OTHER WORKS BY MR. TOWNSEND

Richard Hickman Menefee. 1907
Kentuckians in History and Literature. 1907
The Life of James Francis Leonard. 1909
Kentucky: Mother of Governors. 1910
Lore of the Meadowland. 1911

KENTUCKY IN
AMERICAN LETTERS

1784-1912

BY

JOHN WILSON TOWNSEND

WITH AN INTRODUCTION BY

JAMES LANE ALLEN

IN TWO VOLUMES
VOL. I

THE TORCH PRESS
CEDAR RAPIDS, IOWA
NINETEEN THIRTEEN

Of this edition one thousand sets have been printed, of which this is number

241

Copyright 1913
By The Torch Press
Published September 1913

INTRODUCTION

Mr. Townsend's fellow countrymen must feel themselves to be put under a beautiful obligation to him by his work entitled Kentucky in American Letters. He has thus fenced off for the lovers of New World literature a well watered bluegrass pasture of prose and verse, which they may enter and range through according to their appetites for its peculiar green provender and their thirst for the limestone spring. This strip of pasture is a hundred years long; its breadth may not be politely questioned!

For the backward-looking and for the forward-looking students of American literature, not its merely browsing readers, he has wrought a service of larger and more lasting account. Whether his patiently done and richly crowned work be the first of its class and kind, there is slight need to consider here: fitly enough it might be a pioneer, a path-blazer, as coming from the land of pioneers, path-blazers.

But whether or not other works of like character be already in the field of national observation, it is inevitable that many others soon will be. There must in time and in the natural course of events come about a complete marshalling of the American commonwealths, especially of the older American commonwealths, attended each by its women and men of letters; with the final result that the entire pageant of our literary creativeness as a people will thus be exhibited and reviewed within those barriers and divisions, which from the beginning have constituted the peculiar genius of our civilization.

When this has been done, when the States have severally made their profoundly significant showing, when the evidence up to some century mark or half-century mark is all presented, then for the first time we, as a reading and thoughtful self-studying people, may for the first time be advanced to the position of beginning to understand what as a whole our cis-Atlantic branch of English literature really is.

Thus Mr. Townsend's work and the work of his fellow-craftsmen are all stations on the long road but the right road. They are aids to the marshalling of the American commonwealths at a great meeting-point of the higher influences of our nation.

Now, already American literature has long been a subject in regard to which a library of books has been written. The authors of by far the most of these books are themselves Americans, and they have thus looked at our literature and at our civilization from within; the authors of the rest are foreigners who have investigated and philosophized from the outside. Altogether, native and foreign, they have approached their theme from divergent directions, with diverse aims, and under the influence of deep differences in their critical methods and in their own natures. But so far as the writer of these words is aware, no one of them either native or foreign has ever set about the study of American literature, enlightened with the only solvent principle that can ever furnish its solution.

That solvent principle is contained within a single proposition. That single proposition is the one upon which our forefathers deliberately chose to found the civilization of the Anglo-Saxon race in the New World: that it should not be a civilization of States which were not a Nation; that it should not be the civilization of a nation without states; but that it should be a Nation of States.

Now, if any man aspires to draw from American literature the philosophy of its traits, if he sets it as the goal of his wisdom to explain its breadth and its narrowness, its plenty here and its lack there, its color in one place and its pallor in another, let him go back to the will of the fathers in the foundation of the Republic and find the explanation of our literature at the basis of our whole civilization. He will never find it anywhere else. He will find it there as he there finds the origin of our system of government, of our system of industry, of our system of political barriers, of our system of education: in the entire nature of our institutions as derived and unfolded from the idea that we should be a nation of states. Our literature—our novels and our poetry—have been as rigorously included in this development as all the other elements of our life.

For the first time in this way he may come to see a great light; and with that light shining about him he may be prepared to write the first history of American literature.

None has yet been written.

PREFACE

I

What is a Kentucky book, is the one great question this work has elicited. Surely a Kentucky book is one written by a Kentuckian about Kentucky or Kentuckians and printed in Kentucky; surely it is a book written by a Kentuckian upon any subject under the sun, and published in any clime; surely it is one written in Kentucky by a citizen of any other state or country, regardless of the subject or place of publication, for, "in general, I have regarded the birthplace of a piece of literature more important than that of the author." But is a book, though treating of Kentucky or Kentuckians, regardless of its place of publication, whose author was not born in, nor for any appreciable period resided in, this state, entitled to be properly classified as a Kentucky work? The writer has responded in the negative to this question in the present work.

