I never seed a troubleder fambly than they was. It jist 'peared like old Ezry give clean down, and the women and childern a-cryin' and a-takin' on. It looked jist awful—shore's you're born!—Losin' ever'thing they'd worked so hard fer—and there it was, purt' nigh midnight, and a fambly, jist a little while ago all so happy, and now with no home to go to, ner nothin'!
It was arranged fer Ezry's to move in with Bills—that was about the on'y chance—on'y one room and a loft; but Bills said they could manage some way, fer a while anyhow.
Bills said he seed the fire when it first started, and could a-putt it out ef he'd on'y be'n strong enough to git there; said he started twic't to go, but was too weak and had to go back to bed agin; said it was a-blazin' in the kitchen roof when he first seed it. So the gineral conclusion 'at we all come to was—it must a-ketched from the flue.
It was too late in the fall then to think o' buildin' even the onriest kind o' shanty, and so Ezry moved in with Bills. And Bills used to say ef it hadn't a-be'n fer Ezry he'd a-never a-had no house, ner nothin' to putt in it, nuther! You see, all the household goods 'at Bills had in the world he'd got of Ezry, and he 'lowed he'd be a triflin' whelp ef he didn't do all in his power to make Ezry perfeckly at home's long as he wanted to stay there. And together they managed to make room fer 'em all, by a-buildin' a kindo' shed-like to the main house, intendin' to build when Spring come. And ever'thing went along first-rate, I guess; never heerd no complaints—that is, p'tickler.
Ezry was kindo' down fer a long time, though; didn't like to talk about his trouble much, and didn't 'tend meetin' much, like he used to; said it made him think 'bout his house burnin', and he didn't feel safe to lose sight o' the mill. And the meetin's kindo' broke up altogether that winter. Almost broke up religious doin's, it did. 'S long as I've lived here I never seed jist sich a slack in religion as they was that winter; and 'fore then, I kin mind the time when they wasn't a night the whole endurin' winter when they didn't have preachin' er prayer-meetin' o' some kind a-goin' on. W'y, I rickollect one night in p'tickler—the coldest night, whooh! And somebody had stold the meetin'-house door, and they was obleeged to preach 'thout it. And the wind blowed in so they had to hold their hats afore the candles, and then onc't-in-a-while they'd git sluffed out. And the snow drifted in so it was jist like settin' out doors; and they had to stand up when they prayed—yes-sir! stood up to pray. I noticed that night they was a' oncommon lot o' jiners, and I believe to this day 'at most of 'em jined jist to git up where the stove was. Lots o' folks had their feet froze right in meetin'; and Steve come home with his ears froze like they was whittled out o' bone; and he said 'at Mary Madaline Wells's feet was froze, and she had two pair o' socks on over her shoes. Oh, it was cold, now I tell you!
They run the mill part o' that winter—part they couldn't. And they didn't work to say stiddy tel along in Aprile, and then they was snow on the ground yit—in the shadders—and the ground froze, so you couldn't hardly dig a grave. But at last they got to kindo' jiggin' along agin. Plenty to do there was; and old Ezry was mighty tickled, too; 'peared to recruit right up like. Ezry was allus best tickled when things was a-stirrin', and then he was a-gittin' ready fer buildin', you know,—wanted a house of his own, he said.—And of course it wasn't adzackly like home, all cluttered up as they was there at Bills's. They got along mighty well, though, together; and the women-folks and childern got along the best in the world. Ezry's woman used to say she never laid eyes on jist sich another woman as Annie was. Said it was jist as good as a winter's schoolin' fer the childern; said her two little girls had learnt to read, and didn't know their a-b abs afore Annie learnt 'em; well, the oldest one, Mary Patience, she did know her letters, I guess—fourteen year old, she was; but Mandy, the youngest, had never seed inside a book afore that winter; and the way she learnt was jist su'prisin'. She was puny-like and frail-lookin' allus, but ever'body 'lowed she was a heap smarter'n Mary Patience, and she was; and in my opinion she railly had more sense'n all the rest o' the childern putt together, 'bout books and cipherin' and 'rethmetic, and the like; and John Wesley, the oldest of 'em, he got to teachin' at last, when he growed up,—but, law! he couldn't write his own name so's you could read it. I allus thought they was a good 'eal of old Ezry in John Wesley. Liked to romance 'round with the youngsters 'most too well.—Spiled him fer teachin', I allus thought; fer instance, ef a scholard said somepin' funny in school, John-Wes he'd jist have to have his laugh out with the rest, and it was jist fun fer the boys, you know, to go to school to him. Allus in fer spellin'-matches and the like, and learnin' songs and sich. I rickollect he give a' exhibition onc't, one winter, and I'll never fergit it, I rickon.
