Cross the Po.—A woody country.—The Vintage.—Reggio.—Ridge of the Apennines.—Romantic ideas connected with those mountains.—Arrive at Modena.—Road to Bologna.—Magnificent Convent of Madonna del Monte.—Natural and political commotions in Bologna.—Proceed towards the mountains.—Dreary prospects.—The scenery improves.—Herds of goats.—A run with them.—Return to the carriage.—Wretched hamlet.—Miserable repast.
September 12th, 1780.
A SHOWER, having fallen, the air was refreshed, and the drops still glittered upon the vines, through which our road conducted us. Three or four miles from Mantua the scene changed to extensive grounds of rice, and meads of the tenderest verdure watered by springs, whose frequent meanders gave to the whole prospect the appearance of a vast green carpet shot with silver. Further on we crossed the Po, and passing Guastalla, entered a woody country full of inclosures and villages; herds feeding in the meadows, and poultry parading before every wicket.
The peasants were busied in winnowing their corn; or, mounted upon the elms and poplars, gathering the rich clusters from the vines that hang streaming in braids from one branch to another. I was surprised to find myself already in the midst of the vintage, and to see every road crowded with carts and baskets bringing it along; you cannot imagine a pleasanter scene.
Round Reggio it grew still more lively, and on the other side of that sketch-inviting little city, I remarked many a cottage that Tityrus might have inhabited, with its garden and willow hedge in flower, swarming with bees. Our road, the smoothest conceivable, enabled us to pass too rapidly through so cheerful a landscape. I caught glimpses of fields and copses as we were driven along, that could have afforded me amusement for hours, and orchards on gentle acclivities, beneath which I could have walked till evening. The trees literally bent under their loads of fruit, and innumerable ruddy apples lay scattered upon the ground.
Beyond these rich masses of foliage, to which the sun lent additional splendour, at the utmost extremity of the pastures, rose the irregular ridge of the Apennines, whose deep blue presented a striking contrast to the glowing colours of the foreground. I fixed my eyes on the chain of distant mountains, and indulged a thousand romantic conjectures of what was passing in their recesses—hermits absorbed in prayer—beautiful Contadine fetching water from springs, and banditti conveying their victims, perhaps at this very moment, to caves and fastnesses.
Such were the dreams that filled my fancy, and kept it incessantly employed till it was dusk, and the moon began to show herself; the same moon which but a few nights ago had seen me so happy at Fiesso. I left the carriage, and running into the dim haze, abandoned myself to the recollections it excited....
At length, having wandered where chance or the wildness of my fancy led, till the lateness of the evening alarmed me, I regained the chaise as fast as I could, and arrived between twelve and one at Modena, the place of my destination.
September 13th.
WE traversed a champagne country in our way to Bologna, whose richness and fertility encreased in proportion as we drew near that celebrated mart of lap-dogs and sausages. A chain of hills commands the city, variegated with green inclosures and villas innumerable. On the highest acclivity of this range appears the magnificent convent of Madonna del Monte, embosomed in wood and joined to the town by a corridor a league in length. This vast portico ascending the steeps and winding amongst the thickets, sometimes concealed and sometimes visible, produces an effect wonderfully grand and singular. I longed to have mounted the height by so extraordinary a passage; and hope on some future day to be better acquainted with Santa Maria del Monte.
At present I have very little indeed to say about Bologna (where I passed only two hours) except that it is sadly out of humour, an earthquake and Cardinal Buoncompagni having disarranged both land and people. For half-a-year the ground continued trembling; and for these last six months, the legate and senators have grumbled and scratched incessantly; so that, between natural and political commotions, the Bolognese must have passed an agreeable summer.
Such a report of the situation of things, you may suppose, was not likely to retard my journey. I put off delivering my letters to another opportunity, and proceeded immediately after dinner towards the mountains. We were soon in the midst of crags and stony channels, that stream with ten thousand rills in the winter season, but during the summer months reflect every sunbeam, and harbour half the scorpions in the country.
For many a toilsome league our prospect consisted of nothing but dreary hillocks and intervening wastes, more barren and mournful than those to which Mary Magdalene retired. Sometimes a crucifix or chapel peeped out of the parched fern and grasses, with which these desolate fields are clothed; and now and then we met a goggle-eyed pilgrim trudging along, and staring about him as if he waited only for night and opportunity to have additional reasons for hurrying to Loretto.
During three or four hours that we continued ascending, the scene increased in sterility and desolation; but, at the end of our second post, the landscape began to alter for the better: little green valleys at the base of tremendous steeps, discovered themselves, scattered over with oaks, and freshened with running waters, which the nakedness of the impending rocks set off to advantage. The sides of the cliffs in general consist of rude misshapen masses; but their summits are smooth and verdant, and continually browsed by herds of white goats, which were gambolling on the edge of the precipices as we passed beneath.
