Augustus J. C. Hare. From a portrait by Canevari. Augustus J. C. Hare.
From a portrait by Canevari.


PONTE ALLA MADDALENA, LUCCA.
PONTE ALLA MADDALENA, LUCCA.[132]

Every Friday afternoon we had a reception in our hill-set garden, and our maid Quintilia set out tea and fruit, &c., in the summer-house. At the gate a basket was held, into which every one dropped a story as they entered, and they were all read aloud after tea. One day, one of these stories, a squib on Ultra-Protestants written by the younger Miss Cavendish, led to a great fracas with the George Cavendishes, Admiral and Mrs. Cavendish being perfectly furious with my gentle mother, who of all people was the most innocent, as she could not have an idea of what was in the stories till they were read aloud. Well do I remember coming round the corner of the villa, and finding the Admiral storming at her as she sat upon her donkey, with "My daughters shall never enter your house again—they shall never enter it again!" and her sweet smile as she replied, "Then, Admiral Cavendish, I have only to thank you so very much for having so often allowed them to come to me hitherto,"—and the Admiral's subdued look afterwards.

There was a little school established by the Grand Duchess just below us, whither my mother sometimes went in the mornings. The children were taught Scripture dialogues. One little girl would say to another, "Oh, cara mia, cara amica mia, I have such a wonderful thing to tell you," and then would narrate how a babe was born in Bethlehem, &c., upon which the hearer would exclaim, "O Gran Dio" in her amazement, and on one occasion, with a cry of "O cielo!" pretended to faint away with astonishment in the most natural way imaginable.

A long excursion from Lucca was that to Galicano, where a hermit with a reputation of great sanctity was living under an overhanging cliff in the mountains. He hid himself on our approach, but our large party hunted him, and eventually unearthed him—an old dirty man in a brown gown, with a chain of huge beads at his girdle. We wanted to see the miraculous image of which he was guardian, but he would not show it unless we were Catholics, and was much puzzled by my protesting that we were, and my mother that we were not. However, at last he consented to exhibit it, on condition that we all knelt, and that the ladies took off their bonnets. We returned home much later than was expected, and so, as we found afterwards, escaped seven bandits, who had been lying in wait for us, and at last gave us up. The whole of the road from Lucca to Galicano had then black crosses at intervals, commemorating the murders committed there.

This summer at Lucca was altogether the greatest halt in my life I have ever known. We seemed so removed from the world, and I was more free from family snubbings than I had ever been before. But, all through the time we were there, I had been far from well, and the doctor who was consulted declared that I could not survive the severities of an English winter. In spite of this, my mother never flinched in her determination to return, for having once taken the impression (without the remotest reason) that I had a tendency to Roman Catholicism, she had a far greater terror of what she considered as danger to my soul than of any danger to my body.

When we left the Bagni di Lucca on the 2nd of August, I left it in despair. Behind us was a quiet, peaceful, and a far from useless life, encircled by troops of friends, and supplying the literary and artistic occupations in which I began to feel that I might possibly in time be able to distinguish myself. Before me was the weary monotony of Hurstmonceaux, only broken by visits from or to relations, by most of whom I was disliked and slighted, if not positively ill-treated. I also felt sure that all the influence of my aunts would be used with my easily guided mother to force upon me the most uncongenial of employments, which she was only too certain to allow them to advocate as "especially desirable for Augustus, because they were uncongenial!" I was at this time also in more than usual disgrace, because disgust at the sham Christians, sham Evangelicals, sham Protestants, with whom for years I had been thrown, had induced me to avow my horror of Ordination. In every way I felt myself unfitted for it. I wrote at this time—"'Some fell upon stony places, where they had not much earth: and forthwith they sprung up, because they had no depth of earth: and when the sun was up, they were scorched; and, because they had no root, they withered away.' If you want to know about my past religious 'impressions,' that is just my story." Still the declaration of my determination not to take Orders, dreaded and put off for years, cost me acutest suffering from the pain and disappointment which I knew it inflicted upon my mother.

When we left Casa Bertini and descended the steep hill to our carriages, we found that the whole society had been amusing themselves by dressing in mourning, and were waiting to sing "a dirge" of their own composition, as we drove away. But we had one or two more happy days. On the morning after our arrival at Lucca town, we were astonished by sounds of loud singing in the passage, and going out, found all those we had so recently parted from at the Bagni singing in chorus some more verses which they had composed as "a serenade," and bringing for us a picture of the Ponte alla Maddalena, painted on a stone out of the river. We quickly determined to spend the day in going with them to Pisa, and making an excursion to the Gombo, where the Pisan pines end in the sands by the seashore—and we did not return till midnight. It was the custom at Lucca for those who drew to make little sketches in the travellers' book at the hotel, and I had amused myself by doing one the day before, and inscribing it "View from the Walls of Lucca," though it was a wretched performance. When we came back, we found a most lovely drawing opposite, inscribed—"View from the Walls of Lucca as it really is." The Grand Duke's artist had been at the hotel in the interval.