The school-house would on'y hold 'bout forty, comf'table, and that night they was up'ards of a hunderd er more—jist crammed and jammed! And the benches was piled back so's to make room fer the flatform they'd built to make their speeches and dialogues on; and fellers a-settin' up on them back seats, their heads was clean aginst the j'ist. It was a low ceilin', anyhow, and o' course them 'at tuk a part in the doin's was way up, too. Janey Thompson had to give up her part in a dialogue, 'cause she looked so tall she was afeard the congergation would laugh at her; and they couldn't git her to come out and sing in the openin' song 'thout lettin' her set down first and git ready 'fore they pulled the curtain. You see, they had sheets sewed together, and fixed on a string some way, to slide back'ards and for'ards, don't you know. But they was a big bother to 'em—couldn't git 'em to work like. Ever' time they'd git 'em slid 'bout half-way acrost, somepin' would ketch, and they'd haf to stop and fool with 'em awhile 'fore they could git 'em the balance o' the way acrost. Well, finally, to'rds the last, they jist kep' 'em drawed back all the time. It was a pore affair, and spiled purt' nigh ever' piece; but the scholards all wanted it fixed thataway, the teacher said, in a few appropert remarks he made when the thing was over. Well, I was a-settin' in the back part o' the house on them high benches, and my head was jist even with them on the flatform, and the lights was pore, and where the string was stretched fer the curtain to slide on it looked like the p'formers was strung on it. And when Lige Boyer's boy was a-speakin'—kindo' mumbled it, you know, and you couldn't half hear—it looked fer the world like he was a-chawin' on that-air string; and some devilish feller 'lowed ef he'd chaw it clean in two it'd be a good thing fer the balance. After that they all sung a sleigh-ridin' song, and it was right purty, the way they got it off. Had a passel o' sleigh-bells they'd ring ever' onc't-in-a-while, and it sounded purty—shore!
Then Hunicut's girl, Marindy, read a letter 'bout winter, and what fun the youngsters allus had in winter-time, a-sleighin' and the like, and spellin'-matches, and huskin'-bees, and all. Purty good, it was, and made a feller think o' old times. Well, that was about the best thing they was done that night; but everybody said the teacher wrote it fer her; and I wouldn't be su'prised much, fer they was married not long afterwards. I expect he wrote it fer her.—Wouldn't putt it past Wes!
They had a dialogue, too, 'at was purty good. Little Bob Arnold was all fixed up—had on his pap's old bell-crowned hat, the one he was married in. Well, I jist thought die I would when I seed that old hat and called to mind the night his pap was married, and we all got him a little how-come-you-so on some left-handed cider 'at' had be'n a-layin' in a whiskey-bar'l tel it was strong enough to bear up a' egg. I kin rickollect now jist how he looked in that hat, when it was all new, you know, and a-settin' on the back of his head, and his hair in his eyes; and sich hair!—as red as git-out—and his little black eyes a-shinin' like beads. Well-sir, you'd a-died to a-seed him a-dancin'. We danced all night that night, and would a-be'n a-dancin' yit, I rickon, ef the fiddler hadn't a-give out. Wash Lowry was a-fiddlin' fer us; and along to'rds three er four in the morning Wash was purty well fagged out. You see, Wash could never play fer a dance er nothin' 'thout a-drinkin' more or less, and when he got to a certain pitch you couldn't git nothin' out o' him but "Barbary Allan"; so at last he struck up on that, and jist kep' it up, and kep' it up, and nobody couldn't git nothin' else out of him!
Now, anybody 'at ever danced knows 'at "Barbary Allan" hain't no tune to dance by, no way you can fix it; and, o' course, the boys seed at onc't their fun was gone ef they couldn't git him on another tune.—And they'd coax and beg and plead with him, and maybe git him started on "The Wind Blows over the Barley," and 'bout the time they'd git to knockin' it down agin purty lively, he'd go to sawin' away on "Barbary Allan"—and I'll-be-switched-to-death ef that feller didn't set there and play hisse'f sound asleep on "Barbary Allan," and we had to wake him up afore he'd quit! Now, that's jes' the plum facts. And they wasn't a better fiddler nowheres than Wash Lowry, when he was at hisse'f. I've heerd a good many fiddlers in my day, and I never heerd one yit 'at could play my style o' fiddlin' ekal to Wash Lowry. You see, Wash didn't play none o' this-here new-fangled music—nothin' but the old tunes, you understand, "The Forkéd Deer," and "Old Fat Gal," and "Gray Eagle," and the like. Now, them's music! Used to like to hear Wash play "Gray Eagle." He could come as nigh a-makin' that old tune talk as ever you heerd! Used to think a heap o' his fiddle—and he had a good one, shore. I've heerd him say, time and time agin, 'at a five-dollar gold-piece wouldn't buy it, and I knowed him myse'f to refuse a calf fer it onc't—yes-sir, a yearland calf—and the feller offered him a double-bar'l'd pistol to boot, and blame ef he'd take it; said he'd ruther part with anything else he owned than his fiddle.