At the villages of Saffron Walden and Debden in Essex on the 1st of May little girls go about in parties from door to door singing a song almost identical with the above and carrying garlands; a doll dressed in white is usually placed in the middle of each garland.279 At Seven Oaks on May Day the children carry boughs and garlands from house to house, begging for pence. The garlands consist of two hoops interlaced crosswise, and covered with blue and yellow flowers from the woods and hedges.280 In some villages of the Vosges Mountains on the first Sunday of May young girls go in bands from house to house, singing a song in praise of May, in which mention is made of the “bread and meal that come in May.” If money is given them, they fasten a green bough to the door; if it is refused, they wish the family many children and no bread to feed them.281 In Mayenne (France), boys who bore the name of Maillotins used to go about from farm to farm on the 1st of May singing carols, for which they received money or a drink; they planted a small tree or a branch of a tree.282

On the Thursday before Whitsunday the Russian villagers “go out into the woods, sing songs, weave [pg 077] garlands, and cut down a young birch-tree, which they dress up in woman's clothes, or adorn with many-coloured shreds and ribbons. After that comes a feast, at the end of which they take the dressed-up birch-tree, carry it home to their village with joyful dance and song, and set it up in one of the houses, where it remains as an honoured guest till Whitsunday. On the two intervening days they pay visits to the house where their ‘guest’ is; but on the third day, Whitsunday, they take her to a stream and fling her into its waters,” throwing their garlands after her. “All over Russia every village and every town is turned, a little before Whitsunday, into a sort of garden. Everywhere along the streets the young birch-trees stand in rows, every house and every room is adorned with boughs, even the engines upon the railway are for the time decked with green leaves.”283 In this Russian custom the dressing of the birch in woman's clothes shows how clearly the tree is conceived as personal; and the throwing it into a stream is most probably a rain-charm. In some villages of Altmark it was formerly the custom for serving-men, grooms, and cowherds to go from farm to farm at Whitsuntide distributing crowns made of birch-branches and flowers to the farmers; these crowns were hung up in the houses and left till the following year.284

In the neighbourhood of Zabern in Alsace bands of people go about carrying May-trees. Amongst them is a man dressed in a white shirt, with his face blackened; in front of him is carried a large May-tree, but each member of the band also carries a smaller one. One of the company carries a huge basket in which he [pg 078] collects eggs, bacon, etc.285 In some parts of Sweden on the eve of May Day lads go about carrying each a bunch of fresh-gathered birch twigs, wholly or partially in leaf. With the village fiddler at their head they go from house to house singing May songs; the purport of which is a prayer for fine weather, a plentiful harvest, and worldly and spiritual blessings. One of them carries a basket in which he collects gifts of eggs and the like. If they are well received they stick a leafy twig in the roof over the cottage door.286

But in Sweden midsummer is the season when these ceremonies are chiefly observed. On the Eve of St. John (23d June) the houses are thoroughly cleansed and garnished with green boughs and flowers. Young fir-trees are raised at the door-way and elsewhere about the homestead; and very often small umbrageous arbours are constructed in the garden. In Stockholm on this day a leaf-market is held at which thousands of May-poles (Maj Stănger) six inches to twelve feet high, decorated with leaves, flowers, slips of coloured paper, gilt egg-shells, strung on reeds, etc. are exposed for sale. Bonfires are lit on the hills and the people dance round them and jump over them. But the chief event of the day is setting up the May-pole. This consists of a straight and tall spruce-pine tree, stripped of its branches. “At times hoops and at others pieces of wood, placed crosswise, are attached to it at intervals; whilst at others it is provided with bows, representing so to say, a man with his arms akimbo. From top to bottom not only the ‘Maj Stăng’ (May-pole) itself, but the hoops, bows, etc. are ornamented with leaves, [pg 079] flowers, slips of various cloth, gilt egg-shells, etc.; and on the top of it is a large vane, or it may be a flag.” The raising of the May-pole, the decoration of which is done by the village maidens, is an affair of much ceremony; the people flock to it from all quarters and dance round it in a great ring.287 In some parts of Bohemia also a May-pole or midsummer-tree is erected on St. John's Eve. The lads fetch a tall fir or pine from the wood and set it up on a height, where the girls deck it with nosegays, garlands, and red ribbons. Then they pile brushwood, dry wood, and other combustible materials about the tree, and, when darkness has fallen, set the whole on fire. While the fire was burning the lads used to climb up the tree and fetch down the garlands and ribbons which the girls had fastened to it; but as this led to accidents, the custom has been forbidden. Sometimes the young people fling burning besoms into the air, or run shouting down hill with them. When the tree is consumed, the young men and their sweethearts stand on opposite sides of the fire, and look at each other through garlands and through the fire, to see whether they will be true lovers and will wed. Then they throw the garlands thrice across the smouldering fire to each other. When the blaze has died down, the couples join hands and leap thrice across the glowing embers. The singed garlands are taken home, and kept carefully in the house throughout the year. Whenever a thunder-storm bursts, part of the garlands are burned on the hearth; and when the cattle are sick or are calving, they get a portion of the garlands to eat. The charred embers of the bonfire are stuck in the cornfields and meadows and [pg 080] on the roof of the house, to keep house and field from bad weather and injury.288

