RUPERT BROOKE

April 1915

You that are gone into the dark
Of unknowing and unbeing;
You that have heard the song of the lark,
You that have seen the joy of the spring;
You have I seen, you have I known
—The word you have written, your pictured head—
And they say you are laid at Lemnos among the English dead.

Soul that is gone—is gone—
Whether into the dark,
Or into knowledge complete and the blinding light;
Soul that was swift and free,
Passionate, eager, bright,
Armed with a weapon for shams,
And set with wings for flight;
Soul that was questioning, restless, and all at odds with life,
Greedy for it, yet satiate, and sick with the shows of things
—And all laid down at Lemnos, the hunger, the love, the strife,
And the youthful grace of body, and the body's ministerings.

Darkness, darkness, or light!
You have leapt from the circle of sense,
And only your dust remains and the word you said:
"If I should die," ... and we name you among the dead.
Yet have I a hope at heart
That somewhere away, apart,
Knowledge is yours and joy of the act fulfilled
To still your fever of soul as your fever of blood is stilled;
So shall you soar and run
In water and wind and air,
With your old clean joy of the sun,
And your gladness in all things fair,
Untouched by mortality's sadness, simple, perfect, at one.




"COMFORT ME WITH APPLES, FOR I AM SICK OF LOVE"

Red lilies under the sun,
Red apples hanging above,
And red is the wine that is spilled
On your bare white feet, O Love.

The poppies sullenly glow
In the smouldering red from the West,
And black are the dregs of the wine,
O Love, on your bare, white breast.

Aie! aie! when the wild swan flies
Lonely and dark is the place
That the white wings lightened, and death
Will cover your glowing face.

O thief that is night, O thieves!
Cold years that devour us all;
The lilies blossom and wilt,
The apples ripen and fall,

The apples, the apples of Love!
—Lo, where we have spilled the wine,
This quenchless earth is agape,
O Love, for your body and mine.




OF ENGLAND

White is for purity, blue for heaven's grace,
Purple is for Emperors, sitting in their place,
Yellow is for happiness, rose for Love's embrace,
But green—oh green, the green of England—that's for Paradise!

From seashore to seashore races the green tide;
With the pricking green of hedges by the wet roadside
—Or ever March triumphant comes with great, glad stride—
There is green, there's green in England, and a tale of Paradise.

Then the hawthorns flush and tremble in their early wondrous green,
And the willows are resplendent in a green-and-golden sheen,
Like the golden tents of princes, Babylonish, Damascene,
Or enchanted silent fountains of a Persian Paradise.

There are beech and birch and elm-tree—evening-still or
            morning-tossed—
And the splendid generous chestnuts with their flame-like
            blooms embossed,
There are oak and ash and elder, till the very sun is lost
In the green, delicious gloaming that's the light of Paradise.

Deeper, wider, steadier this beauty ever grows,
And from field-side up to tree-top the endless colour flows,
Till road and house and wayside, in the first days of the rose,
Are fathoms deep in waves of green, submerged in Paradise.

Oh dim and lovely hollows of all the woods that be;
Oh sunlight on the uplands, like a calm, great sea;
I think indeed the souls of those from circumstance set free
Look down, look down on England, saying: "Ah, dear Paradise!"




QUESTION

What of this gift of Life?
Passionate, swift, and rife
With pleasure or pain in the hand of the hurrying hours?
Oh little moment of space,
Oh Death's averted face,
How shall we grasp, shall we grasp what still is ours?

Chill, chill on either hand
Eternities must stand,
And pants between them, passionate and brief,
The moment's self, to make
Or unmake, but to take
Just here, just now, before death turns the leaf.

Ah, if the leaf but turn,
And if the soul discern
Another message on another page!
But if death shuts the book?
We may not know nor look;
We are fenced in upon a narrow stage;

While, splendid and intense,
Quick-strung in every sense
Life burns in us, and earth lies all around—
Far blue of summer seas,
Young green of age-old trees—
Bound by the season, by the horizon bound.

