To the student of architecture it would be impossible to mention any monument more worthy of study than this. Not only do we find within its innumerable cloisters, crypts, and halls, specimens of the purest Gothic that exists, but at every turn we are presented with structures that conform to the very highest ideals of art, in being at once useful and beautiful. There is not a single buttress, not a window, not an arch, not a pillar, that does not discharge some duty, and the removal of which would not weaken in some degree a part of the scheme.
The best way to secure an intelligible notion of the work of these monkish builders is to walk around the Mount at low tide and study the buildings from the outside. The feature that will most impress one in following this course is the wonderful north side of the Mount, known as the Merveille, which rears its massive walls sheer from the rock face, supported along its entire length by enormous buttresses, that spring with a fine suggestion of strength and permanency from their rocky base. The principal buildings, apart from the church, are contained within these massive walls. To the west we have, in three stories, the Cellar, the Salle des Chevaliers, and above the latter the open Cloister, the most perfect example of its kind in the world. The eastern part begins with the Almonry, above which is the Salle des Hôtes, and on the top of that the Refectory.
The whole effect of the Merveille is superb, yet what is it more than a great wall, held up by mighty buttresses, pierced in different ways to light the chambers within and to make each suitable for its particular office? The most perfect economy has been observed throughout, the buttresses are terminated the moment their services are not required, and the Refectory, which carries a light wooden roof, is lighted by means of long narrow lancets which give to the wall far more strength than would have been possible had it been pierced by wide windows; still, the lighting within is perfect. In brief, the Merveille, apart from the numerous other buildings that went to form the monastic and military establishment, is enough to send an architect into raptures, and might, if he knew not the dangers of the incoming tide, which has to cover nine miles of land at the rate of a race-horse, induce him to tarry over long in feasting his eyes on this marvellous achievement. It is beautiful beyond description, and yet we may be certain that its builders never thought of mere beauty in its construction, but built purely to meet the exigencies of the situation, and to provide the best possible accommodation for the inhabitants of the monastery and their dependants. As one writer has put it, "the beauty just happened." It is only when we find builders striving after effect that we are face to face with decadent art.
Continuing our walk round the rock on those sands that have been the scene of many a bitter battle, we pass under the ramparts, beginning with the Tour du Nord at the eastern end of the Merveille. Here, again, the beautiful union of art and Nature is observed, this magnificent tower seeming to be but the natural growth of the shelving rocks at its base. It is no surprise to know that through the ages which knew not the Maxim or the 100-ton gun, the splendid fortifications successfully resisted every attack of the envious English, the Bretons, and the Huguenots. The modern town is huddled picturesquely between the ramparts and the Abbey to the east and south.
Having completed the tour around the Mount, the visitor should proceed along the ramparts, and reach the entrance to the Abbey by the staircase known as the Grand Degré, which leads into the Barbican, and through the massive and beautiful Châtelet into the more ancient entrance of the Abbey, known as Belle-Chaise, where are situated the Guard Room and the Government Room. Here the guide will take us in hand, and march us from point to point of interest in the interior. But it is impossible, in the space of a short chapter, to attempt a description of this, that would follow in any detail the stipulated round of the apartments at present shown to the public.
Suffice it to say that you will first be taken to the Church, which is now, and likely to be for many years, in the hands of the restorers. Only four bays of the seven that went to the making of the great Norman nave remain, and these have had to be much restored; but here it is a pleasure to record that the restoration has been carried out with perfect taste, so that the latter-day visitor has an excellent idea of the appearance of the Abbey and its dependent buildings as these were in the heyday of Mont St. Michel's prosperity.
From the Church we shall enter the Cloister, already mentioned as being the topmost of the three western stories of the Merveille. Here was the recreation ground of the monks, and nothing could be more exquisite than the elegant proportions of the slender pillars that support the vaulted roofs of the double arcade. From the Cloister we visit the Refectory, where many a strange gathering of monks has taken place in days of old, for it is one of the interesting things in the history of Mont St. Michel that, while in its earlier ages it was a centre of learning and genuine religion, it became corrupt and scandalous under the commendatory abbots, who were men neither of morals nor religion, and who allowed all sorts of abuses within these sacred walls. At one time, indeed, the Abbot of Mont St. Michel was the five-year-old son of Louis the Just. In the south-west corner of the Refectory is the pit that formerly contained a lift whereby provisions could be hauled up from the bottom story, and the leavings of the monks sent down to the Almonry for distribution among the poor.
The Salle des Chevaliers, which will next be visited, is described by a learned writer as "perhaps the finest Gothic chamber in the world," and is believed to have been built as a great workroom for the monks, but received its present name either from the fact that the first investitures of the Order of St. Michael were made herein, or that it was the lodging of the 190 knights who came to the Mount to defend it against the English. In this beautiful apartment, lighted and ventilated in a way that is a model to present-day builders, the monks wrote and illuminated the manuscripts which earned for the abbey the title of "The City of Books." Reached from this room is the Salle des Hôtes, wherein the grand visitors were entertained by the abbot in a style befitting their rank, as under the rule of St. Benedict it was forbidden for laymen to enter the apartments reserved for the monks. Like all the other buildings, however, it has served many another purpose than that for which it was originally designed, and at one time was actually used as a Plomberie where the lead was worked for roofing and other purposes connected with the Abbey.