—But here I am, clean out o' the furry agin!... Oh, yes; I was a-tellin' 'bout little Bob, with that old hat; and he had on a swaller-tail coat and a lot o' fixin's, a-actin' like he was a squire; and he had him a great long beard made out o' corn-silks, and you wouldn't a-knowed him ef it wasn't fer his voice. Well, he was a-p'tendin' he was a squire a-tryin' some kind o' law-suit, you see; and John Wesley he was the defendunt, and Joney Wiles, I believe it was, played like he was the plaintive. And they'd had a fallin' out 'bout some land, and was a-lawin' fer p'session, you understand. Well, Bob he made out it was a mighty bad case when John-Wes comes to consult him 'bout it, and tells him ef a little p'int o' law was left out he thought he could git the land fer him. And then John-Wes bribes him, you understand, to leave out the p'int o' law, and the squire says he'll do all he kin, and so John-Wes goes out a-feelin' purty good. Then Wiles comes in to consult the squire, don't you see. And the 'squire tells him the same tale he told John Wesley. So Wiles bribes him to leave out the p'int o' law in his favor, don't you know. So when the case is tried he decides in favor o' John-Wes, a-tellin' Wiles some cock-and-bull story 'bout havin' to manage it thataway so's to git the case mixed so's he could git it fer him shore; and posts him to sue fer change of venue or somepin',—anyway, Wiles gits a new trial, and then the squire decides in his favor, and tells John-Wes another trial will fix it in his favor, and so on.—And so it goes on tel, anyway, he gits holt o' the land hisse'f and all their money besides, and leaves them to hold the bag! Well-sir, it was purty well got up; and they said it was John-Wes's doin's, and I 'low it was—he was a good hand at anything o' that sort, and knowed how to make fun.—But I've be'n a-tellin' you purty much ever'thing but what I started out with, and I'll try and hurry through, 'cause I know you're tired.
'Long 'bout the beginnin' o' summer, things had got back to purty much the old way. The boys round was a-gittin' devilish, and o' nights 'specially theyr was a sight o' meanness a-goin' on. The mill-hands, most of 'em, was mixed up in it—Coke and Morris, and them 'at had jined meetin' 'long in the winter had all backslid, and was a-drinkin' and carousin' round worse'n ever.
People perdicted 'at Bills would backslide, but he helt on faithful, to all appearance; said he liked to see a feller when he made up his mind to do right, he liked to see him do it, and not go back on his word; and even went so fer as to tell Ezry ef they didn't putt a stop to it he'd quit the neighberhood and go somers else. And Bills was Ezry's head man then, and he couldn't a-got along 'thout him; and I b'lieve ef Bills had a-said the word old Ezry would a-turned off ever' hand he had.—He got so he jist left ever'thing to Bills. Ben Carter was turned off fer somepin', and nobody ever knowed what. Bills and him had never got along jist right sence the fight.
Ben was with this set I was a-tellin' you 'bout, and they'd got him to drinkin' and in trouble, o' course. I'd knowed Ben well enough to know he wouldn't do nothin' ornry ef he wasn't agged on, and ef he ever was mixed up in anything o' the kind Wes Morris and John Coke was at the bottom of it, and I take notice they wasn't turned off when Ben was.
One night the crowd was out, and Ben amongst 'em, o' course.—Sence he'd be'n turned off he'd be'n a-drinkin',—and I never blamed him much; he was so good-hearted like and easy led off, and I allus b'lieved it wasn't his own doin's.
Well, this night they cut up awful, and ef they was one fight they was a dozend; and when all the devilment was done they could do, they started on a stealin' expedition, and stold a lot o' chickens and tuk 'em to the mill to roast 'em; and, to make a long story short, that night the mill burnt clean to the ground. And the whole pack of 'em collogued together aginst Carter to saddle it onto him; claimed 'at they left Ben there at the mill 'bout twelve o'clock—which was a fact, fer he was dead drunk and couldn't git away. Steve stumbled over him while the mill was a-burnin' and drug him out afore he knowed what was a-goin' on, and it was all plain enough to Steve 'at Ben didn't have no hand in the firin' of it. But I'll tell you he sobered up mighty suddent when he seed what was a-goin' on, and heerd the neighbers a-hollerin', and a-threatenin' and a-goin' on!—fer it seemed to be the ginerl idee 'at the buildin' was fired a-purpose. And says Ben to Steve, says he, "I expect I'll haf to say good-bye to you, fer they've got me in a ticklish place! I kin see through it all now, when it's too late!" And jist then Wesley Morris hollers out, "Where's Ben Carter?" and started to'rds where me and Ben and Steve was a-standin'; and Ben says, wild-like, "Don't you two fellers ever think it was my doin's," and whispers "Good-bye," and started off; and when we turned, Wesley Morris was a-layin' flat of his back, and we heerd Carter yell to the crowd 'at "that man"—meanin' Morris—"needed lookin' after worse than he did," and another minute he plunged into the river and swum acrost; and we all stood and watched him in the flickerin' light tel he clum out on t'other bank; and 'at was the last anybody ever seed o' Ben Carter!