Oh colour, sound, and light,
Oh wondrous day and night,
Pale dawns, and evenings' splendid stretch of gold;
Keen beauty like a spear,
Half pleasure and half fear,
Goes through us for the things we may not hold.

Hot blood, hot noons, hot youth—
When Life seems all the truth,
And Death a mumbled far old fairy-tale;
When just the splendid days
Suffice our eager gaze,
The wondrous present that will never fail.

Then one day, with a fierce
Clamour of heart, we pierce
The light and see the shadows all behind,
And then, and not till then,
By the brief graves of men
The utter loveliness of flowers we find.

So little stretch of days,
And earth, with all her ways
Lovely enough, I think, for Paradise;
And body, mind, and heart,
Each separate complex part,
Wondrously made, and never quite made twice.

What of this gift of Life?
Shall it be worn in strife?
Shall it be idly spent, or idly stored?
Each for himself must dare
If the answer is here—or there,
Here for regret—or there for hope, O Lord?




LEONARDO TO MONNA LISA

I wish you were a beaker of Venetian glass
That I might fill you with most precious wine
And drink it, breathless—lo! the moments pass
Of that subliminal communion.
I take you from my lips, and crush you—so!—
Into a thousand shining particles;
So, at the last, my passionate greed shall know
That you were wholly mine.

I wish you were a rare, stringed instrument
Beneath my hand, and from you I would wring
Such unimagined music, as was sent
Never before, along the quivering nerves;
Such strange, sharp discords, out of which I'd mould
Music more sweet than the spring nightingale's;
Then, ere the magic of the sound was old,
Would I not rend each string?

Possess you? Ah, not with the world's possession,
You still, strange creature; neither force nor will
Could make you serve a man's mere earthly passion.
I would dissolve you, in one blinding flash,
Into a drop of elemental dew,
And let you trickle down the barren rock
Into the black abyss, if so I knew
That you henceforth were powerless to mock
My spirit with your smile.




THE ETERNAL FLUX

Let us hold April back
One splendid hour
To bless the passionate earth
With golden shower
Of sunlight from the blue;
Oh April skies,
That earth yearns up to; blue has burned to gold,
Gold pales and dies
In delicate faint rose,
Oh flowing time, oh flux eternal. Hold
The hour back. The April hour goes.

Then, let it be of May,
When sound and sight
And all that's beauty manifest
Through all the day,
Of deep on deep with green,
Of light on light
Across the waves of blossom, when the white
Is lovelier than the rose, except the rose
Is loveliest of all;
When through the day the cuckoo calls unseen,
And at nightfall
The nightingale, whose music no man knows
The magic heart of, sitting in the dark
Sings still the world-old way;
When all of these,
Flowers and birds, and sunset and pale skies
Seem gathered up in scent,
And all of sound and sight
Dissolved, ethereal, not of ears and eyes
But only the soul-beauty of the brain
Flows, in such waves of perfume, over all
—Or like a song in colour, of such strain
As spirits finer than our own must hear
(The beautiful made clear);
Then, then, when it is May,
Surely our hand must touch eternity.
Day pales to night, stars pale upon the day,
And May's last blossoming hour flows away.

Not of June either, though the hanging skies
Make but a little span
'Twixt light and growing light;
And when through that short darkness palely flies
The silent great white moth
—A spirit lost in the night,
A soul, without will or way—;
When the arch of trees
Is duskily green, and close as a builded house
Where love with love might stay,
Guarded and still, from sight;
When the hay is sweet in the fields
And love is as sweet as hay;
When the life-impulse of the wonderful untamed earth
Has reached its fulness and height,
Is broad and steady and wide
As sweeps into splendid bays the flowing tide;
When God might look on the land,
When God might look on the sea,
And say: "For ever be
Perfect, completed, achieved,
As now at this moment you stand."
Neither in June shall we stay the eternal flow
Nor grasp the present with pitiful, mortal hand,
For sliding past like water the June hours go.




