The following was written in memory of Madame Malibran, who died September 23rd, 1836:—

“The beautiful is vanished, and returns not.”

’Twas but as yesterday, a mighty throng,
Whose hearts, as one man’s heart, thy power could bow,
Amid loud shoutings hailed thee queen of song,
And twined sweet summer flowers around thy brow;
And those loud shouts have scarcely died away,
And those young flowers but half forgot thy bloom,
When thy fair crown is changed for one of clay—
Thy boundless empire for a narrow tomb!
Sweet minstrel of the heart, we list in vain
For music now; THY melody is o’er;
Fidelio hath ceased o’er hearts to reign,
Somnambula hath slept to wake no more!
Farewell! thy sun of life too soon hath set,
But memory shall reflect its brightness yet.

Garrick’s epitaph in Westminster Abbey, reads:—

To paint fair Nature by divine command,
Her magic pencil in his glowing hand,
A Shakespeare rose; then, to expand his fame
Wide o’er the breathing world, a Garrick came:
Tho’ sunk in death, the forms the poet drew
The actor’s genius bade them breathe anew;
Tho’, like the bard himself, in night they lay,
Immortal Garrick call’d them back to day;
And till eternity, with power sublime,
Shall mark the mortal hour of hoary time,
Shakespeare and Garrick, like twin stars shall shine,
And earth irradiate with beams divine.

A monument placed in Westminster to the memory of Mrs. Pritchard states:—

On a comedian named John Hippisley, interred in the churchyard of Clifton, Gloucestershire, we have the following:—

When the Stage heard that death had struck her John,
Gay Comedy her Sables first put on;
Laughter lamented that her Fav’rite died,
And Mirth herself, (’tis strange) laid down and cry’d.
Wit droop’d his head, e’en Humour seem’d to mourn,
And solemnly sat pensive o’er his urn.

Garrick’s epitaph to the memory of James Quin, in Bath Cathedral, is very fine:—

That tongue, which set the table in a roar,
And charm’d the public ear, is heard no more;
Closed are those eyes, the harbingers of wit,
Which spoke, before the tongue, what Shakespeare writ;
Cold are those hands, which, living, were stretch’d forth,
At friendship’s call, to succour modest worth.
Here is James Quin! Deign, reader to be taught,
Whate’er thy strength of body, force of thought,
In Nature’s happiest mould however cast,
“To this complexion thou must come at last.”

We next give an actor’s epitaph on an artist. In Chiswick churchyard is Garrick’s epitaph on William Hogarth, (died Oct. 29, 1764, aged 67 years) as follows:—

Farewell, great painter of mankind,
Who reach’d the noblest point of art,
Whose pictured morals charm the mind,
And thro’ the eye correct the heart.

If genius fire thee, reader, stay;
If nature touch thee, drop a tear;
If neither move thee, turn away,
For Hogarth’s honour’d dust lies here.

No marble pomp, or monumental praise,
My tomb, this dial—epitaph, these lays;
Pride and low mouldering clay but ill agree;
Death levels me to beggars—Kings to me.

Alive, instruction was my work each day;
Dead, I persist instruction to convey;
Here, reader, mark, perhaps now in thy prime,
The stealthy steps of never-standing Time:
Thou’lt be what I am—catch the present hour,
Employ that well, for that’s within thy power.

In St. Mary’s Church, Beverley, a tablet is placed in remembrance of a notable Yorkshire actor:—

In Memory of
Samuel Butler,
A poor player that struts and
frets his hour upon the stage, and
then is heard no more.
Obt. June 15th 1812,
Æt. 62.

Butler’s gifted son, Samuel William, was buried in Ardwick cemetery, Manchester. A gravestone placed to his memory bears the following eloquent inscription by Charles Swain:—

Here rest the
mortal remains of
Samuel William Butler,
Tragedian.
In him the stage lost a highly-gifted and accomplished actor,
one whose tongue the noblest creations
of the poet found truthful utterance.
After long and severe suffering he departed
this life the 17th day of July, in the year of
our Lord 1845. Aged 41 years.

