otherwise than patient. Nobody could say that he had ever intruded himself upon his rich cousins at the Towers, or had been heard to speculate upon his possible inheritance of the estate; or that he had, in short, done any thing but that which the best, truest, most conscientious and disinterested of mankind should do.
In the course of that bleak, frosty January, Mr. Marchmont sent his mother and his sister Lavinia to make a call at the Grange. The Grange people had never called upon Mrs. Marchmont; but Paul did not allow any flimsy ceremonial law to stand in his way when he had a purpose to achieve. So the ladies went to the Grange, and were politely received; for Miss Lawford and her mother were a great deal too innocent and noble–minded to imagine that these pale–faced, delicate–looking women could have had any part, either directly or indirectly, in that cruel treatment which had driven Edward's young wife from her home. Mrs. Marchmont and Mrs. Weston were kindly received, therefore; and in a little conversation with Belinda about birds, and dahlias, and worsted work, and the most innocent subjects imaginable, the wily Lavinia contrived to lead up to Miss Letitia Arundel, and thence, by the easiest conversational short–cut, to Edward and his lost wife. Mrs. Weston was obliged to bring her cambric handkerchief out of her muff when she talked about her cousin Mary; but she was a clever woman, and she had taken to heart Paul's pet maxim about the folly of unnecessary lies; and she was so candid as to entirely disarm Miss Lawford, who had a schoolgirlish notion that every kind of hypocrisy and falsehood was outwardly visible in a servile and slavish manner. She was not upon her guard against those practised adepts in the art of deception, who have learnt to make that subtle admixture of truth and falsehood which defies detection; like some fabrics in whose woof silk and cotton are so cunningly blended that only a practised eye can discover the inferior material.
So when Lavinia dried her eyes and put her handkerchief back in her muff, and said, betwixt laughing and crying,––
"Now you know, my dear Miss Lawford, you mustn't think that I would for a moment pretend to be sorry that my brother has come into this fortune. Of course any such pretence as that would be ridiculous, and quite useless into the bargain, as it isn't likely anybody would believe me. Paul is a dear, kind creature, the best of brothers, the most affectionate of sons, and deserves any good fortune that could fall to his lot; but I am truly sorry for that poor little girl. I am truly sorry, believe me, Miss Lawford; and I only regret that Mr. Weston and I did not come to Kemberling sooner, so that I might have been a friend to the poor little thing; for then, you know, I might have prevented that foolish runaway match, out of which almost all the poor child's troubles arose. Yes, Miss Lawford; I wish I had been able to befriend that unhappy child, although by my so doing Paul would have been kept out of the fortune he now enjoys––for some time, at any rate. I say for some time, because I do not believe that Mary Marchmont would have lived to be old, under the happiest circumstances. Her mother died very young; and her father, and her father's father, were consumptive."
Then Mrs. Weston took occasion, incidentally of course, to allude to her brother's goodness; but even then she was on her guard, and took care not to say too much.
"The worst actors are those who over–act their parts." That was another of Paul Marchmont's golden maxims.
"I don't know what my brother may be to the rest of the world," Lavinia said; "but I know how good he is to those who belong to him. I should be ashamed to tell you all he has done for Mr. Weston and me. He gave me this cashmere shawl at the beginning of the winter, and a set of sables fit for a duchess; though I told him they were not at all the thing for a village surgeon's wife, who keeps only one servant, and dusts her own best parlour."
And Mrs. Marchmont talked of her son; with no loud enthusiasm, but with a tone of quiet conviction that was worth any money to Paul. To have an innocent person, some one not in the secret, to play a small part in the comedy of his life, was a desideratum with the artist. His mother had always been this person, this unconscious performer, instinctively falling into the action of the play, and shedding real tears, and smiling actual smiles,––the most useful assistant to a great schemer.
But during the whole of the visit nothing was said as to Paul's conduct towards his unhappy cousin; nothing was said either to praise or to exculpate; and when Mrs. Marchmont and her daughter drove away, in one of the new equipages which Paul had selected for his mother, they left only a vague impression in Belinda's breast. She didn't quite know what to think. These people were so frank and candid, they had spoken of Paul with such real affection, that it was almost impossible to doubt them. Paul Marchmont might be a bad man, but his mother and sister loved him, and surely they were ignorant of his wickedness.
Mrs. Lawford troubled herself very little about this unexpected morning call. She was an excellent, warm–hearted, domestic creature, and thought a great deal more about the grand question as to whether she should have new damask curtains for the drawing–room, or send the old ones to be dyed; or whether she should withdraw her custom from the Kemberling grocer, whose "best black" at four–and–sixpence was really now so very inferior; or whether Belinda's summer silk dress could be cut down into a frock for Isabella to wear in the winter evenings,––than about the rights or wrongs of that story of the horsewhipping which had been administered to Mr. Marchmont.