I joined one of these frisking assemblies, whose shadows were stretched by the setting sun along the level herbage. There I sat a few minutes whilst they shook their beards at me, and tried to scare me with all their horns. Being tired with skipping and butting at me in vain, the whole herd trotted away, and I after them. They led me a dance from crag to crag and from thicket to thicket.
It was growing dusky apace, and wreaths of smoke began to ascend from the mysterious depths of the valleys. I was ignorant what monster inhabited such retirements, so gave over my pursuit lest some Polypheme or other might make me repent it. I looked around, the carriage was out of sight; but hearing the neighing of horses at a distance, I soon came up with them, and mounted another rapid ascent, from whence an extensive tract of cliff and forest land was discernible.
A chill wind blew from the highest peak of the Apennines, and made a dismal rustle amongst the woods of chesnut that hung on the mountain’s side, through which we were forced to pass. Walking out of the sound of the carriage, I began interpreting the language of the leaves, not greatly to my own advantage or that of any being in the universe. I was no prophet of good, and had I but commanded an oracle, as ancient visionaries were wont, I should have flung mischief about me.
How long I continued in this strange temper I cannot pretend to say, but believe it was midnight before we emerged from the oracular forest, and saw faintly before us an assemblage of miserable huts, where we were to sleep. This wretched hamlet is suspended on the brow of a bleak mountain, and every gust that stirs, shakes the whole village to its foundations. At our approach two hags stalked forth with lanterns and invited us with a grin, which I shall always remember, to a dish of mustard and crows’ gizzards, a dish I was more than half afraid of tasting, lest it should change me to some bird of darkness, condemned to mope eternally on the black rafters of the cottage.
After repeated supplications we procured a few eggs, and some faggots to make a fire. Pitching my bed in a warm corner I soon fell asleep, and forgot all my cares and inquietudes.
A sterile region.—Our descent into a milder landscape.—Distant view of Florence.—Moonlight effect.—Visit the Gallery.—Relics of ancient credulity.—Paintings.—A Medusa’s head by Leonardo da Vinci.—Curious picture by Polemberg.—The Venus de Medicis.—Exquisitely sculptured figure of Morpheus.—Vast Cathedral.—Garden of Boboli.—Views from different parts of it.—Its resemblance to an antique Roman garden.
September 14th, 1780.
THE sun had not been long above the horizon, before we set forward upon a craggy pavement hewn out of rough cliffs and precipices. Scarcely a tree was visible, and the few that presented themselves began already to shed their leaves. The raw nipping air of this desert with difficulty spares a blade of vegetation; and in the whole range of these extensive eminences I could not discover a single corn-field or pasture. Inhabitants, you may guess, there were none. I would defy even a Scotch highlander to find means of subsistence in so rude a soil.
Towards mid-day, we had surmounted the dreariest part of our journey, and began to perceive a milder landscape. The climate improved as well as the prospect, and after a continual descent of several hours, we saw groves and villages in the dips of the hills, and met a string of mules and horses laden with fruit. I purchased some figs and peaches from this little caravan, and spread my repast upon a bank, in the midst of lavender bushes in full bloom.
Continuing our route, we bade adieu to the realms of poverty and barrenness, and entered a cultivated vale, shaded by woody acclivities. Amongst these we wound along, between groves of poplar and cypress, till late in the evening. Upon winding a hill we discovered Florence at a distance surrounded with gardens and terraces rising one above another; the full moon seemed to shine with a peculiar charm upon this favoured region. Her serene light on the pale grey of the olive, gave a visionary and Elysian appearance to the landscape, and I was sorry when I found myself excluded from it by the gates of Florence.
I slept as well as my impatience would allow, till it was time next morning (Sept. 15,) to visit the gallery, and worship the Venus de Medicis. I felt, upon entering this world of refinement, as if I could have taken up my abode in it for ever, but, confused with the multitude of objects, I knew not on which first to bend my attention, and ran childishly by the ample ranks of sculptures, like a butterfly in a parterre, that skims before it fixes, over ten thousand flowers.
Having taken my course down one side of the gallery, I turned the angle and discovered another long perspective, equally stored with master-pieces of bronze and marble. A minute brought me to the extremity of this range, vast as it was; then, flying down a third, adorned in the same delightful manner, I paused under the bust of Jupiter Olympius; and began to reflect a little more maturely upon the company in which I found myself. Opposite, appeared the majestic features of Minerva, breathing divinity: and Cybele, the mother of the gods.
Having regarded these powers with due veneration, I next cast my eyes upon a black figure, whose attitude seemed to announce the deity of sleep. You know my fondness for this drowsy personage, and that it is not the first time I have quitted the most splendid society for him. I found him at present, of touchstone, with the countenance of a towardly brat, sleeping ill through indigestion. The artist had not conceived very poetical ideas of the god, or else he never would have represented him with so little grace and dignity.