Whence this ambition, whence this proud desire,
This love of fame, this longing to aspire?
To gather laurels in their greenest bloom,
To honour life and sanctify the tomb?
’Tis the Divinity that never dies,
Which prompts the soul of genius still to rise.
Though fade the Laurel, leaf by leaf away,
The soul hath prescience of a fadeless day;
And God’s eternal promise, like a star,
From faded hopes still points to hopes afar;
Where weary hearts for consolation trust,
And bliss immortal quickens from the dust.
On this great hope, the painter, actor, bard,
And all who ever strove for Fame’s reward,
Must rest at last; and all that earth have trod
Still need the grace of a forgiving God!

A very interesting sketch of the life of Butler, from the pen of John Evans, is given in the “Papers of the Manchester Literary Club” vol. iii, published 1877.

In many collections of epitaphs the following is stated to be inscribed on a gravestone at Gillingham, but we are informed by the Vicar that no such epitaph is to be found, nor is there any trace of it having been placed there at any time:—

The following epitaph was written by Swift on Dicky Pearce, who died 1728, aged 63 years. He was a famous fool, and his name carries us back to the time when kings and noblemen employed jesters for the delectation of themselves and their friends. It is from Beckley, and reads as follows:—

Here lies the Earl of Suffolk’s Fool,
Men call him Dicky Pearce;
His folly serv’d to make men laugh,
When wit and mirth were scarce.
Poor Dick, alas! is dead and gone,
What signifies to cry?
Dickys enough are still behind
To laugh at by and by.

In our “Historic Romance,” published 1883, by Hamilton, Adams, and Co., London, will be found an account of “Fools and Jesters of the English Sovereigns,” and we therein state that the last recorded instance of a fool being kept by an English family, is that of John Hilton’s Fool, retained at Hilton Castle, Durham, who died in 1746.

The following epitaph is inscribed on a tombstone in the churchyard of St. Mary Friars, Shrewsbury, on Cadman, a famous “flyer” on the rope, immortalised by Hogarth, and who broke his neck descending from a steeple in Shrewsbury, in 1740:—

Let this small monument record the name
Of Cadman, and to future times proclaim
How, by an attempt to fly from this high spire,
Across the Sabrine stream, he did acquire
His fatal end. ’Twas not for want of skill,
Or courage to perform the task, he fell;
No, no,—a faulty cord being drawn too tight
Hurried his soul on high to take her flight,
Which bid the body here beneath, good-night.

Joe Miller, of facetious memory, next claims our attention. We find it stated in Chambers’s “Book of Days” (issued 1869), as follows: Miller was interred in the burial-ground of the parish of St. Clement Danes, in Portugal Street, where a tombstone was erected to his memory. About ten years ago, that burial-ground, by the removal of the mortuary remains, and the demolition of the monuments, was converted into a site for King’s College Hospital. Whilst this not unnecessary, yet undesirable, desecration was in progress, the writer saw Joe’s tombstone lying on the ground; and being told that it would be broken up and used as materials for the new building, he took an exact copy of the inscription, which was as follows:

Here lye the Remains of
Honest Jo : Miller,
who was
a tender Husband,
a sincere Friend,
a facetious Companion,
and an excellent Comedian.
He departed this Life the 15th day of
August 1738, aged 54 years.

If humour, wit, and honesty could save
The humourous, witty, honest, from the grave,
The grave had not so soon this tenant found,
Whom honesty, and wit, and humour, crowned;
Could but esteem, and love preserve our breath,
And guard us longer from the stroke of Death,
The stroke of Death on him had later fell,
Whom all mankind esteemed and loved so well.

S. Duck,
From respect to social worth,
mirthful qualities, and histrionic excellence,
commemorated by poetic talent in humble life.
The above inscription, which Time
had nearly obliterated, has been preserved
and transferred to this Stone, by order of
Mr. Jarvis Buck, Churchwarden,
A.D. 1816.

JOE MILLER’S TOMBSTONE, ST. CLEMENT DANES
CHURCHYARD, LONDON.

