The history of God's past is a record of continuous mercies, the history of man's, one of as continuous sin. The memory of the former quickened the psalmist into his sunny song of thankfulness in the previous psalm. That of the latter moves him to the confessions in this one. They are complements of each other, and are connected not only as being both retrospective, but by the identity of their beginnings and the difference of their points of view. The parts of the early history dealt with in the one are lightly touched or altogether omitted in the other. The key-note of Psalm cv. is, "Remember His mighty deeds"; that of Psalm cvi. is, "They forgot His mighty deeds."
Surely never but in Israel has patriotism chosen a nation's sins for the themes of song, or, in celebrating its victories, written but one name, the name of Jehovah, on its trophies. But in the Psalter we have several instances of such hymns of national confession; and, in other books, there are the formulary at the presentation of the first-fruits (Deut. xxvi.), Solomon's prayer at the dedication of the Temple (1 Kings viii.), Nehemiah's prayer (Neh. ix.), and Daniel's (Dan. ix.).
An exilic date is implied by the prayer of ver. 47, for the gathering of the people from among the nations. The occurrence of vv. 1 and 47, 48, in the compilation in 1 Chron. xvi. shows that this psalm, which marks the close of the Fourth Book, was in existence prior to the date of 1 Chronicles.
No trace of strophical arrangement is discernible. But, after an introduction in some measure like that in Psalm cv., the psalmist plunges into his theme, and draws out the long, sad story of Israel's faithlessness. He recounts seven instances during the wilderness sojourn (vv. 7-33), and then passes to those occurring in the Land (vv. 34-39), with which he connects the alternations of punishment and relenting on God's part and the obstinacy of transgression on Israel's, even down to the moment in which he speaks (vv. 40-46). The whole closes with a prayer for restoration to the Land (ver. 47); to which is appended the doxology (ver. 48), the mark of the end of Book IV., and not a part of the psalm.
The psalmist preludes his confession and contemplation of his people's sins by a glad remembrance of God's goodness and enduring loving-kindness and by a prayer for himself. Some commentators regard these introductory verses as incongruous with the tone of the psalm, and as mere liturgical commonplace, which has been tacked on without much heed to fitness. But surely the thought of God's unspeakable goodness most appropriately precedes the psalmist's confession, for nothing so melts a heart in penitence as the remembrance of God's love, and nothing so heightens the evil of sin as the consideration of the patient goodness which it has long flouted. The blessing pronounced in ver. 3 on those who "do righteousness" and keep the law is not less natural, before a psalm which sets forth in melancholy detail the converse truth of the misery that dogs breaking the law.
In vv. 4, 5, the psalmist interjects a prayer for himself, the abruptness of which strongly reminds us of similar jets of personal supplication in Nehemiah. The determination to make the "I" of the Psalter the nation perversely insists on that personification here, in spite of the clear distinction thrice drawn in ver. 5 between the psalmist and his people. The "salvation" in which he desires to share is the deliverance from exile for which he prays in the closing verse of the psalm. There is something very pathetic in this momentary thought of self. It breathes wistful yearning, absolute confidence in the unrealised deliverance, lowly humility which bases its claim with God on that of the nation. Such a prayer stands in the closest relation to the theme of the psalm, which draws out the dark record of national sin, in order to lead to that national repentance which, as all the history shows, is the necessary condition of "the prosperity of Thy chosen ones." Precisely because the hope of restoration is strong, the delineation of sin is unsparing.
