"That is what I mean; they are so extraordinarily intelligent," replied Gray, declining to be snubbed.
Tre Ponti was keeping the festa with much gayety; the streets were full of strolling figures; the benches in front of all the cafés were full. This little way-side hostlery beyond the gate now began to receive its share; four men coming to town from a distant podere stopped here to refresh themselves with wine and chunks of the dark Italian bread. Then came a procession of youths returning from an expedition up the valley. They wore branches of blossoms in their hats, and kept step as they marched. More wine was brought out, and they all drank.
"I have not seen a drunken man in Italy," said Gray; "it's perfectly wonderful. Think of the whiskey and whiskey-brawls at home! Think of the gin and horrible wife-beating in England!"
"I don't know why I should think of them. They're not pleasant subjects."
A party of women now appeared, coming through the gateway from the town; one of them had a baby in her arms, and another was carrying a heavy boy of three, whose head, adorned with a red cap, lay sleepily on her shoulder. Set in the wall outside of this gateway there is a large shrine shielded by a grating. It bears an inscription in Italian—"Erected in token of mercies felt on this spot." There is a low marble step outside of the grating, and the woman who had the older child knelt down here for a moment, and made the child kneel by her side; taking some flowers from the knot at her belt, she showed him how to throw them through the grating as far as he could, as an offering to the Madonna within. The boy obeyed her; and then she gently bent his head forward with her hand as salutation. The other women knelt also, after this one had risen; but they did it perfunctorily; they bobbed down and bobbed up again, crossing themselves, the whole process taking about two seconds.
"The one carrying the red-capped boy is your waitress again," said Gray, as the women, their devotions over, drew nearer on their way to the bridge. "What is she doing down here?"
"It's her home; she is a Tre Ponti girl—was born here; and her family live here still. She herself much prefers the town to the country; she shares to the full the ideas which Browning expressed in 'Up in a Villa, Down in the City.'"
Modesta had now discovered them, and paused, while the women who were with her gave such a general greeting to "lordships" that it seemed to Gray that he beheld several yards of white teeth, surmounted by rows of dark eyes whose depths held a sweetness which no Northern orbs could ever contain.
"I accompany for a short distance my friend Paola," explained the waitress, "Paola being tired, and having already the baby to carry. This, the one I have, is her Angelo—as the master can perceive for himself, an angel indeed—though his little ankles are not strong. But—what would they have? That requires patience; it will improve. The masters would like without doubt to see also the baby? A miracle of beauty!" And giving the older child to one of her companions, she took the swaddled infant from its mother, and brought it to Dennison and his friend, a smile of pure enthusiasm irradiating her face. "His cheeks—do the masters behold them? And his eyes like stars? Lordships can note the quality of his arms."
Gray lightly pinched the dimpled roll of fat extended towards him. "Oui, oui. Grandeena!" he said, emphatically.
Modesta appeared to be charmed with this attention; she thanked him warmly. Then she carried the baby back to its mother, kissing it before she gave it up, and, taking the other child, led the way down the hill, the whole party making fresh obeisances before they turned away.
"What frank, pleasant faces they all have!" said Gray.
"Very frank. They never changed a muscle when, as a token of your admiration of the baby, you told them that it was hailing."
"Hailing? What are you talking about? I said the baby's arm was big."
"Grandina happens to mean 'it is hailing'; that's all."
"It couldn't; it wouldn't be such a fool! Are we going to stay here all night? It's awfully dusty."
For the open space outside of the gate was now filled with loungers, and the café of Garibaldi was crowded both inside and out; the two Americans left their bench and strolled down the hill. When they reached the bridge they stopped to watch the water. As they did so they heard music; down the gorge beside the stream came a party of girls, two and two, with linked arms; they were singing all together something slow and sweet, and as they passed under the bridge each gave a glance upward towards the two gentlemen who were leaning over the parapet to look at them.
"What are they singing?" asked Gray.
"A hymn to the Virgin, with an endless number of verses; stay here a month, and you'll hear it so often that you'll sing it in your sleep."
"That girl who was last did not look like an Italian," Gray went on, as the musical band disappeared round a bend.
"She isn't; she is a Swede. She was brought here last summer by a queer old English woman, who has lived for ten years, off and on, in that villa just above the second bridge; she had a fancy for servants who could not speak a word of English, and she picked up this girl in Stockholm during one of her journeys—for when she wasn't in Tuscany, she was trotting all over the globe. She died, at the last, suddenly; it was two months ago, and, so far, her heirs in England, distant cousins, I believe, have refused to do anything for this stranded maid. The Swedish consul, however, has taken it up, and I hear that there is prospect of a remittance some time or other—enough to pay her expenses back to Stockholm. Fortunately for herself, she had learned to speak Italian. And she had made friends in Tre Ponti; she is staying with these friends now, and turning her hand meanwhile to anything that offers in order to support herself until the money comes. Let's go home and have some tea. Dinner will be very late this evening on account of the festa; no hope of its being on the table before nine o'clock."
"Just a minute more," said Gray.
It was no wonder that the man who was unfamiliar with the scene should wish to linger. The sun was sinking out of sight, sending up broad shafts of gold as he disappeared; above the gold a deep rose tint filled the sky. The water of the stream was gilded, and gilded were the bristling turrets of a fourteenth-century monastery, which here crowns a crag where the gorge makes a bend towards the south. Opposite, beyond Casa Colombina, the soaring Tower of the Dove was flushed with pink. And on the eastern side, over their heads, the little stone town with its bastioned walls was colored in bars of salmon and pearl. The close circle of hills, the wider amphitheatre of mountains behind, all of them clothed in the violet mantle which mountains wear in Italy, were tipped with orange. And somehow all these lovely hues seemed to deepen as the chimes of Tre Ponti began to ring the Angelus. The peal of the monastery on the crag soon joined in the anthem, these latter bells flinging themselves far out from their open belfry against the sky, to and fro, to and fro, with an abandon which was in itself a picture. And when the chime stopped, music of another kind took its place, for coming up the road appeared the same band of girls singing their slow hymn; they had left the gorge, and were returning by way of the bridge to Tre Ponti.
They were no longer a small company; a dozen women had joined them, and six or eight youths followed behind. Modesta accompanied the girls, having finished her duties as escort to Paola and her children.
"Here is your waitress coming back," said Gray. "How handsome she looks!"
The arch of the bridge is high, and the ascent which leads to it steep; the two gentlemen were standing in a small projecting half-bastion, which once served, no doubt, as a sentry-box; their figures were therefore inconspicuous from below, and no one saw them. Modesta walked beside one of the girls. Her arms were folded, her hands resting upon them tranquilly; she was clad in a dress of dark blue tint, with a kerchief of cream-colored silk folded over her breast, and in her hair there was a crimson rose; she was singing as she walked, joining in the hymn to the Virgin, and her eyes were slightly raised, fixed dreamily upon the tinted sky. As the group approached the ascent leading to the bridge, a girl at the end of the procession began playfully to push against one of her companions, and the pushing ended in a hoidenish race, the two turning and rushing back down the road, the one who had been attacked in pursuit of the aggressor. The others paused, and stood watching the chase, but without stopping their hymn, which went steadily on, though, as the pursued girl doubled unexpectedly and baffled her pursuer, the mouths of the singers became so widely stretched in their glee that it was impossible for them to pronounce their syllables, and they carried the melody on mechanically, without words and almost in a shriek.
