OTHER WATER BORDERS

It is the proper destiny of every considerable stream in the west to become an irrigating ditch. It would seem the streams are willing. They go as far as they can, or dare, toward the tillable lands in their own boulder fenced gullies—but how much farther in the man-made waterways. It is difficult to come into intimate relations with appropriated waters; like very busy people they have no time to reveal themselves. One needs to have known an irrigating ditch when it was a brook, and to have lived by it, to mark the morning and evening tone of its crooning, rising and falling to the excess of snow water; to have watched far across the valley, south to the Eclipse and north to the Twisted Dyke, the shining wall of the village water gate; to see still blue herons stalking the little glinting weirs across the field.

Perhaps to get into the mood of the waterways one needs to have seen old Amos Judson asquat on the headgate with his gun, guarding his water-right toward the end of a dry summer. Amos owned the half of Tule Creek and the other half pertained to the neighboring Greenfields ranch. Years of a "short water crop," that is, when too little snow fell on the high pine ridges, or, falling, melted too early, Amos held that it took all the water that came down to make his half, and maintained it with a Winchester and a deadly aim. Jesus Montana, first proprietor of Greenfields,—you can see at once that Judson had the racial advantage,—contesting the right with him, walked into five of Judson's bullets and his eternal possessions on the same occasion. That was the Homeric age of settlement and passed into tradition. Twelve years later one of the Clarks, holding Greenfields, not so very green by now, shot one of the Judsons. Perhaps he hoped that also might become classic, but the jury found for manslaughter. It had the effect of discouraging the Greenfields claim, but Amos used to sit on the headgate just the same, as quaint and lone a figure as the sandhill crane watching for water toads below the Tule drop.

Every subsequent owner of Greenfields bought it with Amos in full view. The last of these was Diedrick. Along in August of that year came a week of low water. Judson's ditch failed and he went out with his rifle to learn why. There on the headgate sat Diedrick's frau with a long-handled shovel across her lap and all the water turned into Diedrick's ditch; there she sat knitting through the long sun, and the children brought out her dinner. It was all up with Amos; he was too much of a gentleman to fight a lady—that was the way he expressed it. She was a very large lady, and a long-handled shovel is no mean weapon. The next year Judson and Diedrick put in a modern water gauge and took the summer ebb in equal inches. Some of the water-right difficulties are more squalid than this, some more tragic; but unless you have known them you cannot very well know what the water thinks as it slips past the gardens and in the long slow sweeps of the canal. You get that sense of brooding from the confined and sober floods, not all at once but by degrees, as one might become aware of a middle-aged and serious neighbor who has had that in his life to make him so. It is the repose of the completely accepted instinct.

With the water runs a certain following of thirsty herbs and shrubs. The willows go as far as the stream goes, and a bit farther on the slightest provocation. They will strike root in the leak of a flume, or the dribble of an overfull bank, coaxing the water beyond its appointed bounds. Given a new waterway in a barren land, and in three years the willows have fringed all its miles of banks; three years more and they will touch tops across it. It is perhaps due to the early usurpation of the willows that so little else finds growing-room along the large canals. The birch beginning far back in the canon tangles is more conservative; it is shy of man haunts and needs to have the permanence of its drink assured. It stops far short of the summer limit of waters, and I have never known it to take up a position on the banks beyond the ploughed lands. There is something almost like premeditation in the avoidance of cultivated tracts by certain plants of water borders. The clematis, mingling its foliage secretly with its host, comes down with the stream tangles to the village fences, skips over to corners of little used pasture lands and the plantations that spring up about waste water pools; but never ventures a footing in the trail of spade or plough; will not be persuaded to grow in any garden plot. On the other hand, the horehound, the common European species imported with the colonies, hankers after hedgerows and snug little borders. It is more widely distributed than many native species, and may be always found along the ditches in the village corners, where it is not appreciated. The irrigating ditch is an impartial distributer. It gathers all the alien weeds that come west in garden and grass seeds and affords them harbor in its banks. There one finds the European mallow (Malva rotundifolia) spreading out to the streets with the summer overflow, and every spring a dandelion or two, brought in with the blue grass seed, uncurls in the swardy soil. Farther than either of these have come the lilies that the Chinese coolies cultivate in adjacent mud holes for their foodful bulbs. The seegoo establishes itself very readily in swampy borders, and the white blossom spikes among the arrow-pointed leaves are quite as acceptable to the eye as any native species.