It is hardly necessary to illustrate the custom of setting up a village May-tree or May-pole on May Day. One point only—the renewal of the village May-tree—requires to be noticed. In England the village May-pole seems as a rule, at least in later times, to have been permanent, not renewed from year to year.289 Sometimes, however, it was renewed annually. Thus, Borlase says of the Cornish people: “From towns they make incursions, on May-eve, into the country, cut down a tall elm, bring it into the town with rejoicings, and having fitted a straight taper pole to the end of it, and painted it, erect it in the most public part, and upon holidays and festivals dress it with garlands of flowers or ensigns and streamers.”290 An annual renewal seems also to be implied in the description by Stubbs, a Puritanical writer, of the custom of drawing home the May-pole by twenty or forty yoke of oxen.291 In some parts of Germany and Austria the May-tree or Whitsuntide-tree is renewed annually, a fresh tree being felled and set up.292

We can hardly doubt that originally the practice everywhere was to set up a new May-tree every year. As the object of the custom was to bring in the fructifying spirit of vegetation, newly awakened in spring, the end would have been defeated if, instead of a living tree, green and sappy, an old withered one had been erected year after year or allowed to stand permanently. When, however, the meaning of the [pg 081] custom had been forgotten, and the May-tree was regarded simply as a centre for holiday merrymaking, people saw no reason for felling a fresh tree every year, and preferred to let the same tree stand permanently, only decking it with fresh flowers on May Day. But even when the May-pole had thus become a fixture, the need of giving it the appearance of being a green tree, not a dead pole, was sometimes felt. Thus at Weverham in Cheshire “are two May-poles, which are decorated on this day (May Day) with all due attention to the ancient solemnity; the sides are hung with garlands, and the top terminated by a birch or other tall slender tree with its leaves on; the bark being peeled, and the stem spliced to the pole, so as to give the appearance of one tree from the summit.”293 Thus the renewal of the May-tree is like the renewal of the Harvest-May; each is intended to secure a fresh portion of the fertilising spirit of vegetation, and to preserve it throughout the year. But whereas the efficacy of the Harvest-May is restricted to promoting the growth of the crops, that of the May-tree or May-branch extends also, as we have seen, to women and cattle. Lastly, it is worth noting that the old May-tree is sometimes burned at the end of the year. Thus in the district of Prague young people break pieces off the public May-tree and place them behind the holy pictures in their rooms, where they remain till next May Day, and are then burned on the hearth.294 In Würtemberg the bushes which are set up on the houses on Palm Sunday are sometimes left there for a year and then burnt.295 The [pg 082] eiresione (the Harvest-May of Greece) was perhaps burned at the end of the year.296

So much for the tree-spirit conceived as incorporate or immanent in the tree. We have now to show that the tree-spirit is often conceived and represented as detached from the tree and clothed in human form, and even as embodied in living men or women. The evidence for this anthropomorphic representation of the tree-spirit is largely to be found in the popular customs of European peasantry.