With ver. 6 the theme of the psalm is given forth, in language which recalls Solomon's and Daniel's similar confessions (1 Kings viii. 47; Dan. ix. 5). The accumulation of synonyms for sin witnesses at once to the gravity and manifoldness of the offences, and to the earnestness and comprehensiveness of the acknowledgment. The remarkable expression "We have sinned with our fathers" is not to be weakened to mean merely that the present generation had sinned like their ancestors, but gives expression to the profound sense of national solidarity, which speaks in many other places of Scripture, and rests on very deep facts in the life of nations and their individual members. The enumeration of ancestral sin begins with the murmurings of the faint-hearted fugitives by the Red Sea. In Psalm cv. the wonders in Egypt were dilated on and the events at the Red Sea unmentioned. Here the signs in Egypt are barely referred to and treated as past at the point where the psalm begins, while the incidents by the Red Sea fill a large space in the song. Clearly, the two psalms supplement each other. The reason given for Israel's rebellion in Psalm cvi. is its forgetfulness of God's mighty deeds (ver. 7a, b), while in Psalm cv. the remembrance of these is urgently enjoined. Thus, again, the connection of thought in the pair of psalms is evident. Every man has experiences enough of God's goodness stored away in the chambers of his memory to cure him of distrust, if he would only look at them. But they lie unnoticed, and so fear has sway over him. No small part of the discipline needed for vigorous hope lies in vigorous exercise of remembrance. The drying up of the Red Sea is here poetically represented, with omission of Moses' outstretched rod and the strong east wind, as the immediate consequence of God's omnipotent rebuke. Ver. 9b is from Isa. lxiii. 13, and picturesquely describes the march through that terrible gorge of heaped-up waters as being easy and safe, as if it had been across some wide-stretching plain, with springy turf to tread on. The triumphant description of the completeness of the enemies' destruction in ver. 11b is from Exod. xiv. 28, and "they believed on His words" is in part quoted from Exod. xiv. 31, while Miriam's song is referred to in ver. 12b.
The next instance of departure is the lusting for food (vv. 13-15). Again the evil is traced to forgetfulness of God's doings, to which in ver. 13b is added impatient disinclination to wait the unfolding of His counsel or plan. These evils cropped up with strange celerity. The memory of benefits was transient, as if they had been written on the blown sands of the desert. "They hasted, they forgot His works." Of how many of us that has to be said! We remember pain and sorrow longer than joy and pleasure. It is always difficult to bridle desires and be still until God discloses His purposes. We are all apt to try to force His hand open, and to impose our wishes on Him, rather than to let His will mould us. So, on forgetfulness and impatience there followed then, as there follow still, eager longings after material good and a tempting of God. "They lusted a lust" is from Num. xi. 4. "Tempted God" is found in reference to the same incident in the other psalm of historical retrospect (lxxviii. 18). He is "tempted" when unbelief demands proofs of His power, instead of waiting patiently for Him. In Num. xi. 33 Jehovah is said to have smitten the people "with a very great plague." The psalm specifies more particularly the nature of the stroke by calling it "wasting sickness," which invaded the life of the sinners. The words are true in a deeper sense, though not so meant. For whoever sets his hot desires in self-willed fashion on material good, and succeeds in securing their gratification, gains with the satiety of his lower sense the loss of a shrivelled spiritual nature. Full-fed flesh makes starved souls.
The third instance is the revolt headed by Korah, Dathan, and Abiram against the exclusive Aaronic priesthood (vv. 16-18). It was rebellion against God, for He had set apart Aaron as His own, and therefore the unusual title of "the holy one of Jehovah" is here given to the high priest. The expression recalls the fierce protest of the mutineers, addressed to Moses and Aaron, "Ye take too much upon you, seeing all the congregation are holy" (Num. xvi. 3); and also Moses' answer, "Jehovah will show ... who is holy." Envy often masquerades as the champion of the rights of the community, when it only wishes to grasp these for itself. These aristocratic democrats cared nothing for the prerogatives of the nation, though they talked about them. They wanted to pull down Aaron, not to lift up Israel. Their end is described with stern brevity, in language coloured by the narrative in Numbers, from which the phrases "opened" (i.e., her mouth) and "covered" are drawn. Korah is not mentioned here, in which the psalm follows Num. xvi. and Deut. xi. 6, whereas Num. xxvi. 10 includes Korah in the destruction. The difficulty does not seem to have received any satisfactory solution. But Cheyne is too peremptory when he undertakes to divine the reason for the omission of Korah here and in Deut. xi. 6, "because he was a Levite and his name was dear to temple-poets." Such clairvoyance as to motives is beyond ordinary vision. In ver. 18 the fate of the two hundred and fifty "princes of Israel" who took part in the revolt is recorded as in Num. xvi. 35.