In the neighborhood of towns founded by the Spanish Californians, whether this plant is native to the locality or not, one can always find aromatic clumps of yerba buena, the "good herb" (Micromeria douglassii). The virtue of it as a febrifuge was taught to the mission fathers by the neophytes, and wise old dames of my acquaintance have worked astonishing cures with it and the succulent yerba mansa. This last is native to wet meadows and distinguished enough to have a family all to itself.

Where the irrigating ditches are shallow and a little neglected, they choke quickly with watercress that multiplies about the lowest Sierra springs. It is characteristic of the frequenters of water borders near man haunts, that they are chiefly of the sorts that are useful to man, as if they made their services an excuse for the intrusion. The joint-grass of soggy pastures produces edible, nut-flavored tubers, called by the Indians taboose. The common reed of the ultramontane marshes (here Phragmites vulgaris), a very stately, whispering reed, light and strong for shafts or arrows, affords sweet sap and pith which makes a passable sugar.

It seems the secrets of plant powers and influences yield themselves most readily to primitive peoples, at least one never hears of the knowledge coming from any other source. The Indian never concerns himself, as the botanist and the poet, with the plant's appearances and relations, but with what it can do for him.

It can do much, but how do you suppose he finds it out; what instincts or accidents guide him? How does a cat know when to eat catnip? Why do western bred cattle avoid loco weed, and strangers eat it and go mad? One might suppose that in a time of famine the Paiutes digged wild parsnip in meadow corners and died from eating it, and so learned to produce death swiftly and at will. But how did they learn, repenting in the last agony, that animal fat is the best antidote for its virulence; and who taught them that the essence of joint pine (Ephedra nevadensis), which looks to have no juice in it of any sort, is efficacious in stomachic disorders. But they so understand and so use. One believes it to be a sort of instinct atrophied by disuse in a complexer civilization. I remember very well when I came first upon a wet meadow of yerba mansa, not knowing its name or use. It looked potent; the cool, shiny leaves, the succulent, pink stems and fruity bloom. A little touch, a hint, a word, and I should have known what use to put them to. So I felt, unwilling to leave it until we had come to an understanding. So a musician might have felt in the presence of an instrument known to be within his province, but beyond his power. It was with the relieved sense of having shaped a long surmise that I watched the Senora Romero make a poultice of it for my burned hand.

On, down from the lower lakes to the village weirs, the brown and golden disks of helenum have beauty as a sufficient excuse for being. The plants anchor out on tiny capes, or mid-stream islets, with the nearly sessile radicle leaves submerged. The flowers keep up a constant trepidation in time with the hasty water beating at their stems, a quivering, instinct with life, that seems always at the point of breaking into flight; just as the babble of the watercourses always approaches articulation but never quite achieves it. Although of wide range the helenum never makes itself common through profusion, and may be looked for in the same places from year to year. Another lake dweller that comes down to the ploughed lands is the red columbine. ( C.truncata). It requires no encouragement other than shade, but grows too rank in the summer heats and loses its wildwood grace. A common enough orchid in these parts is the false lady's slipper (Epipactis gigantea), one that springs up by any water where there is sufficient growth of other sorts to give it countenance. It seems to thrive best in an atmosphere of suffocation.

The middle Sierras fall off abruptly eastward toward the high valleys. Peaks of the fourteen thousand class, belted with sombre swathes of pine, rise almost directly from the bench lands with no foothill approaches. At the lower edge of the bench or mesa the land falls away, often by a fault, to the river hollows, and along the drop one looks for springs or intermittent swampy swales. Here the plant world resembles a little the lake gardens, modified by altitude and the use the town folk put it to for pasture. Here are cress, blue violets, potentilla, and, in the damp of the willow fence-rows, white false asphodels. I am sure we make too free use of this word FALSE in naming plants—false mallow, false lupine, and the like. The asphodel is at least no falsifier, but a true lily by all the heaven-set marks, though small of flower and run mostly to leaves, and should have a name that gives it credit for growing up in such celestial semblance. Native to the mesa meadows is a pale iris, gardens of it acres wide, that in the spring season of full bloom make an airy fluttering as of azure wings. Single flowers are too thin and sketchy of outline to affect the imagination, but the full fields have the misty blue of mirage waters rolled across desert sand, and quicken the senses to the anticipation of things ethereal. A very poet's flower, I thought; not fit for gathering up, and proving a nuisance in the pastures, therefore needing to be the more loved. And one day I caught Winnenap' drawing out from mid leaf a fine strong fibre for making snares. The borders of the iris fields are pure gold, nearly sessile buttercups and a creeping-stemmed composite of a redder hue. I am convinced that English-speaking children will always have buttercups. If they do not light upon the original companion of little frogs they will take the next best and cherish it accordingly. I find five unrelated species loved by that name, and as many more and as inappropriately called cowslips.

