As the Carnival is always held on the last three days before the beginning of Lent, its date shifts somewhat from year to year, but it invariably falls either in February or March. Hence it does not coincide with the date of the Saturnalia, which within historical times seems to have been always celebrated in December even in the old days, before Caesar's reform of the calendar, when the Roman year ended with February instead of December.784 Yet if the Saturnalia, like many other seasons of license, was originally celebrated as a sort of public purification at the end of the old year or the beginning of the new one, it may at a still more remote period, when the Roman year began with March, have been regularly held either in February or March and therefore at approximately the same date as the modern Carnival. So strong and persistent are the conservative instincts of the peasantry in respect to old custom, that it would be no matter for surprise if, in rural districts of Italy, the ancient festival continued to be celebrated at the ancient time long [pg 346] after the official celebration of the Saturnalia in the towns had been shifted from February to December. Latin Christianity, which struck at the root of official or civic paganism, has always been tolerant of its rustic cousins, the popular festivals and ceremonies which, unaffected by political and religious revolutions, by the passing of empires and of gods, have been carried on by the people with but little change from time immemorial, and represent in fact the original stock from which the state religions of classical antiquity were comparatively late offshoots. Thus it may very well have come about that while the new faith stamped out the Saturnalia in the towns, it suffered the original festival, disguised by a difference of date, to linger unmolested in the country; and so the old feast of Saturn, under the modern name of the Carnival, has reconquered the cities, and goes on merrily under the eye and with the sanction of the Catholic Church.
The opinion that the Saturnalia originally fell in February or the beginning of March receives some support from the circumstance that the festival of the Matronalia, at which mistresses feasted their slaves just as masters did theirs at the Saturnalia, always continued to be held on the first of March, even when the Roman year began with January.785 It is further not a little recommended by the consideration that this date would be eminently appropriate for the festival of Saturn, the old Italian god of sowing and planting. It has always been a puzzle to explain why such a festival should have been held at midwinter; but on the present hypothesis the mystery vanishes. With the Italian farmer February and March were the great season of the spring sowing and planting;786 nothing could be more natural than that the husbandman should inaugurate the season with the worship of the deity to whom he ascribed the function of [pg 347] quickening the seed. It is no small confirmation of this theory that the last day of the Carnival, namely Shrove Tuesday, is still, or was down to recent times, the customary season in Central Europe for promoting the growth of the crops by means of leaps and dances.787 The custom fits in very well with the view which derives the Carnival from an old festival of sowing such as the Saturnalia probably was in its origin. Further, the orgiastic character of the festival is readily explained by the help of facts which met us in a former part of our investigation. We have seen that between the sower and the seed there is commonly supposed to exist a sympathetic connexion of such a nature that his conduct directly affects and can promote or retard the growth of the crops.788 What wonder then if the simple husbandman imagined that by cramming his belly, by swilling and guzzling just before he proceeded to sow his fields, he thereby imparted additional vigour to the seed?789
But while his crude philosophy may thus have painted gluttony and intoxication in the agreeable colours of duties which he owed to himself, to his family, and to the commonwealth, it is possible that the zest with which he acquitted himself of his obligations may have been whetted by a less comfortable reflection. In modern times the indulgence of the Carnival is immediately followed by the abstinence of Lent; and if the Carnival is the direct descendant of the Saturnalia, may not Lent in like manner be merely the continuation, under a thin disguise, of a period of temperance which was annually observed, from superstitious motives, by Italian farmers long before the Christian era? Direct evidence of this, so far as I am aware, is not forthcoming; but we have seen that a practice of abstinence from fleshly lusts has been observed by various peoples as a sympathetic charm to foster the growth of the seed;790 and such an [pg 348] observance would be an appropriate sequel to the Saturnalia, if that festival was indeed, as I conjecture it to have been, originally held in spring as a religious or magical preparation for sowing and planting. When we consider how widely diffused is the belief in the sympathetic influence which human conduct, and especially the intercourse of the sexes, exerts on the fruits of the earth, we may be allowed to conjecture that the Lenten fast, with the rule of continence which is recommended, if not strictly enjoined, by the Catholic and Coptic churches during that season,791 was in its origin