There is an instructive class of cases in which the tree-spirit is represented simultaneously in vegetable form and in human form, which are set side by side as if for the express purpose of explaining each other. In these cases the human representative of the tree-spirit is sometimes a doll or puppet, sometimes a living person; but whether a puppet or a person, it is placed beside a tree or bough; so that together the person or puppet, and the tree or bough, form a sort of bilingual inscription, the one being, so to speak, a translation of the other. Here, therefore, there is no room left for doubt that the spirit of the tree is actually represented in human form. Thus in Bohemia, on the fourth Sunday in Lent, young people throw a puppet called Death into the water; then the girls go into the wood, cut down a young tree, and fasten to it a puppet dressed in white clothes to look like a woman; with this tree and puppet they go from house to house collecting gratuities and singing songs with the refrain—

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Here, as we shall see later on, the “Summer” is the spirit of vegetation returning or reviving in spring. In some places in this country children go about asking for pence with some small imitations of May-poles, and with a finely dressed doll which they call the Lady of the May.298 In these cases the tree and the puppet are obviously regarded as equivalent.

At Thann, in Alsace, a girl called the Little May Rose, dressed in white, carries a small May-tree, which is gay with garlands and ribbons. Her companions collect gifts from door to door, singing a song—

In the course of the song a wish is expressed that those who give nothing may lose their fowls by the marten, that their vine may bear no clusters, their tree no nuts, their field no corn; the produce of the year is supposed to depend on the gifts offered to these May singers.299 Here and in the cases mentioned above, where children go about with green boughs on May Day singing and collecting money, the meaning is that with the spirit of vegetation they bring plenty and good luck to the house, and they expect to be paid for the service. In Russian Lithuania, on the 1st of May, they used to set up a green tree before the village. Then the rustic swains chose the prettiest girl, crowned her, swathed her in birch branches and set her beside the May-tree, where they danced, sang, and shouted [pg 084] “O May! O May!”300 In Brie (Isle de France) a May-tree is set up in the midst of the village; its top is crowned with flowers; lower down it is twined with leaves and twigs, still lower with huge green branches. The girls dance round it, and at the same time a lad wrapt in leaves and called Father May is led about.301 In Bavaria, on the 2d of May, a Walber (?) tree is erected before a tavern, and a man dances round it, enveloped in straw from head to foot in such a way that the ears of corn unite above his head to form a crown. He is called the Walber, and used to be led in solemn procession through the streets, which were adorned with sprigs of birch.302 In Carinthia, on St. George's Day (24th April), the young people deck with flowers and garlands a tree which has been felled on the eve of the festival. The tree is then carried in procession, accompanied with music and joyful acclamations, the chief figure in the procession being the Green George, a young fellow clad from head to foot in green birch branches. At the close of the ceremonies the Green George, that is an effigy of him, is thrown into the water. It is the aim of the lad who acts Green George to step out of his leafy envelope and substitute the effigy so adroitly that no one shall perceive the change. In many places, however, the lad himself who plays the part of Green George is ducked in a river or pond, with the express intention of thus ensuring rain to make the fields and meadows green in summer. In some places the cattle are crowned and driven from their stalls to the accompaniment of a song—

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Here we see that the same powers of making rain and fostering the cattle, which are ascribed to the tree-spirit regarded as incorporate in the tree, are also attributed to the tree-spirit represented by a living man.

An example of the double representation of the spirit of vegetation by a tree and a living man is reported from Bengal. The Oraons have a festival in spring while the sál trees are in blossom, because they think that at this time the marriage of earth is celebrated and the sál flowers are necessary for the ceremony. On an appointed day the villagers go with their priest to the Sarna, the sacred grove, a remnant of the old sál forest in which a goddess Sarna Burhi, or woman of the grove, is supposed to dwell. She is thought to have great influence on the rain; and the priest arriving with his party at the grove sacrifices to her five fowls, of which a morsel is given to each person present. Then they gather the sál flowers and return laden with them to the village. Next day the priest visits every house, carrying the flowers in a wide open basket. The women of each house bring out water to wash his feet as he approaches, and kneeling make him an obeisance. Then he dances with them and places some of the sál flowers over the door of the house and in the women's hair. No sooner is this done than the women empty their water-jugs over him, drenching him to the skin. A feast follows, and the young people, with sál flowers in their hair, dance all night on the village green.304 Here, the equivalence of the flower-bearing [pg 086] priest to the goddess of the flowering-tree comes out plainly. For she is supposed to influence the rain, and the drenching of the priest with water is, doubtless, like the ducking of the Green George in Bavaria, a rain-charm. Thus the priest, as if he were the tree goddess herself, goes from door to door dispensing rain and bestowing fruitfulness on each house, but especially on the women.