"Modesta is the only one who appears to remember that it is a hymn," remarked Gray.
"Hymn? It's a him of another kind. She probably doesn't know that she is singing at all; much less what. And she doesn't even see those racing tomboys. She only knows one thing, sees one thing, and that is her Goro."
"Goro?"
"Yes; the young fellow she is going to marry. He is just behind her—there at her elbow. You've seen him in our vineyard half a dozen times."
"He appeared dull enough there! To-day he looks very smart. However, he is much too young for her—hardly more than a boy."
The pursued girl had now escaped, and was returning. The pursuer followed, and as they both reached the waiting group she made a last desperate effort, and succeeded in grasping the other again, and so firmly that they both fell to the ground. The hymn now ceased abruptly, drowned in the general laughter as the two girls struggled in the dust. After a moment they rose, shaking their skirts, and joining in the merriment, until suddenly there came from one of them a high yell. Drawing herself away from the others, she stood with her body stiffened as though it had been turned into wood, and her eyes closed, while she poured forth in a shrill voice a flood of rapid Italian. Her companions meanwhile were so overcome with their laughter as they listened that they rocked to and fro, and clapped their hands on their sides.
"What was she saying?" asked Gray, when at last the piercing voice stopped.
"You wish a sample? She said, 'Brute, thou! Beast, thou! Thou it is who hast done it, pig of a Vanna! For thou puttest me in a fury so that I said evil words. And now what is the use of my Lent? Didn't I drop with fasting? Wasn't I faint? Didn't I do every one of my devotions? And now all lost through thee. Serpent! and frog!'"
Modesta had paid no more attention to this raving outburst than she had paid to the race which had preceded it; she had stopped singing when the others stopped, but her eyes still gazed dreamily at the sky. After a moment or two she turned so that her glance could take in Goro, and then she stood tranquilly waiting, her face serene, content.
Presently the little company, its laugh out, began to move on again, coming up the ascent in a straggling band, the girl who had yelled forth her accusations with her body stiffened so strangely accompanying them, her fit of excitement ended. She even tried to frolic in a shamefaced sort of way; she took the flower from her hair, threw it up and caught it, as though it were a ball, humming a tune to herself carelessly. As they reached the bridge the band perceived the two gentlemen in the semi-bastion; all, that is, save Modesta. In her absorption the waitress saw nothing, until the girl who was beside her pulled her sleeve.
"The master, thine," she whispered. "Thy two lordships."
The waitress now came back to actual life. She waited a moment, until the others had passed on. "It is Goro," she said, presenting him. "The masters already know him well."
"Not in his festival clothes," answered Dennison. "He is nothing," he added, banteringly; "not half good enough! I wouldn't have him, Modesta, if I were you."
When Dennison said "He is nothing," Goro answered, "È vero" (It is true), and laughed lightly. He was a tall, strong youth, with curling hair and a joyous smile.
"Eh—he wishes me so much good!" replied Modesta, fondly.
The next morning Gray took another sunrise walk; he had but five days more to spend in Tuscany, and he wished to make every hour tell. When he came back the waitress was in the court, occupied in tying a long cord to Hannibal's collar; beside her were two towels and a cake of soap.
"It is Annibale, who goes now for his bath," she explained; "Peppino takes him. A bath is excellent for Annibale."
The dog's spirits were deeply depressed; his elongated little body seemed almost to sweep the ground, owing to the dejected state of his short legs. "It is nothing, thou silly one!" said Modesta, affectionately. "Thou must be washed—that thou knowest. And as the morning is so warm, thou art to go to the pond."
Peppino now came from the kitchen, ready for the expedition. With a salute to their visitor, he took the end of the cord in his hand, and turned down the path which leads to the fields below.
"I'll go too," said Gray. "Ego," he added, tapping his breast violently, to show that he meant himself.
The two servants were charmed with this idea; Modesta said that it would give Hannibal courage to be accompanied by the gentleman, and Peppino added that it was "too much honor." The cook was very tall, with the countenance of a seer; in his spotless white linen jacket, his long white apron, and white linen cap, his appearance, with his dark eyes and thick gray hair, was striking. He was suspected of belonging to a secret society of nihilistic principles; but his nihilism must have applied only to mankind, for he went down the hill as slowly as he could, in order that Hannibal's neck should not be hurt by undue pressure from his collar. For the dog was following at the extreme length of his cord, dragging back obstinately with all his might, and digging his crooked little paws as deeply into the sand as he possibly could with each reluctant step; as Peppino was six feet in height, and Hannibal ten inches, the spectacle was amusing. At the foot of the hill the glitter of the pond became visible, and Hannibal's resistance grew so desperate that Peppino went back and picked him up, carrying him onward in his arms as though he had been a baby. "Most surely he must not be permitted to strangle himself," he explained to Gray in his serious voice.
The valley fields belonging to Casa Colombina are six in number; five are for grain and one for vegetables, and all are bordered by rows of fruit-trees, with grape-vines trained to swing from trunk to trunk. These fields are watered by artificial rivulets, which are fed from the pond. And the pond is in reality a reservoir for the water of a spring above. They passed the spring first. It is covered by a roof which extends some distance beyond it, supported by pillars of brick; the ground beneath is paved with flag-stones, and here were assembled a collection of the large tubs, of red earthen-ware, in shape and hue like mammoth flower-pots, which the Tuscan peasants use for washing clothes. Above the spring, fastened to one of the pillars, was a china image of St. Agnes, and beneath the image there was a hanging lamp with one wick, its tiny flame like a pale yellow point in the brilliant morning light.
"Modesta?" said Gray, indicating the lamp as they passed.
The cook nodded affirmatively.
"She is foolishly superstitious," he said. "But women—" A shrug completed the sentence.
"THE DOG WAS FOLLOWING AT THE EXTREME LENGTH OF HIS CORD"
"THE DOG WAS FOLLOWING AT THE EXTREME LENGTH OF HIS
CORD"
The pool was square, paved within, and bordered by a low stone parapet; the water was not quite a foot deep. Peppino soaped Hannibal carefully until he was a mass of white lather; then he placed him gently in the pool, and kept him from returning to the shore by the aid of a long branch. "Walk about, then; walk! Agitate thyself," he said, pressing him softly with the twigs. Hannibal walked as little as he possibly could; his indignation was plainly visible even in the tip of his nose, which was the only part of him above the water. When he was judged to be sufficiently laved the branch was withdrawn, and as he leaped out the cook caught him and dried him with a towel. Another towel was then folded closely round him and fastened with long tapes, leaving only his head and paws and tail free. "Now must thou run back, so as not to take cold," said Peppino, putting on the collar and readjusting the cord. And then the procession returned, the swathed Hannibal this time as far in advance as the cord would permit, and pulling up the hill like a miniature steam-engine. "He is anxious to get back to Modesta," said Gray.
The cook comprehended. "It is true. She spoils him with her indulgence; it is a melancholy weakness in her character," he replied, as with his disengaged hand he took his red handkerchief from his pocket and wiped his face, which was heavily bedewed with drops of perspiration, owing to his exertions at the pond.