There have been several noted American authors who have written volumes about Kentucky or Kentuckians, and they themselves were not natives of this state, nor resided within its confines. Those early Western travelers rarely omitted Kentucky from their journeys. The first of them, F. A. Michaux, published his famous Travels to the West of the Alleghany Mountains, in the States of Ohio, Kentucky, and Tennessee, at London, in 1805; two years later F. Cuming's Tour to the Western Country, through Ohio and Kentucky, was printed at Pittsburg; and in 1817 John Bradbury got out the first edition of his now noted Travels in the Interior of America, at London. Bradbury died in 1823 and to-day lies buried in the cemetery at Middletown, Kentucky, near Louisville. George W. Ogden's Letters from the West (New Bedford, 1823); W. Bullock's Sketch of a Journey through the Western States (London, 1827); and Tilly Buttrick's Voyages, Travels, and Discoveries (Boston, 1831), round out fairly well that group of Scotchmen, Englishmen, New Englanders, and what not, who found many interesting things in Kentucky a hundred years and more ago. Ogden spent two summers in Kentucky; Bullock owned a river-side tract near Ludlow, Kentucky, and old Bradbury sleeps in a quiet Kentucky hamlet, but neither of them may be properly classified as a real Kentuckian.

The Beauchamp-Sharp tragedy of 1825 was the one Kentucky event that kindled the imaginations of more alien writers than any other happening in our history. Edgar Allan Poe, William Gilmore Simms, Charles Fenno Hoffman, G. P. R. James, James Hall, and several others, wrote plays, novels, and poems based upon this tragedy. In 1832 James Kirke Paulding, the friend of Washington Irving, published one of the earliest Kentucky romances, entitled Westward Ho! which name he got from the old Elizabethan drama of John Webster and Thomas Dekker. Two years after the appearance of Paulding's tale, William A. Caruthers, the Virginia novelist, printed The Kentuckian in New York; and in the same year Thomas Chandler Haliburton ("Sam Slick"), put forth one of his earliest works, Kentucky, a Tale (London, 1834). In 1845 Charles Winterfield's My First Days With the Rangers, appeared, to be followed the next year by William T. Porter's A Quarter Race in Kentucky.

These writers hardly did more than point the way to Kentucky for Mrs. Harriet Beecher Stowe, whose world-famous novel, Uncle Tom's Cabin (Boston, 1852), was set against a background of slave-holding Kentucky. This is the most famous example our literature affords of a writer of another state or country coming to Kentucky for the materials out of which to build a book.

In 1860 David Ross Locke, the Ohio journalist and satirist, discovered the Rev. Petroleum V. Nasby, postmaster at "Confedrit X Roads, Kentucky," and his political satires on Kentucky, the Nasby Letters, tickled the readers of his paper, The Toledo Blade, through many years. These alleged communications from poor Petroleum may be read to-day in Locke's Swingin' Round the Cirkel, and Ekkoes from Kentucky. J. G. Marshall's The Outlaw Brothers (New York, 1864); Miss Martha Remick's Millicent Halford: a Tale of the Dark Days of Kentucky in the year 1861 (Boston, 1865); two novels by Edward Willett, entitled Kentucky Border Foes, and Old Honesty: a Tale of the Early Days of Kentucky, both of which were issued in the late sixties; Constance F. Woolson's Two Women (New York, 1877), and Mrs. Anna Bowman Dodd's story, Glorinda (Boston, 1888), concludes the group of writers of the comparatively modern school who did not linger long in the "meadowland," but who found it good literary soil, and helped themselves accordingly.

In recent years Mr. Winston Churchill's The Crossing, Dr. James Ball Naylor's The Kentuckian, Mr. Augustus Thomas's The Witching Hour, and the Kentucky lyrics of Mrs. Alice Williams Brotherton, the Ohio poet, have drawn fresh attention to Kentucky as a background for literary productions, although they are written by those who cannot qualify as Kentuckians. But to claim any of these writers for the Commonwealth, would be to make one's self absurd. Dr. Naylor's lines upon this point are apropos:

As has already been indicated, the good physician-poet is not by any manner of means the only alien bard who has remembered Kentucky in his work. No less a poet than the great Sir Walter Scott celebrated Kentucky in Marmion—the State's first appearance in English poetry. The passage may be found near the close of the ninth stanza in the third canto. Lord Marmion and his followers have ridden "the livelong day," and are now quartered at a well-known Scottish hostelry. They have all eaten and drunk until they are on the borderland of dreams when their leader, seeing their condition,