It must a-be'n about three o'clock in the morning by this time, and the mill then was jist a-smoulderin' to ashes—fer it was as dry as tinder and burnt like a flash—and jist as a party was a-talkin' o' organizin' and follerin' Carter, we heerd a yell 'at I'll never fergit ef I'd live tell another flood. Old Ezry, it was, as white as a corpse, and with the blood a-streamin' out of a gash in his forred, and his clothes half on, come a-rushin' into the crowd and a-hollerin' fire and murder ever' jump. "My house is a-burnin', and my folks is all a-bein' murdered whilse you're a-standin' here! And Bills done it! Bills done it!" he hollered, as he headed the crowd and started back fer home. "Bills done it! I caught him at it; and he would a-murdered me in cold blood ef it hadn't a-be'n fer his woman. He knocked me down, and had me tied to a bed-post in the kitchen afore I come to. And his woman cut me loose and told me to run fer he'p; and says I, 'Where's Bills?' and she says, 'He's after me by this time.' And jist then we heerd Bills holler, and we looked, and he was a-standin' out in the clearin' in front o' the house, with little Annie in his arms; and he hollered wouldn't she like to kiss the baby good-bye. And she hollered My God! fer me to save little Annie, and fainted clean dead away. And I heerd the roof a-crackin', and grabbed her up and packed her out jist in time. And when I looked up, Bills hollered out agin, and says, 'Ezry,' he says, 'you kin begin to kindo' git an idee o' what a good feller I am! And ef you hadn't a-caught me you'd a-never a-knowed it, and "Brother Williams" wouldn't a-be'n called away to another app'intment like he is.' And says he, 'Now, ef you foller me I'll finish you shore!—You're safe now fer I hain't got time to waste on you furder.' And jist then his woman kindo' come to her senses ag'in and hollered fer little Annie, and the child heerd her and helt out its little arms to go to her, and hollered 'Mother! Mother!' And Bills says, 'Dam yer mother! ef it hadn't a-be'n fer her I' a-be'n all right. And dam you, too!' he says to me.—'This'll pay you fer that lick you struck me; and fer you a-startin' reports, when I first come, 'at more'n likely I'd done somepin' mean over East and come out West to reform! And I wonder ef I didn't do somepin' mean afore I come here?' he went on; 'kill somebody er somepin'? And I wonder ef I ain't reformed enough to go back? Good-bye, Annie!' he hollered; 'and you needn't fret about yer baby, I'll be the same indulgent father to it I've allus be'n!' And the baby was a-cryin' and a-reachin' out its little arms to'rds its mother, when Bills he turned and struck off in the dark to'rds the river."
This was about the tale 'at Ezry told us, as nigh as I can rickollect: and by the time he finished, I never want to see jist sich another crowd o' men as was a-swarmin' there. Ain't it awful when sich a crowd gits together? I tell you it makes my flesh creep to think about it!
As Bills had gone in the direction of the river, we wasn't long in makin' our minds up 'at he'd haf to cross it, and ef he done that he'd haf to use the boat 'at was down below the mill, er wade it at the ford, a mil'd er more down. So we divided in three sections, like—one to go and look after the folks at the house, and another to the boat, and another to the ford. And Steve and me and Ezry was in the crowd 'at struck fer the boat: and we made time a-gittin' there! It was awful dark, and the sky was a-cloudin' up, like a storm; but we wasn't long a-gittin' to the p'int where the boat was allus tied; but they wasn't no boat there! Steve kindo' tuk the lead, and we all talked in whispers. And Steve said to kindo' lay low and maybe we could hear somepin'; and some feller said he thought he heerd somepin' strange-like, but the wind was kindo' raisin' and kep' up sich a moanin' through the trees along the bank 'at we couldn't make out nothin'. "Listen!" says Steve, suddent-like, "I hear somepin'!" We was all still ag'in—and we all heerd a moanin' 'at was sadder'n the wind—sounded mournfuller to me,—'cause I knowed it in a minute, and I whispered, "Little Annie." And 'way out acrost the river we could hear the little thing a-sobbin', and we all was still's death; and we heerd a voice we knowed was Bills's say, "Dam ye! Keep still, or I'll drownd ye!" And the wind kindo' moaned ag'in, and we could hear the trees a-screetchin' together in the dark, and the leaves a-rustlin'; and when it kindo' lulled ag'in, we heerd Bills make a kindo' splash with the oars; and jist then Steve whispered fer to lay low and be ready—he was a-goin' to riconn'itre; and he took his coat and shoes off, and slid over the bank and down into the worter as slik as a' eel. Then ever'thing was still ag'in, 'cept the moanin' o' the child, which kep' a-gittin' louder and louder; and then a voice whispered to us, "He's a-comin' back; the crowd below has sent scouts up, and they're on t'other side. Now watch clos't, and he's our meat." We could hear Bills, by the moanin' o' the baby, a-comin' nearder and nearder, tel suddently he made a sorto' miss-lick with the oar, I reckon, and must a-splashed the baby, fer she set up a loud cryin'; and jist