intended, not so much to commemorate the sufferings of a dying god, as to foster the growth of the seed, which in the bleak days of early spring the husbandman commits with anxious care and misgiving to the bosom of the naked earth. Ecclesiastical historians have been puzzled to say why after much hesitation and great diversity of usage in different places the Christian church finally adopted forty days as the proper period for the mournful celebration of Lent.792 Perhaps in coming to this decision the authorities were guided, as so often, by a regard for an existing pagan celebration of similar character and duration which they hoped by a change of name to convert into a Christian solemnity. Such a heathen Lent they may have found to hand in the rites of Persephone, the Greek goddess of the corn, whose image, carved out of a tree, was annually brought into the cities and mourned for forty nights, after which it was [pg 349] burned.793 The time of year when these lamentations took place is not mentioned by the old Christian writer who records them; but they would fall most appropriately at the season when the seed was sown or, in mythical language, when the corn-goddess was buried, which in ancient Italy, as we saw, was done above all in the months of February and March. We know that at the time of the autumnal sowing Greek women held a sad and serious festival because the Corn-goddess Persephone or the Maiden, as they called her, then went down into the earth with the sown grain, and Demeter fondly mourned her daughter's absence; hence in sympathy with the sorrowful mother the women likewise mourned and observed a solemn fast and abstained from the marriage bed.794 It is reasonable, therefore, to suppose that they practised similar rules of mourning and abstinence for a like reason at the time of the spring sowing, and that the ancient ritual survives in the modern Lent, which preserves the memory of the Mater Dolorosa, though it has substituted a dead Son for a dead Daughter.
Be that as it may, it is worthy of note that in Burma a similar fast, which English writers call the Buddhist Lent, is observed for three months every year while the ploughing and sowing of the fields go forward; and the custom is believed to be far older than Buddhism, which has merely given it a superficial tinge like the veneer of Christianity which, if I am right, has overlaid an old heathen observance in Lent. This Burmese Lent, we are told, covers the rainy season from the full moon of July to the full moon of October. “This is the time to plough, this is the time to sow; on the villagers' exertions in these months depends all their maintenance for the rest of the year. Every man, every woman, every child, has hard work of some kind or another. And so, what with [pg 350] the difficulties of travelling, what with the work there is to do, and what with the custom of Lent, every one stays at home. It is the time for prayer, for fasting, for improving the soul. Many men during these months will live even as the monks live, will eat but before midday, will abstain from tobacco. There are no plays during Lent, and there are no marriages. It is the time for preparing the land for the crop; it is the time for preparing the soul for eternity. The congregations on the Sundays will be far greater at this time than at any other; there will be more thought of the serious things of life.”795
Beyond the limits of Italy festivals of the same general character as the Saturnalia appear to have been held over a considerable area of the ancient world. A characteristic feature of the Saturnalia, as we saw, was an inversion of social ranks, masters changing places with their slaves and waiting upon them, while slaves were indulged with a semblance not merely of freedom but even of power and office. In various parts of Greece the same hollow show of granting liberty to slaves was made at certain festivals. Thus at a Cretan festival of Hermes the servants feasted and their masters waited upon them. In the month of Geraestius the Troezenians observed a certain solemnity lasting many days, on one of which the slaves played at dice with the citizens and were treated to a banquet by their lords. The Thessalians held a great festival called Peloria, which Baton of Sinope identified with the Saturnalia, and of which the antiquity is vouched for by a tradition that it originated with the Pelasgians. At this festival sacrifices were offered to Pelorian Zeus, tables splendidly adorned were set out, all strangers were invited to the feast, all prisoners released, and the slaves sat down to the banquet, [pg 351] enjoyed full freedom of speech, and were served by their masters.796