As they reached the level ground behind the house the cat could be seen audaciously reposing in Hannibal's basket, which had been set outside to air. The dachshund barked angrily; the cook did not set him free, but hurried forward himself to eject the intruder; and as he did so, in some way his foot slipped, and he came down full length on the grass with a thud. And then Modesta, who had appeared at the kitchen door, began to call out in excitement: "He laughs—behold him! Annibale laughs!" And, in truth, the dog had that look as, with his mouth set in a broad grin, his tongue hanging out a little, his tail wagging, and his eyes brilliant with glee, he surveyed his prostrate companion. Modesta ran and took him up. "Didst thou laugh, little one? Like a human creature? And, indeed, thou art one; 'tis a man thou art!" Peppino, as soon as he was on his feet again, was almost as much interested as she was; between them they took off the towel, and dried him anew with a fresh one, watching him tenderly meanwhile with bated breath, as though they were expecting every instant to hear him speak.
In spite of her mirth, Gray had noticed that the eyes of the waitress were reddened, as though she had been shedding tears.
At breakfast Dennison also noticed this. "Anything the matter?" he said.
"Ah, nothing, nothing," replied Modesta, waving her hand contemptuously. "It is only that I am of so great a carelessness—I have shame about it. Will they figure it to themselves that I actually took off the cover of the large pepper-jar and emptied the contents into a bowl, my face held over it meanwhile and a breeze blowing through the pantry! That was acting like a fool; the pepper naturally flew into my eyes. But enough; it will pass."
After breakfast Dennison went down to Tre Ponti on business connected with his olive-grove. But he returned very soon, and, entering the library, rang the bell sharply.
"What's up?" said Gray, who was writing letters by the window.
"A poor old man was terribly injured while passing the house this morning; his donkey slipped on a rolling stone and fell, and the man was thrown from his two-wheeled cart with great violence. Peppino was out apparently—I can't imagine where, at that hour, as it's not his day for going to town."
"He was down at the pond washing the dog; I was with him."
"That explains it. Modesta, therefore, having the field to herself, absolutely refused to allow them to bring the poor creature in here; she let him go in a jolting wagon down to Tre Ponti, telling me nothing whatever about it. What makes it worse is that the man is a contadino who used to work for me; he worked for me, in fact, until he grew too old to work anywhere."
"Probably she has some reason for disliking him."
"On the contrary, she likes him; I happen to know it. And she has a very soft heart for old people, for all kinds of infirmity and suffering. She will fly down to see him upon the very first opportunity; she will rob herself to take him the best food and wine, and everything else she can think of; she will take the very pillows from her bed! She had cried her eyes out over him, that was evident. With her yarn about the pepper!"
"But why in the world, then—"
"Simply because her idea is never to speak of unpleasant subjects to her superiors if she can possibly avoid it; if forced to tell something of the truth, she envelops it in roundabout, optimistic phrases that would deceive even Solomon! But you'll hear for yourself. I'll translate what she says afterwards."
Modesta now appeared in answer to the ring.
"Two men are coming to-day to work in the olive-grove," said Dennison; "tell Peppino to have the tools ready; they will come every afternoon for a week. Your eyes are better, I trust?"
"Almost well, as lordship can behold. It was too much carelessness—mine—with that pepper!"
"Pepper, indeed; I feel peppery myself," replied Dennison. "Why didn't you tell me about the man who was injured here this morning?"
"Eh—lordship has heard? It was a slight accident."
"His leg and his arm were broken, and you know it. Also his head was cut."
"Most surely that is an error. It was a sprain, a wrench; nothing more."
"But I have seen him myself. And it was old Niccolo."
"Lordship has seen him? It is possible that it was Niccolo; I did not observe closely."
"You should have come to my door and wakened me, instead of taking it upon yourself to give orders," said Dennison.
"Oh!" exclaimed the waitress, with a vivid expression of repugnance in her eyes. "Waken lordship to tell him of a trouble—a misfortune like that? What, then, would become of his repose—his tranquillity?"
"You need not concern yourself about my tranquillity," answered Dennison. But he gave it up. "You may go," he said. "Stay a minute," he added; "I have provided a nurse for Niccolo, and a doctor, and he is to be paid so much a day for the best food and wine; he will therefore require nothing from you."
"Save my compassion," answered the waitress, the tears now rolling freely down her cheeks, and reddening her eyes anew. "And that I give with all my heart!" She lifted a corner of her apron to wipe away the drops. "It was sad to see—the masters can imagine! So old a man, and feeble. His white hair in the dust. But he knew me when I ran out. I wept much."
"How about the pepper?" inquired Dennison, as she left the room.
But the waitress was not disturbed by the detection of her falsehood.
"The whole thing seems to her only the most ordinary duty to me," said Dennison, after she had gone. "And if I had not happened to see Niccolo with my own eyes, she would have stuck to her lie to the judgment-day. Personally it was dreadful to her to send him away; she would have liked nothing better than to have him here, in one of those cool rooms off the court, where she could coddle him to her heart's content."
"Do you know, then, I think what she did was in one way charming," said Gray. "All these Italian peasants seem to me to have the most wonderful civility; their manners are always agreeable; they are almost polished. Think of the manners of—"
"I refuse to think of anything; the discoveries made by you new-comers are only exceeded by your conceit. For a thorough knowledge of the Italian character give me the man who has spent, in all, six weeks in Italy?"
The last day of Gray's visit came. As they sat at the breakfast-table, his host said: "There's a powwow to-night, to celebrate something or other, at one of the poderes about a mile from here. Modesta is going if I give her permission. If I do, she won't be back until after midnight, and the table service at dinner will therefore be at sixes and sevens. As the day is so fine, we might take it for a drive to that tower on the mountain—the one which is adorned, according to you, with a winding outside stairway!"
"There certainly is a stairway," persisted Gray.
"And then we could get something in the way of a dinner at a little summer hotel, which is already open for the season. There is a moon for the drive back, and we could stop and have a look at the powwow before coming home—as you're so athirst for everything Tuscan."
"Excellent. Jar!" said Gray.
"Jar? What jar?"
"Jar. Jarr, then, since you say I always cut my r's. You ought to know Italian when you hear it. Jar is what they all say to me when they mean yes."
"You ridiculous object, 'già' is the word."
"That's exactly what I said: jar."
It was three o'clock when they started, and a beautiful May afternoon. A pair of horses and the rattling phaeton had been sent to Casa Colombina from Tre Ponti. Modesta had already departed.
"The celebration begins early," said Gray, as he saw her start.
"She isn't going there now," answered Dennison. "She will go first to the house of Goro's mother, about half a mile from here; there she will sit braiding straw and gossiping with the old woman in a dark, cellar-like room, until the beloved object comes home and is ready to accompany her. I dare say she is taking him something with which to make himself smart for the occasion—a new necktie or a silk handkerchief."
As they passed out on their way to the carriage they caught a glimpse of the distant white figure of the cook seated with his back towards them outside of his kitchen door in the shade, occupying his leisure in playing the flute; his notes, which just reached them, were soft and long-drawn as sighs.
"What is it?" said Gray, listening. "I'm sure I know it."
"'Com' è gentil'; that is, 'O summer night.' Peppino is very sentimental in his musical tastes."