The worship of the calf is the fourth instance (vv. 19-23) in the narrative of which the psalmist follows Exod. xxxii., but seems also to have Deut. ix. 8-12 floating in his mind, as appears from the use of the name "Horeb," which is rare in Exodus and frequent in Deuteronomy. Ver. 20 is apparently modelled on Jer. ii. 11: "My people have changed their glory for that which doth not profit." Compare also Paul's "changed the glory of the incorruptible God for the likeness," etc. (Rom. i. 23). "His glory" is read instead "their glory" by Noldeke, Graetz, and Cheyne, following an old Jewish authority. The LXX., in Codd. Alex. and Sin. (second hand), has this reading, and Paul seems to follow it in the passage just quoted. It yields a worthy meaning, but the existing text is quite appropriate. It scarcely means that God was the source of Israel's glory or their boast, for the word is not found in that sense. It is much rather the name for the collective attributes of the revealed Godhead, and is here substantially equivalent to "their God," that lustrous Light which, in a special manner, belonged to the people of revelation, on whom its first and brightest beams shone. The strange perverseness which turned away from such a radiance of glory to bow down before an idol is strikingly set forth by the figure of bartering it for an image, and that of an ox that ate grass. The one true Substance given away for a shadow! The lofty Being whose light filled space surrendered: and for what? A brute that had to feed, and that on herbage! Men usually make a profit, or think they do, on their barter: but what do they gain by exchanging God for anything? Yet we keep making the same mistake of parting with Substance for shadows. And the reason which moved Israel is still operative. As before, the psalmist traces their mad apostasy to forgetfulness of God's deeds. The list of these is now increased by the addition of those at the Red Sea. With every step new links were added to the chain that should have bound the recipients of so many mercies to God. Therefore each new act of departure was of a darker hue of guilt, and drew on the apostates severer punishment, which also, rightly understood, was greater mercy.
"He said that He would annihilate them" is quoted from Deut. ix. 25. Moses' intercession for the people is here most vividly represented under the figure of a champion, who rushes into the breach by which the enemy is about to pour into some beleaguered town, and with his own body closes the gap and arrests the assault (cf. Ezek. xxii. 30).
The fifth instance is the refusal to go up to the land, which followed on the report of the spies (vv. 24-27). These verses are full of reminiscences of the Pentateuch and other parts of Scripture. "The delightsome land" (lit. "land of desire") is found in Jer. iii. 19 and Zech. vii. 14. "They despised" is from Num. xiv. 31. "They murmured in their tents" is from Deut. i. 27 (the only other place in which the word for murmuring occurs in this form). Lifting up the hand is used, as here, not in the usual sense of threatening to strike, but in that of swearing, in Exod. vi. 8, and the oath itself is given in Num. xiv. 28 sqq., while the expression "lifted up My hand" occurs in that context, in reference to God's original oath to the patriarch. The threat of exile (ver. 27) does not occur in Numbers, but is found as the punishment of apostasy in Lev. xxvi. 33 and Deut. xxviii. 64. The verse, however, is found almost exactly in Ezek. xx. 23, with the exception that there "scatter" stands in a instead of make to fall. The difference in the Hebrew is only in the final letter of the words, and the reading in Ezekiel should probably be adopted here. So the LXX. and other ancient authorities and many of the moderns.