Displeased at finding my favourite subject profaned, I perceived the transports of enthusiasm beginning to subside, and felt myself calm enough to follow the herd of guides and spectators from chamber to chamber, cabinet to cabinet, without falling into errors of rapture and admiration. We were led slowly and moderately through the large rooms, containing the portraits of painters, good, bad, and indifferent, from Raphael to Liotard; then into a museum of bronzes, which would afford both amusement and instruction for years.
When I had rather alarmed than satisfied my curiosity by rapidly running over a multitude of candelabrums, urns, and sacred utensils, we entered a small luminous apartment, surrounded with cases richly decorated, and filled with the most exquisite models of workmanship in bronze and various metals, classed in exact order. Here are crowds of diminutive deities and tutelary lars, to whom the superstition of former days attributed those midnight murmurs which were believed to presage the misfortunes of a family. Amongst these now neglected images are preserved a vast number of talismans, cabalistic amulets, and other grotesque relics of ancient credulity.
In the centre of the room I remarked a table, beautifully formed of polished gems, and, near it, the statue of a genius with his familiar serpent, and all his attributes; the guardian of the treasured antiquities. From this chamber we were conducted into another, which opens to that part of the gallery where the busts of Adrian and Antinous are placed. Two pilasters, delicately carved in trophies and clusters of ancient armour, stand on each side of the entrance; within are several perfumed cabinets of miniatures, and a single column of oriental alabaster about ten feet in height,
I put my guide’s patience to the proof, by lingering to admire the column and cabinets. At last, the musk with which they are impregnated, obliged me to desist, and I moved on to a suite of saloons, with low arched roofs, glittering with arabesque, in azure and gold. Several medallions appear amongst the wreaths of foliage, tolerably well painted, with representations of splendid feasts and tournaments for which Florence was once so famous.
A vast collection of small pictures, most of them Flemish, covers the walls of these apartments. But nothing struck me more than a Medusa’s head by Leonardo da Vinci. It appears just severed from the body and cast on the damp pavement of a cavern: a deadly paleness covers the countenance, and the mouth exhales a pestilential vapour; the snakes, which fill almost the whole picture, beginning to untwist their folds; one or two seemed already crept away, and crawling up the rock in company with toads and other venomous reptiles.
Here are a great many Polembergs: one in particular, the strangest I ever beheld. Instead of those soft scenes of woods and waterfalls he is in general so fond of representing, he has chosen for his subject Virgil ushering Dante into the regions of eternal punishment, amidst the ruins of flaming edifices that glare across the infernal waters. These mournful towers harbour innumerable shapes, all busy in preying upon the damned. One capital devil, in the form of an enormous lobster, seems very strenuously employed in mumbling a miserable mortal, who sprawls, though in vain, to escape from his claws. This performance, whimsical as it is, retains all that softness of tint and delicacy of pencil for which Polemberg is so renowned.
Had not the subject so palpably contradicted the painter’s choice, I should have passed over this picture, like a thousand more, and have brought you immediately to the tribune. Need I say I was spell-bound the moment I set my feet within it, and saw full before me the Venus de Medicis? The warm ivory hue of the original marble is a beauty no copy has ever imitated, and the softness of the limbs exceeded the liveliest idea I had formed to myself of their perfection.
When I had taken my eyes reluctantly away from this beautiful object, I cast them upon a Morpheus of white marble, which lies slumbering at the feet of the goddess in the form of a graceful child. A dormant lion serves him for a pillow; two ample wings, carved with the utmost delicacy, are gathered under him; two others, budding from his temples, half-concealed by a flow of lovely ringlets. His languid hands scarcely hold a bunch of poppies: near him creeps a lizard, just yielding to his influence. Nothing can be more just than the expression of sleep in the countenance of the little divinity. His lion too is perfectly lulled, and rests his muzzle upon his fore paws as quiet as a domestic spaniel. My ill-humour at seeing this deity so grossly sculptured in the gallery, was dissipated by the gracefulness of his appearance in the tribune. I was now contented, for the artist had realized my ideas; and, if I may venture my opinion, sculpture never arrived to higher perfection, and, at the same time, kept more justly within its province. Sleeping figures with me always produce the finest illusion; but when I see an archer in the very act of discharging his arrow, a dancer with one foot in the air, or a gladiator extending his fist to all eternity, I grow tired, and view such wearisome attitudes with infinitely more admiration than pleasure.
The morning was gone before I could snatch myself from the tribune. In my way home, I looked into the cathedral, an enormous fabric, inlaid with the richest marbles, and covered with stars and chequered work, like an old-fashioned cabinet. The architect seems to have turned his building inside out; nothing in art being more ornamented than the exterior, and few churches so simple within. The nave is vast and solemn, the dome amazingly spacious, with the high altar in its centre, inclosed by a circular arcade near two hundred feet in diameter. There is something imposing in this decoration, as it suggests the idea of a sanctuary, into which none but the holy ought to penetrate. However profane I might feel myself, I took the liberty of entering, and sat down in a niche. Not a ray of light reaches this sacred inclosure, but through the medium of narrow windows, high in the dome, and richly painted. A sort of yellow tint predominates, which gives additional solemnity to the altar, and paleness to the votary before it. I was sensible of the effect, and obtained at least the colour of sanctity.