then old Ezry, who was a-leanin' over the bank, kindo' lost his grip, some way o' nother, and fell kersplash in the worter like a' old chunk. "Hello?" says Bills, through the dark, "you're there, too, air ye?" as old Ezry splashed up the bank ag'in. And "Cuss you!" he says then, to the baby—"ef it hadn't be'n fer your infernal squawkin' I'd a-be'n all right; but you've brought the whole neighberhood out, and, dam you, I'll jist let you swim out to 'em!" And we heerd a splash, then a kindo gurglin', and then Steve's voice a-hollerin', "Close in on him, boys; I've got the baby!" And about a dozent of us bobbed off the bank like so many bull-frogs, and I'll tell you the worter b'iled! We could jist make out the shape o' the boat, and Bills a-standin' with a' oar drawed back to smash the first head 'at come in range. It was a mean place to git at him. We knowed he was despert, and fer a minute we kindo' helt back. Fifteen foot o' worter's a mighty onhandy place to git hit over the head in! And Bills says, "You hain't afeard, I rickon—twenty men ag'in one!" "You'd better give yourse'f up!" hollered Ezry from the shore. "No, Brother Sturgiss," says Bills, "I can't say 'at I'm at all anxious 'bout bein' borned ag'in, jist yit awhile," he says; "I see you kindo' 'pear to go in fer baptism; guess you'd better go home and git some dry clothes on; and, speakin' o' home, you'd ort 'o be there by all means—your house might catch afire and burn up whilse you're gone!" And jist then the boat give a suddent shove under him—some feller'd div under and tilted it—and fer a minute it throwed him off his guard, and the boys closed in. Still he had the advantage, bein' in the boat: and as fast as a feller would climb in he'd git a whack o' the oar, tell finally they got to pilin' in a little too fast fer him to manage, and he hollered then at we'd have to come to the bottom ef we got him, and with that he div out o' the end o' the boat, and we lost sight of him; and I'll be blame ef he didn't give us the slip after all!
Wellsir, we watched fer him, and some o' the boys swum on down stream, expectin' he'd raise, but couldn't find hide ner hair of him; so we left the boat a-driftin' off down stream and swum ashore, a-thinkin' he'd jist drownded hisse'f a-purpose. But they was more su'prise waitin' fer us yit,—fer lo-and-behold-ye, when we got ashore they wasn't no trace o' Steve er the baby to be found. Ezry said he seed Steve when he fetched little Annie ashore, and she was all right, on'y she was purt-nigh past cryin'; and he said Steve had lapped his coat around her and give her to him to take charge of, and he got so excited over the fight he laid her down betwixt a couple o' logs and kindo' fergot about her tel the thing was over, and he went to look fer her, and she was gone. Couldn't a-be'n 'at she'd a-wundered off her-own-se'f; and it couldn't a-be'n 'at Steve'd take her, 'thout a-lettin' us know it. It was a mighty aggervatin' conclusion to come to, but we had to do it, and that was, Bills must a-got ashore unbeknownst to us and packed her off. Sich a thing wasn't hardly probable, yit it was a thing 'at might be; and after a-talkin' it over we had to admit 'at that must a-be'n the way of it. But where was Steve? W'y, we argied, he'd diskivvered she was gone, and had putt out on track of her 'thout losin' time to stop and explain the thing. The next question was, what did Bills want with her ag'in?—He'd tried to drownd her onc't. We could ast questions enough, but c'rect answers was mighty skearce, and we jist concluded 'at the best thing to do was to putt out fer the ford, fer that was the nighdest place Bills could cross 'thout a boat, and ef it was him tuk the child, he was still on our side o' the river, o' course. So we struck out fer the ford, a-leavin' a couple o' men to search up the river. A drizzlin' sorto' rain had set in by this time, and with that and the darkness and the moanin' of the wind, it made 'bout as lonesome a prospect as a feller ever wants to go through ag'in.
It was jist a-gittin' a little gray-like in the morning by the time we reached the ford, but you couldn't hardly see two rods afore you fer the mist and the fog 'at had settled along the river. We looked fer tracks, but couldn't make out nothin'. Thereckly old Ezry punched me and p'inted out acrost the river. "What's that?" he whispers. Jist 'bout half-way acrost was somepin' white-like in the worter—couldn't make out what—perfeckly still it was. And I whispered back and told him I guess it wasn't nothin' but a sycamore snag. "Listen!" says he; "sycamore snags don't make no noise like that!" And, shore enough, it was the same moanin' noise we'd heerd the baby makin' when we first got on the track. Sobbin' she was, as though nigh about dead. "Well, ef that's Bills," says I—"and I reckon they hain't no doubt but it is—what in the name o' all that's good and bad's the feller a-standin' there fer!" And a-creepin' clos'ter, we could make him out plainer and plainer. It was him; and there he stood breast-high in the worter, a-holdin' the baby on his shoulder like, and a-lookin' up stream, and a-waitin.'
"What do you make out of it?" says Ezry. "What's he waitin' fer?"