An interesting sketch of the life of Joe Miller will be found in the “Book of Days,” vol. II., page 216, and in the same informing and entertaining work, the following notes are given respecting the writer of the foregoing epitaph: “The ‘S. Duck,’ whose name figures as author of the verses on Miller’s tombstone, and who is alluded to on the same tablet, by Mr. Churchwarden Buck, as an instance of ‘poetic talent in humble life,’ deserves a short notice. He was a thresher in the service of a farmer near Kew, in Surrey. Imbued with an eager desire for learning, he, under most adverse circumstances, managed to obtain a few books, and educate himself to a limited degree. Becoming known as a rustic rhymer, he attracted the attention of Caroline, queen of George II., who, with her accustomed liberality, settled on him a pension of £30 per annum; she made him a Yeoman of the Guard, and installed him as keeper of a kind of museum she had in Richmond Park, called Merlin’s Cave. Not content with these promotions, the generous, but perhaps inconsiderate queen, caused Duck to be admitted to holy orders, and preferred to the living of Byfleet, in Surrey, where he became a popular preacher among the lower classes, chiefly through the novelty of being the ‘Thresher Parson.’ This gave Swift occasion to write the following quibbling epigram:—

“The thresher Duck could o’er the queen prevail;
The proverb says,—‘No fence against a flail.’
From threshing corn, he turns to thresh his brains,
For which her Majesty allows him grains;
Though ’tis confest, that those who ever saw
His poems, think ’em all not worth a straw.
Thrice happy Duck! employed in threshing stubble!
Thy toil is lessened, and thy profits double.

“One would suppose the poor thresher to have been beneath Swift’s notice, but the provocation was great, and the chastisement, such as it was, merited. For though few men had ever less pretensions to poetical genius than Duck, yet the Court party actually set him up as a rival—nay, as superior—to Pope. And the saddest part of the affair was that Duck, in his utter simplicity and ignorance of what really constituted poetry, was led to fancy himself the greatest poet of the age. Consequently, considering that his genius was neglected, and that he was not rewarded according to his poetical deserts by being made the clergyman of an obscure village, he fell into a state of melancholy, which ended in suicide; affording another to the numerous instances of the very great difficulty of doing good. If the well-meaning queen had elevated Duck to the position of farm-bailiff, he might have led a long and happy life, amongst the scenes and the classes of society in which his youth had passed, and thus been spared the pangs of disappointed vanity and misdirected ambition.”

Says a thoughtful writer, if truth, perspicuity, wit, gravity, and every property pertaining to the ancient or modern epitaph, were ever united in one of terse brevity, it was that made for Burbage, the tragedian, in the days of Shakespeare:—

“Exit Burbage.”

Jerrold, perhaps, with that brevity, which is the soul of wit, trumped the above by his anticipatory epitaph on that excellent man and distinguished historian, Charles Knight:—

“Good Knight.”

EPITAPHS ON NOTABLE PERSONS.

We have under this heading some curious graveyard gleanings on remarkable men and women. Our first is from a tombstone erected in the churchyard of Spofforth, at the cost of Lord Dundas, telling the remarkable career of John Metcalf, better known as “Blind Jack of Knaresborough”:—

Here lies John Metcalf, one whose infant sight
Felt the dark pressure of an endless night;
Yet such the fervour of his dauntless mind,
His limbs full strung, his spirits unconfined,
That, long ere yet life’s bolder years began,
The sightless efforts marked th’ aspiring man;
Nor marked in vain—high deeds his manhood dared,
And commerce, travel, both his ardour shared.
’Twas his a guide’s unerring aid to lend—
O’er trackless wastes to bid new roads extend;
And, when rebellion reared her giant size,
’Twas his to burn with patriot enterprise;
For parting wife and babes, a pang to feel,
Then welcome danger for his country’s weal.
Reader, like him, exert thy utmost talent given!
Reader, like him, adore the bounteous hand of Heaven.

He died on the 26th of April, 1801, in the 93rd year of his age.