Having remained some time in this pious hue, I returned home and feasted upon grapes and ortolans with great edification; then walked to one of the bridges across the Arno, and from thence to the garden of Boboli, which lies behind the Grand Duke’s palace, stretched out on the side of a mountain. I ascended terrace after terrace, robed by a thick underwood of bay and myrtle, above which rise several nodding towers, and a long sweep of venerable wall, almost entirely concealed by ivy. You would have been enraptured with the broad masses of shade and dusky alleys that opened as I advanced, with white statues of fauns and sylvans glimmering amongst them; some of which pour water into sarcophagi of the purest marble, covered with antique relievos. The capitals of columns and ancient friezes are scattered about as seats.
On these I reposed myself, and looked up to the cypress groves which spring above the thickets; then, plunging into their retirements, I followed a winding path, which led me by a series of steep ascents to a green platform overlooking the whole extent of wood, with Florence deep beneath, and the tops of the hills which encircle it jagged with pines; here and there a convent, or villa, whitening in the sun. This scene extends as far as the eye can reach.
Still ascending I attained the brow of the eminence, and had nothing but the fortress of Belvedere, and two or three open porticos above me. On this elevated situation, I found several walks of trellis-work, clothed with luxuriant vines. A colossal statue of Ceres, her hands extended in the act of scattering fertility over the country, crowns the summit.
Descending alley after alley, and bank after bank, I came to the orangery in front of the palace, disposed in a grand amphitheatre, with marble niches relieved by dark foliage, out of which spring cedars and tall aërial cypresses. This spot brought the scenery of an antique Roman garden so vividly into my mind, that, lost in the train of recollections this idea excited, I expected every instant to be called to the table of Lucullus hard by, in one of the porticos, and to stretch myself on his purple triclinias; but waiting in vain for a summons till the approach of night, I returned delighted with a ramble that had led my imagination so far into antiquity.
Friday, Sept. 16.—My impatience to hear Pacchierotti called me up with the sun. I blessed a day which was to give me the greatest of musical pleasures, and travelled gaily towards Lucca, along a fertile plain, bounded by rocky hills, and scattered over with towns and villages. We passed Pistoia in haste, and about three in the afternoon entered the Lucchese territory, by a clean paved road, which runs through chestnut copses bordered with broom in blossom, and an immense variety of heaths; a red soil peeping forth from the vegetation, adds to the richness of the landscape, which swells all the way into gentle acclivities: and at about seven or eight miles from the city spreads all round into mountains, green to their very summits, and diversified with gardens and palaces. More pleasing scenery can with difficulty be imagined: I was quite charmed with beholding it, as I knew very well that the opera would keep me a long while chained down in its neighbourhood.
Happy for me that the environs of Lucca were so beautiful; since I defy almost any city to contain more ugliness within its walls. Narrow streets and dismal alleys; wide gutters and cracked pavements; everybody in black, according with the gloom of their habitations, which however are large and lofty enough of conscience; but having all grated windows, they convey none but dark and dungeon-like ideas. My spirits fell many degrees upon entering this sable capital; and when I found Friday was meagre day, in every sense of the word, with its inhabitants, and no opera to be performed, I grew wofully out of humour. Instead of a delightful symphony, I heard nothing for some time but the clatter of plates and the swearing of waiters.
Amongst the number of my tormentors was a whole Genoese family of distinction; very fat and sleek, and terribly addicted to the violin. Overhearing my sad complaint for want of music, they most generously determined I should have my fill of it, and, getting together a few scrapers, began such an academia as drove me to the further end of a very spacious apartment, whilst they possessed the other. The hopes and heir of the family—a chubby dolt of between eighteen and nineteen, his uncle, a thickset smiling personage, and a brace of innocent-looking younger brothers, plied their fiddles with a hearty good will, waggled their double chins, and played out of tune with the most happy unconsciousness, as amateurs are apt to do ninety-nine times in a hundred.
Pacchierotti, whom they all worshipped in their heavy way, sat silent the while in a corner; the second soprano warbled, not absolutely ill, at the harpsichord; whilst the old lady, young lady, and attendant females, kept ogling him with great perseverance. Those who could not get in, squinted through the crevices of the door. Abbates and greyhounds were fidgetting continually without. In short, I was so persecuted with questions, criticisms, and concertos, that, pleading headache and indisposition, I escaped about ten o’clock, and shook myself when I got safe to my apartment like a worried spaniel.
