WAR DOGSToC


The story of "The Animals Going to War" tells how, one by one, the wild creatures, then the enemies of man, were made his friends and learned to be his helpers. In the World War, the horse has borne man into the thick of the conflict, the mule has drawn his big guns into place, and the dog has wonderfully come to his aid, so that now, whenever the "dogs of war" are let loose, the war dogs go with them.

The Battle of Verdun had been raging for months; Fort Douaumont had been taken, lost, and finally retaken by the French. The Germans still poured against it a terrific rain of shot and shell, and within the battered fortress the guns were disabled and the ammunition nearly exhausted. Help was needed and needed at once. Long ago the wireless had been shot to pieces, and the telephones had been destroyed. It was sure death for a man to venture outside, let alone trying to reach the lines behind, where he might secure help.

Still the defenders stood firm, and in their hearts, if not with their lips, over and over they repeated those magic words, "They shall not pass!" But the shells continued to fall in their very midst, and unless that battery could be silenced, the fort and all the men in it would be lost. What could be done when no messenger could reach the lines behind?

Suddenly, as the men were straining their eyes almost hopelessly in the direction of those lines, they saw a small, dark speck moving across the fields, stopping only here and there behind a rock to take shelter from the bursting shells. Now and then it dashed wildly over the open fields. But ever straight on toward the fort it came. Swiftly the entrance of the fort was flung open, and in dashed one of the faithful dogs, unhurt. In the wallet, fastened to his collar, was found a message telling that relief was coming. Strapped to his back was a tiny pannier, inside of which were two frightened carrier pigeons. On a slip of paper the commander quickly wrote his message: "Stop the German battery on our left." Then adding any necessary facts as to pointing the guns, he fastened the message to the trembling bird and let it loose. Straight to its home, above shot and shell, flew the pigeon. In a few moments the German battery was silenced, and Douaumont and the brave defenders were saved.

All along the lines, the dogs were busy bearing important messages back and forth from one commander to another, and from one fort to another. Zip, an English bulldog, ran two miles in heavy shell fire and afterward had to go about with his jaw in splints; but he delivered his message and seemed anxious to get well enough to carry another. One of the other messenger dogs, it is said, carried orders almost continuously for seventy-two hours, hardly stopping to eat or drink; for no war dog would eat or drink anything given him by strangers. The faithful animals were in danger of being taken prisoners, as well as of being struck. Indeed, in one instance a heavy cannon rolled over upon a big mastiff, pinning him there until help came.

When the battle ceased, the dogs sprang from the trenches and searched the fields and woods for wounded men. They could find them much more quickly and with less danger of being seen than any Red Cross man.

In former wars among civilized peoples, the firing has always been upon armed forces, and the guns were silent after each battle to allow both sides to find and care for the wounded soldiers in the field. The Germans, however, have used the Red Cross doctors and stretcher-bearers for targets, so that to send them out only means to add them to the number wounded. But the dogs, creeping among the men, can seldom be seen by the enemy, and besides are able to find the wounded quicker and more easily. As soon as a dog finds an injured soldier, he seizes his cap, a button, or a bit of his clothing, and runs back with it to the doctor or a Red Cross nurse, for he will give it to no one else. The stretcher-bearers then follow the dog and bring back the wounded man. Often the man may lie in a dense thicket where no one would think to look for him, but the dog, by his keen sense of smell or by hearing the deep breaths or some slight sound made by the injured man, creeps in and finds him.

Sometimes, to attract the attention of an ambulance driver, the dogs give several short, quick barks; but usually they do their work silently, for if they bark, the enemy will fire.

Many times a dog finds a man unable to get back to the lines, but not so seriously wounded but that he can help himself somewhat. In such a case, before running for help, the dog stands quiet, close to the soldier, and allows him to take the flasks and first-aid bandages from the wallet which is hung about the dog's neck or pinned to the blanket on his back.