"He doesn't go to the party, then?"
"He despises parties. He goes in for bombs."
It was between eight and nine o'clock in the evening when, on their return from the drive, Dennison checked his horses in a hedge-bordered lane, and stopped. (It may be mentioned that they did not reach the tower; no one—that is, no stranger—has ever reached it. Italians are indifferent to its mystery.) "This is the place," he said. "The house is a quarter of a mile from here, and I could have taken you nearer by keeping to the main road; but in that case they might have heard the sound of our wheels. I haven't let any one know we were coming, so that you can have a glimpse of the scene as it really is, and not tamed by the presence of strangers." He tied the horses to the hedge, and, climbing over a stone wall, led the way across a broad field, freshly ploughed. On the other side of this field the ground ascended, and the slope was covered by an olive-grove. The sparse gray foliage of the pruned trees cast hardly more than a lace-work of shade upon the moonlit ground, and the two men made their way upward easily; in ten minutes they had reached the top. Here, on a broad plateau, stood the farm-house with its out-buildings. Beyond the plateau the ground ascended again, decked by another grove. The door and windows of the house were open, and sounds of laughter came forth. The two Americans drew near cautiously, walking as quietly as they could in the shadow of the trees. But their care was unnecessary; all were assembled within, and no one was looking either from the door or the windows; the noise, too, was so great that no sound outside could have been heard even by a listening ear. Dennison, making a détour, led the way round to one of the back casements. This window, a small one, was breast-high; its little lattices of lead-bordered panes had been thrown back; they opened into the room, as the exterior of the window was guarded by iron rods set close together. The two spectators outside, by looking between these rods, obtained a view of the scene within. The room was large, low, and smoke-browned; it was lighted by all the lamps the house could muster—lamps of the old Tuscan pattern for olive-oil; there were also earthen-ware saucers filled with the same oil, and carrying a floating wick. Two candles illumined a supper-table which was placed across one end of the apartment. This table bore upon its white linen cloth the dishes of the feast—dishes and little else, as everything had been eaten save bread, of which there was still a supply (in case any one should feel a return of hunger). There were also fresh flasks of wine for future thirst, and over a handful of coals on the hearth there was a long-handled coffee-pot. A game was now going on, or, rather, a pantomime; two men in masks were jumping about like harlequins, and every now and then they seized a person from the ranks of spectators, and whirled him or her round and round dizzily; there was guessing connected with it in some way, as everybody called out names loudly; the uproar was incessant, with occasional applause and a great deal of laughter. The feet of the harlequins had raised much dust, and at last the room became dim. "More light, more light, Filippo. We can't see," called several voices.
Filippo, a sinewy little man who had been acting as harlequin himself (for the men took turns), consulted with his wife. They had no more candles, and no more saucers and wicks; but they could make a blaze of brushwood on the hearth, if the company would not mind the additional heat? The wife, a laughing ample matron who still showed a handsome face above her rotund person, opened a door into an out-building, and, after some rummaging, produced three fagots of small, dry twigs; one of these she placed over the coals, and in a minute or two a blaze leaped up the wide chimney, lighting the room brilliantly. The game now went on with redoubled vigor and glee, and the gazers without could see all the faces of the circle distinctly.
"There is Modesta by the table," whispered Gray. "How she does laugh! It doesn't seem natural."
"Oh yes, it is. That is the way they laugh sometimes; they can go on for hours like children."
"Isn't that the Swedish girl with one of the harlequins? How light-colored she looks in that tanned, black-haired crowd! She is rather pretty; instead of letting her go back to Stockholm, one of these Italian youths had better marry her."
"She probably holds herself above them," answered Dennison, in the same low tone. "But, in any case, Tuscan peasants are extremely slow to marry a person who is not a Tuscan. They call even Romans foreigners; generally, too, they call them brutes! Well, we've been here twenty minutes: had enough?"
They turned, and, making a second circuit of the house, they crossed the plateau noiselessly, and re-entered the grove. They had gone but a few paces down the slope when the distant voices and laughter suddenly grew louder; looking back, they saw that the whole company had come outside, following the harlequins, each one of whom held a girl by the elbows, and was whirling her over the grass in the brilliant moonlight. Presently four more couples began to whirl in the same manner, and all the others, inspired by the sight, joined hands, and made a long chain which moved to and fro with rhythmical steps, forming now a star, now a square, now a figure 8. The game was at an end; everybody was dancing. One of the harlequins changed his partner every few minutes, but the other did not loosen his grasp of the girl whom he had brought with him from the house. After a while this second harlequin moved away from the other dancers, and came waltzing across the plateau towards the grove where Dennison and Gray were standing, each hidden in the shadow of a tree trunk; at the top of the slope the man did not stop, but began to descend, still dancing, or pretending to dance, and pulling his unwilling partner with him.
At this instant a woman detached herself from the distant groups of revellers and rushed towards the grove. And as she came on her figure was such a vision of swiftness of motion and of intensity of purpose that Gray unconsciously held his breath as he watched her. The plateau was broad; she was a full minute in crossing it. As she drew near the grove she lifted her head a little, and the moonlight, which had been behind her, fell across her forehead; then he saw that it was Modesta.
The harlequin also had recognized her, for, suddenly ceasing his gyrations, he released his companion, and ran off in the opposite direction, bounding as he went, in accordance with his assumed character, and joining the chain of dancers near the house with a high leap which gained for him their loud applause. Meanwhile his partner, freed at last, stood still for an instant with her eyes closed, dizzy from the whirling.
It was during this instant that Modesta reached her; coming down the slope with all the gathered impetus of her tremendous speed, she swooped upon the girl, bore her to the ground, struck her across the cheek, and then, holding her down with one hand, she fumbled in her own pocket with the other.
Dennison meanwhile, as soon as he had recognized his waitress at the top of the descent (he had not distinguished who it was before, his eyesight not being so keen as Gray's), had left his tree, and, darting across the intervening space, he now caught her arm tightly at the elbow, while her hand was still in her pocket. Gray hurried to his aid, and seized her other wrist, dragging her fingers away from the girl on the ground; thus holding her between them, they pulled her to her feet. As they did so her right hand came out of her pocket. It held a murderous-looking knife.
"You devil," said Dennison, in Italian, "drop that knife!"
They held her so closely that she could not move, but her face glared at them in the moonlight. It was like nothing human; her head was thrust out, the eyes were narrowed and glittering, the nostrils flattened, and the lips drawn up and back from the set, fierce teeth. Their four figures—three standing, one on the ground—were below the slope, and no one saw them. There had been no sound from the prostrate girl, who had lost consciousness from fright, paralyzed by the terrible countenance of the woman who had attacked her; and the waitress herself had made no sound as she came. She made no sound now, save that she panted as she breathed; she was like a wild beast who had made one spring and is about to make another.
"Drop the knife, or you shall go to prison," said Dennison, sternly, his hands on her shoulder like a vise.
Her fingers did not move.
"Listen. If you don't drop it, I swear to you I'll send Goro to America by the next Leghorn steamer, with five hundred lire in his pocket."
The knife dropped.
"Pick it up," said Dennison to Gray, in English. "Now see if you can lift that girl and carry her down the hill. Get her across the field somehow to that stone wall where we climbed over; wait there for me—unless she should come to on the way, in which case perhaps she will be able to climb over the wall herself. If she does, wait there with her by the phaeton. I sha'n't be long. But I must take this she-wolf back to the house first."