And while Fitz realizes that he cannot, in any degree, equal the famous singer to whom he has referred, he now further praises him, calls down curses on the cause that kept him from following Marmion, and ventures

After Sir Walter, the next English poet to tell the world of Kentucky and one of her sons, was George Gordon (Lord) Byron. His references are found in the eighth canto and the sixty-first to the sixty-seventh stanzas inclusive, of Don Juan. This poem was begun in 1819 and published, several cantos at a time, until the final sixteenth appeared in 1824. The sixty-first stanza will serve our purpose.

In 1827 Alfred Tennyson, with his brother Charles, published a slender sheaf of juvenile verses, entitled Poems By Two Brothers. On Sublimity contains eleven stanzas of ten lines each. The poet disdains "vales in tenderest green," and asks for "the wild cascade, the rugged scene," the sea, the mountains, dark cathedrals, storms, "Niagara's flood of matchless might," and Mammoth Cave.

Tennyson was the third and last English poet of the nineteenth century to make mention of Kentucky in his works.

Much writing has been done by Kentuckians from the beginning until the present time, but most of what is usually termed literature is the work of the school of today. That much, however, of the early productions, especially the anonymous and fugitive poems, have been forever lost, may be gathered from a letter written to Edwin Bryant, editor of The Lexington Intelligencer, by an Ohio correspondent, which appeared in that paper in January, 1834, a part of which is as follows:

There were a vast number of rural and sentimental songs, sung by the hunters and pioneers, that, in this our day, to the present generation would be truly interesting. Would it not be wise for you, Messrs. Editors, to publish a note in your valuable paper, offering the "Poets' Corner," and save what you can of the fragments of "Olden Times?"... I know that there were many sentimental pieces—some written by a Mr. Bullock—many war songs; one on St. Clair's defeat; and there was a wonderful flow of poetical effusions on the first discovery of a settlement of Kentucky. There was a wooing song of the hunter—one stanza I can only repeat:

"I will plough and live, and you may knit and sowe,
And through the wild woods, I'll hunt the buffaloe!"

To many these things may appear as ... light as empty air, but look to the future, and you will at once discover the inquisitive mind will earnestly desire to look into such matters and things.

The pity is, this admonition passed unheeded by Bryant and his contemporaries, and much that "the inquisitive mind" would revel in to-day, was thus lost. The most famous, however, of the pioneer songs that the above quoted writer probably had in mind, The Hunters of Kentucky, the celebrated ballad of the Battle of New Orleans, has come down to us, but it was written by the alien hand of Samuel Woodworth, who achieved a double triumph over oblivion by also writing The Old Oaken Bucket. And were other "wooing songs of the hunter" extant, we would certainly discover that many of them were done by non-Kentuckians. Even Kentucky Belle, ballad of Morgan and his men, was the work of Constance Fenimore Woolson, the famous author of Anne.

In recent years the ballads of the Kentucky mountains have been investigated by a group of scholars, and Dr. Hubert Gibson Shearin will shortly publish a collection of them. It is impossible to discuss them at this time; and as nearly all of them are offshoots of the old English ballads and Scottish songs, done over by their Kentucky descendants, the ever-recurring question: "Are they Kentucky productions?" will not down.

II

THE KENTUCKY MAGAZINES

Kentucky has failed to produce and maintain a respectable literary magazine for any considerable length of time. Many magazines have been born in Kentucky with high hopes, and a few of them have braved the storms for a number of years, but all of them have gone the way of all the earth after a pathetic struggle for existence.

The reasons for this lie not far afield: the leading magazines and periodicals of the east through the immensity of their circulation secure that large patronage necessary to maintain a publication conducted on a generous basis, ensuring variety and excellence. Experience has long since demonstrated even to the bravest of the inland publishers that the point of distribution is the controlling factor in success. The means of transportation which have so miraculously improved, have annihilated distance and along with it to no small extent the Western and Southern periodical of literary flavor. The opulent publications are enabled through their very prosperity to command contributors not to be approached by a periodical circumscribed in means and constituency. Again, the Kentucky magazines have all along made the fatal mistake of truckling to dead prejudices and sectionalism. The material and the moulders have long been with us, but the wide popular support, which after all is the first essential, has failed to materialise, and it may be regretfully apprehended that it now lies as far away as ever.