"I'm sure those Marchmont–Towers people seem very nice, my dear," the lady said to Belinda; "and I really wish your papa would go and dine there. You know I like him to dine out a good deal in the winter, Linda; not that I want to save the housekeeping money,––only it is so difficult to vary the side–dishes for a man who has been accustomed to mess–dinners, and a French cook."
But Belinda stuck fast to her colours. She was a soldier's daughter, as her father said, and she was almost as good as a son. The Major meant this latter remark for very high praise; for the great grief of his life had been the want of a boy's brave face at his fireside. She was as good as a son; that is to say, she was braver and more outspoken than most women; although she was feminine and gentle withal, and by no means strong–minded. She would have fainted, perhaps, at the first sight of blood upon a battle–field; but she would have bled to death with the calm heroism of a martyr, rather than have been false to a noble cause.
"I think papa is quite right not to go to Marchmont Towers, mamma," she said; the artful minx omitted to state that it was by reason of her entreaties her father had stayed away. "I think he is quite right. Mrs. Marchmont and Mrs. Weston may be very nice, and of course it isn't likely they would be cruel to poor young Mrs. Arundel; but I know that Mr. Marchmont must have been unkind to that poor girl, or Mr. Arundel would never have done what he did."
It is in the nature of good and brave men to lay down their masculine rights when they leave their hats in the hall, and to submit themselves meekly to feminine government. It is only the whippersnapper, the sneak, the coward out of doors who is a tyrant at home. See how meekly the Conqueror of Italy went home to his charming Creole wife! See how pleasantly the Liberator of Italy lolls in the carriage of his golden–haired Empress, when the young trees in that fair wood beyond the triumphal arch are green in the bright spring weather, and all the hired vehicles in Paris are making towards the cascade! Major Lawford's wife was too gentle, and too busy with her store–room and her domestic cares, to tyrannise over her lord and master; but the Major was duly henpecked by his blue–eyed daughters, and went here and there as they dictated.
So he stayed away from Marchmont Towers to please Belinda; and only said, "Haw," "Yes," "'Pon my honour, now!" "Bless my soul!" when his friends told him of the magnificence of Paul's dinners.
But although the Major and his eldest daughter did not encounter Mr. Marchmont in his own house, they met him sometimes on the neutral ground of other people's dining–rooms, and upon one especial evening at a pleasant little dinner–party given by the rector of the parish in which the Grange was situated.
Paul made himself particularly agreeable upon this occasion; but in the brief interval before dinner he was absorbed in a conversation with Mr. Davenant, the rector, upon the subject of ecclesiastical architecture,––he knew everything, and could talk about everything, this dear Paul,––and made no attempt to approach Miss Lawford. He only looked at her now and then, with a furtive, oblique glance out of his almond–shaped, pale–grey eyes; a glance that was wisely hidden by the light auburn lashes, for it had an unpleasant resemblance to the leer of an evil–natured sprite. Mr. Marchmont contented himself with keeping this furtive watch upon Belinda, while she talked gaily with the Rector's two daughters in a pleasant corner near the piano. And as the artist took Mrs. Davenant down to the dining–room, and sat next her at dinner, he had no opportunity of fraternising with Belinda during that meal; for the young lady was divided from him by the whole length of the table and, moreover, very much occupied by the exclusive attentions of two callow–looking officers from the nearest garrison–town, who were afflicted with extreme youth, and were painfully conscious of their degraded state, but tried notwithstanding to carry it off with a high hand, and affected the opinions of used–up fifty.
Mr. Marchmont had none of his womankind with him at this dinner; for his mother and invalid sister had neither of them felt strong enough to come, and Mr. and Mrs. Weston had not been invited. The artist's special object in coming to this dinner was the conquest of Miss Belinda Lawford: she sided with Edward Arundel against him: she must be made to believe Edward wrong, and himself right; or she might go about spreading her opinions, and doing him mischief. Beyond that, he had another idea about Belinda; and he looked to this dinner as likely to afford him an opportunity of laying the foundation of a very diplomatic scheme, in which Miss Lawford should unconsciously become his tool. He was vexed at being placed apart from her at the dinner–table, but he concealed his vexation; and he was aggravated by the Rector's old–fashioned hospitality, which detained the gentlemen over their wine for some time after the ladies left the dining–room. But the opportunity that he wanted came nevertheless, and in a manner that he had not anticipated.