Rambles among the hills.—Excursions with Pacchierotti.—He catches cold in the mountains.—The whole Republic is in commotion, and send a deputation to remonstrate with the Singer on his imprudence.—The Conte Nobili.—Hill scenery.—Princely Castle and Gardens of the Garzoni Family.—Colossal Statue of Fame.—Grove of Ilex.—Endless bowers of Vines.—Delightful Wood of the Marchese Mansi.—Return to Lucca.
Lucca, Sept. 25, 1780.
YOU ask me how I pass my time. Generally upon the hills, in wild spots where the arbutus flourishes; from whence I may catch a glimpse of the distant sea; my horse tied to a cypress, and myself cast upon the grass, like Palmerin of Oliva, with a tablet and pencil in my hand, a basket of grapes by my side, and a crooked stick to shake down the chestnuts. I have bidden adieu, several days ago, to the visits, dinners, conversazioni, and glories of the town, and only go thither in an evening, just time enough for the grand march which precedes Pacchierotti in Quinto Fabio. Sometimes he accompanies me in my excursions, to the utter discontent of the Lucchese, who swear I shall ruin their Opera, by leading him such extravagant rambles amongst the mountains, and exposing him to the inclemency of winds and showers. One day they made a vehement remonstrance, but in vain; for the next, away we trotted over hill and dale, and stayed so late in the evening, that a cold and hoarseness were the consequence.
The whole republic was thrown into commotion, and some of its prime ministers were deputed to harangue Pacchierotti upon the rides he had committed. Had the safety of their mighty state depended upon this imprudent excursion, they could not have vociferated with greater violence. You know I am rather energetic, and, to say truth, I had very nearly got into a scrape of importance, and drawn down the execrations of the Gonfalonier and all his council upon my head by openly declaring our intention of taking, next morning, another ride over the rocks, and absolutely losing ourselves in the clouds which veil their acclivities. These terrible threats were put into execution, and yesterday we made a tour of about thirty miles upon the high lands, and visited a variety of castles and palaces.
The Conte Nobili, a noble Lucchese, born in Flanders and educated at Paris, was our conductor. He possesses great elegance of imagination, and a degree of sensibility rarely met with. The way did not appear tedious in such company. The sun was tempered by light clouds, and a soft autumnal haze rested upon the hills, covered with shrubs and olives. The distant plains and forests appeared tinted with so deep a blue, that I began to think the azure so prevalent in Velvet Breughel’s landscapes is hardly exaggerated.
After riding for six or seven miles along the cultivated levels, we began to ascend a rough slope, overgrown with chestnuts; a great many loose fragments and stumps of ancient pomegranates perplexed our route, which continued, turning and winding through this wilderness, till it opened on a sudden to the side of a lofty mountain, covered with tufted groves, amongst which hangs the princely castle of the Garzoni, on the very side of a precipice.
Alcina could not have chosen a more romantic situation. The garden lies extended beneath, gay with flowers, and glittering with compartments of spar, which, though in no great purity of taste, strikes for the first time with the effect of enchantment. Two large marble basins, with jets-d’eau, seventy feet in height, divide the parterres; from the extremity of which rises a rude cliff, shaded with cedar and ilex, and cut into terraces.
Leaving our horses at the great gate of this magic enclosure, we passed through the spray of the fountains, and mounting an endless flight of steps, entered an alley of oranges, and gathered ripe fruit from the trees. Whilst we were thus employed, the sun broke from the clouds, and lighted up the green of the vegetation; at the same time spangling the waters, which pour copiously down a succession of rocky terraces, and sprinkle the impending citron-trees with perpetual dew. These streams issue from a chasm in the cliff, surrounded by cypresses, which conceal by their thick branches a pavilion with baths. Above arises a colossal statue of Fame, boldly carved, and in the very act of starting from the precipices. A narrow path leads up to the feet of the goddess, on which I reclined; whilst a vast column of water arching over my head, fell, without even wetting me with its spray, into the depths below.
I could hardly prevail upon myself to abandon this cool recess; which the fragrance of bay and orange, maintained by constant showers, rendered uncommonly luxurious. At last I consented to move on, through a dark wall of ilex, which, to the credit of Signor Garzoni be it spoken, is suffered to grow as wild as it pleases. This grove is suspended on the mountain side, whose summit is clothed with a boundless wood of olives, and forms, by its willowy colour, a striking contrast with the deep verdure of its base.
After resting a few moments in the shade, we proceeded to a long avenue, bordered by aloes in bloom, forming majestic pyramids of flowers thirty feet high. This led us to the palace, which was soon run over. Then, mounting our horses, we wound amongst sunny vales, and inclosures with myrtle hedges, till we came to a rapid steep. We felt the heat most powerfully in ascending it, and were glad to take refuge under a continued bower of vines, which runs for miles along its summit. These arbours afforded us both shade and refreshment; I fell upon the clusters which formed our ceiling, like a native of the north, unused to such luxuriance: one of those Goths, Gray so poetically describes, who
I wish you had journeyed with us under this fruitful canopy, and observed the partial sunshine through its transparent leaves, and the glimpses of the blue sky it every now and then admitted. I say only every now and then, for in most places a sort of verdant gloom prevailed, exquisitely agreeable in so hot a day.