By every mesa spring one may expect to find a single shrub of the buckthorn, called of old time Cascara sagrada—the sacred bark. Up in the canons, within the limit of the rains, it seeks rather a stony slope, but in the dry valleys is not found away from water borders.

In all the valleys and along the desert edges of the west are considerable areas of soil sickly with alkali-collecting pools, black and evil-smelling like old blood. Very little grows hereabout but thick-leaved pickle weed. Curiously enough, in this stiff mud, along roadways where there is frequently a little leakage from canals, grows the only western representative of the true heliotropes (Heliotropium curassavicum). It has flowers of faded white, foliage of faded green, resembling the "live-for-ever" of old gardens and graveyards, but even less attractive. After so much schooling in the virtues of water-seeking plants, one is not surprised to learn that its mucilaginous sap has healing powers.

Last and inevitable resort of overflow waters is the tulares, great wastes of reeds (Juncus) in sickly, slow streams. The reeds, called tules, are ghostly pale in winter, in summer deep poisonous-looking green, the waters thick and brown; the reed beds breaking into dingy pools, clumps of rotting willows, narrow winding water lanes and sinking paths. The tules grow inconceivably thick in places, standing man-high above the water; cattle, no, not any fish nor fowl can penetrate them. Old stalks succumb slowly; the bed soil is quagmire, settling with the weight as it fills and fills. Too slowly for counting they raise little islands from the bog and reclaim the land. The waters pushed out cut deeper channels, gnaw off the edges of the solid earth.

The tulares are full of mystery and malaria. That is why we have meant to explore them and have never done so. It must be a happy mystery. So you would think to hear the redwinged blackbirds proclaim it clear March mornings. Flocks of them, and every flock a myriad, shelter in the dry, whispering stems. They make little arched runways deep into the heart of the tule beds. Miles across the valley one hears the clamor of their high, keen flutings in the mating weather.

Wild fowl, quacking hordes of them, nest in the tulares. Any day's venture will raise from open shallows the great blue heron on his hollow wings. Chill evenings the mallard drakes cry continually from the glassy pools, the bittern's hollow boom rolls along the water paths. Strange and farflown fowl drop down against the saffron, autumn sky. All day wings beat above it hazy with speed; long flights of cranes glimmer in the twilight. By night one wakes to hear the clanging geese go over. One wishes for, but gets no nearer speech from those the reedy fens have swallowed up. What they do there, how fare, what find, is the secret of the tulares.





NURSLINGS OF THE SKY

Choose a hill country for storms. There all the business of the weather is carried on above your horizon and loses its terror in familiarity. When you come to think about it, the disastrous storms are on the levels, sea or sand or plains. There you get only a hint of what is about to happen, the fume of the gods rising from their meeting place under the rim of the world; and when it breaks upon you there is no stay nor shelter. The terrible mewings and mouthings of a Kansas wind have the added terror of viewlessness. You are lapped in them like uprooted grass; suspect them of a personal grudge. But the storms of hill countries have other business. They scoop watercourses, manure the pines, twist them to a finer fibre, fit the firs to be masts and spars, and, if you keep reasonably out of the track of their affairs, do you no harm.

They have habits to be learned, appointed paths, seasons, and warnings, and they leave you in no doubt about their performances. One who builds his house on a water scar or the rubble of a steep slope must take chances. So they did in Overtown who built in the wash of Argus water, and at Kearsarge at the foot of a steep, treeless swale. After twenty years Argus water rose in the wash against the frail houses, and the piled snows of Kearsarge slid down at a thunder peal over the cabins and the camp, but you could conceive that it was the fault of neither the water nor the snow.