The two callow defenders of their country had sneaked out of the dining–room, and rejoined the ladies in the cosy countrified drawing–rooms. They had stolen away, these two young men; for they were oppressed by the weight of a fearful secret. They couldn't drink claret! No; they had tried to like it; they had smacked their lips and winked their eyes––both at once, for even winking with one eye is an accomplishment scarcely compatible with extreme youth––over vintages that had seemed to them like a happy admixture of red ink and green–gooseberry juice. They had perjured their boyish souls with hideous falsehoods as to their appreciation of pale tawny port, light dry wines, '42–ports, '45–ports, Kopke Roriz, Thompson and Croft's, and Sandemann's; when, in the secret recesses of their minds, they affected sweet and "slab" compounds, sold by publicans, and facetiously called "Our prime old port, at four–and–sixpence." They were very young, these beardless soldiers. They liked strawberry ices, and were on the verge of insolvency from a predilection for clammy bath–buns, jam–tarts, and cherry–brandy. They liked gorgeous waistcoats; and varnished boots in a state of virgin brilliancy; and little bouquets in their button–holes; and a deluge of millefleurs upon their flimsy handkerchiefs. They were very young. The men they met at dinner–parties to–day had tipped them at Eton or Woolwich only yesterday, as it seemed, and remembered it and despised them. It was only a few months since they had been snubbed for calling the Douro a mountain in Switzerland, and the Himalayas a cluster of islands in the Pacific, at horrible examinations, in which the cold perspiration had bedewed their pallid young cheeks. They were delighted to get away from those elderly creatures in the Rector's dining–room to the snug little back drawing–room, where Belinda Lawford and the two Misses Davenant were murmuring softly in the firelight, like young turtles in a sheltered dove–cote; while the matrons in the larger apartment sipped their coffee, and conversed in low awful voices about the iniquities of housemaids, and the insubordination of gardeners and grooms.
Belinda and her two companions were very polite to the helpless young wanderers from the dining–room; and they talked pleasantly enough of all manner of things; until somehow or other the conversation came round to the Marchmont–Towers scandal, and Edward's treatment of his lost wife's kinsman.
One of the young men had been present at the hunting–breakfast on that bright October morning, and he was not a little proud of his superior acquaintance with the whole business.
"I was the–aw, Miss Lawford," he said. "I was on the tew–wace after bweakfast,––and a vewy excellent bweakfast it was, I ass–haw you; the still Moselle was weally admiwable, and Marchmont has some Medewa that immeasuwably surpasses anything I can indooce my wine–merchant to send me;––I was on the tew–wace, and I saw Awundel comin' up the steps, awful pale, and gwasping his whip; and I was a witness of all the west that occurred; and if I had been Marchmont I should have shot Awundel befaw he left the pawk, if I'd had to swing for it, Miss Lawford; for I should have felt, b'Jove, that my own sense of honaw demanded the sacwifice. Howevaw, Marchmont seems a vewy good fella; so I suppose it's all wight as far as he goes; but it was a bwutal business altogethaw, and that fella Awundel must be a scoundwel."
Belinda could not bear this. She had borne a great deal already. She had been obliged to sit by very often, and hear Edward Arundel's conduct discussed by Thomas, Richard, and Henry, or anybody else who chose to talk about it; and she had been patient, and had held her peace, with her heart bumping indignantly in her breast, and passionate crimson blushes burning her cheeks. But she could not submit to hear a beardless, pale–faced, and rather weak–eyed young ensign––who had never done any greater service for his Queen and country than to cry "SHUDDRUPH!" to a detachment of raw recruits in a barrack–yard, in the early bleakness of a winter's morning––take upon himself to blame Edward Arundel, the brave soldier, the noble Indian hero, the devoted lover and husband, the valiant avenger of his dead wife's wrongs.
"I don't think you know anything of the real story, Mr. Palliser," Belinda said boldly to the half–fledged ensign. "If you did, I'm sure you would admire Mr. Arundel's conduct instead of blaming it. Mr. Marchmont fully deserved the disgrace which Edward––which Mr. Arundel inflicted upon him."
The words were still upon her lips, when Paul Marchmont himself came softly through the flickering firelight to the low chair upon which Belinda sat. He came behind her, and laying his hand lightly upon the scroll–work at the back of her chair, bent over her, and said, in a low confidential voice,––
"You are a noble girl, Miss Lawford. I am sorry that you should think ill of me: but I like you for having spoken so frankly. You are a most noble girl. You are worthy to be your father's daughter."