The sixth instance is the participation in the abominable Moabitish worship of "Baal-Peor," recorded in Num. xxv. The peculiar phrase "yoked themselves to" is taken from that chapter, and seems to refer to "the mystic, quasi-physical union supposed to exist between a god and his worshippers, and to be kept up by sacrificial meals" (Cheyne). These are called sacrifices of the dead, inasmuch as idols are dead in contrast with the living God. The judicial retribution inflicted according to Divine command by the judges of Israel slaying "every one his man" is here called a "plague," as in the foundation passage, Num. xxv. 9. The word (lit. "a stroke," i.e. from God) is usually applied to punitive sickness; but God smites when He bids men smite. Both the narrative in Numbers and the psalm bring out vividly the picture of the indignant Phinehas springing to his feet from the midst of the passive crowd. He "rose up," says the former; he "stood up," says the latter. And his deed is described in the psalm in relation to its solemn judicial character, without particularising its details. The psalmist would partially veil both the sin and the horror of its punishment. Phinehas' javelin was a minister of God's justice, and the death of the two culprits satisfied that justice and stayed the plague. The word rendered "did judgment" has that meaning only, and such renderings as mediated or appeased give the effect of the deed and not the description of it contained in the word. "It was reckoned to him for righteousness," as Abraham's faith was (Gen. xv. 6). It was indeed an act which had its origin "in the faithfulness that had its root in faith, and which, for the sake of this its ultimate ground, gained him the acceptation of a righteous man, inasmuch as it proved him to be such" (Delitzsch, Eng. Trans.). He showed himself a true son of Abraham in the midst of these degenerate descendants, and it was the same impulse of faith which drove his spear, and which filled the patriarch's heart when he gazed into the silent sky and saw in its numberless lights the promise of his seed. Phinehas' reward was the permanence of the priesthood in his family.
The seventh instance is the rebellion at the waters of Meribah (Strife), in the fortieth year (Num. xx. 2-13). The chronological order is here set aside, for the events recorded in vv. 28-31 followed those dealt with in vv. 32, 33. The reason is probably that here Moses himself is hurried into sin, through the people's faithlessness, and so a climax is reached. The leader, long-tried, fell at last, and was shut out from entering the land. That was in some aspects the master-piece and triumph of the nation's sin. "It fared ill with Moses on their account," as in Deut. i. 37, iii. 26, "Jehovah was angry with me for your sakes." "His Spirit," in ver. 33, is best taken as meaning the Spirit of God. The people's sin is repeatedly specified in the psalm as being rebellion against God, and the absence of a more distinct definition of the person referred to is like the expression in ver. 32, where "indignation" is that of God, though His name is not mentioned. Isa. lxiii. 10 is a parallel to this clause, as other parts of the same chapter are to other parts of the psalm. The question which has been often raised, as to what was Moses' sin, is solved in ver. 33b, which makes his passionate words, wherein he lost his temper and arrogated to himself the power of fetching water from the rock, the head and front of his offending. The psalmist has finished his melancholy catalogue of sins in the wilderness with this picture of the great leader dragged down by the prevailing tone, and he next turns to the sins done in the land.
Two flagrant instances are given—disobedience to the command to exterminate the inhabitants, and the adoption of their bloody worship. The conquest of Canaan was partial; and, as often is the case, the conquerors were conquered and the invaders caught the manners of the invaded. Intermarriage poured a large infusion of alien blood into Israel; and the Canaanitish strain is perceptible to-day in the fellahin of the Holy Land. The proclivity to idolatry, which was natural in that stage of the world's history, and was intensified by universal example, became more irresistible, when reinforced by kinship and neighbourhood, and the result foretold was realised—the idols "became a snare" (Judg. ii. 1-3). The poet dwells with special abhorrence on the hideous practice of human sacrifices, which exercised so strong and horrible a fascination over the inhabitants of Canaan. The word in ver. 37 demons is found only here and in Deut. xxxii. 17. The above rendering is that of the LXX. Its literal meaning seems to be "lords." It is thus a synonym for "Baalim." The epithet "Shaddai" exclusively applied to Jehovah may be compared.
In vv. 40-46 the whole history of Israel is summed up as alternating periods of sin, punishment, deliverance, recurring in constantly repeated cycles, in which the mystery of human obstinacy is set over against that of Divine long-suffering, and one knows not whether to wonder most at the incurable levity which learned nothing from experience, or the inexhaustible long-suffering which wearied not in giving wasted gifts. Chastisement and mercies were equally in vain. The outcome of God's many deliverances was, "they rebelled in their counsel"—i.e., went on their own stiff-necked way, instead of waiting for and following God's merciful plan, which would have made them secure and blessed. The end of such obstinacy of disobedience can only be, "they were brought low through their iniquity." The psalmist appears to be quoting Lev. xxvi. 39, "they that are left of you shall pine away in their iniquity"; but he intentionally slightly alters the word, substituting one of nearly the same sound, but with the meaning of being brought low instead of fading away. To follow one's own will is to secure humiliation and degradation. Sin weakens the true strength and darkens the true glory of men.