Gray had bent down; he lifted the inert body at their feet, raising it a little, and as he did so the head fell back, and the moonlight, shining on the hair and temples, showed that it was the Swede. Modesta, as she too saw the face, made a spring at it. But Dennison jerked her back. Then, with a snarling sound in her throat, she twisted her head round, and bit savagely at his hand where it held her shoulder.
"Do hurry. She is perfectly insane," he said to Gray.
Gray, having got the Swede off the ground, put his left arm under her back at the shoulders, and his right under her knees, and, lifting her in this position, he carried her down the hill with as much speed as was possible. This was not great, because the ground was uneven, and as he could not see where to place his steps, he was obliged to feel his way with his feet as he advanced—to shuffle along cautiously. In time, however, he reached the bottom of the hill. Then slowly he began to cross the field. This, too, was difficult, owing to the soft, crumbling earth of the freshly ploughed furrows. But here at last the girl opened her eyes.
"Can you stand?" asked Gray, breathlessly. Then he thought, with irritation, "None of them can speak anything!"
But the Swede now made of her own accord the motion of trying to get to her feet, and gladly enough he let her slip down and stand on the ground, as his arms were aching. He still supported her, however, lest she should fall.
But the girl seemed to be more terrified than weak; the instant her feet touched the earth she began to run towards the stone boundary wall, looking back every half-minute to see that no one was following. He went with her, trying to help her over the furrows; and as they hurried onward side by side, her face was such a picture of deathly fear that the feeling took possession of him also; he found himself regretting that their figures were so plainly visible on the moonlit expanse, and he too looked nervously over his shoulder, as though he expected to see the Italian woman coming after them madly, with her glittering eyes and the shining knife.
They reached the wall, and climbed over into the road outside, the Swede needing no help, but quicker in her movements than he was. In the road he tried to stop her, but she pulled herself from him. Still holding her, he showed her the horses tied in the shadow of the hedge. This she comprehended. She waited, therefore; but she kept herself several yards away from him, so that he should not stop her in case she should again wish to flee. She was a slender young creature, and she stood there much as a bird poises itself on a twig; not resting, not bearing its full weight, but perched provisionally, as it were—ready to fly away again in an instant.
Gray, who had now recovered his composure, tried to soothe her. With his most encouraging inflections he repeated: "All safe now. All-ll safe! Stay right here with me."
She paid not the least attention to him. Her eyes continued their strained watch of the lower trees of the grove. At length a man's figure emerged from these trees, and the girl gave a muffled scream. But Gray had caught hold of her arm; pointing to the horses and then to Dennison, he said, gesticulating energetically: "Horses are his. Dennison's. My friend. Your friend. (Oh, what is 'friend?') Amicus! Don't you see he's alone? Nobody with him? Solo? Sola?"
And the girl could indeed see for herself that the person approaching was alone. She had understood the fact that the horses belonged to this person, and her hope was in the horses; they could take her away—away from here!
As soon as Dennison was near enough he began speaking in Italian, and he continued to talk to her as he climbed over the wall, calming her, explaining and arranging. Then he turned the phaeton, and they all took their places within, the Swede sitting between the two men on the broad seat. Dennison drove down the lane, still talking encouragingly. When they reached the main road he took a direction which led them away from Casa Colombina and Tre Ponti. "We're in for it!" he said in English to Gray. "I shall take her to the nearest railway station—not the one you know, but another—and pack her off to Florence; there her consul can see to her. I have explained it to her clearly. She is glad enough to go."
"What was it all about, anyhow?"
"Didn't you comprehend? That harlequin (I'll mention no names, and then she won't be startled) was no less a person than the lover of your Madonna beauty—the youth she expects to marry. During the game he was flirting, or trying to flirt after his fashion, with our present companion. This was too much for the older woman. Hence the knife."
"Which I have in my pocket, by-the-bye."
"Don't take it out now; you can throw it away after we have disposed of our Scandinavian. I suppose she has never before seen such a thing as a brandished weapon of that sort. It's a knife used by the peasants about here to cut hides with; your Madonna probably took it from among Filippo's tools somehow while the festivities were going on. She must have been jealous even then."
"I told you that her laugh wasn't natural. 'Twas an awful sight, though! She would certainly have murdered the girl if we hadn't happened to be standing just where we were."
"Very likely," answered Dennison. "Tchk, tchk," he added to the horses.
"I hope she is safely locked up by this time."
"Locked up! She is probably dancing with her harlequin."
"You don't mean to say that you let her go?"
"Quite so. She is all right now; she has come back to her senses. I had six words with the youth, however; he'll treat her better—for the present, at least; I have frightened him."
"What did you mean when you said you'd send him away?"
"That was what brought her round. He has had a hankering for a long time to emigrate to—to the land of the free; he would go in a minute if his passage were paid and he had a hundred dollars in his pocket—go and never think of her again; she knows this. But the land of the free doesn't want him—he is incorrigibly lazy; and his departure would end her as far as I am concerned—make her perfectly useless."
"Good heavens! you're not going to take that murderess back?"
"I can't take her back without sending her away first. And that I haven't done," answered Dennison.
"But won't she be arrested, in any case? Every one will know that she attacked this girl, and that the girl has fled."
"No one knows that she attacked her. And even if it is guessed, Tuscan peasants are not so easily alarmed as you suppose; they understand each other. As to the disappearance of this one, I shall explain it by saying that I decided to advance the money to send her as far as Florence, instead of making her wait for the remittance which is expected from the consul; it is known that she was to go before long, in any case. It will cost me something, but I like peace and quietness. The other woman is perfect as a servant, and the cause of her jealousy removed she will continue perfect."
"Brrrr!" said Gray, uttering the sound that accompanies a shudder.
The Swede recognized the meaning of this; she looked at him quickly with parted lips and her hand extended. She was ready to spring from the phaeton.
"Do be quiet!" said Dennison. Then he spoke to the girl in Italian, quieting her dread.
They reached the station in safety, and soon after sunrise the Northerner, her breath still hurried, her hands cold, was placed in the care of the official who had charge of the Florence train. Dennison gave her his white silk handkerchief to tie over her uncovered head. The daylight had revealed the discolored lines of the bruise on her cheek produced by Modesta's blow. "Poor thing!" said Gray, as the train started on its way, and they had a last glimpse of her frightened eyes at the window.
"Yes. But she will get over it in time—she is strong and healthy. I have telegraphed to the consul at Florence to meet her, and take every care of her; he is to give her money from me, and then he is to send her to Stockholm, comfortably, in the charge of a suitable person. When she arrives there she will find a tidy little sum to her credit at a banker's."
"You're paying well for her scare."
"I'm paying well for my comfort."
They took fresh horses and returned to Casa Colombina.
As the Tower of the Dove came into sight on its hill, Gray said: "She won't be there, will she—I mean at the house?"
"Oh yes."
"What will she do when she sees us?"