This was said with a tone of suppressed emotion; but it was quite a random shot. Paul didn't know anything about the Major, except that he had a comfortable income, drove a neat dog–cart, and was often seen riding on the flat Lincolnshire roads with his eldest daughter. For all Paul knew to the contrary, Major Lawford might have been the veriest bully and coward who ever made those about him miserable; but Mr. Marchmont's tone as good as expressed that he was intimately acquainted with the old soldier's career, and had long admired and loved him. It was one of Paul's happy inspirations, this allusion to Belinda's father; one of those bright touches of colour laid on with a skilful recklessness, and giving sudden brightness to the whole picture; a little spot of vermilion dabbed upon the canvas with the point of the palette–knife, and lighting up all the landscape with sunshine.
"You know my father?" said Belinda, surprised.
"Who does not know him?" cried the artist. "Do you think, Miss Lawford, that it is necessary to sit at a man's dinner–table before you know what he is? I know your father to be a good man and a brave soldier, as well as I know that the Duke of Wellington is a great general, though I never dined at Apsley House. I respect your father, Miss Lawford; and I have been very much distressed by his evident avoidance of me and mine."
This was coming to the point at once. Mr. Marchmont's manner was candour itself. Belinda looked at him with widely–opened, wondering eyes. She was looking for the evidence of his wickedness in his face. I think she half–expected that Mr. Marchmont would have corked eyebrows, and a slouched hat, like a stage ruffian. She was so innocent, this simple young Belinda, that she imagined wicked people must necessarily look wicked.
Paul Marchmont saw the wavering of her mind in that half–puzzled expression, and he went on boldly.
"I like your father, Miss Lawford," he said; "I like him, and I respect him; and I want to know him. Other people may misunderstand me, if they please. I can't help their opinions. The truth is generally strongest in the end; and I can afford to wait. But I cannot afford to forfeit the friendship of a man I esteem; I cannot afford to be misunderstood by your father, Miss Lawford; and I have been very much pained––yes, very much pained––by the manner in which the Major has repelled my little attempts at friendliness."
Belinda's heart smote her. She knew that it was her influence that had kept her father away from Marchmont Towers. This young lady was very conscientious. She was a Christian, too; and a certain sentence touching wrongful judgments rose up against her while Mr. Marchmont was speaking. If she had wronged this man; if Edward Arundel has been misled by his passionate grief for Mary; if she had been deluded by Edward's error,––how very badly Mr. Marchmont had been treated between them! She didn't say anything, but sat looking thoughtfully at the fire; and Paul saw that she was more and more perplexed. This was just what the artist wanted. To talk his antagonist into a state of intellectual fog was almost always his manner of commencing an argument.
Belinda was silent, and Paul seated himself in a chair close to hers. The callow ensigns had gone into the lamp–lit front drawing–room, and were busy turning over the leaves––and never turning them over at the right moment––of a thundering duet which the Misses Davenant were performing for the edification of their papa's visitors. Miss Lawford and Mr. Marchmont were alone, therefore, in that cosy inner chamber, and a very pretty picture they made: the rosy–cheeked girl and the pale, sentimental–looking artist sitting side by side in the glow of the low fire, with a background of crimson curtains and gleaming picture–frames; winter flowers piled in grim Indian jars; the fitful light flickering now and then upon one sharp angle of the high carved mantelpiece, with all its litter of antique china; and the rest of the room in sombre shadow. Paul had the field all to himself, and felt that victory would be easy. He began to talk about Edward Arundel.
If he had said one word against the young soldier, I think this impetuous girl, who had not yet learned to count the cost of what she did, would have been passionately eloquent in defence of her friend's brother––for no other reason than that he was the brother of her friend, of course; what other reason should she have for defending Mr. Arundel?
But Paul Marchmont did not give her any occasion for indignation. On the contrary, he spoke in praise of the hot–headed young soldier who had assaulted him, making all manner of excuses for the young man's violence, and using that tone of calm superiority with which a man of the world might naturally talk about a foolish boy.
"He has been very unreasonable, Miss Lawford," Paul said by–and–by; "he has been very unreasonable, and has most grossly insulted me. But, in spite of all, I believe him to be a very noble young fellow, and I cannot find it in my heart to be really angry with him. What his particular grievance against me may be, I really do not know."
The furtive glance from the long narrow grey eyes kept close watch upon Belinda's face as Paul said this. Mr. Marchmont wanted to ascertain exactly how much Belinda knew of that grievance of Edward's; but he could see only perplexity in her face. She knew nothing definite, therefore; she had only heard Edward talk vaguely of his wrongs. Paul Marchmont was convinced of this; and he went on boldly now, for he felt that the ground was all clear before him.
"This foolish young soldier chooses to be angry with me because of a calamity which I was as powerless to avert, as to prevent that accident upon the South–Western Railway by which Mr. Arundel so nearly lost his life. I cannot tell you how sincerely I regret the misconception that has arisen in his mind. Because I have profited by the death of John Marchmont's daughter, this impetuous young husband imagines––what? I cannot answer that question; nor can he himself, it seems, since he has made no definite statement of his wrongs to any living being."