The Cellar is, in its way, as beautiful as any of the other apartments, although nothing was attempted by its builders but to provide a capacious storeroom for the inhabitants of the Mount, and to secure, in its strong pillars, strength to support the buildings rising above it. The provisions were hauled up from the sands by means of a great wheel and a rope, the latter being carried out on a little drawbridge to enable it to drop clear of the rocks. This arrangement, by the way, is associated with one of the most audacious attempts to secure the Abbey during the wars of the Huguenots. A traitor within arranged with two Huguenot leaders that on the day of St. Michael, in September, at eight o'clock in the evening, in the year 1591, he would haul up their men by means of this rope, and introduce them to the Cellar, while the monks were engaged in devotions, so placing the Mount at their mercy. But he proved a double traitor, for after seventy-eight men had been so hauled up, and, with one exception, quietly killed by the soldiers of the garrison as they arrived, the leaders below became suspicious of a trap, and asked that a monk should be thrown down as evidence that the plot was successful. The Governor immediately had one of the murdered Huguenots dressed in the gown of a monk and thrown down, but the Sieur Montgomery was not satisfied with this, and he called up that one of his men should come out on the drawbridge and assure them below that all was well. So the Governor sent the one man he had spared and instructed him to answer down that the Huguenots were masters of the Abbey. He was faithful to death, however, and called down that they were betrayed. Instead of being immediately killed, the Governor was so impressed with his courage, that he spared him, and the Huguenots hastily rode away.
The Almonry is the last of the great apartments which are contained in the Merveille, and it is from this that visitors make their exit into the courtyard of the Abbey; but many other interesting chambers are shown, such as the Crypte de l'Aquilon, the Charnier, the Promenoir or ancient cloister, and the famous Crypte des Gros-Piliers, which is also known as l'Eglise Basse, its pillars, of enormous girth, being designed to support the heavy masonry of the Abbey above. The Cachots, or prisons, are also an important feature of the sights described by the guide, and many harrowing tales are told of famous prisoners who went mad during their incarceration in these dread dungeons. But it is a pity that this part is shown at all, as the recollection of these hideous holes is likely to confuse many visitors' impressions of the place.
Here, then, is a very brief and a sadly-imperfect sketch of this rare legacy which the Middle Ages have left to lucky France. It need only be added that not one visit, nor two, is sufficient to an adequate appreciation of the beauties of Mont St. Michel; several days, instead of several hours, as is too often the custom of the breathless tourist, should be spent on the Mount. There is accommodation in plenty, for the three hotels, all kept by members of the same family (and each at daggers drawn with the others), give splendid entertainment at moderate rates; and practically all the houses are annexes to one or other of these establishments, so that except during August and September accommodation is never difficult to obtain. Nor are the buildings of the Abbey and the Merveille the only things of interest on the Mount to-day, for though it is a strangely-different scene from that in the olden days of pilgrimage, it is, perhaps, as interesting if we choose to regard as pilgrims the countless tourists who swarm here from all the ends of the earth, and we shall find among them even more material for study than was afforded to the monks in ages past. Then if rain should keep us prisoner for an hour or two at times, we need not weary sitting at our window, watching the carriages and bicycles arriving at the entrance to the Cour de l'Avancée, where they are immediately besieged by representatives of each of the hotels, and probably a simple Briton, innocent of French or the ways of this curious community, will find himself divided into three, his luggage being captured by the representative of Poulard aîné, his bicycle being taken by the tout for Poulard jeune, and he himself led captive by the buxom female who canvasses for veuve Poulard.
We remember one occasion when, at a high tide, which necessitated the use of a boat for debarking visitors, a solitary English female, of the type so properly satirised by French caricaturists, arrived by the diligence, and was rowed in lonely state through the entrance to the outer court. As the boat grounded she stood up, an angular vision in drab, with dark blue spectacles and a straw hat. In answer to the inquiring shouts of the hotel representatives, she innocently replied in the one word she knew, "Poulard," and there was a rush for her, in which the elder Poulard, thanks to exceptional height and strength, was able to dispose of his rivals, and lift this representative of British womanhood bodily into the kitchen of his hotel. She would probably be as much surprised as most of us are on visiting the place for the first time, to discover that after leaving this kitchen and ascending two stairs in the hope of arriving immediately at our bedroom, the maid calmly opens a door, and we find ourselves in another street, that rises step after step for one hundred yards or so, and brings us to one of the dependencies of the hotel, where probably we may have two or three stories to climb. You have a feeling all the time you are on the Mount that, somehow, you are living on the top of slates, as the houses look down upon each other, and in many cases you can walk from the top flat out on to a street at the back.
In a word, Mont St. Michel is unique. A stay here is an experience unlike any to be had elsewhere in Europe. "Not worth visiting" forsooth!
PRINTING OFFICE OF THE PUBLISHER
Transcriber's Note:
Obvious typographical errors have been corrected. Inconsistent spelling and hyphenation in the original document have been preserved.