Without citing more examples to the same effect, we may sum up the result of the preceding paragraphs in the words of Mannhardt. “The customs quoted suffice to establish with certainty the conclusion that in these spring processions the spirit of vegetation is often represented both by the May-tree and in addition by a man dressed in green leaves or flowers or by a girl similarly adorned. It is the same spirit which animates the tree and is active in the inferior plants and which we have recognised in the May-tree and the Harvest-May. Quite consistently the spirit is also supposed to manifest his presence in the first flower of spring and reveals himself both in a girl representing a May-rose, and also, as giver of harvest, in the person of the Walber. The procession with this representative of the divinity was supposed to produce the same beneficial effects on the fowls, the fruit-trees, and the crops as the presence of the deity himself. In other words, the mummer was regarded not as an image but as an actual representative of the spirit of vegetation; hence the wish expressed by the attendants on the May-rose and the May-tree that those who refuse them gifts of eggs, bacon, etc. may have no share in the blessings which it is in the power of the itinerant spirit to bestow. We may conclude that these begging processions with May-trees or May-boughs from door [pg 087] to door (‘bringing the May or the summer’) had everywhere originally a serious and, so to speak, sacramental significance; people really believed that the god of growth was present unseen in the bough; by the procession he was brought to each house to bestow his blessing. The names May, Father May, May Lady, Queen of the May, by which the anthropomorphic spirit of vegetation is often denoted, show that the conception of the spirit of vegetation is blent with a personification of the season at which his powers are most strikingly manifested.”305

Thus far we have seen that the tree-spirit or the spirit of vegetation in general is represented either in vegetable form alone, as by a tree, bough, or flower; or in vegetable and human form simultaneously, as by a tree, bough, or flower in combination with a puppet or a living person. It remains to show that the representation of him by a tree, bough, or flower is sometimes entirely dropped, while the representation of him by a living person remains. In this case the representative character of the person is generally marked by dressing him or her in leaves or flowers; sometimes too it is indicated by the name he or she bears.

We saw that in Russia at Whitsuntide a birch-tree is dressed in woman's clothes and set up in the house. Clearly equivalent to this is the custom observed on Whit-Monday by Russian girls in the district of Pinsk. They choose the prettiest of their number, envelop her in a mass of foliage taken from the birch-trees and maples, and carry her about through the village. In a district of Little Russia they take round a “poplar,” represented by a girl wearing bright flowers in her hair.306 [pg 088] In the Département de l'Ain (France) on the 1st of May eight or ten boys unite, clothe one of their number in leaves, and go from house to house begging.307 At Whitsuntide in Holland poor women used to go about begging with a little girl called Whitsuntide Flower (Pinxterbloem, perhaps a kind of iris); she was decked with flowers and sat in a waggon. In North Brabant she wears the flowers from which she takes her name and a song is sung—

