Winsor & Newton's

WATERPROOF INDIAN INK

With Patent Stopper and Quill Feeder

This new Preparation has been introduced to meet the requirements of those Artists, Architects and Designers who wish to lay washes of color over drawings in ink.

Unlike many so-called "Indelible" Inks, Messrs. Winsor & Newton's Waterproof Indian ink, after it has dried, will be found absolutely unaffected by subsequent wetting. The lines of the drawing, from the thickest to the thinnest, remain undisturbed, and the purity of the most delicate color-wash is retained in an unsullied condition.

Finally, it may be mentioned that Messrs. Winsor and Newton's preparation is made from genuine Indian Ink, and not, as is frequently the case, from an imitative article.

Winsor and Newton's Waterproof Ink is made in 21 different colors. Sample card on application.

Winsor & Newton, Limited

88 Fulton StreetRathbone Place

NEW YORK AND LONDON.


PROCESS ILLUSTRATION


PRACTICAL MATERIALS
FOR
PRACTICAL WORKERS


ANGERER SCRAPER BOARDS
EIGHT VARIETIES. Sample Packet, 1s. 6d.

ANGERER LITHOGRAPHIC GRAINED PAPERS
FOUR VARIETIES. Sample Packet, 6d.

GILLOT SCRAPER BOARDS
EIGHT VARIETIES. Sample Packet, 1s. 2d.

PENROSE'S NEW STIPPLE BOARDS
Imitating the Lithographic Hand Stipple
TWO KINDS. Sample Packet, 6d.

GOODALL'S BRISTOL BOARDS
LITHOGRAPHIC TRANSFER PAPERS
TRACING TRANSFER PAPERS

LEMERCIER'S INKS and CRAYONS
Gillott's Pens. Fine Sable Brushes


T Squares, Set Squares. Tracing Points, Ruling Pens, Magnifying and Diminishing Glasses


All Materials, Tools, Chemicals, and Appliances for every Branch of Photo-mechanical Reproduction Catalogue, Sixpence, Post-free


PENROSE & CO.

The Photo Process Stores

8a, UPPER BAKER ST., Clerkenwell, LONDON F.W. DEVOE & C.T. RAYNOLDS CO


F.W. DEVOE & C.T. RAYNOLDS CO

MANUFACTURERS OF

Artists' Materials

SUPPLIES FOR

Oil and Water
Color Painting

Pastel and
Miniature Painting

Charcoal, Crayon and
Lead Pencil Drawing

Etching, Ornamenting
and Designing

Materials for
Tapestry Painting

Pyrography and
China Painting

Materials for Pen and Ink Drawing A Specialty

Liquid Inks, Crow Quill Pens, Process Papers,
Roulettes, F.W. Devoe & Co.'s Superior Liquid
Chinese White and Indian Ink, "Pen and Ink
Carton," "Bank Note Bristol," best for Black
and White Work, "Scratch Board," etc., etc.


A Complete Line of Ross's Hand Stipple Process Papers at Wholesale and Retail


Fulton and William Streets, New York,
and 176 Randolph Street, Chicago


GENNERT
Hard Rubber

Photographers'


DEVELOPING


and


FIXING DISHES


The Standard of Excellence


Each Piece Marked

"GENNERT"

Manufacturer, New York


A.B. Fleming & Co.
(LIMITED)

Scottish Printing Ink Manufactory

Caroline Park, EDINBURGH

Warehouse;
15 Whitefriars St., London, E.C.

Fine Color Department;
101 Leadenhall St., London, E.C.

Manufacturers of Every Kind of Black and Colored Inks

HALF-TONE PRINTING INKS

IN BLACK AND ART SHADES A SPECIALTY

(Any Shade Made to Order)

Our Half-Tone Inks will not fill up, do not contain Earth-Colors, and are permanent

Photochromic Printing in Three Colors

THE THREE NEUTRAL COLORS

(Red, Blue and Yellow)

SPECIALLY PREPARED AND GUARANTEED ABSOLUTELY PERMANENT

Shades Verified by Lovibond's Patent Tintometer

HIGH-CLASS COLLOTYPE INKS

OF ALL SHADES


Patented 1881-89 and Patent applied for

AS A FRONT FOCUS.

The Brighton is the first desired step forward in view cameras for several years, and can justly be called perfect, as it has all the features so highly prized by Artists and View Photographers, and is also adapted for Studio use of the amateur or artist.

1st. It is a Front Focus Camera.

2d. It is a Back Focus Camera as well.

3d. It has more swing than any other Camera.

4th. It has a self-centering, rising and falling front.

5th. It has Rack and Pinion (forward) and slide (backward) movement.

6th. It has a new front board feature, and an extra large front board.