The first magazine issued in Kentucky or the West was The Medley, or Monthly Miscellany, for the year 1803, which was edited and published by Daniel Bradford, son of old John Bradford, the editor of The Kentucky Gazette. The Medley lived through the year of 1803, but in January, 1804, Editor Bradford announced that he was compelled, from lack of appreciation, to abandon its publication. The twelve parts were bound for those of the subscribers who cared to have them made into a single volume, and probably not more than two copies are extant to-day. The Medley's literary merit was not impressive, and its death can only be deplored because it happened to be the first Western magazine.

The Almoner, a religious periodical, the first issue of which was dated from Lexington, April, 1814, and which died a twelvemonth later, was published by Thomas T. Skillman, the pioneer printer. Its account of the preacher, John Poage Campbell, and his many theological works, is about all one finds of interest in it.

William Gibbes Hunt, a Harvard man, who later took a degree from Transylvania University, established The Western Review at Lexington, in August, 1819, and this was the first literary magazine in the West worthy the name. Hunt was a man of fine tastes, and he had a proper conception of what a magazine should be. He worked hard for two years, but in July, 1821,—the number for which month is notable as having contained the first draft of General William O. Butler's famous poem, The Boatman's Horn, which is there entitled The Boat Horn,—Hunt rehearsed the pathetic tale of the lack of support and appreciation for a Western magazine, and, without any expressed regret, entitled it his valedictory. He had survived twice as long as any of his predecessors, and he probably felt that he had done fairly well, as he undoubtedly had. The four bound volumes of The Western Review may be read to-day with more than an historical interest. Hunt returned to his home in New England; and the only other thing of his that is preserved is An Address on the Principles of Masonry (Lexington, 1821), and a very excellent oration it is, too.

There were brave men after Hunt, however. The Literary Pamphleteer was born and died at Paris, Kentucky, in 1823; and in the following year Thomas T. Skillman established The Western Luminary at Lexington. This was a semi-religious journal, but its publication was shortly suspended. The Microscope seems to have been the first magazine published at Louisville, it being founded in 1824, but its life was ephemeral. Under a half a dozen different names, with many lapses between the miles, The Transylvanian, which Professor Thomas Johnson Matthews, of Transylvania University, established at Lexington in 1829, has survived until the present time. It is now the literary magazine of Transylvania University. Mr. James Lane Allen, Mr. Frank Waller Allen, and one or two other well-known Kentucky writers saw their earliest essays and stories first published in The Transylvanian. John Clark's Lexington Literary Journal, a twice-a-week affair, was founded in 1833; and the Louisville Literary News-Letter, edited by Edmund Flagg and issued by George D. Prentice, lived in the Kentucky metropolis from December, 1838, to November, 1840.

Far and away the most famous literary periodical ever published in Kentucky, was The Western Messenger, founded at Cincinnati in 1835, and removed to Louisville in April, 1836. James Freeman Clarke (1810-1888), the noted Boston Unitarian preacher and author, was editor, publisher, and agent of The Messenger while it was at Louisville; and he solicited subscriptions throughout Kentucky. Ralph Waldo Emerson first appeared as a poet in his friend Clarke's magazine. His Goodby Proud World, The Rhodora, The Humble Bee, and several of his other now noted poems, were printed for the first time in The Messenger. Clarke also published papers from the hands of Hawthorne, Oliver Wendell Holmes, William Ellery Channing, Margaret Fuller, and nearly all of the writers now grouped as the New England school. He printed a poem of John Keats, which had never been previously published, the manuscript of which was furnished by George Keats, brother of the poet, who lived at Louisville for many years. Clarke later wrote an interesting sketch of George Keats for his magazine. During parts of the four years he published The Messenger at Louisville he had as assistant editors Christopher P. Cranch and Samuel Osgood, now well-known names in American letters. Clarke returned to Boston in 1840, and The Messenger returned to Cincinnati, where it was suspended in April, 1841. "The periodical was an exotic," wrote William Henry Venable, "a Boston flower blooming in the Ohio Valley;" and this is the one-line history of it. Its like was never seen before, never since, and will never be seen again in the West.

Thirteen years after The Western Messenger left Louisville, The Western Literary Magazine, a monthly publication, was begun; and three years later, or in 1856, The Louisville Review, another monthly, was established. But the war clouds of civil strife were gradually gathering, and the endless pen scratching of the Kentucky magazinist was lost in the cannon's roar. Newspapers were the only things Kentuckians had time to peruse.