But the Greek festival which appears to have corresponded most closely to the Italian Saturnalia was the Cronia or festival of Cronus, a god whose barbarous myth and cruel ritual clearly belong to a very early stratum of Greek religion, and who was by the unanimous voice of antiquity identified with Saturn. We are told that his festival was celebrated in most parts of Greece, but especially at Athens, where the old god and his wife Rhea had a shrine near the stately, but far more modern, temple of Olympian Zeus. A joyous feast, at which masters and slaves sat down together, formed a leading feature of the solemnity. At Athens the festival fell in the height of summer, on the twelfth day of the month Hecatombaeon, formerly called the month of Cronus, which answered nearly to July; and tradition ran that Cecrops, the first king of Attica, had founded an altar in honour of Cronus and Rhea, and had ordained that master and man should share a common meal when the harvest was got in.797 Yet there are indications that at Athens the Cronia may once have been a spring festival. For a cake with twelve knobs, which perhaps referred to the twelve months of the year, was offered to Cronus by the Athenians on the fifteenth day of the month Elaphebolion, which corresponded roughly to March,798 and there are traces of a [pg 352] license accorded to slaves at the Dionysiac festival of the opening of the wine-jars, which fell on the eleventh day of the preceding month Anthesterion.799 At Olympia the festival of Cronus undoubtedly occurred in spring; for here a low but steep hill, now covered with a tangled growth of dark holly-oaks and firs, was sacred to him, and on its top certain magistrates, who bore the title of kings, offered sacrifice to the old god at the vernal equinox in the Elean month Elaphius.800
In this last ceremony, which probably went on year by year long before the upstart Zeus had a temple built for himself at the foot of the hill, there are two points of special interest, first the date of the ceremony, and second the title of the celebrants. First, as to the date, the spring equinox, or the twenty-first of March, must have fallen so near the fifteenth day of the Athenian month Elaphebolion, that we may fairly ask whether the Athenian custom of offering a cake to Cronus on that day may not also have been an equinoctial ceremony. In the second place, the title of kings borne by the magistrates who sacrificed to Cronus renders it probable that, like magistrates with similar high-sounding titles elsewhere in republican Greece, they were the lineal descendants of sacred kings whom the superstition of their subjects invested with the attributes of divinity.801 If that was so, it would be natural enough that one of these [pg 353] nominal kings should pose as the god Cronus in person. For, like his Italian counterpart Saturn, the Greek Cronus was believed to have been a king who reigned in heaven or on earth during the blissful Golden Age, when men passed their days like gods without toil or sorrow, when life was a long round of festivity, and death came like sleep, sudden but gentle, announced by none of his sad forerunners, the ailments and infirmities of age.802 Thus the analogy of the Olympian Cronia, probably one of the oldest of Greek festivals, to the Italian Saturnalia would be very close if originally, as I conjecture, the Saturnalia fell in spring and Saturn was personated at it, as we have good reason to believe, by a man dressed as a king. May we go a step further and suppose that, just as the man who acted King Saturn at the Saturnalia was formerly slain in that character, so one of the kings who celebrated the Cronia at Olympia not only played the part of Cronus, but was sacrificed, as god and victim in one, on the top of the hill? Cronus certainly bore a sinister reputation in antiquity. He passed for an unnatural parent who had devoured his own offspring, and he was regularly identified by the Greeks with the cruel Semitic Baals who delighted in the sacrifice of human victims, especially of children.803 A legend which savours strongly of infant sacrifice is reported of a shrine that stood at the very foot of the god's own hill at Olympia;804 and a quite unambiguous story was told of the sacrifice of a babe to Lycaean Zeus on Mount Lycaeus in Arcadia, where the worship of Zeus was probably nothing but a continuation, under a new name, of the old worship of Cronus, and where human victims appear to have been regularly offered down to the Christian era.805 The Rhodians annually sacrificed a [pg 354] man to Cronus in the month Metageitnion; at a later time they kept a condemned criminal in prison till the festival of the Cronia was come, then led him forth outside the gates, made him drunk with wine, and cut his throat.806 With the parallel of the Saturnalia before our eyes, we may surmise that the victim who thus ended his life in a state of intoxication at the Cronia perhaps personated King Cronus himself, the god who reigned in the happy days of old when men had nothing to do but to eat and drink and make merry. At least the Rhodian custom lends some countenance to the conjecture that formerly a human victim may have figured at the sacrifice which the so-called kings offered to Cronus on his hill at Olympia. In this connexion it is to be remembered that we have already found well-attested examples of a custom of sacrificing the scions of royal houses in ancient Greece.807 If the god to whom, or perhaps rather in whose character, the princes were sacrificed, was Cronus, it would be natural that the Greeks of a later age should identify him with Baal or Moloch, to whom in like manner Semitic kings offered up their children. The Laphystian Zeus of Thessaly and Boeotia, whom tradition associated with these human sacrifices, was probably, like the Lycaean Zeus of Arcadia, nothing but the aboriginal deity, commonly known as Cronus, whose gloomy rites the Greek invaders suffered the priests of the vanquished race to continue after the ancient manner, while they quieted their scruples of conscience or satisfied their pride as conquerors by investing the bloodthirsty old savage with the name, if not with the character, of their own milder deity, the humane and gracious Zeus.