The first effect of cloud study is a sense of presence and intention in storm processes. Weather does not happen. It is the visible manifestation of the Spirit moving itself in the void. It gathers itself together under the heavens; rains, snows, yearns mightily in wind, smiles; and the Weather Bureau, situated advantageously for that very business, taps the record on his instruments and going out on the streets denies his God, not having gathered the sense of what he has seen. Hardly anybody takes account of the fact that John Muir, who knows more of mountain storms than any other, is a devout man.

Of the high Sierras choose the neighborhood of the splintered peaks about the Kern and King's river divide for storm study, or the short, wide-mouthed canons opening eastward on high valleys. Days when the hollows are steeped in a warm, winey flood the clouds came walking on the floor of heaven, flat and pearly gray beneath, rounded and pearly white above. They gather flock-wise, moving on the level currents that roll about the peaks, lock hands and settle with the cooler air, drawing a veil about those places where they do their work. If their meeting or parting takes place at sunrise or sunset, as it often does, one gets the splendor of the apocalypse. There will be cloud pillars miles high, snow-capped, glorified, and preserving an orderly perspective before the unbarred door of the sun, or perhaps mere ghosts of clouds that dance to some pied piper of an unfelt wind. But be it day or night, once they have settled to their work, one sees from the valley only the blank wall of their tents stretched along the ranges. To get the real effect of a mountain storm you must be inside.

One who goes often into a hill country learns not to say: What if it should rain? It always does rain somewhere among the peaks: the unusual thing is that one should escape it. You might suppose that if you took any account of plant contrivances to save their pollen powder against showers. Note how many there are deep-throated and bell-flowered like the pentstemons, how many have nodding pedicels as the columbine, how many grow in copse shelters and grow there only. There is keen delight in the quick showers of summer canons, with the added comfort, born of experience, of knowing that no harm comes of a wetting at high altitudes. The day is warm; a white cloud spies over the canon wall, slips up behind the ridge to cross it by some windy pass, obscures your sun. Next you hear the rain drum on the broad-leaved hellebore, and beat down the mimulus beside the brook.

You shelter on the lee of some strong pine with shut-winged butterflies and merry, fiddling creatures of the wood. Runnels of rain water from the glacier-slips swirl through the pine needles into rivulets; the streams froth and rise in their banks. The sky is white with cloud; the sky is gray with rain; the sky is clear. The summer showers leave no wake.

Such as these follow each other day by day for weeks in August weather. Sometimes they chill suddenly into wet snow that packs about the lake gardens clear to the blossom frills, and melts away harmlessly. Sometimes one has the good fortune from a heather-grown headland to watch a rain-cloud forming in mid-air. Out over meadow or lake region begins a little darkling of the sky,—no cloud, no wind, just a smokiness such as spirits materialize from in witch stories.

It rays out and draws to it some floating films from secret canons. Rain begins, "slow dropping veil of thinnest lawn;" a wind comes up and drives the formless thing across a meadow, or a dull lake pitted by the glancing drops, dissolving as it drives. Such rains relieve like tears.

The same season brings the rains that have work to do, ploughing storms that alter the face of things. These come with thunder and the play of live fire along the rocks. They come with great winds that try the pines for their work upon the seas and strike out the unfit. They shake down avalanches of splinters from sky-line pinnacles and raise up sudden floods like battle fronts in the canons against towns, trees, and boulders. They would be kind if they could, but have more important matters. Such storms, called cloud-bursts by the country folk, are not rain, rather the spillings of Thor's cup, jarred by the Thunderer. After such a one the water that comes up in the village hydrants miles away is white with forced bubbles from the wind-tormented streams.

All that storms do to the face of the earth you may read in the geographies, but not what they do to our contemporaries. I remember one night of thunderous rain made unendurably mournful by the houseless cry of a cougar whose lair, and perhaps his family, had been buried under a slide of broken boulders on the slope of Kearsarge. We had heard the heavy detonation of the slide about the hour of the alpenglow, a pale rosy interval in a darkling air, and judged he must have come from hunting to the ruined cliff and paced the night out before it, crying a very human woe. I remember, too, in that same season of storms, a lake made milky white for days, and crowded out of its bed by clay washed into it by a fury of rain, with the trout floating in it belly up, stunned by the shock of the sudden flood. But there were trout enough for what was left of the lake next year and the beginning of a meadow about its upper rim. What taxed me most in the wreck of one of my favorite canons by cloud-burst was to see a bobcat mother mouthing her drowned kittens in the ruined lair built in the wash, far above the limit of accustomed waters, but not far enough for the unexpected. After a time you get the point of view of gods about these things to save you from being too pitiful.