"She will bring in the breakfast just as she brings it every morning, and Hannibal and the cats will follow behind. Perhaps she will talk rather more than usual; if she does, it will be on the most agreeable topics, and her smile (which you admire so much) will be sweeter than ever; her hair will be braided to perfection, and, what is more important, her work will be done to perfection. We shall pretend, both of us, she and I, that we don't see the mark of the bite on my hand. Shall I go on? In a week or two, probably, she will marry her Goro, and then he will be so constantly under my feet that I shall end by installing him as my gardener for life. He will do no work of importance; but, owing to his presence, I shall continue to enjoy the services of a waitress whom you yourself have described as a regular marvel."
It may be added that this prophecy has been exactly fulfilled.
ON the shores of Lake Leman there are many villas. For several centuries the vine-clad banks have been a favorite resting-place for visitors from many nations. English, French, Germans, Austrians, Poles, and Russians are found in the circle of strangers whose gardens fringe the lake northward from Geneva, eastward from Lausanne, and southward from Vevey, Clarens, and Montreux. Not long ago an American joined this circle. The American was a lady named Winthrop.
Mrs. Winthrop's villa was not one of the larger residences. It was an old-fashioned square mansion, half Swiss, half French, ending in a high-peaked roof, which came slanting sharply down over several narrowed half-stories, indicated by little windows like dove-perches—four in the broadest part, two above, then one winking all alone under the peak. On the left side a round tower, inappropriate but picturesque, joined itself to the square outline of the main building; the round tower had also a peaked roof, which was surmounted by a contorted ornament of iron somewhat resembling a letter S. Altogether the villa was the sort of a house which Americans are accustomed to call "quaint." Its name was quaint also—Miolans la Tour, or, more briefly, Miolans. Cousin Walpole pronounced this "Miawlins."
Mrs. Winthrop had taken possession of the villa in May, and it was now late in August; Lake Leman therefore had enjoyed her society for three long months. Through all this time, in the old lake's estimation, and notwithstanding the English, French, Germans, Austrians, Poles, and Russians, many of them titled, who were also upon its banks, the American lady remained an interesting presence. And not in the opinion of the old lake only, but in that also of other observers, less fluid and impersonal. Mrs. Winthrop was much admired. Miolans had entertained numerous guests during the summer; to-day, however, it held only the bona fide members of the family—namely, Mrs. Winthrop, her cousin Sylvia, and Mr. H. Walpole, Miss Sylvia's cousin. Mr. H. Walpole was always called "Cousin Walpole" by Sylvia, who took comfort in the name, her own (a grief to her) being neither more nor less than Pitcher. "Sylvia Pitcher" was not impressive, but "H. Walpole" could shine for two. If people supposed that H. stood for Horace, why, that was their own affair.
Mrs. Winthrop, followed by her great white dog, had strolled down towards the lake. After a while she came within sight of the gate; some one was entering. The porter's lodge was unoccupied save by two old busts that looked out from niches above the windows, much surprised that no one knew them. The new-comer surveyed the lodge and the busts; then opened the gate and came in. He was a stranger; a gentleman; an American. These three items Mrs. Winthrop's eyes told her, one by one, as she drew nearer. He now caught sight of her—a lady coming down the water-path, followed by a shaggy dog. He went forward to meet her, raising his hat. "I think this is Mrs. Winthrop. May I introduce myself? I am John Ford."
"Sylvia will be delighted," said Mrs. Winthrop, giving her hand in courteous welcome. "We have been hoping that we should see you, Mr. Ford, before the summer was over."
They stood a few moments, and then went up the plane-tree avenue towards the house. Mrs. Winthrop spoke the usual phrases of the opening of an acquaintance with grace and ease; her companion made the usual replies. He was quite as much at his ease as she was, but he did not especially cultivate grace. Sylvia, enjoying her conversation with Cousin Walpole, sat just within the hall door; she was taken quite by surprise. "Oh, John, how you startled me! I thought you were in Norway. But how very glad I am to see you, my dear, dear boy!" She stood on tiptoe to kiss him, with a moisture in her soft, faded, but still pretty eyes.
Mrs. Winthrop remained outside; there were garden chairs in the small porch, and she seated herself in one of them. She smiled a little when she heard Sylvia greet this mature specimen of manhood as a "dear, dear boy."
Cousin Walpole now came forward. "You are welcome, sir," he said, in his slender little voice. Then bethinking him of his French, he added, with dignity, "Welcome to Miaw-lins—Miaw-lins-lay-Tower."
Ford took a seat in the hall beside his aunt. She talked volubly: the surprise had excited her. But every now and then she looked at him with a far-off remembrance in her eyes: she was thinking of his mother, her sister, long dead. "How much you look like her!" she said at last. "The same profile—exact. And how beautiful Mary's profile was! Every one admired it."
Ford, who had been gazing at the rug, looked up; he caught Mrs. Winthrop's glance, and the gleam of merriment in it. "Yes, my profile is like my mother's, and therefore good," he answered, gravely. "It is a pity that my full face contradicts it. However, I live in profile as much as possible; I present myself edgewise."
"What do you mean, dear?" said Sylvia.
"I am like the new moon," he answered; "I show but a rim. All the rest I keep dark."
Mrs. Winthrop laughed; and again Ford caught her glance. What he had said of himself was true. He had a regular, clearly cut, delicately finished profile, but his full face contradicted it somewhat, showing more strength than beauty. His eyes were gray, without much expression, unless calmness can be called an expression; his hair and beard, both closely cut, were dark brown. As to his height, no one would have called him tall, yet neither would any one have described him as short. And the same phrasing might have been applied to his general appearance: no one would have called him handsome, yet neither would any one have classed him as ordinary. As to what is more important than looks, namely, manner, although his was quiet, and quite without pretension, a close observer could have discovered in it, and without much effort, that the opinions of John Ford (although never obtruded upon others) were in general sufficiently satisfactory to John Ford; and, furthermore, that the opinions of other people, whether accordant or discordant with his own, troubled him little.
After a while all went down to the outlook to see the after-glow on Mont Blanc. Mrs. Winthrop led the way with Cousin Walpole, whose high, bell-crowned straw hat had a dignity which no modern head-covering could hope to rival.
Sylvia followed, with her nephew. "You must come and stay with us, John," she said. "Katharine has so much company that you will find it entertaining, and even at times instructive. I am sure I have found it so; and I am, you know, your senior. We are alone to-day; but it is for the first time. Generally the house is full."
"But I do not like a full house," said Ford, smiling down upon the upturned face of the little "senior" by his side.
"You will like this one. It is not a commonplace society—by no means commonplace. The hours, too, are easy; breakfast, for instance, from nine to eleven—as you please. As to the quality of the—of the bodily support, it is sufficient to say that Marches is house-keeper. You remember Marches?"
"Perfectly. Her tarts no one could forget."
"Katharine is indebted to me for Marches," continued Sylvia. "I relinquished her to Katharine upon the occasion of her marriage, ten years ago; for she was totally inexperienced, you know—only seventeen."
"Then she is now twenty-seven."
"I should not have mentioned that," said Miss Pitcher, instinctively. "It was an inadvertence. Could you oblige me by forgetting it?"
"With the greatest ease. She is, then, sensitive about her age?"
"Not in the least. Why should she be? Certainly no one would ever dream of calling twenty-seven old!" (Miss Pitcher paused with dignity.) "You think her beautiful, of course?" she added.
"She is a fine-looking woman."
