It is scarcely necessary to say that wherever I speak of poets I refer exclusively to that rare phenomenon the great true poet. I mean no one else; least of all that dull insipid tribe, the mediocre poets, rhymsters, and inventors of fables, that flourishes so luxuriantly at the present day in Germany. They ought rather to have the words shouted in their ears unceasingly from all sides—
Mediocribus esse poëtis
Non homines, non Dî, non
concessere columnæ.
It is worthy of serious consideration what an amount of time—both their own and other people's—and paper is lost by this swarm of mediocre poets, and how injurious is their influence. For the public always seizes on what is new, and has naturally a greater proneness to what is perverse and dull as akin to itself. Therefore these works of the mediocre poets draw it away and hold it back from the true masterpieces and the education they afford, and thus working in direct antagonism to the benign influence of genius, they ruin taste more and more, and retard the progress of the age. Such poets should therefore be scourged with criticism and satire without indulgence or sympathy till they are induced, for their own good, to apply their muse rather to reading what is good than to writing what is bad. For if the bungling of the incompetent so raised the wrath of the gentle Apollo that he could flay Marsyas, I do not see on what the mediocre poets will base their claim to tolerance.