In vv. 44-46 the singer rises from these sad and stern thoughts to recreate his spirit with the contemplation of the patient loving-kindness of God. It persists through all man's sin and God's anger. The multitude of its manifestations far outnumbers that of our sins. His eye looks on Israel's distress with pity, and every sorrow on which He looks He desires to remove. Calamities melt away beneath His gaze, like damp-stains in sunlight. His merciful "look" swiftly follows the afflicted man's cry. No voice acknowledges sin and calls for help in vain. The covenant forgotten by men is none the less remembered by Him. The numberless number of His loving-kindnesses, greater than that of all men's sins, secures forgiveness after the most repeated transgressions. The law and measure of His "repenting" lie in the endless depths of His own heart. As the psalmist had sung at the beginning, that loving-kindness endures for ever; therefore none of Israel's many sins went unchastised, and no chastisement outlasted their repentance. Solomon had prayed that God would "give them compassion before those who carried them captive" (1 Kings viii. 50); and thus has it been, as the psalmist joyfully sees. He may have written when the Babylonian captivity was near an end, and such instances as those of Daniel or Nehemiah may have been in his mind. In any case, it is beautifully significant that a psalm, which tells the doleful story of centuries of faithlessness, should end with God's faithfulness to His promises, His inexhaustible forgiveness, and the multitude of His loving-kindnesses. Such will be the last result of the world's history no less than of Israel's.
The psalm closes with the prayer in ver. 47, which shows that it was written in exile. It corresponds in part with the closing words of Psalm cv. Just as there the purpose of God's mercies to Israel was said to be that they might be thereby moved to keep His statutes, so here the psalmist hopes and vows that the issue of his people's restoration will be thankfulness to God's holy name, and triumphant pealing forth from ransomed lips of His high praises.
Ver. 48 is the concluding doxology of the Fourth Book. Some commentators suppose it an integral part of the psalm, but it is more probably an editorial addition.
Notwithstanding the division of Books which separates Psalm cvii. from the two preceding, it is a pendant to these. The "gathering from among the heathen" prayed for in Psalm cvi. 47 has here come to pass (ver. 3). The thanksgiving which there is regarded as the purpose of that restoration is here rendered for it. Psalm cv. had for theme God's mercies to the fathers. Psalm cvi. confessed the hereditary faithlessness of Israel and its chastisement by calamity and exile. Psalm cvii. begins with summoning Israel as "the redeemed of Jehovah," to praise Him for His enduring loving-kindness in bringing them back from bondage, and then takes a wider flight, and celebrates the loving Providence which delivers, in all varieties of peril and calamity, those who cry to God. Its vivid pictures of distress and rescue begin, indeed, with one which may fairly be supposed to have been suggested by the incidents of the return from exile; and the second of these, that of the liberated prisoners, is possibly coloured by similar reminiscences; but the great restoration is only the starting-point, and the bulk of the psalm goes further afield. Its instances of Divine deliverance, though cast into narrative form, describe not specific acts, but God's uniform way of working. Wherever there are trouble and trust, there will be triumph and praise. The psalmist is propounding a partial solution of the old problem—the existence of pain and sorrow. They come as chastisements. If terror or misery drive men to God, God answers, and deliverance is assured, from which fuller-toned praise should spring. It is by no means a complete vindication of Providence, and experience does not bear out the assumption of uniform answers to prayers for deliverance from external calamities, which was more warranted before Christ than it is now; but the essence of the psalmist's faith is ever true—that God hears the cry of a man driven to cry by crushing burdens, and will give him strength to bear and profit by them, even if He does not take them away.