In Ruhla (Thüringen) as soon as the trees begin to grow green in spring, the children assemble on a Sunday and go out into the woods, where they choose one of their playmates to be the Little Leaf Man. They break branches from the trees and twine them about the child till only his shoes peep out from the leafy mantle. Holes are made in it for him to see through, and two of the children lead the Little Leaf Man that he may not stumble or fall. Singing and dancing they take him from house to house, asking for gifts of food (eggs, cream, sausage, cakes). Lastly they sprinkle the Leaf Man with water and feast on the food they have collected.309 In England the best-known example of these leaf-clad mummers is the Jack-in-the-Green, a chimney-sweeper who walks encased in a pyramidal-shaped framework of wicker-work, which is covered with holly and ivy, and surmounted by a crown of flowers and ribbons. Thus arrayed he dances on May Day at the head of a troop [pg 089] of chimney-sweeps, who collect pence.310 In some parts also of France a young fellow is encased in a wicker framework covered with leaves and is led about.311 In Frickthal (Aargau) a similar frame of basketwork is called the Whitsuntide Basket. As soon as the trees begin to bud, a spot is chosen in the wood, and here the village lads make the frame with all secrecy, lest others should forestall them. Leafy branches are twined round two hoops, one of which rests on the shoulders of the wearer, the other encircles his calves; holes are made for his eyes and mouth; and a large nosegay crowns the whole. In this guise he appears suddenly in the village at the hour of vespers, preceded by three boys blowing on horns made of willow bark. The great object of his supporters is to set up the Whitsuntide Basket beside the village well, and to keep it and him there, despite the efforts of the lads from neighbouring villages, who seek to carry off the Whitsuntide Basket and set it up at their own well.312 In the neighbourhood of Ertingen (Würtemberg) a masker of the same sort, known as the Lazy Man (Latzmann), goes about the village on Midsummer Day; he is hidden under a great pyramidal or conical frame of wicker-work, ten or twelve feet high, which is completely covered with sprigs of fir. He has a bell which he rings as he goes, and he is attended by a suite of persons dressed up in character—a footman, a colonel, a butcher, an angel, the devil, the doctor, etc. They march in Indian file and halt before every house, where each of them speaks in character, except the Lazy Man, [pg 090] who says nothing. With what they get by begging from door to door they hold a feast.313

In the class of cases of which the above are specimens it is obvious that the leaf-clad person who is led about is equivalent to the May-tree, May-bough, or May-doll, which is carried from house to house by children begging. Both are representatives of the beneficent spirit of vegetation, whose visit to the house is recompensed by a present of money or food.

Often the leaf-clad person who represents the spirit of vegetation is known as the king or the queen; thus, for example, he or she is called the May King, Whitsuntide King, Queen of May, and so on. These titles, as Mannhardt observes, imply that the spirit incorporate in vegetation is a ruler, whose creative power extends far and wide.314