"LOVE IS THE ULTIMATE MEASURE OF THE SOUL"

Love is the ultimate measure of the soul;
Love is the biting acid, the sure test
To strip the naked gold, discard the rest
Of earthly stuffs; Love is the one thing whole
In a world of broken parts, for Love is all.

Love is creation; Love is the low call
Of deep to deep; Love is the force that shapes
The thing that it believes, and while there gapes
The black earth-pit, where the poor flesh must fall,
Love builds on hope, and buds eternal life.

Love is a victory unsoiled by strife;
Who is there that shall adequately name
All that Love is, this thing as swift as flame
And vast as heaven, yet in every life
Tamed to the narrow needs of little men?

From humble love, that makes the partridge hen
Brave for her chickens, to the Love that shakes
The world from Calvary, all love partakes
Of immortality; one cannot pen
Divinity in words; Love is divine.

The very essence of God does Love enshrine;
For let the heart, however sorely tried,
Open itself to loving, and the wide
Earth is a home; love-lacking must decline
Where black fears crowd across the starless dark.

For Love is light; the faith that will embark,
Unpiloted, upon uncharted seas
Is Love alone; the fiery leap to seize
The splendid distant aim, the invisible mark,
What else but Love's? Love is the thing that stands
Unchanged, on changing tides and shifting sands.




NOVEMBER 8

THE LITTLE SUMMER OF ALL SAINTS

The year stands still, the tearing winter winds
Hold off their claws a moment, that the trees
May keep the glory of their blended gold
A little minute; there's not so much breeze
As summer mornings hold.

Golden and still the hours; russet gold
The birch-leaves o'er the silver of the bark;
Pale gold the poplars, like a lady's hair,
And thunderous gold along the hollows dark
The sunlit brackens flare.




THE LOVERS

There are ghosts we walk with, lady of mine,
Arm in arm, and side by side,
Pallid ghosts, though the sun may shine,
Ghosts that are cold in the warmth of day,
And neither of us may fend them away,
But step by step they go with us, stride by stride.

There are doors in your heart that are shut to me,
And behind them dwellers I cannot know;
And my soul has windows that open wide
On a ghostly, memoried country-side,
That—lady of mine—you never will see,
Where your voice will never be heard, nor your footsteps go.

So we walk together, hand in hand,
While dark eyes peer at us, pale forms come,
And speak in my ear—or call your name
With a voice I hear not, for praise or blame,
And you walk alone with that ghostly band,
While I go by the side of you, pitying, powerless, dumb.




THE GENTLE HEART

What shall harm the gentle heart
In its purpose undefiled?
Even grief shall lose its smart
In some way becoming part
Of that nature, soothed and gentled,
As a sorrow to a child.

Through the blackness and the sin
Of the old world's wrongs and woes,
And through the greater dark within,
The gentle heart shall surely win,
As some bright angel, armed with mercy,
Swiftly on his errand goes.

All the body may have wrought,
All the energies of mind
That for its own purpose sought,
Make at length a little nought
Among the stars—the gentle heart
Death itself will leave behind.




A BALLAD FOR HERMAN

This is the ballad for Herman, the ballad of humble things,
The hedge-side thistles that flower, the small brown lark that sings,
And the stumbling flight of a beetle, and the dust
            on a butterfly's wings.
The snails are out in the sunshine after the morning rain,
And the wasps are whirring and buzzing round the mulberry tree again,
And the ants are busy of course, working with might and main.

While the crickets leap, and rustle, and play at being blades of grass,
And humble-bumble the bees go, lurching as they pass,
And the flies are stupidly walking up the window-glass.

The sun is bright on the hedges, on thistle and bramble and briar,
The columbine leaves are heart-shaped, and shine as bright as fire
—And oh! the smell of the bracken, that's straight as Salisbury spire!

Life of the woods, life of the rivers, life of the trees,
Life of the rich plain-grasses that seed to the morning breeze,
And the thymy mountain-grasses June makes loud with bees.

This does not age nor alter; the low sharp song of the reeds
As the evening wind goes over, and the fishing heron feeds
On the still and shallow waters, salt with the floating weeds.

This does not change nor vanish; the mating calls of the springs,
When April's green on the copses, and bright on the shining wings
Of birds going backwards and forwards, while the whole green
            forest sings.

All is our sister and brother, as once St. Francis said;
The little stones in the river, the bright sun overhead,
And newts, and the spawn of fishes, and the unnamed mighty dead.

This is the ballad for Herman. O friend, may good befall!
There is never a star so distant, there is never a creature small,
But living and knowing and loving in our brain we hold them all.




FRANCE

April 1915

Great ever, with the hope that seeks the stars;
The brain clear-cold, like ice; the soul like flame;
The spirit beating at the physical bars;
The reason guiding all—oh, there we name
France!

A country that can think, and thinking, acts;
A country that can act, and acting, dreams;
That neither bears the tyranny of facts,
Nor of its own dear hopes, nor of what seems,

But still, clear-visioned, treats with things that are;
Yet—seer, prophet, priest of life-to-be—
Leaps to the visionary days afar,
And all the splendour she will never see.

School of the spirit, chastening, yet a spur
For all that men aspire to: as of old
Athens held up the torch, and did incur
Persia, with her fierce armies manifold,

So France against the evil strikes and strives
For liberty, and we of island race,
—Humbled a little by our careless lives—
Glory to stand beside her in our place,

Glory that we are one in hope and aim
With her from whom in blood and agony
The second gift of human freedom came
Through Terror and the red Gethsemane.

On her fair, ravaged borders stand her guns,
She has thrown away the scabbards, bared the swords,
And, snatching laughter out of death, her sons
Challenge high Fate to show what life affords—
France!




ILGAR'S SONG

(From King Monmouth)

O love that dwells in the innermost heart of man
Secret and dark and still,
Like a bird in the core of a green mid-summer tree—
Height upon height and depth upon depth where never the eye can see
The brown bird, hidden and still.

O Love that is wild and eager, sun-lit and free
Like a seagull that turns in the sunlight above the sea;
Between the sea and the sky it flashes and turns,
And the sun on its wings is white,
While sharply and shrill by the headland the keen wind sings
Where the grass is salt and grey
With the beating winter spray,
And the seagull sweeps and soars on magnificent wings.

Love that is like a flame,
Held in the hollow hand,
So dear and precious a thing
As a light in a stranger land,
As a flickering candle to him who wanders by night.

Love that is wide as the dawn
To the eyes of night-bound men;
And the evil ghosts and the goblins it puts to flight,
And stealthy creatures of dark that rustle and creep,
And elfins and witches and all such devil's game
That cannot live in the light,
They squeak and gibber and cheep,
And vanish like shadows before the splendour of day.

Love that has wide, white wings like a flying swan
—Oh what a noble span,
From tip to tip they are more than the height of a man
And curved like the sails of a boat—
When over the evening river the wild swan flies
The curve of those wings is like the arch of the skies
Over the shielded earth.
Love is most like a bird,
For birds have least of the dust that gave them birth,
They soar and poise and float,
They wheel and swerve and skim,
And their wings are strong to the wind, and swift to the light,
And their voice is a promise of dawn while yet it is night,
And their song is a pæan of hope before it is spring,
And the song of the bird to his mate is lyrical love.

Love is secret and holy, a spiritual thing,
Dark and silent and still
In the heart of man, as a treasure is hid in a shrine.
Love is splendid and fierce, as the summer sun
Drenches the sea and the sky with its blaze and shine,
Till every pebble is hot to the touch of the hand,
And the air is a-shimmer with heat o'er the hazy land—
Yet Love is not any of these things, Love is of one
With the strange, half-guessed at, vast, creative plan
We cannot see with our eyes nor understand—
Yet is Love pitiful too, for Love is of man.




THE INN

I

Friendship's an inn the roads of life afford
—I'll speak to you in metaphor, my friend—
And there a tired man his way may wend,
And, coming in, sit down beside the board,
Out of the dust and glare, and boldly send
For drink and victuals; haply cross his knees,
And in the cool dark parlour take his ease,
And gossip of his journey and its end.

That's friendship; there is neither right of place
Nor landlord duties, just the short hour's stay
From the sun and weariness between those kind
And quiet walls; and when the road's to face
Stony and long again, we take our way
Keeping that respite gratefully in mind.




THE INN

II

We take our pack, and jog our way again
Towards the windy sunset and the night;
The inn is now behind us, out of sight,
Showing no welcome shine of windowpane,
But dark and silent standing by the way
As we go forward, seeing mile on mile
Sink out of sight—just for a little while
We rested, in the middle of the day.

Is there an end at last, and shall we reach,
By the faint glimmer of new-risen stars,
Our house at last, and find the heart-repose
Which is the ultimate desire of each
Poor traveller—ah! shall they drop the bars,
And the doors open? Dear my friend, who knows?




"TO-DAY I MISS YOU"

To-day I miss you ... "Only for to-day,
Some little matter of hours and nothing more."
That at least the worldly-wise folk say,
Who've never waited for the opening door,
The greeting look, the known step on the floor;
Who've never missed a loved one like a lover.

To-day I miss you. What to-morrow brings
Is the other side of all the stars, God knows!
Only to have you here, now evening swings
Its quiet shadow round the globe again,
And in our talk of old familiar things,
And in familiar gestures, turn of brain,
Looks, tone of voice, I may discern again
That union from which alone love grows.

We'd close the curtains;—while the world outside,
Noisily autumn, makes a sense of peace
Deeper within,—open the bookcase wide
And take a book out; then another book,
And then another.... "Here's a favourite, look!
We cannot pass him." ... Then from reading cease,
Gossip and laugh, with finger in the page,
And challenge thought with thought, and mind with mind
Each speaking freely, that we might increase
Some knowledge to which, singly, we were blind.

So goes the evening. Side by side we stand,
Dear friends and brothers, till, a sudden pause,
Or kindly, almost careless touch of hands,
Swings us to face each other, and we feel
Those deepest stirrings of the human heart
Man has no name for yet, those changeless laws
Of more than mating—that eternal part
Our body is aware of, and our brain,
Unchallenging with reason, must receive,
That sense of intimate wonder!—Now again,
The blinds are drawn; lamp, books, chairs, all retain
Familiar aspects, but, you absent, leave
The room all empty, empty all the day.




"HOW SMALL THE THREAD THAT HOLDS UP HAPPINESS"

How small the thread that holds up happiness;
But one frail life between the dark and me,
Your life, dear love—and here I seem to see
You whimsically smile, that I confess
The whole round world, with its vast energy,
Its summers, and its sunshine, and its aims,
Its splendid hopes, the faith that unquenched, flames
—All sunk into the compass of you and me.
Yes, you are right, the single leaves that fall
Mar not the summer; do I think one leaf
Denudes a forest?—We are nought at all.
Yet the bereaved small bird within the tree
May break its heart above its nest for grief
—And perhaps this must happen, love, to me.




"IN ALL THINGS GRACIOUS THERE IS A THOUGHT OF YOU"

In all things gracious there is a thought of you:
In the soft fall of April rain, the blue
Of April skies in the morning, the full moon
Of windless August nights, perfect and still,
When the white moonlight lies across the hill
Of new-cut stubble, where a little mist,
Flickering, rises. In the song of birds
My heart turns to you, emptied all of words
By loveliness, and in the poise and swing
Of flowering grasses, and in the lingering
Grave, spacious fall of evening on the earth,
When the wide, liquid spaces of the sky,
Above the dewy fields and darkening lanes,
And windless water lying quietly,
Yield up the daylight, until none remains.

I could endure—or so it seems to me—
Without your presence, a life of winter days,
Stark, grey Novembers stretching endlessly,
Where I, forgetting laughter and bright things,
Might set my face to duty; but the stir,
The loveliness, the poignancy of springs,
The growth, the rise, the universal press
Up to sensation—ah, I could not bear
To live an April through, but must take wings
Out of a world too fair for loneliness.




"THERE'S DUTY, FRIEND, TO JOG WITH ARM IN ARM"

There's duty, friend, to jog with arm in arm
Through these dark streets; there's kindliness indeed,
And there's the hope a little more to weed
Our own small patch of life which the tares harm;
There's patience for the folly of the earth;
There's pity for the poor who suffer wrong;
There's honour for the striving and the strong
—But ah, dear friend of mine, where is the mirth?
Where's the old jollity of everyday
That makes a holiday of common things
Because they all are shared by us aright,
The trivial daily work and happenings
Having a sort of fervour and delight,
And the sun rising, even, a different way?




"EVENING"

Beloved of my soul, the day is done;
The busy noises cease, the lights are low;
Gently the doors shut to behind each one
Seeking his sleep; the fading embers glow
On silent hearths; the silent ashes fall—
Ah, absent spirit, do you hear me call,
Me, sitting waiting by the fireside?

This is the hour of all the night and day,
—This is the hour when, work put aside,
And all the talking, whether grave or gay,
For pleasure or for profit, hushed and dumb,
We used to, in the days before you died,
Seek out each other's mind for rest, and say:
"Now am I home, and all is well with me;
To-day is gone, to-morrow is to come;
Here let us be."

Surely, for all the barriers of sense,
And the stark grossness of this flesh I wear,
For all the vacant distance of the skies
Between me here alone, and you, gone hence,
There must be some quick knowledge; I must hear
That dear familiar voice again, must see
Some semblance of you with my bodily eyes,
Now, now, when in the solitude I yearn
Towards your heart, my home; now when I turn
Humbly and searchingly towards that goal
That lies beyond the purchase of the world—
You again, you, dear comrade of my soul.




FINIS

Life, in its unimaginable heights,
When we may seize and apprehend the true
Soul essence, of one nature with the stars:
Rare moments when our senses are a mist
That the truth shines through:—oh, most strange and rare,
Such ecstasies as unimprisoned souls
Experience in that thin empyrean
Beyond the gross world; this we two have known
We two together. There are memories
Of such high happiness in a fence of pain
As martyrs in their fiery heart of death
Have blessed their God for; passion and holiness,
When all the body (sinew, bone, and brain)
Are like a harp, from which the spirit makes
Marvels of harmony; some sense too rare
To be called happiness, not to be named indeed
In human speech—this we have touched and known
Together, at some thrilling edge of time.

I fall away from it; the barriers close
About me; I descend from the clear heights
Into the plains and valleys of the world.
The traffic of the market-place is mine,
The heat and dust, the jostling and the noise,
The kindly challenge and the neighbour-talk,
All these may claim me, so that I forget
To lift my eyes and see the far-off peaks,
And the eternal splendour of the stars.

So be it; let the tide of men's affairs
Carry me back and forward; let the rub
Of greasy ha'pence passed from hand to hand,
In humble traffic of a bunch of herbs
Not pass me by; let me jog arm in arm,
Or cheek by jowl, the shady side o' the street,
With friends and neighbours, glad to know them there,
Imperfect, human, kind, and tolerant.