7th. It can be used with an extremely short or long focus lens and no lens is so wide in its angle that it can take in any part of the bed.

8th. While no Camera is more rigid when the back clamp is set, it can be taken entirely apart by reversing the tightening lever.

9th. It has an improvement which allows the bed to be raised without the screw catching.

10th. It can be set up and taken down quicker and easier than any Camera.

Add to this absolutely perfect workmanship, materials and finish, and you have the Brighton Camera, the Twentieth Century product.

AS A BACK FOCUS.

Price List.—Leather Bellows, Double Swing, including one "Xtralite" Plate Holder and Carrying Case, 5 × 7, $24.00; 5 × 8, $26.00; 6½ × 8½, $28.00; 8 × 10, $30.00; 11 × 14, $40.00; 14 × 17, $60.00.

G. GENNERT, Manufacturer

24 & 26 East 13th Street, NEW YORK


ROSS LENSES

ROSS ZEISS ANASTIGMATS

ROSS-GOERZ

DOUBLE ANASTIGMATS

The Best Photographic Objectives for all purposes. Several series especially adapted to Reproductions.

G. GENNERT

Sole American Agent

24 & 26 East 13th Street, NEW YORK


There are

WASHING BOXES AND BOXES

That are Supposed to Wash, But Don't Do It

The Gennert

Universal

Washing Box



WASHES
CLEAN
AND
QUICK

No. 1 Holds 22 Plates 3¼ × 4¼ or 4¼ × 6½—11 Plates 6½ × 8½. Price, $2.00.
No. 2 Holds 22 Plates 4 × 5, 5 × 7, or 5 × 8—11 Plates 8 × 10. Price, $2.25.

G. GENNERT, Sole Mfr.,

24 and 26 East 13th St. NEW YORK


"The NEW YORK PHOTOGRAVURE CO., at 137 West 23d Street, makes perfect pictures for artistic, scientific and commercial purposes, by special, inimitable photogravure, photogelatine, and half-tone block processes. It has a gallery fitted to produce negatives of all sizes up to 24 × 30, by the best orthochromatic methods. From this department to the packing room, there is not a phase of any work, however trivial apparently, not carefully attended with the most zealous supervision."
From King's Handbook of New York City


Photographs in Colors

"Mr. Edwards spoke from the small stage at the end of the exhibition hall, and after an interesting résumé of the many 'processes' by which pictures and illustrations are now made with the aid of photography, the most important of which he explained in lucid and not too technical phraseology, he approached the most interesting part of his discourse, the modern method of three-color printing, which has, under the New York Photogravure Company, reached so high a state of perfection and resulted in such surprisingly attractive results."
From the Mail and Express, New York


"SUN AND SHADE reproduces, not only the most notable paintings and portraits, but the best work of amateur and professional photographers. If it gave nothing but the latter work, it would be deserving of the most liberal patronage that it receives; but it is an admirable record of the greatest paintings at the Metropolitan Museum of Art, of living American players, of portraits of celebrated Americans, of great American painters, with reproductions of their work, and it is a monument of the New York Photogravure Co., which is a monument of artistic New York."


Footnotes:

[1] Our frontispiece, a Collotype by S.B. Bolas and Co., is an excellent example of this process.

[2] The copper deposited by electro-deposition is little more than a thin skin of metal, which is then backed by a block of type-metal of the same thickness as the usual letterpress type.

[3] See remarks on printing in Chap. X.

[4] The term "tone," as used here and elsewhere throughout this book, is a word universally employed in art to express varying degrees of lightness and darkness irrespective of colour. The word "shade," as commonly used and accepted, comes nearest to its meaning, but that shade refers rather to varying tint of local colour, as when one says "a beautiful shade of pink." "Shade" is also used to express the reverse of "light," as "light and shade." Objects in nature, when represented in correct relationship of lightness and darkness, are said to be in correct relative tone.

[5] Refer to p. 72.

[6] Here, with all due deference, I may draw attention to the unpleasing effect of an illustration of elliptical or "cushion" shape, especially when mixed with letterpress on a book page, the general scheme of which is square or rectangular. Unless an irregular shape is for a special purpose desirable, it will be safer to keep the illustrations to a rectangular form.

Transcriber notes:

Fixed various commas and full-stops.
P.16. 'astist' changed to 'artist'.
P.32. 'ana' changed to 'and'.
P.109. 'reveiwed' changed to 'reviewed'.
Add: Camera: to 'be be raised', changed to 'be raised'.

Please note, special fonts used for this work are:
"Arial Narrow"; "Gill Sans MT Ext Condensed Bold"; "Wolf's Bane"; "Saunder BRK"; "Flowers Blossom Black" "Olde English Regular" and "Georgia".