Thus, by the help of these faithful friends, the lives of many hundreds of men have been saved. Over one hundred were rescued in one night after a battle. A big Newfoundland, named Napoleon, had the credit of saving as many as twenty. One of the men, in speaking of him, said, "Part of his tail has been blown away, and once he was left for dead in No Man's Land, but he is still on the job, working for civilization."

When not fighting or on watch, the men in the trenches enjoy the company of the dogs and teach them to perform all sorts of tricks, the fox terriers proving especially intelligent. They also do good work in keeping the trenches free from rats.

At night, a French sentinel sometimes crawls through the entanglements on his way to a "listening post" out in No Man's Land. With him goes a sentinel dog. The sentinel's purpose is to discover if the enemy are getting ready for a surprise attack. Lying flat on the earth, or crouching in a shell hole, he listens with bated breath for any telltale noises. The dog, listening too, creeps along beside him, or slinks silently out into the darkness. He can tell, when his master cannot, if an enemy is abroad. Making no sound, giving no betraying bark, as soon as he discovers the enemy the dog draws near to his master, stands at attention, his ears pricked up, his hair bristling, his tail wagging as he silently paws the ground or growls so low that only his master can hear him. If the German soldier attempts to fight, the dog springs at him and throws him to the ground.

A group of soldiers were on watch one night in one of the front trenches, when all of the dogs suddenly became uneasy, growling low, and growing more and more excited. The soldiers knew their dogs and trusted their warnings, so they telephoned back to the main trenches for help. In less than half an hour, an attack was made from the German trenches opposite. Meanwhile, however, reënforcements had arrived for the Allies, which sent the enemy back to his own lines again. How the dogs knew so long before that the attack was coming, whether they could have heard the first faint signs of preparation in the enemy trenches, the soldiers could not tell.

When a front line trench of the enemy is captured, it is the faithful dogs who draw up the many cartloads of ammunition and supplies, and some of the smaller guns. For this, the Belgian dogs are especially well fitted.

Happy as long as they can help in the fighting, restless and uneasy whenever sent back to the hospitals for treatment or rest, these dogs have shown the worth of all the training they have received, as well as a great amount of natural intelligence.

While Zip, Napoleon, Spot, Stop, Mignon, and Bouée have been doing their bit on the firing line, still others have been taking their training in readiness to go to the front. And very hard training it is. Sheep dogs, fox terriers, bulldogs, collies, St. Bernards, Newfoundlands, Alaskan wolf dogs, mongrels,—all must be carefully trained by expert dog trainers.

First they must learn to distinguish between the uniform of their country and that of the enemy. They must not bark, because then the enemy will be sure to shoot. In carrying letters from post to post, they must learn to recognize the posts by name.


Copyright by Underwood & Underwood, N.Y.

A French Officer and His Dog Both Wearing Anti-Gas Masks While Crossing a Dangerous Zone in France

About three months of training are necessary to teach the dogs to travel as far as three kilometres in this work. Two of the dogs are put into the care of two trainers, and taught to recognize both as their masters, and to carry dispatches from one to the other.

The dogs must be trained to obey implicitly. If the master stops abruptly in his walk, the dog must do the same; if the trainer runs, the dog must keep in perfect step, ready at a given signal to lie down, or follow a scent, or find a wounded soldier. For many hours he must be trained in jumping, because of the great heights over which he must spring, carrying heavy weights in his mouth or upon his back or around his neck. He must learn to make no sound except when ordered to do so, to find objects which have been most skillfully hidden, to distinguish between a dead man and one wounded and breathing, to deliver the token of a wounded man only to the doctor or Red Cross nurse, to allow nothing to hinder him from carrying out any task, to refuse food and water from strangers, and to aid soldiers on the watch. These watch dogs must learn to give a signal when they scent poison gas or hear the enemy creeping up. And they must guard prisoners very carefully.