And, a-strainin' my eyes in the direction he was a-lookin', I seed somepin' a-movin' down the river, and a minute later I'd made out the old boat a-driftin' down stream; and then of course ever'thing was plain enough: He was waitin' fer the boat, and ef he got that he'd have the same advantage on us he had afore.
"Boys," says I, "he mustn't git that boat ag'in! Foller me, and don't let him git to the shore alive!" And in we plunged. He seed us, but he never budged, on'y to grab the baby by its little legs, and swing it out at arms-len'th. "Stop, there!" he hollered.—"Stop jist where ye air! Move another inch and I'll drownd this dam young-un afore yer eyes!" he says.—And he'd a-done it. "Boys," says I, "he's got us. Don't move! This thing'll have to rest with a higher power'n our'n! Ef any of you kin pray," says I, "now's a good time to do it!"
Jist then the boat swung up, and Bills grabbed it and retch 'round and set the baby in it, never a-takin' his eye off o' us, though, fer a minute. "Now," says he, with a sorto' snarlin' laugh, "I've on'y got a little while to stay with you, and I want to say a few words afore I go. I want to tell you fellers, in the first place, 'at you've be'n fooled in me: I hain't a good feller—now, honest! And ef you're a little the worse fer findin' it out so late in the day, you hain't none the worse fer losin' me so soon—fer I'm a-goin' away now, and any interference with my arrangements'll on'y give you more trouble; so it's better all around to let me go peaceable and jist while I'm in the notion. I expect it'll be a disapp'intment to some o' you that my name hain't 'Williams,' but it hain't. And maybe you won't think nigh as much o' me when I tell you furder 'at I was obleeged to 'dopt the name o' 'Williams' onc't to keep from bein' strung up to a lamp-post, but sich is the facts. I was so extremely unfortunit onc't as to kill a p'tickler friend o' mine, and he forgive me with his dyin' breath, and told me to run whilse I could, and be a better man. But he'd spotted me with a' ugly mark 'at made it kindo' onhandy to git away, but I did at last; and jist as I was a-gittin' reformed-like, you fellers had to kick in the traces, and I've made up my mind to hunt out a more moraler community, where they don't make sich a fuss about trifles. And havin' nothin' more to say, on'y to send Annie word 'at I'll still be a father to her young-un here, I'll bid you all good-bye." And with that he turned and clum in the boat—or ruther fell in,—fer somepin' black-like had riz up in it, with a' awful lick—my—God!—And, a minute later, boat and baggage was a-gratin' on the shore, and a crowd come thrashin' 'crost from t'other side to jine us,—and 'peared like wasn't a second longer tel a feller was a-swingin' by his neck to the limb of a scrub-oak, his feet clean off the ground and his legs a-jerkin' up and down like a limber-jack's.
And Steve it was a-layin' in the boat, and he'd rid a mil'd er more 'thout knowin' of it. Bills had struck and stunt him as he clum in whilse the rumpus was a-goin' on, and he'd on'y come to in time to hear Bills's farewell address to us there at the ford.
Steve tuk charge o' little Annie ag'in, and ef she'd a-be'n his own child he wouldn't a-went on more over her than he did; and said nobody but her mother would git her out o' his hands ag'in. And he was as good as his word; and ef you could a-seed him a half hour after that, when he did give her to her mother—all lapped up in his coat and as drippin' wet as a little drownded angel—it would a-made you wish't you was him to see that little woman a-caperin' round him, and a-thankin' him, and a-cryin' and a-laughin', and almost a-huggin' him, she was so tickled,—well, I thought in my soul she'd die! And Steve blushed like a girl to see her a-takin' on, and a-thankin' him, and a-cryin', and a-kissin' little Annie, and a-goin' on. And when she inquired 'bout Bills, which she did all suddent-like, with a burst o' tears, we jist didn't have the heart to tell her—on'y we said he'd crossed the river and got away. And he had!
And now comes a part o' this thing 'at'll more'n like tax you to believe it: Williams and her wasn't man and wife—and you needn't look su'prised, nuther, and I'll tell you fer why:—They was own brother and sister; and that brings me to her part of the story, which you'll haf to admit beats anything 'at you ever read about in books.