PIETRA SANTA.
PIETRA SANTA.[133]"

We travelled then with delicious slowness, only rolling onwards through the most glorious scenery in the cool mornings and evenings, and resting in the heat of mid-day, while, as at this time we only took our carriage from place to place, we had no scruple in halting for days at Pietra Santa, with its glorious views over the mountains, and old convents embosomed in olives and cypresses; in making excursions to Serravezza and to dismal Carrara; in lingering at La Spezia, where the avenue of oleanders was in full blaze of bloom, and driving thence to Porto Venere with its marble church and wonderful views along the cliffs—blue, green, yellow, and coral-red, descending abruptly into the sea.

To my Aunt Eleanor Paul.

"Lucca, August 3, 1858.—Once upon a time there was a lady advanced in years, who had an only child. They were sick and sorrowful, and the tempests of the world beat upon them. Driven from home, they wandered hither and thither, seeking rest and finding none, till at length one day they arrived, wearied and wayworn, at the entrance of a mountain valley. 'Alas!' they whispered, 'what place is this?'—'Take courage,' answered the trees and fountains; 'rejoice,' shouted the flowers, 'for this is the Happy Valley, where those who enter rest from all sickness and trouble: this is the place where people may have a halt in life, and where care and anxiety do not exist.' And when they heard these words, the countenances of the weary lady and her son were glad, and the flowers and the trees and the fountains laughed and shouted for joy in the ceaseless golden sunshine. For two months the strangers rested in the Happy Valley, and then once more the tempest howled to receive them, and the voices of the unseen sternly bade them depart; and slowly and sadly they arose, and went out again into the wilderness, where every solitary flower, every mountain and stream, seemed only an echo from a lost and beautiful past.

"Oh, my auntie, do you know who the mother and son were, and what was the Happy Valley to which they looked back with so much loving regret?"

"La Spezia, August 8.—We have been to Carrara. Do you know, my auntie, that once upon a time there lived in the mountains of Carrara a race of funny little people called Fanticelle? They were the hobgoblins of the marble rocks, and were very merry, very useful, and highly respected by every one. Each marble had its own Fante; one was dressed in red, another in yellow, and others in stripes of various colours; but the Fante of the white marble wore only a simple dress as white as snow, and was greatly despised in consequence by her companions, who were so fashionably attired. Daily the poor white Fante was snubbed and insulted, and at last, when the ancient Romans came to make quarries, and cut and hacked her to pieces, and carried her remains away in carts, all the other Fanti smiled in their cold satire and said, 'It only served the vulgar creature right, for she did not even know how to dress herself, and sitting upon the mountain with nothing on but her night-dress was really quite indecorous.'

"But when some years had passed, the great guardian spirit came to the mountains, and, stretching forth his wings, he gathered all the Fanti beneath them, and said, 'Now, my children, you shall go forth to see the world, and, when you return, you shall each say what is most highly esteemed by the lovers of art, and what it is that the children of men consider most beautiful and best.'

"Thus the Fanti of Carrara flew forth to see the world! They alighted first in the square at Genoa. All around were huge and stately palaces, and in the centre the statue of a hero, with the world lying captive at his feet. But what the Fanti remarked most was that in the most magnificent chambers of every palace, and even upon the statue of the great Columbus himself, sat the semblance of their despised sister the white Fante, as if enshrined and honoured. 'Alas!' exclaimed the Fanti, 'what degraded notions have these Genoese; let us examine places better worth our notice.' So they came to Spain, and visited the Alhambra, but in every court, and even on the Fountain of Lions itself, they found the image of the white Fante seated before them. Thence they passed on to London, to Paris, to Berlin, to Vienna, but it was ever the same. In every gallery of statues, over the hearth of every palace, upon the altar of every church, it seemed as if the white Fante was reigning. 'Ah,' they exclaimed, 'can all men be thus degraded? can all good taste be banished from the earth? Let us see one more city nearer home, and from that let us form our judgment, for the inhabitants of these northern cities are not worthy to be ranked with mankind.'

"So the Fanti came to Milan, and beneath the wings of the great guardian spirit, rejoicing in their approaching triumph, they entered its vast square. And behold the spirit drew back his wings, and they beheld a mighty and an awful vision! Before them stood their sister, the Fante of the milk-white rocks, but no longer humble, no longer to be restrained even within the bounds of the greatest palace upon earth. Majestic in beauty, invincible in power, she raised her mighty wings to heaven in the aisles of a vast cathedral, and mounted higher and higher as by an aërial staircase, till, far above all human things, she flung her snow-white tresses into the azure sky!