The artist looked more sharply than ever at Belinda's listening face. There was no change in its expression; the same wondering look, the same perplexity,––that was all.
"When I say that I regret the young man's folly, Miss Lawford," Paul continued, "believe me, it is chiefly on his account rather than my own. Any insult which he can inflict upon me can only rebound upon himself, since everybody in Lincolnshire knows that I am in the right, and he in the wrong."
Mr. Marchmont was going on very smoothly; but at this point Miss Lawford, who had by no means deserted her colours, interrupted his easy progress.
"It remains to be proved who is right and who wrong, Mr. Marchmont," she said. "Mr. Arundel is the brother of my friend. I cannot easily believe him to have done wrong."
Paul looked at her with a smile––a smile that brought hot blushes to her face; but she returned his look without flinching. The brave girl looked full into the narrow grey eyes sheltered under pale auburn lashes, and her steadfast gaze did not waver.
"Ah, Miss Lawford," said the artist, still smiling, "when a young man is handsome, chivalrous, and generous–hearted, it is very difficult to convince a woman that he can do wrong. Edward Arundel has done wrong. His ultra–quixotism has made him blind to the folly of his own acts. I can afford to forgive him. But I repeat that I regret his infatuation about this poor lost girl far more upon his account than on my own; for I know––at least I venture to think––that a way lies open to him of a happier and a better life than he could ever have known with my poor childish cousin Mary Marchmont. I have reason to know that he has formed another attachment, and that it is only a chivalrous delusion about that poor girl––whom he was never really in love with, and whom he only married because of some romantic notion inspired by my cousin John––that withholds him from that other and brighter prospect."
He was silent for a few moments, and then he said hastily,––
"Pardon me, Miss Lawford; I have been betrayed into saying much that I had better have left unsaid, more especially to you. I––––"
He hesitated a little, as if embarrassed; and then rose and looked into the next room, where the duet had been followed by a solo.
One of the Rector's daughters came towards the inner drawing–room, followed by a callow ensign.
"We want Belinda to sing," exclaimed Miss Davenant. "We want you to sing, you tiresome Belinda, instead of hiding yourself in that dark room all the evening."
Belinda came out of the darkness, with her cheeks flushed and her eyelids drooping. Her heart was beating so fast as to make it quite impossible to speak just yet, or to sing either. But she sat down before the piano, and, with hands that trembled in spite of herself, began to play one of her pet sonatas.
Unhappily, Beethoven requires precision of touch in the pianist who is bold enough to seek to interpret him; and upon this occasion I am compelled to admit that Miss Lawford's fingering was eccentric, not to say ridiculous,––in common parlance, she made a mess of it; and just as she was going to break down, friendly Clara Davenant cried out,––
"That won't do, Belinda! We want you to sing, not to play. You are trying to cheat us. We would rather have one of Moore's melodies than all Beethoven's sonatas."
So Miss Lawford, still blushing, with her eyelids still drooping, played Sir John Stevenson's simple symphony, and in a fresh swelling voice, that filled the room with melody, began:
"Oh, the days are gone when beauty bright
My heart's chain wove;
When my dream of life, from morn till night,
Was love, still love!"
And Paul Marchmont, sitting at the other end of the room turning over Miss Davenant's scrap–book, looked up through his auburn lashes, and smiled at the beaming face of the singer. He felt that he had improved the occasion.
"I am not afraid of Miss Lawford now," he thought to himself.
This candid, fervent girl was only another piece in the schemer's game of chess; and he saw a way of making her useful in the attainment of that great end which, in the strange simplicity of cunning, he believed to be the one purpose of every man's life,––Self–Aggrandisement.
It never for a moment entered into his mind that Edward Arundel was any more real than he was himself. There can be no perfect comprehension where there is no sympathy. Paul believed that Edward had tried to become master of Mary Marchmont's heritage; and had failed; and was angry because of his failure. He believed this passionate young man to be a schemer like himself; only a little more impetuous and blundering in his manner of going to work.
The March winds were blowing amongst the oaks in Dangerfield Park, when Edward Arundel went back to the house which had never been his home since his boyhood. He went back because he had grown weary of lonely wanderings in that strange Breton country. He had grown weary of himself and of his own thoughts. He was worn out by the eager desire that devoured him by day and by night,––the passionate yearning to be far away beyond that low Eastern horizon line; away amid the carnage and riot of an Indian battle–field.