A few jottings respecting Metcalf, will probably be read with interest. At the age of six years he lost his sight by an attack of small-pox. Three years later he joined the boys in their bird-nesting exploits, and climbed trees to share the plunder. When he had reached thirteen summers he was taught music, and soon became a proficient performer; he also learned to ride and swim, and was passionately fond of field-sports. At the age of manhood it is said his mind possessed a self-dependence rarely enjoyed by those who have the perfect use of their faculties; his body was well in harmony with his mind, for when twenty-one years of age he was six feet one and a-half inches in height, strong and robust in proportion. At the age of twenty-five, he was engaged as a musician at Harrogate. About this time he was frequently employed during the dark nights as a guide over the moors and wilds, then abundant in the neighbourhood of Knaresborough. He was a lover of horse-racing, and often rode his own animals. His horses he so tamed that when he called them by their respective names they came to him, thus enabling him to find his own amongst any number and without trouble. Particulars of the marriage of this individual read like a romance. A Miss Benson, daughter of an innkeeper, reciprocated the affections of our hero; however, the suitor did not please the parents of the “fair lady,” and they selected a Mr. Dickinson as her future husband. Metcalf, hearing that the object of his affection was to be married the following day to the young man selected by her father, hastened to free her by inducing the damsel to elope with him. Next day they were made man and wife, to the great surprise of all who knew them, and to the disappointment of the intended son-in-law. To all it was a matter of wonder how a handsome woman as any in the country, the pride of the place, could link her future with ‘Blind Jack,’ and, for his sake, reject the many good offers made her. But the bride set the matter at rest by declaring: “His actions are so singular, and his spirit so manly and enterprising, that I could not help it.”

It is worthy of note that he was the first to set up, for the public accommodation of visitors to Harrogate, a four-wheeled chaise and a one-horse chair; these he kept for two seasons. He next bought horses and went to the coast for fish, which he conveyed to Leeds and Manchester. In 1745, when the rebellion broke out in Scotland, he joined a regiment of volunteers raised by Colonel Thornton, a patriotic gentleman, for the defence of the House of Hanover. Metcalf shared with his comrades all the dangers of the campaign. He was defeated at Falkirk, and victorious at Culloden. He was the first to set up (in 1754) a stage-waggon between York and Knaresborough, which he conducted himself twice a week in summer, and once a week in winter. This employment he followed until he commenced contracting for road-making. His first contract was for making three miles of road between Minskip and Ferrensby. He afterwards erected bridges and houses, and made hundreds of miles of roads in Yorkshire, Lancashire, Cheshire, and Derbyshire. He was a dealer in timber and hay, of which he measured and calculated the solid contents by a peculiar method of his own. The hay he always measured with his arms, and, having learned the height, he could tell the number of square yards in the stack. When he went out, he always carried with him a stout staff some inches taller than himself, which was of great service both in his travels and measurements. In 1778 he lost his wife, after thirty-nine years of conjugal felicity, in the sixty-first year of her age. She was interred at Stockport. Four years later he left Lancashire, and settled at the pleasant rural village of Spofforth, not far distant from the town of his nativity. With a daughter, he resided on a small farm until he died, in 1801. At the time of his decease, his descendants were four children, twenty grandchildren, and ninety great-grandchildren.

[In one of our articles in Chambers’s Journal we furnished the foregoing sketch, and it has since been reproduced in many newspapers and in several volumes.]

In “Yorkshire Longevity,” compiled by Mr. William Grainge, of Harrogate, a most painstaking writer on local history, will be found an interesting account of Henry Jenkins, a celebrated Yorkshireman. It is stated: “In the year 1743, a monument was erected, by subscription, in Bolton churchyard, to the memory of Jenkins; it consists of a square base of freestone, four feet four inches on each side, by four feet six inches in height, surmounted by a pyramid eleven feet high. On the east side is inscribed:—

This monument was
erected by contribution,
in ye year 1743, to ye memory
of Henry Jenkins.

On the west side:—

Henry Jenkins,
Aged 169.

In the church, on a mural tablet of black marble, is inscribed the following epitaph, composed by Dr. Thomas Chapman, Master of Magdalen College, Cambridge:—

Blush not, marble,
to rescue from oblivion
the memory of
Henry Jenkins:
a person obscure in birth,
but of a life truly memorable;
for
he was enriched
with the goods of nature,
if not of fortune,
and happy
in the duration,
if not variety,
of his enjoyments:
and,
tho’ the partial world
despised and disregarded
his low and humble state,
the equal eye of Providence
beheld, and blessed it
with a patriarch’s health and length of days:
to teach mistaken man,
these blessings were entailed on temperance,
or, a life of labour and a mind at ease.
He lived to the amazing age of 169;
was interred here, Dec. 6, (or 9,) 1670,
and had this justice done to his memory 1743.