"Oh, John, that is what they always say of women who weigh two hundred! And Katharine is very slender."
Ford laughed. "I supposed the fact that Mrs. Winthrop was handsome went without the saying."
"It goes," said Sylvia, impressively, "but not without the saying; I assure you, by no means without the saying. It has been said this summer many times."
"And she does not find it fatiguing?"
The little aunt looked at her nephew. "You do not like her," she said, with a fine air of penetration, touching his coat-sleeve lightly with one finger. "I see that you do not like her."
"My dear aunt! I do not know her in the least."
"Well, how does she impress you, then, not knowing her?" said Miss Pitcher, folding her arms under her little pink shawl with an impartial air.
He glanced at the figure in front. "How she impresses me?" he said. "She impresses me as a very attractive, but very complete, woman of the world."
A flood of remonstrance rose to Sylvia's lips; but she was obliged to repress it, because Mrs. Winthrop had paused, and was waiting for them.
"Here is one of our fairest little vistas, Mr. Ford," she said as they came up, showing him an oval opening in the shrubbery, through which a gleam of blue lake, a village on the opposite shore, and the arrowy, snow-clad Silver Needle, rising behind high in the upper blue, were visible, like a picture in a leaf frame. The opening was so narrow that only two persons could look through it. Sylvia and Cousin Walpole walked on.
"But you have seen it all before," said Mrs. Winthrop. "To you it is not something from fairy-land, hardly to be believed, as it is to me. Do you know, sometimes, when waking in the early dawn, before the prosaic little details of the day have risen in my mind, I ask myself, with a sort of doubt in the reality of it all, if this is Katharine Winthrop living on the shores of Lake Leman—herself really, and not her imagination only, her longing dream." It is very well uttered, with a touch of enthusiasm which carried it along, and which was in itself a confidence.
"Yes—ah—quite so. Yet you hardly look like a person who would think that sort of thing under those circumstances," said Ford, watching a bark, with the picturesque lateen-sails of Lake Leman, cross his green-framed picture from east to west.
Mrs. Winthrop let the hand with which she had made her little gesture drop. She stood looking at him. But he did not add anything to his remark, or turn his glance from the lateen-sails.
"What sort of a person, then, do I look like?" she said.
He turned. She was smiling; he smiled also. "I was alluding merely to the time you named. As it happened, my aunt had mentioned to me by chance your breakfast hours."
"That was not all, I think."
"You are very good to be interested."
"I am not good; only curious. Pray tell me."
"I have so little imagination, Mrs. Winthrop, that I cannot invent the proper charming interpretation as I ought. As to bald truth, of course you cannot expect me to present you with that during a first visit of ceremony."
"The first visit will, I hope, be a long one; you must come and stay with us. As to ceremony, if this is your idea of it—"
"—What must I be when unceremonious! I suppose you are thinking," said Ford, laughing. "On the whole, I had better make no attempts. The owl, in his own character, is esteemed an honest bird; but let him not try to be a nightingale."
"Come as owl, nightingale, or what you please, so long as you come. When you do, I shall ask you again what you meant."
"If you are going to hold it over me, perhaps I had better tell you now."
"Much better."
"I only meant, then, that Mrs. Winthrop did not strike me as at all the sort of person who would allow anything prosaic to interfere with her poetical, heartfelt enthusiasms."
She laughed gayly. "You are delightful. You have such a heavy apparatus for fibbing that it becomes fairly stately. You do not believe I have any enthusiasms at all," she added. Her eyes were dark blue, with long lashes; they were very fine eyes.
"I will believe whatever you please," said John Ford.
"Very well. Believe what I tell you."
"You include only what you tell in words?"
"Plainly, you are not troubled by timidity," said the lady, laughing a second time.
"On the contrary, it is excess of timidity. It makes me desperate and crude."
They had walked on, and now came up with the others. "Does he amuse you?" said Sylvia, in a low tone, as Cousin Walpole in his turn walked onward with the new-comer. "I heard you laughing."
"Yes; but he is not at all what you said. He is so shy and ill at ease that it is almost painful."
"Dear me!" said the aunt, with concern. "The best thing, then, will be for him to come and stay with us. You have so much company that it will be good for him; his shyness will wear off."
"I have invited him, but I doubt his coming," said the lady of the manor.
The outlook was a little terrace built out over the water. Mrs. Winthrop seated herself and took off her garden-hat (Mrs. Winthrop had a very graceful head, and thick, soft, brown hair). "Not so close, Gibbon," she said, as the shaggy dog laid himself down beside her.
"You call your dog Gibbon?" said Ford.
"Yes; he came from Lausanne, where Gibbon lived; and I think he looks just like him. But pray put on your hat, Mr. Ford. A man in the open air, deprived of his hat, is always a wretched object, and always takes cold."
"I may be wretched, but I do not take cold," replied Ford, letting his hat lie.
"John does look very strong," said Sylvia, with pride.
"O fortunate youth—if he but knew his good-fortune!" said Cousin Walpole. "From the Latin, sir; I do not quote the original tongue in the presence of ladies, which would seem pedantic. You do look strong indeed, and I congratulate you. I myself have never been an athlete; but I admire, and with impartiality, the muscles of the gladiator."
"Surely, Cousin Walpole, there is nothing in common between John and a gladiator!"
"Your pardon, Cousin Sylvia. I was speaking generally. My conversation, sir," said the bachelor, turning to Ford, "is apt to be general."
"No one likes personalities, I suppose," replied Ford, watching the last hues of the sunset.
"On the contrary, I am devoted to them," said Mrs. Winthrop.
"Oh no, Katharine; you malign yourself," said Sylvia. "You must not believe all she says, John."
"Mr. Ford has just promised to do that very thing," remarked Mrs. Winthrop.
"Dear me!" said Sylvia. Her tone of dismay was so sincere that they all laughed. "You know, dear, you have so much imagination," she said, apologetically, to her cousin.
"Mr. Ford has not," replied the younger lady; "so the exercise will do him no harm."
The sky behind the splendid white mass of Mont Blanc was of a deep warm gold; the line of snowy peaks attending the monarch rose irregularly against this radiance from east to west, framed by the dark nearer masses of the Salève and Voirons. The sun had disappeared, cresting with glory as he sank the soft purple summits of the Jura, and sending up a blaze of color in the narrow valley of the Rhone. Then, as all this waned slowly into grayness, softly, shyly, the lovely after-glow floated up the side of the monarch, tingeing all his fields of pure white ice and snow with rosy light as it moved onward, and resting on the far peak in the sky long after the lake and its shores had faded into night.
"This lake, sir," said Cousin Walpole, "is remarkable for the number of persons distinguished in literature who have at various times resided upon its banks. I may mention, cursorily, Voltaire, Sismondi, Gibbon, Rousseau, Sir Humphry Davy, D'Aubigné, Calvin, Grimm, Benjamin Constant, Schlegel, Châteaubriand, Byron, Shelley, the elder Dumas, and in addition that most eloquent authoress and noble woman Madame de Staël."
"The banks must certainly be acquainted with a large amount of fine language," said Ford.