So he went back at last to his mother, who had written to him again and again, imploring him to return to her, and to rest, and to be happy in the familiar household where he was beloved. He left his luggage at the little inn where the coach that had brought him from Exeter stopped, and then he walked quietly homewards in the gloaming. The early spring evening was bleak and chill. The blacksmith's fire roared at him as he went by the smithy. All the lights in the queer latticed windows twinkled and blinked at him, as if in friendly welcome to the wanderer. He remembered them all: the quaint, misshapen, lopsided roofs; the tumble–down chimneys; the low doorways, that had sunk down below the level of the village street, until all the front parlours became cellars, and strange pedestrians butted their heads against the flower–pots in the bedroom windows; the withered iron frame and pitiful oil–lamp hung out at the corner of the street, and making a faint spot of feeble light upon the rugged pavement; mysterious little shops in diamond–paned parlour windows, where Dutch dolls and stationery, stale gingerbread and pickled cabbage, were mixed up with wooden pegtops, squares of yellow soap, rickety paper kites, green apples, and string; they were all familiar to him.
It had been a fine thing once to come into this village with Letitia, and buy stale gingerbread and rickety kites of a snuffy old pensioner of his mother's. The kites had always stuck in the upper branches of the oaks, and the gingerbread had invariably choked him; but with the memory of the kites and gingerbread came back all the freshness of his youth, and he looked with a pensive tenderness at the homely little shops, the merchandise flickering in the red firelight, that filled each quaint interior with a genial glow of warmth and colour.
He passed unquestioned by a wicket at the side of the great gates. The firelight was rosy in the windows of the lodge, and he heard a woman's voice singing a monotonous song to a sleepy child. Everywhere in this pleasant England there seemed to be the glow of cottage–fires, and friendliness, and love, and home. The young man sighed as he remembered that great stone mansion far away in dismal Lincolnshire, and thought how happy he might have been in this bleak spring twilight, if he could have sat by Mary Marchmont's side in the western drawing–room, watching the firelight and the shadows trembling on her fair young face.
It never had been; and it never was to be. The happiness of a home; the sweet sense of ownership; the delight of dispensing pleasure to others; all the simple domestic joys which make life beautiful,––had never been known to John Marchmont's daughter, since that early time in which she shared her father's lodging in Oakley Street, and went out in the cold December morning to buy rolls for Edward Arundel's breakfast. From the bay–window of his mother's favourite sitting–room the same red light that he had seen in every lattice in the village streamed out upon the growing darkness of the lawn. There was a half–glass door leading into a little lobby near this sitting–room. Edward Arundel opened it and went in, very quietly. He expected to find his mother and his sister in the room with the bay–window.
The door of this familiar apartment was ajar; he pushed it open, and went in. It was a very pretty room, and all the womanly litter of open books and music, needlework and drawing materials, made it homelike. The firelight flickered upon everything––on the pictures and picture–frames, the black oak paneling, the open piano, a cluster of snowdrops in a tall glass on the table, the scattered worsteds by the embroidery–frame, the sleepy dogs upon the hearth–rug. A young lady stood in the bay–window with her back to the fire. Edward Arundel crept softly up to her, and put his arm round her waist.
"Letty!"
It was not Letitia, but a young lady with very blue eyes, who blushed scarlet, and turned upon the young man rather fiercely; and then recognising him, dropped into the nearest chair and began to tremble and grow pale.
"I am sorry I startled you, Miss Lawford," Edward said, gently; "I really thought you were my sister. I did not even know that you were here."
"No, of course not. I––you didn't startle me much, Mr. Arundel; only you were not expected home. I thought you were far away in Brittany. I had no idea that there was any chance of your returning. I thought you meant to be away all the summer––Mrs. Arundel told me so."
Belinda Lawford said all this in that fresh girlish voice which was familiar to Mr. Arundel; but she was still very pale, and she still trembled a little, and there was something almost apologetic in the way in which she assured Edward that she had believed he would be abroad throughout the summer. It seemed almost as if she had said: "I did not come here because I thought I should see you. I had no thought or hope of meeting you."
But Edward Arundel was not a coxcomb, and he was very slow to understand any such signs as these. He saw that he had startled the young lady, and that she had turned pale and trembled as she recognised him; and he looked at her with a half–wondering, half–pensive expression in his face.
She blushed as he looked at her. She went to the table and began to gather together the silks and worsteds, as if the arrangement of her workbasket were a matter of vital importance, to be achieved at any sacrifice of politeness. Then, suddenly remembering that she ought to say something to Mr. Arundel, she gave evidence of the originality of her intellect by the following remark:
"How surprised Mrs. Arundel and Letitia will be to see you!"
Even as she said this her eyes were still bent upon the skeins of worsted in her hand.