Some dogs cannot learn all of these duties, and so specialists examine every dog that is enlisted. There are tests for health, intelligence, speed, quick tempers, and even tempers. When a dog has been in training for several weeks, he is sometimes found in the end to be unfit for service, and the trainer has to admit a new recruit in his place and start all over again. Often a dog can do certain tasks much better than others, and so each one is assigned to the kind of service which he can do best.

It is marvelous what great services these dogs have rendered in the World War. The governments have recognized their worth, and societies have been formed to train and protect them. The French people, in 1912, organized the "Blue Cross." It is a Blue Cross officer who examines the dogs and a Blue Cross doctor who gives first aid and orders an injured dog to the hospital for further treatment. The Blue Cross also has been at work in Italy.

The American Red Cross Society has taken over the task of securing and protecting dogs on the American front, but instead of the red cross, the animals wear a red star, so that the field is blest with three red symbols of mercy—the red cross, the red triangle, and the red star. The number of dogs added to the war service during the first four years of the war was about ten thousand on all fronts.

Not only have dogs been provided by various societies, but many have been given by private families. One elderly French father wrote to the French War Department, "I already have three sons and a son-in-law with the Colors; now I give up my dog, and 'Vive la France!'"

The French government officials, as well as the various societies, have shown their gratitude by awarding honors to the canine heroes. Many have been mentioned in the orders for bravery and heroic conduct. Several have been presented with gold collars. The French government has even published a "Golden Book of Dogs," in which are recorded some of the heroic deeds of these brave and faithful friends of man. One of the dogs wearing a French medal of honor is a plucky fox terrier, who is said to have saved one hundred fifty lives after the Battle of the Marne. Bouée, a fuzzy-haired, dirty, yellow-and-black, tailless little fellow, is another hero, who has been cited three times for his bravery. During a heavy action, when all the telephone wires had been destroyed, Bouée carried communications between a commandant and his force, fulfilling his duty perfectly without allowing anything to distract him.

Shall we not change the old proverb from "As brave as a lion," to "As brave as a dog"?







THE BELGIAN PRINCEToC


The Belgian Prince was a British cargo steamer. On a voyage from Liverpool to Philadelphia, with Captain Hassan in command, she was, on July 31, 1917, attacked and sunk by a German U-boat. For brutal savagery and barbarism, the drowning of the crew of the Belgian Prince is one of the most astounding in the history of human warfare. Captain Hassan was taken aboard the U-boat, and no further knowledge of his fate has been received. The Belgian Prince was a merchant ship, not a warship in any sense of the word.

The Germans evidently intended to sink her without a trace left behind to tell the story, as their Minister to Argentina advised his government to do with Argentine ships; but three members of her crew, the chief engineer and two seamen, escaped as by a miracle. Their stories are now among the records of the British Admiralty; they have also been published in many books which have a place in thousands of libraries, public and private, all over the world. How will the Hun, when peace comes again, face his fellow-men?

The story of the chief engineer, Thomas Bowman, is as follows:

At 7:50 P.M. on the night of July 31, the Belgian Prince was traveling along at ten knots, when she was struck. The weather was fine and the sea smooth. It was a clear day and just beginning to darken. I was on the after deck of the ship, off watch, taking a stroll and having a smoke. The donkeyman shouted out, "Here's a torpedo coming." I turned and saw the wake on the port about a hundred yards away. I yelled a warning, but the words were no more than out of my mouth when we were hit.

I was thrown on deck by a piece of spar, and when I recovered I found the ship had a very heavy list to port and almost all the crew had taken to the boats. I got into the starboard lifeboat, which was my station. Until then I had seen no submarine, but now heard it firing a machine gun at the other side of the ship. With a larger gun it shot away the radio wires aloft so that we could send out no S.O.S. messages. As soon as we had pulled away from the ship I saw the U-boat, which promptly made toward our own boats and hailed us in English, commanding us to come alongside her. We were covered by their machine gun and revolvers. We were in two lifeboats and the captain's dinghy.