The psalm passes before us a series of pictures, all alike in the disposition of their parts, and selected from the sad abundance of troubles which attack humanity. Travellers who have lost their way, captives, sick men, storm-tossed sailors, make a strangely miscellaneous company, the very unlikenesses of which suggest the width of the ocean of human misery. The artistic regularity of structure in all the four strophes relating to these cannot escape notice. But it is more than artistic. Whatever be a man's trouble, there is but one way out of it—to cry to God. That way is never vain. Always deliverance comes, and always the obligation of praise lies on the "redeemed of Jehovah."
With ver. 33 the psalm changes its structure. The refrains, which came in so strikingly in the preceding strophes, are dropped. The complete pictures give place to mere outline sketches. These diversities have suggested to some that vv. 33-43 are an excrescence; but they have some points of connection with the preceding, such as the peculiar phrase for "inhabited city" (vv. 4, 5, 36), "hungry" (vv. 5, 36), and the fondness for references to Isaiah and Job. In these latter verses the psalmist does not describe deliverances from peril or pain, but the sudden alternations effected by Providence on lands and men, which pass from fertility and prosperity to barrenness and trouble, and again from these to their opposites. Loving-kindness, which hears and rescues, is the theme of the first part; loving-kindness, which "changes all things and is itself unchanged," is the theme of the second. Both converge on the final thought (ver. 43), that the observance of God's ways is the part of true wisdom, and will win the clear perception of the all-embracing "loving-kindness of Jehovah."
New mercies give new meaning to old praises. Fresh outpourings of thankfulness willingly run in well-worn channels. The children can repeat the fathers' doxology, and words hallowed by having borne the gratitude of many generations are the best vehicles for to-day's praise. Therefore, the psalm begins with venerable words, which it bids the recipients of God's last great mercy ring out once more. They who have yesterday been "redeemed from captivity" have proof that "His loving-kindness endures for ever," since it has come down to them through centuries. The characteristic fondness for quotations, which marks the psalm, is in full force in the three introductory verses. Ver. 1 is, of course, quoted from several psalms. "The redeemed of Jehovah" is from Isa. lxii. 12. "Gathered out of the lands" looks back to Psalm cvi. 47, and to many prophetic passages. The word rendered above "distress" may mean oppressor, and is frequently rendered so here, which rendering fits better the preceding word "hand." But the recurrence of the same word in the subsequent refrains (vv. 6, 13, 19, 28) makes the rendering distress preferable here. To ascribe to distress a "hand" is poetical personification, or the latter word may be taken in a somewhat wider sense as equivalent to a grasp or grip, as above. The return from Babylon is evidently in the poet's thoughts, but he widens it out into a restoration from every quarter. His enumeration of the points from which the exiles flock is irregular, in that he says "from north and from the sea," which always means the Mediterranean, and stands for the west. That quarter has, however, already been mentioned, and, therefore, it has been supposed that sea here means, abnormally, the Red Sea, or "the southern portion of the Mediterranean." A textual alteration has also been proposed, which, by the addition of two letters to the word for sea, gives that for south. This reading would complete the enumeration of cardinal points; but possibly the psalmist is quoting Isa. xlix. 12, where the same phrase occurs, and the north is set over against the sea—i.e., the west. The slight irregularity does not interfere with the picture of the streams of returning exiles from every quarter.
The first scene, that of a caravan lost in a desert, is probably suggested by the previous reference to the return of the "redeemed of Jehovah," but is not to be taken as referring only to that. It is a perfectly general sketch of a frequent incident of travel. It is a remarkable trace of a state of society very unlike modern life, that two of the four instances of "distress" are due to the perils of journeying. By land and by sea men took their lives in their hands, when they left their homes. Two points are signalised in this description,—the first, the loss of the track; the second, the wanderers' hunger and thirst. "A waste of a way" is a singular expression, which has suggested various unnecessary textual emendations. It is like "a wild ass of a man" (Gen. xvi. 12), which several commentators quote as a parallel, and means a way which is desert (compare Acts viii. 26). The bewildered, devious march leads nowhither. Vainly the travellers look for some elevation,
No place where men dwell appears in the wide expanse of pathless wilderness. The psalmist does not think of a particular city, but of any inhabited spot, where rest and shelter might be found. The water-skins are empty; food is finished; hopelessness follows physical exhaustion, and gloom wraps their souls; for ver. 5b, literally translated, is, "Their soul covered itself"—i.e., with despondency (Psalm lxxvii. 3).