But such luxury did not last, you may suppose, for ever. We were soon forced from our covert, and obliged to traverse a mountain exposed to the sun, which had dispersed every cloud, and shone with intolerable brightness. On the other side of this extensive eminence lies a pastoral hillock, surrounded by others, woody and irregular. Wide vineyards and fields of Indian corn lay between, across which the Conte Nobili conducted us to his house, where we found prepared a very comfortable dinner. We drank the growth of the spot, and defied the richest wines of Constantia to exceed it.
Afterwards, retiring into a wood of the Marchese Mansi, with neat pebble walks and trickling rivulets, we took coffee and loitered till sunset. It was then time to return, as the mists were beginning to rise from the valleys. The calm and silence of evening threw us into our reveries. We went pacing along heedlessly, just as our horses pleased, without hearing any sound but their steps.
Between nine and ten we entered the gates of Lucca. Pacchierotti coughed, and half its inhabitants wished us at the devil.
Set out for Pisa.—The Duomo.—Interior of the Cathedral.—The Campo Santo.—Solitude of the streets at midday.—Proceed to Leghorn.—Beauty of the road.—Tower of the Fanale.
Leghorn, October 2nd, 1780.
THIS morning we set out for Pisa. No sooner had we passed the highly cultivated garden-grounds about Lucca than we found ourselves in narrow roads, shut in by vines and grassy banks of canes and osiers, rising high above our carriage and waving their leaves in the air. Through the openings which sometimes intervened we discovered a variety of hillocks clothed with shrubs, ruined towers looking out of the bushes, not one without a romantic tale attending it.
This sort of scenery lasted till, passing the baths, we beheld Pisa rising from an extensive plain, the most open we had as yet seen in Italy, crossed by an aqueduct. We were set down immediately before the Duomo, which stands insulated in a vast green area, and is perhaps the most curious edifice my eyes ever viewed. Do not ask of what shape or architecture; it is almost impossible to tell, so great is the confusion of ornaments. The dome gives the mass an oriental appearance, which helped to bewilder me; in short, I have dreamed of such buildings, but little thought they existed. On one side you survey the famous tower, as perfectly awry as I expected; on the other the baptistery, a circular edifice distinct from the church and right opposite its principal entrance, crowded with sculptures and topped by the strangest of cupolas.
Having indulged our curiosity with this singular prospect for some moments, we entered the cathedral and admired the stately columns of porphyry and of the rarest marbles, supporting a roof which, like the rest of the building, shines with gold. A pavement of the brightest mosaic completes its magnificence: all around are sculptures by Michael Angelo Buonarotti, and paintings by the most distinguished artists. We examined them with due attention, and then walked down the nave and remarked the striking effect of the baptistery, seen in perspective through the bronze portals, which you know, I suppose, are covered with relievos of the finest workmanship. These noble valves were thrown wide open, and we passed between them to the baptistery, where stands an alabaster font, constructed after the primitive ritual and exquisitely wrought.
Our next object was the Campo Santo, which forms one side of the area in which the cathedral is situated. The walls, and Gothic tabernacle above the entrance, rising from the level turf and preserving a neat straw colour, appear as fresh as if built within the present century. Our guide unlocking the gates, we entered a spacious cloister, forming an oblong quadrangle, which encloses the sacred earth of Jerusalem, conveyed hither about the period of the crusades, the days of Pisanese prosperity. The holy mould produces a rampant crop of weeds, but none are permitted to spring from the pavement, which is entirely composed of tombs with slabs, smoothly laid and covered with monumental inscriptions. Ranges of slender pillars, formed of the whitest marble and glistening in the sun, support the arcade of the cloister, which is carved with innumerable stars and roses, partly Gothic and partly Saracenial. Strange paintings of hell and the devil, mostly taken from Dante’s rhapsodies, cover the walls of these fantastic galleries, attributed to the venerable Giotto and Bufalmacco, whom Boccaccio mentions in his Decamerone.
Beneath, along the base of the columns, are placed, to my no small surprise, rows of pagan sarcophagi; I could not have supposed the Pisanese sufficiently tolerant to admit profane sculptures within such consecrated precincts. However, there they are, as well as fifty other contradictory ornaments.
I was quite seized by the strangeness of the place, and paced fifty times round and round the cloisters, discovering at every time some odd novelty. When tired, I seated myself on a fair slab of giallo antico, that looked a little cleaner than its neighbours (which I only mention to identify the precise point of view), and looking through the filigreed tracery of the arches observed the domes of the cathedral, cupola of the baptistery, and roof of the leaning tower rising above the leads, and forming the strangest assemblage of pinnacles perhaps in Europe. The place is neither sad nor solemn; the arches are airy, the pillars light, and there is so much caprice, such an exotic look in the whole scene, that without any violent effort of fancy one might imagine one’s self in fairy land. Every object is new, every ornament original; the mixture of antique sarcophagi with Gothic sepulchres, completes the vagaries of the prospect, to which, one day or other, I think of returning, to hear visionary music and commune with sprites, for I shall never find in the whole universe besides so whimsical a theatre.