The submarine commander then asked for our captain and told him to come on board, which he did. He was taken down inside the submarine and we saw him no more. The rest of us, forty-three in number, were then ordered to board the submarine and to line up on deck. A German officer and several sailors were very foul and abusive in their language. They ordered us, in English, to strip off our life belts and overcoats and throw them down on the deck.

When this was done they proceeded to search us, making us hold up our hands and threatening us with revolvers. These sailors, while they passed along the deck and were searching us, deliberately kicked most of the life belts overboard from where we had dropped them. Beyond making us take off our life belts and coats there was no interference with our clothing. They robbed me of my seaman's discharge book and certificate, which they threw overboard, but kept four one-pound notes.

After searching us, the German sailors climbed into our lifeboats and threw out the oars, gratings, thole-pins, and baling tins. The provisions and compass they lugged aboard the submarine. They then smashed our boats with axes so as to make them useless, and cast them adrift. I saw all this done myself. Several of the German sailors then got into our dinghy and rowed to the Belgian Prince. These men must have been taken off later, after they had ransacked the ship.

The submarine then moved ahead for a distance of several miles. I could not reckon it accurately because it was hard to judge her speed. She then stopped, and after a moment or two I heard a rushing sound like water pouring into the ballast tanks of the submarine.

"Look out for yourselves, boys," I shouted. "She is going down."

The submarine then submerged, leaving all our crew in the water, barring the captain, who had been taken below. We had no means of escape but for those who had managed to retain their life belts. I tried to jump clear, but was carried down with the submarine, and when I came to the surface I could see only about a dozen of our men left afloat, including a young lad named Barnes, who was shouting for help.

I swam toward him and found that he had a life belt on, but was about paralyzed with cold and fear. I held him up during the night. He became unconscious and died while I was holding him. All this time I could hear no other men in the water. When dawn broke I could see the Belgian Prince about a mile and a half away and still floating. I began to swim in her direction, but had not gone far when I saw her blow up.

I then drifted about in the life belt for an hour or two longer and saw smoke on the horizon. This steamer was laying a course straight for me, having seen the explosion of the Belgian Prince. She proved to be a British naval vessel, which also found the two other survivors in the water. We were taken to port and got back our strength after a while. None of us had given the submarine commander and crew any reason for their behavior toward us. And I make this solemn declaration conscientiously, believing it to be true.

The two common sailors who survived were William Snell, a negro, of Norfolk, Virginia, and George Silenski, a Russian. William Snell's story is as follows:

Two men of the submarine's crew stayed on top of the conning tower with rifles in their hands which they kept trained on us. Seven other Germans stood abreast of our line on the starboard side of the boat, armed with automatic pistols. The captain of the submarine, a blond man with blue eyes, was also on deck and stood near the forward gun, giving orders to his crew in German, and telling them what to do. Pretty soon he walked along in front of the men of the Belgian Prince, asking them if they had arms on them. He ordered us to take off our life belts and throw them on deck, which we did. As they dropped at our feet, he helped his sailors pick them up and sling them overboard.

When I threw my belt down, I shoved it along on the deck with my foot, and finally stood on it. As the commander walked along the line, he huddled us together in a crowd and then went and pulled the plugs out of our lifeboats, which were lying on the starboard side of the submarine. When he went back to the conning tower, I quickly picked up my belt and hid it under a big, loose oilskin which I was wearing when I left the Belgian Prince. The Germans did not make me take it off when they searched me. I hugged the life belt close to my breast with one arm.

When the commander returned to the conning tower, four German sailors came on deck from below and got into our captain's small boat, which was on the port side. The submarine then backed a little, steamed ahead, and rammed and smashed one of our lifeboats, which had been cast adrift.

The four men who had jumped into our captain's boat now pulled alongside the Belgian Prince. The submarine then got under way and moved ahead at about nine knots, as near as I could guess, leaving her four men aboard the Belgian Prince, and all of us, except our skipper, huddled together on the forward deck, which was almost awash.