This inscription is a proof that learned men, and masters of colleges, are not always exempt from the infirmity of writing nonsense. Passing over the modest request to the black marble not to blush, because it may feel itself degraded by bearing the name of the plebeian Jenkins, when it ought only to have been appropriated to kings and nobles, we find but questionable philosophy in this inappropriate composition.

The multitude of great events which took place during the lifetime of this man are truly wonderful and astonishing. He lived under the rule of nine sovereigns of England—Henry VII.; Henry VIII.; Edward VI.; Mary; Elizabeth; James I.; Charles I.; Oliver Cromwell; and Charles II. He was born when the Roman Catholic religion was established by law. He saw the dissolution of the monasteries, and the faith of the nation changed—Popery established a second time by Queen Mary—Protestantism restored by Elizabeth—the Civil War between Charles and the Parliament begun and ended—Monarchy abolished—the young Republic of England, arbiter of the destinies of Europe—and the restoration of Monarchy under the libertine Charles II. During his time, England was invaded by the Scots; a Scottish King was slain, and a Scottish Queen beheaded in England; a King of Spain and a King of Scotland were Kings in England; three Queens and one King were beheaded in England in his days; and fire and plague alike desolated London. His lifetime appears like that of a nation, more than an individual, so long was it extended and so crowded was it with such great events.”

The foregoing many incidents remind us of the well-known Scottish epitaph on Marjory Scott, who died February 26th, 1728, at Dunkeld, at the extreme age of one hundred years. According to Chambers’s “Domestic Annals of Scotland,” the following epitaph was composed for her by Alexander Pennecuik, but never inscribed, and it has been preserved by the reverend statist of the parish, as a whimsical statement of historical facts comprehended within the life of an individual:—

Stop, passenger, until my life you read,
The living may get knowledge from the dead.
Five times five years I led a virgin life,
Five times five years I was a virtuous wife;
Ten times five years I lived a widow chaste,
Now tired of this mortal life I rest.
Betwixt my cradle and my grave hath been
Eight mighty kings of Scotland and a queen.
Full twice five years the Commonwealth I saw.
Ten times the subjects rise against the law;
And, which is worse than any civil war,
A king arraigned before the subject’s bar.
Swarms of sectarians, hot with hellish rage,
Cut off his royal head upon the stage.
Twice did I see old prelacy pulled down,
And twice the cloak did sink beneath the gown.
I saw the Stuart race thrust out; nay, more,
I saw our country sold for English ore;
Our numerous nobles, who have famous been,
Sunk to the lowly number of sixteen.
Such desolation in my days have been,
I have an end of all perfection seen!

A foot-note states: “The minister’s version is here corrected from one of the Gentleman’s Magazines for January 1733; but both are incorrect, there having been during 1728 and the one hundred preceding years no more than six kings of Scotland.”

In Scott’s “Tales of a Grandfather,” there is an account of the Battle of Lillyard’s Edge, which was fought in 1545. The spot on which the battle occurred is so called from an Amazonian Scottish woman, who is reported, by tradition, to have distinguished herself in the fight. An inscription which was placed on her tombstone was legible within the present century, and is said to have run thus:—

Fair Maiden Lillyard lies under this stane,
Little was her stature, but great was her fame;
Upon the English louns she laid many thumps,
And when her legs were cutted off, she fought upon her stumps.

The tradition says that a beautiful young lady, called Lillyard, followed her lover from the little village of Maxton, and when she saw him fall in battle, rushed herself into the heat of the fight, and was killed, after slaying several of the English.

On one of the buttresses on the south side of St. Mary’s Church, at Beverley, is an oval tablet, to commemorate the fate of two Danish soldiers, who, during their voyage to Hull, to join the service of the Prince of Orange, in 1689, quarrelled, and having been marched with the troops to Beverley, during their short stay there sought a private meeting to settle their differences by the sword. Their melancholy end is recorded in a doggerel epitaph, of which we give an illustration.

In the parish registers the following entries occur:—

In a note from the Rev. Jno. Pickford, M.A., we are told: “The mode of execution was, it may be presumed, by a broad two-handed sword, such a one as Sir Walter Scott has particularly described in “Anne of Geierstein,” as used at the decapitation of Sir Archibald de Hagenbach, “and which the executioner is described as wielding with such address and skill. The Danish culprit was, like the oppressive knight, probably bound and seated in a chair; but such swords as those depicted on the tablet could not well have been used for the purpose, for they are long, narrow in the blade, and perfectly straight.”