The heat was so powerful that all the inhabitants of Pisa showed their wisdom by keeping within doors. Not an animal appeared in the streets, except five camels laden with water, stalking along a range of garden walls and pompous mansions, with an awning before every door. We were obliged to follow their steps, at least a quarter of a mile, before we reached our inn. Ice was the first thing I sought after, and when I had swallowed an unreasonable portion, I began not to think quite so much of the deserts of Africa, as the heat and the camels had induced me to do a moment ago.
Early in the afternoon, we proceeded to Leghorn through a wild tract of forest, somewhat in the style of our English parks. The trees in some places formed such shady arbours, that we could not resist the desire of walking beneath them, and were well rewarded; for after struggling through a rough thicket, we entered a lawn hemmed in by oaks and chesnuts, which extends several leagues along the coast and conceals the prospect of the ocean; but we heard its murmurs.
Nothing could be smoother or more verdant than the herbage, which was sprinkled with daisies and purple crocuses as in the month of May. I felt all the genial sensations of Spring steal into my bosom, and was greatly delighted upon discovering vast bushes of myrtle in the fullest and most luxuriant bloom. The softness of the air, the sound of the distant surges, the evening gleams, and repose of the landscape, quieted the tumult of my spirits, and I experienced the calm of my infant hours. I lay down in the open turf-walks between the shrubberies, and during a few moments had forgotten every care; but when I began to enquire into my happiness, I found it vanish. I felt myself without those I love most, in situations they would have warmly admired, and without them these pleasant lawns and woodlands looked pleasant in vain.
We had not left this woody region far behind, when the Fanale began to lift itself above the horizon—the very tower you have so often mentioned; the sky and ocean glowing with amber light, and the ships out at sea appearing in a golden haze, of which we have no conception in our northern climates. Such a prospect, together with the fresh gales from the Mediterranean, charmed me; I hurried immediately to the port and sat on a reef of rocks, listening to the waves that broke amongst them.
The Mole at Leghorn.—Coast scattered over with Watch-towers.—Branches of rare Coral unexpectedly acquired.
October 3rd, 1780.
I WENT, as you would have done, to walk on the mole as soon as the sun began to shine upon it. Its construction you are no stranger to; therefore I think I may spare myself the trouble of saying anything about it, except that the port which it embraces is no longer crowded. Instead of ten ranks of vessels there are only three, and those consist chiefly of Corsican galleys, that look as poor and tattered as their masters. Not much attention did I bestow upon such objects, but, taking my seat at the extremity of the quay, surveyed the smooth plains of ocean, the coast scattered over with watchtowers, and the rocky isle of Gorgona, emerging from the morning mists, which still lingered upon the horizon.
Whilst I was musing upon the scene, and calling up all that train of ideas before my imagination, which pleased your own upon beholding it, an ancient figure, with a beard that would have suited a sea-god, stepped out of a boat, and tottering up the steps of the quay, presented himself before me with a basket in his hand. He stayed dripping a few moments before he pronounced a syllable, and when he began his discourse, I was in doubt whether I should not have moved off in a hurry, there was something so wan and singular in his countenance. Except this being, no other was visible for a quarter of a mile at least. I knew not what strange adventure I might be upon the point of commencing, or what message I was to expect from the submarine divinities. However, after all my conjectures, the figure turned out to be no other than an old fisherman, who having picked up a few branches of the rarest species of coral, offered them to sale. I eagerly made the purchase, and thought myself a favourite of Neptune, since he allowed me to acquire, with such facility, some of his most beautiful ornaments.
My bargain thus expeditiously concluded, I ran along the quay with my basket of coral, and, taking boat, was rowed back to the gate of the port. The carriage waited there; I shut myself up in the grateful shade of green blinds, and was driven away at a rate that favoured my impatience. We bowled smoothly over the lawns described in my last letter, amongst myrtles in flower, that would have done honour to the island of Juan Fernandez.
Arrived at Pisa, I scarcely allowed myself a moment to revisit the Campo Santo, but hurried on to Lucca, and threw the whole idle town into a stare by my speedy return.
Florence again.—Palazzo Vecchio.—View on the Arno.—Sculptures by Cellini and John of Bologna.—Contempt shown by the Austrians to the memory of the House of Medici.—Evening visit to the Garden of Boboli.—The Opera.—Miserable singing.—A Neapolitan Duchess.
Florence, October 5th, 1780.
