To find out how the world was made, or rather, to give forth a theory accounting for its origin and continued existence, is one of the subjects that has attracted the attention of thinking minds among all nations having any pretension to civilization. It was, therefore, to be expected that the ancient Babylonians and Assyrians, far advanced in civilization as they were at an exceedingly early date, should have formed opinions thereupon, and placed them on record as soon as those opinions were matured, and the art of writing had been perfected sufficiently to enable a serviceable account to be composed.
This, naturally, did not take place all at once. We may take it for granted that the history of the Creation grew piece by piece, as different minds thought over and elaborated it. The first theories we should expect to find more or less improbable—wild stories of serpents and gods, emblematic of the conflicting powers of good and evil, which, with them, had their origin before the advent of mankind upon the earth.
But all men would not have the same opinion of the way in which the universe came into existence, [pg 010] and this would give rise, as really happened in Babylonia, to conflicting accounts or theories, the later ones less improbable than, and therefore superior to, the earlier. The earlier Creation-legend, being a sort of heroic poem, would remain popular with the common people, who always love stories of heroes and mighty conflicts, such as those in which the Babylonians and Assyrians to the latest times delighted, and of which the Semitic Babylonian Creation-story consists.
As the ages passed by, and the newer theories grew up, the older popular ones would be elaborated, and new ideas from the later theories of the Creation would be incorporated, whilst, at the same time, mystical meanings would be given to the events recorded in the earlier legends to make them fit in with the newer ones. This having been done, the scribes could appeal at the same time to both ignorant and learned, explaining how the crude legends of the past were but a type of the doctrines put forward by the philosophers of later and more enlightened days, bringing within the range of the intellect of the unlearned all those things in which the more thoughtful spirits also believed. By this means an enlightened monotheism and the grossest polytheism could, and did, exist side by side, as well as clever and reasonable cosmologies along with the strangest and wildest legends.
Thus it is that we have from the literature of two closely allied peoples, the Babylonians and the Hebrews, accounts of the Creation of the world so widely differing, and, at the same time, possessing, here and there, certain ideas in common—ideas darkly veiled in the old Babylonian story, but clearly expressed in the comparatively late Hebrew account.
It must not be thought, however, that the above theory as to the origin of the Hebrew Creation-story interferes in any way with the doctrine of its inspiration. We are not bound to accept the opinion so [pg 011] generally held by theologians, that the days of creation referred to in Genesis i. probably indicate that each act of creation—each day—was revealed in seven successive dreams, in order, to the inspired writer of the book. The opinion held by other theologians, that “inspiration” simply means that the writer was moved by the Spirit of God to choose from documents already existing such portions as would serve for our enlightenment and instruction, adding, at the same time, such additions of his own as he was led to think to be needful, may be held to be a satisfactory definition of the term in question.
Without, therefore, binding ourselves down to any hard and fast line as to date, we may regard, for the purposes of this inquiry, the Hebrew account of the Creation as one of the traditions handed down in the thought of many minds extending over many centuries, and as having been chosen and elaborated by the inspired writer of Genesis for the purpose of his narrative, the object of which was to set forth the origin of man and the Hebrew nation, to which he belonged, and whose history he was about to narrate in detail.
The Hebrew story of the Creation, as detailed in Genesis i., may be regarded as one of the most remarkable documents ever produced. It must not be forgotten, however, that it is a document that is essentially Hebrew. For the author of this book the language of God and of the first man was Hebrew—a literary language, showing much phonetic decay. The retention of this matter (its omission not being essential at the period of the composition of the book) is probably due, in part, to the natural patriotism of the writer, overruling what ought to have been his inspired common-sense. How this is to be explained it is not the intention of the writer of this book to inquire, the account of the Creation and its parallels being the subject in hand at present.
The question of language apart, the account of the [pg 012] Creation in Genesis is in the highest degree a common-sense one. The creation of (1) the heaven, and (2) the earth; the darkness—not upon the face of the earth, but upon the face of the deep. Then the expansion dividing the waters above from the waters below on the earth. In the midst of this waste of waters dry land afterwards appears, followed by the growth of vegetation. But the sun and the moon had not yet been appointed, nor the stars, all of which come into being at this point. Last of all are introduced the living things of the earth—fish, and bird, and creeping thing, followed by the animals, and, finally, by man.
It is noteworthy and interesting that, in this account, the acts of creation are divided into seven periods, each of which is called a “day,” and begins, like the natural day in the time-reckoning of the Semitic nations, with the evening—“and it was evening, and it was morning, day one.” It describes what the heavenly bodies were for—they were not only to give light upon the earth—they were also for signs, for seasons, for days, and for years.