Her and Williams—that wasn't his name, like he acknowledged, hisse'f, you rickollect—ner she didn't want to tell his right name; and we forgive her fer that. Her and "Williams" was own brother and sister, and their parunts lived in Ohio some'ers. Their mother had be'n dead five year' and better—grieved to death over her onnachurl brother's recklessness, which Annie hinted had broke her father up in some way, in tryin' to shield him from the law. And the secret of her bein' with him was this: She had married a man o' the name of Curtis or Custer, I don't mind which, adzackly—but no matter; she'd married a well-to-do young feller 'at her brother helt a' old grudge ag'in, she never knowed what; and, sence her marriage, her brother had went on from bad to worse, tel finally her father jist give him up and told him to go it his own way—he'd killed his mother and ruined him, and he'd jist give up all hopes! But Annie—you know how a sister is—she still clung to him and done ever'thing fer him, tel finally, one night, about three years after she was married, she got word some way that he was in trouble ag'in, and sent her husband to he'p him; and a half hour after he'd gone, her brother come in, all excited and bloody, and told her to git the baby and come with him, 'at her husband had got in a quarrel with a friend o' his and was bad hurt. And she went with him, of course, and he tuk her in a buggy, and lit out with her as tight as he could go all night; and then told her 'at he was the feller 'at had quarrelled with her husband, and the officers was after him, and he was obleeged to leave the country, and fer fear he hadn't made shore work o' him, he was a-takin' her along to make shore of his gittin' his revenge; and he swore he'd kill her and the baby too ef she dared to whimper. And so it was, through a hunderd hardships he'd made his way at last to our section o' the country, givin' out 'at they was man and wife, and keepin' her from denyin' of it by threats, and promises of the time a-comin' when he'd send her home to her man ag'in in case he hadn't killed him. And so it run on tel you'd a-cried to hear her tell it, and still see her sister's love fer the feller a-breakin' out by a-declarin' how kind he was to her at times, and how he wasn't railly bad at heart, on'y fer his ungov'nable temper. But I couldn't he'p but notice, when she was a-tellin' of her hist'ry, what a quiet sorto' look o' satisfaction settled on the face o' Steve and the rest of 'em, don't you understand.
And now they was on'y one thing she wanted to ast, she said; and that was,—could she still make her home with us tel she could git word to her friends?—and there she broke down ag'in, not knowin', of course, whether they was dead er alive; fer time and time ag'in she said somepin' told her she'd never see her husband ag'in on this airth; and then the women-folks would cry with her and console her, and the boys would speak hopeful—all but Steve; some way o' nother Steve was never like hisse'f from that time on.
And so things went fer a month and better. Ever'thing had quieted down, and Ezry and a lot o' hands, and me and Steve amongst 'em, was a-workin' on the frame-work of another mill. It was purty weather, and we was all in good sperits, and it 'peared like the whole neighberhood interested—and they was, too—women-folks and ever'body. And that day Ezry's woman and amongst 'em was a-gittin' up a big dinner to fetch down to us from the house; and along about noon a spruce-lookin' young feller, with a pale face and a black beard, like, come a-ridin' by and hitched his hoss, and comin' into the crowd, said "Howdy," pleasant-like, and we all stopped work as he went on to say 'at he was on the track of a feller o' the name o' "Williams," and wanted to know ef we could give him any infermation 'bout sich a man. Told him maybe,—'at a feller bearin' that name desappeared kindo' myster'ous from our neighberhood 'bout five weeks afore that. "My God!" says he a-turnin' paler'n ever, "am I too late? Where did he go, and was his sister and her baby with him?" Jist then I ketched sight o' the women-folks a-comin' with the baskets, and Annie with 'em, with a jug o' worter in her hand; so I spoke up quick to the stranger, and says I, "I guess 'his sister and her baby' wasn't along," says I, "but his wife and baby's some'eres here in the neighberhood yit." And then a-watchin' him clos't, I says suddent, a-p'intin' over his shoulder, "There his woman is now—that one with the jug, there." Well, Annie had jist stooped to lift up one o' the little girls, when the feller turned, and their eyes met. "Annie! My wife!" he says; and Annie she kindo' give a little yelp like and come a-flutterin' down in his arms; and the jug o' worter rolled clean acrost the road, and turned a somerset and knocked the cob out of its mouth and jist laid back and hollered "Good—good—good—good—good!" like as ef it knowed what was up and was jist as glad and tickled as the rest of us.
"And the common people heard him gladly."
Of what shall be said herein of dialect, let it be understood the term dialect referred to is of that general breadth of meaning given it to-day, namely, any speech or vernacular outside the prescribed form of good English in its present state. The present state of the English is, of course, not any one of its prior states. So first let it be remarked that it is highly probable that what may have been the best of English once may now by some be counted as a weak, inconsequent patois, or dialect.
To be direct, it is the object of this article to show that dialect is not a thing to be despised in any event—that its origin is oftentimes of as royal caste as that of any speech. Listening back, from the standpoint of to-day, even to the divine singing of that old classic master to whom England's late laureate refers as
or to whom Longfellow alludes, in his matchless sonnet, as
Chaucer's verse to us is now as veritably dialect as to that old time it was the chastest English; and even then his materials were essentially dialect when his song was at best pitch. Again, our present dialect, of most plebeian ancestry, may none the less prove worthy. Mark the recognition of its own personal merit in the great new dictionary, where what was, in our own remembrance, the most outlandish dialect, is now good, sound, official English.
Since Literature must embrace all naturally existing materials—physical, mental, and spiritual—we have no occasion to urge its acceptance of so-called dialect, for dialect is in Literature, and has been there since the beginning of all written thought and utterance. Strictly speaking, as well as paradoxically, all verbal expression is more or less dialectic, however grammatical. While usage establishes grammar, it no less establishes so-called dialect. Therefore we may as rightfully refer to "so-called grammar."