Since the war Kentucky periodicals have been, almost without exception, rather tame affairs. They have all been most mushroomish. A few of them may be singled out, such as The Southern Bivouac, which was conducted at Louisville for several years by General Basil W. Duke and Richard W. Knott; The Illustrated Kentuckian, founded at Lexington, in 1892; The Southern Magazine, of Louisville, published papers by Mr. Allen, stories by Mr. John Fox, Jr., and several other now well-known writers; and Charles J. O'Malley's Midland Review ran for some time. These are the comparatively recent Kentucky periodicals which have bloomed in a day and wilted with the earliest winter. The Register, official organ of the State Historical Society, is still being issued three times a year. It is unique among Kentucky magazines in that it is the only one that has had adequate financial support, which, however, comes to it in the form of a State appropriation. For the last twenty-five years The Courier-Journal, of Louisville, has devoted space in its Saturday edition to reviews of new books; and in recent years The Evening Post, also of Louisville, has maintained a similar department.

Lexington, Kentucky
June 13, 1913

ACKNOWLEDGMENTS

The last several years have been devoted to the collecting and classifying of Kentucky books and authors from Filson, in 1784, to Mr. Allen, in 1912. While the author has done other things, this has been his most serious business.

Of the more than a thousand Kentucky writers, one hundred and ninety-six, or those who achieved considerable reputation in their day and generation, or others to whom fame came late, are now discussed. The author hopes to publish within the next two or three years a Dictionary of Kentucky Writers, which will attempt to bring together in brief biographical and critical notes all of Kentucky's literary workers from the beginning until the present time. The crossroads poet is a most elusive, most diffident figure, but I shall do my best to bring him into the Dictionary that is to be.

I have received assistance from many quarters. Colonel Reuben T. Durrett, Dr. Henry A. Cottell, General Bennett H. Young, Colonel Robert M. Kelly, Mrs. Evelyn Snead Barnett, Mrs. Elvira Miller Slaughter, and Mr. George T. Settle, of Louisville, Kentucky, have aided me in many directions. Mr. George McCalla Spears, of Dallas, Texas, author of Dear Old Kentucky, and the owner of one of the best collections of Kentucky books ever gotten together, I have to thank for a catalogue of his library and a dozen informing letters. Judge James H. Mulligan, Miss Anna Totten, Mrs. Annie Gratz Clay, Miss Jo Peter, and Mr. James M. Roach, of Lexington, Kentucky, have loaned and given me many rare Kentucky items; to Mr. William Kavanaugh Doty, of Richmond, Kentucky, Mrs. Daniel Henry Holmes, of Covington, Kentucky, Mrs. Lucien Beckner, of Winchester, Kentucky, Dr. Thomas E. Pickett, of Maysville, Kentucky, State Librarian Frank K. Kavanaugh, of Frankfort, Kentucky, Mr. Alexander Hill, and Miss Marian Prentice Piatt, of Cincinnati, Ohio, Mr. Henry Cleveland Wood, of Harrodsburg, Kentucky, Mr. Paul Weir, of Owensboro, Kentucky, Mr. Ingram Crockett, of Henderson, Kentucky, Mrs. Mary Addams Bayne, of Shelbyville, Kentucky, Miss Leigh Gordon Giltner, of Eminence, Kentucky, and Mrs. Caroline S. Valentine, of New Castle, Kentucky, the majority of whom are writers, I am doubly indebted for facts regarding their own work, as well as for what I now more especially thank them—information concerning other Kentucky writers.

Death found the two best friends, perhaps, this work had during the course of its preparation, when it took Charles J. O'Malley, the Kentucky poet and critic, and Jahu Dewitt Miller, the Philadelphia lecturer and bookman. Both of these men had just gotten into the spirit of the work when they died within a year of each other. O'Malley wrote the most illuminating letters concerning Kentucky authors it has been my good fortune to receive; Miller made the most gratifying and surprising additions to my collection of Kentuckiana, exceedingly scarce volumes and pamphlets which he alone seemed able to unearth from the old bookshops of the country. The memories of them both must be ever green with me and in this work.

I have to thank Mr. Allen for his very fine introduction. To have one's name associated with his is reward sufficient for the years of toil and sacrifice this work has demanded of its author.

CONTENTS