The picture is not an allegory or a parable, but a transcript of a common fact. Still, one can scarcely help seeing in it a vivid representation of the inmost reality of a life apart from God. Such a life ever strays from the right road. "The labour of the foolish wearieth every one of them, because he knoweth not how to come to the city." The deepest needs of the soul are unsatisfied; and however outward good abounds, gnawing hunger and fierce thirst torment at times; and however mirth and success seem to smile, joys are superficial, and but mask a central sadness, as vineyards which clothe the outside of a volcano and lie above sulphurous fires.
The travellers are driven to God by their "distress." Happy they who, when lost in a desert, bethink themselves of the only Guide. He does not reject the cry which is forced out by the pressure of calamity; but, as the structure of vv. 6, 7, shows, His answer is simultaneous with the appeal to Him, and it is complete, as well as immediate. The track appears as suddenly as it had faded. God Himself goes at the head of the march. The path is straight as an arrow's flight, and soon they are in the city.
Ver. 6 is the first instance of the refrain, which, in each of the four pictures, is followed by a verse (or, in the last of the four, by two verses) descriptive of the act of deliverance, which again is followed by the second refrain, calling on those who have experienced such a mercy to thank Jehovah. This is followed in the first two groups by a verse reiterating the reason for praise—namely, the deliverance just granted; and, in the last two, by a verse expanding the summons. Various may be the forms of need. But the supply of them all is one, and the way to get it is one, and one is the experience of the suppliants, and one should be their praise. Life's diversities have underlying them identity of soul's wants. Waiters on God have very different outward fortunes, but the broad outlines of their inward history are identical. This is the law of His providence—they cry, He delivers. This should be the harvest from His sowing of benefits—"Let them give thanks to Jehovah." Some would translate ver. 8, "Let them thankfully confess to Jehovah His loving-kindness, and to the children of men [confess] His wonders"; but the usual rendering as above is better, as not introducing a thought which, however important, is scarcely in the psalmist's view here, and as preserving the great thought of the psalm—namely, that of God's providence to all mankind.
The second scene, that of captives, probably retains some allusion to Babylon, though an even fainter one than in the preceding strophe. It has several quotations and references to Isaiah, especially to the latter half (Isa. xl.-lxvi.). The deliverance is described in ver. 16 in words borrowed from the prophecy as to Cyrus, the instrument of Israel's restoration (Isa. xlv. 2). The gloom of the prison-house is described in language closely resembling Isa. xlii. 7, xlix. 9. The combination of "darkness and the shade of deepest gloom" is found in Isa. ix. 2. The cause of the captivity described is rebellion against God's counsel and word. These things point to Israel's Babylonian bondage; but the picture in the psalm draws its colour rather than its subject from that event, and is quite general. The psalmist thinks that such bondage, and deliverance on repentance and prayer, are standing facts in Providence, both as regards nations and individuals. One may see, too, a certain parabolic aspect hinted at, as if the poet would have us catch a half-revealed intention to present calamity of any kind under this image of captivity. We note the slipping in of words that are not required for the picture, as when the fetters are said to be "affliction" as well as "iron." Ver. 12, too, is not specially appropriate to the condition of prisoners; persons in fetters and gloom do not stumble, for they do not move. There may, therefore, be a half-glance at the parabolic aspect of captivity, such as poetic imagination, and especially Oriental poetry, loves. At most it is a delicate suggestion, shyly hiding while it shows itself, and made too much of if drawn out in prosaic exposition.