The great snows that come at the beginning of winter, before there is yet any snow except the perpetual high banks, are best worth while to watch. These come often before the late bloomers are gone and while the migratory birds are still in the piney woods. Down in the valley you see little but the flocking of blackbirds in the streets, or the low flight of mallards over the tulares, and the gathering of clouds behind Williamson. First there is a waiting stillness in the wood; the pine-trees creak although there is no wind, the sky glowers, the firs rock by the water borders. The noise of the creek rises insistently and falls off a full note like a child abashed by sudden silence in the room.

This changing of the stream-tone following tardily the changes of the sun on melting snows is most meaningful of wood notes. After it runs a little trumpeter wind to cry the wild creatures to their holes. Sometimes the warning hangs in the air for days with increasing stillness. Only Clark's crow and the strident jays make light of it; only they can afford to. The cattle get down to the foothills and ground-inhabiting creatures make fast their doors. It grows chill, blind clouds fumble in the canons; there will be a roll of thunder, perhaps, or a flurry of rain, but mostly the snow is born in the air with quietness and the sense of strong white pinions softly stirred. It increases, is wet and clogging, and makes a white night of midday.

There is seldom any wind with first snows, more often rain, but later, when there is already a smooth foot or two over all the slopes, the drifts begin. The late snows are fine and dry, mere ice granules at the wind's will. Keen mornings after a storm they are blown out in wreaths and banners from the high ridges sifting into the canons.

Once in a year or so we have a "big snow." The cloud tents are widened out to shut in the valley and an outlying range or two and are drawn tight against the sun. Such a storm begins warm, with a dry white mist that fills and fills between the ridges, and the air is thick with formless groaning. Now for days you get no hint of the neighboring ranges until the snows begin to lighten and some shouldering peak lifts through a rent. Mornings after the heavy snows are steely blue, two-edged with cold, divinely fresh and still, and these are times to go up to the pine borders. There you may find floundering in the unstable drifts "tainted wethers" of the wild sheep, faint from age and hunger; easy prey. Even the deer make slow going in the thick fresh snow, and once we found a wolverine going blind and feebly in the white glare.

No tree takes the snow stress with such ease as the silver fir. The star-whorled, fan-spread branches droop under the soft wreaths—droop and press flatly to the trunk; presently the point of overloading is reached, there is a soft sough and muffled drooping, the boughs recover, and the weighting goes on until the drifts have reached the midmost whorls and covered up the branches.

When the snows are particularly wet and heavy they spread over the young firs in green-ribbed tents wherein harbor winter loving birds.

All storms of desert hills, except wind storms, are impotent. East and east of the Sierras they rise in nearly parallel ranges, desertward, and no rain breaks over them, except from some far-strayed cloud or roving wind from the California Gulf, and these only in winter. In summer the sky travails with thunderings and the flare of sheet lightnings to win a few blistering big drops, and once in a lifetime the chance of a torrent. But you have not known what force resides in the mindless things until you have known a desert wind. One expects it at the turn of the two seasons, wet and dry, with electrified tense nerves. Along the edge of the mesa where it drops off to the valley, dust devils begin to rise white and steady, fanning out at the top like the genii out of the Fisherman's bottle. One supposes the Indians might have learned the use of smoke signals from these dust pillars as they learn most things direct from the tutelage of the earth. The air begins to move fluently, blowing hot and cold between the ranges. Far south rises a murk of sand against the sky; it grows, the wind shakes itself, and has a smell of earth. The cloud of small dust takes on the color of gold and shuts out the neighborhood, the push of the wind is unsparing. Only man of all folk is foolish enough to stir abroad in it. But being in a house is really much worse; no relief from the dust, and a great fear of the creaking timbers. There is no looking ahead in such a wind, and the bite of the small sharp sand on exposed skin is keener than any insect sting. One might sleep, for the lapping of the wind wears one to the point of exhaustion very soon, but there is dread, in open sand stretches sometimes justified, of being over blown by the drift. It is hot, dry, fretful work, but by going along the ground with the wind behind, one may come upon strange things in its tumultuous privacy. I like these truces of wind and heat that the desert makes, otherwise I do not know how I should come by so many acquaintances with furtive folk. I like to see hawks sitting daunted in shallow holes, not daring to spread a feather, and doves in a row by the prickle-bushes, and shut-eyed cattle, turned tail to the wind in a patient doze. I like the smother of sand among the dunes, and finding small coiled snakes in open places, but I never like to come in a wind upon the silly sheep. The wind robs them of what wit they had, and they seem never to have learned the self-induced hypnotic stupor with which most wild things endure weather stress. I have never heard that the desert winds brought harm to any other than the wandering shepherds and their flocks. Once below Pastaria Little Pete showed me bones sticking out of the sand where a flock of two hundred had been smothered in a bygone wind. In many places the four-foot posts of a cattle fence had been buried by the wind-blown dunes.