She steamed like this for some time, and then I noticed that the water was rising slowly on the deck until it came up to my ankles. I had also noticed, a little while before this, that the conning tower was closed. The water kept on rising around my legs, and when it got almost up to my knees I pulled out my life belt, threw it over my shoulders, and jumped overboard. The other men didn't seem to know what was going to happen. Some of them were saying, "I wonder if they mean to drown us."

About ten seconds after I had jumped, I heard a suction as of a vessel sinking and the submarine had submerged entirely, leaving the crew of the Belgian Prince to struggle in the water.

I began to swim toward our own ship which I could see faintly in the distance, it being not very dark in that latitude until late in the evening. The water was not cold, like the winter time, and I was not badly chilled, but swam and floated all night, on my back and in other positions. One of our crew, who had no life belt, kept about five yards from me for half an hour after the submarine submerged. Then he became exhausted and sank. I could hear many other cries for help, but I could not see the men.

When day came, there were lots of bodies of old shipmates floating around me. Then about five o'clock, as near as I can judge, I made out the Belgian Prince and four men coming over the side. They had been lowering some stuff into a boat. I cried out, "Help, help!" but they paid no attention to me.

Then the submarine came to the surface and the four sailors hoisted their stuff out of the rowboat and were taken aboard. Ten minutes later the submarine submerged. Then there was a great explosion as the Belgian Prince broke in two and sank. Soon I saw a vessel approaching and she passed me, but turned and came back just in time. I was all in. It was a British patrol steamer, and as soon as I came to, I made a full report to the captain of the loss of the Belgian Prince and the drowning of her crew.

The Russian, in his story, tells of the taking away of the life belts and the smashing of the lifeboats; of the crew of the Belgian Prince being left to sink or swim after the U-boat submerged—in all of these details agreeing with the stories of the other two. And he adds:

Then I swam toward the ship all night, although I had no life belt or anything to support me. About five o'clock in the morning I reached the Belgian Prince and climbed on board. I stayed there about an hour and got some dry clothes and put them on.

I saw the submarine come near the ship and three or four of her men climbed on board. I hid and they did not notice me. They had come to put bombs in the ship, so I jumped overboard from the poop with a life belt on. The submarine fired two shells into the ship to make her hurry up and sink. Then the Germans steamed away. I climbed into our little boat which had been left adrift and stayed there until a British patrol ship came along and picked me up.

Do you wonder that the members of the British Seamen's Union have taken a pledge, "No peace until the sea is free from Hun outrages"; and that they have declared a boycott on all German ships, cargoes, and sailors for seven years after the war? Sailors of other nations are joining with the British in this boycott.




The quality of mercy is not strain'd,
It droppeth as the gentle rain from heaven
Upon the place beneath: it is twice blest;
It blesseth him that gives and him that takes:
'Tis mightiest in the mightiest: it becomes
The thronèd monarch better than his crown:
     *     *     *     *     *
It is an attribute to God himself;
And earthly power doth then show likest God's
When mercy seasons justice.
Shakespeare.






DARING THE UNDARABLEToC

We are thirty in the hands of Fate
And thirty-one with Death, our mate.

So sang the men who, with D'Annunzio, the Italian poet and hero, set out "to dare the undarable."

Little has yet been told of the deeds of the Italians in the World War, but as they become known, the people of other nations realize that Italy has really worked wonders in her almost superhuman attempts to conquer, not only men, but nature as well. When the complete story is written of her struggles with avalanches, snow, frost, and enemy soldiers in the mountain passes, it will be one continuous record of heroic deeds.

D'Annunzio, although well over fifty years of age, and in most countries judged too old for actual warfare, has been one of Italy's most daring fighters. He was known throughout his native land by his writings, and his fiery, passionate pleas published in all Italian cities before Italy entered the war, helped his countrymen see the right and decide to fight for it.

As soon as Italy decided to join the Allies, D'Annunzio sought and was granted a post of great danger. He became an aviator, in the same corps with his son.

Austria, whenever possible, sent aviators over Venice and other Italian cities to drop bombs, although this warfare upon non-combatant women and children was contrary to international law. The Austrians, like the Germans, seemed to believe that it was wise for them to use any means to win.