"Then the Fanti of the coloured robes bowed their heads and trembled, and acknowledged in penitence and humility—'Truly the Fante of the white rocks is the most beautiful thing in the world!'

"Who can go to Carrara, my auntie, and not feel this?"

We were for a few days at Turin. The society there was then, as it is still, the very climax of stagnation. One of its most admired ornaments was a beautiful young Contessa la Marmora. She did nothing all day, absolutely nothing, but sit looking pretty, with her chin leaning on her hand. Her mother-in-law was rather more energetic than herself, and hoping to rouse her, left a new "Journal des Modes" upon her table. Some days after, she asked what she thought of it. "Alas!" said the young Countess, with her beautiful head still leaning upon her hand, "I have been so much occupied, that I never have found time to look into it." In all my acquaintance since with Italian ladies, I have always found the same, that they are all intensely occupied, but that it is in doing—nothing!

Since the dreadful epidemic at court, which swept away at once the Queen, the Queen-Dowager, and the Duke of Genoa, the King had never received, and as his eldest daughter, Madame Clotilde, was not old enough to do so, there were no court parties. At the opera all the young ladies sat facing the stage, and the old ladies away from it; but when the ballet began there was a general change; the old ladies moved to the front, and the young ones went behind.

IL VALENTINO, TURIN.
IL VALENTINO, TURIN.[134]"

A great contrast to the Italians at Turin was Mr. Ruskin, whom we saw constantly. He was sitting all day upon a scaffold in the gallery, copying bits of the great picture by Paul Veronese. My mother was very proud of my drawings at this time, and gave them to him to look at. He examined them all very carefully and said nothing for some time. At last he pointed out one of the cathedral at Perugia as "the least bad of a very poor collection." One day in the gallery, I asked him to give me some advice. He said, "Watch me." He then looked at the flounce in the dress of a maid of honour of the Queen of Sheba for five minutes, and then he painted one thread: he looked for another five minutes, and then he painted another thread.[135] At the rate at which he was working he might hope to paint the whole dress in ten years: but it was a lesson as to examining what one drew well before drawing it. I said to him, "Do you admire all Paul Veronese's works as you do this?" He answered, "I merely think that Paul Veronese was ordained by Almighty God to be an archangel, neither more nor less; for it was not only that he knew how to cover yards of canvas with noble figures and exquisite colouring, it was that it was all right. If you look at other pictures in this gallery, or any gallery, you will find mistakes, corrected perhaps, but mistakes of every form and kind; but Paul Veronese had such perfect knowledge, he never made mistakes."

The Charles Bunsens were at Turin, and we dined with them. With Mrs. C. Bunsen was her brother, whom we thought a very dull, heavy young man. Long afterwards he became very well known as the French Ambassador, Waddington.

We saw Mr. Ruskin again several times in the Vaudois, whither we went from Turin, and stayed for several days at La Tour, riding on donkeys to the wild scene of the Waldensian battle in the valley of Angrogna, and jolting in a carriage to the beautiful villages of Villar and Bobbio—"une vraie penitence," as our driver expressed it, though the scenery is lovely. My mother was charmed to find an old woman at La Tour who had known Oberlin very well and had lived in his parish.

VILLAR, IN THE VAUDOIS.
VILLAR, IN THE VAUDOIS.[136]"

Amongst the endless little out-of-the-way excursions which my mother, Lea, and I have made together in little chars-à-banc, one of those I remember with greatest pleasure is that from Vergogna up the Val Anzasca. The scenery was magnificent: such a deep gorge, with purple rocks breaking through the rich woods, and range upon range of distant mountains, with the snows of Monte Rosa closing them in. We stayed at a charming little mountain inn at Ponte Grande, where everything was extraordinarily cheap, and wandered in the meadows filled with globe-ranunculus and over-shadowed by huge chestnut-trees. In the evening the charcoal-burners came down from the mountains, where we had watched the smoke of the fires all day amongst the woods, and serenaded us under our windows, singing in parts, with magnificent voices, most effective in the still night. We were afterwards at Domo d'Ossola for a Sunday for the extraordinary fête of the imaginary Santa Filomena—kept all day with frantic enthusiasm, cannons firing, bells ringing, and processions of girls in white, chaunting as they walked, pouring in from all the country parishes in the neighbourhood.

To Mrs. Hare (Italima).

"Lausanne, Sept. 3, 1858.—At Martigny we found Galignani, which we had not seen for some days, and you will imagine my distress at the sad news about Mr. Landor with which they were filled.[137] Dear Mr. Landor! I had always hoped and intended to be near him and watch over the last years of this old, old friend. I feel certain that there is much, which the world does not know, to be said on his side. I have known Mrs. Y. for years ... and always prophesied that she would be the ruin of Mr. Landor some day. For the poems, no excuse can be offered except that he was so imbued with the spirit of the classical authors, that when he wished to write against Mrs. Y., he thought, 'How would Horace have written this?' and wrote accordingly, only that Horace would have said things a great deal worse.

'Some thought far worse of him, and judged him wrong;
But verse was what he had been wedded to,
And his own mind did like a tempest strong
Come to him thus, and drove the weary wight along.'
[138]

Whatever his faults are, I am sure you will feel that we who have known him well must draw a veil for ourselves over the failings of his old age, and remember only the many kind words of the dear old man, so tender in heart and so fastidious in taste, the many good and generous acts of his long life, and how many they are.

"How much we have been struck with the pale blue of the Swiss lakes compared with the deep blue of those of Italy."

To my Aunt, Eleanor Paul.

"Dijon, Sept. 12, 1858.—We found Fribourg quite up to our expectations, quite worth coming all the way round by Switzerland to visit. And the organ, how magnificent it is! We went in the evening to hear it, when all the beautiful gothic church was wrapped in darkness, except the solitary gleam of light in the organ-loft, and we all sat long in breathless expectation. When the music came, it was like a story. One seemed to be sitting far up the nave of some great cathedral, and to hear from the distant choir the choristers chaunting a litany, answering one another, and then swelling and joining in a universal chorus. Then, while they were singing, it was as if a great storm arose, the hail rattled and the rain splashed against the windows, the thunder crashed overhead, and the wind howled around. And then a mighty earthquake convulsed and shook the church to its very foundations. But always, in the pauses of the storm, the sweet silvery voices of the choristers were heard above the roaring of the elements, and when the storm subsided, they joined in thanksgiving, which died away in the faint echoes of the surrounding hills. And all this was the organ!

"We came by Morat to Neuchâtel. It is a pretty, though not a striking place; but the view of the vast mass of Mont Blanc and of all the Oberland Alps in the rose-coloured glow is magnificent. The mother made inquiries after many old acquaintances,[139] to find most of them dead, and those who were still living old, old ladies of ninety and of one hundred.

"Did you ever hear of Doubs? We came through it yesterday, and it certainly seemed to us the most melancholy, ill-fated village we had ever seen. Some time ago there lived there a boy, whose stepmother was very cruel to him—so cruel that his whole aim and object in life was to obtain money enough to set up for himself and escape from her tyranny. At last he succeeded, and leaving his father's house with his heart full of bitterness, he invested his savings in a partnership with the owner of the village café, where he kept the accounts. One day his partner accused him of not giving him a fair share of the profits. This made him perfectly frantic—so furious that he determined to avenge himself by nothing less than the total destruction of his native place! He began by setting fire to his café, but the alarm was scarcely given when it was discovered that almost every other house was in flames. The inhabitants hurried from their beds, and were barely able to save themselves, their houses, cattle, and goods perishing at one blow. Only a few houses and the church escaped, in which the fugitives took refuge, and were beginning to collect their energies, when, after ten days, the fire broke out again in the night, and the rest of the village was consumed with all it contained, including a child of four years old. Between the two fires cholera had broken out, so that numbers perished from pestilence as well as exposure. The author of all the misery was taken and transported, but the town is only now beginning to rise again from its ruins, and the people to raise their spirits."

On reaching Paris, we found Italima and my sister at the Hôtel d'Oxford et Cambridge. Greatly to my relief, my mother decided that, as she was in perfect health and well supplied with visitors, it was an admirable opportunity for my remaining abroad to learn French: this I was only too thankful for, as it put off the evil day of my return to England, and encountering the family wrath about my refusal to take Orders. With my sister I spent an amusing day at Versailles on a visit to the Marquis and Marquise du Prât, the latter a daughter of the Duc de Grammont, and a very pretty, lively person. They lived in an ideal house of the ancienne régime, where the chairs, picture-frames, carpets, even the antimacassars, were carved or worked with the shields, crests, and mottoes of the family.

After my sister left, the intrigues of Madame Davidoff, whom, in compliance with my mother's wishes, I had refused to visit, brought about my acquaintance with the Vicomte de Costa le Cerda, a Franco-Spaniard and ardent Catholic, who constituted himself my cicerone, and amongst other places took me to séances of the Académie de France, of which he was a member; and I should have been much interested in seeing all the celebrated philosophers, politicians, physicians, geologists, &c., if I had not been so ignorant of French literature that I had scarcely heard of any one of them before. The Marquis de Gabriac[140] (I forget how his office entitled him to do so) sent me a medal which enabled me to visit all profane, and the Archbishop of Paris a permission to enter all religious, institutions. Using the latter, I went with De Costa to the Benedictines, Ursulines, Carmelites, Petites Sœurs des Pauvres, and the Œuvre de la Compassion for bringing up little homeless boys. On Sundays I heard Père Félix, the philosophic Bourdaloue of the nineteenth century, preach with his musical voice to vast enthralled audiences in Nôtre Dame.[141]

NOTRE DAME, PARIS.
NOTRE DAME, PARIS.[142]"

Capital were the French lessons I received from the excellent M. Nyon, to whom I have always felt indebted. After Italima left Paris, I lodged with a Madame Barraud, who rented a small apartment at the back of a court in the Rue des Saints-Pères. Here my wretched little room looked out upon a blank wall, and was as thoroughly uncomfortable as it was possible to be. The weather soon became bitterly cold, and, to prevent being starved, I had to sit almost all day in the one poor uncarpeted sitting-room with old Madame Barraud herself, who was a most extraordinary character. Without the slightest apparent reason, a sudden suspicion would seize her, and she would rush off to the kitchen. In another minute she would return, wringing her hands, and would fling herself down in a chair with—"Oh, que je suis malheureuse! Oh, que je suis malheureuse! C'est une fille abominable cette Marie—cette tortue! elle ne sait pas le service du tout," and then, before she had time to take breath, she would run off to investigate the causes of a fresh noise in the kitchen. You were never safe from her. Every moment that old woman would dart in like a whirlwind, just to wipe off one speck of dust she had discovered on the mirror, or to smooth some crease she suspected in the tablecloth; and almost before you could look up she was vanishing with her eternal refrain of "que je suis misérable! que je suis malheureuse!"

The one subject of discussion till twelve o'clock was the déjeûner, from twelve to six the dinner, and after that the déjeûner of the next morning. Matters, however, were rather improved when Mademoiselle Barraud was at home—a thoroughly sensible, sterling person, who was generally absent on professional duties, being one of the first music-mistresses of the day. Sometimes Madame and Mademoiselle had friends in the evening, when it was amusing to see specimens of the better sort of third-class Parisians.

I made very few friends at Paris, but the persons I saw oftenest were the Marquise du Pregnier and her old mother, who remembered the Reign of Terror and had lost both her parents by the guillotine. Occasionally I went in the evening to the salon of Madame Mohl, wife of Julius Mohl, the great Orientalist, but herself an Englishwoman, who had in early life been intimate with Chateaubriand and present at his touching last hours, when his friend Madame Recamier, beautiful to the end, sat watching him with her blind eyes. Madame Mohl was a most extraordinary-looking person, like a poodle, with frizzled hair hanging down over her face and very short skirts. Her salon, at 120 Rue de Bac, especially on Friday evenings, was at that time quite one of the social features of Paris. One savant used to drop in after the other and sit round her talking in a circle, and with a finesse d'esprit all her own, she would address each in turn in her quick sharp voice, always saying something pungent or clever. Politics were the chief topic, and though I remember Madame Mohl once saying that "political society was not what could be called a nourishing occupation," there were no refreshments, however late the company stayed, but tea and biscuits. She had always had a sort of salon, even when, as Miss Clarke, she lived with her old mother in a very small apartment in the Abbaye-aux-Bois. Ticknor speaks of her there as keeping a little bureau d'esprit all her own, à la française.

One night when I was shown into her salon, I found, to my horror, that I was not only the first to arrive, but that the old lady was so engrossed in administering a violent scolding to her husband, that she was promenading the drawing-room half undressed, with her strange locks still in curl-papers. It was a most ridiculous scene, and my premature appearance not a little embarrassing to them both. I retreated into the passage till Madame Mohl was "done up," though that operation was not accomplished till many other guests had arrived.

M. Julius Mohl was the greatest contrast to his quicksilver wife. He used to be called "le bourru bienfaisant," from his rough exterior and genuine kindness of heart. He was really ten years younger than his wife, though she considered sixty-eight the right age for a woman to attain to, and never to her last day allowed that she had passed that limit.

Madame Mohl was fond of describing how, when she was at Paris in her childhood, her elder sister, Mrs. Frewen, was taken by their mother and grandmother to the chapel royal at the Tuileries, where Marie Antoinette was then living in a kind of half-captivity. She was a very little girl, and a gendarme thought she would be crushed, and lifted her upon his shoulders, on which she was just opposite the King and Queen. She remembered, as in a picture, how on one side of them were first Madame Royale, then Madame Elizabeth, then the little Dauphin.

The cause which led to Mrs. Frewen seeing Marie Antoinette at that time was in itself very curious. She was returning from the south with her mother (Mrs. Clarke) and her grandmother. They reached Bordeaux, where they were to embark for England in a "smack." Their luggage was already on board; but, on the night before starting, the grandmother had a vivid dream that the smack was lost with all on board. In the morning she declared that nothing on earth should induce her to go in it. The daughter remonstrated vigorously about expense, but the old lady stood firm. They were able to take off their smaller things, but all their larger luggage had to be left. The smack went down on the Goodwin Sands and all was lost; so the family came to Paris.[143]

Of all the evenings I spent at Paris, the most interesting was one with the Archbishop, who kindly invited me to his old country château of Issy, once a palace of the Prince de Condé, and very magnificent. The Archbishop, however, only inhabited the porter's lodge, and all the rest was left deserted. The Archbishop was playing at bagatelle with his chaplains when we entered, upon which he seated himself opposite to us (De Costa went with me) in an arm-chair. He was a fine old man with grey hair, dressed in cardinal's robes and crimson stockings, with the chain of a Grand Almoner of France round his neck. There was only one light in the high dark room, a lamp close to his shoulder, which threw a most picturesque light over him, like a Rembrandt portrait. He inquired about my visits to the different "religious" in Paris, and spoke regretfully of the difficulties encountered by the Petites Sœurs des Pauvres. Then he talked to De Costa about his medical studies and about phrenology. This led him to the great Napoleon, of whose habits he gave a very curious account. He said that he believed his strange phrenological development was caused by his extraordinary way of feeding—that he never was known to take a regular meal, but that he had a spit on which a chicken was always roasting at a slow fire, and that whenever he felt inclined he took a slice. When demolished, the chicken was instantly replaced. It was the same with sleep: he never went to bed at regular hours, only when he felt sleepy. We had been warned that the Archbishop himself went to bed at nine, as he always rose at four; so at nine I got up and kissed his ring, as we always did then to the cardinals at Rome, but the kind old man insisted on coming out after us into the passage, and seeing that we were well wrapped up in our greatcoats.

In October, Aunt Kitty (Mrs. Stanley) came for a few days to Paris, and going about with Arthur Stanley was a great pleasure.

To MY MOTHER.

"Paris, Oct. 19, 1858.—I have been much disturbed by my dearest mother's writing twice to Aunt Kitty to urge upon me the duty of instantly deciding upon some situation. It seems so useless to make oneself miserable in the interval because situations and professions do not drop from the clouds whenever one chooses to call for them. You know how I have dreaded the return to England, simply because I knew how wearing the family onslaught would be directly I arrived, and that all peace would be at an end, and it certainly was not likely to mend matters to write to complain to the Stanleys of how grievously I had disappointed you, and that therefore I must decide instantly! If my mother will consider, she will see that it is no question of exerting oneself. I know exactly what there is to be had and what there is not, and we both know how extremely improbable it is that I could get anything without some knowledge of modern languages, at least of French. This therefore is evidently the first point, and whilst one is employed all day long in struggling and striving to attain it, is it not rather hard to see letters from England about waste of time, want of effort, &c.?

"Were I to take an office in London now, the pay might possibly be as much as £60 a year, without any vacation, or any hope of advance in life, and even in the most miserable lodgings it would be difficult to live in London under £200 a year. However, if my mother hears of anything which she wishes me to take, I will certainly take it.

THE PONT NEUF, PARIS.
THE PONT NEUF, PARIS.[144]"

"Aunt Kitty has been very kind, and I have enjoyed going about with Arthur. Yesterday we went to the Conciergerie, where, by help of the Archbishop's letter and an order from the Préfecture of Police, we contrived to gain admittance. It is in the centre of Louis the Ninth's palace, of which it was once the dungeon, and has been very little altered. The room in which Marie Antoinette was confined for two months before her execution has scarcely been changed at all. There are still the heavy barred doors, the brick floor, the cold damp smell, the crucifix which hung before the window and kneeling before which she received the viaticum, the place where the bed stood, upon which the Queen could not lie down without being watched by the guards—who never took their eyes off—from the wicket opposite. Opening out of the Queen's prison is the small narrow chamber in which Robespierre was confined for one day, but where he never slept—brought there at eight, tried at eleven, executed at four. This opens into a large room, now the chapel, once the prison of Madame Elizabeth, and afterwards the place in which the Girondists held their last dreadful banquet before execution, when they sang the Marseillaise around the dead man on the table, and are said to have composed 'Mourir pour la Patrie.'

"To-day Arthur and I went by rail to Versailles, and took a little carriage thence to Port Royal. The country was lovely, the forest red and golden with autumnal tints. In a wooded valley, with a green lawn winding through it like a river, watered by a little brooklet, are the remains of Port Royal, the farmhouse where Racine and Pascal lived and wrote, the dovecot and fountain of Mère Angélique, the ruins of the church, the cemetery and cross, and 'the Solitude' where the nuns sat in solemn council around a crucifix in the middle of the woods. In the house is a collection of old pictures of the celebrities connected with the place. Arthur, of course, peopled the whole place in imagination and description with the figures of the past, and insisted on our 'walking in procession' (of two) down the ruined church.

"We went on to Dampierre, a fine old château of the Duc de Luynes, with green drives and avenues; and then to Chevreuse, where we climbed up the hill to the ruined castle with machicolated towers and a wide view over the orange-coloured woods, where the famous Madame de Chevreuse lived."

PORT ROYAL.
PORT ROYAL.[145]"

"Nov. 8.—The cold is almost insupportable! Parisians are so accustomed to their horrible climate, that Madame Barraud cannot understand my feeling it, and I have great difficulty in getting even the one little fire we have, and am occupied all day in shutting the doors, which every one else makes a point of leaving open. Madame Barraud describes her own character exactly when she stands in the middle of the room and says with a tragic voice, 'Je suis juste, Monsieur, je suis bonne; mais, Monsieur, je suis sévère!' She is excellent and generous on all great occasions, but I never knew any one who had such a power of making people uncomfortable by petty grievances and incessant fidgetting. Though she will give me fifty times more food than I wish, nothing on earth would induce her to light the fire in my bedroom, even in the most ferocious weather, because it is not 'son habitude'. 'La bonne Providence m'a donné un caractère,' she said the other day, recounting her history. 'Avec ce caractère j'ai fait un mariage de convenance avec M. Barraud: avec ce caractère, étant veuve, j'ai pris ma petite fille de douze ans, et je suis venue à Paris pour faire jouer son talent: avec ce caractère, quand les fils de mon mari m'ont fait des mauvaises tournées, je n'ai rien dit, mais je les ai quittés pour toujours, parceque je n'ai pas voulu voir le nom de mon mari paraître dans des querelles: je suis bonne, Monsieur, je suis juste, c'est ma nature; mais, Monsieur, je suis sévère; et je ne les reverrais jamais.' Just now she is possessed with the idea—solely based upon her having a new pair of shoes—that Marie, the maid, certainly has a lover concealed somewhere, and she constantly goes to look for him under the kitchen-table, in the cupboard, &c. She hangs up the chicken or goose for the next day's dinner in the little passage leading to my room, and in the middle of the night I hear stealthy footsteps, and a murmur of 'Oh, qu'il est gras! Oh, qu'il sera délicieux!' as she pats it and feels it all over."

At the end of November I returned to England. Two years after, when we were in Paris on our way to Italy, I went to the Rue des Saints-Pères. Madame Barraud was dead then, and her daughter, left alone, was lamenting her so bitterly that she was quite unable to attend to her work, and sat all day in tears. She never rallied. When I inquired, as we returned through Paris, Mademoiselle Barraud had followed her mother to the grave; constantly as she had been scolded by her, wearisome as her life seemed to have been made, the grief for her loss had literally broken her heart.

During the winter we were absent at Rome, our house of Lime was lent to Aunt Esther (Mrs. Julius Hare) and Mrs. Alexander. Two cabinets contained all our family MSS., which Aunt Esther knew that I valued beyond everything else. Therefore, she forced both the cabinets open and destroyed the whole—all Lady Jones's journals and letters from India, all Bishop Shipley's letters—every letter, in fact, relating to any member of the Hare family. She replaced the letters to my adopted mother from the members of her own family in the front of the cabinets, and thus the fact they had nothing behind them was never discovered till we left Hurstmonceaux, two years after. When asked about it, Aunt Esther only said, "Yes, I did it: I saw fit to destroy them." It was a strange and lasting legacy of injustice to bequeath, and I think I cannot be harsh in saying that only a very peculiar temperament could construe such an act into "right-doing."

IX

WORK IN SOUTHERN COUNTIES

"How can a man learn to know himself? By reflection never, only by action. In the measure in which thou seekest to do thy duty shalt thou know what is in thee. But what is one's duty? The demand of the hour."—GOETHE.

"Il est donné, de nos jours, à un bien petit nombre, même parmi les plus délicats et ceux qui les apprécient le mieux, de recueillir, d'ordonner sa vie selon ses admirations et selon ses goûts, avec suite, avec noblesse."—Sainte-Beuve.

"Every man has a separate calling, an end peculiar to himself."—Frederick Schlegel.

"The old lord-treasurer Burleigh, if any one came to the Lords of the Council for a licence to travel, he would first examine him of England: if he found him ignorant, he would bid him stay at home and know his own country first."—HENRY PEACHAM, 1622, The Compleat Gentleman.

UPON returning to England in the winter of 1858, I felt more bitterly that ever the want of sympathy which had formerly oppressed me. Though I had the most idolatrous love for my dearest mother, and the most over-anxious wish to please her, there was then none of the perfect friendship between us, the easy interchange of every thought, which there was in later years; for she was still so entirely governed by her sisters-in-law as scarcely to have any individuality of her own. Often, often, did she pain me bitterly by suspecting my motives and questioning my actions, even when I was most desirous of doing right; and from the long habit of being told that I was idle and ignorant, that I cared for nothing useful, and that I frittered away my life, she had grown to believe it, and constantly assumed that it was so. Thus all my studies were embittered to me. I was quite sure that nothing I did would be appreciated, so that it never seemed worth while to do anything, and I became utterly deficient in that cheerfulness of disposition which is the most important element in all private success.

As I write this, and remember the number of delightful intimates by whom my after years have been surrounded, I find it difficult to realise that I had at this time no friends who, by mutual confidence, could help or cheer me. The best of them, Milligan, was now settled in London, being in full work in the Ecclesiastical Commission Office, and though always very kind to me, he had now fallen into a new set of acquaintances and surroundings, and had no time to bestow upon me individually. George Sheffield I seldom saw; and I had no other friends worth speaking of.

At this time all the intellectual impetus I received, and without which I should have fallen into a state of stagnation, came from the house of my aunt, Mrs. Stanley. Her grace, ease, and tact in society were unrivalled. At her house, and there alone, I met people of original ideas and liberal conversation. In this conversation, however, I was at that time far too shy to join, and I was so dreadfully afraid of my aunt, who, with the kindest intentions, had a very cold unsympathetic manner in private, that—while I always appreciated her—I was unable to reap much benefit from her society. Perhaps my chief friend was my cousin Arthur Stanley, whom I was not the least afraid of, and whom I believe to have been really fond of me at this time; also, though he had a very poor opinion of my present powers and abilities, he did not seem, like other people, utterly to despair of my future.

Catherine Stanley Catherine Stanley

By my mother's desire, Archdeacon Moore (an old friend of the Hare family) had written to Sir Antonio Panizzi,[146] then the autocratic ruler of the British Museum Library, with a view to my standing for a clerkship there. But this idea was afterwards abandoned, and it was owing to the kindness of my cousin Arthur and that of Albert Way (our connection by his marriage with Emmeline Stanley) that I obtained from John Murray, the publisher, the employment of my next two years—the "Handbook of Berks, Bucks, and Oxfordshire."

The commission to undertake this Handbook was one which I hailed with rapture. The work was in every respect welcome to me. I had an inner consciousness that I could do it well, and that while I was doing it I should be acquiring information and advancing my own neglected education. Besides, the people with whom the work would necessarily bring me in contact were just those who were most congenial. My principal residence would be Oxford, associated with some of my happiest days, and where it was now a real pleasure to be near Arthur Stanley; while, if my mother were ill or needed me in any way, there was nothing in my work which would prevent my returning to her, and continuing it at home. Above all, the fact of my having the work to do would silence the ceaseless insinuations to my mother as to my desire for an idle life of self-indulgence. I knew nothing then of the mercantile value of my labour. I did not know (and I had no one to inform me) that I was giving away the earnest work of two years for a pitiful sum,[147] which was not a tenth of its value, and which was utterly insufficient to meet its expenses.

How well I remember my first sight of John Murray, when he came to dine at the Stanleys' house in Grosvenor Crescent—his hard, dry questions, his sharp, concise note afterwards, in which he announced the terms of our hardly-driven bargain, received by me as if it had been the greatest of favours. Perhaps, however, the very character of the man I had to deal with, and the rules he enjoined as to my work, were a corrective I was much the better for at this time. The style of my writing was to be as hard, dry, and incisive as my taskmaster. It was to be a mere catalogue of facts and dates, mingled with measurements of buildings, and irritating details as to the "E. E.," "Dec.," or "Perp." architecture even of the most insignificant churches, this being the peculiar hobby of the publisher. No sentiment, no expression of opinion were ever to be allowed; all description was to be reduced to its barest bones, dusty, dead, and colourless. In fact, I was to produce a book which I knew to be utterly unreadable, though correct and useful for reference. Many a paper struggle did I have with John Murray the third—for there has been a dynasty of John Murrays in Albemarle Street—as to the retention of paragraphs I had written. I remember how this was especially the case as to my description of Redesdale, which was one of the best things I have ever done. Murray, however, was never averse to a contribution from one whose name was already distinguished either by rank or literature, and when Arthur Stanley contributed passages with his signature to my account of Oxford, they were gladly accepted, though antagonistic to all his rules.