It is not really a question of Literature's position toward dialect that we are called upon to consider, but rather how much of Literature's valuable time shall be taken up by this dialectic country cousin. This question Literature her gracious self most amiably answers by hugging to her breast voluminous tomes, from Chaucer on to Dickens, from Dickens on to Joel Chandler Harris. And this affectionate spirit on the part of Literature, in the main, we all most feelingly indorse.
Briefly summed, it would appear that dialect means something more than mere rude form of speech and action—that it must, in some righteous and substantial way, convey to us a positive force of soul, truth, dignity, beauty, grace, purity and sweetness that may even touch us to the tenderness of tears. Yes, dialect as certainly does all this as that speech and act refined may do it, and for the same reason: it is simply, purely natural and human.
Yet the Lettered and the Unlettered powers are at swords' points; and very old and bitter foemen, too, they are. As fairly as we can, then, let us look over the field of these contending forces and note their diverse positions: First, the Lettered—they who have the full advantages of refined education, training, and association—are undoubtedly as wholly out of order among the Unlettered as the Unlettered are out of order in the exalted presence of the Lettered. Each faction may in like aversion ignore or snub the other; but a long-suffering Providence must bear with the society of both. There may be one vague virtue demonstrated by this feud: each division will be found unwaveringly loyal to its kind, and mutually they desire no interchange of sympathy whatever.—Neither element will accept from the other any patronizing treatment; and, perhaps, the more especially does the Unlettered faction reject anything in vaguest likeness of this spirit. Of the two divisions, in graphic summary,—one knows the very core and centre of refined civilization, and this only; the other knows the outlying wilds and suburbs of civilization, and this only. Whose, therefore, is the greater knowledge, and whose the just right of any whit of self-glorification?
A curious thing, indeed, is this factional pride, as made equally manifest in both forces; in one, for instance, of the Unlettered forces: The average farmer, or countryman, knows, in reality, a far better and wider range of diction than he permits himself to use. He restricts and abridges the vocabulary of his speech, fundamentally, for the reason that he fears offending his rural neighbors, to whom a choicer speech might suggest, on his part, an assumption—a spirit of conscious superiority, and therewith an implied reflection on their lack of intelligence and general worthiness. If there is any one text universally known and nurtured of the Unlettered masses of our common country, it is that which reads, "All men are created equal." Therefore it is a becoming thing when true gentility prefers to overlook some variations of the class who, more from lack of cultivation than out of rude intent, sometimes almost compel a positive doubt of the nice veracity of the declaration, or at least a grief at the munificent liberality of the so-be-quoted statement. The somewhat bewildering position of these conflicting forces leaves us nothing further to consider, but how to make the most and best of the situation so far as Literature may be hurt or helped thereby.
Equally with the perfect English, then, dialect should have full justice done it. Then always it is worthy, and in Literature is thus welcome. The writer of dialect should as reverently venture in its use as in his chastest English. His effort in the scholarly and elegant direction suffers no neglect—he is schooled in that, perhaps, he may explain. Then let him be schooled in dialect before he sets up as an expounder of it—a teacher, forsooth a master! The real master must not only know each varying light and shade of dialect expression, but he must as minutely know the inner character of the people whose native tongue it is, else his product is simply a pretence—a wilful forgery, a rank abomination. Dialect has been and is thus insulted, vilified, and degraded, now and continually; and through this outrage solely, thousands of generous-minded readers have been turned against dialect who otherwise would have loved and blessed it in its real form of crude purity and unstrained sweetness—
Let no impious faddist, then, assume its just interpretation. He may know everything else in the world, but not dialect, nor dialectic people, for both of which he has supreme contempt, which same, be sure, is heartily returned. Such a "superior" personage may even go among these simple country people and abide indefinitely in the midst of them, yet their more righteous contempt never for one instant permits them to be their real selves in his presence. In consequence, his most conscientious report of them, their ways, lives, and interests, is absolutely of no importance or value in the world. He never knew them, nor will he ever know them. They are not his kind of people, any more than he is their kind of man; and their disappointment grieves us more than his.
The master in Literature, as in any art, is that "divinely gifted man" who does just obeisance to all living creatures, "both man and beast and bird." It is this master only who, as he writes, can sweep himself aside and leave his humble characters to do the thinking and the talking. This man it is who celebrates his performance—not himself. His work he celebrates because it is not his only, but because he feels it the conscientious reproduction of the life itself—as he has seen and known and felt it;—a representation it is of God's own script, translated and transcribed by the worshipful mind and heart and hand of genius. This virtue in all art is impartially demanded, and genius only can fully answer the demand in any art for which we claim perfection. The painter has his expression of it, with no slighting of the dialectic element; so, too, the sculptor, the musician, and the list entire. In the line of Literature and literary material, an illustration of the nice meaning and distinction of dialectic art will be found in Charles Dudley Warner's comment of George Cable's work, as far back as 1883, referring to the author's own rendition of it from the platform. Mr. Warner says: