IV.

THE FAMILY AT HAWORTH.

The years have slipped away, and the Brontës are no longer children. They have passed out of that strange condition of premature activity in which their brains were so busy, their lives so much at variance with the lives of others of their age; they have even "finished" their education, according to the foolish phrase of the world, and, having made some acquaintances and a couple of friends at good Miss Wooler's school at Roehead, Charlotte is again at home, young, hopeful, and in her own way merry, waiting with her brother and her sisters till that mystery of life which seems filled with hidden charms to those who still have it all before them shall be revealed.

One bright June morning in 1833, a handsome carriage and pair is standing opposite the Devonshire Arms at Bolton Bridge, the spot loved by all anglers and artists who know anything of the scenery of the Wharfe. In the carriage with some companions is a young girl, whose face, figure, and manner may be conjured up by all who have read "Shirley," for this pleasant, comely Yorkshire maiden, as we see her on this particular morning, is identical with the Caroline Helston who figures in the pages of that novel. Miss N—— is waiting for her quondam schoolfellow and present bosom friend, Charlotte Brontë, who is coming with her brother and sisters to join in an excursion to the enchanted site of Bolton Abbey hard by. Presently, on the steep road which stretches across the moors to Keighley, the sound of wheels is heard, mingled with the merry speech and merrier laughter of fresh young voices. Shall we go forward unseen, and study the approaching travellers whilst they are still upon the road? Their conveyance is no handsome carriage, but a rickety dogcart, unmistakably betraying its neighbourship to the carts and ploughs of some rural farmyard. The horse, freshly taken from the fields, is driven by a youth who, in spite of his countrified dress, is no mere bumpkin. His shock of red hair hangs down in somewhat ragged locks behind his ears, for Branwell Brontë esteems himself a genius and a poet, and, following the fashion of the times, has that abhorrence of the barber's shears which genius is supposed to affect. But the lad's face is a handsome and a striking one, full of Celtic fire and humour, untouched by the slightest shade of care, giving one the impression of somebody altogether hopeful, promising, even brilliant. How gaily he jokes with his three sisters; with what inexhaustible volubility he pours out quotations from his favourite poets, applying them to the lovely scene around him; and with what a mischievous delight, in his superior nerve and mettle, he attempts feats of charioteering which fill the timid heart of the youngest of the party with sudden terrors! Beside him, in a dress of marvellous plainness and ugliness, stamped with the brand "home-made" in characters which none can mistake, is the eldest of the sisters. Charlotte is talking too; there are bright smiles upon her face; she is enjoying everything around her, the splendid morning, the charms of leafy trees and budding roses, and the ever-musical stream; most of all, perhaps, the charm of her brother's society, and the expectation of that coming meeting with her friend, which is so near at hand. Behind sit a pretty little girl, with fine complexion and delicate regular features, whom the stranger would at once pick out as the beauty of the company, and a tall, rather angular figure, clad in a dress exactly resembling Charlotte's. Emily Brontë does not talk so much as the rest of the party, but her wonderful eyes, brilliant and unfathomable as the pool at the foot of a waterfall, but radiant also with a wealth of tenderness and warmth, show how her soul is expanding under the influences of the scene; how quick she is to note the least prominent of the beauties around her, how intense is her enjoyment of the songs of the birds, the brilliancy of the sunshine, the rich scent of the flower-bespangled hedgerows. If she does not, like Charlotte and Anne, meet her brother's ceaseless flood of sparkling words with opposing currents of speech, she utters at times a strange, deep guttural sound which those who know her best interpret as the language of a joy too deep for articulate expression. Gaze at them as they pass you in the quiet road, and acknowledge that, in spite of their rough and even uncouth exteriors, a happier four could hardly be met with in this favourite haunt of pleasure-seekers during a long summer's day.

Suddenly the dogcart rattles noisily into the open space in front of the Devonshire Arms, and the Brontës see the carriage and its occupants. In an instant there is silence; Branwell contrasts his humble equipage with that which already stands at the inn door, and a flush of mortified pride colours his face; the sisters scarcely note this contrast, but to their dismay they see that their friend is not alone, and each draws a long deep breath, and prepares for that fiercest of all the ordeals they know, a meeting with entire strangers. The laughter is stilled; even Branwell's volubility is at an end; the glad light dies out of their eyes, and when they alight and submit to the process of being introduced to Miss N——'s companions, their faces are as dull and commonplace as their dresses. It is no imaginary scene we have been watching. Miss N—— still recalls that painful moment when the merry talk and laughter of her friends were quenched at sight of the company awaiting them, and when throughout a day to which all had looked forward with anticipations of delight, the three Brontës clung to each other or to their friend, scarcely venturing to speak above a whisper, and betraying in every look and word the positive agony which filled their hearts when a stranger approached them. It was this excessive shyness in the company of those who were unfamiliar to them which was the most marked characteristic of the sisters. The weakness was as much physical as moral; and those who suppose that it was accompanied by any morbid depression of spirits, or any lack of vigour and liveliness when the incubus of a stranger's presence was removed, entirely mistake their true character. Unhappily, first impressions are always strongest, and running through the whole of Mrs. Gaskell's story, may be seen the impression produced at her first meeting with Charlotte Brontë by her nervous shrinking and awkwardness in the midst of unknown faces.

It was not thus with those who, brought into the closest of all fellowship with her, the fellowship of school society, knew the secrets of her heart far better than did any who became acquainted with her in after life. To such the real Charlotte Brontë, who knew no timidity in their presence, was a bold, clever, outspoken and impulsive girl; ready to laugh with the merriest, and not even indisposed to join in practical jokes with the rest of her schoolfellows. The picture we get in the "Life" is that of a victim to secret terrors and superstitious fancies. The real Charlotte Brontë, when stories were current as to the presence of a ghost in the upper chambers of the old school-house at Roehead, did not hesitate to go up to these rooms alone and in the darkness of a winter's night, leaving her companions shivering in terror round the fire downstairs. When she had left school, and began that correspondence with Miss N—— which is the great source of our knowledge, not merely of the course of her life, but of the secrets of her heart, it must not be supposed that she wrote always in that serious spirit which pervades most of the letters quoted by Mrs. Gaskell. On the contrary, those who have access to the letters will find that even some of the passages given in the "Life" are allied to sentences showing that the frame of mind in which they were written was very different from that which it appears to have been. The following letter, written from Haworth in the beginning of 1835, is an example:

Those who turn to Mrs. Gaskell's "Life" will find one of the sentences in this letter quoted, but without the burst of laughter over "all that rodomontade" at the end which shows that Charlotte's interest in politics was not unmingled with the happy levity of youth. Still more striking as an illustration of her true character, with its infinite variety of moods, its sudden transitions from grave to gay, is the letter I now quote:

Mrs. Gaskell has made a very partial and imperfect use of this letter, by quoting merely from the words "You have been very kind to me of late," down to "they only sting the deeper for concealment." Thus it will be seen that an importance is given to an evanescent mood which it was far from meriting, and that lighter side to Charlotte's character which was prominent enough to her nearest and dearest friends is entirely concealed from the outer world. Again, I say, we must not blame Mrs. Gaskell. Such sentences as those which she omitted from the letter I have just given are not only entirely inconsistent with that ideal portrait of "Currer Bell" which the world had formed for itself out of the bare materials in existence during the author's lifetime, but are also utterly at variance with Mrs. Gaskell's personal conception of Charlotte Brontë's character, founded upon her brief acquaintance with her during her years of loneliness and fame.

The quick transitions which marked her moods in converse with her friends may be traced all through her letters to Miss N——. The quotations I have already made show how suddenly on the same page she passes from gaiety to sadness; and so her letters, dealing as they do with an endless variety of topics, reflect only the mood of the writer at the moment that she penned them, and it is only by reading and studying the whole, not by selecting those which reflect a particular phase of her character, that we can complete the portrait we would fain produce.

Here are some extracts from letters which are not to be found in the "Life," and which illustrate what I have said. They were all written between the beginning of 1832 and the end of 1835:

Even these brief extracts will show that Charlotte Brontë's life at this time was not a morbid one. These years between 1832 and 1835 must be counted among the happiest of her life—of all the lives of the little household at Haworth, in fact. The young people were accustomed to their father's coldness and eccentricity, and to their aunt's dainty distaste for all Northern customs and Northern people, themselves included. Shy they were and peculiar, alike in their modes of life and their modes of thought; but there was a wholesome, healthy happiness about all of them that gave promise of peaceful lives hereafter. Some literary efforts of a humble kind brightened their hopes at this time. Charlotte had written some juvenile poems (not now worth reprinting), and she sought the opinion of Southey upon them. The poet laureate gave her a kindly and considerate answer, which did not encourage her to persevere in these efforts; nor was an attempt by Branwell to secure the patronage of Wordsworth for some productions of his own more successful. Had anybody ventured into the wilds of Haworth parish at this new year of 1835, and made acquaintance with the parson's family, it is easy to say upon whom the attention of the stranger would have been riveted. Branwell Brontë, of whom casual mention is made in one of the foregoing letters, was the hope and pride of the little household. All who knew him at this time bear testimony to his remarkable talents, his striking graces. Small in stature like Charlotte herself, he was endowed with a rare personal beauty. But it was in his intellectual gifts that his chief charm was found. Even his father's dull parishioners recognised the fire of genius in the lad; and any one who cares to go to Haworth now and inquire into the story of the Brontës, will find that the most vivid reminiscences, the fondest memories of the older people in the village, centre in this hapless youth. Ambitious and clever, he seemed destined to play a considerable part in the world. His conversational powers were remarkable; he gave promise of more than ordinary ability as an artist, and he had even as a boy written verses of no common power. Among other accomplishments, more curious than useful, of which he could boast, was the ability to write two letters simultaneously. It is but a small trait in the history of this remarkable family, yet it deserves to be noticed, that its least successful member excelled Napoleon himself in one respect. The great conqueror could dictate half-a-dozen letters concurrently to his secretaries. Branwell Brontë could do more than this. With a pen in each hand, he could write two different letters at the same moment.

Charlotte was Branwell's senior by one year. In 1835, when in her nineteenth year, she was by no means the unattractive person she has been represented as being. There is a little caricature sketched by herself lying before me as I write. In it all the more awkward of her physical points are ingeniously exaggerated. The prominent forehead bulges out in an aggressive manner, suggestive of hydrocephalus, the nose, "tip-tilted like the petal of a flower," and the mouth are made unnecessarily large; whilst the little figure is clumsy and ungainly. But though she could never pretend to beauty, she had redeeming features, her eyes, hair, and massive forehead all being attractive points. Emily, who was two years her junior, had, like Charlotte, a bad complexion; but she was tall and well-formed, whilst her eyes were of remarkable beauty. All through her life her temperament was more than merely peculiar. She inherited not a little of her father's eccentricity, untempered by her father's savoir faire. Her aversion to strangers has been already mentioned. When the curates, who formed the only society of Haworth, found their way to the parsonage, she avoided them as though they had brought the pestilence in their train. On the rare occasions when she went out into the world, she would sit absolutely silent in the company of those who were unfamiliar to her. So intense was this reserve that even in her own family, where alone she was at ease, something like dread was mingled with the affection felt towards her. On one occasion, whilst Charlotte's friend was visiting the parsonage, Charlotte herself was unable through illness to take any walks with her. To the amazement of the household, Emily volunteered to accompany Miss N—— on a ramble over the moors. They set off together, and the girl threw aside her reserve, and talked with a freedom and vigour which gave evidence of the real strength of her character. Her companion was charmed with her intelligence and geniality. But on returning to the parsonage Charlotte was found awaiting them, and, as soon as she had a chance of doing so, she anxiously put to Miss N—— the question, "How did Emily behave herself?" It was the first time she had ever been known to invite the company of any one outside the narrow limits of the family circle. Her chief delight was to roam on the moors, followed by her dogs, to whom she would whistle in masculine fashion. Her heart, indeed, was given to these dumb creatures of the earth. She never forgave those who ill-treated them, nor trusted those whom they disliked. One is reminded of Shelley's "Sensitive Plant" by some traits of Emily Brontë:

and, like the lady of the poem, her tenderness and charity could reach even

One instance of her remarkable personal courage is related in "Shirley," where she herself is sketched under the character of the heroine. It is her adventure with the mad dog which bit her at the door of the parsonage kitchen whilst she was offering it water. The brave girl took an iron from the fire, where it chanced to be heating, and immediately cauterised the wound on her arm, making a broad, deep scar, which was there until the day of her death. Not until many weeks after did she tell her sisters what had happened. Passionately fond of her home among the hills, and of the rough Yorkshire people among whom she had been reared, she sickened and pined away when absent from Haworth. A strange untamed and untamable character was hers; and none but her two sisters ever seem to have appreciated her remarkable merits, or to have recognised the fine though immature genius which shows itself in every line of the weird story of "Wuthering Heights."

Anne, the youngest of the family, had beauty in addition to her other gifts. Intellectually she was greatly inferior to her sisters; but her mildness and sweetness of temperament won the affections of many who were repelled by the harsher exteriors of Charlotte and Emily.

This was the family which lived happily and quietly among the hills during those years when life with its vicissitudes still lay in the distance. Gay their existence could not be called; but their letters show that it was unquestionably peaceful, happy, and wholesome.

THE HOUSE THAT CHARLOTTE VISITED.

V.

LIFE AS A GOVERNESS.

Moved by the hope of lightening the family expenses and enabling Branwell to get a thorough artistic training at the Royal Academy, Charlotte resolved to go out as a governess. Her first "place" was at her old school at Roehead, where she was with her friend, Miss Wooler, and where she was also very near the home of her confidante, Miss N——. Emily went with her for a time, but she soon sickened and pined for the moors, and after a trial of but a few months she returned to Haworth. A great deal of sympathy has been bestowed upon the Brontës in connection with their lives as governesses; nor am I prepared to say that this sympathy is wholly misplaced. Their reserve, their affection for each other, their ignorance of the world, combined to make "the cup of life as it is mixed for the class termed governesses"—to use Charlotte's own phrase—particularly distasteful to them. But it is a mistake to suppose that they were treated with harshness during their governess life, or that Charlotte, at least, felt her trials to be at all unbearable. It was decidedly unpleasant to sacrifice the independence and the family companionship of Haworth for drudgery and loneliness in the household of a stranger; but it was a duty, and as such it was accepted without repining by two, at least, of the sisters. Emily's peculiar temperament made her quite unfitted for life among strangers; she made many attempts to overcome her reserve, but all were unavailing; and after a brief experience in one or two families in different parts of Yorkshire, she returned to Haworth to reside there permanently as her father's housekeeper. There is no need to dwell upon this episode in the lives of the Brontës. They were living among unfamiliar faces, and had little temptation to display themselves in their true characters, but extracts from a few of Charlotte's letters to her friends will show something of the course of her thought at this time. With the exception of a detached sentence or two these letters will be quite new to the readers of Mrs. Gaskell's "Life:"

The affectionate commendations of her friend are constantly accompanied by references of a very different character to herself.

Here it will be seen that the religious struggle was renewed. The woman who was afterwards to be accused of "heathenism" was going through tortures such as Cowper knew in his darkest hours, and, like him, was acquiring faith, humility, and resignation in the midst of the conflict. But such letters as this are only episodical; in general she writes cheerfully, sometimes even merrily.

THE ROE HEAD SCHOOL.

What would the Quarterly reviewer and the other charitable people, who openly declared their conviction that the author of "Jane Eyre" was an improper person, who had written an improper book, have said had they been told that she had written the following letter on the subject of her first offer of marriage—written it, too, at the time when she was a governess, and in spite of the fact that the offer opened up to her a way of escape from all anxiety as to her future life?

The girl who could thus calmly decline a more than merely "eligible" offer, and thus honestly state her reasons for doing so to the friend she trusted, was strangely different from the author of "Jane Eyre" pictured by the critics and the public. Perhaps the full cost of the refusal related in the foregoing letter is only made clear when it is brought into contrast with such a confession as the following, made very soon afterwards:

How thoroughly at all times she could sympathise alike with the joys and sorrows of others, is proved by many letters extending over the whole period of her life. The following is neither the earliest nor the most characteristic of those utterances of a tender and heartfelt sympathy with her special friend, which are to be found in her correspondence, but as Mrs. Gaskell has not made use of it, I may quote it here:

From one of her situations as governess in a private family (she had long since left the kind shelter of Miss Wooler's house) she writes in 1841 a series of letters showing how little she relished the "cup of life as it is mixed for the class termed governesses."

VI.

THE TURNING-POINT.