We may perceive also the allegorical pertinence of this second picture, though we do not suppose that the singer intended such a use. For is not godless life ever bondage? and is not rebellion against God the sure cause of falling under a harsher dominion? and does He not listen to the cry of a soul that feels the slavery of subjection to self and sin? and is not true enlargement found in His free service? and does He not give power to break the strongest chains of habit? The synagogue at Nazareth, where the carpenter's Son stood up to read and found the place where it was written, "The Spirit of the Lord is upon Me. . . . He hath sent Me to proclaim liberty to the captives," warrants the symbolical use of the psalmist's imagery, which is, as we have seen, largely influenced by the prophet whose words Jesus quoted. The first scene taught that devout hearts never lack guidance from God. The second adds to their blessings freedom, the true liberty which comes with submission and acceptance of His law.
Sickness, which yields the third type of suffering, is a commoner experience than the two preceding. The picture is lightly sketched, emphasis being laid on the cause of the sickness, which is sin, in accordance with the prevailing view in the Old Testament. The psalmist introduces the persons of whom he is to speak by the strongly condemnatory term "foolish ones," which refers not to intellectual feebleness, but to moral perversity. All sin is folly. Nothing is so insane as to do wrong. An ingenious correction has been suggested, and is accepted by Cheyne in the wake of Dyserinck, Graetz, and others, by which "sick men" is read for "foolish men." But it does not appear to the present writer to be so impossible as Cheyne thinks to "conceive the psalmist introducing a fresh tableau by an ethical term such as fools." The whole verse (17) lays more stress on the sin than on the sickness, and the initial designation of the sufferers as "fools" is quite in harmony with its tone. They are habitual evil-doers, as is expressed by the weighty expression "the way (or course) of their transgression." Not by one or two breaches of moral law, but by inveterate, customary sins, men ruin their physical health. So the psalmist uses a form of the verb in ver. 17b which expresses that the sinner drags down his punishment with his own hands. That is, of course, eminently true in such gross forms of sin as sow to the flesh, and of the flesh reap corruption. But it is no less really true of all transgression, since all brings sickness to the soul. Ver. 18 is apparently quoted from Job xxxiii. 20-22. It paints with impressive simplicity the failing appetite and consequent ebbing strength. The grim portals, of which Death keeps the keys, have all but received the sick men; but, before they pass into their shadow, they cry to Jehovah, and, like the other men in distress, they too are heard, feeble as their sick voice may be. The manner of their deliverance is strikingly portrayed. "He sent His word and healed them." As in Psalm cv. 19, God's word is almost personified. It is the channel of the Divine power. God's uttered will has power on material things. It is the same great thought as is expressed in "He spake and it was done." The psalmist did not know the Christian teaching that the personal Word of God is the agent of all the Divine energy in the realm of nature and of history, and that a far deeper sense than that which he attached to them would one day be found in his words, when the Incarnate Word was manifested, as Himself bearing and bearing away the sicknesses of humanity, and rescuing not only the dying from going down to the grave, but bringing up the dead who had long lain there. God, who is Guide and Emancipator, is also Healer and Life-giver, and He is all these in the Word, which has become flesh, and dwelt and dwells among men.
Another travel-scene follows. The storm at sea is painted as a landsman would do it; but a landsman who had seen, from a safe shore, what he so vividly describes. He is impressed with the strange things that the bold men who venture to sea must meet, away out there beyond the point where sea and sky touch. With sure poetic instinct, he spends no time on trivial details, but dashes on his canvas the salient features of the tempest,—the sudden springing up of the gale; the swift response of the waves rolling high, with new force in their mass and a new voice in their breaking; the pitching craft, now on the crest, now in the trough; the terror of the helpless crew; the loss of steering power; the heavy rolling of the unmanageable, clumsy ship; and the desperation of the sailors, whose wisdom or skill was "swallowed up," or came to nothing.
Their cry to Jehovah was heard above the shriek of the storm, and the tempest fell as suddenly as it rose. The description of the deliverance is extended beyond the normal single verse, just as that of the peril had been prolonged. It comes like a benediction after the hurly-burly of the gale. How gently the words echo the softness of the light air into which it has died down, and the music which the wavelets make as they lap against the ship's sides! With what sympathy the poet thinks of the glad hearts on board, and of their reaching the safe harbour, for which they had longed when they thought they would never see it more! Surely it is a permissible application of these lovely words to read into them the Christian hope of preservation amid life's tempests,—