TABLET AT ST. MARY’S CHURCH, BEVERLEY.

We have in the “Diary of Abraham de la Pryme,” the Yorkshire Antiquary, some very interesting particulars respecting the Danes. Writing in 1689, the diarist tells us: “Towards the latter end of the aforegoing year, there landed at Hull about six or seven thousand Danes, all stout fine men, the best equip’d and disciplin’d of any that was ever seen. They were mighty godly and religious. You would seldom or never hear an oath or ugly word come out of their mouths. They had a great many ministers amongst them, whome they call’d pastours, and every Sunday almost, ith’ afternoon, they prayed and preach’d as soon as our prayers was done. They sung almost all their divine service, and every ministre had those that made up a quire whom the rest follow’d. Then there was a sermon of about half-an-houre’s length, all memoratim, and then the congregation broke up. When they adminstered the sacrament, the ministre goes into the church and caused notice to be given thereof, then all come before, and he examined them one by one whether they were worthy to receive or no. If they were he admitted them, if they were not he writ their names down in a book, and bid them prepare against the next Sunday. Instead of bread in the sacrament, I observed that they used wafers about the bigness and thickness of a sixpence. They held it no sin to play at cards upon Sundays, and commonly did everywhere where they were suffered; for indeed in many places the people would not abide the same, but took the cards from them. Tho’ they loved strong drink, yet all the while I was amongst them, which was all this winter, I never saw above five or six of them drunk.”

The diarist tells us that the strangers liked this country. It appears they worked for the farmers, and sold tumblers, cups, spoons, &c., which they had imported, to the English. They acted in the courthouse a play in their own language, and realised a good sum of money by their performances. The design of the piece was “Herod’s Tyranny—The Birth of Christ—The Coming of the Wise Men.”

In Bolton churchyard, Lancashire, is a gravestone of considerable historical interest. It has been incorrectly printed in several books and magazines, but we are able to give a literal copy drawn from a carefully compiled “History of Bolton,” by John D. Briscoe:—

We gather from Mr. Briscoe’s history that Okey was a woolcomber, and came from London, to superintend some works at Bolton, where he married the niece of the proprietor, and died in affluence.

Bradley, the “Yorkshire Giant,” was buried in the Market Weighton church, and on a marble monument the following inscription appears:—

In memory of
William Bradley,
(Of Market Weighton,)
Who died May 30th, 1820,
Aged 33 years.
He Measured
Seven feet nine inches in Height,
and Weighed
twenty-seven stones.

In “Celebrities of the Yorkshire Wolds,” by Frederick Ross, an interesting sketch of Bradley is given. Mr Ross states that he was a man of temperate habits, and never drank anything stronger than water, milk, or tea, and was a very moderate eater.

In Hampsthwaite churchyard was interred a “Yorkshire Dwarf.” Her gravestone states:—

In the burial-ground of St. Martin’s, Stamford, Lincolnshire, is a gravestone to Lambert of surprising corpulency:—

In remembrance of that prodigy in nature,
Daniel Lambert,
a native of Leicester,
who was possessed of an excellent and convivial mind, and
in personal greatness had no competitor.
He measured three feet one inch round the leg, nine feet four
inches round the body, and weighed 52 stones 11lbs.
(14lb. to the stone).
He departed this life on the 21st of June, 1809, aged 39 years.
As a testimony of respect, this stone was erected by his
friends in Leicester.

Respecting the burial of Lambert we gather from a sketch of his life the following particulars: “His coffin, in which there was a great difficulty to place him, was six feet four inches long, four feet four inches wide, and two feet four inches deep; the immense substance of his legs made it necessarily a square case. This coffin, which consisted of 112 superficial feet of elm, was built on two axle-trees, and four cog-wheels. Upon these his remains were rolled into his grave, which was in the new burial ground at the back of St. Martin’s Church. A regular descent was made by sloping it for some distance. It was found necessary to take down the window and wall of the room in which he lay to allow of his being taken away.”

