THE MUSIC LOVER’S LIBRARY

A series of small books on various musical subjects written in a popular style for the general reader.

Editor: A. EAGLEFIELD HULL, Mus. Doc. (Oxon.)

Each about 200 pages.

1. SHORT HISTORY OF MUSIC. By the Editor.

2. SHAKESPEARE: HIS MUSIC AND SONG. By A. H. Moncur-Sime.

3. THE UNFOLDING OF HARMONY. By Charles Macpherson, F.R.A.M., Sub-Organist St. Paul’s Cathedral.

4. THE STORY OF MEDIÆVAL MUSIC. By R. R. Terry, Mus. Doc. (Dublin), Director of Music at the pro-Cathedral, Westminster.

5. MUSIC AND RELIGION. By W. W. Longford, D.D., M.A.

6. MODERN MUSICAL STYLES. By the Editor.

7. ON LISTENING TO AN ORCHESTRA. By M. Montagu-Nathan.

8. EVERYMAN AND HIS MUSIC. By P. A. Scholes.

9. MUSIC AND ÆSTHETICS. By J. B. Mcewen, M.A., F.R.A.M.

10. THE VOICE IN SONG AND SPEECH. By Gordon Heller.

11. DESIGN OR CONSTRUCTION IN MUSIC. By the Editor.

KEGAN PAUL, TRENCH, TRUBNER & CO., LTD., LONDON

PRINTED BY
WM. BRENDON AND SON, LTD.
PLYMOUTH, ENGLAND

These typographical errors were corrected by the text transcriber:
constituted for it a model for emulatation=>constituted for it a model for emulation
Hinweg, du Dornen schwangre Krone!=>Hinweg, du Dornen schwangere Krone!
his voice suberbly depicted=>his voice superbly depicted
George Moffat=>Muffat [Muffat, Georg (1653-1704)]
Vivaldi’s influence in Germany on a Granpuer=> Vivaldi’s influence in Germany on a Graupner [Graupner (Christoph, 1683-1760)]
Te deum said to be by Vrio.=>Te deum said to be by Urio. [Urio, Francesco Antonio, 1631-1719]
Domenio Scarlatti=>Domenico Scarlatti
Andimollo, Andimolo=>Ademollo
Christoph Bernhart, pupil of Schütz=>Christoph Bernhard, pupil of Schütz
Bernhardt, 16=>Bernhard, 16
He stayed at Dusseldorf with the Elector=>He stayed at Düsseldorf with the Elector
Locatalli and Vivaldi came under the influence of the Italian Opera.=>Locatelli and Vivaldi came under the influence of the Italian Opera of Locatalli (Op. 7, 1741) was named Il pianto d’Arianna.=>of Locatelli (Op. 7, 1741) was named Il pianto d’Arianna.
(1890 in the Vierteljahrsschrift für Musikwissenfchaft)=>(1890 in the Vierteljahrsschrift für Musikwissenschaft)
Abbé Prevost=>Abbé Prévost
Reinhärd Keiser=>Reinhard Keiser
Max Seifiert: Haendels Verhältnis zu Tonwerken ælterer deutscher Meister=>Max Seiffert: Haendels Verhältnis zu Tonwerken ælterer deutscher Meister
Siroë, 81=>Siroé, 81
Pratelino, 38=>Pratolino, 38
that Lecerf de la Vieville wrote his Comparaison de la musique française et de la musique italienne=>that Lecerf de la Viéville wrote his Comparaison de la musique française et de la musique italienne