It is enough occupation, when no storm is brewing, to watch the cloud currents and the chambers of the sky. From Kearsarge, say, you look over Inyo and find pink soft cloud masses asleep on the level desert air; south of you hurries a white troop late to some gathering of their kind at the back of Oppapago; nosing the foot of Waban, a woolly mist creeps south. In the clean, smooth paths of the middle sky and highest up in air, drift, unshepherded, small flocks ranging contrarily. You will find the proper names of these things in the reports of the Weather Bureau—cirrus, cumulus, and the like and charts that will teach by study when to sow and take up crops. It is astonishing the trouble men will be at to find out when to plant potatoes, and gloze over the eternal meaning of the skies. You have to beat out for yourself many mornings on the windy headlands the sense of the fact that you get the same rainbow in the cloud drift over Waban and the spray of your garden hose. And not necessarily then do you live up to it.





THE LITTLE TOWN OF THE GRAPE VINES

There are still some places in the west where the quails cry "cuidado"; where all the speech is soft, all the manners gentle; where all the dishes have chile in them, and they make more of the Sixteenth of September than they do of the Fourth of July. I mean in particular El Pueblo de Las Uvas. Where it lies, how to come at it, you will not get from me; rather would I show you the heron's nest in the tulares. It has a peak behind it, glinting above the tamarack pines, above a breaker of ruddy hills that have a long slope valley-wards and the shoreward steep of waves toward the Sierras.

Below the Town of the Grape Vines, which shortens to Las Uvas for common use, the land dips away to the river pastures and the tulares. It shrouds under a twilight thicket of vines, under a dome of cottonwood-trees, drowsy and murmurous as a hive. Hereabouts are some strips of tillage and the headgates that dam up the creek for the village weirs; upstream you catch the growl of the arrastra. Wild vines that begin among the willows lap over to the orchard rows, take the trellis and roof-tree.

There is another town above Las Uvas that merits some attention, a town of arches and airy crofts, full of linnets, blackbirds, fruit birds, small sharp hawks, and mockingbirds that sing by night. They pour out piercing, unendurably sweet cavatinas above the fragrance of bloom and musky smell of fruit. Singing is in fact the business of the night at Las Uvas as sleeping is for midday. When the moon comes over the mountain wall new-washed from the sea, and the shadows lie like lace on the stamped floors of the patios, from recess to recess of the vine tangle runs the thrum of guitars and the voice of singing.

At Las Uvas they keep up all the good customs brought out of Old Mexico or bred in a lotus-eating land; drink, and are merry and look out for something to eat afterward; have children, nine or ten to a family, have cock-fights, keep the siesta, smoke cigarettes and wait for the sun to go down. And always they dance; at dusk on the smooth adobe floors, afternoons under the trellises where the earth is damp and has a fruity smell. A betrothal, a wedding, or a christening, or the mere proximity of a guitar is sufficient occasion; and if the occasion lacks, send for the guitar and dance anyway.

All this requires explanation. Antonio Sevadra, drifting this way from Old Mexico with the flood that poured into the Tappan district after the first notable strike, discovered La Golondrina. It was a generous lode and Tony a good fellow; to work it he brought in all the Sevadras, even to the twice-removed; all the Castros who were his wife's family, all the Saises, Romeros, and Eschobars,—the relations of his relations-in-law. There you have the beginning of a pretty considerable town. To these accrued much of the Spanish California float swept out of the southwest by eastern enterprise. They slacked away again when the price of silver went down, and the ore dwindled in La Golondrina. All the hot eddy of mining life swept away from that corner of the hills, but there were always those too idle, too poor to move, or too easily content with El Pueblo de Las Uvas.