"Yes; I think they will be surprised. I did not mean to come home until the autumn. But I got so tired of wandering about a strange country alone. Where are they––my mother and Letitia?"
"They have gone down the village, to the school. They will be back to tea. Your brother is away; and we dine at three o'clock, and drink tea at eight. It is so much pleasanter than dining late."
This was quite an effort of genius; and Miss Lawford went on sorting the skeins of worsted in the firelight. Edward Arundel had been standing all this time with his hat in his hand, almost as if he had been a visitor making a late morning call upon Belinda; but he put his hat down now, and seated himself near the table by which the young lady stood, busy with the arrangement of her workbasket.
Her heart was beating very fast, and she was straining her arithmetical powers to the uttermost, in the endeavour to make a very abstruse calculation as to the time in which Mrs. Arundel and Letitia could walk to the village schoolhouse and back to Dangerfield, and the delay that might arise by reason of sundry interruptions from obsequious gaffers and respectful goodies, eager for a word of friendly salutation from their patroness.
The arrangement of the workbasket could not last for ever. It had become the most pitiful pretence by the time Miss Lawford shut down the wicker lid, and seated herself primly in a low chair by the fireplace. She sat looking down at the fire, and twisting a slender gold chain in and out between her smooth white fingers. She looked very pretty in that fitful firelight, with her waving brown hair pushed off her forehead, and her white eyelids hiding the tender blue eyes. She sat twisting the chain in her fingers, and dared not lift her eyes to Mr. Arundel's face; and if there had been a whole flock of geese in the room, she could not have said "Bo!" to one of them.
And yet she was not a stupid girl. Her father could have indignantly refuted any such slander as that against the azure–eyed Hebe who made his home pleasant to him. To the Major's mind Belinda was all that man could desire in the woman of his choice, whether as daughter or wife. She was the bright genius of the old man's home, and he loved her with that chivalrous devotion which is common to brave soldiers, who are the simplest and gentlest of men when you chain them to their firesides, and keep them away from the din of the camp and the confusion of the transport–ship.
Belinda Lawford was clever; but only just clever enough to be charming. I don't think she could have got through "Paradise Lost," or Gibbon's "Decline and Fall," or a volume by Adam Smith or McCulloch, though you had promised her a diamond necklace when she came conscientiously to "Finis." But she could read Shakespeare for the hour together, and did read him aloud to her father in a fresh, clear voice, that was like music on the water. And she read Macaulay's "History of England," with eyes that kindled with indignation against cowardly, obstinate James, or melted with pity for poor weak foolish Monmouth, as the case might be. She could play Mendelssohn and Beethoven,––plaintive sonatas; tender songs, that had no need of words to expound the mystic meaning of the music. She could sing old ballads and Irish melodies, that thrilled the souls of those who heard her, and made hard men pitiful to brazen Hibernian beggars in the London streets for the memory of that pensive music. She could read the leaders in the "Times," with no false quantities in the Latin quotations, and knew what she was reading about; and had her favourites at St. Stephen's; and adored Lord Palmerston, and was liberal to the core of her tender young heart. She was as brave as a true Englishwoman should be, and would have gone to the wars with her old father, and served him as his page; or would have followed him into captivity, and tended him in prison, if she had lived in the days when there was such work for a high–spirited girl to do.
But she sat opposite Mr. Edward Arundel, and twisted her chain round her fingers, and listened for the footsteps of the returning mistress of the house. She was like a bashful schoolgirl who has danced with an officer at her first ball. And yet amidst her shy confusion, her fears that she should seem agitated and embarrassed, her struggles to appear at her ease, there was a sort of pleasure in being seated there by the low fire with Edward Arundel opposite to her. There was a strange pleasure, an almost painful pleasure, mingled with her feelings in those quiet moments. She was acutely conscious of every sound that broke the stillness––the sighing of the wind in the wide chimney; the falling of the cinders on the hearth; the occasional snort of one of the sleeping dogs; and the beating of her own restless heart. And though she dared not lift her eyelids to the young soldier's face, that handsome, earnest countenance, with the chestnut hair lit up with gleams of gold, the firm lips shaded by a brown moustache, the pensive smile, the broad white forehead, the dark–blue handkerchief tied loosely under a white collar, the careless grey travelling–dress, even the attitude of the hand and arm, the bent head drooping a little over the fire,––were as present to her inner sight as if her eyes had kept watch all this time, and had never wavered in their steady gaze.
There is a second–sight that is not recognised by grave professors of magic––a second–sight which common people call Love.