In St. Peter’s churchyard, Isle of Thanet, a gravestone bears the following inscription:—

In memory of Mr. Richard Joy called the
Kentish Samson
Died May 18th 1742 aged 67

Hercules Hero Famed for Strength
At last Lies here his Breadth and Length
See how the mighty man is fallen
To Death ye strong and weak are all one
And the same Judgment doth Befall
Goliath Great or David small.

Joy was invited to Court to exhibit his remarkable feats of strength. In 1699 his portrait was published, and appended to it was an account of his prodigious physical power.

The next epitaph is from St. James’s cemetery, Liverpool:—

Our correspondent, Mrs. Charlotte Jobling, from whom we received the above, says: “The remainder is buried. It stands against the wall, and does not appear to now mark the grave of Miss Biffin.” Mr. Henry Morley, in his carefully prepared and entertaining “Memoirs of Bartholomew Fair,” writing about the fair of 1799, mentions Miss Biffin. “She was found,” says Mr. Morley, “in the Fair, and assisted by the Earl of Morton, who sat for his likeness to her, always taking the unfinished picture away with him when he left, that he might prove it to be all the work of her own shoulder. When it was done he laid it before George III., in the year 1808; obtained the King’s favour for Miss Biffin; and caused her to receive, at his own expense, further instruction in her art from Mr. Craig. For the last twelve years of his life he maintained a correspondence with her; and, after having enjoyed favour from two King Georges, she received from William IV. a small pension, with which, at the Earl’s request, she retired from a life among caravans. But fourteen years later, having been married in the interval, she found it necessary to resume, as Mrs. Wright, late Miss Biffin, her business as a skilful miniature painter, in one or two of our chief provincial towns.”

The following on Butler, the author of “Hudibras,” merits a place in our pages. The first inscription is from St. Paul’s, Covent Garden:—

The following lines were contributed by Mr. O’Brien, and are engraved beneath the medallion:—

A few plain men, to pomp and pride unknown,
O’er a poor bard have rais’d this humble stone,
Whose wants alone his genius could surpass,
Victim of zeal! the matchless “Hudibras.”
What, tho’ fair freedom suffer’d in his page,
Reader, forgive the author—for the age.
How few, alas! disdain to cringe and cant,
When ’tis the mode to play the sycophant.
But oh! let all be taught, from Butler’s fate,
Who hope to make their fortunes by the great;
That wit and pride are always dangerous things,
And little faith is due to courts or kings.

The erection of the above monument was the occasion of this very good epigram by Mr. S. Wesley:—

Whilst Butler (needy wretch!) was yet alive,
No gen’rous patron would a dinner give;
See him, when starv’d to death and turn’d to dust,
Presented with a monumental bust!
The poet’s fate is here in emblem shown,
He ask’d for bread, and he received a stone.

It is worth remarking that the poet was starving, while his prince, Charles II., always carried a “Hudibras” in his pocket.

The inscription on his monument in the Abbey is as follows:—

Here are a few particulars respecting an oddity, furnished by a correspondent: “Died, at High Wycombe, Bucks, on the 24th May, 1837, Mr. John Guy, aged 64. His remains were interred in Hughenden churchyard, near Wycombe. On a marble slab, on the lid of his coffin, is the following inscription:—

Here, without nail or shroud, doth lie
Or covered by a pall, John Guy.
Born May 17th, 1773.
Died —— 24th, 1837.

On his grave-stone these lines are inscribed:—

In coffin made without a nail,
Without a shroud his limbs to hide;
For what can pomp or show avail,
Or velvet pall, to swell the pride.
Here lies John Guy beneath this sod,
Who lov’d his friends, and fear’d his God.

This eccentric gentleman was possessed of considerable property, and was a native of Gloucestershire. His grave and coffin were made under his directions more than a twelvemonth before his death; the inscription on the tablet on his coffin, and the lines placed upon his gravestone, were his own compositions. He gave all necessary orders for the conducting of his funeral, and five shillings were wrapped in separate pieces of paper for each of the bearers. The coffin was of singular beauty and neatness in workmanship, and looked more like a piece of tasteful cabinet work intended for a drawing-room, than a receptable for the dead.

Near the great door of the Abbey of St. Peter, Gloucester, says Mr. Henry Calvert Appleby, at the bottom of the body of the building, is a marble monument to John Jones, dressed in the robes of an alderman, painted in different colours. Underneath the effigy, on a tablet of black marble, are the following words:—