"And oh, how we have enjoyed Coppet, John! You remember Coppet?" said Miss Pitcher. "We have had, I assure you, days and conversations there which I, for one, can never forget. Do you remember, Katharine, that moment by the fish-pond, when, carried away by the influences of the spot, Mr. Percival exclaimed, and with such deep feeling, 'Etonnante femme!'"
"Meaning Mrs. Winthrop?" said Ford.
"No, John, no; meaning Madame de Staël," replied the little aunt.
Mr. Ford did not take up his abode at Miolans, in spite of his aunt's wish and Mrs. Winthrop's invitation. He preferred a little inn among the vineyards, half a mile distant. But he came often to the villa, generally rowing himself down the lake in a skiff. The skiff, indeed, spent most of its time moored at the water-steps of Miolans, for its owner accompanied the ladies in various excursions to Vevey, Clarens, Chillon, and southward to Geneva.
"I thought you had so much company," he said one afternoon to Sylvia, when they happened to be alone. "I have been coming and going now for ten days, and have seen no one."
"These ten days were reserved for the Storms," replied Miss Pitcher. "But old Mrs. Storm fell ill at Baden-Baden, and what could they do?"
"Take care of her, I should say."
"Gilbert Storm was poignantly disappointed. He is, I think, on the whole, the best among Katharine's outside admirers."
"Then there are inside ones?"
"Several. You know Mr. Winthrop was thirty-five years older than Katharine. It was hardly to be expected, therefore, that she should love him—I mean in the true way."
"Whatever she might have done in the false."
"You are too cynical, my dear boy. There was nothing false about it; Katharine was simply a child. He was very fond of her, I assure you. And died most happily."
"For all concerned."
Sylvia shook her head. But Mrs. Winthrop's step was now heard in the hall; she came in with several letters in her hand. "Any news?" said Miss Pitcher.
"No," replied the younger lady. "Nothing ever happens any more."
"As Ronsard sang,
| "'Le temps s'en va, le temps s'en va, ma dame! |
| Las! le temps non; mais nous nous en allons,'" |
said Ford, bringing forward her especial chair.
"That is true," she answered, soberly, almost sombrely.
That evening the moonlight on the lake was surpassingly lovely; there was not a ripple to break the sheen of the water, and the clear outline of Mont Blanc rose like silver against the dark black-blue of the sky. They all strolled down to the shore; Mrs. Winthrop went out with Ford in his skiff, "for ten minutes." Sylvia watched the little boat float up and down for twenty; then she returned to the house and read for forty more. When Sylvia was down-stairs she read the third canto of "Childe Harold"; in her own room she kept a private supply of the works of Miss Yonge. At ten Katharine entered. "Has John gone?" said the aunt, putting in her mark and closing the Byronic volume.
"Yes; he came to the door, but would not come in."
"I wish he would come and stay. He might as well; he is here every day."
"That is the very point; he also goes every day," replied Katharine.
She was leaning back in her chair, her eyes fixed upon the carpet. Sylvia was going to say something more, when suddenly a new idea came to her. It was a stirring idea; she did not often have such inspirations; she remained silent, investigating it. After a while, "When do you expect the Carrols?" she said.
"Not until October."
Miss Pitcher knew this perfectly, but she thought the question might lead to further information. It did. "Miss Jay has written," pursued Mrs. Winthrop, her eyes still fixed absently on the carpet. "But I answered, asking her to wait until October, when the Carrols would be here. It will be much pleasanter for them both."
"She has put them off!" thought the little aunt. "She does not want any one here just at present." And she was so fluttered by the new possibilities rising round her like a cloud that she said good-night, and went up-stairs to think them over; she did not even read Miss Yonge.
The next day Ford did not come to Miolans until just before the dinner hour. Sylvia was disappointed by this tardiness, but cheered when Katharine came in; for Mrs. Winthrop wore one of her most becoming dresses. "She wishes to look her best," thought the aunt. But at this moment, in the twilight, a carriage came rapidly up the driveway and stopped at the door. "Why, it is Mr. Percival!" said Sylvia, catching a glimpse of the occupant.
"Yes; he has come to spend a few days," said Mrs. Winthrop, going into the hall to greet her new guest.
Down fell the aunt's cloud-castle; but at the same moment a more personal feeling took its place in the modest little middle-aged breast; Miss Pitcher deeply admired Mr. Percival.
"You know who it is, of course?" she whispered to her nephew when she had recovered her composure.
"You said Percival, didn't you?"
"Yes; but this is Lorimer Percival—Lorimer Percival, the poet."
Katharine now came back. Sylvia sat waiting, and turning her bracelets round on her wrists. Sylvia's bracelets turned easily; when she took a book from the top shelf of the bookcase they went to her shoulders.
Before long Mr. Percival entered. Dinner was announced. The conversation at the table was animated. From it Ford gathered that the new guest had spent several weeks at Miolans early in the season, and that he had also made since then one or two shorter visits. His manner was that of an intimate friend. The intimate friend talked well. Cousin Walpole's little candle illuminated the outlying corners. Sylvia supplied an atmosphere of general admiration. Mrs. Winthrop supplied one of beauty. She looked remarkably well—brilliant; her guest—the one who was not a poet—noticed this. He had time to notice it, as well as several other things, for he said but little himself; the conversation was led by Mr. Percival.
It was decided that they would all go to Coppet the next day—"dear Coppet," as Sylvia called it. The expedition seemed to be partly sacred and partly sylvan; a pilgrimage-picnic. When Ford took leave, Mrs. Winthrop and Mr. Percival accompanied him as far as the water-steps. As his skiff glided out on the calm lake, he heard the gentleman's voice suggesting that they should stroll up and down awhile in the moonlight, and the lady's answer, "Yes; for ten minutes." He remembered that Mrs. Winthrop's ten minutes was sometimes an hour.
The next day they went to Coppet; Mrs. Winthrop and Mr. Percival in the carriage, Sylvia and Cousin Walpole in the phaeton, and Ford on horseback.
"Oh! isn't this almost too delightful!" said Miss Pitcher, when they reached the gates of the old Necker château. Cousin Walpole was engaged in tying his horse, and Mr. Percival had politely stepped forward to assist her from the phaeton. It is but fair, however, to suppose that her exclamation referred as much to the intellectual influences of the home of Madame de Staël as to the attentions of the poet. "I could live here, and I could die here," she continued, with ardor. But as Mr. Percival had now gone back to Mrs. Winthrop, she was obliged to finish her sentence to her nephew, which was not quite the same thing. "Couldn't you, John?" she said.
"It would be easy enough to die, I should say," replied Ford, dismounting.
"We must all die," remarked Cousin Walpole from the post where he was at work upon the horse. He tied that peaceful animal in such intricate and unexpected convolutions that it took Mrs. Winthrop's coachman, later, fully twenty minutes to comprehend and unravel them.
The Necker homestead is a plain, old-fashioned château, built round three sides of a square, a court-yard within. From the end of the south side a long, irregular wing of lower outbuildings stretches towards the road, ending in a thickened, huddled knot along its margin, as though the country highway had refused to allow aristocratic encroachments, and had pushed them all back with determined hands. Across the three high, pale-yellow façades of the main building the faded shutters were tightly closed. There was not a sign of life, save in a little square house at the end of the knot, where, as far as possible from the historic mansion he guarded, lived the old custodian, who strongly resembled the portraits of Benjamin Franklin.