In a village near Salzwedel a May-tree is set up at Whitsuntide and the boys race to it; he who reaches it first is king; a garland of flowers is put round his neck and in his hand he carries a May-bush, with which, as the procession moves along, he sweeps away the dew. At each house they sing a song, wishing the inmates good luck, referring to the “black cow in the stall milking white milk, black hen on the nest laying white eggs,” and begging a gift of eggs, bacon, etc.315 In some villages of Brunswick at Whitsuntide a May King is completely enveloped in a May-bush. In some parts of Thüringen also they have a May King at Whitsuntide, but he is got up rather differently. A frame of wood is made in which [pg 091] a man can stand; it is completely covered with birch boughs and is surmounted by a crown of birch and flowers, in which a bell is fastened. This frame is placed in the wood and the May King gets into it. The rest go out and look for him, and when they have found him they lead him back into the village to the magistrate, the clergyman, and others, who have to guess who is in the verdurous frame. If they guess wrong, the May King rings his bell by shaking his head, and a forfeit of beer or the like must be paid by the unsuccessful guesser.316 In some parts of Bohemia on Whit-Monday the young fellows disguise themselves in tall caps of birch bark adorned with flowers. One of them is dressed as a king and dragged on a sledge to the village green, and if on the way they pass a pool the sledge is always overturned into it. Arrived at the green they gather round the king; the crier jumps on a stone or climbs up a tree and recites lampoons about each house and its inmates. Afterwards the disguises of bark are stripped off and they go about the village in holiday attire, carrying a May-tree and begging. Cakes, eggs, and corn are sometimes given them.317 At Grossvargula, near Langensalza, in last century a Grass King used to be led about in procession at Whitsuntide. He was encased in a pyramid of poplar branches, the top of which was adorned with a royal crown of branches and flowers. He rode on horseback with the leafy pyramid over him, so that its lower end touched the ground, and an opening was left in it only for his face. Surrounded by a cavalcade of [pg 092] young fellows, he rode in procession to the town hall, the parsonage, etc., where they all got a drink of beer. Then under the seven lindens of the neighbouring Sommerberg, the Grass King was stripped of his green casing; the crown was handed to the Mayor, and the branches were stuck in the flax fields in order to make the flax grow tall.318 In this last trait the fertilising influence ascribed to the representative of the tree-spirit comes out clearly. In the neighbourhood of Pilsen (Bohemia) a conical hut of green branches, without any door, is erected at Whitsuntide in the midst of the village. To this hut rides a troop of village lads with a king at their head. He wears a sword at his side and a sugar-loaf hat of rushes on his head. In his train are a judge, a crier, and a personage called the Frog-flayer or Hangman. This last is a sort of ragged merryandrew, wearing a rusty old sword and bestriding a sorry hack. On reaching the hut the crier dismounts and goes round it looking for a door. Finding none, he says, “Ah, this is perhaps an enchanted castle; the witches creep through the leaves and need no door.” At last he draws his sword and hews his way into the hut, where there is a chair, on which he seats himself and proceeds to criticise in rhyme the girls, farmers, and farm-servants of the neighbourhood. When this is over, the Frog-flayer steps forward and, after exhibiting a cage with frogs in it, sets up a gallows on which he hangs the frogs in a row.319 In the neighbourhood of Plas the ceremony differs in some points. The king and his soldiers are completely clad in bark, adorned [pg 093] with flowers and ribbons; they all carry swords and ride horses, which are gay with green branches and flowers. While the village dames and girls are being criticised at the arbour, a frog is secretly pinched and poked by the crier till it quacks. Sentence of death is passed on the frog by the king; the hangman beheads it and flings the bleeding body among the spectators. Lastly, the king is driven from the hut and pursued by the soldiers.320 The pinching and beheading of the frog are doubtless, as Mannhardt observes,321 a rain-charm. We have seen322 that some Indians of the Orinoco beat frogs for the express purpose of producing rain, and that killing a frog is a German rain-charm.

Often the spirit of vegetation in spring is represented by a queen instead of a king. In the neighbourhood of Libchowic (Bohemia), on the fourth Sunday in Lent, girls dressed in white and wearing the first spring flowers, as violets and daisies, in their hair, lead about the village a girl who is called the Queen and is crowned with flowers. During the procession, which is conducted with great solemnity, none of the girls may stand still, but must keep whirling round continually and singing. In every house the Queen announces the arrival of spring and wishes the inmates good luck and blessings, for which she receives presents.323 In German Hungary the girls choose the prettiest girl to be their Whitsuntide Queen, fasten a towering wreath on her brow, and carry her singing through the streets. At every house they stop, sing old ballads, and receive presents.324 In the [pg 094] south-east of Ireland on May Day the prettiest girl used to be chosen Queen of the district for twelve months. She was crowned with wild flowers; feasting, dancing, and rustic sports followed, and were closed by a grand procession in the evening. During her year of office she presided over rural gatherings of young people at dances and merrymakings. If she married before next May Day her authority was at an end, but her successor was not elected till that day came round.325 The May Queen is common in France326 and familiar in England.

Again the spirit of vegetation is sometimes represented by a king and queen, a lord and lady, or a bridegroom and bride. Here again the parallelism holds between the anthropomorphic and the vegetable representation of the tree-spirit, for we have seen above that trees are sometimes married to each other.327 In a village near Königgrätz (Bohemia) on Whit-Monday the children play the king's game, at which a king and a queen march about under a canopy, the queen wearing a garland, and the youngest girl carrying two wreaths on a plate behind them. They are attended by boys and girls called groom's men and bridesmaids, and they go from house to house collecting gifts.328 Near Grenoble, in France, a king and queen are chosen on the 1st of May and are set on a throne for all to see.329 At Headington, near Oxford, children used to carry garlands from door to door on [pg 095] May Day. Each garland was carried by two girls, and they were followed by a lord and lady—a boy and girl linked together by a white handkerchief, of which each held an end, and dressed with ribbons, sashes, and flowers. At each door they sang a verse—