And then, concerning man, a very circumstantial account is given. He was to have dominion over everything upon the earth—the fish of the sea, the fowl of the air, the cattle, and every creeping thing. All was given to him, and he, like the creatures made before him, was told to “be fruitful, and multiply, and replenish the earth.” It is with this crowning work of creation that the first chapter of the Book of Genesis ends.
The second chapter refers to the seventh day—the day of rest, and is followed by further details of the creation, the central figure of which is the last thing created, namely, man. This chapter reads, in part, like a recapitulation of the first, but contains many additional details. “No plant of the field was yet in the earth, and no herb ... had sprung up: for the Lord [pg 013] God had not caused it to rain ..., and there was not a man to till the ground.” A mist, therefore, went up from the earth, and watered all the face of the ground. Then, to till the earth, man was formed from the dust of the ground, and the Lord God “breathed into his nostrils the breath of life, and man became a living soul.”
The newly-created man was, at this time, innocent, and was therefore to be placed by his Creator in a garden of delight, named Eden, and this garden he was to dress and keep. A hidden danger, however, lay in this pleasant retreat—the tree of knowledge of good and evil, of which he was forbidden to eat, but which was to form for him a constant temptation, for ever testing his obedience. All might have been well, to all appearance, but for the creation of woman, who, giving way to the blandishments of the tempter, in her turn tempted the man, and he fell. Death in the course of nature was the penalty, the earthly paradise was lost, and all chance of eating of the tree of life, and living for ever, disappeared on man's expulsion from his first abode of delight.
In the course of this narrative interesting details are given—the four rivers, the country through which they flowed, and their precious mineral products; the naming of the various animals by the man; the forming of woman from one of his ribs; the institution of marriage, etc.
Such is, in short, the story of the Creation as told in the Bible, and it is this that we have to compare with the now well-known parallel accounts current among the ancient Babylonians and Assyrians. And here may be noted at the outset that, though we shall find some parallels, we shall, in the course of our comparison, find a far greater number of differences, for not only were they produced in a different land, by a different people, but they were also produced under different conditions. Thus, Babylonian polytheism takes the place of the severe and uncompromising [pg 014] monotheism of the Hebrew account in Genesis; Eden was, to the Babylonians, their own native land, not a country situated at a remote distance; and, lastly, but not least, their language, thoughts, and feelings differed widely from those of the dwellers in the Holy Land.
The Babylonian story of the Creation is a narrative of great interest to all who occupy themselves with the study of ancient legends and folklore. It introduces us not only to exceedingly ancient beliefs concerning the origin of the world on which we live, but it tells us also of the religion, or, rather, the religious beliefs, of the Babylonians, and enables us to see something of the changes which those beliefs underwent before adopting the form in which we find them at the time this record was composed.
A great deal has been written about the Babylonian story of the Creation. As is well known, the first translation of these documents was by him who first discovered their nature, the late George Smith, who gave them to the world in his well-known book, The Chaldean Account of Genesis, in 1875. Since that time numerous other translations have appeared, not only in England, but also on the Continent. Among those who have taken part in the work of studying and translating these texts may be named Profs. Sayce, Oppert, Hommel, and Delitzsch, the last-named having both edited the first edition of Smith's book (the first issued on this subject on the Continent), and published one of the last and most complete editions of the whole legend yet placed before the public. To Prof. Sayce, as well as to Prof. Hommel, belongs the honour of many brilliant suggestions as to the tendency of the texts of the creation as a whole: Prof. Oppert was the first to point out that the last tablet of the series was not, as Smith thought, an “Address to primitive man,” but an address to the god Merodach as the restorer of order out of chaos; [pg 015] whilst Delitzsch has perhaps (being almost the last to write upon it) improved the translation more than many of his predecessors in the work.
Before proceeding to deal with the legend itself, a few remarks upon the tablets and the text that they bear will probably not be considered out of place. There are, in all likelihood, but few who have not seen in the British Museum or elsewhere those yellow baked terra-cotta tablets of various sizes and shapes, upon which the Babylonians and Assyrians were accustomed to write their records. And well it is for the science of Assyriology that they used this exceedingly durable material. I have said that the tablets are yellow in colour, and this is generally the case, but the tint varies greatly, and may approach dark grey or black, and even appear as a very good sage-green. The smaller tablets are often cushion-shaped, but, with some few exceptions, they are rectangular, like those of larger size. The writing varies so considerably that the hand of the various scribes can sometimes be distinguished. In the best class of tablets every tenth line is often numbered—a proof that the Assyrians and Babylonians were very careful with the documents with which they had to deal. The Babylonian tablets closely resemble the Assyrian, but the style of the writing differs somewhat, and it is, in general, more difficult to read than the Assyrian. None of the tablets of the Creation-series are, unfortunately, perfect, and many of the fragments are mere scraps, but as more than one copy of each anciently existed, and has survived, the wanting parts of one text can often be supplied from another copy. That copies come from Babylon as well as from Nineveh is a very fortunate circumstance, as our records are rendered more complete thereby.