In August, 1918, D'Annunzio commanded a flight of eight bombing airplanes over Vienna. It was a long-distance record for a squadron of planes. Leaving the Italian lines at half past five in the morning, they flew to Vienna and back, over six hundred miles, reaching home in about sixteen hours. It was necessary for them to fly very high, at about fifteen thousand feet, to cross the Alps and to escape the Austrian barrage. All the machines returned but one, which was obliged to land on account of engine trouble.

More than a million printed declarations, or statements, were dropped on Vienna to inform the Austrians of the real state of affairs. In Germany and Austria, the people were allowed to know only what their rulers thought would be good for them to know. D'Annunzio wanted to show them that Italians could drop bombs on Vienna if they desired to do so, or thought it right to do so.

The manifestoes, as they are called, were in German, and read as follows:

We Italians do not war upon women, children, and old men—but only upon your blind, obstinate, and cruel rulers, who cannot give you either peace or food, but try to keep you quiet with hatred and falsehood.

You are said to be intelligent. Why do you wear the uniform of Prussia? It is suicide for you to continue the war. The victory that would end the war promised to you by the Prussians is like the wheat they promised you from Ukraine. You will all die while waiting for it. People of Vienna, think for yourselves! Awake!

In February, 1918, D'Annunzio with twenty-nine companions set out on three small torpedo boats to destroy some Austrian warships discovered by an Italian aviator to be lying hidden in the Bay of Buccari. To get at them, it was necessary to steam past the Austrian fortifications. Discovery meant death.

It is not strange that D'Annunzio was the mastermind of this expedition, for he loves the sea, as he says, with all the strength of his soul. He was born on a yacht at sea and has written much about ships and the ocean. He has taken as his motto three Latin words, "Memento audere semper," which mean, "Remember always to dare."

As they steam away from the Italian shores, D'Annunzio talks to his brave companions. He says, "Sailors, companions, what we are about to do is a task for silent men. Silence is our trusty helmsman. For that reason I need not urge you with many words to be brave, for I know you are already eager to match your courage against the unknown danger. If I were to tell you where we are bound, you would hardly be able to keep from dancing for joy. We are only a handful of men on three small ships, but our hearts are stronger than the motors, and our wills can go further than the torpedoes.

"We carry with us, to leave for a souvenir for the enemy, three bottles sealed and crowned with the flaming tricolor of Italy. We will leave them to-night floating on the smooth surface of the bay amid the wreckage of the vessels we have struck."

Then D'Annunzio reads to them the letter which he has written and inclosed in each bottle, ridiculing the Austrians because they have hidden their ships safely behind the guns of the forts, and do not have courage to come out in the open sea. He says the Italians are always ready "to dare the undarable," and that they have come to make the enemy whom they hate most of all, the laughingstock of the world.

He goes on speaking to the sailors: "Because this thing that we attempt is so dangerous, we have already conquered Fate. To-morrow your names will be honored in all Italy, and will shine as golden as the torpedo. Therefore, every one to-day must give all of himself and more than all of himself, all of his strength and courage, and even more. Do you swear it? Answer me."

The sailors cry, "We swear it! Viva l'Italia!"

And D'Annunzio answers, "Memento audere semper."

They have been steaming for twenty-four hours and are now very near the enemy's guns guarding the entrance to the bay. The very audacity of the Italians seems to save them, for they steam on unchallenged, and when near enough, discharge a torpedo at the giant Austrian dreadnought. The ship is struck and all is excitement and confusion. Rockets are sent up to alarm and inform the forts. The Italian torpedo boats turn for home. D'Annunzio says, "The sky is starry, the sea is starry, and our hearts are starry, too."

One of their three ships is soon disabled and falls behind. The other two turn back to help her, and this is what probably saves them all; for the Austrian forts, seeing them sailing into the harbor, think they are Austrian vessels and do not fire upon them. When they steam out of the harbor, the forts think they are Austrian torpedo boats in pursuit of the Italians who must have escaped in the darkness. As D'Annunzio says, "Our very audacity has conquered Fate."