The "storm and stress" period of Charlotte Brontë's life was not what the world believes it to have been. Like the rest of our race, she had to fight her own battle in the wilderness, not with one devil, but with many; and it was this sharp contest with the temptations which crowd the threshold of an opening life which made her what she was. The world believes that it was under the parsonage roof that the author of "Jane Eyre" gathered up the precious experiences which were afterwards turned to such good account. Mrs. Gaskell, who was carried away by her honest womanly horror of hardened vice, gives us to understand that the tragic turning-point in the history of the sisters was connected with the disgrace and ruin of their brother. We are even asked to believe that but for the folly of a single woman, whom it is probable that Charlotte never saw, "Currer Bell" would never have taken up her pen, and no halo of glory would have settled on the scarred and rugged brows of prosaic Haworth.

It is not so. There may be disappointment among those who have been nurtured on the traditions of the Brontë romance when they find that the reality is different from what they supposed it to be; some shallow judges may even assume that Charlotte herself loses in moral stature when it is shown that it was not her horror at her brother's fall which drove her to find relief in literary speech. But the truth must be told; and for my part I see nothing in that truth which affects, even in an infinitesimal degree, the fame and the honour of the woman of whom I write.

It was Charlotte's visit to Brussels, then, first as pupil and afterwards as teacher in the school of Madame Héger, which was the turning-point in her life, which changed its currents, and gave to it a new purpose and a new meaning. Up to the moment of that visit she had been the simple, kindly, truthful Yorkshire girl, endowed with strange faculties, carried away at times by burning impulses, moved often by emotions the nature of which she could not fathom, but always hemmed in by her narrow experiences, her limited knowledge of life and the world. Until she went to Belgium, her sorest troubles had been associated with her dislike to the society of strangers, her heaviest burden had been the necessity under which she lay of tasting that "cup of life as it is mixed for governesses" which she detested so heartily. Under the belief that they could qualify themselves to keep a school of their own if they had once mastered the delicacies of the French and German languages, she and Emily set off for this sojourn in Brussels.

One may be forgiven for speculating as to her future lot had she accepted the offer of marriage she received in her early governess days, and settled down as the faithful wife of a sober English gentleman. In that case "Shirley" perhaps might have been written, but "Jane Eyre" and "Villette" never. She learnt much during her two years' sojourn in the Belgian capital; but the greatest of all the lessons she mastered whilst there was that self-knowledge the taste of which is so bitter to the mouth, though so wholesome to the life. Mrs. Gaskell has made such ample use of the letters she penned during the long months which she spent as an exile from England, that there is comparatively little left to cull from them. Everybody knows the outward circumstances of her story at this time. For a brief period she had the company of Emily; and the two sisters, working together with the unremitting zeal of those who have learned that time is money, were happy and hopeful, enjoying the novel sights of the gay foreign capital, gathering fresh experiences every day, and looking forward to the moment when they would return to familiar Haworth, and realise the dream of their lives by opening a school of their own within the walls of the parsonage. But then Emily left, and Charlotte, after a brief holiday at home, returned alone. Years after, writing to her friend, she speaks of her return in these words: "I returned to Brussels after aunt's death against my conscience, prompted by what then seemed an irresistible impulse. I was punished for my selfish folly by a total withdrawal for more than two years of happiness and peace of mind." Why did she thus go back "against her conscience?" Her friends declared that her future husband dwelt somewhere within sound of the chimes of St. Gudule, and that she insisted upon returning to Brussels because she was about to be married there. We know now how different was the reality. The husband who awaited her was even then about to begin his long apprenticeship of love at Haworth. Yet none the less had her spirit, if not her heart, been captured and held captive in the Belgian city. It is not in her letters that we find the truth regarding her life at this time. The truth indeed is there, but not all the truth. "In catalepsy and dread trance," says Lucy Snowe, "I studiously held the quick of my nature…. It is on the surface only the common gaze will fall." The secrets of her inner life could not be trusted to paper, even though the lines were intended for no eyes but those of her friend and confidante. There are some things, as we know well, that the heart hides as by instinct, and which even frank and open natures only reveal under compulsion. Writing to her friend from Brussels in October, 1843, she says: "I have much to say, Ellen; many little odd things, queer and puzzling enough, which I do not like to trust to a letter, but which one day, perhaps, or rather one evening, if ever we should find ourselves again by the fireside at Haworth, or at B——, with our feet on the fender, curling our hair, I may communicate to you." One of the hardest features of the last year she spent at Brussels was the necessity she was under of locking all the deepest emotions of her life within her own breast, of preserving the calm and even cold exterior, which should tell nothing to the common gaze, above the troubled, fevered heart that beat within.