So may the years go. Yet, when the call comes,
And the world's colours fade before the eye
That turns for spiritual vision on itself;
When, from the four walls of the silent room,
The noises of the world fall back and fail
In that great silence which enrings the last
Ecstatic moment of experience,
Here on this earth—ah, then indeed I know
That I shall find you. All that lies behind
(The years of trivial experience)
Shall open and fall back from off my soul,
As falls the brown sheaf from the opening bud;
And in that poignant moment, that mere breath
Of temporal time, that aeon of the soul,
I shall reach out and know you, mix with you
As flame with flame, as ray with ray of light,
Be perfectly yourself, as you are me,
With all else fallen, gone, dispersed away
Save the pure drop of spiritual essence—Then
Let come what may, light or oblivion.




Printed by R. & R. CLARK, LIMITED, Edinburgh.








RECENT POETRY

Poems. By RALPH HODGSON. Fourth Thousand. Fcap. 8vo. 3s. 6d. net.

Livelihood: Dramatic Reveries. By WILFRID WILSON GIBSON. Crown 8vo. 3s. 6d. net.

Whin. Poems by WILFRID WILSON GIBSON. Crown 8vo. 3s. 6d. net.

Poems of London and Occasional Verse. By JOHN PRESLAND, author of "Mary, Queen of Scots," "Joan of Arc," "Manin and the Defence of Venice," "The Deluge and other Poems." Crown 8vo.

Twenty. Poems by STELLA BENSON. Crown 8vo. 3s. 6d. net.

The English Poets. Selections with Critical Introductions by various writers. Edited by THOMAS HUMPHRY WARD, M.A. Vol. V. Crown 8vo. 10s. 6d. net.

This volume contains Selections from Browning, Tennyson, Swinburne, W. Morris, Arnold, W. Barnes, R. H. Horne, Lord Houghton, E. FitzGerald, Aubrey de Vere, Coventry Patmore, W. Johnson (W. Cory), Jean Ingelow, Sir F. Doyle, Alex. Smith, George Meredith, T. E. Brown, C. G. Rossetti, R. W. Dixon, A. L. Gordon, Lord de Tabley, Cardinal Newman, F. W. H. Myers, Philip Bourke Marston, R. L. Stevenson, Stephen Phillips, The Earl of Lytton, John Davidson, Ernest Dowson, Richard Middleton, Rupert Brooke, etc.

CANADIAN POETRY: Isabella Valancy Crawford, W. H. Drummond, Archibald Lampman, Harold V. Wrong.


MACMILLAN AND CO., LTD., LONDON.




WORKS OF WILLIAM BUTLER YEATS

Plays for an Irish Theatre. 8vo. 8s. 6d. net.
Poems. Second Series. Crown 8vo. 6s. net.
The Celtic Twilight. Crown 8vo. 6s. net.
Ideas of Good and Evil. Crown 8vo. 6s. net.
Stories of Red Hanrahan, etc. Crown 8vo. 6s. net.
Reveries over Childhood and Youth. Illustrated. Crown 8vo. 6s. net.
Responsibilities and other Poems. Crown 8vo. 6s. net.
Per Arnica Silentia Lunae. Crown 8vo. 4s. 6d. net.
The Tables of the Law. Crown 8vo. 2s. net.
Deirdre. Crown 8vo. 1s. net.
The King's Threshold. Crown 8vo. 1s. net.
The Hour Glass. Crown 8vo. 6d. net.
The Pot of Broth. Crown 8vo. 6d. net.
The Green Helmet. Crown 8vo. 6d. net.




WORKS OF JAMES STEPHENS

The Crock of Gold. 6s. net.
Here are Ladies. 6s. net.
The Demi-Gods. 6s. net.
The Charwoman's Daughter. 4s. 6d. net.
Songs from the Clay. Poems. 4s. 6d. net.
The Adventures of Seumas Beg: The Rocky Road to Dublin. 4s. 6d. net.
Reincarnations. Poems. 3s. 6d. net.



MACMILLAN AND CO., LTD., LONDON.