They sank one of the largest of the Austrian dreadnoughts, and then returned in safety to Italy.

It remained, however, for another Italian naval officer to outdo those who "dared the undarable" at Buccari. Lieutenant Luigi Rizzo, with two small motor patrol boats, succeeded in sinking two huge dreadnoughts protected by an escort of fast destroyers. His story of the encounter is as follows:

We were returning to our base just before dawn on July 10, 1918, after a night of dull, monotonous work along the enemy's coast, when I saw smoke coming from ships nearly two miles away. I thought we had been discovered and were being pursued. The only way I could know what we had to contend with was to get nearer the enemy, so I turned the two boats in my command toward the distant smoke.

Soon I discovered that it was two of Austria's largest dreadnoughts protected by a great convoy of destroyers. Evidently because we were so small, we had not been seen in the darkness; and although we were poorly armed, with only two large torpedoes for each of our two boats and eight smaller ones to throw by hand, we crept ahead until we were inside the line of the destroyers, and slowly and quietly approaching the dreadnoughts. I headed for one of them which proved to be the St. Stephen, and Lieutenant Aonzo, in charge of the other boat, made for the other, the Prince Eugene.

Then the watch on the dreadnoughts discovered us and began to fire at us with their small guns. How we escaped destruction is a miracle. Lieutenant Aonzo sent his first torpedo, and missed; but the second struck the giant fairly. Both of my torpedoes struck the St. Stephen.

After that all was confusion and excitement. We were fired upon and encircled by a muddled crowd of destroyers. I turned my boat to escape. A destroyer stood directly in my way and I veered off and almost touched the bow of the sinking St. Stephen in passing. The destroyers gave their attention to me and this allowed Lieutenant Aonzo to escape.

I saw that I would soon be overtaken, so I sent two torpedoes at the nearest destroyer. The first missed, but the second hit the mark. There was a tremendous explosion. The destroyer wobbled and began to turn over. I put on all power and escaped in the darkness.

The whole thing did not take over fifteen minutes. When we were sure of our escape, the five boys of my crew went nearly mad with joy, hugging, cheering, kissing, and crying in their excitement at what we had done. They hoisted our largest flag and trimmed our boat with bunting. A short way from us we could see that Lieutenant Aonzo was doing the same.

We knew the reception we would have when those at home learned the story, but we did not expect so much. The King decorated and honored us, the Admiralty gave us prize money, and the people added their contributions to it, for they declared we doubtless saved the city of Ancona from bombardment.

Lieutenant Rizzo was promoted to the rank of Commandant although not yet thirty years of age.

The St. Stephen sank where she was torpedoed. The Prince Eugene was able to make for home, but sank before she reached there, a short way from the Austrian coast. At the beginning of 1918, Austria had four of these giant dreadnoughts; on July 11, she had but one still floating.







KILLING THE SOULToC


As the centuries pass, the greatest glory of any nation, its highest satisfaction and pride, is in the works of art which it possesses. In each country there are works of art which have been preserved through many generations. They are the great inheritance of all the past ages. Every nation prizes this inheritance and wishes to hold it in safekeeping for still another generation; for into these creations of genius, men have put their souls.

If a famous inventor of machinery dies and the particular machine which he made is destroyed, there are yet other machines left, which have been made after his pattern, usually much better than the first one which he constructed.

While steamboats, railways, telegraphs, and automobiles are very useful, they are not so mysterious and individual but that they may be exactly copied and many, many duplicates be made and used by every country under the sun.

If all the music of the great composer Beethoven should be destroyed so that no copy remained in the world, there perhaps would be some master musicians of to-day who could remember and write down the notes, and so reproduce the wonderful compositions once more.