Nobody comes nowadays to the town of the grape vines except, as we say, "with the breath of crying," but of these enough. All the low sills run over with small heads. Ah, ah! There is a kind of pride in that if you did but know it, to have your baby every year or so as the time sets, and keep a full breast. So great a blessing as marriage is easily come by. It is told of Ruy Garcia that when he went for his marriage license he lacked a dollar of the clerk's fee, but borrowed it of the sheriff, who expected reelection and exhibited thereby a commendable thrift. Of what account is it to lack meal or meat when you may have it of any neighbor? Besides, there is sometimes a point of honor in these things. Jesus Romero, father of ten, had a job sacking ore in the Marionette which he gave up of his own accord. "Eh, why?" said Jesus, "for my fam'ly."

"It is so, senora," he said solemnly, "I go to the Marionette, I work, I eat meat—pie—frijoles—good, ver' good. I come home sad'day nigh' I see my fam'ly. I play lil' game poker with the boys, have lil' drink wine, my money all gone. My fam'ly have no money, nothing eat. All time I work at mine I eat, good, ver' good grub. I think sorry for my fam'ly. No, no, senora, I no work no more that Marionette, I stay with my fam'ly." The wonder of it is, I think, that the family had the same point of view.

Every house in the town of the vines has its garden plot, corn and brown beans and a row of peppers reddening in the sun; and in damp borders of the irrigating ditches clumps of yerbasanta, horehound, catnip, and spikenard, wholesome herbs and curative, but if no peppers then nothing at all. You will have for a holiday dinner, in Las Uvas, soup with meat balls and chile in it, chicken with chile, rice with chile, fried beans with more chile, enchilada, which is corn cake with the sauce of chile and tomatoes, onion, grated cheese, and olives, and for a relish chile tepines passed about in a dish, all of which is comfortable and corrective to the stomach. You will have wine which every man makes for himself, of good body and inimitable bouquet, and sweets that are not nearly so nice as they look.

There are two occasions when you may count on that kind of a meal; always on the Sixteenth of September, and on the two-yearly visits of Father Shannon. It is absurd, of course, that El Pueblo de Las Uvas should have an Irish priest, but Black Rock, Minton, Jimville, and all that country round do not find it so. Father Shannon visits them all, waits by the Red Butte to confess the shepherds who go through with their flocks, carries blessing to small and isolated mines, and so in the course of a year or so works around to Las Uvas to bury and marry and christen. Then all the little graves in the Campo Santo are brave with tapers, the brown pine headboards blossom like Aaron's rod with paper roses and bright cheap prints of Our Lady of Sorrows. Then the Senora Sevadra, who thinks herself elect of heaven for that office, gathers up the original sinners, the little Elijias, Lolas, Manuelitas, Joses, and Felipes, by dint of adjurations and sweets smuggled into small perspiring palms, to fit them for the Sacrament.

I used to peek in at them, never so softly, in Dona Ina's living-room; Raphael-eyed little imps, going sidewise on their knees to rest them from the bare floor, candles lit on the mantel to give a religious air, and a great sheaf of wild bloom before the Holy Family. Come Sunday they set out the altar in the schoolhouse, with the fine-drawn altar cloths, the beaten silver candlesticks, and the wax images, chief glory of Las Uvas, brought up mule-back from Old Mexico forty years ago. All in white the communicants go up two and two in a hushed, sweet awe to take the body of their Lord, and Tomaso, who is priest's boy, tries not to look unduly puffed up by his office. After that you have dinner and a bottle of wine that ripened on the sunny slope of Escondito. All the week Father Shannon has shriven his people, who bring clean conscience to the betterment of appetite, and the Father sets them an example. Father Shannon is rather big about the middle to accommodate the large laugh that lives in him, but a most shrewd searcher of hearts. It is reported that one derives comfort from his confessional, and I for my part believe it.

The celebration of the Sixteenth, though it comes every year, takes as long to prepare for as Holy Communion. The senoritas have each a new dress apiece, the senoras a new rebosa. The young gentlemen have new silver trimmings to their sombreros, unspeakable ties, silk handkerchiefs, and new leathers to their spurs. At this time when the peppers glow in the gardens and the young quail cry "cuidado," "have a care!" you can hear the plump, plump of the metate from the alcoves of the vines where comfortable old dames, whose experience gives them the touch of art, are pounding out corn for tamales.

School-teachers from abroad have tried before now at Las Uvas to have school begin on the first of September, but got nothing else to stir in the heads of the little Castros, Garcias, and Romeros but feasts and cock-fights until after the Sixteenth. Perhaps you need to be told that this is the anniversary of the Republic, when liberty awoke and cried in the provinces of Old Mexico. You are aroused at midnight to hear them shouting in the streets, "Vive la Libertad!" answered from the houses and the recesses of the vines, "Vive la Mexico!" At sunrise shots are fired commemorating the tragedy of unhappy Maximilian, and then music, the noblest of national hymns, as the great flag of Old Mexico floats up the flag-pole in the bare little plaza of shabby Las Uvas. The sun over Pine Mountain greets the eagle of Montezuma before it touches the vineyards and the town, and the day begins with a great shout. By and by there will be a reading of the Declaration of Independence and an address punctured by vives; all the town in its best dress, and some exhibits of horsemanship that make lathered bits and bloody spurs; also a cock-fight.

By night there will be dancing, and such music! old Santos to play the flute, a little lean man with a saintly countenance, young Garcia whose guitar has a soul, and Carrasco with the violin. They sit on a high platform above the dancers in the candle flare, backed by the red, white, and green of Old Mexico, and play fervently such music as you will not hear otherwhere.

At midnight the flag comes down. Count yourself at a loss if you are not moved by that performance. Pine Mountain watches whitely overhead, shepherd fires glow strongly on the glooming hills. The plaza, the bare glistening pole, the dark folk, the bright dresses, are lit ruddily by a bonfire. It leaps up to the eagle flag, dies down, the music begins softly and aside. They play airs of old longing and exile; slowly out of the dark the flag drops down, bellying and falling with the midnight draught. Sometimes a hymn is sung, always there are tears. The flag is down; Tony Sevadra has received it in his arms. The music strikes a barbaric swelling tune, another flag begins a slow ascent,—it takes a breath or two to realize that they are both, flag and tune, the Star Spangled Banner,—a volley is fired, we are back, if you please, in California of America. Every youth who has the blood of patriots in him lays ahold on Tony Sevadra's flag, happiest if he can get a corner of it. The music goes before, the folk fall in two and two, singing. They sing everything, America, the Marseillaise, for the sake of the French shepherds hereabout, the hymn of Cuba, and the Chilian national air to comfort two families of that land. The flag goes to Dona Ina's, with the candlesticks and the altar cloths, then Las Uvas eats tamales and dances the sun up the slope of Pine Mountain.

You are not to suppose that they do not keep the Fourth, Washington's Birthday, and Thanksgiving at the town of the grape vines. These make excellent occasions for quitting work and dancing, but the Sixteenth is the holiday of the heart. On Memorial Day the graves have garlands and new pictures of the saints tacked to the headboards. There is great virtue in an Ave said in the Camp of the Saints. I like that name which the Spanish speaking people give to the garden of the dead, Campo Santo, as if it might be some bed of healing from which blind souls and sinners rise up whole and praising God. Sometimes the speech of simple folk hints at truth the understanding does not reach. I am persuaded only a complex soul can get any good of a plain religion. Your earthborn is a poet and a symbolist. We breed in an environment of asphalt pavements a body of people whose creeds are chiefly restrictions against other people's way of life, and have kitchens and latrines under the same roof that houses their God. Such as these go to church to be edified, but at Las Uvas they go for pure worship and to entreat their God. The logical conclusion of the faith that every good gift cometh from God is the open hand and the finer courtesy. The meal done without buys a candle for the neighbor's dead child. You do foolishly to suppose that the candle does no good.

At Las Uvas every house is a piece of earth—thick walled, whitewashed adobe that keeps the even temperature of a cave; every man is an accomplished horseman and consequently bowlegged; every family keeps dogs, flea-bitten mongrels that loll on the earthen floors. They speak a purer Castilian than obtains in like villages of Mexico, and the way they count relationship everybody is more or less akin. There is not much villainy among them. What incentive to thieving or killing can there be when there is little wealth and that to be had for the borrowing! If they love too hotly, as we say "take their meat before grace," so do their betters. Eh, what! shall a man be a saint before he is dead? And besides, Holy Church takes it out of you one way or another before all is done. Come away, you who are obsessed with your own importance in the scheme of things, and have got nothing you did not sweat for, come away by the brown valleys and full-bosomed hills to the even-breathing days, to the kindliness, earthiness, ease of El Pueblo de Las Uvas.