Of the obverse of the first tablet very little, unfortunately, remains, but what there is extant is of the highest interest. Luckily, we have the beginning of [pg 016] this remarkable legend, which runs, according to the latest and best commentaries, as follows—
Such is the tenor of the opening lines of the Babylonian story of the Creation, and the differences between the two accounts are striking enough. Before proceeding, however, to examine and compare them, a few words upon the Babylonian version may not be without value.
First we must note that the above introduction to the legend has been excellently explained and commented upon by the Syrian writer Damascius. The following is his explanation of the Babylonian teaching concerning the creation of the world—
“But the Babylonians, like the rest of the Barbarians, pass over in silence the one principle of the Universe, and they constitute two, Tauthé and Apason, [pg 017] making Apason the husband of Tauthé, and denominating her the mother of the gods. And from these proceeds an only-begotten son, Moumis, which, I conceive, is no other than the intelligible world proceeding from the two principles. From them, also, another progeny is derived, Daché and Dachos; and again a third, Kissaré and Assoros, from which last three others proceed, Anos, and Illinos, and Aos. And of Aos and Dauké is born a son called Belos, who, they say, is the fabricator of the world, the Creator.”
The likeness of the names given in this extract from Damascius will be noticed, and will probably also be recognized as a valuable verification of the certainty now attained by Assyriologists in the reading of the proper names. In Tiamtu, or, rather, Tiawthu, will be easily recognized the Tauthé of Damascius, whose son, as appears from a later fragment, was called Mummu (= Moumis). Apason he gives as the husband of Tauthé, but of this we know nothing from the Babylonian tablet, which, however, speaks of this Apason (apsû, “the abyss”), which corresponds with the “primæval ocean” of the Babylonian tablet.
In Daché and Dachos it is easy to see that there has been a confusion between Greek Λ and Δ, which so closely resemble each other. Daché and Dachos should, therefore, be corrected into Laché and Lachos, the Laḫmu and Laḫamu (better Laḫwu and Laḫawu) of the Babylonian text. They were the male and female personifications of the heavens. Anšar and Kišar are the Greek author's Assoros and Kisaré, the “Host of Heaven” and the “Host of Earth” respectively. The three proceeding from them, Anos, Illinos, and Aos, are the well-known Anu, the god of the heavens; Illil, for En-lila, the Sumerian god of the earth and the Underworld; and Aa or Ea, the god of the waters, who seems to have been [pg 018] identified by some with Yau or Jah. Aa or Ea was the husband of Damkina, or Dawkina, the Dauké of Damascius, from whom, as he says, Belos, i.e. Bel-Merodach, was born, and if he did not “fabricate the world,” at least he ordered it anew, after his great fight with the Dragon of Chaos, as we shall see when we come to the third tablet of the series.
After the lines printed above the text is rather defective, but it would seem that the god Nudimmud (Ae or Ea), “the wise and open of ear,” next came into existence. A comparison is then apparently made between these deities on the one hand, and Tiamtu, Apsû, and Mummu on the other—to the disadvantage of the latter. On Apsû complaining that he had no peace by day nor rest by night on account of the ways of the gods, their sons, it was at last determined to make war upon them.
Such are the last verses of the first tablet of the so-called story of the Creation as known to the Babylonians, and though it would be better named if called the Story of Bêl and the Dragon, the references to the creation of the world that are made therein prevent the name from being absolutely incorrect, and it may, therefore, serve, along with the more correct one, to designate it still. As will be gathered from the above, the whole story centres in the wish of the goddess of the powers of evil to get creation—the production of all that is in the world—into her own hands. In this she is aided by certain gods, over whom she sets one, Kingu, her husband, as chief. In the preparations that she makes she exercises her creative powers to produce all kinds of dreadful monsters to help her against the gods whom she wishes to overthrow, and the full and vigorous description of her defenders, created by her own hands, adds much to the charm of the narrative, and shows well what the Babylonian scribes were capable of in this class of record.