But there have been artists who have seen visions and dreamed dreams of God and heaven and the best and happiest things they had found in life. Such a one, with the power of his great genius, has made the dream into a picture, a painting, a statue, or a wonderful building, which no other person in the world is able to copy exactly. Indeed, there are many half-finished works which no artist, however great, has been able to complete. The creator has put into the work his soul, the best of all he thought and knew. So when many artists with their many dreams brought their finest works together into one place, it was certain that forever that place would be cherished and the wonder of it would belong to all people everywhere. While the artists have died long ago, their spirits, their very souls, seem alive to-day in the beautiful art works which they have left. It is for this reason that we speak of great artists who lived eight or nine hundred years ago, as if they were still living to-day, for their souls are alive in what they so wonderfully made. Those who look upon these works are mysteriously inspired to live better and happier lives themselves.

Rheims Cathedral

Rheims Cathedral

The loveliest art works in France are its Gothic cathedrals, and of them all, the Cathedral at Rheims was probably the most wonderful. No monument of ancient or modern times is more widely known to the world. It was built in the Middle Ages and expressed all the aspiration and faith of the people of that time. For seven hundred years it has been cherished for its great beauty, for the memory of the men who made it so beautiful, and for the sacred services which have been held in it. All the kings of France, except six, were crowned in it. One of the most striking services was the coronation of Charles VII, while Joan of Arc stood beside him with the sacred banner in her hands.

The cathedral held the works of many ancient artists. It was especially famous for its rose window, in which the figures of prophets and martyrs were glorified by the afternoon sun. Beneath the window was a magnificent gallery. Statues of angels, a beautiful statue of Christ, and one of the Madonna were to be found in this wonderful building. The stained glass windows were all very beautiful. Even the bells in the tower were famous.

With the excuse that the French were using the great towers of the old cathedral as observation posts, the Germans bombarded and destroyed the church. The roof was battered in and burned, the stained glass windows broken, the famous bells pounded into a shapeless mass of metal, and the wonderful statues and decorations hopelessly destroyed. Only the statue of Joan of Arc, in front of the cathedral, remained uninjured, as though to say, "I am the soul of France. You cannot injure or kill me." Afterwards the Germans bombarded the church a second time, attempting to tear down even the walls that were still standing.

Even savages in war respect sacred places, but the Germans deliberately aimed their guns at them. No excuse can ever be accepted by the civilized world for this deliberate destruction, and certainly the excuse cannot be accepted by military men that the act was due to bad marksmanship.

Other ancient churches were horribly damaged. The Germans stabled their horses in them, broke down the candelabra and statues, and carried away many valuable relics.

The burning of the University buildings at Louvain completely destroyed the treasures that had been preserved for centuries. Priceless manuscripts, paintings that can never be replaced, and valuable books in rare bindings were lost to the world.

The Germans scornfully but ignorantly declared, "Why should we care if every monument in the world is destroyed? We can build better ones." But the German idea of beauty is great strength and huge size. Their own public buildings and statues are often horrible in color, immense and awkward in appearance. They give people the impression of a fearsome brute spreading himself out before them. With few exceptions, there are no dainty figures and designs, nor any beautiful thoughts and feelings, as shown in the work of real artists.

The old cathedral at Rheims can never be restored. No one can ever bring back the old beauty and color; no one can revive those statues and paintings so that ever again they will seem to breathe forth the soul of the artists who fashioned them seven hundred years ago. The walls may be rebuilt, and artists of tomorrow may beautify them, but the spirit of the great men of the Middle Ages is gone—it has fled from the place forever. Thus the Germans, not content with killing the bodies of men, have in this way killed the souls of some of the greatest of the geniuses of the past. How can she pay the damage, or meet a fitting punishment?




What a peerless jewel was this cathedral, more beautiful even than Notre Dame in Paris, more open to the light, more ethereal, more soaringly uplifted with its columns like long reeds surprisingly fragile considering the weight they bear, a miracle of the religious art of France, a masterpiece which the faith of our ancestors had called into being in all its mystic purity.

Pierre Loti.