IT was not without regret that I forced myself from Lucca. We had all the same road to go over again, that brought us to this important republic, but we broke down by way of variety. The wind was chill, the atmosphere damp and clogged with unwholesome vapours, through which we were forced to walk for a league, whilst our chaise lagged after us.
Taking shelter in a miserable cottage, we remained shivering and shaking till the carriage was in some sort of order, and then proceeded so slowly that we did not arrive at Florence till late in the evening, and took possession of an apartment over the Arno, which being swollen with rains roared like a mountain torrent. Throwing open my windows, I viewed its agitated course by the light of the moon, half concealed in stormy clouds, which hung above the fortress of the Belvedere. I sat contemplating the effect of the shadows on the bridge, on the heights of Boboli, and the mountain covered with pale olive groves, amongst which a convent is situated, till the moon sank into the darkest quarter of the sky, and a bell began to toll. Its mournful sound filled me with gloomy recollections. I closed the casements, and read till midnight some dismal memoir of conspiracies and assassinations, Guelphs and Ghibelines, the black story of ancient Florence.
October 6th.
EVERY cloud was dispersed when I arose, and the purity and transparence of the æther added new charms to the picturesque eminences around. I felt quite revived by this exhilarating prospect, and walked in the splendour of sunshine to the porticos beneath the famous gallery, then to an antient castle, raised in the days of the Republic, which fronts the grand piazza. Colossal statues and trophies badly carved in the true spirit of the antique, are placed before it. On one side a fountain, clung round with antick figures of bronze, by John of Bologna. On the other, three lofty pointed arches, and under one of them the Perseus of Benvenuto Cellini.
Having examined some groups of sculptures by Baccio Bandinelli and other mighty artists, I entered the court of the castle, dark and deep, as if hewn out of a rock, surrounded by a vaulted arcade covered with arabesque ornaments and supported by pillars almost as uncouthly designed as those of Persepolis. In the midst appears a marble fount with an image of bronze, that looks quite strange and cabalistic. I leaned against it to look up to the summits of the walls, which rise to a vast height, from whence springs a slender tower. Above, in the apartments of the castle, are still preserved numbers of curious cabinets, tables of inlaid gems, and a thousand rarities, collected by the house of Medici, and not yet entirely frittered away and disposed of by public sale.
It was not without indignation that I learnt this new mark of contempt which the Austrians bestow on the memory of those illustrious patrons of the Arts; whom, being unwilling to imitate, they affect to despise as a race of merchants whose example it would be abasing their dignity to follow.
I could have stayed much longer to enjoy the novelty and strangeness of the place; but it was right to pay some compliments of form. That duty over, I dined in peace and solitude, and repaired, as evening drew on, to the thickets of Boboli.
What a serene sky! what mellowness in the tints of the mountains! A purple haze concealed the bases, whilst their summits were invested with saffron light, discovering every white cot and every copse that clothed their declivities. The prospect widened as I ascended the terraces of the garden.
After traversing many long dusky alleys, I reached the opening on the brow of the hill, and seating myself under the statue of Ceres, took a sketch of the huge mountainous cupola of the Duomo, the adjoining lovely tower and one more massive in its neighbourhood, built not improbably in the style of ancient Etruria. Beyond this historic group of buildings a plain stretches itself far and wide, most richly studded with villas and gardens, and groves of pine and olive, quite to the feet of the mountains.
Having marked the sun’s going down and all the soothing effects cast by his declining rays on every object, I went through a plat of vines to a favourite haunt of mine:—a little garden of the most fragrant roses, with a spring under a rustic arch of grotto-work fringed with ivy. Thousands of fish inhabit here, of that beautiful glittering species which comes from China. This golden nation were leaping after insects as I stood gazing upon the deep clear water, listening to the drops that trickle from the cove. Opposite to which, at the end of a green alley, you discover an oval basin, and in the midst of it an antique statue full of that graceful languor so peculiarly Grecian.
Whilst I was musing on the margin of the spring (for I returned to it after casting a look upon the sculpture), the moon rose above the tufted foliage of the terraces, which I descended by several flights of steps, with marble balustrades crowned by vases of aloes.
It was now seven o’clock, and all the world were going to my Lord T——’s, who lives in a fine house all over blue and silver, with stuffed birds, alabaster cupids, and a thousand prettinesses more; but to say truth, neither he nor his abode are worth mentioning. I found a deal of slopping and sipping of tea going forward, and many dawdlers assembled.
As I can say little good of the party, I had better shut the door, and conduct you to the Opera, which is really a striking spectacle. The first soprano put my patience to severe proof, during the few minutes I attended. You never beheld such a porpoise. If these animals were to sing, I should conjecture it would be in his style. You may suppose how often I invoked Pacchierotti, and regretted the lofty melody of Quinto Fabio. Everybody seemed as well contented as if there were no such thing as good singing in the world, except a Neapolitan duchess who delighted me by her vivacity. We took our fill of maledictions, and went home equally pleased with each other for having mutually execrated both singers and audience.