The first tablet breaks off after the speech of Tiamtu to her husband Kingu. The second one begins by stating how Aa or Ea heard of the plot of Tiamtu and her followers against the gods of heaven. When his first wrath on account of this had somewhat abated, he went and related the whole, in practically the same words as the story is given on the two foregoing pages, to Anšar, his father, who in his turn became filled with rage, biting his lips, and uttering cries of deepest grief. In the mutilated lines which follow Apsû's subjugation seems to be referred to. After this is another considerable gap, and then comes the statement that Anšar applied to his son Anu, “the mighty and brave, whose power is great, whose attack irresistible,” saying that if he will only speak to her, the great Dragon's anger will be calmed and her rage disappear.
[pg 021]How the god excused himself to his father Anšar on account of his ignominious flight we do not know, the record being again defective at this point. With the same want of success the god Anšar then, as we learn from another part of the narrative, applied to the god Nudimmud, a deity who is explained in the inscriptions as being the same as the god Aa or Ea, but whom Professor Delitzsch is rather inclined to regard as one of the forms of Bêl.
In the end the god Merodach, the son of Aa, was asked to be the champion of the gods against the great emblem of the powers of evil, the Dragon of Chaos. To become, by this means, the saviour of the universe, was apparently just what the patron-god of the city of Babylon desired, for he seems immediately to have accepted the task of destroying the hated Dragon—
Anšar, without delay, calls his messenger Gaga, and directs him to summon all the gods to a festival, where with appetite they may sit down to a feast, to eat the divine bread and drink the divine wine, and there let Merodach “decide the fates,” as the one chosen to be their avenger. Then comes the message that Gaga was to deliver to Laḫmu and Laḫamu, in which the rebellion of Tiamtu is related in practically the same words as the writer used at the beginning of the narrative to describe Tiamtu's revolt. Merodach's proposal and request are then stated, and the message ends with the following words—
Laḫmu and Laḫamu having heard all the words of Anšar's message, which his messenger Gaga faithfully repeated to them, they, with the Igigi, or gods of the heavens, broke out in bitter lamentation, saying that they could not understand Tiamtu's acts.
Then all the great gods, who “decided the fates,” hastened to go to the feast, where they ate and drank, and, apparently with loud acclaim, “decided the fate” for Merodach their avenger.
Here follow the honours conferred on Merodach on account of the mighty deed that he had undertaken to do. They erected for him princely chambers, wherein he sat as the great judge “in the presence of his fathers,” and they praised him as the highest honoured among the great gods, incomparable as to his ordinances, changeless as to the word of his mouth, uncontravenable as to his utterances. None of them would go against the authority that was to be henceforth his domain.
[pg 023]His weapons were never to be defeated, his foes were to be smitten down, but as for those who trusted in him, the gods prayed him that he would grant them life, “pouring out,” on the other hand, the life of the god who had begun the evil against which Merodach was about to fight.
Then, so that he should see that they had indeed given him the power to which they referred, they laid in their midst a garment, and in accordance with their directions, Merodach spoke, and the garment vanished,—he spoke, and it reappeared—
Then all the gods called out, “Merodach is king!” and they gave him sceptre, throne, and insignia of royalty, and also an irresistible weapon, which should shatter his enemies.
Then the god armed himself for the fight, taking spear (or dart), bow, and quiver. To these he added [pg 024] lightning flashing before him, flaming fire filling his body; the net which his father Anu had given him wherewith to capture “kirbiš Tiamtu” or “Tiamtu who is in the midst,” he set north and south, east and west, in order that nothing of her might escape. In addition to all this, he created various winds—the evil wind, the storm, the hurricane, “wind four and seven,” the harmful, the uncontrollable (?), and these seven winds he sent forth, to confuse kirbiš Tiamtu, and they followed after him.
Next he took his great weapon called âbubu, and mounted his dreadful, irresistible chariot, to which four steeds were yoked—steeds unsparing, rushing forward, flying along, their teeth full of venom, foam-covered, experienced (?) in galloping, schooled for overthrowing. Merodach being now ready for the fray, he fared forth to meet the Dragon.
The sight of the enemy was so menacing, that even the great Merodach began to falter and lose courage, whereat the gods, his helpers, who accompanied him, were greatly disturbed in their minds, fearing approaching disaster. The king of the gods soon recovered himself, however, and uttered to the demon a longish challenge, on hearing which she became as one possessed, and cried aloud. Muttering then incantations and charms, she called the gods of battle to arms, and the great fight for the rule of the universe began.