But by–and–by Edward began to talk, and then Miss Lawford found courage, and took heart to question him about his wanderings in Brittany. She had only been a few weeks in Devonshire, she said. Her thoughts went back to the dreary autumn in Lincolnshire as she spoke; and she remembered the dull October day upon which her father had come into the girl's morning–room at the Grange with Edward's farewell letter in his hand. She remembered this, and all the talk that there had been about the horsewhipping of Mr. Paul Marchmont upon his own threshold. She remembered all the warm discussions, the speculations, the ignorant conjectures, the praise, the blame; and how it had been her business to sit by and listen and hold her peace, except upon that one never–to–be–forgotten night at the Rectory, when Paul Marchmont had hinted at something whose perfect meaning she had never dared to imagine, but which had, somehow or other, mingled vaguely with all her day–dreams ever since.
Was there any truth in that which Paul Marchmont had said to her? Was it true that Edward Arundel had never really loved his young bride?
Letitia had said as much, not once, but twenty times.
"It's quite ridiculous to suppose that he could have ever been in love with the poor, dear, sickly thing," Miss Arundel had exclaimed; "it was only the absurd romance of the business that captivated him; for Edward is really ridiculously romantic, and her father having been a supernumer––(it's no use, I don't think anybody ever did know how many syllables there are in that word)––and having lived in Oakley Street, and having written a pitiful letter to Edward, about this motherless daughter and all that sort of thing, just like one of those tiresome old novels with a baby left at a cottage–door, and all the s's looking like f's, and the last word of one page repeated at the top of the next page, and printed upon thick yellow–looking ribbed paper, you know. That was why my brother married Miss Marchmont, you may depend upon it, Linda; and all I hope is, that he'll be sensible enough to marry again soon, and to have a Christianlike wedding, with carriages, and a breakfast, and two clergymen; and I should wear white glacé silk, with tulle puffings, and a tulle bonnet (I suppose I must wear a bonnet, being only a bridesmaid?), all showered over with clematis, as if I'd stood under a clematis–bush when the wind was blowing, you know, Linda."
With such discourse as this Miss Arundel had frequently entertained her friend; and she had indulged in numerous inuendoes of an embarrassing nature as to the propriety of old friends and schoolfellows being united by the endearing tie of sister–in–lawhood, and other observations to the like effect.
Belinda knew that if Edward ever came to love her,––whenever she did venture to speculate upon such a chance, she never dared to come at all near it, but thought of it as a thing that might come to pass in half a century or so––if he should choose her for his second wife, she knew that she would be gladly and tenderly welcomed at Dangerfield. Mrs. Arundel had hinted as much as this. Belinda knew how anxiously that loving mother hoped that her son might, by–and–by, form new ties, and cease to lead a purposeless life, wasting his brightest years in lamentations for his lost bride: she knew all this; and sitting opposite to the young man in the firelight, there was a dull pain at her heart; for there was something in the soldier's sombre face that told her he had not yet ceased to lament that irrevocable past.
But Mrs. Arundel and Letitia came in presently, and gave utterance to loud rejoicings; and preparations were made for the physical comfort of the wanderer,––bells were rung, lighted wax–candles and a glittering tea–service were brought in, a cloth was laid, and cold meats and other comestibles spread forth, with that profusion which has made the west country as proverbial as the north for its hospitality. I think Miss Lawford would have sat opposite the traveller for a week without asking any such commonplace question as to whether Mr. Arundel required refreshment. She had read in her Hort's "Pantheon" that the gods sometimes ate and drank like ordinary mortals; yet it had never entered into her mind that Edward could be hungry. But she now had the satisfaction of seeing Mr. Arundel eat a very good dinner; while she herself poured out the tea, to oblige Letitia, who was in the middle of the third volume of a new novel, and went on reading it as coolly as if there had been no such person as that handsome young soldier in the world.
"The books must go back to the club to–morrow morning, you know, mamma dear, or I wouldn't read at tea–time," the young lady remarked apologetically. "I want to know whether he'll marry Theodora or that nasty Miss St. Ledger. Linda thinks he'll marry Miss St. Ledger, and be miserable, and Theodora will die. I believe Linda likes love–stories to end unhappily. I don't. I hope if he does marry Miss St. Ledger––and he'll be a wicked wretch if he does, after the things he has said to Theodora––I hope, if he does, she'll die––catch cold at a déjeuner at Twickenham, or something of that kind, you know; and then he'll marry Theodora afterwards, and all will end happily. Do you know, Linda, I always fancy that you're like Theodora, and that Edward's like him."
After which speech Miss Arundel went back to her book, and Edward helped himself to a slice of tongue rather awkwardly, and Belinda Lawford, who had her hand upon the urn, suffered the teapot to overflow amongst the cups and saucers.